Remington Steele S02E20
Remington Steele S02E20
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TVTranscript
00:01You look so much like a woman I used to know.
00:03We've never met.
00:05Who are you?
00:07Don't you know?
00:08Oh, Laura, if this was some normal case we were working on,
00:11I'd gladly come up with a string of movies to explain it all,
00:14but this is my life, Laura, my own bloody life.
00:16Come back to haunt me.
00:17I may have given you your name, even decided your line of work,
00:20but your past, I always knew you had that over me.
00:23You have some idea that your old friend is going to simplify your life
00:26by easing me out of it,
00:28and you're playing a very dangerous game.
00:58¶¶
01:28¶¶
01:38¶¶
01:48¶¶
01:58¶¶
02:08¶¶
02:26Ah, Laura, just think of the beauty,
02:28the inspiration that surrounds us here.
02:30Picasso, Matisse.
02:32Not Matisse I'm thinking about. It's Caroline Wells.
02:34I'm not so sure how resounding her trust is
02:37in the security system we've installed for the exhibit.
02:39Ah, then this unbounding step is apprehension and not one of joie de vivre.
02:43Oh, well, then, Laura, don't worry about it.
02:45I'll take care of everything.
02:47¶¶
02:52Actually, Laura, I've always admired the Walter Patton collection.
02:55I'm sure you have.
02:56That's exactly the sort of admiration we're meant to protect it from.
02:59Oh, Laura, you've cut me to the quick.
03:01I've totally reformed. My past is exactly that.
03:04Past.
03:06Mr. Steele.
03:07Ah, Mrs. Wells!
03:11Brilliant, Mr. Steele.
03:13I've spent the greater part of the morning
03:15trying to find a polite way to get these gentlemen
03:17to demonstrate your security system,
03:19and you merely step in and do it.
03:22Mr. Steele has a way with dispensing with formalities.
03:26All in the way of testing, Mrs. Wells.
03:29Well, I promised Herbert I'd stop,
03:32but it'll have to wait until the exhibit opens.
03:34What he doesn't see won't hurt me, I suppose.
03:37We can understand your apprehensions, Mrs. Wells,
03:40but the Remington Steele Agency
03:42has an extensive knowledge of security systems.
03:44In fact, Mr. Steele has tested any number of systems around the world.
03:49Or would you say the Western Hemisphere, sir?
03:52Worldwide will do.
03:54Mrs. Wells, let me explain...
03:58I do appreciate your dedication, Mr. Steele.
04:01If anything went wrong, I'd be most unhappy.
04:05Mr. Steele is going to explain
04:07the pattern of photoelectric beams, aren't you, sir?
04:13Would you pardon me, please?
04:15Where's he going?
04:17Mr. Steele always insists on a complete layout of the premises.
04:21Oh, how thorough of him!
04:32Mr. Sheik and Anna, I take it this was an unexpected event for both of us?
04:36I had no idea he was here, Raymond, in this city, in this country.
04:40What does he know?
04:42What could he know? I haven't seen him since Monte Carlo.
04:45Of course, he's a man of his word.
04:47He's a man of his word.
04:49He's a man of his word.
04:51He's a man of his word.
04:53He's a man of his word.
04:55He's a man of his word.
04:57He's a man of his word.
05:00Of course, you have no desire to rekindle the relationship.
05:04Raymond, if you're so concerned about it,
05:06why don't you go and get the car so we can get out of here?
05:30Mr. Steele, I must admit,
05:32I was a little disturbed this afternoon when you took off.
05:35But then Miss Holt explained how thorough you are.
05:38The Remington Steele Agency prides itself on its thoroughness.
05:42And when Mr. Steele sees something that attracts his attention,
05:45he won't hesitate to track it down, will you, sir?
05:48Herbert, be a dear and entertain our guests.
05:52I must freshen up a bit.
05:55She's going to the ladies' room for a smoke.
05:59I must say, I'm extremely proud of Caroline.
06:02The homesteading museum in the country
06:04would have given their endowment in order to help her.
