Erkenci Kus HD - Episode 39 (English Subtitles) EARLY BIRD
Category
🎥
Short filmTranscript
00:00:00Oh, my God, what a strange life, it's not like we've ever seen on TV.
00:00:07Yes, yes, they're living completely different lives.
00:00:10And it's so far away.
00:00:11True.
00:00:13Very different from ours.
00:00:15And so far away.
00:00:30Come on, pick up the phone, Leyla.
00:00:34Aren't you going to pick up?
00:00:36I have nothing to say.
00:00:37But I have two things to say.
00:00:39Osman, please don't get involved in this.
00:00:41Leyla, how can I not get involved?
00:00:42I can't stand seeing you upset.
00:00:44I want to do something, but...
00:00:45You're already doing it.
00:00:47You're doing it, look.
00:00:48You brought me here.
00:00:49You took me out of the house.
00:00:50I feel much better right now.
00:00:52I was expecting it to be like this.
00:00:59I was hoping for the worst.
00:01:00I'm a little sad right now, yes.
00:01:02But this will pass.
00:01:03I'll get over it with time.
00:01:08Would you like an oralet?
00:01:09An oralet?
00:01:11You used to love oralets.
00:01:13When Uncle Niyet ordered them, you were so excited.
00:01:16Yes, I really loved them.
00:01:18Look, you're smiling again.
00:01:20I'll order them then.
00:01:21Okay, tell me, you really loved them.
00:01:23Can I have two oralets?
00:01:26Oralets?
00:01:28How did you come up with that, Osman?
00:01:30I don't know, it just came to me.
00:01:52Tsk, tsk, tsk, tsk, tsk, tsk.
00:01:54The people have no business power.
00:01:57They're watching us.
00:01:59We have to do something, quick.
00:02:01Ceycey.
00:02:03That donkey of yours is watching you.
00:02:06Yes, yes.
00:02:07We have to make him shoot.
00:02:09Shoot?
00:02:11Okay.
00:02:12Okay.
00:02:20Ms. Eren.
00:02:21This is how we changed the background color.
00:02:24You wanted it to be pink.
00:02:26It's pink now.
00:02:27No, it's not.
00:02:29I wanted it to be pink.
00:02:31I wanted everything to be pink.
00:02:33I wanted everything to be pink.
00:02:35Nothing is pink.
00:02:36It's not.
00:02:37But it's pink now.
00:02:39I said it's not.
00:02:40Change it.
00:02:41From the beginning.
00:02:42From the beginning.
00:02:43What color should we make it?
00:02:44Black.
00:02:47But the characters are black.
00:02:50Let it be black.
00:02:52Let it be black.
00:02:53Let it be pitch black.
00:02:54My world is dark, Murat.
00:02:56You're still asking me questions.
00:02:58Move.
00:03:03I mean...
00:03:04The creative director is back in the dark, see?
00:03:07But it's not easy.
00:03:08What did she do to be with Mr. Can for years?
00:03:11Sanem came and caught Mr. Can.
00:03:12Yes.
00:03:13But these things don't happen in order.
00:03:15They happen here.
00:03:16But you're a villager, Sanem.
00:03:18Okay.
00:03:19Don't talk nonsense.
00:03:21It's like a spray.
00:03:22Okay.
00:03:24Ms. Ceyda.
00:03:25Ms. Ceyda is coming.
00:03:26Guys, get together.
00:03:28Get together, please.
00:03:29Welcome.
00:03:31Ms. Ceyda.
00:03:33Welcome.
00:03:35Thank you, Ms. Sanem.
00:03:36Sanem.
00:03:37Ms. Ceyda.
00:03:40I guess you're here to see Mr. Can.
00:03:42Yes.
00:03:43Okay, then let me accompany you.
00:03:44Please.
00:03:45Welcome, hello.
00:03:46Please.
00:03:47Can.
00:03:48Hi.
00:03:53Sanem.
00:03:54Sanem.
00:03:55What happened? Did you tell him you're in love?
00:03:56No, I couldn't.
00:03:57I was at the tip of my tongue.
00:03:58I couldn't blow the bomb.
00:03:59He took advantage of the opportunity.
00:04:01Now he's doing things on his own to be close to Can.
00:04:03New things.
00:04:04This is a good thing for the company.
00:04:05And you have to look at it from that perspective.
00:04:07Nice.
00:04:08Don't talk to me.
00:04:09I will keep an eye on the room from there.
00:04:11I got it.
00:04:14Well, Mr. Can.
00:04:15Have a nice meeting.
00:04:26Can.
00:04:27I see that your agency is very colorful, very direct, very ordinary like you.
00:04:32I was once again convinced that I made the right decision.
00:04:35Thank you, Mr. McKinnon.
00:04:37I think you will be very pleased to work with us.
00:04:40It is very proud of us that Dua El chose our agency and gave us a chance.
00:04:45To be honest, I had great concerns.
00:04:48The cosmetic company I was an advisor to, RedMod Cosmetics, you know, is a big deal in its own right.
00:04:56Has this agency ever made such a big campaign before?
00:04:59Yes.
00:05:00It's a first for us, too.
00:05:01But we're ready.
00:05:02And be sure, we're going to do it the best we can.
00:05:05That's it.
00:05:06That fire in your eyes, that ambition, how do they call it, that desire, erased all the thoughts in my head.
00:05:13I told you.
00:05:14At the same time, the campaign you made for Compass Sport also impressed me a lot.
00:05:18It was a great reference for me.
00:05:20It really turned out to be a great job.
00:05:22Working with Can was a lot of fun.
00:05:24I'm sure you'll think like us.
00:05:27Thank you very much.
00:05:29Then let's start talking business.
00:05:31Because we are very excited to start working.
00:05:34Here are the campaign conditions sent by your assistant.
00:05:36I had a chance to examine it a little.
00:05:38I have a few suggestions for some points.
00:05:46It was great to go out and get some fresh air, Osman.
00:05:49What do you mean?
00:05:51Home?
00:05:52No, I'm going to a grocery store.
00:05:54Okay.
00:05:56Then I'll go to the store.
00:05:58If anything happens, call me.
00:06:00Okay.
00:06:03See you.
00:06:04See you.
00:06:05Good luck.
00:06:20Yes, sister.
00:06:21What are you doing?
00:06:22I'm like in a dream.
00:06:24I'm like in a dream.
00:06:25You won't believe it.
00:06:26It's like I'm in a fairytale.
00:06:28There are a few problems, but we can handle them.
00:06:30What happened?
00:06:31What happened?
00:06:32Can held my hand and entered the agency.
00:06:35He told me that he was friendly with everyone.
00:06:38That's great.
00:06:39But I didn't ask him.
00:06:41Did Emre ever ask me?
00:06:43He asked.
00:06:44He asked Güliz.
00:06:45He said he was sick, too.
00:06:47So that's why he called me.
00:06:49Did he call you?
00:06:50What did you do?
00:06:51I didn't answer.
00:06:53Did he ask you anything?
00:06:54No, he didn't.
00:06:55Let him ask.
00:06:56Let him ask, and I'll give him a good beating.
00:06:59Give it, sister.
00:07:00Give him a good beating.
00:07:02Okay, I'm hanging up.
00:07:11Sanem, can you take a look?
00:07:13I'm coming.
00:07:23Yes, Mr. Emre.
00:07:25Sanem, I'll ask you something.
00:07:27Leyla didn't come today.
00:07:29Yes, she didn't.
00:07:30I think she's sick. What's wrong?
00:07:32Are you really curious?
00:07:34Of course I'm curious. I didn't answer the phone.
00:07:36Why?
00:07:37Sanem.
00:07:40I passed your private relationship.
00:07:42Even as an employee who has been working for this agency for many years,
00:07:44If you had given my sister some value, you wouldn't have done this to her.
00:07:47So you have no right to worry about her.
00:07:49And I don't have to make any explanations to you.
00:07:53So, weren't you sick?
00:07:55Why did you get up from bed?
00:07:56I'm fine. I came to help you.
00:07:58Oh, my beautiful daughter.
00:08:00You came to help me.
00:08:02To me, to the grocery store.
00:08:04Dad, why are you so surprised?
00:08:05As if I've never helped you.
00:08:07Is that possible, my beautiful daughter?
00:08:08You always help your father.
00:08:10Always.
00:08:11When was the last time?
00:08:13The first day of school.
00:08:15Look.
00:08:16Okay, I'll go and help Rami.
00:08:18I guess you don't want to.
00:08:20Oh, my.
00:08:21He acts like a father.
00:08:23Oh, my.
00:08:24You did a good job.
00:08:25Actually, you raised your daughter like a princess.
00:08:27I was looking for someone to entrust the grocery store.
00:08:30It's good that you came.
00:08:31Okay, you go. I'll take care of it.
00:08:33Okay.
00:08:34I'll be right back.
00:08:35But don't touch them.
00:08:36I'll take care of it when I get back.
00:08:37Okay, I'm going inside.
00:08:38Come on, I'm gone.
00:08:39Come on, bye.
00:08:51Oh, my God.
00:09:04Let me put it again.
00:09:10Can, then I'll make the meal reservation.
00:09:14Okay.
00:09:15I'll also make a place for you that you'll like.
00:09:17Great.
00:09:20Then see you at dinner.
00:09:22See you.
00:09:23See you.
00:09:24Goodbye.
00:09:32Friends, you are with me.
00:09:34You know Mr. McKinnon, the gentleman who just left.
00:09:37He is an advisor of RedMod Cosmetics, an organic cosmetics company in America.
00:09:42And they are getting ready to enter the Turkish market.
00:09:45And he just asked us to prepare their campaigns.
00:09:48Let's give them a round of applause.
00:09:53These are the products of RedMod Cosmetics.
00:09:56We take them, put them in our ears, and tell our eyes.
00:09:59We are not afraid.
00:10:00These are high quality products.
00:10:02We are going to examine them and try them tomorrow.
00:10:05From tomorrow, we are going to dive into this campaign.
00:10:09Okay?
00:10:10Let's go.
00:10:11Everybody take it.
00:10:12Thank you.
00:10:17Beren.
00:10:19Are we okay?
00:10:21Good. You are good.
00:10:23I think you are good. You look good.
