Przepis na życie odc. 7
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Short filmTranscript
00:30All the strawberries up there, there's nothing so sweet and so true
00:34As sweet as you
00:37Yeah, yeah, yeah, yeah
00:39A thousand babies could bake you those cakes
00:42But all I have on my plate
00:45Is nothing so sweet and so true
00:48As sweet as you
01:00Pola, I can't talk right now. I have to leave in 10 minutes, or the boss will cut my head off.
01:20Oh, Mrs. Winnemoblana.
01:22Stop it, please.
01:24What do you mean, what is it? Wait a minute.
01:26I hear you have the first victim syndrome.
01:28Respect for your perpetrator.
01:30The guy is mad at you, you know?
01:32He doesn't leave you alone.
01:34And it's going to be worse, you'll see.
01:36Why?
01:38Because I know, I know this guy.
01:40He always has the second name, and I'm always right about the third one.
01:42He won't change.
01:44And besides, there must be something wrong with him, if he hasn't pulled you to bed yet.
01:46Don't worry.
01:48No one will want to pull me to bed for a long time.
01:50Okay, okay, don't complain, stupid.
01:52Use it as long as you can.
01:54By the way, I found your Maciek.
01:56Listen, this is the architect of power.
01:58Jesus, I know he's the architect.
02:00Leave me alone.
02:02I have more important things on my mind now.
02:04What leave you alone? What leave you alone?
02:06I've been sitting in front of the computer since 6 a.m.
02:08And what, no gratitude?
02:10You're free and you get up at 6 a.m.? What for?
02:12I told you to leave.
02:14I'm not going anywhere.
02:16I love Warsaw.
02:18And secondly, I don't move without you.
02:20And thirdly, clemency.
02:22And what?
02:24No, no, no no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
02:26I was on a walk, I caught a cold, I ate his broth.
02:28And nothing.
02:30He didn't even call.
02:32I'm the one who's wrong.
02:34And why does this guy keep me at such a distance?
02:36Maybe this is the first time this guy dictates conditions to you.
02:40Oh my poor thing.
02:42At least once you go to quality.
02:44You know what, get out.
02:46Anka, get out.
02:48Yes
02:50Good morning, Ania!
02:52Maciek!
02:54How long are you waiting?
02:56I was hoping for the second one, that's all.
02:58I'm sorry, but I'm in a hurry to work.
03:00I just have to go.
03:02You won't be late if you let me take care of it.
03:20I'm sorry, Ania. I'm late.
03:22If you don't want to go to work, I don't mind.
03:24I just want to take care of it.
03:26I'm so sorry.
03:28I don't want to see you in a bad mood.
03:30I'm sorry.
03:32I'm so sorry.
03:34I'm so sorry.
03:36I'm sorry.
03:38I'm sorry.
03:40I'm sorry.
03:42I'm sorry.
03:44I'm sorry.
03:46I'm sorry.
03:48I don't know.
03:57Do you work here?
03:59Yes.
04:01At the car wash.
04:03At the car wash?
04:09Oh, there's a lady looking at us.
04:12That's my girlfriend from work, Aldona.
04:15OK, I have to go.
04:16Ania.
04:18I really have to go.
04:20A date, just the two of you?
04:22I think just the three of us.
04:28Hello, the usual, please.
04:46Hi.
04:50Jesus, where is he?
04:52Relax, darling.
04:54The boss is personally supervising the shopping.
04:57Nice to know that not only he doesn't trust us.
05:01So, what's up?
05:03Daddy's not here yet, he's sleeping in the bed.
05:07Maybe I can help?
05:09You could, not only in this case.
05:12I don't care.
05:16Come on.
05:47Woo-hoo!
05:53Woo-hoo!
05:55What's up?
05:57Lady from work?
05:59It's not a lie!
06:01What is it, a game?
06:02Do you know it's a game?
06:15What's up, Karol?
06:17A few...
06:20Have you ever talked to a mother like that before?
06:23Stefan, how many times are you going to ask me that?
06:26Stefan, I swear, someone's following me.
06:29But what for?
06:30What do you mean, what for?
06:32I live alone, I'm an easy prey for...
06:35You're an easy prey for a thief.
06:40You're not going to have any use for me today.
06:43I don't feel like playing cards, I'm sorry.
06:45And besides, I have a birthday tomorrow.
06:47Don't worry about my birthday.
