Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
📺
TVTranscript
00:00I still can't believe how everything came to this point from your trip with that beautiful thing.
00:07Wasn't I the girl everyone looked at at dinner that night?
00:11Even if I die, even if I forget everything.
00:15But wait a minute.
00:17I'm already dying.
00:19Maybe this is the best.
00:22Sleep, Deniz.
00:24You'll forget when you sleep.
00:27Sleep.
00:29I am.
00:59I am.
01:29I am.
01:57Good evening.
01:58I hope I'm not too late.
02:00Intern?
02:02Yes, I am. Mr. Yiğit, intern.
02:05Mr. Tuna, what are you doing here?
02:11Where's Michael? Did you leave him at home?
02:13You're so funny.
02:15No, really. I mean, you have pink cheeks, curly hair.
02:20This is officially a betrayal to Michael.
02:22You're beautiful. Okay.
02:24Don't lie.
02:26No, I'm not lying.
02:30I mean, Tuna is right.
02:35You're beautiful.
02:37You did your best.
02:41You're not like you.
02:43You're different.
02:44You know, there's this ugly duckling story.
02:47The duck is black and dry.
02:50Then a magic wand touches it.
02:53Okay, I understand what you're trying to say.
02:56I think you're trying to say something good.
02:58Thank you very much, Mr. Yiğit.
03:02Yes.
03:03Aren't we going to eat?
03:07Of course we will.
03:09Don't bother.
03:16Yes.
03:18Why did you come?
03:19I mean, did you come to see the place?
03:22With us. Why?
03:26No, I mean, actually...
03:28I realized that I didn't tell you something very important.
03:32That's why I came here.
03:33I thought we'd talk for two minutes in that corner.
03:36Wait a minute.
03:37You've been here for two hours to talk for two minutes.
03:40I thought you'd come here.
03:42Wait a minute.
03:43You've been here for two hours to talk for two minutes.
03:46Are you crazy?
03:48I mean, if you didn't know the message.
03:52I'm not crazy.
03:54But I can break a rock at any time.
03:57I think we should talk here for two minutes.
03:59Please.
04:09I mean, actually...
04:10I actually wanted to tell you...
04:12Please.
04:13My dears.
04:15Ms. Asena.
04:16Hi.
04:17Am I interrupting something?
04:18No.
04:19No.
04:23Welcome.
04:26What are you doing here?
04:28I...
04:30Sometimes I run away here to breathe, honey.
04:33But this time for business.
04:36I mean...
04:39I need to talk to you about something very important, Yigit.
04:42And it's urgent.
04:43Urgent.
04:44Great.
04:45Then I'll talk to you in that corner.
04:47You talk here.
04:48That's great.
04:50Excuse me.
04:59You're crazy.
05:00What a beautiful girl.
05:02Look, Yigit.
05:03We have to work with such beautiful people.
05:05Look at the girl.
05:06She has style.
05:08Yes, she has.
05:10She's already working with us.
05:14Interesting.
05:16Who was it? I didn't get it.
05:18Anyway, it doesn't matter.
05:19What were you going to talk to me about?
05:21Okay, wait a minute.
05:22Let's go home.
05:23They're talking about something.
05:24But Michael, we're going to talk here anyway.
05:26Okay, we'll talk.
05:27They're talking about something there right now.
05:29They won't wait for us.
05:32Am I beautiful?
05:35Even if you're beautiful, you're beautiful the way you are.
05:38You don't need this.
05:39Yigit, I felt like he liked me.
05:41Did you feel the same way?
05:48Is it possible not to like you?
05:54The situation is very serious.
05:56I mean, we can't keep the company going like this.
06:01I know.
06:02That's why we have to find a man.
06:04Or let's close the company altogether.
06:08Ms. Ahsen, are you aware of what you're saying?
06:10You can't fire people just like that.
06:14I'll fire them all.
06:15None of them is my father's son.
06:19He says he'll fire them all.
06:21What is he saying?
06:22Michael, I'm sick of you.
06:24He's going to say something.
06:25Yigit is saying something right now.
06:26He's answering.
06:27Wait a minute.
06:28Wait a minute.
06:29Wait a minute.
06:31Look, Ms. Ahsen.
06:32Please don't fire anyone.
06:34Trust me.
06:35Believe me.
06:36I'm going to save this magazine.
06:39How?
06:43This month, we're going to prepare a great issue with my team.
06:47I promise.
06:49Okay.
06:50Please prepare a few more.
06:53No way.
