She Loves She Doesn't Episode 39 (English Subtitles)
Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
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TVTranscript
00:00I mean, look at this.
00:02What are you doing in the mountains?
00:04Who are you?
00:05What do you think you are?
00:06Are you Ceylan?
00:07Are you Sincat?
00:08What's going on?
00:09You're the one who's Ceylan, honey.
00:11Tuna is hitting himself in the mountains because of you.
00:15Excuse me?
00:16What does that have to do with anything?
00:17I mean, please.
00:19Let's not talk like this.
00:21It's not funny.
00:22It's just a joke.
00:24Are you blind?
00:25Can't you see what's close to you?
00:26I'm telling you, the boy is like the moon, like the sun.
00:29He's crazy about you.
00:31He's hitting himself in the roads.
00:36Can you close the subject?
00:38What does it have to do with anything?
00:40What does it really have to do with anything?
00:41I mean, don't put so much pressure on the girl.
00:43Obviously, it's not like that.
00:44Look, she's saying it's not like that.
00:46What is it, honey?
00:47I'm not saying anything weird.
00:49I mean, can such things happen between people who work together?
00:52You spend time together.
00:54You go out to eat.
00:55You go out to drink coffee.
00:57You laugh together.
00:58You fight from time to time.
01:00How are we going?
01:01We're going straight, but let's not go the wrong way.
01:03Am I going to go back somewhere?
01:04What am I going to do?
01:05Let's ask someone about this.
01:06What are you going to ask?
01:07It's straight.
01:08Anyway, what was I saying?
01:10I mean, I'm saying it's possible.
01:12I mean, closeness is possible between people who work together.
01:15After all, you spend a lot of time together.
01:17There are times when you contact each other by mistake, right?
01:21Sorry, I touched you.
01:23I don't know.
01:24I mean, watching from a distance while working.
01:26Speaking of watching, there is such a good observer in the future.
01:30I mean, we have to eat this.
01:32Eating this is a must.
01:33It will be in the future.
01:34Of course, yes.
01:35We'll have a drink of ayran on top of it.
01:37Oh.
01:38Oh.
01:39I swear, it made me hungry.
01:40Deniz, didn't you say we should find Tuna as soon as possible?
01:43Where did the observation come from now?
01:45Did we go on a trip?
01:46Oh, you two didn't let me talk.
01:48I couldn't finish my word.
01:50I was stubborn, I'll tell you the end of it.
01:52Our Orçun.
01:53Of course, he has a friend from work.
01:55They are very close to the girl, okay?
01:57They spend a lot of time together.
02:00One day they were alone in the office for work.
02:03They try to apologize for fighting.
02:06Then they get closer as you know.
02:09Oh.
02:10Oh.
02:11I can't stand it anymore.
02:13I'll tell you.
02:14What are you going to say?
02:15What are you going to say, Deniz?
02:17Am I not human?
02:18Huh?
02:19I'll tell you.
02:20Don't be mad at me.
02:21Don't be mad at me right now.
02:22I can't stand it anymore.
02:23I'm telling you now.
02:24I'll tell you.
02:25Oh, I was so curious.
02:26Now I'm going to burst out of curiosity.
02:27I'm going to burst out, too.
02:29But not out of curiosity.
02:31Mr. Yiğit, please stop the car.
02:33Please stop the car as soon as possible.
02:35Deniz, why should I stop the car?
02:37Look, we're going so well.
02:38We're on our way.
02:39The traveler is on his way.
02:40Right, Deniz?
02:41I'm stuck.
02:45Are you stuck?
02:47So that was it?
02:48Please, let's stop as soon as possible.
02:50Let's open the doors.
02:51I'll throw myself out.
02:52I'll relax.
02:53I'll say, oh, Deniz.
02:54Please.
02:55No, that's not going to happen.
02:56I'll put you in a gas station in the future.
02:57You'll take care of it there.
02:58Take a deep breath.
02:59Don't think about it.
03:00Don't think about it.
03:01I don't think about it.
03:02You...
03:20I'm going to the market.
03:45See you.
03:46Okay, dear.
03:48Cüneyt.
03:50Deniz.
03:53Can you wait a minute?
04:05Hello, Mr. Tuğman.
04:07Are you still calling me Mr. Tuğman?
04:10What should I call you?
