Lud, zbunjen, normalan - 153. epizoda (S6E9): https://dai.ly/x91a02s (Sledeca epizoda)
Lud, zbunjen, normalan - 151. epizoda (S6E7): https://dai.ly/x91a02u (Prethodna epizoda)
Lud, zbunjen, normalan - 151. epizoda (S6E7): https://dai.ly/x91a02u (Prethodna epizoda)
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MotorTranscript
00:00This is good. This is interesting.
00:22What is this now?
00:24This is a disaster. Look at this.
00:29This is a disaster.
00:31What happened, Kufa?
00:33Why does this always have to happen to me?
00:36Why does this always have to happen to me?
00:38Come on, Kufa.
00:44He's such a pain in the ass.
00:55Do you need a father, a job or a salary?
01:02Is it new youth, madness or joy?
01:08Is it a man or a child, all the way to the sixties?
01:15Madness, madness, madness, madness, madness is normal.
01:18Madness, madness, madness, madness, madness is normal.
01:22Everywhere around me, music and women.
01:28If I wasn't playing, I would be studying.
01:34Questions torture me, they pull me out of the house.
01:41Problems have been solved, but there is no solution.
01:47Madness, madness, madness, madness, madness is normal.
01:51Madness, madness, madness, madness is normal.
02:02So, Luka, there is nothing from the recording of Sapunica?
02:06Nothing. As things stand now, nothing.
02:11I'm not surprised that you refused us.
02:13Any man would refuse us.
02:15Why, Luka? The script for Sapunica is really good.
02:18What are you talking about? Why?
02:20Izet came to the table with those pills.
02:23He's also crazy.
02:25He spat out the whole set.
02:27The tone is deaf, the recorder is deaf.
02:30Do you think we're kidding?
02:38Hello, production accord.
02:41Burek, it's you. Come on, tell me what's up.
02:43I don't know.
02:45I don't care.
02:47That's great.
02:49That's brilliant.
02:51Listen, go to Izet right away.
02:53I'll be there in five minutes.
02:55Fuck, this could have been good.
02:57What happened, Rukvash?
02:59Burek called and said there's still a chance to shoot a series.
03:02Mentors, we're screwing again.
03:05Rukvash, terrible.
03:07I discovered something terrible.
03:09Let me go, I have to go.
03:11Stop, Bolan.
03:13Life is not about a thin end and a needle in a haystack.
03:16Mentors are talking about a needle, an end and a haystack.
03:21Rukvash!
03:23What happened, Kufa?
03:25Don't ask my mentors.
03:27Okay, I won't ask you.
03:29Ask, but don't ask how terrible it is.
03:31Kufa, should I ask you or not?
03:33That's just how it's said.
03:35Don't ask.
03:37I don't understand this Bosnian language.
03:40Listen, I know now.
03:42When I tell you not to ask, I have to ask you.
03:45Tell me, what happened?
03:47I stumbled upon a diary.
03:49A diary? Was there something in the news?
03:51Not that diary, this diary.
03:53My old woman has been keeping a diary
03:55since the day the three of us were born.
03:57Who's the three of us? You, Chombe, and who's the third?
03:59Fufe. Chombe, Fufe, and me, Kufe.
04:01The three of us.
04:03Oh, great luck for humanity.
04:05It's not about humanity.
04:07It's just here.
04:09Invalid.
04:11Look what the old woman wrote.
04:13She went to a tailor 30 years ago,
04:15and the tailor made her.
04:17She says one of her three sons
04:19will die the day she turns 37.
04:21Kufa, how old are you?
04:23In 10 days, I'll be 37.
04:25Look, it says here
04:27that one of you three will die,
04:29but that doesn't mean it's you.
04:31I'm not lucky enough for my brother to die.
04:33That's me, mentor.
04:35How do you know that?
04:37I have seven senses.
04:39Touch, taste, smell,
04:41hearing, sight, five.
04:43What's the sixth?
04:45I don't have a sixth.
04:47I have five and seven.
04:49Don't ask.
04:51I mean, really, don't ask.
04:53Leave me alone.
04:55It's not that bad.
04:57Not bad, not bad.
04:59It's not bad.