06:49I'll come and help you all.
06:51Birthdays have to be celebrated.
06:53Of course.
06:54We have so few reasons to be happy.
06:56We're at the perfect age to travel, to enjoy life.
07:00To get to know the world.
07:02Without responsibilities, without small children.
07:04And what about us?
07:06The only thing we have left is to sit and stare at the TV.
07:09If I love God, I don't feel like playing either.
07:12Don't listen to him, Irena.
07:14Let's go.
07:16And you rest, darling.
07:18Come on.
07:26Jerzy.
07:30I'm sorry.
07:33For what?
07:35For that gay guy, Iza.
07:37You could even...
07:39have a heart attack.
07:44Can I ask you something?
07:47I don't know if it's...
07:49safe here.
07:51I just wanted to know if...
07:54you always serve bolognese like this?
07:58That's what I thought.
07:59And what?
08:01Would you serve it differently?
08:04I'd probably do it like my daughter does.
08:07I mean, the same sauce, but...
08:09with pickles, but...
08:11I don't know myself. I only work at a dishwasher.
08:13Do you dare my skills?
08:14No.
08:16I'm talking to you about the menu.
08:18I think we're allowed to talk about food, right?
08:29Okay, Wanda.
08:30But don't worry about me now,
08:31because I'm in the store.
08:33No, darling.
08:34I couldn't do it.
08:35I assure you, I couldn't.
08:37Bye.
08:38Take care.
08:40And what kind of oranges are these?
08:42Where did they come from?
08:44I don't know where they came from.
08:46They don't smell like oranges at all.
08:50Why do they smell like oranges now?
08:53You've aged, but you're still grumbling
08:55like you did 30 years ago.
08:57But let me see.
08:58Oh, and this exaltation.
09:00Don't you think it's not appropriate at our age?
09:08You could have killed me.
09:10I deserved it.
09:14Let me go,
09:15or I'll call the police.
09:19You follow me
09:21and threaten me.
09:22And now you're even attacking me!
09:24I'm attacking you?
09:25Are you sure everyone in this store will confirm that?
09:26And you think the police will be interested
09:28in the problems of an old marriage?
09:31You're...
09:32insolent, you know?
09:41Something like that.
09:42It's just the pinnacle of insolence
09:43after so many years.
09:44Why did you come and what do you want?
09:46I told you I'd come back for the rest of my life.
09:48You left the house
09:49when your daughter was 4 years old,
09:51because you wanted a better life,
09:52you wanted freedom.
09:54And you only dreamed of one thing,
09:55to run away from this country,
09:56to run away from us.
09:57You know very well
09:58that I wanted a better life
09:59for all of us.
10:00That's why I left.
10:01You're telling me some bullshit, you know?
10:03I've always hoped
10:04that you would let me,
10:05that you would agree
10:06to my meeting with Ania.
10:07But I don't agree.
10:08And I never agreed.
10:09Do you understand?
10:10You're not in my life.
10:12You know very well that I won't let you go.
10:14Listen, we don't have much left.
10:16We have our years.
10:18Do you want to take me for granted now?
10:20And what do you think,
10:21that I'm so fixated on my old age
10:22that I believe that it can be like it used to be?
10:24Or maybe it seems to me
10:25that I'm so lonely,
10:27so lonely that now
10:28I'll accept you with open arms
10:29and I'll say,
10:30what will I say,
10:31my dear daughter,
10:32Ania, this is your father
10:33who chose to live in the Police Station
10:35and he hurt me to death.
10:37He begged me
10:38to come to him with my daughter
10:40to the house he built for us,
10:42but I was a stubborn old goat.
10:44I hate it when you call me
10:46a stubborn old goat.
10:48You are an old goat,
10:50but you can still be honest.
10:51An old goat.
11:03I need to get some fresh air.
11:06Aren't you coming with us?
11:08Do you feel well?
11:09I feel good,
11:11but I need to rest a bit.
11:13From the boss?
11:16Listen,
11:17discuss your proposal
11:18for a new menu.
11:21Are we changing it?
11:23Don't risk it,
11:24he's not coming.
11:25We're changing it.
11:26Does the boss know?
11:28She'll find out.
11:30I'm the boss in the kitchen.
11:48I'm sure it's not here.
11:50What are you doing?
11:51I want to have a nice dinner.
11:53I know you have a bad temper,
11:54but that doesn't mean
11:55you should be angry.
