Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
📺
TVTranscript
00:00Simya, get out! I don't want you anymore, do you understand?
00:05You don't have a brother named Tarik anymore.
00:08You have a brother named Yiğit, do you understand?
00:10You have a brother named Yiğit!
00:24Welcome.
00:25Thank you. How are you?
00:27Not good.
00:28Well, I'm not doing well either.
00:30He had an accident.
00:33What?
00:35What do you mean? Is he in the hospital now?
00:37His ribs were crushed.
00:39I mean, it could have been worse. He could have died.
00:42Wait a minute. Let's go to the hospital then.
00:44Get up. What are we waiting for here?
00:46I'm coming from there anyway.
00:48I came because the visit time was over.
00:50Although I have to go again at night because I need a companion.
00:53But I have to be at the hotel at the same time.
00:55I don't know what to do right now.
00:57How long have I been sleeping?
00:58He'll go, I'll stay. Don't worry.
01:00What do you mean? Will you go?
01:01Of course I'll go.
01:02Thank you so much.
01:04Don't be silly, Şadiye.
01:06Look, I knew we'd get along well.
01:08I'll come as soon as I get out of the hotel in the morning.
01:11We'll change shifts, okay?
01:12Okay, okay.
01:13Okay.
01:16Why did you say it was bad? Did something happen?
01:18Well, something happened.
01:20Never mind. It doesn't matter.
01:23Is it about Tarik?
01:28I'll make tea for both of us.
01:30Tea or coffee?
01:31Tea.
01:32I'll make two for both of us.
01:40Mrs. İrem says you have hallucinations.
01:42That's why you had the accident.
01:44Come on.
01:45What are you doing in the tea?
01:47I mean, didn't they make baklava that got wet in the mouth and didn't come out?
01:50Your friend did the right thing.
01:52We have to send you to the psychiatric service.
01:55You are in a very bad condition.
01:57I understand.
01:58But you probably don't understand me.
02:00I mean, I'm saying,
02:02the psychiatric service, the hospital, the rooms and stuff,
02:04they've put pressure on me.
02:06I don't want to stay. I don't want to, brother.
02:08You don't have a choice.
02:09We can't leave you.
02:10You need treatment.
02:12We'll start treatment tomorrow.
02:14Please be ready.
02:15Oh, my God.
02:16I mean, I feel like I'm the guy who got his head cut off
02:19in the last scene of the film.
02:22I feel like I'm the guy who got his head cut off in the last scene of the film.
02:25I feel like I'm the guy who got his head cut off in the last scene of the film.
02:53I cut off the rope, didn't I?
02:57Are you real?
03:04Are you real?
03:06We're real.
03:11So who is this?
03:13The eyes behind the violin looking at me,
03:15such a talented triplet.
03:17Who are you?
03:18He's my friend, Nafis.
03:20I told Nafis a little bit about you.
03:22I said, he had a good time.
03:24He said, I'll hold it and bring it from your ear.
03:26Come on, you wait outside a little bit, Nafis.
03:28Stop!
03:30I'm very pleased to meet you, friend.
03:32I'll listen to you later.
03:34Regards.
03:41So, Kıvırcık, did you draw the cover?
03:43No, it's pretty much two cakes, one cream, 100 liras, nothing.
03:46They didn't tell me that.
03:48They said the problem is in the head.
03:50They said well.
03:52The problem is already in the head.
03:54Not that, I'm going to write psychiatry tomorrow.
03:56Take precautions, everything is ready.
03:58There is modern medicine and science.
04:00Not everyone knows themselves.
04:02When you look at the world, you want to go to bed right away.
04:07I'll tell you something.
04:09You came here to be my shield, didn't you?
04:11Don't make me do it.
04:13What should I do?
04:15Kidnap me.
04:18I don't know.
04:27I wonder if Tuna is alone.
04:30Who is with him?
04:34I wish I hadn't left the hospital at all.
04:37You're thinking about Tuna, aren't you?
04:42Yes.
04:43I mean, he was in bad shape, you saw it too.
04:47I neglected him.
04:49Who else is there besides me?
04:56Are you angry?
05:02It depends on the answer you'll give.
05:06Did you tell Tuna we were together?
05:16Did you tell him or not?
05:22You couldn't.
05:24Good.
05:26There's a lie in the middle again.
05:30What could I do?
05:32Should I tell him that I was in love with a person who always saw my hallucinations and had an accident?
05:38What should I do?
05:40Deniz, you're not aware, but you're doing great harm to Tuna.
05:43He will continue to feed hope where there is no hope.