06:07I know.
06:09I thought you'd like to know something about her.
06:12Well, I'm not a fan of the church.
06:14I mean, I don't think I'm going to be a religious man.
06:17I'm a man of my word.
06:19I'm a man of my word.
06:21I'm a man of my word.
06:23I'm a man of my word.
06:25I'm a man of my word.
06:27would have given their endowment
06:28in order to show the Patton collection.
06:30This is Mrs. Wells' first coup as a new trustee, isn't it?
06:34Yes, and she kept after Patton until she got it.
06:38It's a pretty song, isn't it, Mr. Steele?
06:44Yes, yes it is.
06:53Would you care to dance, Mr. Wells?
06:57I'm sure Mr. Steele won't mind.
06:59The music seems to absorb him so.
07:27Excuse me.
07:29Yes?
07:30Hannah?
07:31Have we met before?
07:33I thought so, uh...
07:37You...
07:39You look so much like a woman I used to know.
07:42We've never met.
07:47I'm sure I'd remember.
07:49You must have me confused with someone else.
07:51Yes, I expect I do.
07:53I'm sorry to intrude.
07:58Twice in one day.
08:00You must have come here with the Wellses.
08:02Interesting coincidence.
08:04Is it so odd that Caroline Wells and I
08:06would frequent the same places?
08:14Where's Miss Holt?
08:16Well, she had to leave.
08:18She remembered an important meeting she had to attend.
08:22A client?
08:24Oh, yes.
08:26Miss Mildred Krebs, I believe.
08:28Miss Krebs, yes.
08:30A very demanding woman.
08:32Mr. Wells, would you excuse me, please?
08:34I, too, have to be at that meeting.
08:36You private detectives certainly lead an exciting life.
08:39Yes, well, sometimes more unsettling than exciting.
08:42Excuse me, please.
08:52I think I've convinced him.
08:54He's confused.
08:56I certainly hope so.
08:58Well, my hair's different now.
09:00My whole look's different.
09:02I wonder...
09:04About what?
09:06Oh, I wonder about you, my dear.
09:08Do you have some idea that your old friend
09:10is going to simplify your life by easing me out of it?
09:12Then you're playing a very dangerous game.
09:16Dangerous for both of you.
09:22Buzzer
09:41May I come in?
09:48Isn't it a bit late to be straying
09:50away from your neighborhood, Mr. Steele?
09:52I'm sorry about the club, Laura.
09:54I didn't mean for you to leave.
09:56What did you expect me to do?
09:58Spend the evening looking at the back of your head?
10:00It happened in the museum.
10:02That was all right.
10:04Now it's happened again?
10:06Well, watching you with that blonde
10:08is not my idea of a rollicking night out.
10:10I know, I know, I know.
10:12You have every right to be angry.
10:14I don't want to be angry.
10:16I just want to be let in on the joke.
10:18There's a woman in the room
10:20who doesn't know the punchline.
10:22The woman in the club
10:24is the mirror image of someone I used to know.
10:26Someone?
10:28Anna Simpson.
10:30She was, uh...
10:36She was a woman I knew in Monte Carlo.
10:38But the blonde isn't she?
10:40Anna's dead.
10:44She died the night we were to go away together.
10:47I'm sorry.
10:49I don't know who she is,
10:51but she sounds so much like Anna.
10:53She looks so much like her.
10:55Oh, Laura,
10:57if this was some normal case we were working on,
10:59I'd blithely come up with a string of movies
11:01to explain it all.
11:03I mean, Vertigo, James Stewart, Kim Novak,
11:05Palamont, 1958, a man becomes obsessed
11:07with the image of a woman he loves.
11:09Obsession, Cliff, Cliff, Cliff Robertson,
11:11Genevieve Bourgeois, Columbia, 1976.
11:13But this is my life, Laura, my own bloody life.
11:15Come back to haunt me.
11:21I wanted to tell you, I really did.
11:23I don't know, I just...