00:10:26That's what I think.
00:10:27After all, you are a person who deserves happiness.
00:10:31I meant, are you okay?
00:10:34Me?
00:10:35Yes.
00:10:36I am very good.
00:10:37The happiness of my friends is like my happiness.
00:10:43Okay.
00:10:44Your campaign in Mecca.
00:10:46That's very good, too.
00:10:48Very good.
00:10:49It's very chic.
00:10:50It's very aesthetic.
00:10:51Especially.
00:10:52Okay.
00:10:53Do you want to rest for a few days?
00:10:55Because we need you.
00:10:57No.
00:10:59I'll go to my room now.
00:11:02I'll work from morning to night.
00:11:04That's it.
00:11:06What can I do?
00:11:07It's too late for me.
00:11:08Whatever.
00:11:11You look good together.
00:11:17By the way, where is Emre?
00:11:19Have you seen him?
00:11:21Mr. Can.
00:11:22I saw Mr. Emre when he left the agency.
00:11:24He left.
00:11:25Oh my God.
00:11:26I don't know. He didn't say anything.
00:11:28I hope he didn't go to the neighborhood.
00:11:32Sanem.
00:11:33Let's talk for two minutes.
00:11:35Okay.
00:11:37Let's talk for three minutes, Mr. Can.
00:11:39Four, five, six, seven, eight.
00:11:45I think they broke up with Leyla.
00:11:47Actually...
00:11:50It would be more correct to say that Mr. Emre broke up with Leyla.
00:11:53Because when my sister was in the clouds...
00:11:55...Mr. Emre told her that they weren't suitable for each other.
00:11:58Come on.
00:12:00Come on.
00:12:02I mean, I don't know why this happened.
00:12:04I have no idea.
00:12:06He seemed to like Leyla from a distance.
00:12:10In fact, I haven't seen him like this for a long time.
00:12:12Anyway.
00:12:13That's how it's going to be in the end.
00:12:15It would have been better if it had been at first.
00:12:17Yeah.
00:12:19Anyway.
00:12:20These are unpleasant issues.
00:12:21Let's close.
00:12:23What are you doing in the evening?
00:12:25Let's talk about them.
00:12:26Shall we move on to me?
00:12:28I mean, we can work on the campaign, for example.
00:12:31In fact, if we are lucky, we can try the products.
00:12:34You help me.
00:12:35You are more experienced, after all.
00:12:37These are the issues you are more familiar with.
00:12:40Actually, it would be better if I didn't come to you.
00:12:42Because I was thinking about my sister.
00:12:45I have to talk to my mother as soon as possible.
00:12:47Yeah.
00:12:48I don't insist.
00:12:49Because it's a serious matter.
00:12:50Okay.
00:12:52Then I'll go out and work at home.
00:12:54I'll...
00:12:57I'll drop you home on the way.
00:12:59At least.
00:13:00No way.
00:13:01I feel like I'm driving everything uphill.
00:13:03But now there's traffic.
00:13:05I'll go faster by subway.
00:13:06No way.
00:13:08Then I'll drop you off at the subway.
00:13:11Until the subway.
00:13:12Is that okay?
00:13:13I don't say no to everything.
00:13:14I accept that.
00:13:15Okay.
00:13:16Super.
00:13:17Shall I take my jacket?
00:13:18I'll take it, too.
00:13:19Because it's cold.
00:13:20Let's not get cold on the way.
00:13:21See you.
00:13:22I'm coming.
00:13:23See you in two or three seconds.
00:13:28Hello.
00:13:29Yes, Ayhan.
00:13:30Hello.
00:13:31Ceycey.
00:13:32How are you?
00:13:33What are you doing?
00:13:34What am I doing?
00:13:35I'm looking at the make-up materials right now.
00:13:37I don't understand.
00:13:38What are you doing with the make-up materials, Ceycey?
00:13:40Not myself, Ayhan.
00:13:41We have an agreement with a cosmetic company.
00:13:43We got their work.
00:13:44We're going to try it that way.
00:13:46Yeah, yeah.
00:13:47I see.
00:13:48I was going to say let's meet in the evening.
00:13:51I mean, if it's okay with you.
00:13:54I mean, if it's okay with you.
00:13:57If you want, we can try it with the make-up materials.
00:14:00Okay.
00:14:01It would be great.
00:14:02Let's do that.
00:14:03I'll see you in the evening.
00:14:04Okay.
00:14:05See you then.
00:14:06Okay.
00:14:07Bye.
00:14:08Okay.
00:14:09Kisses.
00:14:10Urgent.
00:14:11I'm a bit busy.
00:14:12Okay.
00:14:13The main thing is that we have to go to the office.
00:14:14Okay.
00:14:15Okay.
00:14:16Uh.
00:14:17I'll see you in the evening.
00:14:18Uh.
00:14:19I'll see you in the evening.
00:14:20Okay.
00:14:21Uh.
00:14:22Uh.
00:14:23Uh.
00:14:24I'll see you in the evening.
00:14:25Okay.
00:14:26See you in the evening.
00:14:27Uh.
00:14:28Uh.
00:14:29Uh.
00:14:30Thanks.
00:14:31Bye.
00:14:32Bye.
00:14:33Bye.
00:14:34Bye.
00:14:35Bye.
00:14:36Ah.
00:14:37Bye.
00:14:38Bye.
00:14:39Of course. The name of the grocery store is Leyla Grocery.
00:14:41It won't be a problem for me.
00:14:42I'll take it.
00:14:45I'll go and help my mom a little.
00:14:48She'll be jealous.
00:14:49Oh, come on. Go.
00:14:51You should always think about your dad.
00:14:54Don't think about your mom at all.
00:14:57Dad, come on.
00:14:59Go. Take care of yourself.
00:15:01See you.
00:15:09LEYLA GROCERY
00:15:35Leyla?
00:15:39LEYLA GROCERY
00:15:41Why am I getting so excited?
00:15:43You're such an idiot.
00:15:44Leyla, can you listen to me?
00:15:47Leyla, can you listen to me?
00:15:49There's nothing to listen to, Mr. Emre.
00:15:51Look, it all came at once. I panicked for a moment.
00:15:53Leyla, just give me some time.
00:15:55I'm done. All the time is yours.
00:15:58Leyla, what are you saying? Don't do this.
00:16:00What am I doing?
00:16:01What am I doing, Mr. Emre? You're the one who doesn't want me.
00:16:03What do you still want from me?
00:16:05Me?
00:16:07I don't want to lose you.
00:16:10I mean, I don't want you to lose your job because of me.
00:16:14That's right.
00:16:16It doesn't matter if I lose my pride because of you, Mr. Emre.
00:16:20The job is more important, of course.
00:16:21Leyla, you're taking it all the wrong way.
00:16:24I've already taken it all the wrong way, Mr. Emre.
00:16:26I've taken it all the wrong way.
00:16:28I've also taken your feelings for me the wrong way, Mr. Emre.
00:16:30Leyla, let go of Mr. Emre.
00:16:32I did. You're right.
00:16:33I've put Mr. Emre aside forever.
00:16:36Will you listen to me?
00:16:38Okay, go back to Paris.
00:16:41I mean, you're very important to me.
00:16:47I think as an assistant.
00:16:50Don't worry, Mr. Emre.
00:16:52You'll find a better job than me.
00:16:54Leyla, will you listen to me?
00:16:55Let go of Mr. Emre.
00:16:56Will you listen to me?
00:16:57Let go of Mr. Emre. I don't understand what you're talking about.
00:16:59Who are you?
00:17:00Stop!
00:17:01Who are you?
00:17:02What are you doing?
00:17:03Do you want me to write your name?
00:17:04What are you doing?
00:17:05You don't belong here. I'll take your head off.
00:17:08What are you saying?
00:17:09Mr. Emre, please go. I'm disgraced in the neighborhood.
00:17:10Please.
00:17:12I'm begging you.
00:17:13You're two grown-ups.
00:17:15We'll talk later.
00:17:16Let's talk later.
00:17:18I'm waiting.
00:17:22I'm waiting.
00:17:26Are you okay?
00:17:27You're okay, right?
00:17:36Mom?
00:17:38Salem, are you here?
00:17:39Come and hold this.
00:17:41Mom, what is this?
00:17:42Stop. What is this?
00:17:45This is very heavy.
00:17:47Mom, what's in this?
00:17:51I'm upset, kid.
00:17:52I'm upset.
00:17:53I'm in a lot of pain.
00:17:55It's because of you.
00:17:56What did I do?
00:17:57Take this and swallow it.
00:17:58I...
00:17:59What else are you going to do?
00:18:00What else are you going to do?
00:18:01Your sister is sick.
00:18:02She can't walk on the street.
00:18:03She can't walk on the street.
00:18:05She can't walk on the street.
00:18:06She's been walking around since morning.
00:18:07She has a problem. She won't tell me.
00:18:08I'm looking for you. You're not telling me anything.
00:18:10I couldn't get my head together.
00:18:12I didn't go to the association.
00:18:13I came home and said,
00:18:14if possible, I should clean up this mess.
00:18:17All of it?
00:18:18Yes, all of it.
00:18:19I'll clean up your mess.
00:18:20We'll give it to the needy people in the neighborhood.
00:18:24I talked to her.
00:18:26I came to tell her as soon as I got out of work.
00:18:29Okay, put this in.
00:18:31Close them.
00:18:32I'm listening to you.
00:18:36Should I tell you?
00:18:37Yes, tell me.
00:18:38I'm listening to you.
00:18:39Okay, I'll tell you.
00:18:40I said, I have to leave work.
00:18:44There were rumors in the neighborhood.
00:18:46My parents are in a very difficult situation.
00:18:49I said, we're in a very difficult situation.
00:18:51Our morale is very low.
00:18:54You said it well.
00:18:55Well done.
00:18:56What did he say?
00:18:58He said,
00:19:01you're my lover.
00:19:02You can't leave work.
00:19:03I won't leave you alive.
00:19:04Oh, come on.
00:19:06My lover?
00:19:07What?
00:19:08He said,
00:19:10we'll get married then.
00:19:13He said, we'll get married?
00:19:15Yes.
00:19:17He said, we'll get married.
00:19:20No way.
00:19:21It's not like that.