04:11Should I call you dad?
04:12Dad doesn't come to my mind at all.
04:14What do you want?
04:15Food? Money?
04:16Don't exaggerate.
04:17What is it this time?
04:18Yiğit wants you to leave.
04:20I'm not surprised at all.
04:22I think you shouldn't be surprised either.
04:24My daughter.
04:26You're going to fix my relationship with Yiğit.
04:30What do you mean?
04:31Am I going to do this?
04:32According to the fact that I can't do it, yes.
04:36Mr. Teoman, look.
04:38Yiğit hates you.
04:41I don't think there's any way.
04:42I think you should accept this, face it, and continue your life.
04:45Because some mistakes don't come back.
04:48I'm not asking you, girl.
04:51I'm not asking you to do what you can.
04:53I want you to fix our relationship.
04:54That's it.
04:55Okay, what if I don't do it?
04:58Don't you know what's going to happen?
05:00I'm going to tell Yiğit everything.
05:02Yiğit will leave you.
05:05His dreams will be destroyed.
05:07Your life will be dark.
05:10Is that what you want?
05:16I can't stand you in the car.
05:20When you said I had to talk, I was a little...
05:22I'm stuck.
05:24But I'm stuck in the corner.
05:26I mean, it happened again.
05:30Last night.
05:32I mean, last night was very strange.
05:36I admit it.
05:38It happened all of a sudden.
05:40I didn't understand how it happened.
05:42I just let myself go.
05:45Two planets collided all of a sudden.
05:48The balance of the universe was broken and BAM!
05:53Big explosion.
05:55Stars fell from their places.
05:59The sun was cold.
06:02Where is love?
06:05The mountain ran away.
06:07Where is the mountain?
06:09The cow drank.
06:12All of a sudden, everything burned down.
06:16Deniz, did you shut up?
06:21I shut up.
06:23Because it's not important.
06:25It was just a momentary thought.
06:27It's not a big deal.
06:29I mean, it's not important.
06:31It's not important.
06:33It happened all of a sudden.
06:35I wasn't aware of what I was doing.
06:37It's not even worth talking about.
06:39It's such a ridiculous thing.
06:41It's a little thing.
06:42I made a small mistake.
06:44It's not a big deal.
06:47We should forget about it.
06:49You say we should forget about it.
06:53There is no need for anyone to know about it, right?
06:59Why?
07:01That's it.
07:03I forgot about it.
07:05It's over.
07:07It's over.
07:09It's over.
07:11Let's go.
07:13Let's go.
07:31We need a volunteer to shoot the video.
07:34Yes.
07:39Guys.
07:41Our party is tomorrow.
07:43I guess we won't celebrate our 20th anniversary with lemonade and dry biscuits, right?
07:47We need to shoot a video for Barco Vision.
07:50Yes, Ms. Neşe, I absolutely agree with you.
07:53You are very right.
07:55But we still don't have a volunteer.
07:57Well, you're right about that, too.
08:00Since you agree with me so much, Cemal, then the job is yours.
08:04No, no, Ms. Neşe.
08:05I can't do that.
08:07It's not my job.
08:09I mean, it's not my job.
08:11It's not a job for me.
08:13I can only handle my own devices.
08:15I can't touch someone else's camera.
08:17It's dirty.
08:19I was expecting a better excuse from you, Cemal.
08:21But it's not an excuse, Ms. Neşe.
08:23It's not an excuse.
08:25It's a matter of character.
08:27I'm already stressed about something.
08:29What am I going to do in that room tomorrow?
08:31It's so crowded.
08:32Onions, garlic.
08:34Microbacteria, on the other hand.
08:38Pocket?
08:42I'm a little busy.
08:44By the way, I'm thinking of taking care of them, Ms. Neşe.
08:47What are they doing?
08:49Well, let's not get ahead of ourselves right away.
08:52New things for our next number.
08:54I'm evaluating the gossip in the office.
08:56Let me update them.
08:58Then, not just with this, then...
09:00Then...
09:02Then, well...
09:04Oh, that paper throws thing.
09:07I mean, guys, please don't do it.
09:09You use one side of those papers,
09:11you don't use the other side.
09:13It's a shame, it's a waste.
09:15I'm thinking of a campaign in the office.
09:17So you're not taking me seriously.
