Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
📺
TVTranscript
00:00Hıh.
00:07Hıh.
00:09Hıh.
00:11Hıh.
00:19Şşt, şşt.
00:21Shadow, shadow.
00:22Şşt, şşt.
00:52I don't see it either.
00:54But I don't know.
00:55You know, you're an assistant.
00:57Maybe you need to do something.
01:00Hmm.
01:01What does an assistant do?
01:02Yes, he has a phone book, he calls.
01:05Then I'll make a call.
01:08For example?
01:09Mr. Yiğit is being called.
01:23It's ringing.
01:27It's not picking up.
01:29I'm here, I'm here.
01:30Oh, it's really a miraculous device.
01:32Because it's here.
01:53Forgive me.
02:06Mr. Yiğit, since you're here, we can start working on the cover now, right?
02:14I don't care about the cover.
02:17What do you mean?
02:19I want to make a promise as an assistant, Ms. Neşe.
02:23Here, Mr. Yiğit meant this when he said I don't care.
02:26I mean, you put the best covers anyway.
02:29I don't care if I don't look.
02:30My heart is at ease, my heart is at ease.
02:32He wanted to say I don't care.
02:33Don't do much.
02:35Assistant.
02:37Don't tire yourself for nothing.
02:38You can't breathe anyway.
02:41I'm not in the mood at all.
02:45Come.
02:46Come.
02:48Come, come.
02:53Today, boss Deniz.
02:58Tell me what your problem is.
03:03Boss.
03:17I understand.
03:19It's normal for you to be worried.
03:21Relax.
03:22I'm the boss.
03:27I'm the boss.
03:33Oh, my God.
03:35There's no need, honey.
03:36Ms. Asena is here for a weekly meeting with Mr. Yiğit.
03:39She'll take your place now.
03:43Come.
03:45Welcome.
03:48How are you?
03:49We're fine.
03:50Welcome.
04:02Honey.
04:04Okay.
04:05I don't like routine meetings either.
04:07It's boring.
04:08But this is absurd.
04:15Hmm.
04:16Absurd.
04:18In French.
04:20I never liked her.
04:22Although she didn't like me either.
04:26Yes, she's in a trance right now.
04:29This is a special technique.
04:30It came to us today from the Far East.
04:33This is like this.
04:35To the foot heart.
04:37Yes, that's exactly it.
04:38To relax.
04:39For calmness.
04:40But most of all, it should be done in areas where it is under stress.
04:43Mr. Yiğit doesn't do it at home.
04:45He does it here.
04:46This is getting off the chair.
04:47Getting off the chair.
04:48Yes.
04:51Hmm.
04:53So.
04:55Do you have any new ideas for the new number?
04:58Hmm.
05:00New number.
05:03I have.
05:05I have an idea like a stone for the new number.
05:08Do you want to hear it?
05:09Do you want to hear it?
05:11Now I will tell you both.
05:13I will show you both.
05:18Come closer to me.
05:20Come closer.
05:21Come closer.
05:22Don't be shy.
05:24Box.
05:25Yeah.
05:27Box.
05:29Right direction.
05:30Left direction.
05:31Apartment.
05:32Corner.
05:33Left direction.
05:34Right direction.
05:35Yeah.
05:36Yeah.
05:37You are a boxer.
05:38Yiğit.
05:39Okay.
05:40Enough.
05:41I don't know what you did to yourself.
05:43But I won't let you leave my magazine empty-handed like this.
05:49Are you okay?
05:51Magician.
06:00Yes.
06:01Gender.
06:02Male.
06:03Age.
06:05He likes experienced men.
06:08Forty.
06:09Forty-five.
06:11Forty-two.
06:14Yes.
06:15Burcu.
06:16Akrep.
06:19Okay.
06:22Yes.
06:23And I need a name, of course.
06:26Akın.
06:28Barut.
06:30Good.
06:31Ready to explode.
06:34Yes.
06:35If we find a face for Akın Barut, it will be good, of course.
06:46Is it possible?
07:04Yes.