05:45Let him feed.
05:46I mean, if he's going to be okay, he can hope.
05:48Everyone has to face their own truth, Deniz.
05:52Lies do nothing but prolong the time of pain.
05:56My truth is not as painful as yours, I'm sorry.
05:59I'm sorry, Deniz.
06:01I want you to tell Tuna that we were together as soon as possible.
06:05That's it.
06:08Lie, lie, lie, lie.
06:13You're right.
06:16I'll tell him.
06:18Okay.
06:19Good.
06:38Burcu, where's the sound coming from?
06:39I don't know.
06:46Hey, little one.
06:47What are you doing here?
06:49Come on out.
06:50I'm here to take care of the patients.
06:53It's a charity.
06:55Shut up, everyone's sleeping.
06:58Who am I talking to?
06:59Even if I want to, this guy won't shut up.
07:01Look at his mustache.
07:02Come here.
07:05Give it to me.
07:07I'm sorry, brother.
07:10Avni, run!
07:16Avni, run!
07:18Wow.
07:19You're going to get us in trouble tonight.
07:29What happened?
07:30What happened?
07:31Nafiz.
07:32Nafiz.
07:33Don't worry about it.
07:35Slow down.
07:37Brother, I always tell you.
07:39You're going to have a friend named Roman.
07:42He's a very good guy.
07:43He's a really good guy.
07:45Exactly.
07:51Be careful.
07:54There was a lot of noise.
07:55Hold this.
07:57Are you ready?
08:13Are you okay?
08:14I'm fine.
08:15Let me cover you.
08:18Thank you.
08:19I'm going to heat up the stove.
08:21I put water in it.
08:22I'll make you coffee.
08:31It's going to burn.
08:32Let me warm it up.
08:36Are you okay?
08:37I'm fine.
08:39I wish you didn't have to do all this.
08:41It's a hassle.
08:44It's okay.
08:54It's okay.
08:55We ran away from the hospital.
08:56Are you aware of that?
08:57Yes.
09:00Don't laugh.
09:01It hurts when you laugh.
09:02You had an accident today.
09:04And you broke your ribs.
09:06They're not broken.
09:07I can't stand it if they're broken.
09:08They're broken.
09:09Anyway.
09:10If anything happens to you,
09:11İrem will ruin me.
09:12You're taking our big boss to the disco.
09:15She's worried about you.
09:18Are you worried about me?
09:23I filled my anxiety quota.
09:27Wow.
09:28Who is this lucky man who took my place in his anxiety quota?
09:35Maybe he's not that lucky.
09:42İrem.
09:53Wow.
09:54Simia's thoughtful housemate.
09:58İrem, right?
10:01Why are you warning me this time?
10:05Or are you here to tell me to be careful?
10:10Hello.
10:11Hello.
10:14I'm here to tell you that I'm sorry.
10:17Why?
10:19I wanted to warn you.
10:21But I didn't think things would get to this point.
10:25No, no.
10:27You thought.
10:28You thought.
10:30In fact.
10:33You wanted things to get to this point.
10:38You wanted to kill Yiğit.
10:41It's a lie.
10:44Now you're here because you're wondering if you've taken a step there.
10:49Isn't that right?
10:52Come on.
10:53Don't be shy.
10:55Tell me.
11:00Have I taken a step?
11:02Yeah.
11:04That's it.
11:09Relax.
11:11It's not too late.
11:15I don't cheat on anyone.
11:19Especially a beautiful girl like you.
11:23Don't cheat on anyone.
11:29You're in jail.
11:30And you blame me, don't you?
11:33What can I do?
11:35I may not have another chance.
11:41I'm sorry again.
11:43I don't want it to be like this.
11:46And I hope you get out soon.
11:48I hope.
11:51Should I call you if I get out?
12:11Sister Simya, we're here.
12:28Welcome.
12:29Come here, baby.
12:31Come here.
12:33What did you bring me?
12:35Sister Simya, who is this?
12:36Is he your boyfriend?
12:38It's been a long time since you left the manicurist.
12:40Do you know that it makes you cough?
12:42Sister Simya, there are a few more of these.
12:44If you want, I'll go and bring them.
12:45I'll go and get them, baby.
12:46Where are you going to bring them?
12:47Thank you.
12:48Come on, take them off.
12:49I'm going to prepare flowers for you.
12:50Come on, come on, come on.
12:51Take it off.
12:52Put it there.
12:53Sit down.
12:58Seven times eight.
13:01Do you know seven times eight?
13:03They taught me.
13:04If you ask me.
