Erkenci Kus HD - Episode 22 (English Subtitles) EARLY BIRD
Category
🎥
Short filmTranscript
00:00:00Yes.
00:00:11What's going on?
00:00:13Who is this impatient guy?
00:00:16Wait, you broke the door.
00:00:25BevkoÅŸ, what happened again?
00:00:26You knocked on the door as if you were going to take it.
00:00:28I'm going to ask you something. Are you nervous? Did something bad happen?
00:00:30Did something happen?
00:00:31Ayhan, I'm going to make the same offer I made to Sanem.
00:00:35You have three seconds to tell the truth.
00:00:38Where did Sanem find the 40,000 she gave to Toptanca Ali?
00:00:41Your time starts now. Three.
00:00:43Three.
00:00:44Three is a very short time to learn the truth, don't you think?
00:00:48Besides, sometimes the truth is much more complicated than three.
00:00:50I said three.
00:00:51You said three.
00:00:52Then it's a definite three.
00:00:54Two.
00:00:56Don't count backwards, BevkoÅŸ. Okay, I'll tell you.
00:00:59Let's sit down here calmly, so that you can relax.
00:01:04Right? Let's sit down calmly.
00:01:07Let's talk about something.
00:01:09Let me treat you to something.
00:01:11Water, coffee, fruit juice.
00:01:13I don't drink coffee.
00:01:14Only water.
00:01:15Only water.
00:01:15Water is enough.
00:01:16Okay.
00:01:17Hurry up.
00:01:26Ayhan!
00:01:27There's no water left. I'm going to get some water and be right back.
00:01:33Look, she's running away again.
00:01:34Girl!
00:01:35Since we don't have the budget for this,
00:01:37we'll take care of the shooting, editing and everything by ourselves.
00:01:40We've also started preparing for the new campaign.
00:01:42We'll do the presentation next week.
00:01:45Please.
00:01:46Please.
00:01:47Have a nice day.
00:01:48Have a nice day.
00:01:49Where are you going?
00:01:51I brought tea.
00:01:52Bring it, I'll bring it.
00:01:53Okay.
00:01:54I brought tea.
00:01:55Bring it, I'll bring it.
00:01:56I'm serious.
00:01:57I congratulate you on being the official intern of the agency.
00:02:01Yes, I'm so happy.
00:02:02I'm so happy that I hugged Ms. Deren out of joy.
00:02:04So, technically, I hugged you too.
00:02:06Of course, if you hugged Deren now,
00:02:08you have to hug me out of joy.
00:02:17I can't do it either.
00:02:20Okay.
00:02:24Thank you so much.
00:02:25I mean, thank you so much for the opportunities you gave me.
00:02:29You created the opportunity for yourself.
00:02:31You showed your talent. You got the job.
00:02:35Brother.
00:02:36I'm Ahmet's writer.
00:02:37But I'm still working on the bring-and-take.
00:02:39So, if you want tea, I'm around.
00:02:42Just let me know.
00:02:44Okay.
00:02:45See you.
00:02:46Bye-bye.
00:02:48Will you take a look?
00:02:49I will, I will. I'm here.
00:02:55I'm so sorry.
00:02:56Oh, God.
00:02:58Oh, God.
00:03:00Ayhan.
00:03:01Ayhan.
00:03:02What happened, girl? Why are you running?
00:03:04Morning exercise.
00:03:05I'm exercising. I'm staying in bed.
00:03:07Nihat.
00:03:08Nihat, hold this.
00:03:09Don't let go.
00:03:10Oh, God. It's coming.
00:03:11Let go.
00:03:12Oh, God.
00:03:13What happened, Ms. Mevki?
00:03:14Let's go.
00:03:15Hurry.
00:03:16Get in there.
00:03:17Don't go.
00:03:18Go.
00:03:20What's going on, Ms. Mevki?
00:03:22What's going on, Ms. Mevki?
00:03:23Huh?
00:03:24Where did you get this money from?
00:03:28I'll give you three seconds.
00:03:30The time has started.
00:03:31Three.
00:03:32He bailed me out. He bailed me out of his job.
00:03:34Are you crazy, kid?
00:03:36Are you crazy?
00:03:37He's a new employee.
00:03:38Why would he give you that money?
00:03:41Look into my eyes and tell me.
00:03:45I'm telling the truth.
00:03:46Am I in a position to lie right now?
00:03:49Ms. Mevki.
00:03:50It's like she's telling the truth.
00:03:52If you want more, don't go after her.
00:03:53What do you say?
00:03:54Who did you get the money from?
00:03:55I really don't know.
00:03:56The information I have is from the agency.
00:03:58But he bailed me out.
00:03:59He only told me that.
00:04:00Good.
00:04:02We're done for now, Nihat.
00:04:04We'll find out the rest from Ms. Sanem.
00:04:06Am I free?
00:04:08You can go for now.
00:04:09But look at yourself.
00:04:12Tell that Sanem about her job.
00:04:14I won't let her get away with this.
00:04:16You wouldn't have caught me if it weren't for the slippers.
00:04:18Go, girl.
00:04:20Huh?
00:04:22My knees and my legs are gone.
00:04:24Are you okay?
00:04:25I swear, Nihat.
00:04:26She's done with me.
00:04:28My legs and my knees are gone.
00:04:30She ran so fast.
00:04:33I made the whole neighborhood run.
00:04:34Okay, sit down.
00:04:36I'll get you some ice.
00:04:37It'll cool you down.
00:04:38Thank you.
00:04:44What are you saying?
00:04:45Is my mom really mad at me?
00:04:47Of course, she's right.
00:04:48Okay, thank you.
00:04:49I'll talk to my mom.
00:04:51Thank you.
00:04:57The other one.
00:04:58The other one?
00:04:59Are we back to square one?
00:05:01I'm sorry, Ms. Sanem.
00:05:03I forgot to tell you that you have to climb...
00:05:06...the 3000-meter career steps...
00:05:08...that start with being a delivery girl and end with being an intern.
00:05:12Here you go, Ms. Deren.
00:05:13Are you cutting it short?
00:05:14No, I thought it was over.
00:05:16Anyway.
00:05:17The client has been advertising for a long time.
00:05:19They're right.
00:05:20Look at it again. Cut it as short as you can.
00:05:22Okay, I'll look at it.
00:05:23By the way, don't forget to add a backshot...
00:05:26...when you're paying attention to the miniature.
00:05:28I'm a client. I'll look at it.
00:05:34You didn't get it, did you?
00:05:37You didn't get it, but you're right.
00:05:38Look, I'll explain it to you now.
00:05:40Every two words that the outside voice says...
00:05:42...counts to one second, Sanem.
00:05:44Every second means money to us.
00:05:46That's why don't get used to shaking hands.
00:05:48Don't do it.
00:05:49Okay, then I'll make it last.
00:05:51But this is very urgent.
00:05:52We have to send it to the set and get it approved.
00:05:54It's urgent.
00:05:55Okay.
00:05:58I can't do this.
00:05:59I'm using terms I don't know.
00:06:09I sent you the financial reports of the last three months by e-mail.
00:06:12You were able to review them, weren't you?
00:06:13No, man. Where would I review them?
00:06:14Was there a chance to take a picture or something?
00:06:17It's boiling.
00:06:18Besides, I don't understand these things anyway.
00:06:19You're handling it.
00:06:21I can't handle it as easily as I used to, man.
00:06:23There are a few problems.
00:06:24I mean, our expenses have increased a lot compared to the last three months.
00:06:27Our profit rates have also dropped.
00:06:29We've got a lot of new jobs.
00:06:30All of them are big jobs.
00:06:32The expenses have increased dramatically.
00:06:34But I think everything is going very well.
00:06:35I'm very pleased with the customers.
00:06:36No, man. It's not going that well.
00:06:38The shooting budget has almost doubled last year.
00:06:40I mean, there's always something wrong with the shootings.
00:06:42We're asking for additional budgets.
00:06:44We're spending more than we earn.
00:06:46What do we do now, Emre?
00:06:47Don't do our job.
00:06:48I'm not telling you not to do it.
00:06:50When the additional budget comes out, let it pass through me.
00:06:52I mean, I'm telling you not to do the job by your head anymore.
00:06:56By my head?
00:07:01By my head?
00:07:03Now, I'm doing the job by my head according to you, right, Emre?
00:07:06I don't have a vision or anything.
00:07:08I don't know what I'm doing either.
00:07:09I'm just consciously spending the company's money according to my head.
00:07:12Right, Emre?
00:07:13I think you understood what I meant quite well.
00:07:15I understand, Emre. Of course, I understand.
00:07:17But if you want, you should be the one in charge of this company.
00:07:20I'm responsible for the quality of your work and your agency.
00:07:22Don't worry, brother. I know that very well.
00:07:24But when you get bored and leave, this company will stay with me and my father, okay?
00:07:27We both know that it won't stay in this company.
00:07:29All the responsibilities of these people will be on me.
00:07:32Now, you tell me that, okay?
00:07:34I'm going to the meeting.
00:07:35Okay. See you at the meeting.
00:07:41I'm dreaming about my little girl.
00:07:43Let me see. Here, here.
00:07:44If I shorten it, for example.
00:07:46I mean, I'm shortening it from the top.
00:07:47It looks like it's stretching from the bottom. What kind of...
00:07:50I can't take this out of the story. It ruins the meaning after that.
00:07:53If I take this out, this is very important.
00:07:56If I shorten it, if I cut it here, then...
00:07:58If I shorten it...
00:08:02I'm looking at the report.
00:08:03I'm shortening it, but...
00:08:11I'm looking at the interview.
00:08:14Have a nice day.
00:08:22Sanem.
00:08:24Yes, Ms. Ayla?
00:08:25Can you come to my room? I need to talk to you.
00:08:27Can I wait? Because I'm shortening the text.
00:08:30But only for five minutes.
00:08:32Okay, since I'm coming in five minutes.
00:08:34Thank you.
00:08:42Now, while Can was giving me this room for my work...
00:08:45...he said you could help me with my things.
00:08:48Mr. Can.
00:08:50I mean, if he said so, it's true.
00:08:53I'm already a delivery man for everyone.
00:08:55I can help you.
00:08:56Great.
00:08:57Because you know, the number of people who want to work with me in this company...
00:09:00...is not an inch of my finger.
00:09:01I mean, you're very professional. Thank you very much.
00:09:04I thank you.
00:09:06Is there anything I can help you with?
00:09:08Otherwise, I have a lot of work to do. I need to shorten the text.
00:09:11It was that video, wasn't it?
00:09:13I have to consult that job. What is it about?
00:09:15They asked me to shorten the text.
00:09:17In fact, let's not even say shortening.
00:09:19It's going to be as long as a bird.
00:09:21Because it took a long time.
00:09:23Okay, that job was shot abroad.
00:09:25Actually, just translating into Turkish will be enough.
00:09:28If I remember correctly, it was around five seconds.
00:09:30Let me help you with the calculation.
00:09:33That would be great.
00:09:38Yes, it was five seconds.
00:09:40Let's take a look together.