05:01The main thing is that we're still in the game.
05:03There you are.
05:05Come on, tell me.
05:07What happened?
05:09I'm telling you now.
05:11I talked to the main guy
05:13and I got rid of him.
05:15So we're shooting a series,
05:17but there are some conditions.
05:19Tell me.
05:21There are conditions.
05:23We have to shoot a pilot episode
05:25at our expense.
05:27At our expense.
05:29But if we can do the first pilot episode,
05:31we can shoot four episodes
05:33at full price.
05:35Bravo.
05:37We first broadcast the pilot episode
05:39and if the viewership is good,
05:41they take the whole series.
05:43How are we going to shoot the pilot episode?
05:45The pilot episode costs.
05:47Of course it costs.
05:49And he says that actors
05:51can play the part.
05:53100%.
05:55We tell the actors
05:57that they will get the money
05:59for the actors.
06:01But do you know
06:03how much it costs to shoot?
06:05It's a lot of money.
06:07Can we go to my apartment?
06:09We can't go to your apartment.
06:11It's too small.
06:13I can't put a camera there.
06:15I have to have a height for the grid.
06:17I can't put people there.
06:19They would destroy half of your apartment.
06:21There is no destruction.
06:23Wait a minute.
06:25I know where we can shoot.
06:27Here in the tavern.
06:29Yes, Maria.
06:31It's wide here.
06:33We can put a camera here.
06:35We can make a great barbecue.
06:37Maria, the whole scenario
06:39happens in one day stay
06:41and in one tavern.
06:43That's right.
06:45And here in this VIP part
06:47we put a couch, a TV,
06:49we make a day stay
06:51and this part plays the tavern.
06:53This is a tavern.
06:55This is a tavern.
06:57Maria, it's a tavern.
06:59It's a tavern.
07:01It's a tavern.
07:03I have to close the tavern, right?
07:05Not all the time.
07:07Only when we shoot the tone.
07:09For the sake of the crowd.
07:11In your story,
07:13I recognize a minus
07:15or a loss for me.
07:17You don't care.
07:19Let the tavern work.
07:21Let it be open.
07:23Let the tavern work.
07:25How are we going to shoot the tone?
07:27Let the tone be open.
07:29We shoot the picture.
07:31And this?
07:33If your series is a success
07:35and if the TV gets the money,
07:37what then?
07:39Then you get 300 marks
07:41per day.
07:43That's twice as much
07:45as you get paid.
07:47You don't know that.
07:49How much do I get?
07:51Okay.
07:53Prepare a contract to sign
07:55and a deal.
07:57Now you explain to me
07:59how we're going to shoot the tone
08:01in the full tavern.
08:03What are we going to catch in every episode?
08:05What did you put on that tone?
08:07I have a director for that.
08:17Come on, Faruk.
08:19It's time.
08:23Dear
08:25our coffee,
08:27we've gathered here
08:29to say goodbye
08:31and send you
08:33on your last journey.
08:35You were a traveler,
08:37you were in America,
08:39you've been all over the world.
08:41Many of us
08:43haven't even been to the island.
08:45We've chosen this small tavern
08:47to take you on a journey
08:49to the biggest world
08:51you'll never find your way back from.
08:55You loved this tavern.
08:57You've spent the best moments
08:59of your
09:01useless life in it.
09:03Allow me, coffee,
09:05to happily quote
09:07your most beautiful poem.
09:09What is life?
09:11It's a flight of flies
09:13from a broom
09:15to a bowl of soup.
09:17What is it?
09:19It's all on the table,
09:21so we can sit down
09:23in peace.
09:25Now, dear coffee,
09:27in peace,
09:29the fat, hollow
09:31organ forgets
09:33everything
09:35about us.
09:41My mother!
09:43Where have you been?
09:45I dreamt I died, Mentor.
09:47I died a terrible death.
09:49So what?
09:51My heart stopped beating.
09:53What a funeral!
09:55You were all at the funeral.
09:57Except for Shupak.
09:59It was awful.
10:01Let it go, fool.
10:03It was horrible.
10:05But you know what this means?
10:07What?
10:09It means I'm one of the three
10:11who are going to die.