11:56I still need you.
11:58At the dishwasher, of course.
12:00It's a good thing you added
12:01because I wouldn't have known.
12:03Listen, I left on purpose
12:04not to look at you,
12:05so maybe you'll leave me alone, too.
12:07Just imagine
12:08that I left on purpose, too.
12:11I'm sorry.
12:13I'm sorry.
12:15I'm sorry.
12:17It's here.
12:20Come on.
12:22Good morning.
12:23Good morning.
12:24It's nice that you
12:25always come back to us.
12:27Oh, you brought a guest.
12:30So what are you going to eat?
12:31They have fantastic dumplings.
12:35I invite you.
12:36But this is as part of
12:37the recovery of relations
12:38with employees?
12:40Maybe.
12:43With spinach.
12:45Spinach.
12:46Now spinach.
12:48And for me, with meat.
12:52Oh, eating at the morgue,
12:53what a...
12:54Try it.
12:58Clean taste.
13:00Black pepper.
13:04Only good food.
13:06It makes you happy in life.
13:10Delicious.
13:11Want some?
13:13Can I?
13:14Try it.
13:16No.
13:24And the dough is made only
13:25from flour
13:26poured with boiling water
13:27and a little butter.
13:29I didn't know it was possible.
13:31Why don't I make dumplings?
13:33Simple, delicious
13:34and Polish.
13:35It would be a hit.
13:37If there are dumplings amateurs
13:38in Warsaw,
13:40most of the restaurants
13:41rely on some originality.
13:42I don't rely on it.
13:43No, no, no.
13:44And your duck
13:45or the pear mousse
13:46or the...
13:47the salmon on the quail.
13:49Your kitchen lacks...
13:52How to say it?
13:55Simplicity.
13:56Without any unnecessary
13:57stupidity, as you said.
13:59Do you think I'm making
14:00a bad kitchen?
14:01No, no, but...
14:03You're missing simple
14:04and fast dishes
14:05for employed women
14:06or for women
14:07with young children
14:08who could come in
14:09and wouldn't have to
14:10wait for hours
14:11for a meal.
14:13Why don't we have
14:14a menu for children?
14:15You said you wanted
14:16to change the menu.
14:17I gave you some dishes.
14:18Very simple.
14:19OK, OK, stop, stop, stop, stop.
14:21The proposition of a new menu
14:22was about Don
14:23and a long one.
14:25Cooks.
14:26OK?
14:27Excuse me.
14:31Hello?
14:32Janek?
14:33How are you?
14:35Fantastic.
14:38Three more hours.
14:41Bye.
14:45You.
14:47The main difference
14:48is in the mechanical horses
14:49and not in the body.
14:50In the mechanical horses.
14:51Horses.
14:52Do you understand?
14:53Do you understand?
14:54Horses.
14:55Do you understand horses?
14:56Mechanical horses.
14:58Strength!
14:59Power!
15:01But French.
15:02Automatic French.
15:03I have 220 horses.
15:05Where?
15:06Guess.
15:15Aldona, a long one.
15:18Anka?
15:22The proposition of a new menu.
15:24In two weeks.
15:34Irka!
15:35Irka!
15:36Don't get so excited.
15:37You'll scare away
15:38all the squirrels in the park.
15:40I was in such a hurry.
15:41Where is he?
15:42Who, Cezary?
15:43Who else?
15:44The Holy Spirit?
15:45Not the Holy Spirit.
15:46I beg you, not the Holy Spirit.
15:47He's not here.
15:48I've seen him.
15:49What do you mean?
15:50What did you think?
15:51That we'd just sit here
15:52holding hands?
15:54Irena.
15:56Think about it.
15:57He's your husband after all.
15:59Only on paper.
16:02But he keeps coming back to you.
16:04Right?
16:05He came to Poland regularly.
16:07Every four years.
16:08Regularly.
16:09Every four years.
16:10From the RPA.
16:11And he begged you
16:12to go to him.
16:14And you lied to him.
16:15You told him to wait.
16:16And finally you rejected him.
16:18But Vanda,
16:19it was two different worlds,
16:20me and him.
16:21And besides,
16:22Anka had a school here,
16:23then a university.
16:25If it was about Anka,
16:26you'd tell her.
16:28It was about your life.
16:29Your ambitions.
16:31Grow up,
16:32you stupid old woman, you.