06:54Ms. Ahsen, no way.
06:56They're my team.
06:58They trusted me.
06:59I can't let them down.
07:00I can't turn my back on them.
07:03I promised you.
07:06If I can't do what I say, you'll fire me first.
07:13There you go.
07:15You hear me, don't you?
07:18You hear what I'm saying, don't you?
07:21What a beautiful person.
07:24He protected himself.
07:27I'm so bad.
07:29I'm so bad, too.
07:31Okay.
07:33Okay.
07:34It's your choice.
07:35Let's see.
07:38You won't regret it.
07:43I have an advice for you.
07:44You care about people so much.
07:47You'll be disappointed when the day comes.
07:50You hear me?
07:52The magazine sold, sold.
07:54It didn't sell.
07:55There it is.
07:56Come on, enjoy it.
07:57Bon appetit.
08:02You're such a noble man.
08:04I really want to hug you right now.
08:14I love you so much.
08:18I love you so much.
08:19I said I love you so much.
08:21Did I say that?
08:23I said I love you so much.
08:24I said I love you so much.
08:25Did I say that?
08:27I said it so easily.
08:28I never thought I could say it so easily.
08:31But I'm saying it right now.
08:32I love you so much.
08:33I mean, I can say this.
08:35I'm telling you.
08:38Anyway.
08:40Never mind.
08:42Weren't you going to tell me something?
08:51You weren't at the office today.
08:52You weren't at the office today.
08:54Your chair was empty.
08:56So I put a spring on the chair, okay?
08:59Then Gazi was passing by.
09:00I said, Gazi, I'm going to tell you something.
09:01Sit down.
09:03Gazi sat down.
09:04He jumped like a sleeping man.
09:05As if he had been shot by a bullet.
09:07All the teas, coffees, everything was blown up.
09:09He put his ass hands in the air.
09:11He fell.
09:12Your table got dirty.
09:13I cleaned it up.
09:14I was a little guilty.
09:15I came to tell you about it.
09:16There's nothing to be guilty about, honey.
09:19Is this what you came to tell me?
09:24Tuna, are you sick?
09:27Probably.
09:30Anyway, I...
09:33I wish you a good night, sir.
09:35I wish you a happy tomorrow.
09:36Don't make the knight wait too long.
09:38I'm going to ask you something.
09:39Did you come to tell me this?
09:40Yes.
09:42Did you use the motorcycle?
09:43Oh, my God.
09:44Stop, stop, stop.
09:45What?
09:48I'm going to ask you something.
09:50Give me a chance, okay?
09:53Good luck.
09:56I'm glad you're with me.
10:18Ms. Ahsen doesn't know you, you know?
10:20Yes, you don't know either.
10:48I love you.
11:18I love you, too.
11:28So this is what we deserve.
11:30Watching the sea while the love of the sea begins.
11:49It doesn't end like this tonight.
12:02Too much.
12:08Tuna?
12:09You...
12:10Didn't you go?
12:11I couldn't sleep.
12:13Maybe.
12:14Humanity.
12:15Of course.
12:16Sit down.
12:17No.
12:18I'm not going to sit down.
12:19I'm actually going to say a few words.
12:22Okay?
12:23I don't think you can sit down and eat with me after I'm done talking.
12:27Is there a problem?
12:29Guys!
12:30Guys, if you want, take a look here.
12:32Because there's going to be a fun feast here.
12:34You'll love it.
12:35Are you drunk?
12:36Calm down a little.
12:37Let's start with you first.
12:38I'll tell you something.
12:39Let's go for two minutes.
12:40Let's talk to you.
12:41Okay?
12:42You're not good.
12:43I'm not good.
12:44But I will be.
12:45I will be.
12:48Why am I here?
12:49I don't know.
12:50Why can't I leave here?
12:51I don't know.
12:52What am I doing here?
12:53I don't know what you're doing.
12:54I don't know what you're doing right now.
12:56You have no idea, do you?
12:58You really don't have any idea.
13:03I can't be without you.
13:05Nonsense.
13:07I can't be without you.
13:09I can't be without you.
13:10I can't be without you.
13:12Don't you understand?
13:13I can't be without you.
13:15Don't you understand?
13:17Isn't it obvious?
13:27What are you saying?
13:29You're the weirdest girl I've ever seen in my life.
13:33And I fell in love with you.
13:35I fell in love with Michael.
13:42Okay.
13:43Okay.
13:45Tuna.
13:46Okay.
13:47Everyone understands the problem.
