Erkenci Kus HD - Episode 42 (English Subtitles) EARLY BIRD
Category
🎥
Short filmTranscript
00:00:00Hmm.
00:00:02Let's see.
00:00:04Every woman's woman...
00:00:08Should I clean this up?
00:00:11Are we ready to go, baby?
00:00:13Can, I did something, I fixed it.
00:00:16You're right, I'm a little nervous.
00:00:18I mean, I...
00:00:20I don't think I can do it.
00:00:21Someone else should do it.
00:00:22Ms. Deren should do it.
00:00:23Her persuasion is higher.
00:00:25I can't do it.
00:00:26Look, it's a big job.
00:00:27I don't want to lose it because of me.
00:00:29Besides, who am I?
00:00:32Let me tell you who you are.
00:00:35You're an angel who makes everything you touch shine like the sun.
00:00:39You're my angel.
00:00:40Am I?
00:00:41Are you okay?
00:00:43Doesn't everything you touch turn into a jewel?
00:00:45It does.
00:00:46Doesn't everything I do become perfect?
00:00:48It does.
00:00:49Don't you take my mind off your head every time you touch me?
00:00:53Don't you?
00:00:54I do.
00:00:56I do these things, yes.
00:00:59Okay, we...
00:01:00Right now, we're not getting each other excited, right?
00:01:04Never.
00:01:05Do you think I need it?
00:01:06I mean, I'll tell you something.
00:01:09Aren't you the one who found the escape campaign, managed it, made it happen?
00:01:14It's me.
00:01:15So?
00:01:16Yes.
00:01:19Get out and take this game, champion.
00:01:21I have nothing else to say.
00:01:22Oh, I think we've lost our minds because of love.
00:01:27Then I'll clean up here.
00:01:29Without spilling.
00:01:31I worked hard, dear.
00:01:35Where are they, Ceycey?
00:01:36They're in the common area, Ms. Deren.
00:01:38Why are you taking them back?
00:01:39Of course, take them inside.
00:01:40I don't know, Ms. Deren.
00:01:41They came and sat down.
00:01:43Welcome.
00:01:44I'm Deren Keskin, the creative director.
00:01:46Nice to meet you.
00:01:47Ms. Ayça.
00:01:48Instead of Mr. Erdinç, Red Moda will work with us as a representative of Turkey.
00:01:52Is that so?
00:01:53Nice to meet you.
00:01:54Let me take you to the meeting room.
00:01:56This way.
00:01:57Come on.
00:01:58Here you go.
00:02:02Come on.
00:02:05Here you go.
00:02:06This is our meeting room.
00:02:14Welcome. Hello.
00:02:17Let me introduce you.
00:02:19Ms. Ayça.
00:02:20She will continue as our representative of Turkey.
00:02:22Welcome, Ms. Ayça.
00:02:23I'm Can Dilip.
00:02:25I'm Sanem.
00:02:26I'm Ayça.
00:02:27Welcome.
00:02:38Has the meeting started?
00:02:39Am I late?
00:02:41Aylin, you can't attend this meeting.
00:02:43What do you mean I can't?
00:02:44Emre, I'm a partner in this company.
00:02:46I don't think you understand yet.
00:02:48Aylin, if you enter that room, you won't do my brother's presentation.
00:02:51Get out of the room.
00:02:53Do you really want to find me?
00:02:56Aylin, this is very important for us.
00:02:58Let's do this.
00:02:59Give me some time.
00:03:01I'll fix you up.
00:03:04Okay.
00:03:05Just a little bit.
00:03:07Just a little bit.
00:03:12Let's start the presentation, if you wish.
00:03:14Okay.
00:03:15Ms. Sanem, here you go.
00:03:16Thank you.
00:03:21Let's start.
00:03:51And...
00:03:53...sign the marriage certificate with your signature.
00:03:57And we'll hear our slogan.
00:03:59Make it beautiful.
00:04:01Perfect.
00:04:02I like it.
00:04:03Magnificent.
00:04:04Super.
00:04:07I'm so glad you like it.
00:04:11Congratulations.
00:04:13Thank you so much.
00:04:15You're welcome.
00:04:17You're welcome.
00:04:18Congratulations.
00:04:20Thank you so much.
00:04:22You're welcome, Mr. Can.
00:04:24Thank you so much.
00:04:35Thank you.
00:04:36Congratulations.
00:04:37Thank you.
00:04:38I'm excited.
00:04:40I had a hard time.
00:04:42Güliz.
00:04:43Yes?
00:04:44I suddenly had a feeling.
00:04:45What feeling?
00:04:46You know, everything is going so well right now.
00:04:48It's so fun.
00:04:49Yes, it's so nice.
00:04:50What if it's the other way around?
00:04:53What if it's the other way around?
00:04:54What do you mean?
00:04:55Think about it.
00:04:56Ms. Ayn is the head of the agency.
00:04:58She's our boss.
00:04:59She treats us all like slaves.
00:05:00There are disgraces here.
00:05:01Bad things are coming to my eyes.
00:05:03Don't say such things and send the wrong energy to the universe.
00:05:05Cancel it.
00:05:06Cancel it.
00:05:07I'm not sending the wrong energy to the universe.
00:05:08The universe is sending me this energy right now.
00:05:10This is a feeling.
00:05:11Don't think about such things, Ceycey.
00:05:12Don't come to me right now.
00:05:14I'm saying it's coming as a feeling.
00:05:15Are you okay?
00:05:16You were laughing.
00:05:17You were laughing positively.
00:05:18Anyway.
00:05:22Take it.
00:05:23Eat it.
00:05:25Are you okay?
00:05:26Yes, yes, yes.
00:05:27Salim, I really want to give you your right.
00:05:31It was a very good presentation.
00:05:33Congratulations.
00:05:34Thank you very much, Ms. Deren.
00:05:36What do you mean?
00:05:37Sister.
00:05:38Sister.
00:05:39Congratulations.
00:05:40I was incredibly excited.
00:05:42I thought I couldn't do it.
00:05:43You did very well.
00:05:44Salim.
00:05:45Congratulations.
00:05:49Thank you, Mr. Emre.
00:05:51Yes.
00:05:52Friends.
00:05:54I really thank you all for all the work you have done for this project.
00:05:59But.
00:06:01But don't you think this celebration is a very small celebration for this victory?
00:06:07Yes.
00:06:08What do you say?
00:06:09Shall we party?
00:06:10Yes.
00:06:11Okay.
00:06:12Let's have a party then.
00:06:13What time is it?
00:06:14Party is not a paradise.
00:06:15Party is not a paradise.
00:06:16What happened, people?
00:06:17What's this excitement?
00:06:18Can.
00:06:19We decided to have a party.
00:06:20In fact, we went a little further.
00:06:21There will be an Emre Vaki, but we are having a party in your house and there are no objections.
00:06:24When did I see you object to such activities?
00:06:26I'm a dildo.
00:06:27I'm a dildo.
00:06:28I'm a dildo.
00:06:29I'm a dildo.
00:06:30I'm a dildo.
00:06:31I'm a dildo.
00:06:32I'm a dildo.
00:06:33I'm a dildo.
00:06:34I'm a dildo.
00:06:35I'm a dildo.
00:06:36I'm a dildo.
00:06:37I'm a dildo.
00:06:39Congratulations.
00:06:45Can
00:06:46Can
00:06:47Can
00:06:48Can
00:06:49Can I be your DJ at the party?
00:06:51Thank you.
00:07:00I love you so much, Can.
00:07:02She's in everyone's heart.
00:07:04Yeah, I'm not afraid now.
00:07:06I love you so much too, honey.
00:07:24No noise.
00:07:26Hi.
00:07:27Where did this come from?
00:07:28I thought it wouldn't be a party without Ceyda.
00:07:30I called her right away.
00:07:31Yes.
00:07:32If it wasn't for her, it wouldn't be.
00:07:34We were missing you.
00:07:35Hi honey, to you too.
00:07:36Hi honey, to me too.
00:07:43Guys, let's give a round of applause to Ceyda.
00:07:47No need. What did I do?
00:07:49I didn't do anything.
00:07:51No, no. You deserve this applause to the end.
00:07:53Because you made a connection with McKinnon.
00:07:56And after all that happened, you kept our relationship warm.
00:07:59It's not a small job.
00:08:00Really, well done.
00:08:01I wanted to especially thank you for this.
00:08:03Really, Ms. Ceyda, we thank you for everything.
00:08:06You can call me Ceyda.
00:08:08Ceyda.
00:08:10Then...
00:08:12Here you go.
00:08:13I think we should have a drink.
00:08:14Okay.
00:08:18Don't neglect our work.
00:08:20Don't forget the compass.
00:08:26So, you got together with your girlfriend.
00:08:28Yes.
00:08:29How nice, how nice.
00:08:31It's amazing.
00:08:32Love at this age.
00:08:34Yes.
00:08:35Actually, we never stayed apart.
00:08:37I mean, it's going to sound a bit fantastic to you, but...
00:08:40We can hear each other without seeing each other.
00:08:44Can you believe that?
00:08:46That's right.
00:08:47That's why...
00:08:49No one can break us up easily.
00:08:52Let's drink then.
00:08:53Then I'll bring you cold water.
00:08:56So that you don't get bored.
00:08:58Door! The door rang, let me check it out.
00:09:01Okay.
00:09:27How?
00:09:29You again?
00:09:30Did you come to me again, my aunt?
00:09:32What aunt?
00:09:33How can I be your aunt?
00:09:35When I say aunt, I mean, respect your age.
00:09:38Whatever.
00:09:39I guess you're the employee here.
00:09:41I can't deal with you.
00:09:42Take these, but properly.
00:09:44Wait a minute, wait a minute.
00:09:45You can't go in like this.
00:09:46I can't take you home.
00:09:47I'm sorry.
00:09:48Who are you to ask me for an account?
00:09:51I'll ask.
00:09:52I'm the owner of this house.
00:09:54Wait a minute, that's enough.
00:09:56Take your coat, take your bag.
00:09:58Whoever invited you here, let him in.
00:10:00Mom, what are you talking about?
00:10:02Who...
00:10:17Can.
00:10:19Mom.
00:10:26Mom?
00:10:27Is it a joke?
00:10:42Don't you have a welcome, mom?
00:10:44What are you doing here?
00:10:46I...
00:10:47I'm really, but you're not.
00:10:49So you still haven't hung them.
00:10:51What are you talking about?
00:10:53Go hang them.
00:10:55Can, I have a very bad staff.
00:10:57Sanem is not your staff, mom.
00:10:59Sanem is my girlfriend.
00:11:03Then this is a bigger disaster.