11:27I was afraid it all
11:29would sound so, I don't know,
11:31so insane.
11:33Maybe.
11:35Maybe not.
11:37Some people in our lives
11:39are meant to never leave us.
11:41Hmm.
11:45For what?
11:47Uh, for understanding.
12:11Remington Steele.
12:13What an odd name.
12:21Who are you?
12:23Don't you know?
12:27Hannah.
12:31Oh, my God.
12:35Why didn't you tell me?
12:37Why didn't you find me?
12:40I couldn't.
12:42A five-line obituary?
12:44Death by drowning?
12:46I was in danger.
12:48You would have been, too.
12:50Do you know what it was like for me?
12:52I waited the entire night for you, Hannah.
12:54I was still waiting the next morning
12:56when I read the paper.
12:58I mean, all I can remember, all I can see
13:00were the words that you were married
13:02and you were dead.
13:04I had to.
13:06I broke my heart to leave you,
13:08but I couldn't.
13:12Oh, why did you come back, eh?
13:14I'd finally accepted the fact
13:16that you were dead.
13:18I mean,
13:20I began to build a new life.
13:22At least I'm trying.
13:24I only came here
13:26because of what happened tonight at the club.
13:28You have to stay away from me.
13:30What are you saying?
13:32If I see you again, if you even come near me,
13:34it'll make things worse.
13:36I'm still in danger.
13:38What? What are you saying?
13:40What kind of danger?
13:42I can't tell you.
13:44Hannah, please, I'll help you.
13:46No!
13:48Whatever happens, you must stay away from me.
13:50Just pretend that tonight never happened.
13:52Oh, for heaven's sake, Hannah, please.
13:54Do as I ask.
13:57Good morning, Chief.
13:59Morning, Mildred.
14:01Coffee?
14:03No, thank you, Mildred.
14:05Oh, boss.
14:07Miss Holt would like to see you.
14:09Mr. Steele?
14:11Miss Holt?
14:13Yes, ma'am.
14:15Miss Holt?
14:17Yes, ma'am.
14:25Good morning.
14:27Good morning. You wanted to see me?
14:29I think there's something
14:31in this morning's paper you might find interesting.
14:33Seems our mystery woman
14:35isn't such a mystery after all.
14:37Her name is Lydia Van Owen,
14:39and she's going to marry Walter Patton.
14:41Not bad marrying,
14:44if you like fortunes.
14:46What is it?
14:48I don't understand.
14:50Did something happen?
14:52Did something change from last night?
14:56Where are you going?
14:58Out.
15:00Mr. Steele, if you recall, we do have business to conduct.
15:02I'm sure you can manage without me for a while.
15:06I suspect I'll have to.
15:10What happened?
15:12Tell me, what would you assume
15:14when a man kisses you in the evening
15:16then turns into a total stranger the next morning?
15:18You mean you and Mr. Steele?
15:20It's hard to believe from that.
15:22There must be some explanation.
15:24Yes.
15:26And I think I know where to find it.
15:38You shouldn't be here.
15:40Why didn't you tell me
15:42that you're getting married to Walter Patton?
15:44That you were living in his house?
15:46Well, it wasn't Walter I was concerned about.
15:48Oh? Who is it, then?
15:50No one that's respectable, I can assure you.
15:52The man I was in the club with last night?
15:54His name is Raymond.
15:56Raymond Marlowe.
15:58Ah, yes.
16:00Your obituary.
16:02Anna Simpson Marlowe?
16:04Oh, you don't understand.
16:06I never loved Raymond.
16:09I married him
16:11to carry off an insurance scheme.
16:13That's why I died.
16:15To collect on the policy he took out of my life.
16:17Oh, I wanted to tell you about it.
16:19Believe me, I did.
16:21Why didn't you, then?
16:23Well, how could I?
16:25I lied.
16:27I'd staged my own death.
16:29I was nothing but a swindler.
16:33Last night you said you were in danger.
16:35Raymond's come back into my life.
