Lud, zbunjen, normalan - 176. epizoda (S7E8): https://dai.ly/x91jtjm (Sledeca epizoda)
Lud, zbunjen, normalan - 174. epizoda (S7E6): https://dai.ly/x91jtju (Prethodna epizoda)
Lud, zbunjen, normalan - 174. epizoda (S7E6): https://dai.ly/x91jtju (Prethodna epizoda)
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MotorTranscript
00:00SORRY, I CAN'T.
00:02I'M A BIT OLD.
00:04I'M A BIT OLD.
00:06I'M A BIT OLD.
00:08I'M A BIT OLD.
00:10I'M A BIT OLD.
00:12Pour it.
00:14Bugaj mi, Sine, you drink a lot.
00:16You shouldn't.
00:18I drink a lot.
00:20I'm just following you, we drank the same.
00:22I'm telling you, you drink a lot.
00:24You drink a lot.
00:28I can't believe it.
00:30This early,
00:32and you two are drunk.
00:34We didn't get drunk early,
00:36you got up late.
00:38Emo, Tajo,
00:40when you hear what happened,
00:42you'll get drunk too.
00:44It's not that there's no reason,
00:46but, Sine, Damir,
00:48I'm serious,
00:50you've been drinking a bit too much lately.
00:52I can't believe it.
00:54He's trying to follow me,
00:56that's too ambitious.
01:02See?
01:04I told you.
01:06Emo, Sine, you fool,
01:08where will you go
01:10to follow that drunkard?
01:12You know he has a hot stomach,
01:14like a camel.
01:16Look what he did to my child.
01:18It wasn't me, my dear Faruk.
01:20It was that drunkard,
01:22Barbara.
01:24I can't explain it to you.
01:26Were you there
01:28at the old age court?
01:30Yes, this morning.
01:32And?
01:34You see,
01:36our situation,
01:38how we got through it.
01:40Totally.
01:42I can see
01:44my poor child
01:46in just four hours.
01:48In seven days.
01:50Come on, relax.
01:52You know we've got Kec in our sleeve.
01:54Barbara can't do anything to us.
01:56And if she tries anything,
01:58we'll do it.
02:00What?
02:02We'll make her
02:04and forbid her
02:06to release the series.
02:08I've already written
02:10that her character
02:12will go to this operation
02:14and we'll take another actress.
02:16Why are you getting drunk
02:18because of a court decision?
02:20Maybe he's getting drunk
02:22because of a court decision.
02:24I drink like this,
02:26standard.
02:28It will be, it will be,
02:30it will be normal.
02:32It will be, it will be,
02:34it will be normal.
02:36It will be, it will be,
02:38it will be normal.
02:40It will be, it will be,
02:42it will be normal.
02:44Bitch,
02:46did you think about
02:48the offer I gave you?
02:50You'll have to give me
02:52some time to think.
02:54It's a big decision for a girl.
02:56It's a big decision
02:58to go to Kosovo
03:00and live together.
03:02Ok, I'll wait.
03:04Thank you for understanding.
03:06It means a lot to me.
03:08I'm going.
03:12Hey!
03:14You're not going to tell me
03:16that you're seriously thinking
03:18about going for a mentor
03:20and going to hell to live?
03:22I don't get it.
03:24Seriously, why should I reject him?
03:26If I reject him, he'll go to another cafe.
03:28I'll just drag him here,
03:30he'll sit here, drink, eat,
03:32just to look at me.
03:34I like the way you think.
03:36Little girl,
03:38you'll get it.
03:40I'm going to take a break now.
03:42Before he comes back and asks for me.
03:44Let's go.
03:48Little bitch.
03:50Little bitch.
03:52Hey, thanks.
03:54Watch out.
03:56The actresses are here.
03:58We're going to film.
04:00Thanks.
04:02Bye.
04:04What's wrong, little boy?
04:06What's wrong with you?
04:08You're playing the bear, aren't you?
04:10Come on!
04:12Leave that stick and go!
04:14Go to school!
04:16Where's the mentor?
04:18Today,
04:20the mentor is filming.