07:05Yes.
07:06Yes.
07:07Yes.
07:08Yes.
07:09Yes.
07:10Yes.
07:11Yes.
07:12Yes.
07:13Yes.
07:14Yes.
07:15Yes.
07:16Yes.
07:17Yes.
07:18Yes.
07:19Yes.
07:20Yes.
07:21Yes.
07:22Yes.
07:23Yes.
07:24Yes.
07:25Yes.
07:26Yes.
07:27Yes.
07:28Yes.
07:29Yes.
07:30Yes.
07:31Yes.
07:32Yes.
07:33What happened?
07:34What's wrong?
07:46Flamingos.
07:56I'm asking the administrative board.
08:03If you don't bring your work, bring your resignation.
08:10Understood?
08:11Understood.
08:12Come on, then.
08:13Let's go.
08:14Come with me, Buket.
08:15If you don't bring your work, bring your resignation.
08:16Understood?
08:17Understood?
08:18Come on, then.
08:19Let's go.
08:20If you can do it, work if you want.
08:23Buket, come with me.
08:26Let's go.
08:27Come on, let's go.
08:29Buket, come with me.
08:30Come on, let's go.
08:33Come on, let's go.
08:35Come on, let's go.
08:37Come on, let's go.
08:39Come on, let's go.
08:41Come with me.
08:48Bro, there are 225 levels in this game, okay?
08:52How can I work without finishing this now?
08:56Cemal, why are you thinking about such things?
09:00Let me help you.
09:02You? Really?
09:04Of course.
09:06I'm surprised right now.
09:08Really?
09:09Wow, bro. Thanks.
09:12Look, I'll help you one day.
09:15That day has come.
09:16What day?
09:17The day you'll help me. You promised.
09:20Just now?
09:20Yes, bro. Time is like water. It flows and flows. We have to stop it.
09:24I'm confused.
09:25Okay, you'll get used to it.
09:26There's a writer named Shadow, did you know him?
09:27I know.
09:28They praise him a lot. Do you want to be in his place?
09:31I don't know. Maybe. I already am.
09:34Is that so?
09:35Tuna, are things going a little fast today?
09:38You'll get used to it.
09:39You know Michael, right?
09:40That writer named Shadow is crazy about him.
09:41Okay, you'll replace Shadow and cool Michael down.
09:44There's not much you can do.
09:47I got it, bro.
09:49I got the help-help conversation.
09:52No, bro, thanks. I won't take it.
09:53You know, I love my job.
09:55You heard what Asena said.
09:56I'm working, bro. I'll work.
09:58You know, the bread is in the lion's mouth.
10:01I said something bad.
10:03How can such a bad proverb be?
10:05What does that bread have to do with the lion's mouth?
10:08It's dirty, with bacteria.
10:11Come on, bro, come on.
10:12The lion already ate it.
10:14Tuna, what are you doing?
10:16I can't look.
10:18I don't like things like this. You know that.
10:20Okay, bro.
10:22Can you give it to me, bro?
10:24Can you give it to me?
10:25Can you give it to me?
10:26Take it.
10:27Are you holding my hand?
10:28Are you holding my hand?
10:29Tuna, do you know?
10:30I don't like things like this.
10:31What are you doing?
10:32Call an ambulance. I'm going.
10:33Go to Shadow.
10:34Are you going? Go to Shadow.
10:35Leave the book.
10:36You will go, you will go.
10:55Look at your father.
10:56You're making a mess.
11:00Are you going to sleep?
11:02Brother, wait a minute.
11:05Brother.
11:07Look, let's talk like two adults.
11:10Does Shadow know that I'm going to be Shadow now?
11:13No, right?
11:14So?
11:15Now you're in trouble.
11:16After that, the man who will give me to court.
11:19Cases, judges, compensations.
11:21Son, I give all the money to games.
11:23I don't have money.
11:25Don't burn me.
11:26Don't burn me.
11:31Don't.
11:35Your brain is out.
11:36Your brain is out.
11:37Your brain is out, son.
