Оnlу Fооls & Ноrsеs Хмаs Sресiаl 5 Раrt 2
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00:00Mum, he's just outside. I'll switch your little box on, in case you need me.
00:06All I want to do is to go to Miami with Rodney for seven days.
00:10I mean, he's got a ticket going big in.
00:13I mean, Raquel has been to America, hasn't she? What about me?
00:16I've been nowhere. Better dormant bogged up as me.
00:21No, she'll be all right. Raquel will be OK, you see.
00:25Yeah, I'll work her. Everything will be gusty.
00:30I wouldn't be surprised if she puts a block on you.
00:33Leave it out, uncle. I'm the governor in this house.
00:36I should just tell her. I should just say,
00:38I'm going to go to Miami with my brother, like it or lump me.
00:41That's what I should say. I should say, pick the bones out of that, darling.
00:45Are you all right, sweetheart? Yeah, sit down.
00:48Del's got something to tell you, love. Oh, yeah? What's that?
00:53That programme you want to watch on the television, the film, is just about to start.
00:57Come on, sit down on your chaise lounge.
00:59But dinner's in the oven. Don't worry about that. I like it all baked up.
01:03There we go. Can I get you a drink? No, thanks.
01:06Oh, all right, then. There you go. Are you nice and comfy now?
01:09There you are, darling. Yes, cushty.
01:15Come here, then. Come to your lover. That's it.
01:19That's it.
01:28Oh, it's a shame, innit?
01:37Yes, it's a crying bloody shame.
01:41What is? Poor little Rodney.
01:44You mean those tickets to Miami, son? Yes, that's right.
01:47Yeah, cos Cassandra, she can't go with him now, so he won't be able to go.
01:52Couldn't Rodney go on his own? No, definitely not.
01:54I went to America, Mike. Yeah, I know that.
01:56You've got a bit of savvy, haven't you?
01:58You couldn't have Rodney Trotter and Dan Quayle on the same continent.
02:02No, you need someone to look after him.
02:05Yeah, trouble is, that's it, innit? But what can you do, you know?
02:09Hmm. Hmm.
02:13Poor little Rodney.
02:16Hey, I've got an idea. What's that, hunk?
02:18Why don't he take someone with him?
02:21That's a good idea.
02:23I suppose you'd agree, innit? Yeah, well, so am I.
02:26Yeah, cus trouble is, um... Who?
02:30What about Mickey Pierce?
02:34That's a... That's a great idea. It's a brilliant idea.
02:37The trouble is, the tickets, you see, they're made out in the name of Trotter
02:41and they're not transferable.
02:43You mean he's got to go with someone named Trotter?
02:46Exactly. Exactly.
02:49Oh, dear.
02:51Poor little Rodney.
02:58Why don't you go with him, Del? Me?
03:01Why don't you go with him, Del? Me?
03:04Your name's Trotter?
03:07Yes. Yes, yes. Great, yeah.
03:11But... But what?
03:13No, I... No, I couldn't go and leave you and little Damien on your own.
03:17Well, I'd be here.
03:19Yeah, that's like asking McDonald's to look after your cow, innit?
03:25Well, it's only for a week. I think Damien and I could just about manage to survive.
03:28Yeah, no, no, I couldn't do that, darling, no, because I'm not that sort of bloke, you see.
03:31I mean, I'd be worried sick.
03:33All right, then. Don't want to make you ill.
03:39On the other hand, I don't want to be selfish.
03:42I couldn't imagine you being that, Del.
03:44No, no, no, no, you see, the thing is, the thing is, this is a chance in a lifetime for little Rodney,
03:47the poor little cock, you know.
03:49And, well, as it was my idea, I feel partly to blame.
03:53Go to Miami, Del.
03:56Well, really?
03:57Really, you'll love it.
04:00Terrific.
04:07Of course, I'm not really looking forward to it.
04:11No, I'm only doing it for poor little Rodney.
04:17You know what, Raquel?
04:19I've got a heart like a diamond in your head.