00:19:22He's just doing it.
00:19:23He's doing it on his own.
00:19:26Of course.
00:19:29He's serious.
00:19:30He wants to marry me.
00:19:32He said, we'll get married.
00:19:34When?
00:19:36One day.
00:19:38One day, no matter what.
00:19:40I didn't want to pressurize him.
00:19:43Because a woman shouldn't pressurize.
00:19:45As far as I read in books,
00:19:46this is what I understand.
00:19:48Then, a man comes on his own.
00:19:50With a marriage proposal.
00:19:51Okay, fine.
00:19:52But, look.
00:19:54Don't get carried away.
00:19:56Calm down.
00:19:58Let's take him inside.
00:19:59God.
00:20:00Mom, you look like you're going to Haydar Pasha.
00:20:03God.
00:20:04He's serious.
00:20:05That's what he told me.
00:20:08Bring it.
00:20:15Yes.
00:20:17Yes.
00:20:20God.
00:20:23Mom, isn't this...
00:20:24Look.
00:20:25I'm hiding your memory here.
00:20:28I can't believe it.
00:20:33Look at the sparkles.
00:20:34It's beautiful.
00:20:38Your sister's ring.
00:20:40She was jealous because you're not wearing it.
00:20:41She couldn't take it until she was seven.
00:20:43You know?
00:20:48What's that?
00:20:49Your sister and your milk teeth.
00:20:52We'd put it under the pillow.
00:20:53It would be a gift.
00:20:57What else?
00:20:59What else?
00:21:00Nothing.
00:21:28What else?
00:21:29Nothing.
00:21:59I don't know.
00:22:00I don't know much.
00:22:01I'm so indecisive.
00:22:04Leyla.
00:22:05Look, you're very talented.
00:22:07You're very smart. You're very beautiful.
00:22:09I mean, when you say beautiful,
00:22:11you're a woman who works beautifully.
00:22:14I mean, you can find a job wherever you want.
00:22:17If you're upset there, I don't think you'll go.
00:22:19What do I know, Osman?
00:22:21You say that, but...
00:22:23People don't expect Leyla to come
00:22:25and start working for our company.
00:22:28I think that's because you love me.
00:22:32I mean, we spent our childhood together.
00:22:34You want what's best for me.
00:22:36Yes, yes. I want what's best for you.
00:22:38Osman, let me get ready.
00:22:40My mom must be really worried about me.
00:22:43Okay.
00:22:47I'm glad you're here.
00:22:52I'm glad you're here, Leyla.
00:22:54Are you okay?
00:22:55I am.
00:23:02Is she gone?
00:23:04She's gone.
00:23:06Let her go.
00:23:07Let her leave.
00:23:08Don't even look at her back. Let her leave.
00:23:11I swear, you've seen too much of her nipples, Osman.
00:23:16You've fallen in love with her nipples.
00:23:18You've fallen for her nipples.
00:23:20Go, for God's sake.
00:23:22We are the ones who are left. Think like a skeleton.
00:23:25Your head is in God's hands. That's how I feel.
00:23:27Your head is in Wednesday's market right now.
00:23:29Come, I'll give you your head.
00:23:31Muzo, I have work to do. Leave me alone.
00:23:32No, no.
00:23:33Muzo, I have work to do.
00:23:34It's hard with this head. Come.
00:23:35I used to love this bunny orchestra.
00:23:37I used to play with it.
00:23:43Mom, what is he doing here?
00:23:45You were sniffing, you were loving it.
00:23:47I was throwing it so it wouldn't hurt.
00:23:49I was throwing it, you were taking it.
00:23:51Then I said, let me hide one under it.
00:23:53Mom.
00:24:01Is he here too?
00:24:14I'm here.
00:24:16You shouldn't have come, kid.
00:24:18If it's a disease, it's not a problem for you to walk around the streets.
00:24:21What are you doing here?
00:24:23What time is it? I haven't cooked yet, kids.
00:24:26The beans are still in the water.
00:24:29Come on, you clean up here. I'm going.
00:24:31What do you mean here?
00:24:32Okay, mom.
00:24:33There are a lot of them in the living room.
00:24:35Okay, leave it now.
00:24:36What happened?
00:24:37Tell me.
00:24:38Come on, tell me quickly.
00:24:39I'll tell you. Let's clean up here.
00:24:40I'll tell you in the room so my mom doesn't hear.
00:24:42There's always a condition.
00:24:43There's always a condition.
00:24:44I can't go to an aim.
00:24:46Collect, collect, collect, collect.
00:24:58Soft.
00:25:00A soft beauty.
00:25:02Such a slogan.
00:25:04There is no such slogan.
00:25:05We need to find something else.
00:25:09It can be for the make-up society.
00:25:11Society for make-up.
00:25:13Make-up for art.
00:25:29Ayhan, welcome.
00:25:31Cey, Cey, hi.
00:25:33Welcome.
00:25:34Look, look.
00:25:38What happened?
00:25:39What happened?
00:25:40What are you doing, Ayhan?
00:25:41Your cheeks are red.
00:25:42Do you have a fever?
00:25:43Ayhan, wait a second.
00:25:44Are you ruining my make-up right now?
00:25:46Didn't I tell you we'd try it on you?
00:25:48From the make-up?
00:25:50It's red because you bought it.
00:25:52Yes, yes, that's why.
00:25:54Did you apply a little too much?
00:25:55Did you run away too much?
00:25:56Are you saying too much?
00:25:58Was there a backlight?
00:25:59Is that why I couldn't see?
00:26:01It's red.
00:26:02It's red.
00:26:04Yes.
00:26:05Shall we go, Ayhan?
00:26:06We have a lot of work to do.
00:26:07Look, there's a lot of stuff.
00:26:08Come, Ayhan.
00:26:09Let's start right away.
00:26:11There's a lot of stuff here.
00:26:13There's more here.
00:26:14Oh, it's a balance.
00:26:16What's that?
00:26:17What's that?
00:26:18Let me see.
00:26:19I couldn't figure it out either.
00:26:21But let me tell you something.
00:26:23It was obvious that he was going to come to the neighborhood.
00:26:25I felt it.
00:26:27So, what happened next?
00:26:28You're not telling me anything.
00:26:30Then we were arguing with Emre.
00:26:33Osman saw us.
00:26:35When he saw us, he came to us right away.
00:26:37Of course, they were nervous.
00:26:38They started arguing.
00:26:40It was terrible.
00:26:41With Osman?
00:26:42Did they fight for you?
00:26:44No, not for me.
00:26:45Osman was already mad at Emre.
00:26:47Emre was very sad.
00:26:50I didn't answer his messages.
00:26:52I didn't go back to his calls.
00:26:54It's obvious that he came to the neighborhood to talk.
00:26:57I wish I had gone back to his message.
00:26:59He wouldn't have come.
00:27:01Of course he'll be sad.
00:27:02Why are you worrying about this now?
00:27:04Let it go.
00:27:05Let it go.
00:27:06Let it go.
00:27:07Let it go.
00:27:09Whatever, let it go.
00:27:11How did you decide to tell people?
00:27:13Tell him.
00:27:15I told him that I wanted to break up with Can.
00:27:17The rumors, my parents, the people at the agency.
00:27:21You're right.
00:27:22How did he give up?
00:27:27Then we'll get married.
00:27:29What?
00:27:30Did he propose to you?
00:27:32Actually, he didn't propose to me.
00:27:35I made him feel under pressure.
00:27:37That's why he said that.
00:27:38Sanem, for God's sake.
00:27:40Would a person ever propose to someone under pressure?
00:27:43Especially a man like Mr. Can.
00:27:45It's obvious that he has his intentions.
00:27:47Is that what you're saying?
00:27:49Yes.
00:27:50Anyway, there's no ring in the middle.
00:27:53I don't want to get in the mood for nothing.
00:27:54Don't say that.
00:27:55Let it go.
00:27:57It's a dead world.
00:27:59Then we'll get married.
00:28:00That's what he did.
00:28:02That's what I'm going to say.
00:28:03Leyla, Sanem.
00:28:05Girls, where are you? Come here.
00:28:07We're coming, mom.
00:28:08We're here.
00:28:10Sanem, are you going to get married before me?
00:28:12Don't be ridiculous.
00:28:13I'll kill you, Sanem.
00:28:14We're here.
00:28:24Hi, brother.
00:28:26Hi, Emre.
00:28:28Why did you suddenly leave the company?
00:28:32I had something important to do.
00:28:34Tell me about it.
00:28:35How's your meeting going?
00:28:37Very good.
00:28:39He asked us to prepare a campaign for Red Mode Cosmetics.
00:28:42That's great news.
00:28:43Yes, if everything goes well, if we can impress everyone...
00:28:46...it seems like we're going to make the best deal of our history.
00:28:49Are you crazy?
00:28:50We'll go back to our old power.
00:28:52I think it's much, much later.
00:28:55I'm really glad.
00:28:56Especially after these troubled days...
00:28:59...everything's going to be fine.
00:29:01Our success in Red Mode Cosmetics has brought us this far.
00:29:08We shouldn't waste Ceyda's interest in you.
00:29:11When she finds out about your relationship with Sanem, she won't like it.
00:29:15That's her problem.
00:29:16There's nothing to do.
00:29:17I'm putting the drink in. Would you like some?
00:29:19Sure.
00:29:20Put the coins in.
00:29:24Forget about me.
00:29:25Tell me what happened with Leyla.
00:29:28Drink.
00:29:32Did Sanem tell you?
00:29:34You really broke her heart.
00:29:38What was the need for such a thing?
00:29:40She couldn't come to work.
00:29:41I have my own reasons.
00:29:44It's good that you don't upset her so much.
00:29:47Is it the right thing?
00:29:48Everything was going well. What happened all of a sudden?
00:29:51Tell me, brother.
00:29:52Brother, you know I got out of a relationship no matter what.
00:29:56I mean, I'm not ready for a new relationship.
00:29:58Yes, Leyla is a nice, beautiful girl.
00:30:01But families and stuff...
00:30:03You know, when things speed up, they're not for me.
00:30:07Yes, you're right.
00:30:09Things are moving fast.
00:30:12What happened to you and Sanem?
00:30:13Is there a problem?
00:30:15No, it's not a problem.