10:13When did they make a mistake?
10:15Tell me, when?
10:17Never!
10:19Why don't you go, Mentor?
10:21You have ten more days
10:23until you turn 37.
10:25I don't have a pension.
10:27What will I do
10:29when I die in ten days?
10:31Calm down.
10:33Why don't you go
10:35to a private clinic?
10:37There's an advertisement
10:39at the clinic.
10:41The clinic does all kinds
10:43of systematic examinations.
10:45The basic exam is 500 marks.
10:47Where do I get that money?
10:49Maybe I should sell my guitar.
10:51Great idea!
10:53What do you need a guitar for when you die?
10:55What if I die
10:57before I sell my guitar?
10:59I die in ten days,
11:01and if I don't sell it in ten days,
11:03I don't have money for the exam.
11:05I'll give you
11:07500 marks.
11:09One, two, three, four, five.
11:11When you sell your guitar,
11:13you give it back to me. Deal?
11:15Deal.
11:17Mentor, you're a great man. Thank you.
11:23Burjak, we have to move the couch.
11:25The price is there.
11:27Come on.
11:29Okay, okay.
11:31Let me check.
11:33Give it back.
11:35Give it back.
11:37Half a cent.
11:39Okay, okay.
11:41Everything has to be in balance.
11:43I know, but something is missing, Faruk.
11:45The window is missing.
11:47This is a day trip.
11:49It has to be a window.
11:51Don't worry. Faruk thought of everything.
11:53The window is coming.
11:55Come here and help me.
11:57Come on.
11:59Slowly.
12:01Slowly.
12:05Leave it there.
12:07Let me check.
12:09It looks like Faruk made a mistake.
12:11Yes, yes.
12:13Move it two millimeters to the left.
12:15Okay, okay.
12:19That's it.
12:21This is a different story.
12:23You thought of everything, Faruk.
12:25Burjak, let's make a professional disposition.
12:27Take out the administration.
12:29I can't believe it.
12:31There's not even nine o'clock in the morning.
12:33He got up and started working.
12:35It's hard to believe.
12:37How did you let them film here?
12:39Why?
12:41Okay, he'll work normally.
12:43No way.
12:45Now at nine o'clock I open like every other day.
12:47If they sell the series,
12:49I hit 300 marks per day.
12:51Filming?
12:53Alone?
12:55I'm kidding.
12:57Hold this.
13:03Excuse me.
13:05You told me to come here
13:07because of the casting for Sapunica.
13:09Yes, yes.
13:11Rubber band.
13:13No, it's for my son.
13:15Oh, Janica.
13:17Damir.
13:19Where are you from?
13:21We haven't seen each other for...
13:23Twelve years.
13:25Okay, I know.
13:27I'm sorry that it all ended like that.
13:29But...
13:31Hey, maybe I can help you now.
13:33You know, my old man is the boss at Sapunica.
13:35Maybe I can...
13:37Don't help me, please.
13:39You didn't help me when I needed you.
13:41So you don't have to now.
13:45You have a nice relationship.
13:47What do I know?
13:49We were having fun for a few months,
13:51but it didn't end well.
13:53I'll help you when I need you.
13:55No problem.
13:57Do you want some coffee?
13:59I can't anymore.
14:01Bring me a chair.
14:05Oh, Rukvash!
14:07Here's Mr. Daniel's TV.
14:11Easy, horse.
14:13He told us that he'll kill us
14:15if we break the TV.
14:17Okay, here you go.
14:19We've agreed on everything.
14:21Goodbye.
14:23Rukvash, where are we going?
14:25What do you mean, where are we going?
14:27To the place where the match is being held.
14:29He told us that if something happens
14:31to the TV, someone else will buy it for him.
14:33Wow, how well you've done this.
14:37It's a real living room.
14:39But the window is a bit crooked.
14:41It's not in the angle.
14:43And the old Greeks invented
14:45Schlaufe, Waage and Winkler.
14:47And here, people still do it from the side.
14:49From the side, from the side.
14:51Of course it's not in the angle.
14:53It has to be so that it's in the scarf.
14:55Okay, okay.
14:57I've been cutting it all morning
14:59and you tell me now that it's not in the angle.