00:09:41Together?
00:09:42Pull a chair.
00:09:43Should I come with you?
00:09:44Of course.
00:09:45Come.
00:09:52It's new, so you must have seen it.
00:09:55Actually, if you want, let's look at the text together.
00:09:57We can shorten it together.
00:09:59And we can think about how to adapt it here.
00:10:01Okay.
00:10:02I don't understand the terms you set up anyway.
00:10:04I don't understand them at all.
00:10:05Everyone understands. You understand too.
00:10:07We can handle it together.
00:10:08Of course, if everyone understands, I understand too.
00:10:10Exactly, we can handle it.
00:10:11Let me see.
00:10:12Like this.
00:10:16The story is nice.
00:10:17Yes, yes, very nice.
00:10:18It was very nice.
00:10:23Ceycey.
00:10:25What are you doing?
00:10:26I'm taking notes.
00:10:27What am I doing?
00:10:28Are you aware of the danger, Gülis?
00:10:29Look, the woman captured you first.
00:10:30Me?
00:10:31Me, me.
00:10:32When did she capture me?
00:10:33What does it have to do with capturing me?
00:10:35She did, don't exaggerate.
00:10:36If I say she did, she did.
00:10:38She did, you're her man now.
00:10:39Guys, it's okay.
00:10:40Yes, you're her man.
00:10:41Yes, I am, I am.
00:10:43You're exaggerating.
00:10:44Actually, Ms. Aydin is not that bad of a woman.
00:10:46I swear.
00:10:47She's not that bad of a woman, is she?
00:10:49She made you play in the ad.
00:10:50I immediately took her side.
00:10:51I mean...
00:10:52I mean...
00:10:54I'm so scared, Gülis.
00:10:55Why?
00:10:57I don't trust myself at all.
00:10:58It's like I'm going to take her side.
00:11:00If she looks at me in a bad way,
00:11:01I feel like I'm going to take her side.
00:11:03What am I going to do?
00:11:04What am I going to do?
00:11:05What am I supposed to do?
00:11:06What am I supposed to do?
00:11:07Say something.
00:11:08I'm done.
00:11:09Ceycey.
00:11:10Are you aware?
00:11:11The woman didn't even call you, honey.
00:11:12She will.
00:11:13I feel it.
00:11:14She will ring the alarm bells for me.
00:11:17I'm done.
00:11:18I'm done.
00:11:19I'm done.
00:11:20I'm done.
00:11:21I'm done.
00:11:22I'm going to have a cup of yellow Cantoran tea.
00:11:23I'll come to my senses.
00:11:24Ceycey, where are you going?
00:11:25I'm going to have a cup of yellow Cantoran tea.
00:11:26I'll come to my senses.
00:11:27I'm going to hide somewhere.
00:11:28I shouldn't show up in public.
00:11:29You shouldn't show up either.
00:11:30Ceycey, don't be ridiculous.
00:11:31I'm going to have a cup of yellow Cantoran tea.
00:11:33You're making me explain.
00:11:34What are you doing?
00:11:44So you're here.
00:11:46Yes, you're here too.
00:11:47I'm going to say something.
00:11:48I'm going to say something.
00:11:49I miss you so much that I can't see you for five minutes.
00:11:51Is that so?
00:11:53What should I do?
00:11:54Should I resign and go back to the grocery store?
00:11:55Because my heart won't be able to take it like this.
00:11:58Then I'll take my Sanem dose.
00:11:59I'll go.
00:12:00See you when I'm done.
00:12:01Dose?
00:12:02Dose.
00:12:03Okay.
00:12:04See you.
00:12:05Okay.
00:12:06Bye-bye.
00:12:07Bye.
00:12:18Bye.
00:12:19See you.
00:12:37Ceycey.
00:12:38Sanem.
00:12:39How long have you been here?
00:12:41A while.
00:12:44Have you seen Can Bey?
00:12:45I have.
00:12:46He's always been a Bey.
00:12:47He took a dose from you a while ago.
00:12:53Why didn't you make a sound?
00:12:55This is the archive room, Sanem.
00:12:58Dusty shelves, forgotten files.
00:13:01An empty place from the eyes.
00:13:03Even if the walls were alive, they would talk.
00:13:10Are you okay?
00:13:11I mean, you have to do crazy things right now.
00:13:15I don't know, you have to jump and jump.
00:13:17You have to get up and faint.
00:13:18Is everything okay?
00:13:19I've calmed down.
00:13:21I'm back to nature.
00:13:22Nature is a beautiful place.
00:13:25I recommend nature to you too.
00:13:27It's very nice.
00:13:28Oh, and yellow cantor tea.
00:13:30Drink it.
00:13:31It's good for you.
00:13:32It calms you down.
00:13:33Of course.
00:13:34By the way, I made you look good.
00:13:36With whom?
00:13:37Sanem!
00:13:41With whom?
00:13:42I don't know.
00:13:44Keep going.
00:13:45Good.
00:13:46Nice.
00:13:51Dusty shelves.
00:13:54Forgotten files.
00:13:56Oh, a friend of Sanem's is here.
00:14:02He's embarrassing me like this.
00:14:07Okay, let Mr. Can sign it.
00:14:08We'll send it today.
00:14:09Okay, Ms. Beran.
00:14:10Where is Ceycey?
00:14:14I don't want to see this woman at all.
00:14:17I don't know where to look anymore.
00:14:21Ceycey, where have you been?
00:14:23What do you mean, where have I been, Ms. Beran?
00:14:26I want my job to be defined.
00:14:28I'm looking for a kind of internship.
00:14:30I understand you, Ceycey.
00:14:32You're right.
00:14:33I need your motivation too.
00:14:34Okay, let's do it this way.
00:14:36From now on, you're Beran's intern.
00:14:40How?
00:14:41Is this title appropriate for you?
00:14:42This title is appropriate.
00:14:43Good.
00:14:44Okay.
00:14:45Do you need anything?
00:14:46Yes, Ceycey.
00:14:47You're going to the neighborhood where Sanem lives.
00:14:49You're going to check the places we're going to shoot.
00:14:51You're going to get the shooting ready.
00:14:53Then I'll call you when I get out of here.
00:14:55Okay, Ms. Beran.
00:14:56When you say, Ms. Beran...
00:14:58Yes, I may have been too much.
00:15:00I'm not Beran.
00:15:01I'm not just Beran.
00:15:02When I'm in a crowd, I say, Ms. Beran.
00:15:04No, of course, Ceycey.
00:15:05Look, you're crossing the line right now.
00:15:07How can you call me Beran?
00:15:09Is that what you say, Ms. Beran?
00:15:11Okay.
00:15:12I think you know very well who is addressing who in the agency.
00:15:17You know.
00:15:18Maybe there are people who need another intern.
00:15:21Like Ms. Aylin.
00:15:22Maybe I'll go to her.
00:15:24She'll get me.
00:15:25She's already ready.
00:15:27And maybe she'll let me call her Aylin.
00:15:30Ceycey, there's no such thing.
00:15:32It's a matter of the moment.
00:15:34You know.
00:15:37Are you threatening me, Ceycey?
00:15:41Ceycey, you're being ridiculous.
00:15:43Who's teaching them?
00:15:45We're going to teach them.
00:15:47They can't think like that.
00:15:49It's normal.
00:15:51Ms. Aylin, I brought the files you asked for.
00:15:54Thank you, dear.
00:15:55You're welcome.
00:15:56I prepared the document thanks to you.
00:15:58Thank you very much.
00:15:59You're welcome.
00:16:00Whenever you need it, you can ask me if you get stuck somewhere.
00:16:03Okay.
00:16:04Good luck.
00:16:05Sanem, did you see Emre?
00:16:08Mr. Emre just left.
00:16:11That's great.
00:16:13We were supposed to go to that meeting together.
00:16:16As you said, Sanem.
00:16:17The number of people who want to work with me in this company is zero.
00:16:20Anyway, he'll lose himself.
00:16:22It seemed like there was no problem between you and Mr. Emre.
00:16:26I'm sorry.
00:16:27Because I'm a professional, Sanem.
00:16:29If I was messing with my feelings,
00:16:32I'd be crying in front of you right now.
00:16:35Ms. Aylin, what are you talking about?
00:16:38If I had lived what I lived, you'd understand.
00:16:40I was fired from this company unjustly.
00:16:43It wasn't enough.
00:16:44My fiancé didn't even stand behind me.
00:16:46Mr. Aziz left me with a word.
00:16:50I'm where I deserve with the man I love.
00:16:54When I say I'll be happy,
00:16:57it's not clear what life will test you with.
00:17:02What can I do for you?
00:17:04Nothing.
00:17:08I'm usually in a bad mood.
00:17:14I'd be happy if you could stay with me.
00:17:16Of course.
00:17:17I won't tell anyone.
00:17:19Do you want me to bring you tea or coffee?
00:17:22No, thank you.
00:17:24Actually, something hot would be nice.
00:17:26Okay, I'll get some tea.
00:17:28Okay, I'll bring it right away.
00:17:32Okay.
00:18:02What are you doing?
00:18:13I knew it!
00:18:14I told you she's sensitive.
00:18:15What are you doing?
00:18:17You're going here and there.
00:18:18I wanted to take care of her.
00:18:20She's angry with me.
00:18:22Let me see.
00:18:24Look.
00:18:25Thank you.
00:18:27What's going on with us?
00:18:30I can't stand gizli gizli. There's a lot of clarity to choose from
00:18:34We're here, we're meeting in the park. What do you think about us?
00:18:37I mean, when you said we should meet in the park, my heart was about to explode.
00:18:42It was going to happen?
00:18:43Yes.
00:18:44My heart is in a safe place in front of me, nothing will happen.
00:18:48I have a gift for you.
00:18:49Really?
00:18:50Yes.
00:18:51Are you always going to surprise me?
00:18:55Don't tell me I did this.
00:18:56Are you doing this in the playground?
00:18:58Hobby.
00:18:59Hobby?
00:19:00Then why did you come?
00:19:02Because when I see you, I feel like I'm flying.
00:19:04You feel like you're flying?
00:19:05Yes.
00:19:10Phone. Ms. Deren.
00:19:11Yes.
00:19:12Ms. Deren is calling.
00:19:13Can.
00:19:14Yes.
00:19:15Can.
00:19:16Yes.
00:19:17Hello, Ms. Deren.
00:19:18I'm here.
00:19:19I'm here.
00:19:20I'm there and I'm here.
00:19:21Okay.
00:19:22Okay, okay.
00:19:23I'm coming.
00:19:24Excuse me.
00:19:25See you.
00:19:26See you.
00:19:28Ms. Deren called.
00:19:29They're going to send me a text.
00:19:30The agency can't stay without me for two minutes.
00:19:33I can't stay without you for two minutes, but I have a problem too.
00:19:37I have the same problem.
00:19:38Shall we go then?
00:19:39Let's go.
00:19:40Shall we shake hands?
00:19:41Let's shake hands.
00:19:50But I'm tired.
00:19:51You're tired, but there's nothing to do.
00:19:53We have to look.