16:37He left me in Monte Carlo
16:39without a cent.
16:41I was a dead woman.
16:43No past, no present.
16:45To all intents and purposes, I didn't exist.
16:47One day I grew
16:49too tired of running and had to stop.
16:51I became
16:53Lydia Van Owen
16:55in a third-class coach
16:57to St. Moritz.
16:59Is that where you met Patton?
17:01Walter saw me one night
17:03and asked me to dance.
17:05You did?
17:07If you're going to marry him, why is Raymond still around?
17:09To congratulate me.
17:11He showed up after the engagement
17:13to remind me that we're the dead or alive
17:15who are still man and wife.
17:19He offered to share Walter with me
17:21if I shared Walter's wealth with him.
17:23And if I refused,
17:25he threatened to tell Walter everything.
17:27So Patton doesn't know?
17:29As far as he's concerned,
17:31Raymond and I are old and dear friends.
17:34He's even staying in the house
17:36and Raymond won't have Walter believe otherwise
17:38as long as I marry him.
17:40And if you don't?
17:42Don't you see?
17:44I was content to go through with it
17:46until you came along.
17:48But now, if I don't,
17:50if Raymond should see us together,
17:52he'll know that you're a threat to his plans
17:54and he'll make it his business
17:56to get rid of you.
17:58Stay away. I don't want you to get hurt.
18:00I'll take care of Raymond.
18:02You don't have to worry about him anymore.
18:12What are you doing here?
18:16Trying to understand what's happening.
18:18Between us.
18:22Look, I'm not a child.
18:24If there's a woman in your past,
18:26I can accept that.
18:28But I want you to be honest with me.
18:30You knew Lydia and Anna
18:32were one and the same when you walked into the office.
18:34Laura, please.
18:36Let me understand the facts of my own life
18:38and then I'll give them to you, okay?
18:40If you give them to me.
18:42What we have here is a game, Mr. Steele.
18:44You dole out pieces of your past
18:46and I'm supposed to be grateful
18:48for your trust.
18:50I may have given you your name,
18:52even decided your line of work,
18:54but your past, your damned past,
18:56I always knew you had that over me.
18:59I was hoping your presence had come to mean as much to you.
19:03Do you honestly believe
19:05that all the time we've spent together
19:07means so little to me?
19:09How can I answer that when I have no idea
19:11what came before or what you're feeling now?
19:13You're the one who knows what I'm up against.
19:15You have to decide.
19:17Not me.
19:29Come in.
19:35An unexpected pleasure.
19:37Mr. Steele was here.
19:39Did he come on his own or was he summoned?
19:41Why would I summon him?
19:43I don't know, Anna, my dear.
19:45I never know quite what you have in mind.
19:47If I had something in mind,
19:49why would I tell you he was here today?
19:51Why did you go to his apartment last night?
19:53You see, I followed you.
19:55I just can't bear to let you out of my sight.
19:57He forced me to go to him last night
19:59for the same reason he was here today.
20:01He's blackmailing me.
20:03He'll expose me to Walter if I don't pay.
20:05Oh, I see.
20:07Then he will have to be dealt with.
20:09I know what he's like, Raymond.
20:11He won't stop until he gets what he wants.
20:13Don't underestimate me, my dear.
20:15You have to move quickly.
20:17Walter will be home the day after tomorrow.
20:19When he is,
20:21Remington Steele will be no more than an unpleasant memory.
20:28Raymond Marlowe.
20:30M-E-R-L-E-A-U.
20:32Right.
20:34Well, I know he was in Monte Carlo
20:36about three years ago,
20:38so start with Interpol, okay?
20:42Yes, no, no, okay, thank you.
20:44Bye.
20:58Okay, thank you.
21:00Oh, Mr. Steele's not back yet.
21:02Did I ask for him?
21:04I'm sorry, Mildred.
21:06I'm sorry.
21:08Sounds like someone's
21:10giving you a rough time, honey.
21:12Oh, Miss Holt.
21:14I don't know much about yours
21:16or Mr. Steele's private life.