09:20Thank you all very much, guys.
09:24Because I've seen the place in your eyes.
09:27I can't stand you.
09:29No, Ms. Neşe.
09:30Partner.
09:32You misunderstood me.
09:34I never misunderstood you, Buket.
09:37No, sir, she didn't misunderstand you.
09:40Shame.
09:42Shame, shame.
09:44Shame, shame.
09:46You all upset this woman.
09:49You ruined this woman's face.
09:53Kazi, what are you doing?
09:55Don't exaggerate, calm down.
09:57Don't be afraid, Ms. Neşe.
09:59What do you know about video and photography, Gazi?
10:03I'm sorry, Ms. Neşe, I'm a photographer.
10:05You know Tarkovsky's dark narrative, right?
10:08You know, the indicators make people dark.
10:11My understanding of cinema is exactly opposite of that.
10:17I believe that there is a life energy in all disasters.
10:22And if God permits, I will point my camera to show that life energy.
10:29And action.
10:33Bravo, Gazi.
10:39If he does this, he's a real Gazi.
10:41You're a man, Bucet.
10:43I'm a man, I'm a man.
10:45I'm a man, I'm a man.
10:47I'm a man, I'm a man.
10:49I'm a man, I'm a man.
10:50I'm a man, I'm a man.
11:01If that's the case, video is your business, Gazi.
11:08Let's go.
11:14I won't make you look bad.
11:17Don't look at me with suspicion.
11:18I'm a man.
11:20I'm a man.
11:27I'm a man, Bucet.
11:34Now, I'll show you.
11:42Here, here, he left this here.
11:44He didn't even get gas, because he's thoughtless.
11:46Where are you?
11:48Tuna!
11:50Don't hide!
11:52Don't hide!
11:54Why are you afraid of the roach?
11:57I'm going.
11:59I'll find him.
12:01I'll find him as soon as I find him.
12:04What's up, guys?
12:06There's a tall boy.
12:08His name is Tuna.
12:10Did you see him, brother?
12:12He's gone, that crazy boy.
12:14He's in the woods.
12:16He's in the woods?
12:18He's not going to go there.
12:20He's thirsty.
12:22What are you talking about?
12:24Water is flowing everywhere.
12:26The woods are not safe.
12:28Uncle, why are you saying such things?
12:30Do you think you're in a horror movie?
12:32This forest is cursed.
12:34If you're going to say such things, let's go.
12:36The woods are very dangerous.
12:38Those who enter the woods are thoughtless.
12:40The thoughtless one loses his mind there.
12:42Uncle is right.
12:44Uncle went into the woods and left.
12:46He's thoughtless.
12:48He's thoughtless.
12:50I have nothing to lose.
12:52Deniz, where are you going?
12:54He says the woods are not safe.
12:56Don't be afraid.
12:58Maybe we can find that house.
13:00Anyway, I'm going.
13:02Deniz, don't be silly.
13:04You can't go alone.
13:06He's right.
13:08Don't be silly, Deniz.
13:10Let's call Tuna first.
13:12Uncle, does he answer the phone here?
13:14The woods are not safe.
13:16He doesn't answer the phone.
13:18I wish we could have a chat.
13:20I think we're losing our minds.
13:22Deniz, wait a minute.
13:24I'm coming with you.
13:26Deniz, take the key.
13:28Sit in the car and lock yourself in.
13:30Okay?
13:32We're going.
13:34Wait a minute.
13:36Are you two going to the woods alone?
13:38This is the woods.
13:40We're not in Istanbul.
13:42There are two people here.
13:44Deniz.
13:45In the woods.
13:47Aşkpaşa.
13:49I'm not Tekin.
13:51Hey, wait for me!
13:56I'm not Tekin!
13:59Tuna!
14:01Tuna!
14:03Tuna!
14:06Deniz, are you okay?
14:08What's going on?
14:10You're screaming like a snake.
14:12Something got into my foot.
14:13Why are you trying to scare me like a snake, Deniz?
14:16Are we going to deal with you or look for Tuna?
14:18For God's sake.
14:20I wish you were with Uncle Tekin.
14:22Sorry.
14:24Uncle Tekin?
14:26I'm not Tekin.
14:28Okay, sorry.
14:31Deniz.
14:33For God's sake, what is this?
14:35It's full of rags.