15:01Write, burek.
15:03Technique.
15:05Have you been to the doctor?
15:07I have. I'm as healthy as a horse.
15:09Here, take a look.
15:11Pregnancy.
15:13Four in the morning.
15:15If you're healthy, then what are you worried about?
15:17I'm worried about something.
15:19Maybe I won't die of some disease.
15:21Maybe I'll get hit by a bus when I'm 37.
15:23Maybe there'll be an earthquake.
15:25Maybe there'll be the end of the world.
15:27Maybe the planet will explode.
15:29Gatara didn't specify how I'm going to die.
15:31Kufe, if there's the end of the world,
15:33then all of us will die.
15:35I know, but that doesn't reduce
15:37the tragedy of my premature death.
15:39Kufe, did you sell the guitar
15:41to get my money back?
15:43I found a buyer.
15:45I'll give it back to you.
15:47Faruk, it's nine o'clock.
15:49I'm opening the tavern, just so you know.
15:51I'm not counting,
15:53and I see you're not counting either.
15:55If all the guests enter the tavern,
15:57how are we going to record the tone?
15:59You know there has to be absolute silence
16:01for the tone to be recorded.
16:03Don't worry, I have a plan.
16:05Kufe, come here.
16:07Tell me, boss.
16:09Do you remember what I told you yesterday?
16:11I remember, how could I not?
16:13An ordinary idiot,
16:15an idiot, and a horse.
16:17Actually, for you,
16:19to say that you're a horse
16:21is an insult to that noble animal.
16:23Not that,
16:25but what I told you yesterday
16:27to do.
16:29Ah, there.
16:33Listen, Kufe, when you go to the closet,
16:35pull the water behind you.
16:37And you have this brush
16:39to clean the oil,
16:41cement it.
16:43Now I have to clean the toilet.
16:45Boss, I let the water run.
16:47If there's anything left, it's Mentor's.
16:49Kufe, that's for the soap, man.
16:51You didn't tell me anything
16:53that I should pour soap into the toilet.
16:55For the show, horse,
16:57for the show.
16:59What for the show?
17:01For the show.
17:03Why don't you say so?
17:05Do you want it now?
17:07No, I want it the day after tomorrow.
17:09Kufe, immediately, horse,
17:11immediately, run!
17:13Why are you shouting?
17:15You said first, what?
17:17Run, horse, run!
17:19Burek, let's move on.
17:21Food.
17:23I'm on food.
17:25Manager, stronger food for the manager.
17:27So, beefsteak, medium-baked,
17:29trufachia, whiskey,
17:31cigarillos.
17:33First you'll wake Faruk up.
17:35Well, who's in charge here?
17:37Technician.
17:39Macaroni.
17:47This is
17:49the blood of your blood.
17:51The son of your son.
17:53Come on, please.
17:55You can see
17:57that the child has nothing to do with us.
17:59I know what you want.
18:01You want to hire us
18:03to support the child.
18:07How can you be
18:09so heartless?
18:11How? Do you think
18:13I'm
18:15like that?
18:17Do you really think so?
18:19I've always been
18:21faithful to your son.
18:23And we all know
18:25what kind of person he is.
18:27He's an ordinary
18:29sex addict.
18:31He slept
18:33with me.
18:35With my best friend Gabriela.
18:37With her best friend
18:41Petronella.
18:43He slept with
18:45her family.
18:47I've seen them.
18:49I've seen them all
18:51getting wasted.
18:53Stop! Stop!
18:55This won't go.
18:57Why? Because it was good.
18:59What was good?
19:01Where did you play Barbara?
19:03She can play with Elvira
19:05and Jukič, but not
19:07with me.
19:09What's the problem?
19:11You're reading with your palm all the time.
19:13Your words follow your palm
19:15and your palm follows your words.
19:17And instead of the words slipping
19:19out of your mouth,
19:21you have a rasp on your lips.
19:23I didn't have time to learn the text.
19:25This is a very demanding role.
19:27And secondly,
19:29I've been overworked.
19:31Damir, please,
19:33tell him not to piss on me.
19:35Dad!