00:19:54Good luck, brother.
00:19:55Thank you, welcome.
00:19:56Good luck.
00:19:58We're going to shoot an ad.
00:19:59That's why.
00:20:00This is not going to happen.
00:20:01It's a ridiculous place.
00:20:02I think the shop belongs to you.
00:20:03I don't hear.
00:20:04I don't hear.
00:20:05He doesn't want the shop.
00:20:06I don't hear.
00:20:07Then give us the shop.
00:20:08I don't hear.
00:20:09I don't hear.
00:20:10Don't force it.
00:20:11I don't hear.
00:20:12I don't hear.
00:20:13There's a t-shirt or something.
00:20:14Look, there are things like that.
00:20:15Look.
00:20:16Who is it?
00:20:17Sister, why are you going out like that?
00:20:18This is the shop.
00:20:19You made us think like a horror movie.
00:20:20Don't hit the woman.
00:20:21Come on.
00:20:22Does a nice lady like you ever look good?
00:20:23Please.
00:20:24You have a beautiful shop.
00:20:25Can we take a look at the ad?
00:20:26We don't have a budget.
00:20:27Can we use it?
00:20:28Yes.
00:20:29Can we take a look at your shop?
00:20:30Here you go.
00:20:31Ceycey, you said it was the last one.
00:20:32None of them are over.
00:20:33How many shops have we been to?
00:20:34This is a set.
00:20:35I need to alternate everywhere.
00:20:36They'll come later.
00:20:37They'll say this isn't the place.
00:20:38They'll ask if there's another place.
00:20:39They'll say, sir, the light is wrong here.
00:20:40They'll say.
00:20:41They'll say.
00:20:42They'll say.
00:20:43They'll say.
00:20:44They'll say.
00:20:45They'll say.
00:20:46They'll say.
00:20:47They'll say.
00:20:48They'll say.
00:20:49They'll say.
00:20:50They'll say.
00:20:51They'll say.
00:20:52They'll say.
00:20:53They'll say.
00:20:54They'll say.
00:20:55They'll say.
00:20:56They'll say.
00:20:57They'll say.
00:20:58They'll say.
00:20:59They'll say.
00:21:00I'll get tired.
00:21:01Then who's responsible for that?
00:21:02Me.
00:21:03After that, I'm going to be ours.
00:21:04That's why I have to alternate everything.
00:21:05I think you're finding these excuses.
00:21:07You don't want to be alone with me.
00:21:09Just tell this.
00:21:10We're unique.
00:21:11That's not what I'm talking about.
00:21:12I'm talking about being alone in the real sense.
00:21:13What are the real things of the aventurer like?
00:21:17Don't tire yourself.
00:21:18Statistics show that you're in love with me, son.
00:21:22You're in love with me.
00:21:23You don't have to be in love with me.
00:21:24Because you told me that you were in love with me.
00:21:27I told you, but I gave up.
00:21:29How did you give up?
00:21:30I gave up a lot.
00:21:31What do you mean? How can you give up just like that?
00:21:34Besides, are you aware of the electric current between us?
00:21:39Current? It's something electrical.
00:21:40You get electrified.
00:21:41You said that cats and dogs get electrocuted.
00:21:44For example, I can get electricity from my uncle.
00:21:48Get out of here.
00:21:49I'll get electricity.
00:21:50Am I a transformer? What electricity?
00:21:51You're not a transformer, you're human.
00:21:53Get out of here.
00:21:54What are you doing?
00:21:55I'll get electricity.
00:21:57How are you, guys?
00:21:59What are you doing here?
00:22:00We're looking for a place.
00:22:02We're looking for a place.
00:22:03You're looking for a place, I'm looking for a place.
00:22:06You get the joke, right?
00:22:11Let's go. You're so funny.
00:22:12You're so funny.
00:22:14Okay, let's go.
00:22:16You'll get me in trouble soon.
00:22:18Ayhan, I have your phone number.
00:22:20You can call me whenever you want.
00:22:22I don't have to ring the doorbell three times.
00:22:23It's so comfortable.
00:22:36Can.
00:22:38I have good news and bad news.
00:22:40Which one do you prefer to start with?
00:22:42Let's start with the positive.
00:22:44Okay, then.
00:22:44I called C.C.
00:22:45He talked to everyone in the neighborhood.
00:22:46We have no problem with the place.
00:22:48Great, very good.
00:22:50Then let's start the group shooting as soon as possible.
00:22:52That's where the bad news comes in.
00:22:54We have a big flaw.
00:22:56Is that so?
00:22:57Come on, tell me.
00:22:58We don't have an actor.
00:23:00The girls we agreed to play in the neighborhood can't come.
00:23:03More precisely, he didn't send the agencies.
00:23:05Why?
00:23:06Because we couldn't renew the contract with the agencies.
00:23:10Now, Metin is not here.
00:23:12The legal department is a little confused.
00:23:14Okay, I'll take care of it.
00:23:15You prepare the set.
00:23:16How are you going to take care of it?
00:23:17I'll take care of it, Deren.
00:23:19There are methods.
00:23:19When you see it, let's see.
00:23:21You prepare the set.
00:23:26Well, I mean...
00:23:28You know.
00:23:31Teas.
00:23:32How is it going, Brother Ismail?
00:23:33I don't know.
00:23:34It's going to be with Burak.
00:23:35I don't know, Brother Ismail.
00:23:36How is it going?
00:23:37I'm sorry, but you're out of your mind.
00:23:40There's nothing to complain about.
00:23:41What is it to give the whole neighborhood for free?
00:23:44I don't get it.
00:23:45It doesn't make sense.
00:23:46I'm saying...
00:23:47...one of the biggest car brands...
00:23:49...advertisement film will be shot in our neighborhood.
00:23:51Can you realize that?
00:23:53Can you understand that?
00:23:54While they're taking the money...
00:23:56...you're going to look at it like that.
00:23:58My heart won't be pleased with this.
00:24:00Well, what should we say to the guys?
00:24:02Should we ask for money because they passed by as if they were passing by?
00:24:04The man is right.
00:24:05It doesn't suit us. It doesn't suit the neighborhood either.
00:24:07They're going to shoot the neighborhood anyway.
00:24:09We're going to have an advertisement of some kind.
00:24:11Should we ask for money on top of that?
00:24:13No, no. It doesn't suit us.
00:24:14No, it doesn't suit us.
00:24:15Absolutely not.
00:24:16Really?
00:24:17Wow, wow, wow.
00:24:19Your situation is worse than I thought.
00:24:21Look, my brothers, let me tell you this.
00:24:23Don't blame anyone.
00:24:24This is not a mafia.
00:24:25This is a perception. Forget it.
00:24:26There is no mafia.
00:24:27I'm telling you, you're not going to deal with anyone in a house anyway.
00:24:30Can I explain?
00:24:31You give all the authority to your brother.
00:24:34I'm going to get a small amount of rent for this apartment we've offered to serve within the framework of the limits of the law.
00:24:44Can I explain, Hüseyin?
00:24:46I'm going to bring this and give it to you anyway.
00:24:48You can throw a little something in it.
00:24:50You're not a donkey in front of a share.
00:24:51We're going to run that much, right, Hüseyin?
00:24:53I swear I have a little debt.
00:24:56I'm not lying.
00:24:57I need the money.
00:24:59I'm okay.
00:25:00Which one of us doesn't have the permission?
00:25:01Which one of us doesn't have the permission?
00:25:04We're going to get through these difficult days with each other.
00:25:06Can I explain?
00:25:07Is there anyone else who has a problem?
00:25:08Yes, there is.
00:25:09Okay?
00:25:10Yes, there is.
00:25:11Yes, there is.
00:25:11Okay.
00:25:12Yes, there is.
00:25:13Okay, okay.
00:25:13I'm going to tell you something.
00:25:15You made a number 10 decision.
00:25:17Now your brother gave you the authority.
00:25:18If you write it behind you, watch it.
00:25:19I'm going to solve it all.
00:25:20Be very comfortable.
00:25:21Okay, okay, okay.
00:25:23Uncle Seco, you should be comfortable too.
00:25:25You owe me half of what you owe me.
00:25:26You owe me little by little, brother.
00:25:28Okay.
00:25:28Be comfortable.
00:25:29God bless you.
00:25:30God bless you.
00:26:05But it's going to be nice.
00:26:06Yes, of course, it's going to be good.
00:26:07Ceycey, I gave you a mission.
00:26:08Why are you standing here?
00:26:10Your way was going to be cut like that.
00:26:11Did it get cut?
00:26:12Did you get that permission?
00:26:13I'll go and take care of it.
00:26:15What did I tell you about the company?
00:26:16You're going to be at the head of the business.
00:26:18You're going to take care of everything.
00:26:19Look, for example, is Işık standing in the right place?
00:26:22You'll be very upset after that.
00:26:23Nothing goes the way you want it to.
00:26:25Işık is not standing in the right place.
00:26:27Why is Işık standing there?
00:26:30What nonsense is Işık in a place?
00:26:32Can, where are the actors?
00:26:33They'll be here in an hour.
00:26:34Okay, right now.
00:26:42What are we going to do with this here now?
00:26:44Guys, that's not the right place for Işık.
00:26:46Isn't there a Selçuk brother?
00:26:47No, right?
00:26:48No.
00:26:52Işık's place is not right, guys.
00:26:55You're putting Işık in the wrong place.
00:26:57Hello.
00:26:58Hello, Can.
00:26:59Mr. Nihat, Ms. Mevkura.
00:27:00How are you? Welcome.
00:27:01Welcome, Mr. Can, my son.
00:27:03Thank you so much for the food.
00:27:05Thank you.
00:27:06What does that mean?
00:27:08Sanem.
00:27:09Sanem, come here.
00:27:11We need to talk.
00:27:12I have a question about the food.
00:27:15Mom, I'm setting up Işık here.
00:27:18If I don't, it won't work.
00:27:19If I don't take care of it, Işık will be put in the wrong place.
00:27:23Sanem.
00:27:25What are you doing?
00:27:26Mr. Can.
00:27:28I'm looking at the lighting.
00:27:29Okay, don't overdo it.
00:27:30I'll take care of Işık.
00:27:31You go talk to your mom.
00:27:32But Mr. Can.
00:27:33Sanem.
00:27:36Mr. Can.
00:27:37Come on, Sanem.
00:27:38Come on.
00:27:39Come on, honey.
00:27:40Come on.
00:27:41Come on.
00:27:42Come on.
00:27:43I'll ask Işık.
00:27:44It's okay.
00:27:45Come on.
00:27:46Come here.
00:27:50Don't drive me crazy.
00:27:51Tell me quickly.
00:27:52Where did you get all this money?
00:27:56Mom.
00:27:57Dad.
00:27:58Dad.
00:27:59Ayhan told me.
00:28:02I got an advance.
00:28:03Kid.
00:28:04Don't mess with me.
00:28:05Which company gives this much money to a newbie?
00:28:09Honey.
00:28:10Look, you can talk to us about everything.
00:28:11You know, right?
00:28:13I don't know how they paid.