00:11:07I mean, we had a bad meeting.
00:11:11Yes.
00:11:13I guess you came to see Emre.
00:11:15No, I was wondering about you.
00:11:17I have nothing to worry about.
00:11:19You've been fine so far.
00:11:20Sanem, we're leaving.
00:11:24Wait, I'll get your jacket.
00:11:28Sanem.
00:11:29Emre.
00:11:30Mom.
00:11:32My dear son.
00:11:35This is a nice surprise.
00:11:36He missed you so much.
00:11:38Me too.
00:11:40Come on.
00:11:42How was your trip?
00:11:43Very good.
00:11:48It was so good.
00:11:50Of course.
00:11:51What are we celebrating?
00:11:53We won a campaign for a cosmetic company.
00:11:56Congratulations.
00:11:58Thank you.
00:11:59Sanem, did you see?
00:12:00No, I didn't.
00:12:01I saw.
00:12:07DJ J.
00:12:08Yes.
00:12:09Yes.
00:12:10Dance Emre.
00:12:11Why don't you dance?
00:12:12Dance.
00:12:13I'm playing such a great party here.
00:12:15You made it here.
00:12:16Mom, can you drink something?
00:12:19Dance.
00:12:20Do you drink anything?
00:12:21Dance Emre.
00:12:22Dance.
00:12:23Dance.
00:12:24Dance Emre.
00:12:25Dance.
00:12:26Don't you see?
00:12:27Ms. Yuma is here.
00:12:35She's staring at me.
00:12:36She always does.
00:12:37You're screaming.
00:12:38It's time for her.
00:12:39I found her.
00:12:40I've been thinking about her for a long time.
00:12:41I was angry when she came.
00:12:43What are we going to do?
00:12:44We'll go and meet her.
00:12:45Calm down.
00:12:46Okay.
00:12:52Did you see my mom?
00:12:53She was a little nervous when my mom came.
00:12:56They left.
00:12:57Your mom?
00:12:58Yes.
00:12:59Mom, let me introduce you to Leyla.
00:13:01Yes.
00:13:02Hello, sir.
00:13:03Nice to meet you.
00:13:04Leyla is my assistant.
00:13:07Assistant.
00:13:10Nice to meet you.
00:13:17My mom is Deren.
00:13:18She's the creative director of our agency.
00:13:20She's also the boss of our team.
00:13:22Nice to meet you.
00:13:23Me too.
00:13:24I heard a lot about you.
00:13:28Hello, I'm Ceyda.
00:13:30Nice to meet you, Ceyda.
00:13:32Ceyda is both our friend and our most valuable customer.
00:13:34She's the CEO of Compass Sport.
00:13:37Really?
00:13:38Yes.
00:13:39Nice to meet you.
00:13:41Two handsome and smart men like Emre and Can would look good on a young and beautiful mother like you.
00:13:47Right?
00:13:48You're so cute, Ceyda.
00:13:51You too.
00:13:54Where did Can go?
00:13:59Can can't stand his mother.
00:14:03He went out to get me a welcome gift.
00:14:07Mom, Ceycey is one of the most popular people in our company.
00:14:12Hello, Ms. Hülya.
00:14:15Hüma!
00:14:19And the one next to him is our beautiful Güliz.
00:14:23Hello.
00:14:24Emre, let's postpone this meeting.
00:14:28I'm so tired. I came from work.
00:14:30Okay, okay. You're right.
00:14:32You're right.
00:14:33Let's end the party slowly.
00:14:35You have things to talk about with your family.
00:14:38You're so sweet, Deren.
00:14:41I think our energy is out with you.
00:14:44Right?
00:14:45You felt it, too.
00:14:46Because we're on the same frequency.
00:14:47I felt it from the beginning.
00:14:49Yes.
00:14:50Friends, let's end the party slowly.
00:14:53Come on.
00:14:54Good evening.
00:14:59You'll stay a little longer, right?
00:15:01We'll have a chat.
00:15:02You're welcome.
00:15:04Ceycey, why are you looking at Hülya?
00:15:06I said Hülya.
00:15:07Yes, you're looking at Hülya.
00:15:08I got a call from somewhere.
00:15:10And I farted twice.
00:15:12Cut it, put it in front of the door.
00:15:14Cut it, put it in front of the door.
00:15:25Are you feeling better?
00:15:28I'm fine.
00:15:35Where are we going now?
00:15:39I don't know.
00:15:41I need to stay away from humanity.
00:15:44I'm sorry.
00:15:49Can, slow down.
00:15:51You're going too fast.
00:15:54I got carried away.
00:15:55I'm sorry.
00:15:56Do you want me to drive?
00:15:58No, I'm slowing down.
00:16:01You're making me worried.
00:16:03Okay, I'm slowing down.
00:16:05Do you want me to drop you home?
00:16:07I mean, drop you home.
00:16:08No, no.
00:16:09I'm going to be yours.
00:16:11I'll come wherever you go.
00:16:15I'm sorry.
00:16:18So your father left the compass purse to you, huh?
00:16:21That's right, Mrs. Hüma.
00:16:24We lost my mother last year.
00:16:26Super!
00:16:29I'm so surprised.
00:16:30I'm so sorry.
00:16:32I'm sorry.
00:16:33I'm sorry for the lights.
00:16:35Thank you.
00:16:37Your father must have been very upset, too.
00:16:39I could fix it.
00:16:42Actually, he got better quickly.
00:16:44Now he's traveling the world with his young wife.
00:16:47So he's married.
00:16:48Yes.
00:16:50Here you go.
00:16:51Thank you.
00:16:52You're welcome.
00:16:53Thank you.
00:16:55I've known your father for a long time.
00:16:57Really?
00:16:58He was a meticulous businessman.
00:17:00I mean, he wouldn't give permission to anyone so easily.
00:17:03Yes, my father is meticulous.
00:17:06Actually, your story with Can is very similar.
00:17:10Isn't it, Emre?
00:17:12Yes, yes.
00:17:13I already told you that I met Ceyda for the first time.
00:17:17That's why we became such good friends.
00:17:19We got along quickly.
00:17:21Super!
00:17:22I'm going to have a partner for the first time with Can.
00:17:25It seems so.
00:17:28It's a great chance for me to work with someone as smart and talented as Can.
00:17:36Ms. Hüma, if I ask for your permission, I would be rude.
00:17:39Oh!
00:17:40Oh!
00:17:43You can't promise to meet again.
00:17:45Of course, with pleasure.
00:17:48I'll take your number from Emre then.
00:17:50Super.
00:17:51Okay, deal.
00:17:55Goodbye, honey.
00:17:58See you.
00:18:00Let me give you a ride.
00:18:01Thank you so much.
00:18:03Let me give you a ride.
00:18:04Thank you so much.
00:18:06Good night.
00:18:07Good night.
00:18:10Super!
00:18:11Super!
00:18:13Now I like him.
00:18:30Can.
00:18:31But you never listen to me.
00:18:33I mean, I didn't make a good start with your mother.
00:18:37What does it matter to you?
00:18:38I mean, it doesn't matter if you make a good start or not.
00:18:41What does it matter?
00:18:42Please.
00:18:43Can I explain?
00:18:44It doesn't mean anything to me.
00:18:45It doesn't mean anything.
00:18:46Besides, you met at the door.
00:18:48Do you want to exaggerate?
00:18:49No.
00:18:50No, our first meeting wasn't at the door.
00:18:52You don't know how I argued when we met in the neighborhood.
00:18:56In the neighborhood?
00:18:57When you say we met?
00:18:58Well, the grocery store is there.
00:18:59We have beads.
00:19:00The cat kicked his food bowl.
00:19:02I got very angry when I saw it.
00:19:04We argued there.
00:19:05But it's not possible for such a coincidence to happen.
00:19:07Wait a minute.
00:19:08Was it a grocery store, a cat or something?
00:19:10Did my mother come to the neighborhood?
00:19:11Yes, to our neighborhood.
00:19:12Her car broke down in our neighborhood.
00:19:14In fact, she waited in our grocery store for a while.
00:19:16Look at that coincidence.
00:19:18That's what I'm saying.
00:19:20How can it be such a coincidence?
00:19:22In fact, they argued a little with my mother in the grocery store.
00:19:25When does this happen?
00:19:26After you left me home, after you left the neighborhood.
00:19:29After that, I saw it.
00:19:32When you kicked, I got very angry.
00:19:34I'm very sensitive about animals.
00:19:35Of course you don't know.
00:19:36You did a good job.
00:19:37You did a very good job.
00:19:38How did I do a good job, Can?
00:19:39Could it be such a coincidence?
00:19:40Why did such a coincidence happen to me?
00:19:42It can't be.
00:19:43It didn't happen.
00:19:44So it's not a coincidence.
00:19:45What do you mean?
00:19:47My mother had a discovery.
00:19:49It's very obvious.
00:19:50Can I explain?
00:19:51Did she have a discovery?
00:19:52What discovery?
00:19:53She read your family newspaper.
00:19:55She got the news.
00:19:56It's very obvious.
00:19:57She had a discovery.
00:19:58She went to learn about the life of her beloved son.
00:20:04She learned.
00:20:05Who knows what she's thinking about me right now.
00:20:07She learned.
00:20:08Bravo to me.
00:20:09Let her think whatever she thinks.
00:20:10What difference does it make?
00:20:11It doesn't make any sense.
00:20:12I don't care what she thinks.
00:20:14Can I explain?
00:20:15Besides, she doesn't have the right to comment on my life.
00:20:18Can, she's your mother after all.
00:20:21She was my mother.
00:20:22Until she left me.
00:20:25Nothing for me right now.
00:20:27She's just Emre's mother.
00:20:29But still...
00:20:30Sanem.
00:20:31Do you know what the real issue is?
00:20:32Let me tell you.
00:20:33The real issue is why Hüma came out of her hole after all these years.
00:20:39Do you know?
00:20:40That's the real issue.
00:20:41That's what I'm curious about.
00:20:58He needs to have his hair cut.
00:21:00The model will change.
00:21:02With small touches to his clothes.
00:21:05It's done.
00:21:06You can tell my brother if you want.
00:21:09Mothers don't say what they want.
00:21:11They get it done.
00:21:13Don't I know?
00:21:16So, why did you come?
00:21:18You're absent-minded.
00:21:20I guess I'm not going to learn about my sons' lives from the newspapers, am I?
00:21:24Isn't it obvious?
00:21:26It's obvious that you're making a mistake again.
00:21:29A new scandal every day.
00:21:30A new scandal.
00:21:33Or...
00:21:34Are you not happy with my arrival?