19:37Mentor, take the little one
19:39to the wardrobe. You were good.
19:41And me? You were great.
19:43It's packed. Let's go.
19:45We'll work
19:47only with Barbara
19:49and we'll do it very
19:51big.
19:53So you can't see her hands.
19:55Last afternoon,
19:57I had another guest who didn't come in.
19:59That's strange.
20:01Damir, get changed.
20:03Give him the shirt.
20:05Why should I get changed?
20:07I'm not talking to you, I'm talking to him.
20:09His name is Damir.
20:11Where did this mentor come from?
20:13I don't understand him.
20:15Your name is Damir, just like me.
20:17We have the same shirt.
20:19I told my mom to buy it.
20:21Me too.
20:23Damir, when you grow up,
20:25you want to be an actor, right?
20:27Doctor? I'm a doctor.
20:29Watch out for the button.
20:31It happens to me all the time.
20:33Damir, it happens to you all the time.
20:35He wears the wrong shirt all the time.
20:37It happens to me all the time.
20:39You two are just like father and son.
20:41Son Damir,
20:43what are you doing with him?
20:45Mom, I'm done. Can we go?
20:47Janita didn't know Damir was your son.
20:49Let's go.
20:51Watch out, son.
20:53I've told you a hundred times.
20:55Damir,
20:57you were dealing with Janita.
20:59How long ago?
21:01About 12 years.
21:03How old do you think this little Damir is?
21:05Well,
21:07about 12.
21:09You know, when she says
21:11you didn't help her when she needed it,
21:13it makes sense to me now.
21:15Damir,
21:17he wears the wrong shirt.
21:19I don't think so.
21:21Why didn't you tell her this morning?
21:23You know, I have to pick up the guitar tomorrow
21:25to pick up Lova.
21:27And you?
21:29I can't either.
21:31My family is coming from Pristina tomorrow.
21:33There's a lot of buses, 15 of them.
21:35Fuck it, people.
21:37We have to film, we can't be late.
21:39Tell me, can you do it on camera?
21:41Yeah, I'm sure I can do it better than this.
21:43Who wants the sound?
21:45We'll see about that.
21:49Hello, this is Reza.
21:51Hello.
21:53That's great.
21:55We've got some fantastic shots.
21:57But tell me,
21:59have you ever been a carpenter?
22:01All my life I've been a carpenter,
22:03a fisherman,
22:05a par excellence.
22:07That's great.
22:09Tomorrow you'll take over Blinker from the mentor.
22:11Let it go.
22:13I'll explain to you when I get back.
22:15Bye.
22:17Okay.
22:19Do what you have to do in the morning,
22:21but you have to be here
22:23after lunch, is that clear?
22:25Yes, boss.
22:27You're the mentor, do what you have to do.
22:31I'm sorry, I have to talk to you.
22:33Go ahead.
22:35Yes, Barbara?
22:39I read the scenes for tomorrow
22:41and
22:43I don't want to do this for you.
22:45That's great.
22:47When actors read the scenes,
22:49that's real professionalism.
22:51Tomorrow you'll be praised
22:53at the professional level.
22:55Thank you,
22:57because I'm an actress
22:59and I can't afford
23:01to throw myself off the stairs.
23:03You need a stuntman.
23:05Barbara,
23:07come here, my love.
23:09Shoo!
23:11Dad,
23:13I need your help.
23:15Shoo!
23:17I'm sorry, son.
23:19I thought he was an actor.
23:21Dad, I look like shit.
23:27You have to believe me, son.
23:29What you heard
23:31is not true.
23:33Your father
23:35is Ronaldinho.
23:37At the same time,
23:39he ruined my life.
23:41Those are just bad words.
23:43Stop!
23:45Stop!
23:47Let him go.
23:49My hands are swollen.
23:51This is pure amateurism.
23:53What's the problem now?
23:55What's the problem?
23:57Can't you see
23:59that the little actor is cold?
24:01He doesn't understand anything.
24:03He didn't even say a word.
24:05Shut up!
24:07Who's the director here?
24:09You or me?
24:11Get up, little actor.
24:13And cut.
24:15Very good.
24:17Like this.
24:19Now say,
24:21shargarepa.