14:37Everything gets into it.
14:39Don't wear such things in the woods.
14:41You're making fun of me.
14:43He's not talking for nothing.
14:45He says he's not Tekin.
14:47But we're here like spectators.
14:49For God's sake, what does he know?
14:51He's crazy.
14:53And he found us in the city.
14:55He must have made fun of us.
14:57It's like we're in Africa.
14:59It's like we're in the rainforest.
15:01These woods are not Tekin's.
15:03The locals can get out any minute now.
15:05Now?
15:07It's Indiana Jones now.
15:09I'm getting into the mood.
15:11Deniz, don't get me involved, please.
15:13They're hanging us from our feet.
15:16No way.
15:18They're here.
15:20That's great.
15:22You two make me scared.
15:24It's a joke.
15:36What's going on?
15:38Girls, calm down.
15:40There must be a logical explanation.
15:41I think so, too.
15:43Calm down.
15:52The woods are not Tekin's.
15:55Run if you want to live.
16:05Watch where you're stepping, Deniz.
16:09Deniz, stop.
16:12Damn it.
16:14Stop.
16:16Stop, Deniz.
16:18Calm down.
16:20Girls.
16:22Deniz, calm down.
16:24Calm down, girls, okay?
16:26Look, we have to stay together.
16:28Okay?
16:30Yes, if we're together and close, nothing will happen to us.
16:32Yes.
16:36What's this?
16:38Fireworks!
16:39Help!
16:41Are we close enough, Deniz?
16:43I can't move.
16:45I'm stuck.
16:47Help!
16:49Don't shoot, please.
16:51Don't defend yourselves.
16:53Stop.
16:55We're friends.
16:57Help!
16:59Help!
17:01I can't breathe.
17:03Can you stop it?
17:05I'm trying to stop it, Deniz.
17:07I'm trying to stop it.
17:09Help!
17:11Help!
17:13Help!
17:25Help!
17:39Before I get to know you, what does Go Flamingo mean to you?
17:47Go Flamingo.
17:48Go Flamingo means comfort to me.
17:52Because the most comfortable game is played here.
17:56It's very comfortable.
17:57Look.
17:59Where will you find this comfort?
18:01So you're playing this game.
18:03You're confessing right now.
18:05It's not recorded, is it?
18:06No, it's not.
18:07I'm just playing a little, honey.
18:09I'm playing a little.
18:10Go Flamingo has only one meaning for me.
18:14Career.
18:15Let's say we have a full-fledged, urban, female tiger in front of us.
18:20Of course.
18:21Also, working in the fashion world is very advantageous.
18:24For example, my friend who started working at the Kolkola magazine found his life partner in just three months.
18:31Moreover, the man is very rich.
18:33Really?
18:34An Arab sheikh.
18:35He is also a partner of the company.
18:36Of course, our guy cut it off from the first day.
18:40You know the rest.
18:42Moreover, the man bought a baby cheetah for the girl as a wedding gift.
18:48So can we understand this from here?
18:49Your career goal is wealth and a baby cheetah.
18:53So you keep your cheetah high.
18:56I keep it much higher.
18:58Then you need a gorilla.
19:00Okay, Gazi.
19:01If you want, cut it off.
19:03Okay.
19:04I can't do an interview with you.
19:05I like to give advice to people.
19:08I am very happy that I work in this magazine.
19:10Thanks to this, I can follow fashion closely and catch the most trendy pieces.
19:14It is incredible that the photos you took reach people and see the fashion trends from my eyes.
19:20You are a director like Mr. Yiğit.
19:22What else?
19:23Do you have tea, Gazi?
19:24You make good tea.
19:26You understand the spirit of coffee very well.
19:29Not everyone understands.
19:31You are good at your job.
19:33Is that all?
19:34Are you sure you are asking the right questions, Gazi?
19:36Yes, what am I saying for you?
19:41Can you get out of the recording?
19:58Don't play.
20:00This is the truth.
20:02Wow!
20:10Are we saved?
20:14How are we going to get out of that hole?
20:17I have been working at Go Flamingo for five years.
20:20We can say that I am in my second home.
20:22I spend more time in the office than in my own home.
20:26That's why this magazine is very important to me.
20:29Why did you get out of the recording?
20:30Your life has always been a job.
20:33What do you mean?