04:22You know what you remind me of? You remind me so much of my mum.
04:26Thanks.
04:28Oh, I'll bring you back a blinding present.
04:31Here, Rodney, Del's got some good news for you.
04:34Yeah.
04:36Hey, I'm coming to Miami with you.
04:39Oh, you bloody ain't.
04:43Mate.
04:44I ain't going on a holiday with you.
04:47Excuse me, excuse me a moment.
04:49Rodney, can I have a word with you?
04:51Any executive boardrooms, please?
04:53No, wherever you are.
04:54Thank you very much, Rodney.
04:55Sorry about this.
04:56It's just a little mixed up.
04:57I'll soon straighten him out, OK?
05:00God, you've got a bloody nerve.
05:02Shh, Damien.
05:10What's the matter with you, Rodney?
05:11What is your problem?
05:12Yo, I am not flying 4,000 miles across the Atlantic Ocean
05:16with you in my earhole all day and all night.
05:18I was hoping for a break from all that.
05:20You seem to forget I've been on holiday with you before.
05:23That's charming, that is, isn't it, eh?
05:26Absolutely charming.
05:28After all that I have done for you.
05:30Oh, dear, what thanks do I get, eh?
05:32No bloody thanks.
05:33That's the thanks I get.
05:37Now look what you've done.
05:41Shh, shh, shh.
05:43Damien, shh, it's all right.
05:45Daddy's here.
05:46Look out!
05:49Of course we've been on holiday before, Rodney.
05:51We had a bloody good time, didn't we?
05:52No, you had a good time, Del.
05:54Everybody else within a radius of 300 yards
05:56was praying their spleen would burst.
05:59You got drunk.
06:00You shouted things at women.
06:01You got us into fights.
06:03We were on holiday.
06:05Well, this time I'm looking for a more relaxing holiday.
06:08Relaxing?
06:09Ah, I see.
06:10So what you're trying to say, that I'm not relaxing?
06:12That I'm not relaxing?
06:14Is that...?
06:17Raquel, the baby's crying.
06:21Look, Rodney, that's all different now.
06:23That was in the past, you see, cos I'm a changed man, see?
06:26Reason why I'm changed, I'm telling you.
06:28Look, I'm a married man with a baby.
06:30Well, I mean, I've got a baby.
06:32See, and that's the reason why I've changed.
06:35Because I've got a son whom I cherish.
06:37All right, darling, I'm coming.
06:39And there's the mother of my son, whom cherishes me.
06:42Don't break your back, Trotter, I'll deal with him.
06:46Thank you, sweetheart.
06:51You're judging me by a few, what, misguided incidents, that's all.
06:55I've told you, I'm changed now.
06:57Rodney, come on.
06:59You want to go to Miami, don't you?
07:01Well, of course I want to go, but...
07:03Well, this time I want it to be...
07:06sensible.
07:08Sensible?
07:09Of course you do.
07:10I'm sensible. Sensible's my middle name.
07:12Dale, will you bring me a nappy?
07:14Yes, of course I will, sweetheart.
07:16See? See that?
07:21Look, Rodney, look, look.
07:24I mean, look.
07:25All that I want to do...
07:28is just sit on a beach and relax.
07:31Well, same here.
07:32Well, there you are.
07:33They've got some blinding beaches in Miami.
07:36Yeah.
07:37Well, yeah.
07:38Yeah.
07:39And I got, um...
07:40some fantastic art museums in Miami.
07:43Yeah?
07:44Oh, yeah. Yeah.
07:45Might summon out myself.
07:47Of course you would, and of course you can have it.
07:49Cinders.
07:50All you've got to do is to say the magic words.
07:53Yeah, but how are you going to swing it with Raquel?
07:55Oh, that's...
07:56I've already done it.
07:57I've told...
07:58I've...
08:01I, uh...
08:03I told Australia.
08:05I said, I want to go to Miami with Rodney.
08:07That's what I said.
08:08And I said, you can like it or lump it.
08:10You can pick the bones out of that doll, innit?