13:50If it's over, you can go to your show.
13:51Let's not bother people anymore, right?
13:53It's not over.
13:55It's your turn, Mr. Yigit.
13:57Tuna.
13:58Tuna.
13:59Don't do it.
14:01I'm so sorry, princess.
14:02I'll do it.
14:06You're my friend.
14:08You're my friend.
14:11You're the weirdest person I've ever seen in my life.
14:17You don't realize anything.
14:20This girl...
14:23She's madly in love with you and you don't realize it.
14:35Don't be ridiculous.
14:36Don't be ridiculous.
14:37Don't be ridiculous, yes.
14:38Don't be ridiculous.
14:40Can you tell me that you're not in love with him?
14:44Come on, tell him you're not in love with him.
14:45I'm not in love with him.
14:47You're lying.
14:48This girl loves you like a dog.
14:57Tuna.
14:59Look.
15:00You've gone too far right now.
15:02Now get out of here before I call security.
15:05Did you hear me?
15:06Get out.
15:08We'll talk about this at the office tomorrow.
15:16I didn't go crazy.
15:17Wow.
15:19Now you're going to apologize to everyone here and leave.
15:24I'm telling you to go.
15:27I have a better offer for you.
15:29In fact, I have an offer for you that I can't refuse.
15:32Now listen carefully.
15:33As you know, I'm in love with you.
15:35Is this love?
15:37Look, I'm telling you.
15:39I love you.
15:40Okay?
15:41But I'm going to beat you up.
15:43I'm going to beat you up.
15:45I'm going to beat you up.
15:46Okay?
15:48Look at me.
15:49I'm going to beat you up.
15:51So that you can come to your senses and open your chakras.
15:55Isn't that possible?
15:56Huh?
15:57Is that so?
15:58Isn't that possible?
15:59Huh?
16:00Is that so?
16:01Since you're waiting so seriously.
16:12What do you want us to do?
16:14You want us to have a serious fight, right?
16:19I wasn't thinking.
16:20Ah!
16:37Hey!
16:38Figaro!
16:39La la la la!
16:40Ah!
16:41Figaro here!
16:42La la la la!
16:44Bravissimo Figaro!
16:47Figaro la!
16:48Figaro la!
16:49Figaro la!
16:50Figaro qua!
16:51Figaro la!
16:52La la la la!
16:59Figaro!
17:02Figaro!
17:03Figaro!
17:04Figaro!
17:05Figaro!
17:15Young man.
17:16I wonder if the effect of the kick he took was too much.
17:29If he were a father, he'd sell his throat.
17:31Then he'd sell it.
17:33I'd sign it and sell it to him.
17:38He'd love it.
17:39But he wouldn't understand.
17:47I made coffee.
17:55What?
17:56It's nice. It suits you.
17:59Please don't make fun of me, Mr. Yiğit.
18:02I'm not making fun of you.
18:04I think you should think about changing your style.
18:07I'm not thinking about anything like that.
18:12Can I ask you something?
18:13Yes.
18:15I'm going to ask you something.
18:17Something important.
18:20Say it.
18:25Me.
18:27I'm listening.
18:30You.
18:31Yes.
18:36It's my birthday.
18:38Two days later, it's my birthday.
18:41Is that so?
18:44Good.
18:45Happy birthday from now on.
18:48Happy birthday.
18:56Can I give you a birthday present?
19:01I mean...
19:03I can sing a song for you.
19:06If you don't like it, I'll crack.
19:14I don't like it.
19:44If you live in this world for a thousand years,
19:48In your absence, it's like hell.
19:52I need you again.
19:54Come, my chief.
19:56I need you again.
19:58Come, my sultan.
20:00I need you again.
20:02Come, my chief.
20:04I need you again.
20:06Come, my sultan.
20:14I need you again.
20:33Anyway, I'm going to bed.
20:34Good night.
20:44Two years later
21:00If I look for Deniz, I can find Yiğit.
21:03If I look for Deniz, I can find Yiğit.
21:06If I look for Yiğit, I can find Deniz.
21:08If I look for Deniz, I can find Yiğit.
21:14I'm going crazy.
21:38It's like hell.
21:40If you live in this world for a thousand years,
21:43In your absence, it's like hell.
21:45I need you again.
21:47Come, my chief.
21:49I'm going crazy.
21:51I'm sick of it.
21:53I need you again.
21:55Come, my chief.
21:59Aren't you going to sleep?
22:03Didn't you sleep?
22:05No, I didn't.
22:06No, I didn't sleep.