11:43Cemal.
11:45Don't talk too much, brother.
11:47I'll give you the trauma of your life.
11:52Look at me.
11:53Brother, I'm not as easy as you think.
11:56Young man.
12:04Nonsense money.
12:05Is that so?
12:07Not like that.
12:13Look at me.
12:14It's not a joke with him.
12:19It's not a joke with him, brother.
12:20It's not a joke.
12:23Why are you locking the door?
12:25Get out.
12:26Get out.
12:30Mr. Yigit.
12:31Yigit.
12:53Yigit.
12:56Yigit.
12:58Yigit.
12:59Yigit.
13:01Yigit.
13:04Well done.
13:05You shouted like a bear.
13:06You're going to eat now.
13:16Come, let's sit down.
13:17Yes.
13:26Mr. Yigit.
13:31Yes.
13:44Whenever I feel lonely, I listen to this song.
13:47I mean, always.
13:51It's a beautiful song, isn't it?
14:01It's a beautiful song, isn't it?
14:18Come on, let's sing it together.
14:31My hands are empty.
14:34With tears in my eyes.
14:37I'm in a desert where the sun roasts.
14:43My hands are empty.
14:46My heart is a draft.
14:48It's beautiful.
14:49It was thrown into the fire.
14:50Like an iron.
14:53I mean, the song.
14:55My hands are empty.
14:57It's beautiful, isn't it?
14:58With tears in my eyes.
15:00I'm in a desert where the sun roasts.
15:05Yes.
15:06The song is very beautiful.
15:07It would be better if we listened to it in our free time.
15:09There is a meeting in the library.
15:11Shake it.
15:12Shake it once, shake it twice, shake it three times.
15:14What will happen then?
15:15The guys will shake us.
15:16Who will print the magazine?
15:17Are we going to write the magazine with our own hands?
15:19Then you go, Deniz.
15:21That's not possible.
15:23Okay, Deniz.
15:25Okay.
15:26I don't want to be Mr. Yigit today.
15:28Can you send Mr. Yigit to my place?
15:30Okay, if I'm Mr. Yigit right now ...
15:32Then I order you.
15:34You will come to that meeting with me.
15:36Yes, if you are Mr. Yigit ...
15:38So if you are ...
15:40Then you will go to that meeting anyway.
15:44Yes.
15:45Wow.
15:52Wow.
15:55Wow.
15:58I didn't bring you to this position for nothing.
16:01That's it.
16:02It's a cliché, but you convinced me anyway.
16:05Exactly.
16:06But convincing and being convinced is a smart thing.
16:08Well done to you.
16:10Let's go then.
16:11Is that so?
16:16What is it?
16:19What is it?
16:20Look.
16:21Look.
16:22Exactly.
16:28Wow.
16:30Look, beard.
16:31What a mess.
16:33I slept like this last night.
16:34I feel like I woke up.
16:38That's my job.
16:40Be comfortable.
16:58Wow.
17:28Wow.
17:49Hmm.
17:50Very good.
17:51I chose the tie with my own hands.
17:53The lines of modernism and rebelliousness have intertwined.
17:58Come on, let's go.
17:58Yes.
18:01There was no need to thank him.
18:03I mean, a few little praises were enough.
18:06There is no need for anything too childish.
18:08Excuse me?
18:09Nothing.
18:23Why are you being so unjust?
18:27Why?
18:28I don't know.
18:37What is it, my dear?
18:46Don't run away from me.
18:51I think I broke this beautiful and small memory.
18:54I don't know what I can do to make you forgive me.
19:03I don't know if it's possible to forgive you.
19:12I know Mama Fee very well.
19:21Don't do it, Deniz.
19:22If you stop crying, don't follow me.
19:25Pull yourself together, my dear.
19:27This is not real.
19:29It's not!
19:32Deniz, what are you doing?
19:34Aren't you coming?
19:36Oh!
19:37What will happen to these dreams that end with a kiss?
19:39Don't look at them, my dear. Don't!
19:42Come on, let me look at you too.