21:18Join the party.
21:20But this morning you told me...
21:22That was this morning.
21:24One day I decide our relationship is strictly professional.
21:27You work with the man.
21:29So all right.
21:31You're attracted to him.
21:33Forget about it.
21:35Maybe in the future...
21:37Maybe that future isn't so far away.
21:39I know there's something between us,
21:41and I know he feels it, too.
21:43It's as if we're groping towards each other,
21:45but every time our fingers touch,
21:47something happens.
21:49One of us pulls away.
21:51Miss Holt, I'll be straight with you.
21:53I've seen you and Mr. Steele,
21:55but sometimes the dance you do around each other
21:57makes my head spin.
21:59Maybe if one of you would just stand still long enough.
22:01I have no hold on him.
22:03And if his past can just blow in
22:05and wipe out the present,
22:07maybe I should forget him.
22:09From what I've just heard,
22:11that sounds like the last thing you want to do.
22:13Mildred, Mr. Steele and I have gone out.
22:15We've had our fun,
22:17but we've never done anything more.
22:19So why should I care if he wants to see someone else?
22:21Why should I feel like I want to kill him?
22:24It's because you're not being rational,
22:26even though you want to be.
22:28Of course I want to be rational.
22:30Oh, honey.
22:32You know, Mildred,
22:34the more I think about it,
22:36the more it seems that Mr. Steele and I
22:38are being forced apart.
22:40I let myself get sidetracked today.
22:42When you went to Miss Van Owens?
22:44A woman who suddenly reappears in his life
22:46twice in one day?
22:48A woman who's supposed to be dead?
22:50This time I'm not going to get sidetracked.
22:52♪
23:23♪
23:40Can I help you?
23:42Huh? Oh, just browsing.
23:44Oh, this ain't a bookstore.
23:46Amazing eclectic establishment
23:48you have here.
23:50Nothing seems to have a serial number
23:53on it.
23:55You in the market for something, bud?
23:57The gentleman who just left.
23:59Would you mind telling me what he purchased?
24:01You can't be a cop.
24:03A distant cousin.
24:05I'm a private investigator.
24:07Then we both know I don't have to tell you anything.
24:09You really ought to let more people know
24:11about the wide array of merchandise you have here.
24:13Perhaps a few advertised, say,
24:15in the police gazette.
24:17Marcus!
24:19Is that you getting noisy, boss?
24:22Our friend there gets his kicks
24:24from shooting the breeze with the police.
24:26Maybe he ought to talk to you first.
24:28Oh, do you don't impress me
24:30as the kind who engages in idle chatter?
24:32Ah!
24:40Now then.
24:42What else do I need to have to go through
24:44in this bureaucracy, eh?
24:46A gun. He bought a gun.
24:48Glad to be had this chance to chat.
24:51Ah.
25:17Miss Hope, you wanted to see me?
25:20It's been a nerve-wracking day.
25:22One of the curators knows Herbert.
25:24Mm-hmm.
25:26Oh, gorgeous, isn't she?
25:28Yes, she is.
25:30How well do you know Lydia Van Owen?
25:32Oh, well, enough to know she has Walter Patton
25:34completely smitten.
25:36Imagine one of the richest men in the world
25:38and he fawns over that girl
25:40like a schoolboy in short pants.
25:42But then I imagine you know Lydia rather well yourself.
25:44What makes you think that?
25:46Well, it was she who recommended
25:48Did she really?
25:50I suppose then she worked with Mr. Steele
25:52rather than you.
25:54Did she give you that impression?
25:56Well, it just seems whenever I speak to Lydia,
25:58I end up filling her in
26:00on my comings and goings with Mr. Steele.
26:02Did you happen to tell her that Mr. Steele
26:04and I were going to be dining with you
26:06at the club the other night?
26:08Yes, I suppose I did.
26:10And that earlier we'd be at the museum?
26:12I must have.
26:14She's taken such an extraordinary interest
26:17Darling, did I say something wrong?