00:21:36No, mom.
00:21:37How can that be?
00:21:38You should have just started.
00:21:39I should have prepared my brother.
00:21:40Never mind.
00:21:41Your brother would never be ready for a situation like this.
00:21:45He thinks he hates me.
00:21:47But it's just in time.
00:21:50What do you mean?
00:21:51Look at him.
00:21:52It's obvious.
00:21:53They're really together.
00:21:55Nida, my son, Sema...
00:21:56Sanem, mom.
00:21:57Yes, Sanem.
00:21:58They're in love and they love each other.
00:22:00Yes, they're together.
00:22:01No way.
00:22:02It's unbelievable.
00:22:04I mean, your father had common interests.
00:22:06So, he got him involved.
00:22:08He has a choice like Ceyda.
00:22:14But...
00:22:15Can I tell you something?
00:22:16Ceyda also has a brother.
00:22:19Yes.
00:22:20But my brother doesn't really care.
00:22:23I see.
00:22:25So, what are mothers for?
00:22:28For what?
00:22:29To show their children the right way.
00:22:33But I think you shouldn't get involved in this.
00:22:36I know what I'm going to do.
00:22:37Don't get involved with me.
00:22:38Okay, fine.
00:22:40So, tell me.
00:22:41How are Cici and Erol?
00:22:51We're divorced.
00:22:53Why?
00:22:54I'm not happy with men.
00:22:58Except for my sons.
00:23:01I see.
00:23:02Come here.
00:23:06Do you want to talk?
00:23:09No, I don't.
00:23:10Because I'm upset.
00:23:12Okay, okay.
00:23:13But if you want to talk, I'm here, okay?
00:23:16Okay.
00:23:19You tell me.
00:23:20How are you and your family?
00:23:21How is it going?
00:23:22It's not going well, mom.
00:23:23We broke up.
00:23:24Why?
00:23:25It was supposed to be like that.
00:23:26We couldn't get along.
00:23:27Mom, whatever.
00:23:28Where are your suitcases?
00:23:30I left my suitcases at the hotel.
00:23:32I ran here to see my son as soon as possible.
00:23:36My dear.
00:23:38I sent the driver.
00:23:39You can drop me off at the hotel, okay?
00:23:42Your brother won't come to this house before I go.
00:23:44Call him and let him know.
00:23:45How do you know my brother?
00:23:47I'm his mother.
00:23:48He doesn't want to accept it.
00:23:51Come on.
00:23:53It's good, but not always.
00:23:55Are you going to stay at the hotel?
00:23:57It's good for now.
00:23:59Come on.
00:24:02Okay.
00:24:06Can.
00:24:07Don't cut it off right away, please.
00:24:09Maybe your mother has changed a lot.
00:24:11She's so sorry.
00:24:12Can't it be?
00:24:13It can't be, Sanem.
00:24:14I mean...
00:24:16You don't know my mother.
00:24:17If my mother is here,
00:24:19all my troubles are at the door.
00:24:21But at least listen to her.
00:24:23Maybe she'll try to forgive herself.
00:24:26How do you dream, for example?
00:24:27How do you think it's going to be?
00:24:30She's going to tell me a sad story.
00:24:32I'm going to believe her.
00:24:33Then I'll forgive her.
00:24:34Is that it?
00:24:35Is that how it's going to be?
00:24:36But you can't know this without listening to your mother.
00:24:39Can, mother's love is something else.
00:24:41I mean, everyone needs their mother's love.
00:24:45I don't need your mother's love, Sanem.
00:24:49You have everything I need.
00:24:53You're the only thing I need.
00:24:57It's the same for me.
00:25:02Sorry.
00:25:04My sister texted me.
00:25:06It's pretty late.
00:25:08I don't even understand how time passed by you.
00:25:11You say it's time to go.
00:25:14Who is that? Is that Ceyda?
00:25:16Did Ceyda text you?
00:25:18Because you kissed her.
00:25:19She might have felt the piano.
00:25:20Is that Ceyda?
00:25:21Emre, Sanem, Emre.
00:25:23The lady went to the hotel.
00:25:24She's giving her information.
00:25:26She's letting you know.
00:25:28Okay, then.
00:25:30Let's get up.
00:25:31What should we do?
00:25:32Your belly?
00:25:33Okay, I'm getting ready.
00:25:39So you didn't like the woman.
00:25:41It's not like I didn't like her.
00:25:44She seemed a little cold to me.
00:25:46Like arrogant.
00:25:47She's here.
00:25:48Your father?
00:25:50Yes, your father.
00:25:52I'm here.
00:25:53Sanem, of course.
00:25:54Who else?
00:25:56Mom, what's up?
00:25:57Are you welcoming me at the door?
00:25:58My mother-in-law came today.
00:26:00Tell me what happened.
00:26:03Super.
00:26:04You brought her up, didn't you?
00:26:06I'm not a stranger.
00:26:07What do you mean?
00:26:08Is this a secret information?
00:26:09No, it's not a secret information.
00:26:11It's like...
00:26:15Let's say it's mysterious.
00:26:16So the woman fell like a bomb.
00:26:18When the woman came, her life was gone, right?
00:26:20We went out.
00:26:21Look, Leyla didn't like the woman either.
00:26:23No, it's not like I didn't like her.
00:26:25You didn't like her.
00:26:26You didn't like her.
00:26:28Come on.
00:26:29Okay.
00:26:32Do you know who the woman is?
00:26:33Your mother-in-law.
00:26:34Your mother-in-law.
00:26:35I mean...
00:26:36Okay, but...
00:26:37We had a fight with a woman in the neighborhood.
00:26:39The one who doesn't like cats.
00:26:40Like her?
00:26:41Does she look like her?
00:26:42No, I'm not saying she's like her.
00:26:44I'm saying she's like her.
00:26:45Her mother-in-law is that woman.
00:26:46What?
00:26:48What?
00:26:49Yes.
00:26:50Don't do it.
00:26:51We did.
00:26:52I did.
00:26:53They did.
00:26:54What are you talking about?
00:26:55God.
00:26:56You mean the woman you're talking about?
00:26:57Oh, the woman who flew with her money and then...
00:27:01The woman who chases her with her money.
00:27:03God.
00:27:04It's terrible.
00:27:05Oh, is she the teacher's mother?
00:27:09She came to explore.
00:27:11She came to investigate.
00:27:13Who are we? Who are you?
00:27:14What kind of people are we?
00:27:15Look.
00:27:16Can also told me the same thing.
00:27:18He's a smart kid.
00:27:20Anyway, what did he do when he saw you?
00:27:21He said something, didn't he?
00:27:22Oh, look, I'm angry again.
00:27:24It's not like he said anything.
00:27:26Well, I went when the doorbell rang.
00:27:28I opened the door.
00:27:29When I saw the woman, of course, I'm still angry at the woman.
00:27:31We couldn't find Boncu either.
00:27:34There was a little argument.
00:27:36I mean...
00:27:38We had a little argument at the door, yes.
00:27:39What?
00:27:40Oh, I can't believe you.
00:27:41But it's good.
00:27:42What's wrong?
00:27:43I did well.
00:27:44Never mind.
00:27:45I mean, then Can called the woman mom.
00:27:48I was shocked.
00:27:50I was really shocked.
00:27:52I couldn't speak anyway.
00:27:55I mean, but...
00:27:56What did he say to the woman at the door?
00:27:57I said, I mean, whoever invited you here, come to the door.
00:28:01I said, thank you.
00:28:02I shouted like that.
00:28:03She's giving me her jacket or something.
00:28:05I said, take these things.
00:28:06Take your bag and get out of here.
00:28:08I said.
00:28:09I got very, very excited.
00:28:10It was unnecessary.
00:28:22Welcome, brother.
00:28:23Thank you.
00:28:25He's gone, right?
00:28:27He's gone, he's gone.
00:28:28I can't fool you.
00:28:30Why did he come?
00:28:31I mean...
00:28:32Don't tell me I called him.
00:28:35No, I didn't call him.
00:28:36It was a surprise to me anyway.
00:28:43Well, what did you tell him about Sanem?
00:28:45He even knows the neighborhood he lives in.
00:28:47I didn't tell him anything.
00:28:49I mean, when he saw your news about Sanem, he asked me, and I confirmed it.
00:28:53I mean, I didn't tell him anything.
00:28:55Sanem went to the neighborhood.
00:28:57His car was found right there.
00:28:59Look at the circumstances.
00:29:01I mean, if you didn't give him this information, who did?
00:29:05Who else is he seeing other than you?
00:29:08I mean, all I can think of is Aylin.
00:29:13Of course.
00:29:14Aylin.
00:29:15I mean, if she doesn't get out of everything, she won't.
00:29:17How are we going to get rid of this woman?
00:29:19Don't worry.
00:29:20I told my mother that she shouldn't be sincere.
00:29:22I mean, I already told her that we broke up.
00:29:24Don't.
00:29:25Don't talk like you don't know her.
00:29:27The moment you give her this information, the moment you tell her this, she'll be more sincere.
00:29:32I mean, she'll question everything more.
00:29:34Can I explain?
00:29:35You're right.
00:29:36I mean, why did it come suddenly?
00:29:38I'm actually there.
00:29:39What's the plan?
00:29:40I don't think there's a plan.
00:29:42When she found out you were in prison, she panicked.
00:29:45I tried to calm her down, but it wasn't enough.
00:29:48It's not enough.
00:29:49It's not enough.
00:29:50Is it ever enough?
00:29:51Nothing is enough for her.
00:29:52Everything will be as she wants.
00:29:53Anyway, she can't stand it.
00:29:55She can't stand it.
00:29:56She has a husband, you know.
00:29:57One day, she'll get bored and run away to Switzerland.
00:29:59No.
00:30:01They got divorced.
00:30:03See?
00:30:04Her real reason for coming here is obvious.
00:30:05I mean, it's an excuse for her to want to see me.
00:30:08She's looking for someone to comfort herself.
00:30:11I mean, when she gets bored, she'll run away again.
00:30:14No, honey.
00:30:15Nonsense.
00:30:16Of course, she's curious about you, too.
00:30:18What is she curious about me?
00:30:19What is she curious about me?
00:30:20What is she curious about me?
00:30:21She was going to wonder when you left me.
00:30:25On my birthday, basketball games, Mother's Day.
00:30:28Should I count more?
00:30:30My eyes were going to wonder if she was going to come this time.
00:30:37Anyway, there's nothing more to say about this.
00:30:39I'm going to bed.
00:30:46She'll deal with you.
00:30:48I'm writing here again.
00:30:49She'll deal with you.
00:30:51Mom.