08:12Derek!
08:13Coming, sweetheart.
08:16Come on.
08:17Hey, you and me, eh?
08:18What do you say? Yeah.
08:19Yeah, eh?
08:20Eh?
08:21Well...
08:22Hey.
08:23Yeah, come on.
08:24Say the magic words, Rodney.
08:25Hmm?
08:26Yeah, all right, then.
08:28Yes!
08:30Good boy!
08:31See, you see?
08:32You know it makes sense.
08:34Hey.
08:36I miss that napkin.
08:38Ah, you see, Del, we're older now, aren't we?
08:40Eh?
08:41We can appreciate the finer things in life, eh?
08:43What?
08:44Not all!
08:45I told you, wouldn't I?
08:46Yeah, yeah.
08:47Come on.
08:48Thanks.
08:49No, this time, let's be more...
08:51Well, what's the word?
08:52Sophisticated.
08:53Yes, that's a great word.
08:54I've got another word as well I was thinking of, like...
08:56Debo-mour.
08:57Yes.
08:58Yes, a good word.
08:59You see what I mean?
09:00We're beginning to finger like, bruv.
09:01Yeah.
09:02Derek!
09:03Coming, sweetheart.
09:04Get away!
09:05Oh!
09:06Just a minute.
09:07Look here.
09:09Good job I kept them, weren't I?
09:26Here.
09:27Have you seen it, brothers?
09:29Seen what?
09:30No, no, no.
09:31Our plane.
09:33It's only a jumbo jet.
09:35Yeah, well, they usually are.
09:37I mean, this is transatlantic, eh?
09:39Yeah, transatlantic.
09:41Thank you for waiting, ladies and gentlemen.
09:43Would all passengers seated in rows 19 through to 40
09:46please come forward to the board now.
09:49Come on, boys.
09:50Let's go.
09:51What's the hurry, sir?
09:52There is no reason.
09:53Come on, too.
09:54We're on a plane.
09:55Sooner or later, old Beggars will take off.
10:02Hey!
10:03Excuse me.
10:04Where's your game, pal?
10:05Hey!
10:06Come on, there's no rush.
10:07Blimey.
10:08Anybody think he owned the plane?
10:28You've done it, brothers!
10:31Done what?
10:32Hey!
10:33Done what?
10:34Done it.
10:35Joined the Glitterati.
10:36The Tinata?
10:39Hey!
10:40Take the headphones off.
10:44Sorry, do what?
10:45What do you mean, we've joined the Glitterati?
10:47Well, we have a whammy with transatlantic people now,
10:50haven't we, eh?
10:51Oh, that cost Adele sewage for us.
10:54Oi, Dil.
10:55When we land in Miami, right,
10:57before we go to any of the bars or anything like that,
11:00first thing we've got to do is sort ourselves out
11:02some transport and accommodation.
11:04It's all taken care of, bruv.
11:06You know Alex, the travel agent,
11:08he faxed one of his people in the States.
11:10So we're all fixed up?
11:11Ace!
11:12Oh, well, I'll pay Alex when I get back.
11:14I'll do it on my credit card, eh?
11:16No, there's no need.
11:17I've already done it.
11:18Good.
11:19What, on my credit card?
11:22That's what you were going to do, weren't it?
11:24Yeah.
11:25Well, that's it.
11:26I've saved you the bother, brother.
11:28Cos this is your holiday
11:30and I don't want nothing to mar it.
11:33Thanks.
11:34We're going to live it up a little, aren't we?
11:36Well, yes.
11:37But there are two kinds of living it up, Dil.
11:40You know, enjoying the freedom from the stresses of work,
11:43filling the mind with new sights and sounds,
11:46filling the mind with new sights and sounds,
11:48experiencing local cuisine and culture,
11:51even indulging in the gifts of nature,
11:53such as the sea and the sun.
11:55And then there's your kind.
11:57Exactly.
11:58There will be no women on this trip.
12:00What?
12:01Can you be more specific?