00:30:17It's obvious that we won't be able to flirt for a long time.
00:30:20That's why I said...
00:30:23...let's get married.
00:30:26What do you mean, let's get married?
00:30:28The marriage you know.
00:30:29Yes, it's like getting married.
00:30:35Marriage.
00:30:37Wedding, wedding dress, wedding ring.
00:30:40That's it.
00:30:42Wait a minute.
00:30:43You proposed to Sanem, didn't you?
00:30:46It didn't feel like it.
00:30:51Sanem doesn't get married often.
00:30:53When my family, friends, agency, words, gossip...
00:30:57...I said, let's get married then.
00:31:01It's a really romantic marriage proposal.
00:31:06Yes, you're right.
00:31:07She couldn't take it seriously anyway.
00:31:09She couldn't concentrate on the subject.
00:31:10But I'm sure you'll do much better.
00:31:12Don't be ridiculous.
00:31:13Can you get married for flirting?
00:31:14Yes, why not?
00:31:16If you love someone, you'll get married.
00:31:17I can't think of a better reason to get married.
00:31:20You're pretty serious.
00:31:23Look, brother.
00:31:24These things don't come in a hurry.
00:31:26You feel the pressure, and then you're unhappy.
00:31:29How can I be unhappy without Sanem, Emre?
00:31:31Sanem is the most unique and special girl I've ever met in my life.
00:31:34I want to see her by my side at every moment.
00:31:36Why should I wait when I feel that way?
00:31:42Wow, look at Candi.
00:31:44She's getting married.
00:31:45That's right.
00:31:51Dad.
00:31:59Mom.
00:32:09Mom.
00:32:10Mom.
00:32:11My dad is looking at me.
00:32:12Did you say something?
00:32:14No, kid.
00:32:15He's looking at me because he's hungry.
00:32:17What am I going to say to your dad?
00:32:19Tell him you love him.
00:32:21Tell him you love him.
00:32:22I'll tell him I have a boyfriend.
00:32:24Oh, my God.
00:32:25If he's bored, you tell him.
00:32:26Come on, come on.
00:32:34Let's go inside.
00:32:36Dad, I'm in love with Can.
00:32:46Sir, are you okay?
00:32:50Guys, we're out of touch.
00:32:54I'm calling again.
00:32:55Three.
00:32:58We're sending the patient to the psychiatric hospital.
00:33:03We're transferring him.
00:33:16It didn't work, did it?
00:33:20I didn't tell him.
00:33:25We can't tell him because of the ring.
00:33:29Ring?
00:33:30What did you do to the lettuce?
00:33:32What did you do to the lettuce?
00:33:33This is a new color for the salad.
00:33:36Let go of the color.
00:33:38Bring me something.
00:33:39I'm dying of hunger here.
00:33:40The smell of the beans you sold is everywhere.
00:33:42I'm going back to the butcher's night.
00:33:44I'm in pain.
00:33:45Tell me, tell me.
00:33:46Where's the dry water of table one?
00:33:48Let the table one do its job.
00:33:50Is this a casino?
00:33:54Why doesn't this knife cut the bread?
00:33:56Why doesn't this knife cut the bread?
00:33:57This is really rotten.
00:33:59I did everything I could.
00:34:01Leyla.
00:34:02What happened to my daughter?
00:34:03Doesn't it cut?
00:34:04It's rotten.
00:34:07You broke it like this.
00:34:10Is my daughter more precious than you?
00:34:12Is this your daughter?
00:34:13Is this your daughter?
00:34:14This is my daughter.
00:34:15Come on, let's wash our faces.
00:34:17Come on, let's get some fresh air.
00:34:18I need it, too.
00:34:20What's going on, Mr. Mevki?
00:34:21What's going on with them?
00:34:22What's going on?
00:34:23What do you mean?
00:34:24Nothing.
00:34:25What's going on?
00:34:26They broke the factory rules again, Mr. Mevki.
00:34:28Look, don't think I'm avoiding you.
00:34:30You're whispering in my ear.
00:34:33Tell me if anything happens, Mr. Mevki.
00:34:35If nothing happens and you don't tell me, we'll break up.
00:34:38Look, what do you know?
00:34:41I don't know anything else.
00:34:45Learn.
00:34:46A good father learns the problems of his daughters.
00:34:48He solves them without getting them involved.
00:34:50Okay, okay, I'll do it.
00:34:51I'll do it.
00:34:52Do it.
00:34:53But first eat.
00:34:54I'm dying of pain here.
00:34:55Okay, okay, God.
00:34:56I mean, a good father is patient.
00:34:58But a good father, right?
00:35:00A good mother is also a little crazy.
00:35:03Where's my father's dry?
00:35:04Where's the dry wasabi?
00:35:05Oh, my God.
00:35:08Here it is.
00:35:09Your father's dry from pain.
00:35:17Ayhan.
00:35:18How did it happen?
00:35:19Did you try it?
00:35:20How did it happen?
00:35:21I rubbed it, I rubbed it.
00:35:22I'm waiting.
00:35:23Are you sure this is for the face?
00:35:26Yes, I'm sure.
00:35:27It was written in English on it, but I translated it in my mind.
00:35:30Yes.
00:35:31It's for the face.
00:35:32What happened?
00:35:34There's a burn on my face.
00:35:36That's why I asked.
00:35:37What kind of burn is there?
00:35:38Let me see.
00:35:39It's a thin leak.
00:35:42Ayhan, what did you do?
00:35:43How many times did you rub it?
00:35:44What?
00:35:45You told me to rub it a lot.
00:35:46I rubbed it a lot for free.
00:35:47I rubbed it three or four times.
00:35:48What happened?
00:35:49Ayhan, do you rub it three or four times?
00:35:50Are you doing your beard?
00:35:51Are you painting your face?
00:35:52No, I told you in a thin layer.
00:35:53You were going to rub it like me.
00:35:54You were going to rub it a little.
00:35:55Why don't you warn me?
00:35:56Why don't you tell me to rub it thinly?
00:35:57Then I rub it like this.
00:35:58You don't say much.
00:35:59I told you, but I told you.
00:36:00Come on, let's wash it.
00:36:01It's not like that.
00:36:02Why don't you warn me?
00:36:03You tell me to rub it thinly.
00:36:04But I said I rubbed it in a thin layer.
00:36:05I don't know.
00:36:06I don't know.
00:36:07I don't know.
00:36:08I don't know.
00:36:09I don't know.
00:36:10I don't know.
00:36:11Very hot.
00:36:12It hurts.
00:36:13Is it very hot, dear?
00:36:14Look, the towel is here.
00:36:15Look at the roll, here is the towel.
00:36:16Yes, look.
00:36:17What happened?
00:36:18It's nothing.
00:36:19Why don't you look at my face?
00:36:20I'm looking, honey.
00:36:21Is there something wrong with my face?
00:36:22It doesn't matter, say it.
00:36:23I don't want it.
00:36:24I just don't want to.
00:36:27It's over.
00:36:28I can't understand what you're doing.
00:36:32I
00:37:02Know
00:37:32No, no
00:38:02I
00:38:32I
00:39:02Think
00:39:06Ben de bir an önce sabah olsun istiyorum seni görebilmek için
00:39:16Ben uyuyunca da seni görüyorum rüyamda hep yanımdasın
00:39:22Ya ben de görürüm ki
00:39:25Ben de görürüm hatta kokunu bile duyabilirim
00:39:41Kokun baş döndürüyor başımı döndürüyorsun
00:39:43Ya ben ölür giderim ama böyle nasıl sağ çıkayım ben sabaha kalbim fazla mesai yapıyor şu an
00:40:13Güzel
00:40:35Günaydın
00:40:43Müzik
00:41:07Anne
00:41:09Kakao nerede
00:41:11Yok
00:41:13Yoksa yok
00:41:15Ya şu badem sütüne koyacaktım
00:41:17Bunu böyle tek içmeyi sevmiyorum da
00:41:19Kakaolu süt yapacaktım
00:41:21Ya hasta hasta ne yapacaksın sen kakaolu sütü
00:41:23Yap çocuğum kendine bir ıhlamur
00:41:25At içine tarçınlı zencefilini
00:41:27Koy üstüne bir tane limon balını da koy karıştır iç
00:41:29İyi tamam bunu ben böyle içerim ya
00:41:31Allah Allah
00:41:33Anneniz yapsa içersiniz güzel güzel ıhlamurunuzu
00:41:35Anneniz yapmayınca yok
00:41:37İş olunca hastayız yoksa pastayız
00:41:39Rahatınıza bakın çocuğum siz ya
00:41:41Anneniz çalışıyor
00:41:55İnşallah inşaat bağlamamıştır oralarda
00:42:09Umarım hala buradadır
00:42:39Müzik
00:42:51Günaydın kolay gelsin
00:43:05Kehlen gelmedi mi
00:43:07Tamam kolay gelsin
00:43:09SaÄŸolun
00:43:11Müzik
00:43:33Telefon çalıyor
00:43:35Müzik
00:43:37Telefon çalıyor
00:43:39Müzik
00:43:41Telefon çalıyor
00:43:43Müzik
00:43:45Telefon çalıyor
00:43:47Efendim Emre Bey
00:43:49Nasılsın
00:43:51Bir şey mi vardı
00:43:53Ben ajansa geldim de
00:43:55Geçen ay iki plançoları bulamadım
00:43:57Beraber üzerine çalışmıştık notlar yazmıştık
00:43:59Bir sana sorayım dedim
00:44:01Gelmeyecek misin ajansa