00:28:15My sister has been working there for years.
00:28:17Maybe that's why they paid.
00:28:19Sanem.
00:28:20Don't drive me crazy.
00:28:21Maybe you get this much advance.
00:28:24Your mother is right this time.
00:28:25I'm sorry, but I'm on your mother's side.
00:28:27Why are you so mad at me?
00:28:29I mean, my father has been working in that store for 40 years.
00:28:33I thought I'd be taken back.
00:28:35I was desperate.
00:28:36I said I'd try my luck.
00:28:37That's what they gave me.
00:28:38Okay, girl.
00:28:39You did well.
00:28:40You did well, but you could have talked to me about it.
00:28:41You know, if you don't talk to me, you should talk to your mother, girl.
00:28:44I couldn't.
00:28:45Sanem.
00:28:46Sanem.
00:28:47Would you come and look at the light?
00:28:48If you want to take care of it, this is your job.
00:28:51I'll get angry because of you.
00:28:53Mom.
00:28:54No problem.
00:28:55Don't worry.
00:28:56Sanem, you say that.
00:28:57Girl, I died of heart today.
00:28:58Do you know that?
00:28:59Sanem.
00:29:01Oh, my God.
00:29:02What kind of boss is this?
00:29:03Why is he talking to you so loudly?
00:29:05The boss is always like this.
00:29:07What am I doing in the company?
00:29:08You should know.
00:29:10Look at this.
00:29:11If you see, it's a baby face, but...
00:29:21It's beautiful.
00:29:22We can use this street.
00:29:23Can we go to the second floor of this?
00:29:25That red pants.
00:29:26That one?
00:29:27Let's take these flowers there.
00:29:28I'll take a hot shower.
00:29:29Tell me, son.
00:29:30What is this?
00:29:31We'll do it, right?
00:29:32Yes.
00:29:33Okay.
00:29:34Filmmakers are alive, I'm telling you.
00:29:35Oh, good luck.
00:29:36Welcome to our neighborhood.
00:29:37Welcome.
00:29:38Mashallah, you came in a crowd.
00:29:39I hope you didn't come empty-handed.
00:29:41We're a little busy, sir.
00:29:42We're shooting here.
00:29:43What did you want?
00:29:44We came to talk about that shooting anyway.
00:29:47Sorry, who are you exactly, sir?
00:29:49Sir, I'm the manager of this beautiful Venice neighborhood.
00:29:52These friends are the residents of the neighborhood.
00:29:54One calm, two calm.
00:29:56They met again for this shooting.
00:29:58They couldn't get out of the business.
00:30:00They said, can you help the manager?
00:30:02I came to you in that sense, sir.
00:30:04What exactly did they talk about again?
00:30:06I'm so sorry.
00:30:07Of course, let me tell you.
00:30:08Now it's like this, sister.
00:30:09What sister?
00:30:11Where did it come from, sister?
00:30:13Where is your sister?
00:30:14I guess you're surprised.
00:30:15Have you ever seen such a sister in your life?
00:30:18Have you ever seen a woman like me in your life?
00:30:21Look at me.
00:30:22You're going to shut up.
00:30:23You're going to talk within the limits of discipline.
00:30:25Or you're not going to talk.
00:30:27Oh, my God.
00:30:28What the hell is this?
00:30:29Sister is in trouble, guys.
00:30:31We're going to lose our job.
00:30:33Look at me.
00:30:34This is not a playground.
00:30:36We're doing business here.
00:30:37Now you're all going to play in front of your own door.
00:30:40Come on.
00:30:43How nice you said.
00:30:44Look, you took the word out of my mouth.
00:30:45This is not a playground.
00:30:47You're going to come and take advantage of the neighborhood.
00:30:50Then you're going to run away from these beautiful people without paying a penny.
00:30:53That's not going to work.
00:30:54There's a price for everything.
00:30:56You know better, of course.
00:30:57Now, as the residents of the neighborhood, we've had a consultation.
00:31:00We've reached a fair amount.
00:31:01Let me introduce you to him.
00:31:03We don't take dollars and euros.
00:31:04We work on the basis of TL.
00:31:051000 TL per house, 2000 TL per shop.
00:31:07Let's close this business.
00:31:08What?
00:31:09What 1000 TL?
00:31:10What 2000 TL?
00:31:12I'm advertising for free here.
00:31:15Have you ever seen that money in your life?
00:31:17Who are you?
00:31:19Also, C.C. came and looked at this neighborhood.
00:31:21C.C. would be my client.
00:31:22There has never been such a demand in the neighborhood.
00:31:25Oh, you're talking about that guy.
00:31:27Hey, wait a minute.
00:31:28Hey, wait a minute.
00:31:29That was the price list in the morning.
00:31:31This is the latest updated version.
00:31:33You're going to shoot in this neighborhood.
00:31:34You're going to pay this money.
00:31:35There's no other way.
00:31:40Anyway, you're running.
00:31:41I'm not going to die now.
00:31:42We'll come back later.
00:31:43We'll continue.
00:31:44It's not over.
00:31:45It's not over.
00:31:46It's not over.
00:31:47Chaos doesn't end in my life.
00:31:48I'm used to it.
00:31:49I'm used to it.
00:31:51She was afraid of me.
00:31:58Can.
00:31:59We're in the middle of a new crisis right now.
00:32:01The shops are asking for money.
00:32:03What are we going to do?
00:32:04Oh, let's give it.
00:32:05Let's give it.
00:32:06Of course, let's give it.
00:32:07After all, we use their shops.
00:32:08So let's give it to the right people.
00:32:09So that there's no problem.
00:32:10Please.
00:32:11How are we going to give it?
00:32:12We don't have money.
00:32:13How are we going to give it?
00:32:14Where are we going to give it exactly?
00:32:15Sanem.
00:32:20Here you go.
00:32:21I'm so bored.
00:32:22It's been an hour since the actors arrived.
00:32:25This is your neighborhood.
00:32:26You know.
00:32:27I wonder where I can go around and see.
00:32:31Here.
00:32:34This is such a straight neighborhood.
00:32:36There's nowhere to go.
00:32:39Okay, then it all looks like this.
00:32:41Actually, I need something like this.
00:32:43A little out of the plaza life.
00:32:45Observe the neighborhood life.
00:32:47So you want gossip.
00:32:48Okay.
00:32:49There's Melahat.
00:32:50Let me guide you to her.
00:32:51Okay.
00:32:52She has the latest information.
00:32:53Here you go.
00:32:54Who, with whom, where, how?
00:32:56Melahat knows them all.
00:32:57Melahat.
00:32:58Long-legged came.
00:32:59Ms. Aylin.
00:33:00Melahat.
00:33:01Welcome.
00:33:02I'm so glad.
00:33:03Welcome.
00:33:04Then hang on.
00:33:05I entrust it to you.
00:33:06To me.
00:33:07I don't care.
00:33:08I'll tell you.
00:33:09Come on, see you.
00:33:10I trust you.
00:33:11Here you go, sir.
00:33:12I wanted to get a manicure done.
00:33:14Tea, coffee.
00:33:15My hands are bad.
00:33:16To me?
00:33:17Of course, of course.
00:33:18Let's do it.
00:33:19Let me see your hands.
00:33:20Mashallah.
00:33:21What can I do for you?
00:33:22You go inside, dear.
00:33:23Go ahead.
00:33:24Thank you.
00:33:25Take off your clothes.
00:33:26It's very hot here.
00:33:29Very nice.
00:33:32You bring me the manicure.
00:33:33Here you go, sir.
00:33:34Sit down.
00:33:35Let me get you like this.
00:33:36Here you go.
00:33:37Sit down.
00:33:38Sit down.
00:33:39Relax.
00:33:40Sit down.
00:33:41Tea, coffee.
00:33:42Wait.
00:33:43I'll give you something.
00:33:44I'll make you coffee.
00:33:45Let me get it.
00:33:46No.
00:33:47Tea, coffee all day long.
00:33:48Tea, coffee.
00:33:49You see the state of my hands.
00:33:50It's bad.
00:33:51Of course.
00:33:52That's right.
00:33:53You're right.
00:33:54Of course.
00:33:55In wedding sets.
00:33:56In wedding shoots.
00:33:57Always busy.
00:33:58Always busy.
00:33:59Okay, I'll take care of it now.
00:34:00Let me bring it.
00:34:01Okay.
00:34:02Here you go, sir.
00:34:03Here you go.
00:34:04I think you're going to do the hair of our set.
00:34:06Yes, yes.
00:34:07I hope you like it.
00:34:08I mean, don't look like this.
00:34:09It's a small shop.
00:34:10But I'm very experienced.
00:34:11I swear.
00:34:12They always come to me from all the neighborhoods.
00:34:13To the shelf.
00:34:14They always come to me for makeup.
00:34:15Thanks to you, the shots will be even better.
00:34:16I hope.
00:34:17Oh girl.
00:34:18I'll eat your mouth.
00:34:19I'll eat it.
00:34:20Oh, it's dripping from your mouth.
00:34:21You say such nice things.
00:34:22Bring it.
00:34:23Look, now I'm going to make you an incredible mannequin.
00:34:24Come on.
00:34:25I don't have much time.
00:34:26I ran away from the set.
00:34:27Because Sanem praised you so much.
00:34:28My dear.
00:34:29Sanem, you know.
00:34:30You know.
00:34:31You know.
00:34:32You know.
00:34:33You know.
00:34:34You know.
00:34:35You know.
00:34:36You know.
00:34:37You know.
00:34:38You know.
00:34:39You know.
00:34:40You know.
00:34:41You know.
00:34:42You know.
00:34:43You know.
00:34:44You know.
00:34:45You know.
00:34:46Sanem is one of them.
00:34:47One of them.
00:34:48Oh.
00:34:49He is the life.
00:34:50Well.
00:34:51What should I say about Osman's looks?
00:34:52Oh.
00:34:53Yes.
00:34:54Yes.
00:34:55A lot.
00:34:56They say that he got engaged to Sanem.
00:34:57Girl.
00:34:58Did you make that?
00:34:59No.
00:35:00No.
00:35:01Those gossips came out without meaning.
00:35:02They are childhood friends.
00:35:03What engagement?
00:35:04The whole neighborhood finally learned that they are not engaged.
00:35:05But do you know what we didn't understand?
00:35:07You know, Sanem had a huge diamond ring in her hand.
00:35:12How did you find this ring?
00:35:14I'll figure it out soon.
00:35:19How? Does everyone know that the engagement is fake?
00:35:23Of course, thanks to me.
00:35:25I don't like gossip.
00:35:28Sanem is a bit crazy.
00:35:31Her sister is smarter. She's a smart kid.
00:35:34What do you mean crazy?
00:35:35As you know, she's crazy.
00:35:37Her father is also very jealous.
00:35:39You can't believe it.
00:35:40They've been like this since they were kids.
00:35:48Okay, this street.
00:35:50Finally, you found me.
00:36:05No, I mean...
00:36:07Come on, let's go to the cottage.
00:36:09It wasn't hard to navigate.
00:36:12Come on.