12:03This holiday is not going to be another Benidorm revisited,
12:06and I'm warning you.
12:08If I see one, just one, bra,
12:10hanging off our car door, it's going to happen.
12:12I'm not going to do anything like that.
12:14And I would never have even thought of it
12:16if you hadn't just brought it up.
12:26Here, look, I'm going to have a little nap.
12:28Give us a nudge when the old drinks arrive, will you?
12:31How do you get this chair to go back?
12:34What have you done?
12:36Sorry about that.
12:37You've ruined it.
12:38No, no, no, that's all right, that'll clean off.
12:40I'll just do it as fourth cloth.
12:42It's dry-cleaning only.
12:44No, they put that on a label to impress you.
12:46I'll tell you what, give me a serve yet and I'll go.
13:08Hot town, summer in the city
13:10My neck getting dirty and gritty
13:12Bend down, it's a little pity
13:14There doesn't seem to be a shadow in the city
13:16All around me people looking out there
13:18Walking on the sidewalk hotter than a matchhead
13:21But at night it's a different world
13:24Go out and find a girl
13:26Come on, come on, we're dancing all night
13:28Despite the heat, it'll be all right
13:30And babe, don't you know it's a bit of the days
13:33Can't be more like the nights in the summer
13:35In the city, in the summer
13:38In the city
13:42Cool down, even in the city
13:44I'm dressed so fine and I'm looking so pretty
13:46I'm a cool cat looking for a kitty
13:48I better look in every corner of the city
13:50Until I'm wheezing at the bus stop
13:52Running up the stairs, I'm gonna meet you on the rooftop
13:56But at night it's a different world
13:58Go out and find a girl
14:00Come on, come on, we're dancing all night
14:02Despite the heat, it'll be all right
14:04And babe, don't you know it's a bit of the days
14:07Can't be more like the nights in the summer
14:09In the city, in the summer
14:12In the city
14:38Get up, get up, get up, get up, get up, get up
14:41Hot town
14:44Get up, get up, get up, get up, get up
14:46Hot town
14:47Hello, anybody here?
14:48Hello, I'm in here
14:50Come on, come on
14:54Oh
14:55Oh, hi, how you doing?
14:57Yeah, listen, our travel agent written
15:00He's booked a car for us, with you
15:04Okay, you guys on vacation?
15:06Yeah, week's holiday
15:07A week? No kidding, you could bother away from Australia for a week
15:12No, no, no, we're not from Australia
15:14No, we are English
15:16Oh, well, you could have fooled me
15:20Well, I won't hold you up
15:21I'll just bring it right around the front for you
15:23Okay
15:26Hey, look at this
15:29Have some of that, eh, rudders?
15:31Well, yeah, nice little boat trip
15:32Does the world a good, eh?
15:34Yeah
15:37Yeah
15:40Now, what's your America?
15:43Oh, this is going to be a holiday to remember, isn't it?
15:45You said it, bruv
15:53Here we go, rudders
16:02What the hell is this thing?
16:03All right, gents, you have a nice day
16:05And you, pal
16:06Yeah, thank you
16:07What are we going to do with that?
16:09Eh, that is where we're going to live
16:11Alex recommended it
16:12See, the advantage is, we don't have to stay in one spot, do we?
16:15Yeah
16:16We can move about a bit
16:18And, it's cheap
16:20Del, there is no way I'm going to spend any time in this mobile ghetto with you
16:27I was not going to spend any time
16:28I was only trying to save you money
16:30And we won't be trapped, will we?
16:32Because when we get to a campsite, we can dump this
16:34Then we can go walking, right?
16:36Now we could have booked a home
16:39Oh, bloody hell
16:42I can't believe that I've got...
16:47All right
16:48On one condition
16:49All right, sir
16:50What is the condition?