04:22He's in the closet.
04:24No, no, no.
04:26You can't act like this.
04:28He's going to the toilet
04:30as he pleases.
04:32From today,
04:34whoever wants to go to the toilet,
04:36has to write me a written request.
04:38It's clear that it can be made available.
04:42What is it, director?
04:44Is there a problem?
04:46What's going on?
04:48Where did you come from?
04:50It's logical that I,
04:52as a TV director,
04:54should see how things are going
04:56in your series.
04:58Let's talk and exchange ideas.
05:00Yes, of course.
05:02This is my deputy,
05:04Safet Bilmez.
05:06Nice to meet you, Bilmez.
05:08Nice to meet you, too.
05:10I have another short scene
05:12to direct.
05:14Have a drink, we'll talk later.
05:16Great.
05:26Hello, Maria. How are you?
05:30Fine.
05:32Hello, Jure. How are you?
05:36Not bad.
05:38I'm listening.
05:40Faruk, you...
05:42Yes.
05:44It's been a while.
05:48Here I am, Luhvas.
05:50Where have you been, Mentor?
05:52You're shooting that today.
05:54What do you think we're shooting?
05:56It's not a movie.
05:58Why are you angry with me, Luhvas?
06:00Take this to the toilet.
06:02Are the guys ready, Barbara?
06:04Yes.
06:06Are the guys ready, Barbara?
06:08Yes.
06:10Excuse me.
06:12I need to get into character.
06:14I'm in.
06:16Camera.
06:18Sound.
06:20Action!
06:22You had your first sex
06:24when you were 16.
06:26And I was three.
06:30Your words are
06:32songs for the ears
06:34of a proud father.
06:36You shouldn't have heard this.
06:38It's a secret.
06:40Only you and the three of them
06:42know about it?
06:44Yes.
06:46What are you doing here?
06:48Let me read these old papers.
06:50I'm cleaning the dust.
06:52Just a minute.
06:54That's good.
06:56At least you're useful in this house.
06:58No!
07:00No!
07:02Why?
07:04Why, father?
07:06You told me to do house chores
07:08so I could get drunk.
07:10Oh!
07:12You've already wiped
07:14a terrible tragedy.
07:16I wrote
07:18a phone number
07:20in the dust
07:22of a fantastic lady.
07:26Stop!
07:28Bravo!
07:30You were great.
07:32No need for a second take.
07:34Filming is over for today.
07:36See you tomorrow at 4.30.
07:38Do we all have to be there at 4.30?
07:40No.
07:42Actors, make-up, costume,
07:44cut at 11.
07:46I'm starving.
07:48I'm going to the kitchen
07:50to cook something.
07:52Hey, Jure.
07:54How are you?
07:56As expected.
07:58Some things are good,
08:00really good,
08:02and some...
08:04What?
08:06Maybe we should start
08:08with what's good.
08:10For example, the script.
08:12It's really not bad.
08:14I like the script.
08:16It's normal.
08:18You're a professional.
08:20You know what's good.
08:22Mr. Izet,
08:24no matter how bad your script is,
08:26your acting is a disaster.
08:30Acting is a disaster?
08:32When you're acting,
08:34you're fighting,
08:36as if you're in a prison,
08:38and you're trying to be heard
08:40in the back row.
08:42Jure, we have to listen to this insult.
08:44Izet, Jure doesn't insult us.
08:46He insults you.
08:48And we have to listen
08:50because Jure provides us with funds.
08:52Mr. Izet,
08:54don't take my criticism
08:56as a good intention.
08:58When you're acting,
09:00try to fight less.
09:02I have to fight
09:04when the tone is high.
09:06Don't film me if I'm not loud.
09:08Izet, you're fighting like hell.
09:10You've broken my ears.
09:12Run away when I tell you.
09:14However,
09:16some other acting creations
09:18are excellent.
09:20Here, Mrs. Barbara,
09:22my most sincere congratulations.
09:26Your creation,
09:28Don Juan's Cherry,
09:30will become an anthology
09:32of regional acting.