22:10But I think half of what you're going to say is left.
22:13Do you want to finish it?
22:16No.
22:18I think you should finish it.
22:20Please.
22:22I mean, how do you see me?
22:25What kind of a man is Yiğit Balcı in your eyes?
22:29I don't think you are.
22:32You are.
22:34You don't get involved in life.
22:37You're afraid.
22:41For example, if you let yourself go,
22:45You have a higher chance of being happy.
22:48Yes, maybe you can hit the rocks.
22:52There is such a risk.
22:55But you shouldn't be afraid.
22:58I mean, do you know what happens next?
23:00When you're trying not to hit the rocks,
23:04One day you look and you haven't done anything.
23:07A huge life.
23:09Long but empty.
23:11One day you look back and you regret it.
23:18Nus.
23:24Are you angry?
23:26No, I'm not angry.
23:31Anyway.
23:33Tell me, Deniz.
23:35What kind of a birthday would you like?
23:37I mean, do you have a special dream?
23:40Why did you ask?
23:42I was curious.
23:47There is a dream that I see all the time.
23:50It's such a crowd.
23:52It's my birthday.
23:54There are people everywhere.
23:56Then I see a man among the crowd.
24:00He's getting closer to me.
24:03He's getting closer.
24:05But his face is not clear.
24:08I mean, I don't understand who he is.
24:11Then he comes to me.
24:14He takes off a ring.
24:20He offers to marry me.
24:25He offers to marry you.
24:28I mean, it sounds ridiculous.
24:33But I value dreams a lot.
24:36So if I see him all the time, it means something.
24:41Good.
24:45For what?
24:47For this beautiful and sincere conversation.
24:49You're welcome.
24:51Then good night.
24:53Good night.
24:57Good night.
25:01By the way, I think it's a beautiful birthday dream.
25:05It's not ridiculous.
25:09You'll see, it'll come true one day.
25:22Zulu!
25:24Are you sleeping?
25:25Zulu!
25:27Wake up!
25:29My hands are empty, my heart is full. Wake up!
25:36Where are you?
25:38God!
25:40There you are.
25:42Something strange happened.
25:44I have a lot to tell you.
25:46But first tell me.
25:49It's beautiful.
25:51Isn't she beautiful?
25:52She's beautiful, isn't she?
25:54She's not like a straight person, is she?
25:56Nice.
25:58So where have you been all this time?
26:01Why didn't you tell me?
26:03Why are you killing me with curiosity?
26:05I was in Şile. I told you, Zulu.
26:07Okay, you told me, but you should have told me later.
26:10Yasemin, I'm panicking.
26:12What's going on?
26:14Why are you so panicked?
26:16Yasemin, why did you worry about me?
26:18I'm fine. Come here.
26:20I'm fine. I'm very happy.
26:23My heart is in Şile.
26:25So many things have happened.
26:28What things?
26:32I put my head on your shoulder.
26:35Do you know?
26:37This is the last step before kissing in the book of Romanticism.
26:44But it was weird.
26:46Yiğit was weird.
26:48Like what?
26:49Like he's confused.
26:51He's thinking about something.
26:53He's not sure.
26:55He doesn't know what he's doing.
26:57And he probably remembered my childhood.
27:00I mean, it's weird.
27:03Are you going to change your style like that from now on?
27:07Maybe.
27:09I mean, I'd even wear mascara for love.
27:12If it were up to me, you'd be in the air too early.
27:16It's not early, you know?
27:17I don't think so.
27:19I got in the air too late.
27:21Think about it.
27:23Two people under the stars,
27:25alone,
27:27talking,
27:29shoulder to shoulder.
27:31It was beautiful, wasn't it?
27:33This was real, you know?
27:35We were really together.
27:37Hand in hand...
27:39Deniz, okay. You're exaggerating.
27:41You can't trust men like that.
27:43I don't want you to be sad afterwards.
27:46That's why I'm telling you.
27:48I've made up my mind.
27:53I'm going to tell him everything.
27:57I'm in love. I love this guy.
27:59Why don't I tell him?
28:01Why do I keep quiet?
28:03I'm going to tell him, of course.
28:05I'm going to tell him everything. That's enough.
28:07You're in love.
28:09Deniz, think about it.
28:10We lied to him.
28:12We played a game.
28:14He can be mad at us.
28:16He won't be mad at us.
28:18He'll be mad at me. Who did it? I did it.
28:20I thought about it. He'll be mad at me.
28:22It could happen later.