16:52No curries
16:56No curries
17:00Come on
17:01Let's go and see America
17:14Here we go, brothers
17:16Oh, the yellow rose of Texas
17:18Is the one I'm going to see
17:21The yellow rose of Texas
17:23Is the only girl for me
17:28I don't know what's going on
17:32We're going from the right-hand side of the road over here
17:41I'm going to see the yellow rose of Texas
17:44She's the only girl for me
18:02Yeah, what is it?
18:05All right
18:08Hey, Tony, Lurch, Gino, smart enough
18:11Don's left the courthouse
18:31I don't know what's going on
19:01I don't know what's going on
19:22Rico
19:23Yeah, Pop
19:25Who are those goons in the car?
19:28Police surveillance, Pop
19:29Nothing to worry about
19:30Nothing to worry about?
19:32I've got cops sitting outside my front gate
19:34And there's nothing to worry about?
19:36What happened to my civil rights?
19:38Well, they, uh...
19:39Kind of diminished after they arrested you, Pop
19:42But to be released on bail, sir
19:44Be happy
19:45Be happy
19:47Be happy, huh?
19:49And one week from now
19:50I've got a jury sitting in judgment on me
19:53Looks like I might spend the rest of my life in San Quentin
19:56And my son wants to throw a party
19:58What are you, huh?
19:59What are you?
20:01Don't speak to my lawyer now
20:04Salvatore
20:29Salvatore
20:33Donnachetty
20:37Salvatore
20:40Haven't I always been good to you?
20:41Yes, Donnachetty
20:43Haven't I always done favors for your family?
20:44Yes, Donnachetty
20:46Have I ever done you any harm?
20:48Well, there was that time
20:51No, Donnachetty
20:53Hmm
20:57So maybe this time, uh...
20:59Salvatore can help me
21:00Because, um...
21:01You see, I'm a little confused
21:05This is the way I read the situation
21:08You're my lawyer, correct?
21:10Yes, Donnachetty
21:11And yet here I am
21:12Looking at three to four life sentences in the slammer
21:17So why the hell don't you get off your ass
21:20And bury this rat?
21:23Well, you see
21:24We're having problems proving your innocence
21:26Why?
21:27Because you're guilty
21:31When I say guilty
21:32What I mean is I'm
21:33Guilty of what?
21:34Kidnapping, drug smuggling
21:36Accessory to three counts of murder
21:38Gossip artist
21:43Look, I've made a few mistakes in the past, you know
21:46It means that nobody's perfect
21:49Now you listen to me
21:52My father, God bless that man's spirit
21:55When he arrived on these shores from Sicily in 1930
21:58This was a land of democracy and law and order
22:02Now he fought to change all that
22:06Now look at us now, huh?
22:08What have all these efforts amounted to?
22:11Huh?
22:12Zilch
22:13That's what
22:14Zilcho
22:19Salvatore
22:20You call yourself a lawyer?
22:21You're a schmuck
22:25And that goes for you too, Rico
22:30If your mother was alive today, God bless that wound
22:33She would disown you
22:35Come on, Pop
22:37I'll tell you this, Rico, huh?
22:39I never thought I'd see the day when a son of mine
22:41Would be willing to stand back and watch his own father
22:44Spend the rest of his life in the state pen
22:46Sharing meatloaves with the faggots, huh?
22:49Shall I tell you what'll happen if I go down?
22:52All the families will be carving up our empire like dogs
22:55Fighting over our heroes
22:56Every married lad a punk from Little Havana
22:58Will be trying to get a slice of the action
23:01And what about the Colombian, huh?
23:03What Colombian?
23:04What Colombian, he says
23:07What are you, a jerk, Salvatore?
23:09Just sit down, will you? Just sit down
23:17Next week, Senor Vasquez arrives here from Colombia
23:21To settle a little deal
23:24What do you think he's gonna do
23:26If he thinks I've gone down the tube?
23:30I'm getting very worried, Salvatore
23:33I'm getting very nervous about the future
23:37You hear that?
23:38That's peptic gas
23:40It's caused by nervous exhaustion
23:42Nervous exhaustion?
23:46Whatever happened to the ancient Sicilian traditions
23:50Of bribery, blackmail and intimidation, huh?