19:55I'm sorry.
20:00It smelled so good.
20:01Doesn't a slice of it break your heart?
20:03I swear, I've been dreaming about what you're going to eat all day.
20:06A white cat is going to catch it.
20:08I'm sorry.
20:14Yiğit!
20:17Deniz!
20:18Deniz!
20:24Oh my God!
20:25Where are they going?
20:26Come on, sister.
20:27I'll follow you until a box of pizza catches a white cat.
20:30Come on.
20:37I said okay.
20:39I said we'd do it.
20:40But it's ridiculous.
20:41The girl will recognize me as soon as she sees me.
20:43Don't shout!
20:44Who's shouting?
20:45You!
20:46Yes, I shouted a little.
20:48I'm telling you, you're going to eat the day after tomorrow.
20:51The rest of the time is shadow.
20:52We'll get used to it, okay?
20:55But what if she doesn't like me as soon as she sees me?
20:58What if she doesn't like me?
20:59From the first night?
21:00I'm so nervous.
21:01Come on.
21:03Calm down, man.
21:04I'm going to kiss your eye.
21:05I can't calm down.
21:07Why are you doing this?
21:10You know what?
21:11Come to me tonight.
21:12Okay?
21:13I'll make you work as a man.
21:15Okay?
21:16I won't be nervous anymore.
21:17We'll figure it out.
21:18It's over.
21:19No, no.
21:20I have bad feelings.
21:22I feel bad.
21:23Brother, if you don't trust yourself, trust me.
21:26Who doesn't like who?
21:27What kind of relationship is this?
21:28Who can Cemal be in a relationship?
21:30I have bad feelings, but...
21:32Come on.
21:40Yigit Bey?
21:42I think you're not in the right place.
21:46You're not here right now.
21:50As your assistant, I need to motivate you.
21:54I'll call you here, then.
21:57I'm giving you the command, then.
22:03Cough.
22:05Yes.
22:06Very good.
22:07Laugh.
22:37Stop.
22:39Don't laugh.
22:42That's enough.
22:47We'll be back in the morning.
22:54It's late.
22:57Turn around.
22:59I'm giving you the command.
23:00Turn around.
23:01Turn around.
23:02We'll be late for the meeting.
23:03We're having a meeting right now.
23:04Turn around.
23:05Turn around.
23:07We're having a meeting right now.
23:08We're late.
23:11I don't care about the meeting.
23:14How?
23:15I don't care.
23:17I don't want to go to a meeting.
23:20The only thing I want to do right now is to go to Gaza.
23:24I'm going to do this now.
23:26Do you have any objections?
23:27I have.
23:28I have an objection right now.
23:29You can't do this.
23:30Then get out.
23:32I'm not getting out.
23:33Come on, get me out.
23:34Come on, stop.
23:35Get me out of the car.
23:36Get me out of the car.
23:40Your tongue says get me out of the car.
23:41Your eyes say don't get me out of the car.
23:44You know why.
23:47Then hold on tight.
24:06Where is this place?
24:10I'll tell you inside.
24:13We can still make it to the meeting right now, Mr. Yiğit.
24:15Since you're here, come out and then we'll have a nice coffee together.
24:26I'm done.
24:40I guess it wasn't worth it.
24:44Now get out.
24:45Now that you're here, let's go inside.
25:15This place is still the same.
25:33You haven't changed at all.
25:36This place hasn't changed?
25:39Yes. It's been years and it's still the same.
25:45It's still the same.
25:48It's still the same.
25:51It's still the same.
25:54It's still the same.
25:57It's still the same.
26:00It's still the same.
26:03It's still the same.
26:06It's still the same.
26:09It's still the same.
26:12It's still the same.
26:15It's still the same.
26:33My mother used to live here.
26:42My father is over there.
26:45My mother...
26:57...is here.
26:59What about this place?
27:04This is our last night together.
27:07The last.
27:10I can't tell you how happy my mother is.
27:14Her eyes are smiling.
27:17Her eyes are shining when she looks at my father.
27:20Do you know why?