20:34Don't you have a dream of your own?
20:41Of course, I dream from time to time.
20:44For example?
20:46Sunday breakfast.
20:50The fresh smell of freshly brewed tea.
20:53The rustle of the newspaper.
20:55The smell of the omelet.
20:56The slippers that keep your feet warm.
21:00Alone time.
21:05With my family.
21:09Family is also very important to me.
21:12But I don't know.
21:13It is very difficult for a person to find someone who can start a family so easily.
21:19I mean someone he can trust.
21:21Trust is important.
21:25But being compatible is much more important.
21:28For example, I could never be with a man who was a problem for me.
21:33I have exactly the same opinion as you.
21:36First of all, I don't know.
21:38He should understand your stress.
21:40He should know your passion for work.
21:42He should know you.
21:44I even go to the mountains.
21:45I work in the same place as you.
21:47He should know you.
21:48I even go to the mountains.
21:50He should work in the same place as you.
21:53You have someone in mind.
21:55I do.
21:56And I think I know very well who that person is.
22:03Don't bother.
22:05Come on, God willing.
22:07Mrs. Nazan.
22:09Our floor attendant.
22:11I was very sure of this.
22:12I knew it right, didn't I?
22:13Gazi.
22:14Yes.
22:16I knew it right.
22:18My feelings never let me down.
22:20Well done.
22:21This is a matter of fate.
22:23What can I say?
22:24Good luck.
22:28I have a meeting on the second floor.
22:30Sure.
22:31Good luck.
22:32Thank you.
22:36Mrs. Nazan.
22:37Mrs. Nazan has a grandson your age.
22:40Mrs. Nazan.
22:45This is not going to work.
22:56It's not picking up.
22:58Of course the phone won't pick up.
23:00The man warned us.
23:02He said it's not Orman Tekin.
23:04Why didn't we listen to him?
23:06Deniz, please calm down.
23:08Calm down.
23:12Deniz.
23:14Deniz.
23:15Deniz.
23:16Deniz.
23:17I'm coming.
23:19Don't scare me.
23:21Friend.
23:22Friend.
23:23Friend.
23:24What did you do?
23:25Did you sleep?
23:26I feel...
23:28I feel so bad.
23:29I've never felt so bad in my life.
23:31I can't believe it.
23:32How can you sleep?
23:33We're in this situation because of you.
23:35What can I do?
23:36I'm begging you.
23:37Should I live in fear?
23:39I slept like a log.
23:40What can I do?
23:41There's clean air.
23:42We're here.
23:43Should I feed myself to you?
23:45Should I starve to death?
23:46Or should I eat my boobs?
23:47Eat my boobs.
23:48Mr. Yigit.
23:49Do you want to add salt?
23:50I don't need to add anything, Deniz.
23:52Because I'm solving the problem.
23:55When you cut one of these fillets,
23:58the others will come like socks.
24:00When I was in America,
24:01I had an outdoor training.
24:03Oh my God.
24:04Now be careful.
24:06Protect your heads.
24:07Because soon...
24:14Ah!
24:15Ah!
24:22Are you okay?
24:30The world is so small, isn't it?
24:34Tuna.
24:35Tuna.
24:36Ah!
24:37Ah!
24:41Now the fish has come out.
24:42What are you doing?
24:43Huh?
24:44What are you doing?
24:45Sit down.
24:46You stupid ox.
24:47Wait a minute.
24:50Hmm...
24:51A pale-bearded, bald-headed crazy.
24:52Here you go.
24:53Do you know my nickname Red Crazy?
24:54You don't.
24:55Don't put it on the plane.
24:57Okay, whatever.
24:59Come on, let's go now.
25:01These are all going under your head, right?
25:04Did you set up these ridiculous traps to hunt animals?
25:07I'm against animal hunting.
25:09And I didn't set up these traps.
25:11Oh my God.
25:12Who set it up then?
25:22Hands up.
25:23Why?
25:24I said hands up.
25:31Who are they?
25:32They are smugglers.
25:34Are you the one who set up our traps?
25:39Hmm...
25:41The expected action has come.
25:47Come on, let's go.
26:00Come on, come on.
26:03You will stay here until Adan dies.
26:06Don't be ridiculous, my friend.
26:07This is officially a trap.
26:09No way.