00:44:03Ben dün kendimi tam olarak anlatamadım galiba
00:44:05Ben artık yokum Emre Bey
00:44:07Leyla
00:44:09Ne olur böyle yapma olur mu
00:44:11Ben hiç böyle olsun istemezdim
00:44:13Sensiz hiçbir şey yapamıyorum
00:44:17Elim ayağım birbirimle dolaştı burada
00:44:19Geçen ayın plançosu
00:44:21Mavi dosyanın içinde
00:44:23Notları da ben size mail atmıştım
00:44:25Eğer e-maillerinize dikkatlice bakarsanız
00:44:27Onların arasında görürsünüz
00:44:29Müzik
00:44:31Telefon çalıyor
00:44:33Müzik
00:44:35Telefon çalıyor
00:44:37Müzik
00:44:39Telefon çalıyor
00:44:41Müzik
00:44:43Telefon çalıyor
00:44:45Müzik
00:44:47Telefon çalıyor
00:44:49Müzik
00:44:51Telefon çalıyor
00:44:53Alo abla
00:44:55Emre Bey aradı az önce beni bir sürü şeyler sormuş saçma sapan
00:44:57Emre Bey aradı
00:44:59Yüzsüze bak ya ne diyor
00:45:01Hem de ne yüzsüz
00:45:03Neymiş ajansa geri dönecekmişim
00:45:05Yokum ben artık dedim
00:45:07Abla senin sesin niye böyle bok bok geliyor ya
00:45:09Kurabiye diyorum sana
00:45:11Belki on tane falan yemiÅŸimdir yani
00:45:13On tane mi
00:45:15Abla sen on tane kurabiyeyi bir ayda bitiremezsin ya
00:45:17Bak
00:45:19Kötü şeyleri hissetmediği iş yerine gelmedin
00:45:21Evde takılıyorsun ama
00:45:23Sanki ev daha mı kötü gelecek sana
00:45:25Buraya gelip oyalanacak bir ÅŸeyler mi bulsan kendine
00:45:27Öyle mi diyorsun
00:45:31Bilmiyorum ya
00:45:33Neyse tamam hadi kapat
00:45:35Sonra konuÅŸuruz
00:45:37Tamam hadi
00:45:39Hadi
00:45:41Müzik
00:45:43Müzik
00:45:45Doğru söylüyor ya
00:45:49Ben niye kendimi böyle eziyet ediyorum ki
00:45:51Müzik
00:45:53Hemde aradığında açmayınca
00:45:55Mesajlarına geri dönünce falan önemsediğimi zannedecek
00:45:59Ben onu önemsemiyorum ki
00:46:01O kim ki
00:46:03Daha fazla şeker ve karbonhidrat sokamayacaksın evde
00:46:07Madem öyle
00:46:09Kodri meydan
00:46:13Leyla
00:46:15Çocuğum yemeği ateşe koyuyordum tuz bitmiş bir koşu babandan anda geldi
00:46:17Anne benim işe gitmem lazım çok geç kaldım
00:46:19Allah Allah
00:46:21Sabahtan beri pinekliyorsun
00:46:23Ben bir ÅŸey isteyince iÅŸe gideceÄŸim
00:46:25Aman
00:46:27Tuzsuz yiyin
00:46:29Teşekkürler Leyla Hanım
00:46:31Olmayacak ki öyle bir şey
00:46:33Hiç önemli değil
00:46:35Ceycey bunun kıvamını çok iyi tutturuyorum artık
00:46:37Son dosyası
00:46:39Son eklediğimiz dokümanlara göre 75 slide tuttu ama
00:46:41Ben kaç demiştim
00:46:43Siz en fazla 25 demiÅŸtiniz
00:46:45Aman
00:46:47Zengin durur be
00:46:49O hareketleri yenilir
00:46:51Deren'in baskıda hata yapmışız
00:46:53Üç tane de fazladan basmışız
00:46:55Pinekli tonerimiz bitti
00:46:57Buna mı canını sıkıyorsun sen
00:46:59Üç yüz tane toner için
00:47:01Boşver senden kıymetli
00:47:03Boşver hayat çok kısa
00:47:05Hayat çok kısa bunlar için
00:47:07İyice abarttın sen nereye gidiyorsun
00:47:09Ceycey ben önemli bir şey söyleyeceğim
00:47:11Önemli mi diyorsun
00:47:13Deren Hanım
00:47:15Ben haftaya iÅŸe gelmesem
00:47:17ÅžiÅŸ ÅŸiÅŸ
00:47:19Gidersin deniz kenarına
00:47:21Deren Hanım ne oluyor burada
00:47:23Ä°yi misiniz
00:47:25Melisa çayı içiyorum
00:47:27Ne kadar güzel düşündün sen bunu
00:47:29An itibariyle kahveyi bıraktım
00:47:31Hayırlı uğurlu olsun
00:47:33Melisa sen ne verdin bu kadına
00:47:35Beni jöle gibi olmuş
00:47:37Ben Melisa çayı verdim ama sakinleşsin diye verdim
00:47:39Yok yok çaydan olamaz
00:47:41Kesin sakinleÅŸtirici bir ÅŸeydir
00:47:43Bravo sana
00:47:45Bravo otomatik plato bağlamış
00:47:47Herkese gülücükler saçıyor herkese izinler
00:47:49Tamam tamam
00:47:51Deren Hanım ne yapalım biliyor musunuz
00:47:53Yeni kozmetik ürünler geldi ya
00:47:55Onları deneyelim makyaj yapalım
00:47:57Havamız değişir biraz hadi
00:47:59Böyle gidelim boyanalım
00:48:01Süslenelim makyaj yapalım diyorsun
00:48:03Öyle geçsin ayağa
00:48:05Evet
00:48:11Siz ağlayan palyaçonun hikayesini biliyor musunuz
00:48:15Dur depresyon
00:48:17Eyvallah eyvallah
00:48:19Nasılmış nasılmış
00:48:21Anlatayım
00:48:23Hadi bakalım yolda palyaço dinleyelim
00:48:25Şimdi palyaço herkesi güldürüyor mu
00:48:27Ne güzel
00:48:29Sonra bir gün ağlamış
00:48:31Sonra bir gün ağlamış
00:48:43Niye öpüyorsun
00:48:45Şu an timingim mükemmel
00:48:47Tam zamanında geldin gerçekten
00:48:49Ben şu an ilk defa hazırladığım kampanyaya bu kadar yabancılaştım
00:48:51Şunu bir denedim dudağımda
00:48:53Bu rujmuÅŸ galiba
00:48:55Sen mi denedin
00:48:57Ruj böyle olmuyor benim
00:48:59RujmuÅŸ peki
00:49:01Bu ne mesela
00:49:03Bu rimel kirpikler için
00:49:05Onu biliyorum ben aslında
00:49:07Genel olarak hakimim mevzuya
00:49:09Detaylar beni çok zorluyor
00:49:11Bir de ışığa bir hassasiyet var falan zorlanıyorum
00:49:13Flüda nesneler böyle
00:49:15Bunun olayı kirpikleri koyulaştırmak değil mi
00:49:17BaÅŸka bir ÅŸey yok yani
00:49:19Yok canım kıvranı var uzatanı var
00:49:21Ne bileyim takma kirpik etkisi vereni var kimisi
00:49:23EÄŸer birinin bu kadar fonksiyonu varsa
00:49:25Bizim iÅŸimiz iÅŸ
00:49:27Tamam tamam
00:49:29Şimdi sen işini bir kenara bırak
00:49:31Beni takip et
00:49:33Seni bir yere götüreceğim
00:49:35Beni takip et
00:49:37Hipnotize etmek suretiyle beni götüreceksin herhalde
00:49:39Benimle gel
00:49:41Söylemeyeceksin nereye olduğunu
00:49:43Senle geliyorum deÄŸse iyi olur
00:49:57566
00:49:5913500
00:50:016400
00:50:03Nihat
00:50:05Şu küfeni de al
00:50:07Hadi
00:50:09Hadi
00:50:11Hadi
00:50:13Hadi
00:50:15Hadi
00:50:17Hadi
00:50:19Hadi
00:50:21Hadi
00:50:23Hadi
00:50:25Hadi
00:50:41Hadi
00:50:43Hadi
00:50:45Hadi
00:50:47Hadi
00:50:49Hadi
00:50:51Hadi
00:50:53Uh, you said Shukufa, you said wedding, you said this.
00:50:58Yes, Shukufa, bravo, mashallah.
00:51:01Shukufa's daughter Fahriye is getting married.
00:51:04I mean, just like Sanem.
00:51:06God bless you, Mr. Mevki.
00:51:08You came to what I said again. What changed? What changed?
00:51:10El Alemin's daughters got married.
00:51:12Ours stayed at home like that.
00:51:14Don't mess with our daughters.
00:51:15Allah Allah.
00:51:16They get married when they make the right decision.
00:51:18Besides, I don't give our daughters to the kids of El Alemin.
00:51:20How don't you?
00:51:21They're one of his father's.
00:51:23You took one of his father's.
00:51:25I'm not saying I won't take it, Mr. Mevki, I'm saying I won't give it.
00:51:27I'd take you again, Mr. Mevki.
00:51:30Why? Because I love you, I'm in love with you.
00:51:32I mean, I love you too, but...
00:51:34Well, now, I mean, the girls have the right to love, to be in love.
00:51:39How did we get married? They...
00:51:40No.
00:51:42How, Mr. Mevki?
00:51:44Are we going to set up the pickle?
00:51:45I'll set it up. I'll set it up, Mr. Mevki.
00:51:47I'll set up the pickles.
00:51:48I want them to be in front of my eyes and at the bottom of my knees.
00:51:50I'll look at them like this.
00:51:51Why are you getting involved, Mr. Mevki?
00:51:53You're getting involved for them, you're getting involved for me, and you're messing up my calculations.
00:51:56The first calculation I do is all over, everything is over.
00:51:58So we start over from the beginning.
00:52:01Oh God.
00:52:04The accounant at home didn't get a ticket, she ran out of the house, she has no news.
00:52:08Ah, Melos.
00:52:10Ah, Mr. Mevki.
00:52:12How are you?
00:52:13I'm fine, thank you. Come, let's sit down and chat.
00:52:15Come on, let's do it, dear.
00:52:17Let's go.
00:52:20What did he do?
00:52:22What can I do? I'm just coming from the day.
00:52:26Melki, girl, everyone is talking about you.
00:52:31I swear, you know Aysun...
00:52:33What?
00:52:34Aysun, Ayol is constantly provoking Sanem.
00:52:38Sir, this boy already made her fall in love with him.
00:52:42They are already lovers.
00:52:43But he never marries her.
00:52:46I swear, I barely shut my mouth.
00:52:49I hope they will eat all of what they say.
00:52:54Mr. Melki, does the girl have intentions?
00:52:58Are you crazy?
00:52:59Girl, if she has intentions but she doesn't tell me...