09:34Wow, you're so sweet and real.
09:38Tell me,
09:40are you the first act
09:42of a play?
09:44This is the second act of a play
09:46in Gacko. Goodbye.
09:48Take this shit off my face.
09:50Mr. Izet,
09:52Gacko doesn't have a professional set,
09:54but Kula Fazlagic does.
09:56I directed
09:58Babur Shah's Serjada there.
10:00All the surrounding villages watched it.
10:02Mr. Zaklan,
10:04do you have any
10:06real observations?
10:08No, that would be it.
10:10Faruk, remember,
10:12without Mrs. Barbara,
10:14nothing will be all right.
10:16Her role is crucial
10:18for the series.
10:20Without her, there would be no series.
10:22Don't worry,
10:24Barbara is my greatest
10:26directing talent.
10:28I patented myself.
10:30Bravo.
10:32He will fight me.
10:34He has no idea what acting is.
10:36When I was acting, he didn't even notice.
10:38Mr. Izet,
10:40excuse me,
10:42but I have to tell you
10:44that I don't agree with my boss.
10:46I don't agree either.
10:48It's normal for me to be asked.
10:50I would focus
10:52on you.
10:54I only heard about you.
10:56It's all on me.
10:58Who are you?
11:00What do you do on TV?
11:02I work as his deputy.
11:04See?
11:06That's why our country is falling apart.
11:08Deputies know everything,
11:10but directors have no idea.
11:12I would tell my friend everything.
11:14Excuse me.
11:16I'm done.
11:18Goodbye, Mr. Izet.
11:20Goodbye, Znalče.
11:22What do you want, friend?
11:24Izet, today is Tuesday.
11:26One of you, Fazlinović,
11:28has to take over Jebrica.
11:30Four hours.
11:32Okay, I'll take care of it.
11:34It's not like before.
11:36Take the kid and bring him back
11:38when he's your boss.
11:40He's my boss.
11:42Four hours, not a minute more,
11:44or I'll call the social worker.
11:48Izet, shut up.
11:50I saw you.
11:52How?
11:54You have eyes on your back.
12:02So, nothing?
12:04Nothing.
12:06Faruk, I'm serious now.
12:08Tell me.
12:10I came here today...
12:12I mean, I'd be lying
12:14if I said
12:16I didn't trust you.
12:20But nothing.
12:22Nothing.
12:24I'll have to accept
12:26this one job
12:28offered to me in Zagreb.
12:30A director of a play.
12:32You won't.
12:34I mean,
12:36if you're a director,
12:38why let go of the chair
12:40and go to Zagreb
12:42to be a manager?
12:44I get it.
12:48I can't look at you and Faruk
12:50at the same time.
12:52It hurts me so much.
12:56I'd be so sorry
12:58if I only knew.
13:02Let's have a drink
13:04in the name of good old times.
13:08I would,
13:10but Faruk is waiting
13:12for me to make him lunch.
13:16I thought I was paying.
13:18I didn't think you were paying.
13:20Double whiskey.
13:22Finally, Maria.
13:26I'm starving.
13:28And there's no one to feed me.
13:30I'm starving.
13:32Barbara!
13:34Faruk, where is he?
13:36Daniel.
13:38Where's the baby? Where's the girl?
13:40Is the girl here?
13:42Look, he doesn't know
13:44the baby is here.
13:46That's Izet.
13:48He's crazy.
13:50He's doing this on purpose.
13:52He's the baby's great-grandfather.
13:54That's right.
13:56He was supposed to be here
13:58but it's almost five.
14:00The court decided four hours ago.
14:02Not a minute more.
14:04Who are you?
14:06The court decided
14:08to follow the judgment.
14:10She's a social worker.
14:12She'll be a judge
14:14when I tell you
14:16not to see the baby.
14:18No, no, no.
14:20I'm sick of you.
14:22I can't think anymore.
14:24Goodbye, Maria.
14:28Life wasn't easy
14:30on our side.
14:32Not at all.
14:34Are you really going to Zagreb?
14:36I am.