13:07Guys.
13:09Look, I made your bed there.
13:10I pulled the stove next to you.
13:12Cover yourself tightly.
13:13You won't get cold at all.
13:14Okay?
13:15If you're afraid at night, call me.
13:16Okay, brother.
13:17Okay.
13:19Come on, fondue milks.
13:21Good night, brother.
13:22Good night, brother.
13:24Thank you, chiefs.
13:25Fifty-six, by the way.
13:27Take your beret off when you go to bed.
13:33Thank you.
13:39Why did you send the kids?
13:48Okay.
13:50Then I'm coming to the real question.
13:52What is the source of this relationship with these friends?
13:57From the streets.
13:59I don't buy these woods, you know.
14:01I go and collect them.
14:02These little things happen around me when I go out to mow the garbage.
14:06You become friends over time, of course.
14:09Sometimes they come here.
14:10We eat together.
14:11Sometimes they stay here.
14:13They thank you in their own way.
14:18I love the kids very much.
14:20And the old ones.
14:22Me too.
14:33Do you know who understands them best?
14:36Who?
14:37One of them.
14:39I guess that's me.
14:40You're not alone.
14:46People always see the street as something romantic.
14:50Like a stone or something.
14:52When you make that stone a pillow, you understand the stone's stone.
14:57Not when you step on it.
15:02Then you won't collapse anyway.
15:05But you're collapsing.
15:09I'll be fine.
15:12I'll be fine.
15:33How can you kidnap Tuna?
15:35I trusted you.
15:37You're right.
15:38If I hadn't kidnapped him, he would have run away.
15:41You've ruined the hospital.
15:43Everyone's looking for Tuna right now.
15:45Okay, then.
15:46Come here and we'll talk.
15:48I'll give you the location.
15:49I'm going out now.
15:51You can talk to Tuna yourself.
15:53Where are you now?
15:54We're at my office.
15:56Okay, I'm coming.
15:57Okay.
16:03Good morning.
16:05Good morning, Kıvırcık.
16:06Good morning.
16:08Look, I'm going to run away soon because I have work to do.
16:10I prepared breakfast for you here.
16:12I talked to İrem now.
16:13He's coming here quickly.
16:15Because we kidnapped you from the hospital, you're very angry.
16:18Take the gun.
16:19He's coming with a rush.
16:20Okay, I'm going to answer the phone.
16:22Phone.
16:23It's ringing.
16:24Aha.
16:26He's here with a rush.
16:28Good morning.
16:29Tell me where you are right now.
16:30Kıvırcık, I'll show you what it's like to run away to the hospital.
16:33Oh my God, what a loving voice, isn't it?
16:35Tuna, where are you?
16:39I'm at the signal office.
16:40Where are you?
16:42I'm coming, wait.
16:45Okay.
16:48What's up, Surat?
16:49Be happy.
16:50You're loved.
16:51Yeah.
16:54Where are the brothers?
16:55The little ones get up early.
16:57They don't stay here anyway.
16:58Because they're bored.
16:59They got up in the morning and left.
17:01Exactly.
17:02I'm running away.
17:03Then we'll divorce between İrem and Diniz.
17:10Thank you.
17:11Thank you so much.
17:12You really gave me a lot of morale.
17:14Not important.
17:24I'll show you what it's like to run away to the hospital.
17:27What is it to run away?
17:29I'll show you.
17:32Come on.
17:35I didn't have a good plan.
17:46Why can't I go?
17:50Oxygen.
17:55I'll walk.
17:56Me?
17:57I'll walk.
18:00Come on.
18:07Sun.
18:10Is there something wrong with me?
18:14I'll walk.
18:16Sun, sun, my feet.
18:18I'll walk.
18:19To walk.
18:20I'll walk.
18:21To walk.
18:22Diniz, come on.
18:23What are you doing?
18:24What are you doing early in the morning?
18:25No.
18:26Sun.
18:27Greetings.
18:28My feet.
18:29Okay.
18:30I love you too.
18:31But what are you doing?
18:33Me?
18:34Sun.
18:40God.
18:42My feet.
18:43I'll walk.
18:52Phone.
18:53You.
18:55Oh, dear.
18:59My God.
19:01Help.
19:07Phone.
19:09It's calling you.
19:10Is it ringing?
19:11Why are you calling me?
19:13Why are you calling the phone?
19:19Diniz, what are you doing?
19:21Romantic, romantic.
19:22Let's talk from a distance.
19:25Come on.
19:27I didn't eat.
19:28I didn't eat.