00:53:03Oh, I'm going to die. Girl, I'm going to die, please.
00:53:06Don't mess with me, girl, I'm going to die.
00:53:08Oh, I swear, I swear, I swear.
00:53:11That's exactly what it is.
00:53:13Oh, I swear, I swear, I swear.
00:53:16Stop.
00:53:18There's nothing serious. Don't tell anyone.
00:53:20No, no, okay, I won't.
00:53:23Look, don't.
00:53:24I'm so happy. I'm going, bye.
00:53:28Look at me.
00:53:29MelkoÅŸ, oh, I swear.
00:53:31Melihat, look, don't.
00:53:32Thank God I saw them today.
00:53:33Thank God.
00:53:36What did I do?
00:53:38Did I do good or bad?
00:53:41Yes, this is it.
00:53:43Look.
00:53:46We can get off now.
00:53:48Sanem, wait a minute, wait.
00:53:50Okay.
00:53:51It's raining.
00:53:52Okay, I'm waiting.
00:53:55Uncle Ihsan.
00:54:00Uncle Ihsan, I didn't keep you waiting, did I?
00:54:02No, Sanem, I just got here.
00:54:05Okay, Uncle Ihsan, meet Can.
00:54:07Can, Uncle Ihsan, Uncle Ihsan, Can.
00:54:09Hello.
00:54:11Are you ready?
00:54:12Yes, I'm ready.
00:54:13What are you ready for?
00:54:15There's an outing at seven, young man.
00:54:17Don't make it too complicated, okay?
00:54:18Okay.
00:54:20Okay, I'm off.
00:54:22Okay, good luck.
00:54:23Okay, see you, Uncle Ihsan.
00:54:25Uncle Ihsan is always like this, so sweet.
00:54:30Oh, great.
00:54:31What's up?
00:54:41Don't you have a cover?
00:54:42Don't any of you have a cover?
00:54:43You can't do it with these.
00:54:44Don't you have a cover?
00:54:45How do I look, Uncle Ihsan?
00:54:46You look like a disco ball.
00:54:47Do I look like you, Uncle Ihsan?
00:54:48How do you look?
00:54:49You're wearing these products...
00:54:51...used by world-famous top models.
00:54:53You look like a showgirl going to the news.
00:54:55Don't you have a cover?
00:54:56I look like Bebe Nuri.
00:54:58Uncle Ihsan, what did you put on your face?
00:55:01Let's not talk about that.
00:55:03Or am I allergic?
00:55:04No, there's nothing on the products.
00:55:06I used the wrong product.
00:55:08I used the wrong product.
00:55:09That's why.
00:55:10Find me a cover.
00:55:11Find me a cover.
00:55:13Don't any of you have a cover?
00:55:15This is crazy.
00:55:19How do I look?
00:55:2250 tons of pink.
00:55:24Ms. Zerrin, I mean...
00:55:25...didn't you exaggerate a bit?
00:55:26As if it was too much.
00:55:27No.
00:55:28It's not too much, Güliz.
00:55:30So my aura needs color.
00:55:34Don't laugh.
00:55:35Don't laugh.
00:55:37Your creative director is here.
00:55:39Where are we?
00:55:41Can, you're so impatient.
00:55:43We're here. Be patient.
00:55:45Nice to meet you.
00:55:46Welcome.
00:55:47Welcome.
00:55:48Thank you.
00:55:49Leyla.
00:55:50Weren't you sick?
00:55:51Welcome. Why did you come?
00:55:52I'm better, Güliz.
00:55:54I was bored at home.
00:55:55I thought I'd come here and work.
00:55:57You did well.
00:55:58Yes, you get bored at home.
00:55:59You get bored.
00:56:00I mean, your job is better.
00:56:01Look, you know what?
00:56:02Leave your stuff.
00:56:03The new materials have arrived.
00:56:04We can do makeup together.
00:56:05Okay.
00:56:06Okay.
00:56:07Let me see.
00:56:08You're crazy.
00:56:09Let me see.
00:56:10Leyla.
00:56:13Elvis.
00:56:15Yes, that's what happened.
00:56:17I'm so glad.
00:56:18I didn't come to make you happy, Mr. Emre.
00:56:20I came to get my work together.
00:56:22I'm going to talk to Mr. Can today.
00:56:24I want to go to my annual leave.
00:56:26Because I need to think a little.
00:56:29Maybe you'd like to look for a new assistant.
00:57:00Don't be alone when you're a kid, Mr. Emre.
00:57:04I mean, my mother, my sister, Ayhan.
00:57:08The noise of the house.
00:57:09The people who come and go in the grocery store never end.
00:57:13I wanted to write all the time.
00:57:15That's why I used to walk for a long time.
00:57:18One day, I discovered a place where birds come and go all the time.
00:57:22This is it.
00:57:25There are a lot of stories about love and connection here.
00:57:30I left something here so I could come back.
00:57:53It's been a long time since I've seen Leyla.
00:57:55Is there anything else?
00:57:57Leyla, you're so beautiful.
00:58:02Thank you.
00:58:03All of you are beautiful.
00:58:05No, I'm serious, Leyla.
00:58:07You're really beautiful.
00:58:09It's really beautiful, Güliz.
00:58:12I'll tell you something.
00:58:13Should we use you in the catalog shoot?
00:58:15No way.
00:58:16Yes.
00:58:18It's our lesson, right?
00:58:19I think so.
00:58:26I think it was too much.
00:58:27I didn't like it.
00:58:28My face is itchy.
00:58:30Do you have a wet tissue?
00:58:31There are cleaners, right?
00:58:33Güliz, give me one of those.
00:58:34There was, but why did you take it?
00:58:36I'll wipe it off. It was too much.
00:58:51I left it here years ago.
00:58:56I'm sorry.
00:59:00If I have a lover one day,
00:59:02we'll hold hands and fly over the clouds without wings.
00:59:07If I have a lover one day,
00:59:09we'll hold on to the wings of the horses.
00:59:11We'll touch the stars.
00:59:14If I have a lover one day,
00:59:16we'll love each other for the wings of an albatross.
00:59:22I'll read this to my albatross one day.
00:59:27I'll read this to my albatross one day.
00:59:35I don't think we should ever leave each other.
00:59:37Whatever happens.
00:59:51When I last came here,
00:59:53I never saw a bird.
00:59:55I made a lot of bird nests for Uncle Hasan.
00:59:58Shall we hang them together?
01:00:00Let's hang them.
01:00:01Okay.
01:00:04Is this necessary?
01:00:05Yes.
01:00:25Let's go.
01:00:50You're so kind. You're so beautiful.
01:00:53Birds migrate to warm countries in winter.
01:00:56Yes.
01:00:57I want a warm nest for the birds that can't go.
01:00:59Good idea.
01:01:00But I don't think we should only feed the birds.
01:01:02Let's think about the other animals.
01:01:04Let's take the street animals to a shelter.
01:01:07I saw a lot of dogs on the way.
01:01:09Let's feed them too.
01:01:11Okay.
01:01:12I think we should even run to the shelter.
01:01:15Okay.
01:01:16Let's protect the animals.
01:01:18You're so sweet.
01:01:19I love you.
01:01:21You too.
01:01:23I think we should warm up a bit.
01:01:25Because it's a bit cold.
01:01:32Girl, tell us.
01:01:34Come on, tell us.
01:01:36I can't tell you.
01:01:38I'm sorry.
01:01:39What is it?
01:01:40Who am I to tell you?
01:01:42I can't tell you.
01:01:43I don't want to hear it.
01:01:44They're in love.
01:01:46What else can we tell you?
01:01:47We're so excited.
01:01:49I'm the one who's excited.
01:01:51Girl, I've been here since 9 a.m.
01:01:53because I didn't want to tell you.
01:01:55I'm sorry.
01:01:57I'm sorry.
01:01:59Come on, Melahat.
01:02:00Don't make us cry.
01:02:01Come on.
01:02:02But we're so excited.
01:02:03We can't tell you.
01:02:05You're a journalist.
01:02:07Let's go to another shelter.
01:02:09Yes, that's right.
01:02:11Where?
01:02:12Okay, okay.
01:02:13I'm telling you.
01:02:14Look at me.
01:02:15You won't tell anyone.
01:02:17I promise.
01:02:18You won't tell anyone.
01:02:20Now.
01:02:21The girl and the boy are getting married.
01:02:24Congratulations.
01:02:25They're getting married.
01:02:27I can't believe it.
01:02:29I can't believe it.
01:02:30I can't believe it.
01:02:32Where are you going?
01:02:33I can't believe it.
01:02:34Come on, come on.
01:02:35You didn't hear anything.
01:02:37I didn't hear anything.
01:02:38You should have done your hair a little bit.
01:02:40Okay, okay.
01:02:41I've never seen such people in my life.
01:02:44I swear to God, no one should think about this.
01:02:47It can't be like this.
01:02:48Come on, pick it up, girl.
01:02:49Come on.
01:02:52Isn't she beautiful?
01:02:55Hello.
01:02:56You're here.
01:02:57Welcome, Leyla. I'm glad you're back.
01:02:59Thank you, Mr. Can.
01:03:00I was waiting for you.
01:03:01I want to talk to you about something.
01:03:03Then I'll go back to work.
01:03:04Okay.
01:03:07Are you okay, Leyla?
01:03:08I'm fine, Mr. Can.
01:03:09I'll be better.
01:03:13Mr. Emre and the things...
01:03:14Yes, I know.
01:03:16I wish it wasn't.
01:03:17But what can we do? What's done is done.
01:03:19I need to get away a little bit.
01:03:21If I can get my annual leave...
01:03:23...it'll be great.
01:03:24Of course, of course. As you wish.
01:03:26But this week is very critical for us.
01:03:28It's an important week.
01:03:29We took over the Red Mood Cosmetics business.
01:03:31We're going to prepare their campaigns.
01:03:33We need to show them that we can handle them.
01:03:35So if you can handle us this week...
01:03:38...I mean, if you're with us, it would be great.
01:03:40Then you can get the leave you want.
01:03:42Okay, Mr. Can.
01:03:43Okay. Thank you.
01:03:46Thank you.
01:04:01Let's take a look at this.
01:04:02Give me the line, son.