23:54It's a local police investigation
23:56This is the FBI
23:57And we can't pay those guys off
23:59The jury's locked up in a guarded hotel
24:01The witness has got round-the-clock protection
24:03We just can't reach anybody
24:05Well, maybe I ought to do something about it myself then, huh?
24:08You can't, Pop
24:09The police surveillance team is watching every move you make
24:11They even got a TV camera crew filming you for a documentary
24:15They're filming? They're filming me?
24:17What do they think I am, a common criminal or something?
24:20Now listen to me, Rico
24:21I want you to take some of the money from the family account
24:23And I want you to buy me a DA
24:25All right? You buy me the judge, you buy me the senator
24:27A lot of people in this town owe me favors
24:29I want these favors retired
24:30We tried
24:31So far, there have been no takers
24:33It looks like people are turning their backs on you
24:36That is a very impolite and highly dangerous thing to do
24:49This is what I want you to do
24:51I want you to keep searching and I want you to keep thinking
24:54Because somewhere, somewhere out there lies the answer to my problems
25:06Wait a minute
25:07You wouldn't go near that unless you had all your own teeth, would you, Pop?
25:11What do you mean?
25:13Look, look at her now, look
25:15They say that smoking's bad for your chest
25:18This is the Florida Coast Guard Service
25:20As you may know, Miami has been nicknamed Cocainesville
25:23And the officers of Biscayne Bay fight an all-year-round battle with the drug runners
25:27And coming up on your left, you will see the home of Barry Gibb
25:30The lead singer of the Bee Gees
25:32Look, what a slug
25:33Look there, look
25:34There's a real-life Bee Gee
25:37Come sit down
25:38This guy's probably the Gardner
25:40No, no, it's him, it's him, it's Barry Gibb
25:43All right, Bazza
25:48It's not him
25:50How big is your love?
25:51Is your love that big?
25:55I need all this
26:00I reckon he was your brother, wasn't he?
26:02I suppose he's probably the Gardner
26:04Yeah, wouldn't I say
26:05Hold it
26:30Come on, Nick
26:31Billy's here
26:32Billy's here
26:34It would be a better idea if we were to drive to the camper site now and book in first
26:38Rob, it's only a quarter to eight
26:40There's plenty of time to get in our campsite
26:42There's also plenty of time for you to get drunk after we've booked in
26:46Get drunk?
26:48Get drunk?
26:50You enjoy putting me down, don't you?
26:53You think I'm just a one-dimensional sort of person, don't you?
26:56Well, you're wrong
26:57The only reason I want to go into that club is to make a telephone call
27:00Because I promised Raquel that I would phone her as soon as we arrived
27:04And what's wrong with the public call box over there?
27:08Well, you can't get a drink in there, can you?
27:13What are we going to do with our luggage?
27:16Well, I'll tell you what
27:17Why don't we bring it with us and we can put it in the middle of the dance floor and boogie round it
27:21By then, some of you with your legs in will have a disco with their handbags
27:25Some?
27:26Well
27:28Oi! You're talking about disco and boogie
27:30No, I am not boogie-ing
27:32Well, please keep your voice down
27:33Remember, we're ambassadors for our country
27:36Don't want these people thinking we're lark-a-louts, do we?
27:39Don't we?
27:40Don't we?
27:58No, I won't
28:00Hurry, I won't
28:01I already sang
28:02Excuse me, gentlemen
28:03I am sorry, but this club is for members only
28:07You won't
28:10I'm sorry, senor, I did not realize it was you
28:13Please, it's of my deepest and sincerest apologies
28:17Shoot
28:18I am now in a position to waste my humble time
28:22Please, may I offer you a drink?
28:24Please
28:25May I offer you a drink?
28:26Yes
28:27Here, we'll have a Cooberley Miranda, something non-alcoholic
28:32I'll be sitting over there, alright?
28:42Are we ever going to be alone?