00:36:20I can hear you from a distance.
00:36:28Your mother is there, your father is there, your team is there, everyone is there.
00:36:31I couldn't stand it.
00:36:33I can't stand it either.
00:36:35You smell so good.
00:36:39Can I have some of the dry perfumes you made?
00:36:42I smell them sometimes.
00:36:45I miss them.
00:36:47I think you smell good, too.
00:36:49I tried to make your perfume, but I couldn't.
00:36:52Because no one smells like you.
00:36:54The one with the letter C?
00:36:56Exactly.
00:36:57You're a talented girl.
00:36:59I think you can do exactly the same.
00:37:05I'm very nervous right now.
00:37:07Shall we go out?
00:37:08Yes, let's go out.
00:37:10Let's go out, but...
00:37:13Let's not go out together.
00:37:14Let's go out front and back.
00:37:16Okay, front and back.
00:37:19I'm sick of this secrecy.
00:37:22I'm doing it for you.
00:37:24Okay, I'll make it up to you.
00:37:26I'm interested in this subject.
00:37:29I'm telling you what I can think of.
00:37:31I'll go out front and you'll follow me.
00:37:34Okay, let's go.
00:37:48Mevkube.
00:37:49How many people did you prepare for?
00:37:51A lot.
00:37:52Everyone should eat a lot.
00:37:53Our daughter should be proud of us.
00:37:55I'm proud of you, Mevkube.
00:37:57Thank you.
00:37:58I cooked as much as I could, Nihat.
00:38:02Is that why you put it on your head, Mevkube?
00:38:05Did it bother you again?
00:38:07How did it bother me?
00:38:08It's 40,000 liras.
00:38:09I don't care.
00:38:10I don't care.
00:38:11I don't care.
00:38:12I don't care.
00:38:13I don't care.
00:38:14I don't care.
00:38:15I don't care.
00:38:16I don't care.
00:38:17I don't care.
00:38:1850,000 le.
00:38:19I don't care.
00:38:20I don't care.
00:38:21Can you explain this?
00:38:22I've lived in a tent long time.
00:38:23This did not happen to me before.
00:38:24I have 40,000 extra liras on my head.
00:38:25But now I realized.
00:38:26I realized who took it from.
00:38:27Oh my.
00:38:28Oh my.
00:38:29Who took it from, Mevkube?
00:38:30It was from Mr. Can.
00:38:31Can ordered him.
00:38:32He never said he wasn't even going to pay.
00:38:33Mr. Can is a good man of course.
00:38:34He must have been depressed and given it to our daughter.
00:38:35Apparently he's been in love ever since she entered the street.
00:38:36Mr. Can also couldn't take it and must have given it to her.
00:38:37Oh my.
00:38:38Oh, no.
00:38:40Mr. Mevki, we have to pay the debt right away.
00:38:43What have you done to my daughter, Mr. Mevki?
00:38:47We can handle the money.
00:38:48What are we going to do about this girl's love, Nihat?
00:38:50It's obvious that he doesn't love her.
00:38:52He just said it.
00:38:53Come on, he doesn't love her.
00:38:54First of all, my daughter is the most beautiful, smartest girl in the world.
00:38:57Of course. How is he going to find someone like her?
00:39:00Although Mr. Can is a good boy,
00:39:03but he's always with these sociopathic girls.
00:39:06What is it? Is it Chiyetmi, Miyetmi?
00:39:07What is it? Is it fashion or what?
00:39:09Chiyetmi?
00:39:11Don't be silly.
00:39:13We're going to cool this girl down, Nihat.
00:39:16Otherwise, our daughter will be very sad, very broken.
00:39:18Let's cool her down, Mr. Mevki. How are we going to cool her down?
00:39:21We're going to play a game.
00:39:23We're going to cool her down with lies.
00:39:25Are you in?
00:39:25I'm in, Mr. Mevki.
00:39:26I'm ready to do anything for our daughter's well-being.
00:39:28I'm in.
00:39:29Come on, then. Let's go.
00:39:31Okay, then. Let's start.
00:40:06I'm in.
00:40:07I'm in.
00:40:08I'm in.
00:40:09I'm in.
00:40:10I'm in.
00:40:11I'm in.
00:40:12I'm in.
00:40:13I'm in.
00:40:14I'm in.
00:40:15I'm in.
00:40:16I'm in.
00:40:17I'm in.
00:40:18I'm in.
00:40:20I'm in.
00:40:21I'm in.
00:40:22I'm in.
00:40:23I'm in.
00:40:24I'm in.
00:40:25I'm in.
00:40:26I'm in.
00:40:27I'm in.
00:40:28I'm in.
00:40:29I'm in.
00:40:30I'm in.
00:40:31I'm in.
00:40:33I'm in.
00:40:34I'm in.
00:40:35I'm in.
00:40:36I'm in.
00:40:37I'm in.
00:40:38I'm in.
00:40:49Mr. Emre!
00:40:51I was just about to call you.
00:40:52Did you take out the reports?
00:40:54A few more supplements, but it's a small amount.
00:40:56You should still check them.
00:40:57Okay. Come take a look.
00:41:05Yes, just as I thought.
00:41:09If nothing goes wrong, when we get the YRT Holding,
00:41:12our initial expenses will increase.
00:41:14YRT Holding?
00:41:16Be quiet.
00:41:18Mr. Emre, is there such a possibility?
00:41:20Yes, but it's between us.
00:41:23Mr. Emre, what are you saying?
00:41:25Even Mr. Aziz tried for years to connect this company.
00:41:28How did you connect it?
00:41:30Well, we have our own methods.
00:41:33I can't believe you, Mr. Emre.
00:41:36Even the possibility of YRT Holding is strange.
00:41:39Even their prestige brings us a lot of other brands.
00:41:42Unbelievable.
00:41:43Okay, stay between us.
00:41:45Of course, Mr. Emre.
00:41:47Come.
00:41:48Mr. Emre, stay between us.
00:41:51I want to tell you something.
00:41:53I think you deserve to run this company.
00:41:57Thank you, Leyla.
00:41:59I had a promise to you.
00:42:00A nice day to hold.
00:42:02Shall I take you to lunch?
00:42:03What do you say?
00:42:05Of course.
00:42:06Right now?
00:42:07Yes.
00:42:08I'll bring the car.
00:42:09We'll meet in front of the company.
00:42:10Okay, I'll be right there, Mr. Emre.
00:42:12Deal.
00:42:13Bye.
00:42:33Nihat.
00:42:34Go to the grocery store.
00:42:36Let's act according to the plan.
00:42:38I hope so.
00:42:40Meyko, I have to go to the grocery store.
00:42:42Yes, okay, Nihat.
00:42:43Take care of yourself.
00:42:45If something happens, I'll...
00:42:46Saniye!
00:42:47Come here, girl.
00:42:48Hold this.
00:42:49What if I don't come, mom?
00:42:50Come, come, come.
00:42:55We're proud of you.
00:42:56Thank you.
00:42:57Take this.
00:42:58Put it in your pocket.
00:42:59Mom.
00:43:00I don't want objections.
00:43:01I don't want to do anything in secret.
00:43:02Take this.
00:43:03The subject is closed.
00:43:04Okay.
00:43:07I put it.
00:43:08I could find these for 80s.
00:43:10You know the budget.
00:43:11How is it?
00:43:12Does it fit in?
00:43:13Okay, it can handle it.
00:43:14But you're a necklace or something.
00:43:15Beze, okay?
00:43:16It's the 80s.
00:43:17You can exaggerate.
00:43:18If the actors come, we'll choose together.
00:43:19Exactly.
00:43:20Come on.
00:43:21I trust you.
00:43:22Saniye.
00:43:23This advertising world is very colorful, isn't it?
00:43:26Yes, very colorful.
00:43:27Mr. Can is right in the middle of this world.
00:43:31Mr. Can has nothing to do with this world.
00:43:34It's natural, Mr. Can.
00:43:35It's natural.
00:43:36Yes.
00:43:37Well, I didn't think so.
00:43:39What is he doing with his leg?
00:43:40Does he stop?
00:43:41He broke up with that long leg, you know?
00:43:44I think he likes natural women.
00:43:46That's my guess.
00:43:47Well, I didn't think so.
00:43:49There is such an untrustworthy condition.
00:43:52It's like a beautiful girl is curious.
00:43:54If you shake her hand like this, her hand will go inside.
00:43:56No.
00:43:57Mr. Can has nothing to do with it.
00:43:58I mean, if we were talking about Mr. Emre, I would give you the right.
00:44:00Because it's not clear what he's going to do.
00:44:02But if Mr. Can is naked in front of four women, he won't look back.
00:44:05I'm so sure.
00:44:06He loves nature.
00:44:07Natural.
00:44:08He's after them.
00:44:09Four, you say.
00:44:10Four-four, mashallah.
00:44:11With legs.
00:44:12He calmed down now.
00:44:13He's coming across.
00:44:14As if he's coming here.
00:44:15Mashallah.
00:44:30This is Leren, our director of architecture.
00:44:44What's going on?
00:44:49What's going on?
00:44:55Oh, I'm so sorry.
00:44:57Nice to meet you.
00:44:58Nice to meet you.
00:44:59Of course.
00:45:00Mr. Can, can you take a look? It's urgent.
00:45:03What happened?
00:45:07Who are these girls?
00:45:08They can't be.
00:45:10Don't be ridiculous.
00:45:11Check-in is about to start.
00:45:12Everything is going to be just like I imagined.
00:45:14It's written in the contract.
00:45:15These girls can't even act in an ad.
00:45:17Why?
00:45:18Because they're tall.
00:45:20Their models are obvious.
00:45:21They don't look like they're from the neighborhood.
00:45:23I'm telling you, they can't be.
00:45:25Excuse me.
00:45:27They can't.
00:45:28I am Bas.
00:45:30Yes, I am Bas.
00:45:32I am JJ. Say my name.
00:45:34Say my name altogether.
00:45:35JJ?
00:45:36Yes.
00:45:37You're very tall.
00:45:39Very tall.
00:45:40Yes.
00:45:41Ayhan, can you come here?
00:45:42Our boy standard is obvious.
00:45:44It's obvious that they're from the neighborhood.
00:45:46Look.
00:45:47Look at Ayhan.
00:45:49Look at those girls.
00:45:53I mean, our boy standard is obvious.
00:45:55Sanem.
00:45:57Yes, Mr. Can.
00:45:58Yes.
00:45:59These are the actors you chose.
00:46:02Are you making fun of me?
00:46:05Sanem, you chose them.
00:46:07How did I choose them?
00:46:08I looked at the photos.
00:46:09They were innocent, beautiful girls.
00:46:11How would I know?
00:46:12How would I know that the photo is six meters long?
00:46:14How would I know?
00:46:15Then you should have read the catalog.
00:46:17There's everything under the girl's picture.
00:46:20Okay, it's over.
00:46:21We're finishing this shoot today.
00:46:22As long as it's not a big mistake...
00:46:24...we want to go home as a team.
00:46:27Kate, your friend.
00:46:28You know.
00:46:30What?