01:04:03Of course, brother.
01:04:06Yes. From now on, the shop is yours.
01:04:09Thank you, brother.
01:04:11I've been waiting for you.
01:04:12You go and be famous when you're seen, okay?
01:04:15I'll come when I'm not on set, don't worry.
01:04:17Come. Come when you want, brother.
01:04:19But you have a brother here like lions, like animals.
01:04:22Don't forget that. The butcher entrusted me.
01:04:24Come on, crybaby.
01:04:26Let's see how you beat the meat.
01:04:27Okay, let's beat it.
01:04:30Move aside.
01:04:38I can't do it.
01:04:39Look at this.
01:04:40Look at this.
01:04:41Someone has already beaten it.
01:04:42I can't do it.
01:04:43Do you want me to do it?
01:04:44Anal.
01:04:45Your sister is counting on you.
01:04:46Okay.
01:04:47I'm going.
01:04:48Brother, are you coming right away?
01:04:51Yes.
01:04:52I hope so.
01:04:54Come on, brother.
01:04:56May God give you the punishment of life.
01:04:59I swear I'll stab myself.
01:05:01Musa.
01:05:02Musa, don't be ridiculous.
01:05:03Musa, don't be ridiculous.
01:05:04Musa, don't be ridiculous.
01:05:05Musa, don't be ridiculous.
01:05:06Musa, don't be ridiculous.
01:05:07Musa, don't be ridiculous.
01:05:08Musa, don't be ridiculous.
01:05:09Musa.
01:05:10Leave her alone.
01:05:11No one can be mine if it's not mine, ma'am.
01:05:13No, I can't marry.
01:05:15Come on, brother.
01:05:16Who's not getting married?
01:05:17What's going on?
01:05:18Musa, stop it.
01:05:19Brother, do you think we're getting married with Sanem?
01:05:22They said the wedding.
01:05:24I swear I will beat myself with the meat beater.
01:05:27Musa, don't be ridiculous.
01:05:29Musa, come here, brother.
01:05:30Musa, what are you doing?
01:05:32Musa, what are you doing?
01:05:33Don't be ridiculous.
01:05:35I will beat myself.
01:05:37Don't be ridiculous.
01:05:38Yes, friends. Let's get to the part we love the most.
01:05:41Brainstorming.
01:05:42That's right.
01:05:44You've all tried the products.
01:05:46It's obvious.
01:05:48Yes, what is our scenario?
01:05:51Mr. Can, mine is a bit complicated.
01:05:53I'm listening, Cici.
01:05:55We know Cinderella's fur cat.
01:05:57The prince is arranging a ball to choose the bride.
01:06:01The fur cat wants to go, but the brothers lock her up at home.
01:06:04She can't go to the ball, so a fairy comes.
01:06:07She says, I'll help you.
01:06:09Then they go shopping for the engagement stone.
01:06:11Engagement stone?
01:06:13But she has to wear it.
01:06:14Cici, you're telling us a fairy tale.
01:06:17We know it's a fairy tale, but it means you're going somewhere, right?
01:06:21Then they go to a store for the engagement stone.
01:06:24They try on suits. No, that's not it.
01:06:26Stiletto. No, that's not it.
01:06:27Then the fur cat says, you're a fairy.
01:06:30What do you know about fashion?
01:06:32The fairy gets angry and says, you're a fur cat.
01:06:35She says, if I wasn't here, you'd be locked up at home.
01:06:39Then the fur cat says, calm down, ladies.
01:06:44Where's the product, Cici?
01:06:45It's on its way. We're on our way.
01:06:49Then she says, what about my hair and make-up?
01:06:52She says, I'll do it with magic, fairy.
01:06:55Then she says, why did we come to the engagement stone?
01:06:57If you can do everything with magic.
01:07:00She says, we have to live with this. We have to socialize.
01:07:04I had to make this adventure happen, and I'm making it happen.
01:07:08Anyway, she says, I want to do my hair and make-up myself.
01:07:11Please let me do it. I can do it.
01:07:13She says, okay.
01:07:14Anyway, the fur cat goes to the store.
01:07:17She doesn't realize it's 12 o'clock.
01:07:19The fur cat gets a dream.
01:07:20The fairy said, get out before 12 o'clock, because she can't.
01:07:24And then it starts to change.
01:07:27The clothes go back to the way they were.
01:07:29The fur cat runs away from the palace.
01:07:31Then she says, I'm changing here.
01:07:34I took off the footwear from the window.
01:07:37She doesn't take it off.
01:07:39Okay.
01:07:40The prince catches her, turns her around, looks at her.
01:07:43She's the same, but her costumes are different.
01:07:45She's miserable.
01:07:47But there's one thing that doesn't change.
01:07:49What is it?
01:07:50What is it?
01:07:52Her face.
01:07:53The make-up artist she did with the Red Mode products.
01:07:56Everything goes, Red Mode stays.
01:07:58With our cosmetic products.
01:08:00That's why airplanes start to explode.
01:08:03Horses start to howl.
01:08:05Like this.
01:08:06I don't think it's necessary.
01:08:07But Mr. Can, I thought you'd play the prince.
01:08:11What are you talking about?
01:08:13You're very, very beautiful. Thank you very much.
01:08:15Okay, what if we work with a naked king?
01:08:18What if we cover the naked king with our cosmetics?
01:08:21Would that work?
01:08:22Is that what you thought of me?
01:08:23No, Mr. Can.
01:08:25Does anyone have any other ideas?
01:08:27I mean, it's not just about princesses.
01:08:30Mr. Can, I came up with a slogan.
01:08:33More beautiful every day.
01:08:37That's great, what else?
01:08:39Natural beauty.
01:08:41I know, but it could also be a mineral water slogan.
01:08:44It doesn't point to the product.
01:08:46What else?
01:08:51Sanem, now that you're with Metin,
01:08:54we're expecting bright ideas from you.
01:08:58If you say, I don't deal with such nonsense anymore,
01:09:01you're right there, too.
01:09:04Are you telling us to get along with the slogans I found before?
01:09:15Can I have your permission?
01:09:17Please.
01:09:17I think our product range is very wide and we appeal to women of all ages.
01:09:21So if we start with the best moment of every woman,
01:09:24I think we'll be able to move from a common and true feeling.
01:09:28What is that?
01:09:30Marriage.
01:09:31Marriage is a very important moment for every woman, a moment she dreams of.
01:09:36It's also the time when she uses her cosmetics most carefully and willingly.
01:09:40Normally, when women go to work, they don't want to put on makeup.
01:09:45They get very tired of it.
01:09:46But the same thing is not valid for brides.
01:09:50That day, putting on makeup turns into a show.
01:09:53Actually, Ceycey hit the nail on the head.
01:09:57We laughed at her, but if a woman puts on her own makeup,
01:10:01it's a great ritual.
01:10:03Yes.
01:10:04Can you get to the point, Salem?
01:10:06Imagine a bride getting ready for her wedding.
01:10:09A hairdresser, a beauty salon, without makeup,
01:10:13she even cuts her own wedding dress.
01:10:15Super image, strong woman image, great. Go on.
01:10:19Well...
01:10:21On the wedding day, a young girl gets up from bed with her pajamas
01:10:25and turns into a wonderful bride with the cosmetics we introduced.
01:10:30And she signs the wedding invitation.
01:10:34Our slogan is, Make a Beauty.
01:10:37I think... I think it's very sincere.
01:10:40It emphasizes that there are women in the architecture of beauty.
01:10:46Well, bravo, Salem.
01:10:49I think it's great. What do you think, guys?
01:10:51Yes, it's great.
01:10:52It's also great that the bride puts on her own makeup.
01:11:03For God's sake, what marriage, what invitation?
01:11:05It's written clearly. What does it say?
01:11:07The idea of marriage hits me hard.
01:11:09What's that? It's like I've experienced my creative side blind.
01:11:13What else can you say? It's written clearly.
01:11:16For God's sake.
01:11:17Another kiss for the bride.
01:11:18For God's sake, don't let them eat me.
01:11:20Ladies, let me tell you something.
01:11:22Either Mevki is lying
01:11:25or this man is officially cheating on Sanem.
01:11:28That's it.
01:11:29Hey, what happened, baby?
01:11:31Sister, what are you doing?
01:11:32Sit down. What happened to you, baby?
01:11:36Slow down.
01:11:38Baby.
01:11:39What happened?
01:11:40Come on, let's go.
01:11:41What happened to you, baby?
01:11:44What happened, baby? Did someone beat you?
01:11:46Who can beat me?
01:11:48Fate hit me.
01:11:51I swear, I feel like I've been slapped
01:11:54in the middle of my life.
01:11:57Sanem is gone.
01:11:58Sanem is the daughter of our neighborhood.
01:12:00She's gone.
01:12:02She's going to marry that bald kid.
01:12:04Did you know? He has long hair and beard.
01:12:06He has weird eyes.
01:12:08For God's sake, what marriage, what invitation?
01:12:10He's officially cheating on Sanem. Wait a minute.
01:12:13Where is it? Here it is.
01:12:15What does it say here?
01:12:16What does it say? It's closed.
01:12:18But what does it say?
01:12:20Can David.
01:12:21I don't think of marriage.
01:12:23God, well done, Can David.
01:12:25I swear to God, well done to this boy.
01:12:27He's just a kid. Why doesn't he think of marriage?
01:12:30If he gets married, he'll get married.
01:12:31Well done, man. I swear.
01:12:34I admire Can David.
01:12:35No, not that much.
01:12:36Oh, my God, my baby.
01:12:38It's not worth feeling sorry for that girl.
01:12:40Sister, it's a shame.
01:12:41What shame?
01:12:42For God's sake, all the magazines and newspapers
01:12:45are talking about it.
01:12:46It's a shame when you say it's a shame.
01:12:48But she's the daughter of the neighborhood.
01:12:49Come on, kid, go to the store.
01:12:51Come on, baby, go to the store.
01:12:52Come on, smile. Come on, smile, baby. Come on.
01:12:54She's the daughter of the neighborhood.
01:12:56It's very important who she married.
01:12:57She didn't marry God. She didn't marry God.
01:12:59She didn't marry God.
01:13:03Did you like it?
01:13:04Congratulations to you.