27:23Because this man told us he hadn't been drinking for three months.
27:31The food is here.
27:34We're eating our food.
27:36We're eating our food.
27:38We're chatting.
27:40Everything is fine.
27:42Her eyes are smiling.
27:45Suddenly they started to scream.
27:47I didn't understand what was going on.
27:50My mother...
27:52...is crying of course.
27:54She's upset.
27:57What happened?
27:59We're going home.
28:01Her face is pale as always.
28:03We're going in the car.
28:12Mom!
28:14Don't leave me!
28:16Mom!
28:18Don't die!
28:22This man had an accident.
28:25This man...
28:27...had an accident.
28:30This man took my mother from me.
28:33Do you know?
28:35This man took my mother from me.
28:38He told us he didn't drink.
28:41He lied to us.
28:43He drank.
28:45He had an accident.
28:47He took my mother from me.
28:49He took my mother from me.
28:51Now he's telling me he's my son.
28:53How can he call me his son?
28:55How can he call me his son?
28:57Who is this man?
28:59Let me tell you who this man is.
29:01This man is a murderer in my eyes.
29:03This man is a murderer in my eyes.
29:07This man is a murderer in my eyes.
29:09What are you talking about?
29:13What are you talking about that you can't share with me?
29:17I...
29:19...have been...
29:21...thinking about that night...
29:24...when I was born.
29:27I wonder what I could have done to my mother?
29:30What could I have done...
29:32...if these things didn't happen?
29:34I could have saved my mother.
29:36I'm thinking about this, but...
29:38...it's eating me up.
29:40I'm thinking about this.
29:42It's eating me up, but I can't do anything.
29:44I have no solution.
29:46My mother is gone.
29:49She's gone because of him.
29:51I'm saying, for example, if we could go back to that moment,
29:55if I could hold his hand and say,
29:57let's go from here, mom,
29:59if I could take him to the taxi,
30:01if we could get in,
30:03if we could go home, if we could get home safe and sound.
30:08Or, I'm saying, if I could get this man out of here,
30:10if he could go, if he could get in that car all by himself,
30:12under that rain,
30:14if he could drive that car all by himself,
30:16we would have won, but we didn't.
30:22Every time, you come face to face with the truth, don't you?
30:26You remember the things you couldn't do and you feel even more sorry.
30:30Maybe you can't sleep until morning.
30:34Maybe you find yourself at the beginning of your mother's grave,
30:37crying non-stop.
30:40Right?
30:41How are you doing this?
30:53You solved me like always.
30:57How are you doing this?
30:59Look, I don't know how you're doing this,
31:01but you solve me every time, okay?
31:07But there's something you can't solve.
31:12That kid grew up!
31:13That kid is gone!
31:15That kid is gone!
31:17That kid is gone!
31:19Leave that kid alone!
31:20Leave yourself alone!
31:22Don't carry the burdens you can't carry anymore!
31:25People die.
31:27Good people lose.
31:28Bad people win.
31:31Loves end.
31:34You can't change.
31:36Don't put things you can't change in the center of your life.
31:39You can't live like this.
31:42What do you want?
31:43Do you want to disappear from the pain?
31:45What do you want?
31:46Do you want to hide behind the people who hurt you?
31:48What do you want?
31:50Do you want to live an empty life?
31:51Tell me!
31:53Tell me!
31:54Do you want to live an empty life?
31:55Tell me!
31:59You don't know.
32:00You don't know anything.
32:01You don't know anything.
32:03You don't know anything.
32:05Did you hear?
32:06It's easy to hug the pain.
32:08Right?
32:09There is no fighting.
32:16I have a meeting now.
32:17I can't stand here and watch you suffer.
32:22Do you understand?
32:23I don't have time.
32:24I'm going.
32:25Young lady.
32:38Please.
32:43Please.
33:08Please.
33:29Please, don't go.
33:39Don't go.
33:42You look so good to me.
33:43Don't leave me.
33:46Don't leave me alone there.
34:04Give me your blessing.