26:19Not in the least.
26:47You're in early.
26:49You've corrupted me.
26:51Should I be encouraged?
26:53I've become a slave to my work.
26:55Security for the museum?
26:57Mm.
26:59Another matter, I'd say.
27:01A professional matter?
27:03Hannah's in trouble.
27:05She needs my help.
27:07What kind of help?
27:09A man's threatening her.
27:11I promise to remove that threat.
27:13I don't care.
27:16And then?
27:18She's free to marry Walter Patton.
27:22Is that what you want?
27:24I don't know.
27:26I suppose I haven't thought that far ahead.
27:32I feel a little like the messenger
27:34bearing bad news.
27:36I may get my head lopped off,
27:38but then I haven't been using it much lately anyway.
27:42Anna Simpson's reappearance into your life
27:45was not accidental.
27:47What do you mean?
27:49She persuaded Caroline Wells
27:51to hire the Remington Steel Agency.
27:53She knew you were going to be at the museum
27:55and she knew where you were going
27:57to have dinner that night.
27:59I told you.
28:01There is a man threatening her.
28:03He watches her constantly.
28:05That's why she had to make our meetings
28:07appear to be accidental
28:09so he wouldn't become suspicious.
28:11I hope you're right.
28:14I have to take this one step at a time.
28:16And the first step is to remove that leech.
28:28I hope you're right.
28:40What do you think you're doing?
28:43Hacking can be such a bore.
28:45But I'm not going anywhere.
28:47Guess again, mate.
28:49I suppose you think you're stepping in.
28:51In a sense, I'm protecting Miss Van Owen.
28:53Is that what you call your game?
28:55You're a very popular fellow.
28:57Half the police in Europe have been after you.
28:59So you can forget all your plans.
29:01You come near Anna one more time
29:03and you're going to have your pick of jails.
29:05Yes, I understand, mate.
29:07One more thing. Where is it?
29:09Where's what?
29:12I'll see that you get a refund.
29:14Just in time. Your taxi. Come on.
29:24They say Rio's lovely this time of year.
29:30Where's Miss Van Owen?
29:32She left a while ago, sir.
29:34Did she say where she was going?
29:36She did mention something about the museum.
29:42Miss Van Owen.
29:44My name is Laura Holt.
29:46I work with Remington Steel.
29:48From everything I hear about the man,
29:50you're very fortunate.
29:52It's a little late in the game for that tact, Miss Van Owen.
29:54I suspect the two of you have quite a history.
29:56Does that depress you?
29:58It intrigues me.
30:00After all these years, you've come back into his life.
30:02Why?
30:04A happy coincidence.
30:06I just came from the club
30:08where you happened to run into him the other night.
30:10The way you played when you arrived
30:12absolutely mesmerized him.
30:14I'm sure it holds great meaning for both of you.
30:16By the way, the orchestra leader
30:18is very appreciative of the generous tip
30:20you gave him for playing it.
30:22Any time you have another request, just ask.
30:24Are we discussing my relationship
30:26with Mr. Steel or yours?
30:28Exactly what are you to him, anyway?
30:30We were in the process of working that out
30:32when you came along.
30:34If I was a better person, I'd wish you good luck.
30:36As it is, I bid you goodbye.
30:39You have more than marriage
30:41to Walter Patton on your mind.
30:43Perhaps I've found someone else
30:45I'd rather spend my life with.
30:47Before or after he gets rid of the man
30:49who's threatening you.
30:51What can someone possibly have
30:53that could frighten a woman
30:55about to marry one of the wealthiest men in the world?
30:57Interesting question, wouldn't you agree?
30:59Anna?
31:01I'll let you know
31:03when I find the answer.
31:05And as far as you and Mrs. Steel are concerned,
31:08I wouldn't be too quick to celebrate victory.
31:10We haven't even put on the gloves yet.
31:14♪
31:38♪
32:00Miss Van Owen, please.
32:02Mr. Marlow.
32:05Would you give her this number?