01:13:05Thank you very much.
01:13:07Give it to me.
01:13:08Give it to me.
01:13:09Thank you very much.
01:13:13I missed you.
01:13:14Me, too.
01:13:15I'm going to ask you something.
01:13:17Now, you're so smart,
01:13:21and you're so beautiful,
01:13:24and you're so full of love.
01:13:28How is that? How is that?
01:13:31I'm shaking right now, again.
01:13:33How?
01:13:35Oh, incredible.
01:13:36The woman is like a piano.
01:13:37It's like a piano.
01:13:38It's like a piano.
01:13:39It's like a piano.
01:13:40It's like a piano.
01:13:41It's like a piano.
01:13:42It's like a piano.
01:13:43It smells so good, don't you understand?
01:13:47Yes, Ceyda?
01:13:51No, I haven't forgotten.
01:13:52Do I forget? Of course, I don't.
01:13:54Okay.
01:13:55Okay, see you soon.
01:13:58Food, right? Food again.
01:14:00I saw it in a documentary.
01:14:03It's really incredible.
01:14:04The pianos are thrown in the middle
01:14:09from the fence.
01:14:11They clean and sweep, but they don't get full.
01:14:14What are you doing? What are you doing?
01:14:15Go to your seat. Go to your seat.
01:14:17Come on, are you a maniac? What are you watching?
01:14:19How can a person be so daring?
01:14:22How can he be so unbridled?
01:14:26How can he be so hungry?
01:14:27How can he be so leggy?
01:14:29So, it happened like this.
01:14:31Turkey's representative of MacKinnon and its cosmetics company invited me to dinner.
01:14:38But Cagin is always eating. Are you aware?
01:14:40Because it's business, he's always eating.
01:14:42I found a practical solution for you.
01:14:44The agency is here.
01:14:46Bread and sausage.
01:14:47I'll buy the sausage from the butcher.
01:14:49Okay.
01:14:50Sausage.
01:14:51Ayran.
01:14:51Done.
01:14:52We're done.
01:14:53It's clean.
01:14:54But don't you think this is a great opportunity to announce your slogan?
01:14:58And they've learned what kind of genius you're in love with.
01:15:04Let them know.
01:15:06Are you in love?
01:15:08With Halil, a little.
01:15:09A little?
01:15:15I was watching people, Mr. Can.
01:15:18I made them go back to their work.
01:15:20I came to let them know.
01:15:22So that they can talk more comfortably.
01:15:23And to make it romantic, I was going to make this place a little bit empty.
01:15:26But I couldn't find the light.
01:15:28I couldn't find where to set it up.
01:15:30But there are lighting solutions here.
01:15:33I'll go and check.
01:15:33Then I'll do it.
01:15:34Okay.
01:15:35Okay.
01:15:36Get to work.
01:15:40I'm drinking tea.
01:15:44Where's the contract?
01:15:56Thank you.
01:15:57You're welcome.
01:16:06Hello, Osman.
01:16:07Hi, Leyla. How are you?
01:16:09I'm at work. I'm working.
01:16:10You're at work?
01:16:12You weren't supposed to go.
01:16:13I mean, you said so.
01:16:15They couldn't find an important file.
01:16:18That's why I came. I had to.
01:16:20I didn't want to look like I was giving up.
01:16:22Leyla.
01:16:23Can I get you the contract?
01:16:25Osman, can I call you later?
01:16:27I'm working now.
01:16:29I'll call you in ten minutes.
01:16:30Okay, okay.
01:16:32But I was going to ask you.
01:16:34If you're available, can I pick you up?
01:16:36I mean, I had a surprise for you.
01:16:38A surprise?
01:16:39Okay.
01:16:40This isn't it. Let me get this.
01:16:43Okay, okay.
01:16:45I'll let you know when I get out of the agency.
01:16:48Okay, deal.
01:16:57Mr. Emre, if there's nothing else you want from me, I'll go to my room.
01:16:59We have so much work to do, Leyla.
01:17:01How are we going to catch up?
01:17:02I think I'll do it faster in my room.
01:17:05Okay.
01:17:07These...
01:17:09I won't take these either.
01:17:11I have a present.
01:17:24They won't eat, Mevki. They won't eat.
01:17:26What's going on? You're in my shop like a mad cow again.
01:17:29You said my daughter was going to marry a rich man.
01:17:32Oh, Melihat.
01:17:34Of course she's going to marry.
01:17:35What's it to you? Are you going to ask me?
01:17:37Of course she's going to marry.
01:17:39Of course she's going to marry.
01:17:40Here you go.
01:17:41Your future son-in-law.
01:17:43Look what he says.
01:17:44He says, I don't think about marriage.
01:17:46Oh, you've become a burden to the people.
01:17:49You didn't get your daughter married to my daughter.
01:17:51You made a mess.
01:17:53Come on, break your leg now.
01:17:55Good luck.
01:17:57So...
01:17:59He says, I don't think about marriage.
01:18:02Is he fooling my daughter?
01:18:05Is my daughter fooling me?
01:18:11What am I going to do now?
01:18:16Where am I going without Nihat?
01:18:19Nihat, where are you? Come here.
01:18:22Where is he?
01:18:25What happened?
01:18:34Very good.
01:18:45Can, you scared me.
01:18:48I'm not a stranger. I'm a type of person in the mosque.
01:18:50You've seen me every day.
01:18:51You don't make a sound, but I was so scared.
01:18:54What did you do? Did you try the products?
01:18:56Yes, it's great.
01:18:58Give me your hand. I'll try it on you.
01:19:00No.
01:19:01Okay, look at my hands. My hands are soft.
01:19:03I don't want to hold your hands.
01:19:05It's not objective.
01:19:07It's not ethical.
01:19:09If I hold anyone's hands,
01:19:11then I have to go and hold everyone's hands here.
01:19:16By the way, doing something like this is not ethical at all.
01:19:20That's what I'm saying.
01:19:22But you try.
01:19:24I won't hold you. I won't be an obstacle to you.
01:19:26Okay, I'm trying.
01:19:32Try standing up. It won't be stable.
01:19:35Walking like this?
01:19:37It's more creative.
01:19:39Very nice.
01:19:49Can?
01:19:52I understand.
01:19:54What do you understand?
01:19:55I understand what I'm trying to do to you.
01:19:57Yes.
01:19:58You can't hide it from me.
01:20:01Because you miss me so much,
01:20:03you're always following me.
01:20:05You never leave me.
01:20:07Yes.
01:20:09You didn't chase me.
01:20:11I'm like a hunter.
01:20:13I have a desire to run after you.
01:20:15But you love it, too.
01:20:17You want me to run after you.
01:20:19You have that in your nature.
01:20:21I would be very happy if you don't interfere with my plans.
01:20:23Never. Excuses don't break the record.
01:20:25I would like to express that.
01:20:27What time is it?
01:20:29What time is it?
01:20:31It's late.
01:20:33I'll go and get ready.
01:20:35I have dinner in the evening.
01:20:37I shouldn't be late.
01:20:39It would be weird.
01:20:41You can try the products.
01:20:43Okay?
01:20:45Okay.
01:20:47Don't be late.
01:20:50They're waiting.
01:20:52Don't be late.
01:20:54Don't.
01:20:56Don't.
01:20:58Don't what?
01:21:00I'm very angry, Ceycey.
01:21:02What's going on, Sanem?
01:21:04She's going to dinner with Ceyda.
01:21:06They're going out to eat.
01:21:08Are you jealous of her business dinner?
01:21:10I'm jealous, Ceycey.
01:21:12I'm jealous of her years without me.
01:21:14How?
01:21:16It was very poetic.
01:21:18Early school, middle school, high school.
01:21:20I don't know.
01:21:22I want to be with her.
01:21:24Sanem, calm down.
01:21:26What did Mr. Can do?
01:21:28He confessed his love to everyone he touched.
01:21:30He's a traveler like Marco Polo.
01:21:32He turned into a house cat.
01:21:34Are you aware of your love?
01:21:36Is that so?
01:21:38Of course.
01:21:42Ceycey, I came to get coffee.
01:21:44Right address.
01:21:46I'm sorry.
01:21:48I was a guest.
01:21:50You didn't want to.
01:21:52I mean...
01:21:54I don't want to go too far.
01:21:56You're welcome.
01:21:58But this is a business dinner.
01:22:00The company's officials will go there.
01:22:02If Can had to go with someone,
01:22:04he would go with me.
01:22:06Why? Because I'm the creative director.
01:22:08There's nothing to be jealous of here.
01:22:10Think professionally.
01:22:12You'll get used to it.
01:22:15What do you mean?
01:22:17I mean, there won't be any invitations or meetings.
01:22:19You'll go.
01:22:21Why are you trying to cheer me up?
01:22:23There must be something.
01:22:25Sanem, what's going on?
01:22:27I tried to tell you.
01:22:29I said there's nothing to be jealous of here.
01:22:31I said be professional.
01:22:33I'm not talking about that.
01:22:35We're going to dinner.
01:22:37Where? To a business dinner?
01:22:39Yes. Let's not be late.
01:22:41Okay.
01:22:43Ms. Deren.
01:22:45I'm here.
01:22:47I'm here.
01:22:49I'm going to a business dinner.
01:22:51What are you doing?
01:22:53Yes.
01:22:55Since Sanem found the slogan,
01:22:57she included it in the business dinner.
01:22:59I think so, Mr. Can.
01:23:01Yes.
01:23:03My IQ was already a bit limited.
01:23:05I know that.
01:23:07But I think my IQ dropped, too.
01:23:09Because I don't understand anything anymore.
01:23:12I have a feeling.
01:23:14Cece, I want to ask you something.
01:23:16Sure.
01:23:18Because I don't have any other close friends.
01:23:22Do you think I should resign
01:23:24and leave the agency slowly?
01:23:26Maybe he's already there.
01:23:28What am I going to do?
01:23:30You know, Ms. Deren.
01:23:32You can find a job.
01:23:34After all, your IQ is pretty high, right?
01:23:36It's like an encyclopedia.
01:23:38You don't say stay
01:23:40I don't think anyone loves me.
01:23:42Ms. Deren, don't think like that.
01:23:44I don't want to talk, Cece.
01:23:48I will be the creative director.