16:34You know what?
16:36Irena.
16:39We keep complaining
16:40that it's bad
16:41to live alone,
16:42that we don't have anyone
16:43to make tea for,
16:44that we don't have anyone
16:45to hold hands with.
16:47Maybe there's still a chance
16:48for us,
16:49before dementia
16:50takes our minds
16:51and ties our hands and legs.
16:57You were dreaming about your kids,
16:58weren't you?
17:02Don't worry.
17:03Maybe she left the house
17:04without her phone.
17:06My mom's been flying around
17:07without a break
17:08and her phone's on the commode.
17:09She says she can't
17:10keep up with the technology.
17:11But I've been trying
17:12for the fourth time.
17:13Don't worry.
17:14Let's go back.
17:15But you can pee.
17:17What came to his mind
17:18with those pulpits?
17:19With what pulpits?
17:20Didn't you hear?
17:21Jerzy told him
17:22to glue the pulpits
17:23to the bolognese.
17:25It took him
17:26twice as much work.
17:39Undeniably
17:42All we do is fight
17:45I don't understand
17:46the things you do
17:49So tell me
17:50Why do I care for you?
17:55You don't ask me in
17:57When I'm at the door
18:00I know it's a sin
18:02To love you more and more
18:05I know that it's crazy
18:07But it's true
18:10Tell me
18:11Why do I care for you?
18:15Oh, why do I care for you?
18:39I only realized
18:40two weeks after the wedding
18:41that
18:42I want to get old with him
18:49Look
18:52I knew it right away
18:55You never thought
18:57about changing the locks?
19:01Cesare?
19:04Oh, Cesare!
19:05Enough!
19:06Hey!
19:07Varda, to the kitchen!
19:09We need to talk
19:15Ilka, you won't
19:16decide for our family
19:17alone any longer
19:18And you won't decide
19:19for me any longer
19:20But it's not your family
19:21It's my family
19:23We didn't divorce
19:24All these years
19:25I've been here
19:26You didn't say
19:27a single word
19:28about the divorce
19:29Because I loved you
19:30you old fool
19:31And I thought
19:32you'd remember
19:33But I didn't remember
19:35Neither did you
19:37And now I'm going
19:38to help my daughter
19:39my granddaughter
19:41and the grandson
19:42or granddaughter
19:43who's about to be born
19:44And nothing
19:45will change my decision
19:47But...
19:48How do you know about the baby?
19:52Ilka, I know everything
19:54Here
19:56Here's Ania
19:57with Mania on the street
20:00Here's Mania
20:01coming back from school
20:02fighting with her boyfriend
20:03Look how she dresses
20:04just look
20:05how she dresses
20:06I think so too
20:07Here's Ania
20:08leaving the court
20:09right after the divorce
20:11And here I am
20:13Yes
20:14You did the right thing
20:15by waiting for her
20:17Here's Ania
20:18going to the restaurant
20:19where she works
20:20at the dishwasher
20:21I know everything, Ilka
20:23I won't be a detective
20:24any longer
20:25to have
20:26a substitute for my family
20:29I want to be present in it
20:31You need me
20:38I'm sorry
20:43Mom?
20:44Mom?
20:45I can't talk to you
20:46where are you going?
20:47I was calling you
20:48for the past fortnight
20:49and you didn't answer
20:50I was so nervous
20:52No, it wasn't Jacob
20:53You're making it too much
20:54What?
20:55I'm not overreacting
20:56Today I found out
20:58what kind of a guy
20:59my ex-wife was
21:00What guy?
21:01Mom
21:02Mom
21:03Don't be mad
21:04I have to
21:05I have to
21:06I have to go, I have to go. Wait.
21:09Who are you calling?
21:11Who?
21:12The guy in the car. He's fantastic.
21:15Anka!
21:16I know him on the street, but he's a friend of mine.
21:19Mom told me that guys don't lie on the street.
21:21Well, I'm sorry, but if my brother were here, we'd go looking for him.
21:24Hi.
21:25Hi.
21:28Good morning, again.
21:29Good morning, good morning.
21:30I hope you've been working well.
21:33This way.
21:34No, thank you.
21:36But I'm warning you, I'm going to follow you to the end.
21:41Excuse me, excuse me.
21:43Okay.
22:04That's what I'm talking about.
22:08Move it.
22:13Did you come to see your boyfriend?
22:15Actually, it's just...