26:10A few hours of welcoming.
26:12Let's call it a guest.
26:14Okay?
26:16If you're thinking of putting us in those cages,
26:18you must be crazy.
26:19I'm not going in there.
26:21We're taking precautions for the safety of both sides.
26:23Brother, leave the girls alone.
26:24What does it have to do with girls?
26:26Don't be ridiculous.
26:27Okay, honey.
26:28Okay, we'll let them go right away.
26:29Thank you.
26:33Let's go back from the hunt.
26:34We'll let you all go.
26:36None of you have anything to do with this.
26:37Come on, guys.
26:38Come on, come on.
26:40Look, my friend.
26:41I don't like the way you and your weird friends
26:44act, move, talk.
26:47I don't like it at all.
26:48Just so you know.
26:49First, put your hands up in the air.
26:51Okay.
26:52Don't worry.
26:53We're not getting married anyway.
26:54Go to that cage with that curly girl.
26:58Well...
27:00Mr. Hunter.
27:01Can I ask you a favor?
27:04Please.
27:05I'm curly.
27:06She's curly.
27:09Let's go for two curls.
27:10It's nicer.
27:11Very logical.
27:13No, no.
27:15You look better.
27:24Brother, this is the only visit
27:26of this guest.
27:27It's a shame to send it empty, right?
27:29We can't send it.
27:30Come on, my friend.
27:31Come on, you talk too much.
27:32Don't make me walk.
27:33Don't make me walk.
27:34Don't make me walk.
27:35Come on.
27:36Okay.
27:37Come on, move.
27:40Move.
27:41Actually,
27:43it's like in the movies.
27:45The stage will open soon.
27:46The guys will start shooting.
27:50Tuna.
27:51Try to untie those ropes as soon as possible.
27:53Because I saw something.
27:54I think a mouse passed by.
27:55What happened?
27:56Irem, this is a shipwreck.
27:57It's not that easy to untie it.
27:58One.
27:59As far as I know,
28:00mice don't do anything to people.
28:01The last mouse I met
28:02was actually a fugitive.
28:03That's why
28:04I think we need to
28:05calm down a bit.
28:06Don't tell me
28:07to calm down right now.
28:08I can't calm down.
28:10I don't like nature anyway.
28:11I don't like grass or anything.
28:13I don't like anything
28:14that moves
28:15according to its head
28:16and is out of my control.
28:18I'll tell you something.
28:20What's going on?
28:21I think I saw a mouse.
28:23How?
28:24Wasn't it?
28:26Didn't you see it?
28:30What is this?
28:31What kind of binding method is this?
28:33Why did they bind us
28:34face to face like this?
28:38In movies,
28:39they bind people back to back.
28:41When they kidnap people,
28:42the main girl,
28:43the main boy,
28:44back to back
28:45and they rest like this.
28:47That's what I meant.
28:50The main girl,
28:51the main boy, huh?
28:53That's good.
28:56I don't know.
28:57I don't know.
28:59What's funny?
29:00You didn't have to make fun of me.
29:02I just gave an example from the movies.
29:05I'm not making fun of you.
29:06I like it.
29:15Who are you, Deniz?
29:20Are we taking a deep breath
29:21from the nose now?
29:22Are we taking a deep breath from the nose now?
29:26We're taking a deep breath.
29:31Now we close our eyes
29:34and we imagine ourselves
29:36in a very peaceful moment
29:38and in a place.
29:45I'm in the Bahamas right now.
29:49The smell of the sea,
29:51the sun,
29:53people around you,
29:54you're in Chezon.
29:56Who's next to you?
29:57Yiğit.
29:59We're having a cocktail together.
30:03Both of you have umbrellas in your cocktails.
30:06Yours is green, his is blue.
30:08Soon you'll have oil on your back
30:10and you'll be sunbathing.
30:12I have a question for you.
30:15Do you think Yiğit would have the same dream?
30:18Would it be you?
30:21Excuse me?
30:23What do you mean?
30:24I don't mean anything.
30:26Did you ask a stupid question?
30:28Are you implying something?
30:30Are you thinking about someone else?
30:31Is that what you mean?
30:32I don't mean anything.
30:34You've completely taken it in.
30:37Tuna, I think we're going to stay here
30:39for a while longer.
30:41And it's time to talk about something.