24:23Do you see
24:25how he understands every word now?
24:27Sit down, little actor.
24:29Don't let him
24:31take my camera home.
24:33I think this will be enough.
24:35What's that?
24:37Pesticides for DNA analysis.
24:39Where are they?
24:41We have to go to plan B.
24:43Plan B?
24:45What you heard
24:47is not true.
24:49Your father
24:51is Ronaldinho.
24:53Shut up and don't hit me.
24:55This is pure amateurism.
24:57Those are just bad words.
24:59Stop!
25:01Stop!
25:03This is not amateurism.
25:05This is pure primitivism.
25:07Hey, Spielberg!
25:09Why are you shaking?
25:11Why am I shaking?
25:13I'm the only one with eyes and ears here.
25:15Little actor, stop!
25:17Look at how bad the actor's hair is.
25:19Look!
25:21Every hair is leading its own politics.
25:23Look!
25:25One of your hair fell off
25:27so I had to take it out
25:29so that the audience's eyes wouldn't hurt.
25:31My God, Faruk.
25:33Little actor has better hair before.
25:35Costume, make-up, corrections.
25:37Can I sit down?
25:39No.
25:41Stay here and practice while you're a little actor.
25:47Here you go.
25:49This is all I can do for you.
25:51Now go.
26:01How much?
26:03Do you want me to sign up for your hunt?
26:05What kind of hunt is this?
26:07500 marks.
26:09I have to return the debt to the mentor when he comes.
26:11There's no one like you.
26:13How can you ask me that?
26:15Look where Shank is.
26:17There's no chance. Shank is so close.
26:19And I have 500 marks in my pocket.
26:21Do you know when that money will come to the mentor?
26:23Never.
26:25Okay, I'll keep it and I'll give it to the mentor.
26:27Okay, people, don't waste time.
26:29What are we filming?
26:31Now we're filming...
26:33When...
26:35Wait, wait.
26:37Oh, yes.
26:39Now we're filming the scene with the stairs.
26:41Kufa, the camera is here.
26:43Okay.
26:45How?
26:47Actually, Kufa,
26:49the camera is here.
26:53It's better if the camera is there.
26:55Go out, please.
26:57Put the camera there
26:59or I'll take it home.
27:01Kufa,
27:03I told you nicely.
27:05The camera is here.
27:09I said it nicely.
27:11Now we're filming the scene
27:13when Barbara breaks the door
27:15and the stairs
27:17of San Remo are right there.
27:19I said it nicely.
27:21I won't fall down the stairs
27:23or break the door.
27:25You're a stuntman.
27:27Barbara, where can I find
27:29a blue-eyed stuntman of your size?
27:31Besides,
27:33stuntmen are expensive. I don't have money.
27:35It's all expensive.
27:37It's not my problem.
27:39I'm an actress.
27:41I don't want to fall down the stairs.
27:43It's under my honor.
27:45Then...
27:47You're an actress.
27:49You don't have to fall for real.
27:51When you solve this problem,
27:53I'll buy you a salon.
27:55I can't. I'm an actress.
27:57You're a shit,
27:59both as an actress and as a man.
28:01We don't have money for stuntmen.
28:03And that's not the only problem.
28:05Is the scene with Barbara
28:07and the stairs being filmed in this tavern?
28:09It is.
28:11And the tavern is empty.
28:13We have to get the staff to fill the tavern.
28:15Kufa, Međutija, come here.
28:17Yes, boss.
28:19Do what I told you.
28:23Oh, Kufa.
28:25You stink.
28:27You should take a bath.
28:29You can't keep up with me.
28:35I took a shower this morning.
28:37No, you idiot.
28:39The one with the curtain.
28:41The one with the curtain?
28:43No problem.
28:4517 minutes and 30 seconds.
28:47Pause!
28:49I'm not counting this.
28:51It's almost noon.
28:53No guest has come to the tavern.
28:55Not yesterday, not today.
28:57I'm going to fail.
29:03It's good.
29:05It's warm, full of peppers.
29:07It smells like peppers.
29:09Oh, my God.
29:11I can't believe it.
29:13The tavern is full in a second.
29:15Did you see that?