34:05Either you come to the office tomorrow...
34:09...as a 10-year-old child...
34:13...or as a general coordinator who starts life anew.
34:18It's up to you.
34:35It's up to you.
35:05It's up to you.
35:06It's up to you.
35:22Damn it.
35:23What are you doing?
35:51Why do you run?
35:52Oh! VHS!
35:54Bro, there is VHS!
35:56Bro, TV!
35:58I spent my childhood watching this!
36:00This is 8 channels!
36:01I have 4 channels!
36:02Can I turn it on?
36:04Super bro!
36:05Bro!
36:07Wow!
36:08That's too much!
36:09You have a tetris!
36:11I need to hit an urgent hand!
36:13Cemal, don't do that!
36:14If you start it, we can't finish it!
36:16Don't do that!
36:17I will show you everything you will memorize!
36:19Look bro!
36:20Cemal, look here!
36:22Press pause!
36:23Press pause!
36:24That's a good game!
36:25It started with a stick!
36:26Press pause!
36:28What did he say?
36:29Look!
36:30He said something!
36:31Preparing a bag before going on a trip is a big nonsense!
36:35If you are going to take everything with you,
36:38what's the point of going?
36:40Dirty!
36:41Excuse me!
36:42Dirty!
36:43This is a dirty man!
36:44This is your shadow!
36:45Bro, can a person go on a trip like that?
36:47You can buy a spare underwear!
36:48You can buy a toothbrush!
36:49Bro, those are my memories!
36:50Forget it!
36:51He is trying to say something else!
36:52Look there!
36:53I pointed at you!
36:54Give them a memory!
36:55Don't bother!
36:56No bro!
36:57There is no such memory!
36:58I'm sorry!
36:59I will read and understand!
37:00I am against such memorization education!
37:02For example!
37:03For example!
37:04I am against your appearance!
37:06I think your outer brother can't be seen!
37:08Oh my God!
37:09Who did you meet in my meeting?
37:12He was seen!
37:13He was seen!
37:14I think you look like that when you look in the mirror in the morning!
37:18We do our hair!
37:19In the mirror in the morning!
37:20That's obvious!
37:21Do you do your hair?
37:22My appearance is not visible!
37:24Is your appearance visible?
37:26Huh?
37:27Where is it visible?
37:28We see what you see!
37:29Nothing is visible!
37:30Now!
37:31Let me turn around!
37:32See my turn!
37:33Huh?
37:34Get out of there!
37:35Come on!
37:36Get out!
37:37Now you will see!
37:38Who is not visible!
37:39Come on!
37:40Don't look here!
37:41Turn around!
37:42Excuse me?
37:43Turn around!
37:44Stay there!
37:45Because I can't be seen!
37:49My appearance is visible!
38:12We turn when you fall!
38:14One!
38:15Two!
38:16Turn!
38:18I'm in!
38:19My turn!
38:20I'm in!
38:21I'm in!
38:22My turn!
38:23I'm in!
38:24I'm in!
38:25I'm in!
38:26I'm in!
38:27I'm in!
38:28I'm in!
38:29I'm in!
38:30I'm in!
38:31I'm in!
38:32I'm in!
38:33Mother!
38:34I'm in!
38:35I'm in!
38:36I'm in!
38:37I'm in!
38:38How is Maman?
38:39Yes!
38:40Now!
38:41Do you remember the day he ran away from his father and came to me crying?
38:44Uh-huh!
38:45He bought me a gift. A very nice gift.
38:50Do you remember?
38:52A mosquito net.
38:54A mosquito net?
38:56Oh, how nice!
38:58It has salty antennas.
39:00It walks like this.
39:02It leaves its net.
39:04Yes.
39:06Was today a very busy day?
39:08What did you do with Yiğit?
39:10Don't ask. I'll bring it myself.
39:13So?
39:15Should I say it?
39:17What can I say?
39:19He held my hand.
39:21He took me to the restaurant.
39:23He cried in front of me.
39:25Then he hugged me.
39:27He said, I feel good when I'm with you.