22:18Actually, it's just...
22:20Actually, yes.
22:21A big sacrifice for a friend.
22:24Victor.
22:25Mania.
22:29So, will you join us?
22:31No, thanks, I don't think I can.
22:33Hey, don't worry. Maybe...
22:39Okay!
22:40Enough of this chaos. Sit down.
22:42It's time to get down to work.
22:44We've got a competition ahead of us, and as you know,
22:46the winner is...
22:47The City of London.
22:48The City of London.
22:58A unique place.
23:00It's best to see how this city is developing.
23:04Just don't think that I always take girls here for the first date.
23:09Are you talking about that date again?
23:10It's a forced situation for me.
23:13You threatened to follow me to the end.
23:16And since I'm a polite person, I decided not to make it so difficult for you.
23:20And I agreed right away.
23:22Very good.
23:41Sorry.
23:42It took a while.
23:43The Polish teacher told me to clean the classroom after class.
23:45Why did you dress up like that, huh?
23:47Come with me.
23:48You never know when you'll meet the one and only, right?
23:51For example.
23:52Damn, Mania, there's so much stuff here.
23:55Stop it.
23:57Okay, get in line.
23:58I'd get in line with you.
23:59What?
24:00With everyone in a row.
24:03Grohol, next.
24:10Let's go.
24:16Super.
24:41I was the one.
24:43I'm always prepared for a sudden attack of the winter.
24:58And I believe you meant everyone.
25:02Clean taste.
25:03No need to go to Paris in the morning.
25:05Delicious, thank you.
25:07A stone fell from my heart.
25:09So there's a chance that the first date won't be the last, right?
25:15You know how it is.
25:16I know. You start everything anew.
25:19I have a 16-year-old daughter, my husband dumped me, I'm pregnant.
25:21Idiot, he didn't know what he was missing.
25:24I mean, I'm sorry.
25:25I wanted to say that you're cool.
25:28I like you.
25:31Are you filming the ladies from the washbasin?
25:33Do you have a problem with that?
25:35No.
25:38Sometimes.
25:40My boss is repulsive.
25:43Dirty, bad.
25:44Oil him.
25:45I'm asking you, do you have a problem with that?
25:49Can something be worse than a bug?
25:56No, no, no, don't say that.
25:59It can be worse.
26:00No, please, no.
26:09You really have to go to London?
26:12The competition is in three months.
26:14They're better than me.
26:18And now I want...
26:21something else.
26:23What do you mean?
26:25Oh, nothing.
26:27How long have you known Victor?
26:29He talked to me in the hall today.
26:32Did he try to take advantage of the situation?
26:34Why?
26:35We were just talking.
26:37He's famous for being able to pick up every girl.
26:41Every girl?
26:42Including me, right?
26:46Not really.
26:51What are you doing?
27:06I love you.
27:21Thank you very much.
27:22For what?
27:23For being so nice to me.
27:24You're welcome.
27:26I'm sorry.
27:27I'm sorry.
27:28I'm sorry.
27:29I'm sorry.
27:30I'm sorry.
27:31I'm sorry.
27:32I'm sorry.
27:33I'm sorry.
27:34Thank you very much.
27:35For what?
27:36For...
27:38So what, tomorrow...
27:39Oh, no, no, no.
27:40I'm going to bed early tomorrow.
27:42Bye!
27:44Bye!
27:58Mom!
27:59I'm in the kitchen!
28:04I've been cooking.
28:06With Grohol?
28:10I'm so happy.
28:11I thought he was just a friend of mine,
28:13but it turns out that he's my husband.
28:15Wonderful, my little one.
28:17Mom, I'm so sorry that I'm happy,
28:19and you...
28:20What about me?
28:21Well, at work.
28:22What about work?
28:23Mom, don't lie to me.
28:24And on a good day, pour wine for the boss.
28:26First of all, not on a good day,
28:28and secondly,
28:29the boss just asked me to prepare the menu.
28:34I didn't see Maciek.
28:36So what?
28:37And I was nicer than you.
28:39I think so.
28:40Although, why not?
28:43Mom, if you were supposed to be happy,
28:45why not?
28:47I'll finally meet him.
28:48Or maybe you'll finally invite him to dinner.
28:50I think you're already very good friends.
28:52Very, very good.
28:53Mańka!
28:55Can I go to the computer?
28:57Piotrek will turn it on.