14:40As far as we are
14:42from each other,
14:44it will be easier for me.
14:52Goodbye.
14:58Goodbye.
15:04He doesn't pay.
15:08He made me emotional.
15:14Who is it now?
15:20Hey, man.
15:22Tell me what happened.
15:24I can't.
15:26I'm on my way home.
15:28I'm at the police station.
15:30I have a surgery.
15:34Švrčio and Izet are playing football.
15:36You know how Izet says
15:38in a healthy body, healthy spirit.
15:40He's late by an hour and a half.
15:42He's always late.
15:44I have a feeling
15:46he's late on purpose.
15:48What if he's not here yet?
15:50Let Švrčio spend some time
15:52with his great-grandfather.
15:54I hope he's always with someone
15:56so he doesn't forget he's Fazlinović.
15:58You know what?
16:00Let Barbara be a little nervous.
16:02What do you mean,
16:04she's here?
16:06Here she is.
16:08She's not alone.
16:10She brought a social worker.
16:12Son, I don't think
16:14this is going to be good.
16:16I'm sick and tired
16:18of Barbara and that social worker.
16:20What can they do to me?
16:22I've had enough of them.
16:24You know what?
16:26As far as I'm concerned,
16:28you can kick those two assholes
16:30out of the house.
16:32I have to go now.
16:34I have a surgery.
16:36Bye.
16:40So?
16:42What does the biological father
16:44of the child say?
16:46He's deeply
16:48offended.
16:50He's apologizing.
16:52He's really apologizing.
16:54And he doesn't know
16:56how this misunderstanding came about.
16:58No, no, no.
17:00This is not a misunderstanding.
17:02Izet does this all the time
17:04when he takes care of the child.
17:06He's doing this on purpose
17:08just to annoy me.
17:10Write that down.
17:12No, no, no.
17:14Don't write anything.
17:16It's not true what Barbara says.
17:18He'll be here
17:20before we...
17:22We'll have coffee.
17:24You've had coffee.
17:26Thank you.
17:28Mr. Fazlinović,
17:30did you try to get
17:32that Izet out of bed with his cell phone?
17:34The battery run out.
17:36He dropped his cell phone
17:38and his display broke.
17:40He doesn't have it now.
17:42Wait, son.
17:44Wait.
17:46But the phone, here it is. Mom can call as much as she wants.
17:51I'll wait for you at home.
17:55Oh, look at the cute Raya that has gathered.
17:59Who is good to them?
18:01Well, where are you two?
18:03Come out, me and Damir.
18:05Well, we sat down.
18:07Here?
18:09Maybe we'll film it somewhere later.
18:11Come out.
18:12Two hours ago you should have brought the child to me.
18:16Oh, my dear Barbara, how time flies.
18:21Have you written everything down?
18:23Everything is black and white here.
18:25Let's go.
18:28Come on, write this down, too.
18:30Please, write it down.
18:32Try to kill me.
18:34Please, write it down.
18:36Barbara, stop.
18:38There is no need for that loud heart.
18:41You know, Mrs.
18:44He didn't do it on purpose.
18:46Well, write it down.
18:48Come on, we'll wait for you.
18:50Ma'am, is there anything here?
18:52There's nothing.
18:54You know, I wish I had seen my father.
18:57I would have to talk to him, too, to bring a final judgment.
19:00You know, Damir has an operation today.
19:03In fact, he has a simultaneous operation today.
19:05He operated on 44 patients.
19:08And it's all operation after operation, operation after operation.
19:11It is operation after operation.
19:13They are family members of a continuous alcoholism.
19:16Ma'am, that's a completely arbitrary, inaccurate and unfounded claim.
19:21Barbara, please get a hold of yourself.
19:23Listen, please, I'm not inclined to make a decision on my own.
19:26First of all, I have to think about the well-being of the child.
19:30And the child's interest is that he sees his father's family.
19:34If the family is normal.
19:36Barbara, let the lady speak.
19:39Mr. Fazlinović, bring your son.
19:42I will closely monitor what happens in the next weeks and months.