39:29Emotions flowed.
39:31He looked at the Arab girl through the window.
39:33You'll tell me, not to yourself.
39:35No, no.
39:37He'll be jealous.
39:39Don't I know him?
39:41You're talking to yourself.
39:43Do you realize that?
39:45Did I talk to myself?
39:47It's because of...
39:49...something.
40:01I called Yiğit.
40:03But he wasn't in his office.
40:05He must be in his office.
40:07He doesn't hear.
40:09He's on the tablet.
40:11He's always on the tablet.
40:13He doesn't see me.
40:15Fax machine.
40:17There was something wrong.
40:19There was a meeting in the office.
40:21Meeting, meeting, meeting.
40:23Everyone was in the meeting.
40:25Because he rejected everything.
40:27He's always in his mind.
40:29He must have given himself to work.
40:31I'll tell you something.
40:33There's a really bad arm.
40:35It should be right here.
40:37Please.
40:41Did you join this meeting together?
40:45Not there.
40:47We're in the wrong place.
40:49Please.
40:51How did the meeting go?
40:53Tell me.
40:55It's like a needle.
40:59I'll tell you the meeting.
41:01But if I tell you the meeting,
41:03what will you do?
41:05What are we doing right now?
41:07I'm here right now.
41:09I'm telling you the memories.
41:11Let's talk about the memories.
41:15Okay.
41:17Tell me the memories.
41:19I don't have much time.
41:21I have an appointment.
41:23With whom?
41:31Yes.
41:33Yes.
41:35I'm ready.
41:37I'm ready.
41:39I don't know if I'm dressed like a rocker.
41:41I don't know if I'm dressed like a rocker.
41:43I don't know.
41:45I mean, he can't see.
41:49You don't think a man who writes such deep things
41:51will get up and hang on to his appearance.
41:53You're right.
41:55I think I know him.
41:57He doesn't shake his appearance.
41:59Yes.
42:01I feel such strange things.
42:05For example, I feel him.
42:07I can feel his energy right now.
42:09I close my eyes.
42:11I can find where he is right now.
42:13I can see him.
42:15Can I tell him?
42:17It's like I'm very close to him.
42:19I feel him.
42:21I feel close to him.
42:23Do you understand me?
42:25You can't understand.
42:27It's brutal, but it's not.
42:29It's different.
42:31It's brutal, but it's not.
42:33I'm confused.
42:35I'll show you again.
42:37I can't understand his back.
42:39I'll go behind him.
42:49Really?
42:51How?
42:53It's amazing.
42:55I'll run away.
42:57I'm sorry.
43:03Cemal, he's coming to you.
43:05I kissed him.
43:07I'm in the role.
43:21Cemal.
43:27You can call me Shadow if you want.
43:31No, I don't think I should call you Shadow.
43:33So, what happened?
43:35Didn't he bring it?
43:36So, what happened?
43:37Is it you? Is it Cemal?
43:39No way.
43:40Cemal is just a money bag.
43:43I mean, he's just one of the characters I take out of the hangout when I need him.
43:53What? Is this a game character?
43:54Did he load you with a tuna?
43:56Don't do such things. I'm really going. Don't make me laugh.
43:59Deniz, if you're going, take your sadness and go.
44:04Because I'm always left with shit.
44:15Is this a joke?
44:16Life is a joke, isn't it, Deniz?
44:18And we laugh at our own jokes.
44:23What happened to your glasses?
44:24Where are your tics? What's going on?
44:25Tell me what's going on. For God's sake, tell me.
44:28Leave me alone now, Deniz.
44:30How are you?
44:32Could you destroy the dams inside?
44:37You opened it.
44:38You were destroying the dams inside.
44:40What happened?
44:43So, you want to play this game, Tuna Bey.
44:45Is that so?
44:55I have a heart attack.
44:59I can't talk for a minute.
45:01Can I sit down?
45:03Yes, please.
45:10I admire you.
45:12I'm shaking.
45:14Wait a minute.
45:16You're Shadow, aren't you?