28:58Mhm.
28:59Let's go.
29:05Hi, honey.
29:06Hello, Mom?
29:07I'm reading my thoughts.
29:08I was just about to call you.
29:09Listen, I was busy.
29:11I have...
29:14I mean, I'm...
29:15I'm fine.
29:17Everything's fine,
29:18and you don't have to worry.
29:20But you said someone was following you,
29:21so I got scared that...
29:22No, honey, no one was following me.
29:24It was just a sign of...
29:26well, dementia.
29:28I don't know.
29:29I don't know.
29:30I don't know.
29:31I don't know.
29:32Yeah.
29:33Dementia is enough.
29:38Okay, so I'll see you tomorrow at my place.
29:40Bye.
29:41Bye.
30:03To me
30:26Hello?
30:27Good morning, everyone in a hurry?
30:30Yes, yes, yes.
30:31It's me again.
30:34That's a nice welcome.
30:36Is that why you're telling me to wait this long?
30:39I'm standing by your house.
30:41You're kidding.
30:42Come to the window.
30:51Will you spend one-tenth of your day with me?
30:53Or you know what?
30:54I have a better idea.
30:55Spend the whole day with me.
30:57I'm warning you.
30:58I can ask you endlessly.
31:00I took a day off especially for you.
31:02I guess I should be happy
31:03that despite such a low social status
31:05someone still wants to meet me.
31:07Not someone.
31:08But the best architect in the city, right?
31:10Aha.
31:11It's starting.
31:17Hello?
31:18Good morning, Mrs. Polu.
31:20This is Clemens.
31:22Am I disturbing you?
31:24Good morning, Mr. Clemens.
31:25No, no, you're not disturbing me.
31:26I just dropped by for a moment.
31:28I thought that since you're using your free days at work,
31:32then maybe...
31:34But since you're only here for a moment...
31:35No, no, no, no.
31:36I was going for a walk.
31:40Warsaw, rebuilt after the war, is not so ugly.
31:43No, it's not.
31:44Some buildings are complete nightmares.
31:47Are you saying that MDM is also a complete nightmare?
31:50Maybe not complete, but...
31:51Don't finish, girl.
31:52You started it.
31:57MDM is functional spatial perfection, right?
32:01If you want to say anything about it,
32:03you'd better think about it.
32:12Mr. Clemens, is this kidnapping?
32:15No, Mrs. Polu.
32:16I want to show you my work.
32:20Pipe?
32:22No, Mrs. Polu.
32:26It's mine.
32:29It's mine.
32:32It's mine.
32:33It's mine.
32:36It's mine.
32:37God, where did you get this? I don't know anything about it.
32:40Accelerated course of architecture.
32:42First lesson.
32:44Especially for the resistant ones.
32:47You should be very grateful to me.
32:50And so on and so forth.
32:53Here you go.
32:56Here you go.
32:58I'm exhausted.
33:00Exhausted, but so smart.
33:02One day I'll show you all my buildings in Warsaw and Konstantin.
33:06I hope one is in Warsaw and the other in Konstantin.
33:09No, no, it's nothing. I'm very hardworking.
33:12And very vain.
33:15What is this?
33:18Hydraulics.
33:19My dad taught me.
33:21The furniture store is just my job.
33:24And here...
33:26And here is my heart.
33:30This is my studio.
33:33I can't hide it from you any longer.
33:40My love is wood, Mrs. Polu.
33:52It's so beautiful.
33:54I made this recently.
33:56It's beautiful, too.
33:58A special item for a special woman.
34:03For whom?
34:04For the pianist from the Philharmonic, Mrs. Makowiecka.
34:07Oh, for this Makowiecka, our Makowiecka.
34:10What is it for?
34:11A box for the notes.
34:13Do you think she'll like it?
34:15Yes, for sure.
34:16I love Makowiecka.
34:18Makowiecka.
34:19Her passion, her talent.
34:21The passion of a nobleman.
34:23Everyone should have it.
34:25Especially if it's a woman.
34:34And this is Makowiecka.
34:36No, no.
34:38It's a lady.
34:43What about your boss?
34:45I think he's disappointed.
34:48He'll say he bought you a bouquet of flowers.
34:51I'll have to talk to him about it.
34:54No, but he let me prepare the menu.
34:58And he treated me to dinner.
35:02If he does anything else...
35:06I'll have to kill him.