29:17It's weird.
29:19They all ordered whiskey for me.
29:21It never happened to me.
29:31We have enough statistics.
29:35We can start filming.
29:37I don't know what we'll do with the stuntman.
29:39I have no idea.
29:41Faruk, did Kufa give you some money?
29:43Yes.
29:45He gave me to pay a debt to the mentor.
29:47Listen,
29:49how are you going to do it?
29:55I'll give you a thousand percent.
29:57Just listen to me and eat.
29:59Sorry for being late.
30:01Here I am.
30:03Mentor, can I ask you something?
30:05Ask me, Faruk.
30:07I have a business proposal for you.
30:09What would you do for 500 marks?
30:11500 marks?
30:13That's a good catch.
30:15What if I kill someone?
30:17You don't have to kill anyone.
30:19You just have to be a stuntman.
30:21How? Jump from a building?
30:23No, not from a building.
30:25You just have to jump from the top of those stairs.
30:27That's not a problem.
30:29Great.
30:31Faruk, do I have to jump now?
30:33That's right.
30:35Will you give me 500 marks?
30:37I'll give you 500 marks.
30:39Faruk, that's why I'm hunting.
30:41I'll jump with my head if I have to.
30:43Why are you jumping with your head?
30:45Stop! Stop!
30:47Wait. Here's a pillow.
30:49So you don't hit your head.
30:51For me!
30:53For me, an actor is a saint.
30:57Kufa, are you ready?
30:59Ready.
31:01Go.
31:03Camera.
31:05Sound.
31:07Action!
31:09Stop!
31:11Stop!
31:13Phenomenal!
31:15Well done, mentor!
31:17Here's your 500 marks.
31:19You deserve it.
31:21Thank you, Faruk.
31:25Faruk, did you give the mentor my 500 marks?
31:27Are you crazy?
31:29You see I gave it to him.
31:31Yes, I'm a fool too.
31:33From now on, Barbara has an alternative.
31:35The director won't suffer
31:37because of actors and actresses.
31:39Come on, bring the mentor.
31:41Let Barbara put on his costume.
31:43Let's continue filming.
31:51This is called a successful day.
31:53We filmed everything we needed.
31:55Yes, yes.
31:57Where's that crazy Kufa?
31:59He went to call his brother to America.
32:01Why is he calling his brother to America?
32:03Why is he calling his brother to America?
32:05Marija, everyone's drunk.
32:07Kufa is happy today.
32:09Guys, my brother died.
32:11Chombe died?
32:13No, not Chombe, Fufe.
32:15Chombe was driving a Rickards and he got hit by a car.
32:17Come on, we have to celebrate this.
32:19Look at this.
32:21Let the actors come three hours before the director.
32:25Man, I have great news.
32:27What is it? Is the DNA test done?
32:29It's done.
32:31We have nothing in common.
32:33Great, I'm so happy.
32:37Mom?
32:39Yes, son?
32:41Why is dad saying I'm not his son?
32:43I'm sorry?
32:45I heard him say he did a DNA test.
32:47Fuck.
32:49He found out.
32:51THE BEST OF THE BEST
32:53THE BEST OF THE BEST
32:55THE BEST OF THE BEST
32:57THE BEST OF THE BEST
32:59My dear readers,
33:01the adversity of the future
33:03is waiting for us.
33:05We can't forget
33:07that a better time
33:09is coming.
33:11In the Tito's time
33:13everything was going well,
33:15but slowly.
33:17The truck was moving,
33:19the cement was falling,
33:21everything was falling apart.
33:23These days
33:25there is no peace.
33:27They are making us poor
33:29by stealing
33:31so they can find a family
33:33for a hundred generations.
33:35This is their fashion
33:37in Svivendi.
33:39What does that mean?
33:41The way
33:43of life
33:45in Lopov.
33:49Zdivic, Zdoslav Bip
33:55Let me live
33:57just to survive
33:59a little bit of sadness
34:01and happiness
34:03life is not going to wait
34:05Let me live
34:07just to survive
34:09a little bit of fear
34:11and pain
34:13life is to love
34:15Zdivic, Zdoslav Bip
34:19BEEP