28:24I'm going to tell him now.
28:26He'll be mad at me.
28:28Nothing's going to happen.
28:30What happened? Why are you quiet?
28:32Nothing.
28:34I was thinking about something.
28:36Look, you don't have to worry, okay?
28:38Everything will be fine.
28:40Calm down, okay?
28:42You don't have to worry.
28:44You're a good friend.
28:46Everything will be fine.
28:48Okay?
29:10This job will be done today.
29:40Wow!
29:46Would you like some tea, Mrs. Deniz?
29:53Mrs. Deniz?
29:57Not bad.
30:03Calm
30:05and clear.
30:11Michael has left the building.
30:14We'll miss you.
30:17Welcome, Amelie.
30:20We'll miss you, too.
30:22Has anyone of you ever tried to be this beautiful?
30:25Shame on you.
30:29I brought you coffee.
30:32Come in.
30:38Mr. Yiğit.
30:40Don't talk.
30:44I know everything.
30:47You're not intern Deniz.
30:55I'm not.
30:58I mean, I'm not, but where did you...
31:03Because
31:05if you were her,
31:06you wouldn't forget the important meeting we're having this morning.
31:12Don't try to teach me excuses.
31:15You're exactly 15 minutes late, intern.
31:18Exactly 15 minutes.
31:20If we were in America, you'd be fired.
31:22Okay, maybe, but we're here.
31:24I came by taxi, but that's not important.
31:26Because I want to say something.
31:28I...
31:30Now tell everyone I'm having a meeting.
31:33If you're late again,
31:34don't come.
31:36Okay?
31:37But...
31:38No buts.
31:39I want to say something.
31:43I mean, it's serious, guys.
31:46If we can't increase the magazine's sales this month,
31:50our magazine is in danger of closing.
32:00Closing is like locking the door, right?
32:02No.
32:03I think it's more like people saying,
32:06we'll meet again, and then not seeing each other again.
32:10Or it's like people saying,
32:12I used to love you so much,
32:14while we were playing a breakup song on our farewell nights.
32:17Something like that.
32:19Tuna,
32:21I don't want any of this to happen.
32:23Let's continue to get along with each other.
32:26Let's focus on our work.
32:28I want us to try for our little happy life, guys.
32:30This is worth fighting for.
32:32I think so too.
32:34Of course, even if there are still people in our team
32:37who don't get along with each other very well.
32:41Anyway.
32:43What?
32:44The magazine is closing?
32:46I swear, I'll go straight to Malatya.
32:49I'll be a farmer,
32:51and sometimes I'll be a butler.
32:53I'll set up a garden and a tent, Razo.
32:56No way.
32:57No way.
32:59You can set up a garden whenever you want.
33:02Anyway, guys.
33:03If we're done with our emotional talks,
33:05let's get back to our topic.
33:07I mean, let's focus on the solution.
33:09Let's find a concept that will save us.
33:11Mr. Yiğit, me.
33:13I have an idea.
33:15In the past, we had a number of brides.
33:17It's ready now.
33:19The season was great.
33:21I think we should stick a number of brides.
33:24Mr. Yiğit.
33:25Mr. Yiğit.
33:26Decollete.
33:29We made a decollete number, Mr. Yiğit.
33:32One sold, one sold, one sold.
33:35Okay.
33:36People were a little different when they bought it,
33:38but it sold well.
33:39You know what I mean?
33:41Razi, what were you doing in this magazine?
33:44Tea.
33:45Go on.
33:46We entered the wardrobe of the dead.
33:48That wasn't bad either.
33:56I think we can examine the unusual styles of ordinary people.
34:00Yes, really.
34:02We should go down the street.
34:04Let's even go down the streets.
34:06How do they dress?
34:08There are people who combine a shirt that their father gave as a gift with a shirt.
34:11They dress the way they feel.
34:13They go out of the styles that have been imposed on them and created before.
34:17This is very important.
34:19People read what they feel.
34:21The magazine is read.
34:23That's what I think.
34:24It may be, but I think it's too risky.
34:28Isn't it?
34:30But it can create an effect.
34:32Of course, if we can support it with correct arguments.
34:35For example, celebrities close to the public who will wear these clothes.
34:42Good idea, Deniz.
34:44Good idea.
34:46Did you take note of this good idea?
34:50Of course, now.
34:51Now.
34:53Okay, guys, come on.
34:55We have a week left.
34:57There is no point in extending the meetings here.
34:59Let's go to the right immediately.
35:01Come on, up, up, up.