00:30:52What should I do?
00:30:53Should I apologize?
00:30:55Why apologize?
00:30:56You didn't do anything wrong.
00:30:57I didn't.
00:30:58I mean...
00:30:59Besides, as my mother said,
00:31:01I knew you when you came to this neighborhood.
00:31:04I mean, it's easy for her to think of me as an employee at home.
00:31:07I mean...
00:31:08If that's the case, you know what I'll do?
00:31:11Mom, calm down.
00:31:13Oh, my God.
00:31:14You haven't called her for years.
00:31:16Then it pops up.
00:31:17Why?
00:31:18Can is serious with you.
00:31:19Of course, he's on the ground.
00:31:20They don't eat, they eat.
00:31:22Oh, my child.
00:31:23Don't crush yourself.
00:31:24Don't stay at the bottom.
00:31:25Mom, you're not helping me at all right now.
00:31:27Yes, mom.
00:31:28Let me tell you.
00:31:29But let's not get so excited.
00:31:30Sister, she's Can's mother after all.
00:31:32You have to find a way to get along with her.
00:31:34Okay.
00:31:35Even though Can doesn't see her as his mother,
00:31:37his mother loves him.
00:31:38I felt it.
00:31:39Look.
00:31:40I mean, my child.
00:31:42After all, meat does not leave the nail.
00:31:44Right?
00:31:45They're mother and son.
00:31:46What are you going to do?
00:31:47Well, we're not going to be bad.
00:31:49We're not going to be rude.
00:31:51It doesn't suit us.
00:31:53Never mind, my child.
00:31:54For the love of God, who doesn't love you.
00:31:56As long as he knows you, he'll love you.
00:31:58You keep your heart at ease, baby.
00:31:59That's right.
00:32:00No, no.
00:32:01What?
00:32:02He's sitting in his place now.
00:32:04Now we talked to my mother.
00:32:06It's not a coincidence that he came to the neighborhood.
00:32:08You woke me up, mom, right now.
00:32:10No, no.
00:32:11Nothing is a coincidence.
00:32:12Where did you do it, woman?
00:32:14But don't think like that.
00:32:15No, no.
00:32:16I understand.
00:32:17Don't think like that.
00:32:18No, no.
00:32:19The cat's father didn't kick the door.
00:32:21Would you please?
00:32:22Would you please?
00:32:23Would you please?
00:32:24No, no, no.
00:32:25You're hurting me.
00:32:26Mom.
00:32:27Mom.
00:32:28Mom, I'm telling you right now.
00:32:30I'm not suspicious of them right now.
00:32:42Come on, Güliz, your hand is too heavy.
00:32:43Okay.
00:32:48I can't do it.
00:32:49What are you doing?
00:32:50I can't do it.
00:32:51You're going to do it.
00:32:52I'll do it.
00:32:53Okay.
00:33:09This voice.
00:33:10This is a very dominant voice.
00:33:12Aylin is coming.
00:33:13Aylin.
00:33:14It's not Aylin.
00:33:15It's Gümah.
00:33:16Gümah is coming.
00:33:17I'm sure.
00:33:18I'm sure she's going to kick someone.
00:33:19I'm sure.
00:33:20I'm like the weakest link.
00:33:21She's going to kick me.
00:33:27Good morning.
00:33:28Good morning.
00:33:29Welcome.
00:33:30Good morning.
00:33:31Good morning, Mrs. Gümah.
00:33:32Mrs. Fülya.
00:33:34Gümah.
00:33:38Ethiopia.
00:33:40Ethiopia.
00:33:41Ethiopia is too far.
00:33:42I'm sure she's going to send a task.
00:33:44She's kicking me.
00:33:45She's kicking me.
00:33:46I'm drinking coffee.
00:33:47Coffee.
00:33:48Are the seeds from Ethiopia?
00:33:50It smells delicious.
00:33:51Are the seeds from Ethiopia?
00:33:52Let's find out, Güliz.
00:33:54Yes.
00:33:55Yes.
00:33:56Ethiopia.
00:33:57Mrs. Gümah is right.
00:33:58Great.
00:33:59Great.
00:34:00Mrs. Fülya.
00:34:01I prepared this for you anyway.
00:34:04It has a very nice drink.
00:34:06It leaves a sweet taste in the palate.
00:34:09My favorite office boy.
00:34:11What was your name?
00:34:12JJ.
00:34:16I didn't like it.
00:34:17Office boy is better.
00:34:21Office boy?
00:34:22Yes.
00:34:27Office boy is expensive.
00:34:28Expensive.
00:34:38Mrs. Gümah.
00:34:39Good morning.
00:34:40Good morning, dear.
00:34:41It's a surprise that you came early.
00:34:44It's very nice.
00:34:45Where should I go?
00:34:46Of course, you can stand up.
00:34:48Did you make coffee?
00:34:49I have coffee.
00:34:50I have.
00:34:51Let's open our perceptions.
00:34:53Office boy.
00:34:54Don't break it.
00:34:55Watch out for the brand.
00:34:57Güliz, are you kidding me?
00:34:59I'll make you eat the coat, Güliz.
00:35:00Okay?
00:35:01This is the brand.
00:35:02I'll put it in your mouth.
00:35:04Okay?
00:35:05It's light on the stomach.
00:35:06It's light on the stomach.
00:35:07It's not heavy.
00:35:08That's why it's not heavy.
00:35:09Don't make me angry.
00:35:10Don't make me angry.
00:35:11Don't make me crazy here.
00:35:12Do you understand?
00:35:13Office boy.
00:35:16Give me coffee.
00:35:17Give me coffee.
00:35:18Okay.
00:35:19Give me Ethiopia.
00:35:20I want Ethiopia coffee.
00:35:22I thought she was sending me to Ethiopia.
00:35:25Kid, are you going without eating anything?
00:35:27Mom, we're late.
00:35:28We'll get something on the way.
00:35:30Sanem, you won't fall asleep.
00:35:32I trusted you, sister.
00:35:34What am I doing?
00:35:35I'm tired.
00:35:36I don't understand.
00:35:37Come on, let's go.
00:35:40Okay, there's a way.
00:35:42We're late.
00:35:45Osman.
00:35:49Good morning.
00:35:50Good morning.
00:35:52Are you going to work?
00:35:53Yeah, we're late.
00:35:55You?
00:35:56Are you going to work, too?
00:35:57No, I'm going back.
00:35:58At this hour?
00:35:59The night scenes took a long time.
00:36:01I'll leave you to it.
00:36:02No, you're tired, too.
00:36:03We're leaving.
00:36:04No, I'm not tired.
00:36:05Come on, I'll leave you to it.
00:36:06No, I can't.
00:36:07Look, he's staring at you.
00:36:08We're already late for the first time.
00:36:10Nothing happens at once.
00:36:12But Osman.
00:36:13Let's go home.
00:36:14You're going home.
00:36:15You're resting.
00:36:16Okay?
00:36:17You can't change my mind.
00:36:18Next time.
00:36:19Promise.
00:36:20Okay.
00:36:21Then good luck.
00:36:22Okay.
00:36:23Come on.
00:36:24Osman, get in the car.
00:36:25See you.
00:36:26I can't.
00:36:28Yeah, he's been working all morning.
00:36:30Pity.
00:36:32What did I say?
00:36:33I said I couldn't.
00:36:34But it's a shame.
00:36:35It's a shame.
00:36:37Come on, Sanem.
00:36:38Come on, we're late.
00:36:39Run a little bit.
00:36:56He's coming a lot.
00:36:57He's walking around like a inspector.
00:36:59Why are you walking around like a inspector?
00:37:01Let's don't talk about women, Cem.
00:37:03Let's not.
00:37:04He makes people leave again.
00:37:05I mean, he forces women to make mistakes.
00:37:07Don't talk nonsense, he's such a sweet woman.
00:37:09He's forcing them to make mistakes.
00:37:15Hema!
00:37:17Hema!
00:37:18Aylin!
00:37:19Welcome.
00:37:20Mmm.
00:37:21Huh.
00:37:24My blood pressure dropped suddenly.
00:37:27His blood pressure?
00:37:28Yes.
00:37:29Do they know each other?
00:37:30This is the beginning of the adventure, guys.
00:37:32What adventure? Ms. Hülya will take him down.
00:37:36Where will she take him down? Look, they are best friends.
00:37:39Is that so?
00:37:40I missed you so much.
00:37:44What a beauty.
00:37:46No, I wore whatever I could find.
00:37:48I loved those shoes.
00:37:50They are special edition, right?
00:37:51Right? I also...
00:37:52Oh, sweetie.
00:37:53How do you understand right away?
00:37:55Sweetie?
00:37:57Is there a crack in her eyes?
00:37:59Because she says she's sweet.
00:38:01Wait, I don't understand.
00:38:03So?
00:38:04Couldn't they find a place for the queen?
00:38:06I'll organize it now.
00:38:07Anyway, you come with me, Ms. Hüma.
00:38:09We'll go to Emre's room.
00:38:10I'll take care of him.
00:38:11Ms. Hüma's coffee is over, dear Deren.
00:38:13Would you like some refreshments?
00:38:14Thank you for coming.
00:38:19Now it's my turn.
00:38:21Three, two, one.
00:38:23Ceycey.
00:38:24Yes.
00:38:25Ceycey, run!
00:38:27Okay.
00:38:28Run!
00:38:29Okay, Ms. Deren, calm down.
00:38:31Ms. Deren, what are you doing?
00:38:33It's like a monster here.
00:38:35It looks like something.
00:38:36What is this?
00:38:37Is this a super caravan?
00:38:39What is that sound?
00:38:44So, how are you?
00:38:46Not good at all, Halil.
00:38:48Not at all.
00:38:49Did you meet Sanem?
00:38:51Could you find the place I described?
00:38:53I found it.
00:38:54I even found his mother.
00:38:55But there is as much as you say.
00:38:57Oh, what kind of public is that?
00:38:59So, a life in the middle.
00:39:02Obviously, they see Can as an opportunity.
00:39:04They're after the wealth.
00:39:05Don't ask, Ms. Hüma.
00:39:07But Can doesn't know about this.
00:39:09He's not aware of anything.
00:39:11So, the worst part is that they're about to put the hook on Emre.
00:39:14Who?
00:39:15How?
00:39:16Sanem's sister, Leyla.
00:39:18Leyla?
00:39:19The assistant?
00:39:20Yes.
00:39:21Did you meet her?
00:39:22I saw, I saw.
00:39:25My God, my sons.
00:39:26Who did you put that toy in your hands?
00:39:29So, you and Emre?
00:39:32I mean, Emre said you broke up.