35:07The boss is a chauvinist.
35:09Gay?
35:10No, I don't think so.
35:12That's a shame.
35:14But I have to be careful.
35:18Is he still so rude?
35:20He's impertinent.
35:23Like this.
35:25Like yours?
35:27Nothing has changed.
35:30I know how to make him happy.
35:32How?
35:34I'll tell you about it in the cinema.
35:36I really can't today.
35:40Your mom came up with another crazy party, right?
35:44Are you a clairvoyant?
35:48Yes.
35:55Hi.
35:56How was the date?
35:58It was cold.
36:00Was it that bad?
36:01Did you see your mom?
36:02Yes.
36:03If nothing happens, it's a miracle.
36:05I understand.
36:06Unless Clemens dumps her on you, right?
36:09Yes, my dear.
36:10Exactly.
36:11Crazy.
36:13Bye.
36:14Bye.
36:19Mr. Clemens,
36:21could we switch to you?
36:24You're always on my side.
36:26Clemens.
36:27Polo, just Polo.
36:29Clemens.
36:33Clemens.
36:36Polo,
36:37I'd like to ask you something.
36:39About everything.
36:40Tell me, what's your passion?
36:48I don't know.
37:05I'd like to ask you about this handsome guy.
37:07He's coming to us from the right.
37:10He's...
37:12a new friend of my mom's.
37:15Irenka, I'm very happy that I got to meet Ania.
37:18Can I offer you some wine?
37:20Cezary.
37:21Oh, yes.
37:22Knowing my mom,
37:23my mom only offered me port.
37:25You could put the flowers in the vase.
37:27I'll do it.
37:28Excuse me.
37:29Damn it.
37:30Excuse me.
37:33There you go.
37:34Fortunately, we, people with character,
37:36can drink something salty.
37:38I took care of it.
37:39A true saviour.
37:41I've never heard a bigger compliment in my life.
37:43Never.
37:44Well, you rarely do.
37:48Never.
37:50Excuse me, Cezary.
37:51Can I ask you...
37:54Sorry, I don't know how to say no.
37:56I'll take care of it.
37:58Your hands.
38:05Ania, you look beautiful.
38:06Oh, my dear, love.
38:08What?
38:09Well, she kissed you.
38:10Lucky girl.
38:11She didn't have to go to the tailor's.
38:12And what about your relationship with Clemens?
38:14It's not over yet?
38:15Ania!
38:16My ego is suffering.
38:17I understand.
38:18Excuse me.
38:19Listen.
38:20Do you think I have a passion?
38:22I mean, there is something.
38:23What?
38:24But I don't know if it's a passion or a disease.
38:26What?
38:27What?
38:28Sex.
38:29Sex!
38:35We have to make a deal.
38:36I have to prepare for it.
38:38I understand.
38:39When I saw her,
38:40my heart almost stopped beating.
38:42And Mańka is so much like me.
38:45You wish.
38:46Mańka is like me.
38:48Ania used to be like you,
38:50but now she's just a little bit like you.
38:52I told you.
38:53I'll find a way with them anyway.
38:55You won't bother me.
38:56Here you are.
38:57If you want, I can disappear from your life.
38:59But I'm excluded.
39:00Excluded.
39:01You won't disappear from my life.
39:02You'll stay.
39:03Do you know why?
39:04Because now
39:05you'll pay me for all the harms of my life.
39:07For all the harms.
39:11Mom!
39:20Let me go.
39:24Daughter.
39:27Dad is back.
39:30Just like that.
39:32Just like that.
39:40Just like that.
39:42Just like that.
40:10Yeah, you're the daddy.
40:13You can teach me how to laugh
40:14and you can teach me how to cry
40:15because you're the daddy.
40:18Show me how to play.
40:19Show me how to sing.
40:21Show me how to dance.
40:22Show me how to swing.
40:23Teach me what to say.
40:25Teach me what to wear.
40:26Teach me what I should do
40:27and teach me not to swear.
40:29Anything you do for me
40:30I'll be there by your side
40:31because you're the daddy.
40:34Well, you can show me how to live
40:35and you can show me how to love.
40:37Teach me how to understand
40:38the Lord up above.
40:39You're the daddy.
40:41Yeah, you're the daddy.
40:44Well, you can teach me how to laugh
40:45and you can teach me how to cry
40:47because you're the daddy.
40:50You're the old man.