00:46:32We're talking about work, Ayhan.
00:46:33Why are you doing this in my workplace?
00:46:35We're talking about business.
00:46:37Sanem called me.
00:46:38If Sanem called you, why are you coming here?
00:46:41You really ruined my dreams.
00:46:43There's nothing else.
00:46:44If you think I'm jealous, you're mistaken.
00:46:46They won't even fit in the car.
00:46:48They won't work.
00:46:49That's my problem.
00:46:50You're so nosy.
00:46:51Cey, Cey.
00:46:52What?
00:46:53I said what.
00:46:54I'm sorry.
00:46:55It's English.
00:46:56I was doing something here.
00:46:57Let's get our actors a hair and makeup.
00:46:59Ayhan, come with me.
00:47:00Sure.
00:47:01Let's speed it up.
00:47:02What happened?
00:47:03Can you find four girls from the neighborhood?
00:47:05Of course, we'll find them.
00:47:06We'll find them right away.
00:47:07Okay.
00:47:08We're going to make a plan.
00:47:09Let's go.
00:47:12Should we go over there?
00:47:13Of course.
00:47:14Let's go.
00:47:20Mr. Emre.
00:47:21Thank you so much.
00:47:22You're welcome.
00:47:29Welcome.
00:47:30Thank you.
00:47:34Mr. Emre, this is such a fancy place.
00:47:36When you said salad place, I thought it was more of a messy place.
00:47:39They don't just make salad.
00:47:40But their salad is good.
00:47:41I sent it to you last night.
00:47:43Did you like it?
00:47:44Mr. Emre, I actually couldn't eat the salad that day.
00:47:48When the salad arrived, I felt full.
00:47:49Then I said I'd eat it.
00:47:50Then I was busy working.
00:47:52I couldn't eat it.
00:47:53Excuse me.
00:47:54Mr. Emre, don't draw too much attention.
00:47:56Okay, I'm ready.
00:47:58The less we look together, the better.
00:48:03Then I'm waiting for your good news.
00:48:04As soon as possible.
00:48:07Have a nice day, ma'am.
00:48:08Have a nice day.
00:48:09Thank you.
00:48:13Then we order.
00:48:16Let's order.
00:48:27Melahat.
00:48:28Look, these girls are going to put me to sin soon.
00:48:31Make them miserable, okay?
00:48:33Their hair, their makeup.
00:48:34Make them miserable.
00:48:35I'm not telling you anything yet.
00:48:37I understand you.
00:48:38Don't worry.
00:48:39It's a kid's toy.
00:48:40This is your story.
00:48:41It's going to be whatever you want.
00:48:43It's going to be the 80s.
00:48:46Blue lights, green lights.
00:48:48Okay?
00:48:49I'm not telling you anything yet.
00:48:50Come on.
00:48:51Don't worry.
00:48:52I'll take care of everything.
00:48:53I'll take care of you.
00:48:54Come on.
00:48:55Very nice.
00:48:56Mr. Can.
00:48:57Everything is under control.
00:48:59Okay.
00:49:01Where should I start?
00:49:06Mehmet, I love this image.
00:49:08We can put it here.
00:49:10Yes.
00:49:13What is this?
00:49:14Whose car is this?
00:49:17Is there a number?
00:49:18Whose car is this?
00:49:20I'm sorry.
00:49:21I'm not a buyer.
00:49:22I'm sorry.
00:49:23You can't get away from me.
00:49:24I'm telling you.
00:49:25Again?
00:49:26Where are you coming from?
00:49:27You keep coming to me.
00:49:29Me again.
00:49:30What's going to happen?
00:49:31We're going to shoot here.
00:49:32Do you know the owner of this car?
00:49:34I don't know.
00:49:35It looks like mine.
00:49:36I'm not sure.
00:49:37Maybe it's mine.
00:49:38Maybe it's not mine.
00:49:39I can't believe it.
00:49:40I don't know.
00:49:41As far as I understand from this empty action, the car is yours.
00:49:45You're going to shoot it from here.
00:49:47What kind of character are you, sister?
00:49:49What is the source of this self-confidence?
00:49:51What do you feed your sister with?
00:49:53I told you not to call me sister.
00:49:54Look, you're making me scream in the middle of the street again.
00:49:59Look, I'm telling you like I'm telling a person.
00:50:01Look, I'm going to shoot a story from the 80s here.
00:50:04This modern-looking hood is ruining my image.
00:50:08We're going to shoot it from here.
00:50:09It's over.
00:50:10Okay, you're telling me.
00:50:11You're telling me very well.
00:50:12I understand.
00:50:13You're going to shoot a period.
00:50:14I understand that, too.
00:50:15Now, who's going to buy this car from here?
00:50:16I don't need it.
00:50:17If you need it, we'll solve it.
00:50:19Be comfortable.
00:50:20I'll help you.
00:50:21Now, to buy this car from here, you need human power.
00:50:23It has gasoline.
00:50:24We're going to spend time.
00:50:25I don't count the cost of wear and tear.
00:50:27I need a price for this.
00:50:29I mean, look at the state that a big man is in for money.
00:50:33It's really a pain in the ass.
00:50:35Take it.
00:50:37You know, I'm not even going to start the car.
00:50:39I'm not even going to start the car.
00:50:41But I'm taking this as a priority.
00:50:42I'm going to help you.
00:50:43Be very comfortable.
00:50:44Give me 10,000.
00:50:45I'll solve it for you.
00:50:4610,000?
00:50:48Have you ever seen 10,000 in your life?
00:50:51Give me my money.
00:50:54Do you know what I'm going to do now?
00:50:56I'm going to call the police here.
00:50:58You opportunist.
00:50:59You're a cheater.
00:51:01It's obvious from your type.
00:51:02What a bad guy you are.
00:51:04Easy, beauty.
00:51:06Either pay the money or walk slowly.
00:51:12Get down or I'll nail you to the wall.
00:51:15Walk.
00:51:21You got it wrong, Osman.
00:51:22I said walk, you jackal.
00:51:25I'm sorry, but this jackal is not from here.
00:51:28He's your dad.
00:51:29Thank you very much.
00:51:34Thank you.
00:51:40Mr. Emre.
00:51:41Please don't get me wrong.
00:51:42But I need to ask you something.
00:51:44What was in that envelope?
00:51:46What you guessed.
00:51:47The key to the entrance to Yerete Holding.
00:51:51I'm so confused right now.
00:51:53You're in such a bribe.
00:51:57Be quiet, Leyla.
00:51:59Mr. Emre, I really can't believe it.
00:52:01Mr. Aziz was very opposed to such things.
00:52:05You know my father isn't here, right?
00:52:07I'm doing what my business needs.
00:52:09If I'm going to hide from you,
00:52:10there's no point in being my assistant.
00:52:14Does Mr. Can know?
00:52:15No.
00:52:16There are only three people in the world who know this secret.
00:52:18You, me and that man.
00:52:20I trust you that much.
00:52:22Please don't waste my trust, okay?
00:52:25Of course.
00:52:27So, did we come here for this, Mr. Emre?
00:52:29Yes, Leyla. Why are you exaggerating? What's the problem?
00:52:32Nothing.
00:52:34Nothing.
00:52:37I trust you.
00:52:38I just don't want Can to know.
00:52:40Of course, Mr. Emre.
00:52:41What secret have I told you so far?
00:52:44That's why you're the only person I can trust in the agency.
00:52:47You didn't eat your salad.
00:52:49I guess I'm not very hungry, Mr. Emre.
00:52:52I don't eat your salad.
00:52:54Mr. Emre,
00:52:55let's leave when you're done eating your salad.
00:52:58Okay.
00:52:59Let's not draw too much attention.
00:53:00Sorry, did I make a mistake?
00:53:09I'm not sure I can do it.
00:53:11No, I'm saying focus.
00:53:12You're not paying enough attention to the details, Sanem.
00:53:15Ms. Sanem,
00:53:16are these suitcases okay?
00:53:20Yes, Mr. Cici.
00:53:21I like it.
00:53:22Okay.
00:53:23Mr. Cici,
00:53:24why are you throwing away the rental suitcases?
00:53:25What am I supposed to do with the car?
00:53:26Should I carry it like this?
00:53:27I threw it away.
00:53:28There are better ones.
00:53:29There's a more retro one.
00:53:30I'll take a look now.
00:53:31Come with me, Mr. Cici.
00:53:32Mr. Can is coming too.
00:53:33Let's go.
00:53:34Yes, let's go.
00:53:38Should we meet at the beach
00:53:39between dinner?
00:53:40We're lost.
00:53:42Okay.
00:53:43Okay?
00:53:53Do you see, Nihat?
00:53:54I see, I see, Mevgubem.
00:53:56Don't worry.
00:53:57It's my turn.
00:53:58Leave it to me.
00:54:00Sanem!
00:54:05Yes, daddy?
00:54:07Can you come here for a minute, dear?
00:54:15I'm so bored, Sanem.
00:54:16Does it suit Mr. Can at all
00:54:18to make our neighborhood like this?
00:54:19If he wants to have fun with the girls,
00:54:20he can go and have fun somewhere else.
00:54:23I guess you got it wrong, dad.
00:54:25The girls came here for work.
00:54:26It's not fun.
00:54:27I don't know about that.
00:54:28I saw one of them
00:54:29walking around like this.
00:54:30I even saw him like this.
00:54:31Mr. Can?
00:54:32Yes, it's definitely him.
00:54:33I think so, but it's him.
00:54:34I mean, it's him.
00:54:36I think you may have misunderstood.
00:54:39I didn't misunderstand at all.
00:54:40I mean,
00:54:41I fell in love with Mr. Can.
00:54:42I'm telling you.
00:54:43It can't be like this.
00:54:44This is a neighborhood.
00:54:45My God.
00:54:46I think you should
00:54:47keep your distance from him.
00:54:49I'm telling you,
00:54:50keep your distance from him.
00:54:51I'm always keeping my distance.
00:54:52After all, he's my boss.
00:54:53Look how nicely you say it.
00:54:54Your boss.
00:54:55There should always be
00:54:56a distance between you and your boss.
00:54:57Isn't that right?
00:55:00I'm telling you.
00:55:01There should always be
00:55:02a distance between you and your boss.
00:55:03Why?
00:55:04Because this is the neighborhood
00:55:05you were born and raised in.
00:55:06You need to be a little sensitive.
00:55:07Of course, dad.
00:55:08I don't even look at his face.
00:55:09I don't even pass by him.
00:55:10I didn't have to.
00:55:12I wish he never brought
00:55:13those girls here.
00:55:16They'll go, dad.
00:55:17Don't worry.
00:55:18They'll go.
00:55:20Hush.
00:55:21No, no, no.
00:55:22Don't go.
00:55:23What is this?
00:55:24No.
00:55:25Good.
00:55:26No.
00:55:27No.
00:55:28No.
00:55:29No, good.
00:55:30No, girls.
00:55:31Don't go.
00:55:32Don't go.
00:55:33No, girls.
00:55:34Don't go.
00:55:35No.
00:55:36No.