35:03Come on, guys, we're starting.
35:11Aesthetic beauty is not taken from the mind.
35:14Well done, Mayk.
35:21Aesthetic beauty is not taken from the mind.
35:24Well done, Mayk.
35:26Aesthetic beauty is not taken from the mind.
35:29Well done, Mayk.
35:31Aesthetic beauty is not taken from the mind.
35:34Well done, Mayk.
35:36Aesthetic beauty is not taken from the mind.
35:39Well done, Mayk.
35:41Aesthetic beauty is not taken from the mind.
35:44Well done, Mayk.
35:46Aesthetic beauty is not taken from the mind.
35:49Well done, Mayk.
35:51Aesthetic beauty is not taken from the mind.
35:54Well done, Mayk.
35:56Aesthetic beauty is not taken from the mind.
35:59Well done, Mayk.
36:01Aesthetic beauty is not taken from the mind.
36:04Well done, Mayk.
36:06Aesthetic beauty is not taken from the mind.
36:09Well done, Mayk.
36:11Aesthetic beauty is not taken from the mind.
36:14Well done, Mayk.
36:16Aesthetic beauty is not taken from the mind.
36:19Well done, Mayk.
36:21Aesthetic beauty is not taken from the mind.
36:24Well done, Mayk.
36:26Aesthetic beauty is not taken from the mind.
36:29Well done, Mayk.
36:31Aesthetic beauty is not taken from the mind.
36:34Well done, Mayk.
36:36Aesthetic beauty is not taken from the mind.
36:39Well done, Mayk.
36:41Aesthetic beauty is not taken from the mind.
36:44Well done, Mayk.
36:46Aesthetic beauty is not taken from the mind.
36:49Well done, Mayk.
36:51Aesthetic beauty is not taken from the mind.
36:54Well done, Mayk.
36:56Aesthetic beauty is not taken from the mind.
36:59Well done, Mayk.
37:01Aesthetic beauty is not taken from the mind.
37:04Well done, Mayk.
37:06Aesthetic beauty is not taken from the mind.
37:09Well done, Mayk.
37:11Aesthetic beauty is not taken from the mind.
37:14Well done, Mayk.
37:16Aesthetic beauty is not taken from the mind.
37:18Aesthetic beauty is not taken from the mind.
37:21Well, Buket, I...
37:23It felt like I was running away that day, but...
37:26But it's not like that.
37:28Now, some conditions about hygiene have not been met.
37:31My heart is tight.
37:33By the way, I mean, I don't want to upset you anymore.
37:36Okay, Cemal, okay.
37:38I've made enough explanations.
37:40You don't have to do more.
37:42What happened is over.
37:44Let's get down to business.
37:49No.
37:51I want you to sign these documents.
37:54Okay, I'll leave this, thanks.
38:08Why isn't she calling me?
38:10I wonder if I couldn't tell her.
38:13I'd be happy if she told me, I'd be happy if she didn't.
38:16I'm talking to myself right now.
38:19Very nice.
38:22She's calling.
38:26Ah, Yiğit is calling. He told me.
38:28Of course he told me.
38:30He wants to upset me.
38:32Makes sense.
38:34Then I won't pick up.
38:37Should I pick up or not?
38:43Should I pick up or not?
38:47I'm picking up.
38:49Hello.
38:50Hi, how are you?
38:54I'm fine, how are you?
38:56I'm fine, too. I was passing by your hotel and wanted to see if you were available.
39:01I'm not available at all because I'm not at the hotel at all.
39:05I'm outside. I'm pretty much outside.
39:07Is that so?
39:09Well, I'm right in front of your hotel door right now.
39:12And there's someone inside who looks just like you.
39:16They say a couple is made.
39:18I mean, I have a lot of likenesses.
39:20They even make me look like Julia Roberts.
39:23Is that so, Julia Roberts?
39:25I'm going to go after this lady now and take her pictures and send them to you.
39:29No need, I'll find her.
39:40I think she ran away from me.
39:42No, what does that have to do with anything?
39:44Besides, I don't have private meetings at work.
39:48But we've met before.
39:50Yeah, that's why I snitched on my manager.
39:53Let's just say I came here for a business meeting and I absolutely have to see you.
39:58Why do you have to see me?
40:01Because I can't stop seeing you.
40:07Yes?
40:11What did you say?
40:13I said I can't stop seeing you.
40:19I can't stop seeing you.
40:28Should we have a cup of coffee?
40:30We need to talk.
40:33We should.