32:07It's 555-6200, room 9.
32:09I'd like her to call me
32:11the minute she gets in.
32:15♪
32:35♪
33:01Whiskey, please.
33:04♪
33:35♪
33:49That sounds great to me.
33:57Oh, yeah.
33:59Lady,
34:01you are in for the gallop of your life.
34:04Perhaps next time
34:06you'll get it right.
34:08Ha.
34:18What a pity.
34:20Hey, what the hell is it with you, lady?
34:22Take your hands off me.
34:26Oh.
34:28I see.
34:31Oh.
34:33You like to tease a little bit, do you?
34:35Does it make it better for you?
34:37I asked you to take your hands off me.
34:41Okay.
34:45That's over.
34:47Can we get down to business now?
34:49Do you really think I'd want you
34:51to put your hands on me
34:53even for a moment?
34:55What?
34:57You disgust me.
35:00Why, you little...
35:02Uh, that'll do.
35:04Whoa.
35:06Come on.
35:12Yes.
35:16Lady, I don't get this.
35:18You don't have to.
35:20You've done your job.
35:59Tequila.
36:02Again.
36:16Nobody can sing the blues
36:18like he can.
36:22If you're another broad,
36:24I won't trip you over.
36:26I don't care.
36:28I don't care.
36:31If you're another broad,
36:33I won't trip.
36:35Try the next station.
36:37She give you a rough time?
36:39Hmm.
36:41The blonde?
36:43Take a walk.
36:45That was some shiner you gave her.
36:47Watch it to you, lady.
36:50What the hell am I getting myself into here?
36:56What is it?
36:58Some kind of set-up?
37:00You might need a friend
37:02if she decides to press charges.
37:04She was asking for it.
37:06She got what she wanted.
37:08What's the matter?
37:10Didn't she want to play cowboys and Indians?
37:12Now, wait a minute.
37:14I was sitting here minding my own business
37:16the whole time.
37:19The hotel was her idea.
37:21Maybe she got cold feet.
37:23Yeah. She was cold, all right.
37:25Like ice.
37:27And I'm telling you, she was looking to get belted.
37:29The minute we got in that room,
37:31she started saying things, laughing.
37:33Looks like she had some kind of plan or something.
37:35What kind of plan?
37:37I don't know.
37:39After I clipped her, she checked her face
37:41like she had to have something to show.
37:43Then she thanked me.
37:45Thanked you?
37:48Have one on me.
37:50Don't worry.
37:52You won't be hearing from her again.
38:02I'm here to see Miss Van Owen.
38:04I'm afraid she's not seeing anyone, sir.
38:06She'll see me.
38:08I'm sorry, sir.
38:10Is anything wrong?
38:12I can't say, sir.
38:18Anna?
38:40Anna?
38:42What is it?
38:44Hmm?
38:47Hey.
38:49Hey.
38:51Hey.
38:53Oh, my God.
38:55Oh, what happened?
38:57I fell.
38:59On the stairs.
39:03Raymond?
39:05No.
39:07Damn him.
39:09I thought I pushed him out of your life for good.
39:11He'd kill me if he knew I saw you again.
39:13He'll kill you as well.
39:16Where is he?
39:18What are you gonna do?
39:20Just tell me where he is.
39:24The club.
39:26I have to meet him there with some money.
39:28My first installment.
39:30Okay.
39:32Don't go, please.
39:46Wait!
40:02Yes?
40:04He wants the money tonight.
40:06What happened?
40:08He just called.
40:10He insisted I bring $10,000.
40:12He said he'd give it to you.
40:14$10,000?
40:16As a first installment.
40:18Where?
40:20The club.
40:22He's on his way there now.
40:24So am I.