28:44Maybe not
28:45No
28:47The only thing that can prevent it is for you to find an alibi for my father
28:51I don't have to find your father an alibi
28:53I have to find him nine alibis
28:57How can the justice department treat him like this?
28:59Don't they know who he is?
29:01Yeah, that's the problem
29:04The moment the jury form is as guilty, the war begins
29:07Maybe not
29:08You keep saying maybe not
29:10What do you think, the rest of the family is going to sit back on their butts
29:12and pretend the old man is still in power?
29:14They're going to go to war
29:15Am I right, Paulie?
29:16You're right, Rico
29:17Am I right, Tony?
29:18You're right, Rico
29:19Am I right, Lurch?
29:20Maybe not
29:21You see?
29:24There's going to be a war
29:26Senor Ricardo
29:27For Christ's sake, can't you see I'm in a meeting here?
29:29I'm sorry to interrupt, senor
29:30But I would like to explain
29:31If I had known that he was coming here tonight
29:34I would have arranged for a private room
29:36If you don't know who was coming here tonight?
29:39Your father
29:42My father
29:43Is this some kind of joke, Frankie?
29:45Don O'Kerry is under virtual house arrest
29:47He can't get to the john without the police telling him
29:50But he is here
29:51Sit for yourself
30:03Oh
30:04Lovely jubbly
30:05How much do we owe you?
30:06Please
30:07It's on the house
30:09You're my guest
30:11Would you like to eat?
30:12Oh, no, thanks
30:13We had something earlier
30:14I see
30:15If there's anything that you should require
30:17As always
30:18I am at your service
30:22Big mouth
30:23What?
30:24I expect the grub would most probably be free and all
30:27Don't say that, Don
30:29You know what we're dealing with here?
30:31What?
30:32American hospitality
30:35Famous for it
30:36Well, the most friendliest people in the entire world
30:39Come on, come on
30:41Yo, Gino, it's Tony
30:43Yeah, is the Don there?
30:45He's in the pool
30:49Can you actually see him?
30:52Good
30:53Dad's at home
30:55The guy over there ain't him
30:59Listen
31:00Carefully
31:01Tell my father to stay in his room till I get back tonight
31:04Just
31:06Tell him I may have a surprise for him
31:18There you go
31:21I'm boiling
31:23That's strange, that
31:25I mean, here you are in a tropical climate
31:27Wearing a worsted polyester blue serge suit
31:29And you feel hot
31:31Yeah
31:32Weird
31:35Hi
31:37How you guys doing?
31:40Yeah
31:41Alright
31:42Yeah
31:43Big time smashing, ain't you?
31:45Let me guess
31:47You're not local
31:48No
31:51Alright
32:16Alright, come on, come on
32:17We're talking one more
32:19One more
32:21Really, we're pushing our luck, is it?
32:22No, he's right, Rico, he's right
32:23Come on, one for the road
32:24Yeah, guys, come on
32:25You got time for one more?
32:26Yeah
32:27Alright, go on then, have one more round
32:30You see, the campsite's gonna be shut
32:31We're gonna be locked out for the night
32:33Whoa
32:34I didn't realise it was so late
32:35We gotta be going soon
32:36Yeah
32:37Well
32:38Alright
32:39Robbie
32:40Doughboy
32:42Rico
32:44Well, thank you very much
32:45It's been really, really great meeting you guys
32:47It really has
32:48Thanks a lot
32:49And, uh
32:50We've enjoyed your company and everything
32:51Yeah
32:52Anyway, we've gotta go
32:53We'll see you later then, yeah?
32:54Thanks a lot
32:55Yeah, it's been great
32:56Cheers
33:05What a blinding night, isn't it, you've got to say?
33:09It was a nice bunch of clubs
33:10Well, they were diamonds, weren't they?
33:11I mean, they were absolute 42-carat diamonds
33:13I mean, here we was, we was drinking with a mourner
33:15Never had to put our hands in our pockets, did we?
33:19Yeah
33:26What are you doing?
33:27What's the matter with this?
33:28Robbie, what's happening?
33:29What's the matter?