00:39:36Yes, don't ask.
00:39:38Emre has been cold to me for a long time.
00:39:41I did my best to save the relationship, believe me.
00:39:45I mean, I took everything he said from the bottom.
00:39:49But Leyla did her best to get in between us.
00:39:54I was so alone at that time.
00:39:58At that time, should I save Can?
00:40:01Should I save the company?
00:40:03Should I save Emre?
00:40:05I mean, I don't know what to do.
00:40:07All our efforts will be in vain because of two fortune hunters.
00:40:11Oh, dear.
00:40:12Come here.
00:40:13Come.
00:40:15Okay, dear.
00:40:16Okay.
00:40:17It's over.
00:40:19I'm here now, don't worry.
00:40:21I'm not going anywhere.
00:40:23Everything and everyone will find their way to where they should go.
00:40:28I'm glad you came.
00:40:29Come on.
00:40:38I can't do it.
00:40:39I can't do it.
00:40:40What am I going to do?
00:40:41I can't give it to him.
00:40:42Come here, come here.
00:40:43Emre, my phone is ringing.
00:40:45It may be very important.
00:40:46Give it to me.
00:40:47I wonder who's calling.
00:40:50This boy is weird.
00:40:58I insisted to let him go.
00:41:00He said, I can't pity you.
00:41:03Brother, did you overdo yourself to Leyla?
00:41:07What does that mean?
00:41:08Look, I'm holding myself because I'm upset, but I can't hold it anymore.
00:41:14Wasn't he with Emre two days ago?
00:41:18I saw them with my own eyes.
00:41:21I know.
00:41:22I know, but they're in the past.
00:41:24But Leyla finally saw the real face of Emre.
00:41:27When I gathered my courage and told her my feelings,
00:41:29I saw that she didn't waste her time either.
00:41:32I don't trust him.
00:41:34If he hurts you again, he'll find me in front of him.
00:41:36I'm on him.
00:41:38He's the sister of my closest friend.
00:41:40He's our childhood friend.
00:41:41I don't listen to anything from the neighborhood.
00:41:44Brother.
00:41:48Are you my precious?
00:41:50I don't want you to be sad.
00:41:53I don't have anyone but you.
00:41:55Are you my precious?
00:41:56Everything will be fine.
00:41:58You'll see.
00:41:59I'm going to marry Leyla.
00:42:02So, how's the store going?
00:42:05It's going well.
00:42:06I'm like a car model anyway.
00:42:08She doesn't leave me any work.
00:42:09You're welcome.
00:42:10I order eggs and stuff.
00:42:12Or I make meatballs.
00:42:14How's that?
00:42:17How's your drama going?
00:42:19It's going well.
00:42:21I'll tell you about it later.
00:42:22I'm a little sleepy.
00:42:23Okay.
00:42:24You can go.
00:42:25Okay.
00:42:26Good luck.
00:42:27Thanks.
00:42:31Brother.
00:42:33I bought polaroid pajamas for you.
00:42:34Wear them.
00:42:35It's warm.
00:42:36Come here.
00:42:38It's my pleasure.
00:42:39Thank you.
00:42:40You're welcome.
00:42:41I don't know what I would do without you.
00:42:44I changed the sheets.
00:42:46You'll sleep well and rest.
00:42:48Okay?
00:42:49Okay.
00:42:50Good luck.
00:42:54When she couldn't find Emre,
00:42:56she went after my brother.
00:42:58The ice queen.
00:43:00As if I don't know what happened.
00:43:12Yes.
00:43:23Yes.
00:43:24It has a tropical taste.
00:43:25It could be Ethiopia.
00:43:26It could be Honduras.
00:43:27It could be Indonesia.
00:43:28I don't know.
00:43:29I have to look.
00:43:30Because it's a sharp taste.
00:43:42It's like the Himalayan mountains.
00:43:45Himalaya.
00:43:48I can't say it by myself.
00:43:50Himalaya.
00:43:51Hunnab.
00:43:52Hunnab.
00:43:53Don't get angry.
00:43:54Don't get angry.
00:43:55Anyway, calm down.
00:43:56Yes.
00:43:57If I have to comment,
00:43:59first, it has a sharp taste.
00:44:00It's bitter.
00:44:01But then,
00:44:02it leaves a bitter taste in the tongue.
00:44:03This could be it.
00:44:04I mean...
00:44:06Such a head turn.
00:44:09I opened my eyes.
00:44:10It's still dark.
00:44:12Thank God.
00:44:13I almost fell.
00:44:15If you taste it that much...
00:44:17Ceycey.
00:44:18Yes?
00:44:19What's going on?
00:44:20Nothing.
00:44:21I'm fine.
00:44:22I'm tasting it here
00:44:23to get into Ms. Hürriye's eyes.
00:44:25I don't know, Ceycey.
00:44:26You haven't learned yet.
00:44:27Whatever.
00:44:28I'm tasting it.
00:44:29Because while everyone
00:44:30is getting taller in their careers,
00:44:31I'm staying the same.
00:44:32She says I'm office-sized.
00:44:33I say no.
00:44:34I'm falling.
00:44:35Yes, yes.
00:44:36What are you going to do?
00:44:37After all,
00:44:38a woman is a big boss.
00:44:39God forbid.
00:44:40You're not alone.
00:44:41What time is it?
00:44:42Where is Sanem?
00:44:43What do you care?
00:44:44Where is she?
00:44:45Go tell her.
00:44:46Tell her that her teacher,
00:44:47Sanem,
00:44:48is not here yet.
00:44:49Tell her to put
00:44:50a red sweater on her.
00:44:51Tell her to give her
00:44:52a star-patterned jacket.
00:44:53What does that have to do with anything?
00:44:54I'm asking you a question,
00:44:55but it's over.
00:44:56I'm not asking you a question anymore.
00:44:57Don't talk to me.
00:44:58You don't talk like a human being.
00:44:59Take care, dear.
00:45:00See you.
00:45:01Kisses.
00:45:02Take care.
00:45:03Sanem.
00:45:04Yes?
00:45:05Sanem.
00:45:06Sanem.
00:45:07Sanem, where are you?
00:45:08I'm late.
00:45:09Did anyone ask me?
00:45:10No one will ask you,
00:45:11but you'll be fired.
00:45:12What?
00:45:13Yes.
00:45:14Ms. Hülya is here.
00:45:15Let me know
00:45:16in such situations.
00:45:17Let me know,
00:45:18so I can handle it.
00:45:19Ms. Hülya is here.
00:45:20She's been
00:45:21messing with our brains
00:45:22since morning.
00:45:23She's very tense.
00:45:24She's giving us a lot of tension.
00:45:25She's putting us under pressure.
00:45:26Who is Ms. Hülya?
00:45:27My mother.
00:45:28Ms. Hüma, C.C.
00:45:29Ms. Hüma.
00:45:30Ms. Hüma.
00:45:31Her name is Hüma, C.C.
00:45:32Ms. Hüma.
00:45:33Her name is Hüma, C.C.
00:45:35Ms. Hüma.
00:45:36Call her Ms. Huma.
00:45:38Ms. Hüma.
00:45:39I can't say it.
00:45:40Ms. Hüma.
00:45:41Shut up.
00:45:42Ms. Hüma.
00:45:45They really like each other.
00:45:46How?
00:45:47Of course.
00:45:51Don't look.
00:45:52Medusa.
00:45:54Medusa?
00:45:55How?
00:45:56Her characteristics in the mythology
00:45:57look like a stone to me.
00:45:58There are snakes on her body.
00:46:00Yes.
00:46:01That's her.
00:46:02Medusa with a snake.
00:46:03I'm sorry.
00:46:04Okay, okay.
00:46:05No one will notice that I'm late, right?
00:46:07No.
00:46:08Okay.
00:46:09What should I do then?
00:46:10This is how we work on our files.
00:46:12Yes, yes.
00:46:13Everyone should come to work on time.
00:46:14Of course.
00:46:15Absolutely.
00:46:16That's how it should be.
00:46:17Discipline is important.
00:46:18Oh!
00:46:19Welcome, Sanem.
00:46:20Since you said welcome, it means I'm late.
00:46:25Thank you, Ms. Deren.
00:46:27I had a little delay.
00:46:29So, I'm sorry.
00:46:30I'll come to work.
00:46:32We're working, Sanem.
00:46:33What are we doing?
00:46:34We're not making excuses.
00:46:36We're working.
00:46:37Of course.
00:46:40Absolutely.
00:46:41We're on it.
00:46:42I'm late.
00:46:43Is that obvious?
00:46:45Am I making it obvious?
00:46:46Are you managing me now?
00:46:53Good morning.
00:46:54Good morning.
00:46:55How are you?
00:47:02Oh!
00:47:03Welcome, lazy bosses.
00:47:05What time is it?
00:47:07You just got here.
00:47:08Haven't you left yet?
00:47:09I guess you don't want to stay any longer.
00:47:10I'm your mother.
00:47:11You should talk to me with a little more respect, Cahit.
00:47:14Since respect is something to be deserved,
00:47:16I wish you good luck.
00:47:17It's not your turn, brother.
00:47:19Can, I really don't understand.
00:47:21Why are you reacting so strongly?
00:47:23Do you want to talk about your reason in front of so many people?
00:47:26Huh?
00:47:27Huh.
00:47:28I guessed so.
00:47:31Come here.
00:48:01I'm sorry.
00:48:03Hmm.
00:48:09Hmm.
00:48:13Hmm.
00:48:15Huh.
00:48:19Hmm.
00:48:23Hmm.
00:48:24Hmm.
00:48:31Hmm.
00:48:42Hmm.
00:48:46Huh!
00:48:55Huh.
00:49:00Huh.
00:49:02Hmm.
00:49:21Huh.
00:49:24Can.
00:49:25Bizimki de Can.
00:49:27Aa, sen seversin lokanta yemeklerini.
00:49:30Yapmıyorlar mı lokantada lahanı sensin?
00:49:34Hani böyle lokum gibi etleri dil dil dil böyle üstüne böyle biber salçasını da gezdirdin mi?
00:49:43Böyle kalıp gibi de yoğurdu döktün mü tabağa koydun mu bir de pul biberi koyacaksın üstüne?
00:49:49Ha, yazık.
00:49:51Ee, ev yemeği demek ki.
00:49:54Şimdi burası da dükkan, ev de pişer dükkan da pişmez ki, değil mi?
00:49:58Sen şimdi durup dururken niye Can'a böyle lahana sarması yapıyorsun ki?
00:50:02Çocuk bir sürü badire atlattı yani, geçmiş olsun da gideceğim ajansa, ne var?