40:44$10,000
40:46$10,000
40:48$10,000
40:50$10,000
40:52$10,000
40:54$10,000
40:56$10,000
40:58$10,000
41:01$10,000
41:03$10,000
41:05$10,000
41:07$10,000
41:09$10,000
41:11$10,000
41:13$10,000
41:15$10,000
41:17$10,000
41:19$10,000
41:21$10,000
41:23$10,000
41:25$10,000
41:28$10,000
41:30$10,000
41:32$10,000
41:34$10,000
41:36$10,000
41:38$10,000
41:40$10,000
41:42$10,000
41:44$10,000
41:46$10,000
41:48$10,000
41:50$10,000
41:52$10,000
41:54$10,000
41:57$10,000
42:18She's not coming, Marlowe.
42:26♪♪
42:46Laura, get back!
42:47Laura, are you all right?
42:49You've been set up, both of you.
42:52I know you don't want to believe that, but it's true.
42:55This is exactly what Anna wants.
42:58Just get down and stay quiet.
43:00She wants you to kill Raymond.
43:02That was her plan from the very beginning.
43:04She told you Raymond beat her, didn't she?
43:07I never touched the woman.
43:09Of course you didn't.
43:11I never touched her.
43:13I never touched her.
43:16Of course you didn't.
43:18But she needed something that would drive you over the edge.
43:21Something that would make you put Raymond out of the picture completely.
43:25So she set up an unsuspecting cowboy at a Western bar this afternoon
43:29and ridiculed him into hitting her.
43:31It's persuasively put, young lady.
43:33But I'm afraid it doesn't change anything.
43:35I've invested too much to allow either of you to walk away from this.
43:39♪
43:44♪
43:49♪
43:54♪
43:59♪
44:04♪
44:09♪
44:14♪
44:19♪
44:24♪
44:29♪
44:32♪
44:37♪
44:42♪
44:45Come on, come on, come on.
44:47♪
44:52Darling.
44:54You're alive.
44:56You just had to see who came through that door, didn't you?
44:59Darling, I was afraid he'd kill you.
45:01I thought he had.
45:03And you can claim self-defense.
45:05I mean, after he shot me, he came after you.
45:08What difference does it make?
45:10He's out of our lives.
45:12No, Anna, no.
45:14He'll always be with us.
45:16What are you saying?
45:18You murdered him.
45:20And unhappily for both of us, I can prove it.
45:22You wouldn't send me away.
45:25You wouldn't send me away.
45:27Not now, not that we've found each other again.
45:33We could have had so much together.
45:35♪
45:39Ooh!
45:41♪
45:47Goodbye, Remington Steele.
45:49♪
45:55♪
45:57♪
45:59♪
46:01♪
46:03♪
46:05♪
46:07♪
46:09♪
46:11Um,
46:13a thank-you gift
46:15from Caroline.
46:17I felt the urge to share it immediately.
46:19How thoughtful.
46:21Ahem.
46:23Uh,
46:25actually,
46:27I felt the urge to see you
46:29explain some things.
46:31There's no need.
46:35Might help put some things
46:37in perspective
46:39for us.
46:41Uh,
46:43when I went to Anna's,
46:45it was for two reasons.
46:47The first was to say that
46:49I'd sent Raymond packing
46:51and the second and more painful
46:53was to say that I
46:55felt that we
46:57didn't have a future together.
46:59She'll always be part of my past
47:01but I
47:03realized that's where
47:05that relationship belonged.
47:07What made you realize that?
47:11You.
47:15I'm not the same man I was
47:17when I walked into your life, Laura.
47:21I've changed.
47:23You've changed me.
47:25I only changed your name.
47:27Ha.
47:29Merely the most obvious
47:31alteration.
47:33Ooh.
47:37Well,
47:39what shall we drink to?
47:41Oh, um,
47:43the present, eh?
47:45The present?
47:47Yes, and the future.
47:49Isn't that getting a little brazen for us,
47:51Mr. Steele?
48:03Let's be brazen, eh?
48:13You.
48:15You.
48:17You.
48:19You.
48:21You.
48:23You.
48:25You.
48:27You.
48:29You.
48:31You.
48:33You.
48:35You.
48:37You.
48:39You.
48:42You.
48:44You.
48:46You.
48:48You.