19:46If such a construction is repeated again,
19:49be sure that you will not like my recommendation to the court.
19:53I don't know what Mrs. Barbara told you, but, ma'am,
19:57the Fazlinović house is a house of honor.
20:01It's a house of high moral virtues.
20:05Even the Bosnian brothers from Vojvodina gave us a plaque
20:10as a symbol of family life.
20:13Oh, you're so funny.
20:15Do you want me to bring you a plaque?
20:18I'm done.
20:20Let's go, son.
20:22Mr. Fazlinović, take this conversation very seriously.
20:26Goodbye.
20:28Goodbye.
20:29Goodbye.
20:30See you next week.
20:33Bye, grandpa.
20:34Bye, son.
20:35What do you think about going to the cinema with me?
20:39To watch a movie.
20:41That's possible.
20:43I don't know.
20:44I need to think about it.
20:46It's an important decision.
20:48How can you think about going to the cinema?
20:50It's a big decision.
20:51It's a real date.
20:53When you go to the cinema, there's no going back.
20:55I mean, I don't know.
20:56At least I'm a very patriarchal girl.
20:59All right, then. Think about it.
21:01I want to. I want to think about it.
21:03Svada, how long do you need to think about it?
21:05The movie is eight days away.
21:07Eight days away?
21:09What day is it today?
21:10Tuesday.
21:11Tuesday.
21:12And Avčić is going next Tuesday.
21:14Seven days. Is that possible?
21:15It's possible. I'll be waiting.
21:17Great. Thank you.
21:19These Bosnians are so patriarchal.
21:22He needs to think about going to the cinema for seven days.
21:25It's a good thing I told him I was sleeping.
21:27Otherwise, he'd have to think about it for 15 years.
21:32So?
21:33What's new in Kosovo?
21:35Are you under pressure?
21:37I'm under a lot of pressure.
21:40But I'm calm for at least the next seven days.
21:43There's no chance.
21:46When we forbid Barbara from releasing the series,
21:50she'll be smaller than a poppy seed.
21:52Things have changed a bit.
21:54You know, I heard what Zaklan said.
21:57If we kick Barbara out of the series,
22:00there's no chance for the series.
22:02You should have heard what his deputy, Bilmez, said.
22:06As far as he's concerned, she can freely kick out of the series.
22:10But the deputy, Izete,
22:13the deputy of the reserve club,
22:16doesn't ask for Bilmez,
22:18he asks for Zaklan.
22:20And while Zaklan is asking,
22:22Barbara is in the series.
22:24The sun has set for Zaklan.
22:27She knows that.
22:29That's how she behaves.
22:31Do you think I can't kick the actress out of the series?
22:36You can.
22:37You'll just be left without the series.
22:40Now you'll see how you'll behave.
22:42Either you'll behave like Bilmez,
22:45or we'll both be Zaklan,
22:47and you, and me, and Djebra, and Damir, and everyone,
22:50and the series.
22:59And?
23:00What have you decided?
23:02What have I decided?
23:04The Republic of Kosovo said that you're going to tell him in seven days
23:07whether you're going to the cinema with him or not.
23:09Has it already been a week?
23:12It's Tuesday, dear. Follow me.
23:14Oh, I don't know.
23:15I have to figure something out.
23:17I'll improvise something.
23:18I'll tell him something.
23:19Just make sure you don't piss him off.
23:21Don't let him stop coming to the cafe.
23:23He's a solid man.
23:25He's a good man.
23:27Don't let him stop coming to the cafe.
23:28He's a solid man.
23:30Boss, don't worry.
23:31I know a few ways to get rid of him
23:33so we can stay in good terms.
23:35Okay.
23:37Here he is.
23:38Mind your head.
23:39Come on.
23:40Okay.
23:42It's Tuesday, dear.
23:44What have you decided?
23:46You mean the cinema and all that?
23:48Yes, I told you to look at your life.
23:51Did you look at it?
23:52Yes, I did.
23:53I looked at my life.
23:55I looked deep into myself
23:57and I realized who I really am
23:59and what I want.
24:01And what did you realize?