00:50:06Biz de atlattık.
00:50:07İyi tamam git.
00:50:08Ha bu arada, geçen gün gelen kadın var ya, Can'ın anasıymış biliyor musun?
00:50:12Böyle asıl, kosül, bilmiş bilmiş konuşmalar yukarıda, yukarıda.
00:50:15Hangi kadın? Ne kadını? Kim o ya? Ne kadını?
00:50:17Ha, senin haberin yok.
00:50:18Anlatırsan olacak herhalde Mevki Bey.
00:50:20Yok, benim acelem var. Hadi anlatamam, zaten müşterim geldi. Hadi.
00:50:23Ya Mevki Bey!
00:50:23Hadi, hadi.
00:50:25İki kutu süt, bir kilo da toz şeker.
00:50:27Tabii.
00:50:29Bizimkinin Can'ı gene sütlaç çekti de.
00:50:33Sütlaç mı?
00:50:34Evet.
00:50:35Lahana'dan sonra ne güzel olur sıcak sıcak.
00:50:37Yani lahana yok ama sütlaç var.
00:50:47Hoş geldin.
00:50:51Anneme sen söyledin değil mi?
00:50:53Sanem'in nerede yaşadığını?
00:50:55Evet, ben söyledim. Ne oldu?
00:50:56Aylin, hisseleri geri aldın diye burada durmana ses çıkarmıyoruz.
00:51:00Ama sabrımızı taşırma.
00:51:02Anneme, Sanem'le ve abimle ilgili tek bir kelime etmeyeceksin bundan sonra.
00:51:05Emrecim, anlamıyorum ben.
00:51:08Yani sen ne zaman abici oldun bu kadar?
00:51:11Daha düne kadar...
00:51:12Ya ben sana dedim, ne kadar pişmanım diye.
00:51:15Sana olan zaafın vardı, sevgin vardı.
00:51:19Şimdi ne sevgim var ne zaafım.
00:51:21Abimi de asla üzmeyeceğim.
00:51:23Bunu kabul etsen iyi olur.
00:51:25Şimdi Leyla'ya olan zaafından dolayı mı böyle davranıyorsun yani?
00:51:29Sen nasıl kabul edersen.
00:51:31Öyle.
00:51:34Ne diyorsun ya, çay mı getirdin yoksa?
00:51:36Evet.
00:51:38Sevgili çay vakti.
00:51:40Süper, süper.
00:51:44Bayağı iyi geldi.
00:51:45Afiyet olsun.
00:51:47Can, Can, Can.
00:51:48Ne, niye geliyorsun abime? Ne oldu?
00:51:50Ne oldu?
00:51:51Ne oldu?
00:51:52Ne oldu?
00:51:53Ne oldu?
00:51:54Ne oldu?
00:51:55Ne oldu?
00:51:56Ne oldu?
00:51:57Ne oldu?
00:51:58Ne oldu?
00:51:59Ne oldu?
00:52:00Ne oldu?
00:52:01Ne oldu?
00:52:02Ne oldu?
00:52:03E buradaysa burada, ben ne yapayım zaten.
00:52:05O çok duramayacak, ben göndereceğim onu.
00:52:07Can, bak böyle yapma.
00:52:09Tamam mı?
00:52:10Hemen kestirip atma, ne olur.
00:52:12Ya Sanem, tarihimizin en büyük işini almışız biz burada.
00:52:15Yani Fabri meselesi aileni başımıza sarmasına rağmen kapanmış, şimdilik.
00:52:19Ben ne onları ne de Hüma Hanım'ı düşünmek istiyorum şu an.
00:52:21Tamam mı?
00:52:22Yok farz ediyorum ben onları, işime konsantre olmak istiyorum.
00:52:24Çok rica ediyorum, lütfen.
00:52:26Tamam, şey yapalım da, işe koyulalım.
00:52:30Then let's get down to business.
00:52:32Let's get down to business.
00:52:34Let's get down to business.
00:52:36Okay, then I'll start.
00:52:38Go ahead.
00:52:42I'm writing down what we've studied so far.
00:52:44We've studied the transition between targets.
00:52:50This is the previous campaign.
00:52:52We've studied this too.
00:52:54But...
00:52:56We've studied the previous campaigns of Redmood.
00:53:06Mr. Can.
00:53:08I'm inviting you to be serious.
00:53:10Please, would you mind?
00:53:12A little bit serious, yes.
00:53:14A little bit serious, I think.
00:53:16But Deren asked for a brief about the previous campaigns of Redmood.
00:53:20Great, then.
00:53:22Okay, good.
00:53:26I'll be waiting for you.
00:53:36Fabri is calling.
00:53:38Why is he still calling you?
00:53:40Can, never mind.
00:53:42Look at me.
00:53:44We're not done yet.
00:53:46Why are you still calling me?
00:53:48Ms. Zeynep.
00:53:50Yes, you're right.
00:53:52Our relationship may be over.
00:53:54I wanted to apologize to Ms. Sanem after what happened.
00:53:58Sanem has nothing to talk to you about.
00:54:00Stay away from my girlfriend and my company.
00:54:02Ms. Zeynep.
00:54:04Let's not deal with this kind of threats.
00:54:06Because I want to close the old books.
00:54:08Then close it.
00:54:10It's even closed right now.
00:54:14Can.
00:54:16Sanem.
00:54:18If this guy calls you again,
00:54:20you won't say a single word.
00:54:22You'll come with me, okay?
00:54:24Okay.
00:54:26Okay, I'll go back to work then.
00:54:34Yes, Ms. Hüma.
00:54:36I want to introduce you to our amazing creative team.
00:54:38Our screenwriters.
00:54:40Our visual communication team.
00:54:42Our social media monsters.
00:54:44And post-production.
00:54:46And our friends who have gone crazy for us on the field.
00:54:50Let's give them a round of applause.
00:54:52Let's give them a round of applause.
00:54:54All of us.
00:55:00It's like there's an unnecessary crowd.
00:55:06No.
00:55:08Believe me,
00:55:10we need more people when we're dealing with a lot of campaigns.
00:55:12Bravo.
00:55:14Bravo. Applause.
00:55:16Don't.
00:55:18Don't.
00:55:20I'll tell you something.
00:55:22I wonder if this guy is uncomfortable.
00:55:24I mean, I see his unbalanced movements.
00:55:26Well...
00:55:28Bravo.
00:55:30Bravo. Pıtırcık liked you too.
00:55:32No.
00:55:34Actually, Ceycey is very sweet.
00:55:36The factory settings are a little different,
00:55:38but I'll take care of it.
00:55:40Yes, I think you're talking to me.
00:55:42I'm sorry I interrupted the conversation.
00:55:44Yes, you're very sweet.
00:55:46Oh.
00:55:48My phone is ringing. I'm sorry.
00:55:50I have to make an important call.
00:55:52Hello.
00:55:54Hello, Ceycey, how are you?
00:55:56What's up, Ms. Ayhan?
00:55:58What's up?
00:56:00What's up?
00:56:02Two kilos of tangerines.
00:56:04But he gave me a good one.
00:56:06Oh, my God.
00:56:08We're looking for our love.
00:56:10What's up?
00:56:12I'm sorry, it doesn't matter.
00:56:14Ayhan.
00:56:16No, Ayhan.
00:56:18I didn't mean that.
00:56:20I mean, how can I help you?
00:56:22Whatever, Ceycey, whatever.
00:56:24I'm going to tell you something.
00:56:26It's very important.
00:56:28I'm going to give you a secret mission.
00:56:30Secret?
00:56:32Don't give me a secret mission.
00:56:34I don't like it when you say it's a secret.
00:56:36Give me a secret mission.
00:56:38Give me a secret mission.
00:56:40Let it be a secret.
00:56:42How am I going to follow Leyla?
00:56:44Like in the movies?
00:56:46Should I rent a car?
00:56:48Should I get my coffee?
00:56:50Should I take off my collar?
00:56:52Should I pretend to be a detective?
00:56:54Should I do it like in the movies?
00:56:56It's not like that, Ceycey.
00:56:58What are Emre and Leyla doing?
00:57:00Are you going to follow him?
00:57:02What are they doing?
00:57:04Ayhan, do you want me to watch
00:57:06other people's relationships like a pervert?
00:57:08I can't do that.
00:57:10Leyla is flirting with my brother at the same time.
00:57:12She's flirting with your brother?
00:57:16Hand in hand?
00:57:18Are they walking hand in hand?
00:57:20I won't know that anymore.
00:57:22You're going to watch.
00:57:24Then you'll let me know.
00:57:26This is very important.
00:57:28I don't want my brother to be sad.
00:57:30Take it seriously and let me know.
00:57:32Good luck.
00:57:34The customer is here. I'm hanging up.
00:57:36Good luck.
00:57:40In the past, you used to say,
00:57:42I'm kissing you, I miss you.
00:57:44I love you.
00:57:46None of these anymore.
00:57:48The relationship has become monotonous.
00:57:50It's like time is passing.
00:57:52It's spontaneous.
00:57:54I don't know.
00:57:56I'll think about it.
00:57:58It won't be like that.
00:58:02Look at the face.
00:58:04He's going to apologize to Sanem.
00:58:06What do you care about Sanem?
00:58:08Let's not deal with this guy.
00:58:10He makes me nauseous.
00:58:12He's after something.
00:58:14I'm going to get him out of here.
00:58:16Calm down.
00:58:18I'll talk to him.
00:58:20He's not the kind of guy to talk to.
00:58:22He's not the kind of guy to talk to.
00:58:24He says little things.
00:58:26You think nothing's going on.
00:58:28He gets angry all of a sudden.
00:58:30He's not the kind of guy to talk to.
00:58:32Okay.
00:58:34We've had a lot of trouble lately.
00:58:36I'll talk to him.
00:58:38Calm down.
00:58:40Talk to him.
00:58:42Calm down.
00:58:44I have to go out.
00:58:46Take Ms. Yuma with you.
00:58:48I get nervous when I see her.
00:58:50Take her with you.
00:58:52I'll call you.
00:59:06I'll call you.
00:59:12Ms. Sanem.
00:59:14We're done with you.
00:59:16I gave you the formula you wanted.
00:59:18Why are you bothering me?
00:59:20We're not done with you.
00:59:24There's a mistake in the formula you gave me.
00:59:26What do you mean there's a mistake?
00:59:28There can't be a mistake.
00:59:30It's the formula I've been using for years.
00:59:32The formula you gave me in the lab.
00:59:34We applied the formula one by one.
00:59:36Unfortunately, the result was the same.
00:59:40There's a mistake in the formula you gave me.