00:55:37No.
00:55:38No.
00:55:39No.
00:55:40No.
00:55:41No.
00:55:42No.
00:55:43No.
00:55:44No.
00:55:45No.
00:55:46No.
00:55:47No.
00:55:48No.
00:55:49Come on, come on.
00:55:50No.
00:55:51Melahat, what is happening?
00:55:52What is happening?
00:55:53What's the problem?
00:55:54What's the problem is today right now.
00:55:57Didn't you tell me, kid?
00:55:58We went all out in the 80s.
00:56:00We were so on beat
00:56:02in the crowd.
00:56:03Did you go into Marshalls for anything?
00:56:06God damn it, Melahat.
00:56:07I don't know what to do now.
00:56:09I have a feeling
00:56:10you are involved in this.
00:56:11Mr. Can,
00:56:12how could I be involved
00:56:13in this?
00:56:14I need some mercy.
00:56:15Girls are losing their hair.
00:56:18Cancel the shoot. Cancel the girls. Cancel me too.
00:56:22I'm going through one of those moments where I wonder why I don't quit this job.
00:56:26Calm down, Deren. I think Sanem has an idea. Right, Sanem?
00:56:30Can I get a few people from the neighborhood and the company to act?
00:56:36But hair, makeup, clothes, everything will be the same. Blurry, exaggerated.
00:56:41Okay, don't worry. Me too.
00:56:43Okay, go to the neighborhood, bring any friend you want to play with here.
00:56:47Whoever you want to play with at the agency, everyone has to play.
00:56:50If they ask, you'll say, Ms. Deren said so.
00:56:54Whoever I want.
00:56:55Yes.
00:57:04Ms. Eykub, Mr. Nihat, how are you?
00:57:06Fine, thank you. Did you need anything?
00:57:09Thank you very much, ma'am. You must be proud of Sanem.
00:57:12We hear, we hear. We know her value very well, Mr. Can.
00:57:15Our daughter's wife once in the world.
00:57:18If you don't know her value, if you don't understand her value, she'll lose herself.
00:57:21You're right. I don't think she's like Sanem. I mean, at least I haven't seen her.
00:57:25Can I get some gas from the inside?
00:57:27Sure, sure. Here you go.
00:57:28Thank you.
00:57:30Does he love Sanem, too?
00:57:32Eykub, how do I know if he loves her or not?
00:57:34He doesn't listen to these young people.
00:57:36Should we ask Sanem?
00:57:38What should we ask Sanem?
00:57:40What do you mean, the whole neighborhood is celebrating?
00:57:44He's a smart, smart, successful kid.
00:57:47In terms of martyrdom, he's a martyr.
00:58:10Good.
00:58:22Let's give the trunks to our players.
00:58:24Let the camera record it. Hurry up.
00:58:27Let's record it.
00:58:29Three, two, one, game.
00:58:49How did we grow up, Erat?
00:58:53It.
00:59:23How did we grow up?
00:59:43How did we grow up?
00:59:53How did we grow up?
00:59:54You're always welcome.
00:59:55My traditions are very famous.
00:59:57Where's Sanem?
00:59:58She was walking towards the beach.
01:00:00Wasn't it a nice day?
01:00:01Yes, it was.
01:00:11Where's Can?
01:00:12How should I know where he is?
01:00:14Am I the boss or is he the boss?
01:00:15I don't know.
01:00:18Why are you looking at me like that?
01:00:23Where's Can?
01:00:35On the beach.
01:00:36No, not on the beach.
01:00:39Boss.
01:00:42Sit down, son.
01:00:43The boss was here.
01:00:44Come here, son.
01:00:45Boss.
01:00:46Sit down.
01:00:47Can.
01:01:11Be careful.
01:01:12I'm here.
01:01:13Bravo.
01:01:16Man, you've got some style.
01:01:17I didn't see you there.
01:01:18Take it easy, thanks.
01:01:19I was on my way.
01:01:20People were wondering why you were looking at me like that.
01:01:21Perhaps because of my hair and costume?
01:01:22Perhaps because of my make-up?
01:01:23Yes, maybe.
01:01:24Are you really a angel?
01:01:25Right, I am.
01:01:26Then, are we the Samba family?
01:01:27Come on.
01:01:29All right.
01:01:30Okay, I'm excited.
01:01:31I'm here.
01:01:32You are the sweetest thing I have ever seen in my life.
01:01:35Let me tell you something.
01:01:36Your parents are acting strange.
01:01:37Why don't you talk to them?
01:01:42I can't say anything.
01:01:43I can't talk right now.
01:01:44There's a...
01:01:45There are a few misunderstandings, but I will talk to him. Don't worry.
01:01:48Okay.
01:01:48So, you're in the shooting, right?
01:01:50Yes, a lot.
01:01:51Great.
01:01:52I mean, thanks to you, I'm having a great time. Thank you.
01:02:01There they are, Mevki, come.
01:02:03Come, come, come, come, come.
01:02:05What's going on? What happened?
01:02:07Mr. Can!
01:02:08Yes?
01:02:09How can this be? What kind of disgrace is this?
01:02:12Bring the Russians to the neighborhood.
01:02:14It's my neighborhood, Morat, it's mine.
01:02:16Girls like this are unbelievable.
01:02:18This is impoliteness, are you aware of that?
01:02:20Sanem!
01:02:21What's going on, girl?
01:02:22Dad!
01:02:23What's going on?
01:02:24Dad, what's going on here?
01:02:25Yes, what's going on?
01:02:26Strange things are happening now.
01:02:27Like what?
01:02:28It's hard to explain.
01:02:29Yes?
01:02:30It's a little complicated, actually.
01:02:31So?
01:02:32So, everything is upside down.
01:02:36Like...
01:02:38Ms. Mevki, why are you looking at me like that?
01:02:43Like...
01:02:44Like...
01:02:45Like...
01:02:46Like...
01:02:47Like...
01:02:55Mr. Can!
01:02:56I can't believe it.
01:02:58I caught Mr. Can while he was kissing a model.
01:03:00What's it to you, girl?
01:03:01Mr. Can can do whatever he wants.
01:03:02What's it to you?
01:03:03Why are you yelling, you crazy?
01:03:04No, I saw a model kissing Mr. Can, actually.
01:03:07In our neighborhood.
01:03:08And with the script I wrote.
01:03:09Disgrace!
01:03:12What are you talking about?
01:03:13What are you talking about?
01:03:14What are you talking about?
01:03:15Ms. Mevki.
01:03:16Let's go.
01:03:17Come on.
01:03:18I couldn't get it right.
01:03:19If you are so curious, why are you using our neighborhood?
01:03:23I don't get it.
01:03:24No, no, Ms. Mevki.
01:03:25They are fighting like cats and dogs.
01:03:27They are not in love.
01:03:28If they were alone, they would kiss each other.
01:03:31I'm so relieved.
01:03:32Sanem, are you coming?
01:03:34I'm coming, just a second.
01:03:35Sanem, what are you doing to me?
01:03:37What are you talking about?
01:03:38You are disgracing me.
01:03:39I'm praying.
01:03:40I'm praying.
01:03:41Well, now that I'm fighting with my boss, they'll probably give me a house sentence.
01:03:46I'll see you tomorrow.
01:03:47Okay?
01:03:48Sanem, I'm here.
01:03:49God, I've never seen such a disgrace.
01:03:52If you are curious about the Russians, go hang out with them.
01:03:56I mean, why are you using our neighborhood?
01:03:59I don't get it.
01:04:00Disgrace now.
01:04:01Go do it in your own neighborhood.
01:04:04Okay, this is good.
01:04:05Yes, friends, our set is over as of now.
01:04:07Thanks to everyone's hard work.
01:04:09Let's not forget to leave the neighborhood as clean as we found it.
01:04:13Yes, Cemre.
01:04:14Bravo.
01:04:15C.C.
01:04:16We couldn't meet.
01:04:17Let's not meet as much as possible, Ms. Ayhan.
01:04:20Are you running away from me?
01:04:22Kind of.
01:04:23I'm really sorry for you.
01:04:25I'm really sorry.
01:04:26I'm sorry.
01:04:27I'm sorry.
01:04:28I'm sorry.
01:04:29I'm sorry.
01:04:30I'm sorry.
01:04:31I'm sorry.
01:04:32I'm sorry.
01:04:33I'm really sorry.
01:04:34You can't run away from this.
01:04:37What?
01:04:38Don't look so serious.
01:04:39You look sweeter that way.
01:04:41Come on, I'm running away.
01:04:44She hung up on me.
01:04:48Slow down!
01:04:50What are you doing?
01:04:51What a beautiful day, isn't it?
01:04:53It's like there's peace in the air.
01:04:56I'm having a lot of fun today.
01:04:58Yes, dear.
01:05:00I'm closing all my debts today.
01:05:03How?
01:05:04Did you sell the ring?
01:05:05No, dear.
01:05:06I bought it from Emre.
01:05:07The ring is here.
01:05:09I have different plans about it.
01:05:14Like getting engaged to Emre, for example?
01:05:16No.
01:05:17Emre is not ready to get engaged.
01:05:20Emre will hear a different plan about the ring from me.
01:05:24But according to the original plan...
01:05:26...I will get engaged to Emre...
01:05:28...and get rid of a small problem on my way.
01:05:32A small problem on your way?
01:05:35To speed up Fikri Harikan.
01:05:38Aylin, you are a very dangerous woman.
01:05:41Only people are dangerous, Sevim.
01:05:43Because they have no one to trust but themselves.
01:05:47What loneliness?
01:05:48Aren't we friends?
01:05:49Don't be ridiculous.
01:05:50Of course we are friends.
01:05:52Anyway, shall we go?
01:05:55Sorry.
01:05:56You can take the bill.
01:06:03I forgot my wallet.
01:06:05I'll take care of it.
01:06:21Good evening.
01:06:25How are you, Osman?
01:06:26I'm fine, Leyla. How are you?
01:06:27You look a little tired.
01:06:29It was a hard day.
01:06:31What are you doing? Were you closing the shop?
01:06:33Yes, I was getting ready.
01:06:34Great.
01:06:35If I sit here and wait a little...
01:06:38...can we go to the beach later?
01:06:39We can have some tea and chat.
01:06:41Is that okay?
01:06:43I promised Gülize for this evening, Leyla.
01:06:46I wish she would come.
01:06:47I don't know if she will come.
01:06:49I don't know if she will come.
01:06:50I don't know if she will come.
01:06:51I don't know if she will come.
01:06:52I don't know if she will come.
01:06:53Don't worry about it, Leyla.
01:06:54I wish she would know.
01:06:57Okay, honey. What shall we do?
01:07:00Say hi to Gülize.
01:07:01See you later, then.
01:07:02Okay. I'll drop by again.
01:07:07Leyla.
01:07:10Say hi to everyone at home.
01:07:13Okay, I will.
01:07:23Okay.
01:07:29Honey, that's enough. Don't worry.
01:07:31We'll eat something.
01:07:33Look, it's very simple.
01:07:34You will go to Sanem's neighborhood with Can.