19:39Diniz, what are you doing?
19:40Are you kidding me?
19:41Come on, get in the car.
19:43What are you doing?
19:44I can't get in.
19:45I can't get in the car.
19:46I have to walk.
19:47I have to open up a little.
19:48Sun.
19:49I can't get in.
19:50Do you want to be called the sun?
19:52I would open it for you from above.
19:54Sun.
19:55The sun would come from there.
20:00Are you doing that because we discussed yesterday?
20:02I don't understand.
20:03It could be.
20:05I mean, anything could happen.
20:08It didn't happen.
20:09There is no such thing.
20:10No.
20:11I mean, I'm in a hurry.
20:15Are you in a hurry?
20:16We're going to the office.
20:18What's the hurry?
20:19I can't go.
20:20I don't know how to say it.
20:22It's really hard.
20:26I have to go to the tax office.
20:28Can you believe it?
20:29Tax office?
20:30Why?
20:32It's about school.
20:34Yes.
20:35I'm going to the tax office about school.
20:38I have a credit debt.
20:42Come on.
20:44Anyway, come on.
20:45I'll drop you off at the tax office.
20:47Don't drag me.
20:48Really.
20:49You don't have to.
20:50After you drop me off,
20:51I'll probably go to a few places.
20:53You go to the company.
20:54Is that what you're saying?
20:55Yes.
20:57Okay, if that's what you're saying.
20:59Let me know.
21:01See you at the office.
21:07Good luck.
21:08Let me know if you need anything.
21:10Okay?
21:19Okay.
21:40I was going to ask you about Tuna.
21:42How is he doing?
21:43That's okay, Mr. Gazi.
21:45I sent the files to Cemal.
21:47He's handling it.
21:50Very good.
21:51Then I'll go to Cemal.
21:53Then I'll come to you.
21:55You can tell me what you did today.
21:57But tell me for a long time.
22:13Cemal.
22:14Yes.
22:15Cemal.
22:16Yes.
22:17Cemal Okko.
22:18How is he doing?
22:19He's handling it.
22:32Tea?
22:33No, thank you.
22:49Yes.
22:52Hello.
22:56Mom.
22:58Uncle, are you looking at Tuna's location?
23:02Tuna's location?
23:05I'm looking from here.
23:07The table is empty right now.
23:11You're so smart.
23:13You couldn't even get a letter.
23:15Where are the files?
23:17Where is the content?
23:19Where are the articles?
23:20Where are the photos of this month?
23:22Where?
23:24No, right?
23:25No way.
23:26Really, no way.
23:28Guys.
23:29The guy who did Tuna's job right.
23:32The guy who did the content right.
23:34He was going to get a promotion.
23:36Promotion?
23:37No one said anything like that.
23:38Exactly.
23:39The guy who did it right.
23:40He was going to get a promotion.
23:42He was going to rise in this company.
23:44You were going to get a promotion according to your performance.
23:46Didn't this reward and punishment system...
23:48...make you move at all?
23:51No one said anything.
23:52I'm so sorry.
23:53Mr. Gazi, I'm so sorry.
23:54You couldn't do a single job.
23:56You idiot.
23:57Give me those files.
23:58I even split the job.
24:00Come on.
24:01Don't talk.
24:02Come on.
24:03You split it.
24:04Guys.
24:05Guys, guys.
24:06I trusted you and gave you a job.
24:08But you couldn't do it.
24:09It's a shame.
24:10Ms. Neşe.
24:11It's not right for you to tire yourself like this...
24:13...while we're standing here.
24:14Please, Mr. Istirahat.
24:15Don't worry.
24:16Get out of here.
24:17Get out of here.
24:18Don't be ridiculous.
24:21Mr. Gazi.
24:22You're making a big deal out of this.
24:24What did I do?
24:25Get down.
24:26Please, sir.
24:29I'll take care of it.
24:30Let me go, Ms. Neşe.
24:31Where are you going?
24:32Let me go, please.
24:33Wait a minute.
24:34Can I take this?
24:35Let me go.
24:36Let me go.
24:37I'll throw myself out of here.
24:38Throw yourself out.
24:39Leave the files.
24:40Throw yourself out.
24:41Guys.
24:43Stop.
24:44What is this?
24:45You're like donkeys.
24:46No.
24:47I respect you.
24:48Ms. Neşe.
24:49I mean.
24:50What is this?
24:51Did capitalism take over you right away?
24:53Shame on you.
24:55Anyway, I gave up.
24:56Who will be the editor?
24:57Tuna decides.
24:58Okay?