00:59:44Or you gave me the wrong formula because you were afraid of Mr. Can.
00:59:48Why should I give you the wrong formula?
00:59:50I think you should try again.
00:59:52You're probably making a mistake.
00:59:54I'm working with very successful chemists.
00:59:58They can try many times.
01:00:00But the result is always different.
01:00:02The result is always different.
01:00:04That's why I want you to come here and make the perfume.
01:00:08I won't come there.
01:00:10I'll write it down and send it to you.
01:00:16Ms. Sanem.
01:00:18We're doing a very serious job here.
01:00:20Besides, we made a very serious deal with you.
01:00:24That's why I want you to be at the beginning of this.
01:00:32If you're not going to stand behind your promise,
01:00:36don't expect me to stand behind my promise.
01:00:40You can go to Mr. Can.
01:00:44Okay.
01:00:46Just a second.
01:00:48Sanem, I'm looking for you.
01:00:50What are you doing here?
01:00:52I...
01:00:54I'm not doing anything.
01:00:56I was actually reviewing the old campaign files.
01:00:58Don't make excuses.
01:01:00Ms. Hüma is calling you.
01:01:02Ms. Hüma?
01:01:04Okay, I'll be right there.
01:01:10Hello.
01:01:12Okay.
01:01:14I'll come out for lunch.
01:01:18I'll give you the formula again.
01:01:30What are you doing?
01:01:32Excuse me, Ms. Hüma.
01:01:34Excuse me.
01:01:38Mom.
01:01:40I'm leaving soon.
01:01:42Okay.
01:01:44Is there a place you want to go?
01:01:46If I want to go, I'll go.
01:01:48I have a driver.
01:01:50I understand.
01:01:52You and your brother think a lot about me.
01:01:54But don't worry.
01:01:56I'm not a guest.
01:01:58I just came back.
01:02:00Okay.
01:02:02As you wish.
01:02:04Good luck.
01:02:10Honey, what campaign is this?
01:02:12Red Mood, Ms. Aylin.
01:02:14Our cosmetic campaign.
01:02:16I know that.
01:02:18Do you think those colors have happened?
01:02:20Really.
01:02:22It's very oppressive.
01:02:24It has a negative effect.
01:02:26It's very weak.
01:02:28We had to enrich it with magenta tones.
01:02:30But unfortunately,
01:02:32I couldn't lead the creative director of this campaign.
01:02:36Because Mr. Sanem and Mr. Can directed me...
01:02:38Sanem.
01:02:40Sanem.
01:02:42Ms. Hüma.
01:02:44You called me.
01:02:46Yes.
01:02:48You're not here.
01:02:50I have a few jobs in the archive.
01:02:52That's right.
01:02:54He loves the archive.
01:02:56He made a place for himself there.
01:02:58If you look for it, you'll find it there.
01:03:00It's a good place to retire.
01:03:02Sorry?
01:03:06No, don't get me wrong.
01:03:08I'll ask you something.
01:03:10Is it allowed to drink tea or coffee at work hours?
01:03:14Of course.
01:03:16I brought tea for you.
01:03:24Thank you.
01:03:28Now...
01:03:30You chose the colors of this campaign, didn't you?
01:03:32Yes.
01:03:34I see.
01:03:36So you haven't given the color to the tea yet.
01:03:38Really.
01:03:42How did they entrust you with such a big campaign?
01:03:44I don't understand.
01:03:46Would you like me to revise it, Ms. Hüma?
01:03:48Leyla sent it to the budget.
01:03:50Leyla?
01:03:52Leyla, the patient.
01:03:54That Leyla.
01:03:56Where is she?
01:03:58I guess she's in her room.
01:04:00Can you come here, Leyla?
01:04:02Quick.
01:04:08But we're very pleased with Leyla.
01:04:10We're all very disciplined.
01:04:12She's a finisher.
01:04:14Please.
01:04:16Ms. Hüma wanted to talk to you.
01:04:18Yes, Ms. Hüma.
01:04:20Do you usually approve the budget?
01:04:22How?
01:04:24I didn't quite understand.
01:04:26I'm not surprised.
01:04:28You haven't learned the business of this company yet.
01:04:34Don't look at me like a student who wants a copy.
01:04:36The campaign is good.
01:04:40I approved Mr. Can's budget for this campaign.
01:04:42Don't find an excuse.
01:04:46Are you two siblings?
01:04:48Yes.
01:04:50I'm not surprised.
01:04:54What happened?
01:04:56Ms. Hüma didn't like the colors of the campaign.
01:05:00We're talking about that.
01:05:02What effect?
01:05:04The effect of being a partner of this company.
01:05:06Right?
01:05:08Super performance.
01:05:10Aylin has the same opinion as me.
01:05:12About the wrong decision.
01:05:14She's a master at making wrong decisions.
01:05:16If it's up to me,
01:05:18you two just decide your own makeup colors.
01:05:20Okay?
01:05:22The colors of the campaign will still surprise you.
01:05:24If you don't get involved in things you don't understand,
01:05:26I'll be very happy.
01:05:28By the way, you don't understand tea at all.
01:05:32Thank you.
01:05:38Can.
01:05:40Can.
01:05:42Your father turned this company into this.
01:05:46He cared a lot about reputation.
01:05:48He would never give places to unreliable people.
01:05:52Did he trust you about being a mother?
01:06:04Come on.
01:06:06Thank you. Say hello to your family.
01:06:10Rami, tea.
01:06:12Okay.
01:06:16Oh.
01:06:18Wow.
01:06:24Oh.
01:06:26Dad.
01:06:28You're upset again.
01:06:30What happened?
01:06:32Did things go wrong?
01:06:34Of course.
01:06:36Yes.
01:06:38Small business is over.
01:06:40How can this shop survive with two breads and four eggs?
01:06:42If they're not ashamed,
01:06:44I saw a man stealing tea sugar from this coffee shop the other day.
01:06:48Who is he?
01:06:50I don't know him.
01:06:52No, I haven't seen him.
01:06:54There is no peace, son.
01:06:56Yes, there is no peace.
01:06:58Why? Because there is no money.
01:07:00If there is money, there is peace.
01:07:02If there is no money, there is no peace.
01:07:04I swear, you're going to destroy this neighborhood.
01:07:06You're going to put five residences here.
01:07:08You're going to build collective housing.
01:07:10After that, I swear, this place will be very lively.
01:07:12The baskets will shake in front of this grocery store.
01:07:14Let the orders come.
01:07:16Then let the supermarket chain come.
01:07:18Let's go to the grocery store.
01:07:20Let's go to the lock.
01:07:22Well done, son.
01:07:24No, dad.
01:07:26Capitalism is not a lonely person.
01:07:28But a woman came the other day.
01:07:30She put something in our minds.
01:07:32Oh, my God.
01:07:34This woman again.
01:07:36Yes, but what a woman.
01:07:38A woman like my wife.
01:07:40A woman like a princess.
01:07:42A woman like a lake.
01:07:44Even the street animals put money in their pockets.
01:07:46I saw it with my own eyes.
01:07:48What do I care, Muzaffer?
01:07:50Okay, dad.
01:07:52He said he wanted to invest.
01:07:54He said he wanted to invest in your neighborhood.
01:07:56He called me Mr. Muzaffer.
01:07:58He said he wanted to invest in your neighborhood.
01:08:00My mother and Ihsan are now
01:08:02They're chasing this woman like a hungry wolf.
01:08:04We can't ask my mother where this woman is.
01:08:06I'm telling you,
01:08:08I wonder if there's a feedback.
01:08:10Where is this woman?
01:08:12How do I know, Muzaffer?
01:08:14I've lost myself for a week.
01:08:16I can't find her.
01:08:18How do I find this woman?
01:08:20What do we say?
01:08:22We say, old man, don't lose yourself.
01:08:24Let's do our business.
01:08:26Let's look at our beard.
01:08:28Let's make a quick entry into the asset sector.
01:08:30Let's take our money and get out of our corner.
01:08:32Be a little alert.
01:08:34Let's get him out.
01:08:36Are you crazy?
01:08:38Why are you talking like a jackal?
01:08:40You're playing separately.
01:08:42Yes, I'm playing separately right now.
01:08:44The asset sector and the sweet money got me.
01:08:46That's how I feel.
01:08:48But I swear, there's good money in this business.
01:08:50Chairman, there's good money in this business.
01:08:52Get out of your business, son.
01:08:54Get out of your business for at least a week.
01:08:56Or I'll get you fired.
01:08:58But I swear, there's incredible money.
01:09:00Muzaffer is still playing everywhere.
01:09:02Sorry.
01:09:06Leyla.
01:09:18Leyla.
01:09:20What kind of room is this?
01:09:22I'm scared.
01:09:24Are you hiding a secret?
01:09:26No, what's the secret?
01:09:28I don't know.
01:09:30Because your body language is like that.
01:09:32Your shoulders are up.
01:09:34You're avoiding eye contact with people.
01:09:36You're doing it like good morning.
01:09:40What are you talking about?
01:09:42Get out of here.
01:09:44I have a lot of work to do.
01:09:46Leyla.
01:09:48Yes.
01:09:50Do you have Osman's number?
01:09:52What are you going to do with Osman's number?
01:09:54I need it for a job.
01:09:56But you can tell me.
01:09:58While sitting in a cafe.
01:10:00You can tell me when you're alone in the cinema.
01:10:02Or will Mr. Emre hear?
01:10:04Will there be an incident?
01:10:06What are you saying?
01:10:08He's crazy.
01:10:10I got what I was going to get.
01:10:18Smell.
01:10:20Are they cooking?
01:10:22What are they doing in the car?
01:10:28Where are you?
01:10:32Let's go.
01:10:58Welcome.
01:11:00Thank you.
01:11:02I made you cabbage wrap.
01:11:04What are you talking about?
01:11:06Let's go to my room.
01:11:14Where are you?
01:11:16Your mother is here.
01:11:18Ms. Hülya was going after him.
01:11:20Who is Ms. Hülya?
01:11:22Ms. Hüma.
01:11:24Ms. Hüma.
01:11:26Ms. Hüma.
01:11:28Ms. Hüma.
01:11:30Ms. Hüma.
01:11:32What am I going to do now?
01:11:34Go get tea.
01:11:36Play games.
01:11:38Don't talk to me.
01:11:40Good.
01:11:46The cabbage wrap is amazing.
01:11:48I want to bury my head in it.
01:11:52I can swallow it without chewing.
01:11:54Sourness.
01:11:56Where did you get it from?
01:11:58Did you make pickles before?
01:12:00How did this sourness happen?
01:12:02I don't make pickles.