01:07:36You will start talking to Melahat there...
01:07:38...and you will talk about Osman.
01:07:40That way, Can will learn about Sanem's engagement.
01:07:43That's it.
01:07:44Okay, I got it.
01:07:46Okay, let's talk about it.
01:07:48By the way, I forgot my wallet at Polina's party last night.
01:07:51It was in her bag.
01:07:52Can we go and get it together?
01:07:54Sure.
01:07:55Let's have breakfast.
01:07:56We'll leave early.
01:07:57Okay.
01:08:21Can.
01:08:49Good morning.
01:08:51Good morning.
01:08:52I have a very important question for you.
01:08:54Do you like crepes?
01:08:55Are you doing that too?
01:08:57I'm doing it. I'm doing it very well.
01:08:59You'll eat your fingers.
01:09:00Now I'm at the gym. I'll go to the shower.
01:09:02Then I'll pick you up.
01:09:03No.
01:09:04It would be better if you didn't come to the neighborhood for a while.
01:09:07Then let's meet at home.
01:09:09Okay.
01:09:11I'll be right there.
01:09:13Bye.
01:09:17How can you leave so soon?
01:09:18When will you get ready?
01:09:22So now I'm the only one in your parents' eyes...
01:09:25...who is obsessed with models...
01:09:28...who eats raw meat.
01:09:31Am I right?
01:09:32Exactly.
01:09:34And you're laughing at this.
01:09:35What can I do? I can't find anything to say anymore.
01:09:39There's no such nonsense.
01:09:41I'll go and talk to your parents.
01:09:42No.
01:09:44I'll talk.
01:09:46Give me a little more time.
01:09:51Oh, Sanem.
01:09:52Well done. What can I say?
01:09:55I always get into trouble, don't I?
01:09:59You're doing a great job.
01:10:01Enjoy your meal.
01:10:07Good morning.
01:10:08Good morning.
01:10:09Enjoy your meal.
01:10:10Welcome.
01:10:15I forgot my little bag here last night.
01:10:18I came to get it.
01:10:20Emre and I met at the door.
01:10:23We were talking about a meeting.
01:10:26Mr. Can said we shouldn't be hungry...
01:10:28...so he made breakfast.
01:10:33There's a lot of crepe. Do you want some?
01:10:35No, we're full.
01:10:36We'll eat.
01:10:37We love crepe.
01:10:40We love it.
01:10:43Then I'll bring you coffee.
01:10:44Okay.
01:10:45I'll bring it in my bag.
01:10:46Thank you.
01:10:47Sanem.
01:10:48What a fun shoot it was yesterday.
01:10:51Congratulations.
01:10:53Thanks to you, I was an actress.
01:10:55Thank you.
01:10:56If you hadn't accepted it, no one would have.
01:10:59With pleasure.
01:11:00Can.
01:11:01Sanem is a very talented girl.
01:11:03Take care of her.
01:11:04I might want to transfer her to my agency soon.
01:11:08Sanem can go wherever she wants.
01:11:10Thank you, Ms. Ayla.
01:11:18Your coffee.
01:11:20Your bag.
01:11:21Emre, take this. I won't eat anymore.
01:11:23There's no plate there.
01:11:28Is there a sweetener on the table?
01:11:30Actually, I had some in my bag.
01:11:37My rouge is gone.
01:11:47Thank you.
01:12:17Sanem, this is your engagement ring, right?
01:12:48Brother.
01:12:49Emre, wait a minute.
01:12:50Sanem, isn't this your engagement ring?
01:12:57Yes, it is.
01:12:58What is Ayla doing?
01:13:03Sanem, I'm not asking such a complicated question.
01:13:05Tell me something.
01:13:06What is Ayla doing?
01:13:07It's very simple.
01:13:08Tell me.
01:13:13Can.
01:13:14We bought the ring.
01:13:18I saw it in the camp.
01:13:20I liked it very much.
01:13:22Emre researched it.
01:13:23It was a design ring.
01:13:24When he couldn't find another job.
01:13:26When Sanem and Osman left.
01:13:29Sanem, how do I know all this?
01:13:32I want to go, Mr. Can.
01:13:33Wait a minute, Sanem.
01:13:34Where are you going?
01:13:35What's going on?
01:13:36Sanem, why are you selling the ring?
01:13:37Why are you buying the ring?
01:13:38Brother, actually...
01:13:39It happened like this.
01:13:40Let me explain.
01:13:41Actually, Emre bought the ring from Osman.
01:13:47Emre proposed to me.
01:13:50We got engaged.
01:13:57Why didn't I know?
01:13:59Because we wanted to surprise you.
01:14:01I told Sanem not to tell you.
01:14:06So you got engaged.
01:14:09Exactly.
01:14:13Congratulations.
01:14:14Thank you.
01:14:16I hope you're not angry.
01:14:18We didn't tell you to surprise you.
01:14:22No one knows.
01:14:23I'm not angry.
01:14:26Congratulations.
01:14:30I should go now.
01:14:31Have a nice day.
01:14:32Sanem, where are you going?
01:14:34There was something about my mother.
01:14:36I forgot it.
01:14:37I can't go.
01:14:38Can you wait, Sanem?
01:14:39Can, wait a minute.
01:14:41Can, if you let me, I'll talk.
01:14:43It happened because of me.
01:14:45My pride was broken.
01:14:47When you get stronger, let's talk.
01:14:53Okay.
01:14:54I'm in a hurry.
01:14:57You got engaged, right?
01:14:59Why don't you tell me?
01:15:01You're doing weird things.
01:15:04We'll talk.
01:15:06It's nothing.
01:15:08I'm a little excited.
01:15:11I don't know how it's going to be.
01:15:15You're right.
01:15:17We had to tell you.
01:15:25Sanem.
01:15:27Sanem, wait.
01:15:37What do you want?
01:15:40I'm sorry.
01:15:41We left you in a difficult situation.
01:15:42Why?
01:15:44Why are you including me in this game?
01:15:47Sanem, calm down, please.
01:15:49You know, that ring is my old engagement ring.
01:15:51Emre told you.
01:15:53When I saw it in your hand in the camp, I thought there was something between you and Emre.
01:15:57We had a fight.
01:15:58I said, if there's something between you, you could get him another ring.
01:16:00He said no, I didn't believe him.
01:16:02I wanted him to give the ring back to me to prove it.
01:16:05That's the thing.
01:16:06Why didn't you tell the truth?
01:16:07Why did you say I bought it from Osman?
01:16:09You could have said it was my ring.
01:16:11Emre told me you had a fake engagement ring.
01:16:14He gave the ring to you to help you.
01:16:16He said no one knew.
01:16:18I mean, the engagement was fake.
01:16:20And I made up something so you wouldn't be in a difficult situation with Can.
01:16:25I see.
01:16:27I had to include you in the lie.
01:16:29But at that moment, I couldn't think of anything else to save you.
01:16:32You're not mad at me, are you?
01:16:34I'm not mad.
01:16:35I'm mad at myself anyway.
01:16:37I mean, I'm falling into the lie more and more.
01:16:41So why did you make up such a thing?
01:16:43Why did you say I was everyone's fiancé?
01:16:45I mean, why that ring?
01:16:46Why my ring?
01:16:47How did you get that ring?
01:16:49Emre says it's Sanem's secret, but he doesn't tell.
01:16:52I mean, I mixed up the files.
01:16:54Mr. Can bought the right one because of me.
01:16:56But I told you.
01:16:57I said I couldn't do it.
01:16:59I said I'd get it on my face.
01:17:01Sanem, calm down.
01:17:02Go to our house right now.
01:17:03Home?
01:17:12Why are you here?
01:17:13Why are you at my house at this hour of the night?
01:17:15Can you tell me, please?
01:17:16Mr. Emre spilled coffee on his jacket.
01:17:19I took the jacket to the dry cleaner.
01:17:21But I forgot the bag or something.
01:17:23I had stuff in it.
01:17:24I mean, it was in the jacket's pocket.
01:17:27I guess the jacket is at home.
01:17:28I was going to look at it now.
01:17:30So there's something in Emre's jacket's pocket that belongs to you, right?
01:17:33Yes, that's right. It's mine.
01:17:42It's him.
01:17:49Do you have a fiancé?
01:17:52Is it me?
01:17:58I can't tell you, I'm pregnant.
01:18:00Okay, it doesn't matter.
01:18:04Are you really engaged?
01:18:07I mean, Emre is not very willing, but yes.
01:18:11Then I congratulate you.
01:18:13Thank you for protecting me.
01:18:15It doesn't matter.
01:18:17Sanem, I loved you so much.
01:18:19I hope we can be friends.
01:18:21Don't worry about it, please.
01:18:23Come on, let's go together.
01:18:26No need, it would be better if I stayed alone.
01:18:29I'll walk a little.
01:18:30Okay.
01:18:32But you know we can talk whenever you want, right?
01:18:35Thank you.
01:18:37See you.
01:18:41See you.
01:18:53Why haven't they come yet?
01:18:54Should I go and look at them?
01:18:57Brother, Porta really has no fault with Sanem.
01:18:59Don't blame her.
01:19:01No, I understand the subject, okay.
01:19:02I'll take her heart.
01:19:04I'm actually waiting for her anger to pass.
01:19:07Because when she's angry, it's like a storm.
01:19:12Tell me a little bit.
01:19:14How is it going?
01:19:16It's going well.
01:19:17It's going very well.
01:19:19I think it's going well.
01:19:21Let me call her.
01:19:26She's busy.
01:19:29Maybe it's not going well with Sanem.
01:19:30It's not possible to know what's going on with Sanem anyway.
01:19:35Let me go.
01:19:36I'll take your heart.
01:19:39Can.
01:19:41We talked to Sanem.
01:19:43But she didn't want to come.
01:19:45She didn't want to.
01:19:46Of course she wouldn't.
01:19:47I've never seen such a stubborn person in my life.
01:19:50Anyway, I'll change my clothes and go.
01:19:52Anyway, see you.
01:19:54Like you.
01:19:58You saved me.
01:19:59When the ring fell.
01:20:01Congratulations.
01:20:05A lie to Sanem.
01:20:06Enmity to us.
01:20:09Two birds with one stone.
01:20:10What were you waiting for, Emre?
01:20:12The ring fell out of your bag.
01:20:13What was I going to say?
01:20:14Emre sent Sanem to your house.
01:20:15He forced her in.
01:20:16Did he make her a thief?
01:20:18Come on, shut up.
01:20:20I wanted to say that.
01:20:21I know what you want to say.
01:20:22It's obvious from your actions.
01:20:24You didn't want to get engaged to me.
01:20:26Now you have to, right?
01:20:32I'm not ready yet.
01:20:34That's why I'm a little surprised.
01:20:35I'm not ready to put the ring on everyone's chest that Sanem has.
01:20:38I'm not ready yet.
01:20:39But people endure some things because they love.
01:20:42Aylin.
01:20:44I'm sorry, okay?
01:20:46We'll get engaged.
01:20:48We'll end this here, okay?
01:20:49Okay.
01:20:50Come on.