24:04I realized that I'm gay.
24:07Gay?
24:09Fag?
24:10Fag?
24:11Lesbian.
24:12You know, when I looked at myself
24:14I realized that I actually love women.
24:19You didn't know until now?
24:21I didn't.
24:22You helped me realize that.
24:24If you hadn't asked me,
24:25I probably would never have known
24:26that I was a lesbian.
24:27Thank you, Countach.
24:29I'm trying, but it's not working.
24:31Look, if I wasn't a lesbian,
24:34I would definitely be with you.
24:36You know?
24:38I know a little bit.
24:40See, it's nature.
24:41I can't be against myself.
24:42I love women.
24:44But we can still be friends.
24:46Right?
24:47Give me your hands.
24:48Okay.
24:50Come on, come on, come on.
24:51What kind of circle is this?
24:53Come on, get ready.
24:54Pack up.
24:56What's up, Kosovo?
24:57What are you doing here?
25:01Come on, let's go.
25:02Where are we going?
25:03What do you mean, where are we going?
25:04We're filming the exterior.
25:05On the street.
25:06Okay, people.
25:08I'm the only one here
25:10who reads the disposition.
25:12Come on, pack up.
25:13On the street.
25:15And make sure no one sees you.
25:19And as soon as you're ready,
25:20call me.
25:22Okay, the director is on set,
25:24and there's no main actor.
25:27Where's the actor?
25:29Here I am, Bulan, here I am.
25:31And where's the costume?
25:33Little one, give me the costume.
25:35Here you go.
25:36Here are your gloves.
25:39You run around in them.
25:41Bulan, in this one,
25:43I'll freeze to death.
25:44I'm sorry, scriptwriters.
25:46Next time I'll write to my mother
25:48that I'm on some beach
25:49when I'm hungry,
25:50at least I'm warm.
25:52Go to the bathroom.
25:55Hurry up, hurry up.
25:58We don't have all day.
26:01Barbara, you're not filming today.
26:03Today we're filming the exterior.
26:05When Izet runs around in his pants,
26:07he's in the middle of nowhere.
26:08Faruk, today is Tuesday,
26:09Damir's day.
26:10I brought a beer.
26:11What? Where is he?
26:12He got drunk again, didn't he?
26:14No, no, no, no, no.
26:15He's here.
26:16I mean, he's here.
26:17He's in front of us.
26:19Let me see.
26:21Where is he?
26:22Somewhere around here.
26:24Let me see where he is.
26:37He didn't call.
26:39Hello,
26:40Damir's son,
26:41it's dad.
26:42Listen,
26:43I'm in San Remo
26:44and Barbara brought
26:46a bag for you to take over.
26:48It's not possible.
26:50The tram number three
26:52has turned to the railway station
26:55and now it's crowded in the traffic.
26:57I can't believe it.
26:58Son, be careful
27:00not to hit that tram.
27:11Believe me,
27:12it's the same as with you.
27:15Your phone is ringing.
27:17Excuse me?
27:18Your phone.
27:19Your phone is ringing.
27:22Yes,
27:23this is a production phone
27:25so it has a double card.
27:27One is for abroad
27:29and the other is for abroad.
27:30So I'm never in Rome.
27:33I have an emergency call from London.
27:35I'll turn this off.
27:36Yes, like that.
27:38Damir, son,
27:39OK,
27:40drive slowly.
27:42We've agreed on everything.
27:45OK,
27:46I'll turn Damir off now.
27:50Damir is currently at Iliđa
27:53at the Aga Sarajlija market
27:55and he said that I'll take the jeep
27:57while he doesn't come.
27:59He'll drive slowly
28:00because the tires
28:02are completely worn out.
28:04Tell Damir
28:05when he comes with those worn out tires
28:07to give me the child
28:09at exactly 4 p.m.
28:112 p.m.
28:12He knows what's next.
28:13Social worker.
28:14See you, son.
28:15Bye.
28:17Lukaš,
28:18why don't you answer?
28:19I've called you ten times.
28:21The team is waiting.
28:23Neither you nor Izet.