24:59Tuna looks at your performances.
25:01If he likes someone, he makes him an editor.
25:04What a ridiculous business, man.
25:15I wonder what the hell is going on.
25:31Well done.
25:32Really well done.
25:33Can you hear me?
25:35Welcome.
25:36I miss you, Michael.
25:37I don't need sentimental words like that.
25:39We're going to the hospital now, okay.
25:41I'm fine.
25:42What do you mean?
25:43What are you doing here? Are you playing with wood or something?
25:45You're dressed like a Cossack. What are you doing?
25:47I'm really looking for a taxi right now.
25:49Take it, I'll take you both.
25:50Michael, look. My ribs are not broken.
25:52They're not cracked. They're just crushed.
25:55Take it.
25:58What's going on?
25:59Nothing.
26:00Are you okay?
26:01It sank.
26:04You're trying to draw attention, aren't you?
26:07I don't have the strength to work. I'm trying to draw attention.
26:09You have a job, mashallah.
26:11You started a business. It's beautiful.
26:12You always do that, you know?
26:13You find yourself a job, you run away, you go.
26:15People are curious about you. It's beautiful.
26:21Do you really think so?
26:23I'm looking at it now.
26:24I mean, there's no reason to think otherwise.
26:26Can I tell you here?
26:30Then let me ask you something.
26:34Since I like to chase people,
26:36I like to draw attention.
26:38Then why did you come?
26:40Why are you here?
26:48Because...
26:50I feel sorry for you.
26:51Okay?
26:52You think something's going to happen to you.
26:54Okay?
27:00I like to do this with my hands.
27:07Is it good?
27:09Are you serious?
27:12How?
27:16How did I convince you?
27:18I mean, what did I do?
27:19If I find him,
27:20I mean, what exactly did I do?
27:22Do I convince you when you look at me like a little puppy?
27:24Tell me that.
27:25From now on, I will not talk for a long time.
27:26I'll do it directly. Please.
27:31No, no.
27:35It's definitely not very effective.
27:36But it's not exactly that.
27:37Do you know why?
27:40We're not going to the hospital.
27:48Michael, you really don't have to exaggerate.
27:51My ribs are not broken.
27:52Just look at me.
27:54We're really going to the hospital, okay?
27:57Michael, if you don't like where you're going, we'll go to the hospital.
27:59I like it very much.
28:00I like it very much.
28:01I like hospitals very much.
28:07I like it very much.
28:15You got me in trouble again.
28:17Didn't you?
28:20You can't do it without a loan.
28:22Congratulations.
28:24I'll show Yiğit what a fool I am.
28:35Good morning.
28:36Is Ms. Asena here?
28:37Ms. Asena is not here, but her brother is waiting for you.
28:42Simya?
28:46What are you doing here?
28:47I came here to ask you something, brother.
28:51I mean, you'll probably be very angry when you hear it, but...
28:57I want you to take back your complaint about Tarık.
29:01Never, Simya.
29:02I know, what he did is unforgivable.
29:05But he's your brother.
29:06Simya, Tarık raided my office.
29:09He terrorized me here.
29:10He was almost harming the woman I love.
29:15Even if he's my brother, that doesn't change anything, okay?
29:18If a person has committed a crime, he should be punished for it.
29:21Look, you don't know either of us, okay?
29:23You don't know what we've been through.
29:25We've had a very, very hard time, brother.
29:29Look, I'm not saying this to be emotional.
29:32I somehow got over it, but...
29:34Tarık is not like that. Tarık...
29:37Simya, look.
29:39I know people like Tarık very well.
29:41Every mistake they make is definitely a crime.
29:44Bad childhood, bad father.
29:48They never think about it.
29:50Just like you, they constantly hurt their mothers, sisters, people around them, themselves.
29:57People, their families, after a while,
29:59they believe that this boy, this man is right in every way, okay?
30:03It's a shame.
30:04He's been through a lot of pain in his past.
30:06He can steal, he can steal weapons, he can be a thief.
30:09Because he has an excuse for everything.
30:11That's what they think, but there's no such world, Simya.
30:15You took the trouble to listen to our story,
30:17you taught us all about it, brother.
30:19Bravo.
30:21Simya.
30:23Look, what I know is enough for me.
30:25I don't need to listen to anything else.
30:28Let me give you a piece of advice.
30:30Keep your distance from that boy.
30:32Because he's pulling you down, okay?
30:34You never even listen.
30:36Prejudice seems sweeter, apparently.
30:39I took your time.
30:42Simya.
30:45Good luck to you.
30:55You