01:12:04I squeeze a lot of lemon.
01:12:06You squeezed a lot of lemon.
01:12:08It's great.
01:12:10Enjoy your meal.
01:12:12I don't want to bother you again.
01:12:16I got the news from Sanem.
01:12:18Sanem is the reason.
01:12:20Of course, I should get the news from Sanem.
01:12:22I don't understand.
01:12:24Ms. Hüma doesn't know the details.
01:12:26She can make blunt accusations.
01:12:28I apologize on her behalf.
01:12:30You're welcome.
01:12:32We haven't met.
01:12:34I'm Hüma.
01:12:36I'm her mother.
01:12:40I'm Mevkıbe.
01:12:42I'm Sanem's mother.
01:12:48I'm Mevkıbe.
01:12:50I'm a little busy.
01:12:52I'll bury them later.
01:12:54Enjoy your meal.
01:12:56It's amazing, isn't it?
01:12:58After all these years, you came out.
01:13:00How many years has it been?
01:13:02My car broke down in Sanem's neighborhood.
01:13:04Look at that.
01:13:06It's a coincidence.
01:13:08Yes, it's not a nice coincidence.
01:13:10Now, ma'am.
01:13:12Mom.
01:13:14Welcome.
01:13:16What did you do to come?
01:13:18Thank you.
01:13:20I brought tea.
01:13:22Ms. Hüma.
01:13:24I brought tea for you.
01:13:26Yours is a little different.
01:13:28You'll see when you look at it.
01:13:30Mom.
01:13:32Mom, did you bring sarma?
01:13:34Cabbage sarma.
01:13:36Cabbage sarma.
01:13:38Ms. Hüma, you should try my mom's cabbage sarma.
01:13:40It's really good.
01:13:42Very good.
01:13:44It's really good.
01:13:46Would you like to taste it?
01:13:48No, I don't want to.
01:13:50I don't eat things I don't know.
01:13:52Okay, you don't know.
01:13:54But I know.
01:13:56Why do I know?
01:13:58Because my mother made it.
01:14:00I don't want to.
01:14:02She's not a stranger.
01:14:04It's cabbage.
01:14:06Taste it at least.
01:14:08I don't want to.
01:14:10Don't insist, ma'am.
01:14:12There are different types of food.
01:14:14But when the houses are different, they are different too.
01:14:16What do you mean by different?
01:14:18I don't want neighborhood culture.
01:14:20I prefer residence.
01:14:24You can't find a grocery store at night.
01:14:26You'll be hungry with your money.
01:14:28You're talking about them.
01:14:30God forbid.
01:14:32Mom, this is modernity.
01:14:34Modern life.
01:14:36You don't know the name of your neighbor.
01:14:38You can't call for help.
01:14:40They make me sing.
01:14:42God forbid.
01:14:44If modernity was married.
01:14:46I agree with you.
01:14:48Here's your tea.
01:14:50Thank you.
01:14:52Everyone can live as they want.
01:14:54I have a lot of work.
01:14:56I can't sit idly.
01:14:58Have a nice day.
01:15:00She made you fat.
01:15:02I don't want it.
01:15:04Drink your tea.
01:15:06I'm waiting for you.
01:15:08I hope you didn't give up on coming.
01:15:16What's the latest situation?
01:15:18I'll get a report.
01:15:24There's no lawyer.
01:15:26What does that mean?
01:15:28I've always heard it in movies.
01:15:30I wanted to use it.
01:15:32I thought I'd use it.
01:15:34Is there anything between Leyla and Emre?
01:15:36Did you feel anything?
01:15:38I feel like there's something.
01:15:40But it's not what I'm talking about.
01:15:42Who is it?
01:15:44Mr. Can's mother.
01:15:46She's here right now.
01:15:48She's a very bad woman.
01:15:50She always dresses Sanem and Leyla.
01:15:54Maybe a woman came.
01:15:56We're balancing the situation.
01:16:00Sanem must be stressed.
01:16:02I have to go.
01:16:04I have to read more.
01:16:06I have to examine the events.
01:16:08I'm hanging up now.
01:16:10Okay, but let me know.
01:16:20Here you go.
01:16:22Thank you.
01:16:24Thank you for wrapping it up.
01:16:26Your hands were great.
01:16:28Thank you for making my day.
01:16:30Enjoy your meal.
01:16:32I'll bring it as soon as you feel better.
01:16:34Thank you very much.
01:16:36Uncle.
01:16:38Welcome.
01:16:40Can, can I go out with my parents?
01:16:42My mother is a little upset.
01:16:44I don't want her to be upset all day.
01:16:46Okay.
01:16:48I'll go to the gym.
01:16:50I'll do some sports.
01:16:52I'll burn my wrists.
01:16:54Okay, I won't be long.
01:16:56I'll be right back.
01:16:58What is this?
01:17:02Ms. Mevkuba, see you.
01:17:04See you, bye.
01:17:10Look at this.
01:17:12Wraps, fillings.
01:17:14There's no such thing.
01:17:18Her daughter is worse than her mother.
01:17:20It's not like that, it's huge.
01:17:22Ms. Hüma, it would be good if she had only one daughter.
01:17:24They sent two of them to the agency.
01:17:28My poor sons.
01:17:32But they don't know who they're up against.
01:17:36They don't know anything yet.
01:17:58It's been a long time.
01:18:20It's been great, ma'am.
01:18:22I think it's been great.
01:18:24I can't imagine a work environment without music.
01:18:26JJ!
01:18:28How is this music?
01:18:30It's beautiful.
01:18:32It's a beautiful music.
01:18:34Bravo, Gizem.
01:18:36Music is the food of the soul.
01:18:40Absolutely.
01:18:42That's what I think.
01:18:44But there's something like this, Ms. Ömer.
01:18:46I'm used to it.
01:18:48I've been listening to it all the time.
01:18:50Just because it's a sudden load on friends.
01:18:52Don't be obese.
01:18:54You'll get used to it, kids.
01:18:56You'll get used to it.
01:18:58Yes.
01:19:00My philosophy is this.
01:19:02Time is the cure for everything.
01:19:04I mean, time solves everything.
01:19:06That's my view of the world.
01:19:08I'm going to take you all to a higher level.
01:19:10Trust me.
01:19:12Yes, we trust you.
01:19:14It's beautiful.
01:19:16What's going on, kids?
01:19:18What are you doing?
01:19:20JJ, what's going on?
01:19:22Look at me.
01:19:24But suddenly there was a sudden relief.
01:19:26A peace of mind.
01:19:28It's healing.
01:19:30Isn't it?
01:19:32But I guessed you'd enjoy it.
01:19:34Thank you very much.
01:19:36What is this?
01:19:38This is like this.
01:19:40I'll put it on the side.
01:19:42Yes, yes.
01:19:44It's like we're going to listen to it all the time.
01:19:46At least two hours like this.
01:19:48Great.
01:19:50Listen to all the instruments.
01:19:52That's what matters.
01:19:54Feel a little.
01:19:56I can't stand it.
01:19:58I can't stand it anymore.
01:20:00We're going to listen to it every day.
01:20:02Yes.
01:20:04What are they doing?
01:20:06JJ, would you please turn that nonsense off?
01:20:08I can't do the math in there.
01:20:10Watch.
01:20:18Music is a cultural thing, kids.
01:20:20Yes.
01:20:22It's a tune that clearly separates the elite from the public.
01:20:28But I'm not mad at you.
01:20:30I mean, you're not in a position to listen to aria in that neighborhood.
01:20:34But you can respect the listeners.
01:20:38He's not here, he's not here, he's not here, he's not here.
01:20:40What is it?
01:20:42A great self-confidence.
01:20:44This is your ambition.
01:20:48I'm so bored when I can't catch such homogeneous environments.
01:20:52Bring me my bag and my coat.
01:20:54There's an office.
01:20:56You're right.
01:20:58Of course.
01:21:00See you.
01:21:02Leyla.
01:21:04Turn it off.
01:21:06Leyla.
01:21:08You're here.
01:21:10I'm going to my room to meditate.
01:21:12I'm going to sleep.
01:21:16Is there anything else missing?
01:21:18Because I don't want to come here again.
01:21:20No, there's nothing missing.
01:21:22I'll take care of it all.
01:21:24Okay, good luck.
01:21:26Ms. Sanem.
01:21:28What are you doing? Are you done?
01:21:30It's finally over.
01:21:32If you want, let's have a nice lunch.
01:21:34Good luck to you.
01:21:36Thank you.
01:21:40Are you done?
01:21:42Is the formula okay this time?
01:21:44It will be this time.
01:21:46I understand where we made a mistake.
01:21:48We made a few changes in the formula.
01:21:50Magnifico.
01:21:52Look, this smell should be perfect.
01:21:54Because we're going to sell this perfume.
01:21:56We're starting work right away.
01:21:58Hurry up, don't waste time.
01:22:00Because we've lost enough.
01:22:02Thank you.
01:22:04Thank you.
01:22:30What are you doing here?
01:22:34What are you doing here?
01:22:36What are you doing here?
01:22:38What are you doing here?
01:22:40What are you doing here?
01:22:42What are you doing here?
01:22:44What are you doing here?
01:22:46What are you doing here?
01:22:48What are you doing here?
01:22:50What are you doing here?
01:22:52What are you doing here?
01:22:54What are you doing here?
01:22:56What are you doing here?
01:22:58What are you doing here?
01:23:00What are you doing here?
01:23:02What are you doing here?
01:23:06What are you doing here?
01:23:12What are you doing here?
01:23:14Yes, I have a new perfume, it was a surprise to everyone, it was very claimed, I'm sure
01:23:40There was a movement in the laboratory for several days, Fabri was also very stressed, there was a fuzz, when he solved it, he relaxed, we don't have time to lose, he said, I think he has an emergency
01:23:51Thank you, this is much earlier than I expected, look now, you open your eyes and ears very well there, you tell me everything that happened in time with all the details, okay?
01:24:01Of course
01:24:04Is everything okay?
01:24:06Fabri, a new perfume is on the market, this is much earlier than I expected
01:24:11This also negatively affects your campaign, what will happen now?
01:24:15We have to pull this campaign forward, that is, we have to launch our own perfume before his
01:24:21Then Can should be aware of this
01:24:24Exactly
01:24:26Actually, I was going to ask the agency, if you want, I can tell them to be prepared
01:24:31Yes, yes, I think you tell me, I will go to the general center, I will come later and give more detailed information, okay?
01:24:37Okay
01:24:38Then we'll leave you to the agency
01:24:41Okay
01:24:42Drive the idea wonderfully
01:24:43Okay, sir