28:25You called me.
28:26I'll burn one of your socks.
28:29Here,
28:30here,
28:31I got dressed in a suit.
28:33Actually, I took off my suit.
28:35Where's my girl?
28:38What are you doing here?
28:40Izet,
28:41we have a problem.
28:42On Tuesday,
28:43Barbara brought the jeep
28:45and Damir is nowhere to be found.
28:47Dad, he has surgery.
28:49Listen, mentor.
28:50Take the jeep
28:51and take him home.
28:52Turn on the TV
28:53and don't watch cartoons.
28:56Jeep.
28:57Grandpa and great-grandpa
28:59have to work.
29:00Uncle Mentor will take you home.
29:02Give me the keys.
29:03Here are the keys.
29:04Listen, mentor.
29:05As soon as you take him,
29:07go back to filming.
29:08We don't have time.
29:12Wait.
29:13Where's my suit?
29:14Thank you.
29:19See?
29:20See?
29:21I live here.
29:22This is nonsense.
29:23This is total nonsense.
29:24Ari,
29:25that's enough.
29:26Get dressed
29:27and let's go to the station.
29:28There's no need to go to the station.
29:30I'll explain everything nicely.
29:32There is a need.
29:33There is a need.
29:34Gologuz ran around the city.
29:36According to what law?
29:37That's 100% forbidden.
29:39Listen,
29:40we're filming a series.
29:42I'm the actor.
29:43He's the director.
29:44What series?
29:45Maybe a porn series.
29:46Is that it?
29:47What porn series?
29:49We're filming a comedy.
29:51Nothing.
29:52I didn't see anything funny.
29:53Old man Gologuz
29:54running around the city.
29:55What's funny about that?
29:56I didn't have to run around
29:58without my suit on.
29:59I had to be in my boxers.
30:01I was acting
30:02as if my lover was chasing me.
30:04I was running out of the street.
30:06Suddenly,
30:07some idiot from the car
30:08gave me a hand.
30:09He gave me my boxers.
30:10He threw me 100 meters away.
30:13Yes,
30:14that's exactly how it was.
30:16Here are the boxers.
30:17This is proof.
30:18Yes.
30:19What could I do?
30:20I had to stay in the middle of the road.
30:22Gologuz was running
30:23behind the boxers.
30:25You didn't even notice
30:27that he was running behind the boxers.
30:29You're not normal.
30:30Kids are watching.
30:31People are gathering.
30:32Get dressed
30:33and we're going to the police.
30:35What police?
30:37Police?
30:39Did I tell you
30:40that something crazy is going on here?
30:42Barbara,
30:43this is not the police.
30:44This is a misunderstanding.
30:45There is no misunderstanding here.
30:47This gentleman
30:48was arrested
30:49when Gologuz was running around the city.
30:51Yuck!
30:52Yuck?
30:53That's right, ma'am.
30:54Yuck.
30:55Without a single boxer on him.
30:57He had a suit and shoes.
30:59It's all hanging down there.
31:01Write that down, too.
31:02I'm begging you.
31:03A suit and shoes.
31:04It's all hanging down there.
31:06People,
31:07this is a crazy misunderstanding.
31:10I won't repeat it.
31:11It's good that you dare.
31:13I'm sorry, ma'am.
31:14Where's the kid?
31:15What kid?
31:17Oh,
31:18I forgot about the boxers.
31:21See?
31:22Not only did he not return them on time,
31:24he has no idea where the kid is.
31:25Write that down, too.
31:26I'm begging you.
31:27I know where the kid is.
31:29The kid is watching TV over there.
31:32Mare!
31:33Mare!
31:34Is the boxer there?
31:35Yes, he's watching TV.
31:37See?
31:38I know where the kid is.
31:39Cross this.
31:40Cross it.
31:41So I don't know where the kid is.
31:43Calm down.
31:45It's nothing.
31:46I'm just passing by.
31:47Don't let me disturb you.
31:49Ma'am,
31:50I just need the door.
31:51Thank you.
31:52You, too.
31:54Oh!
31:56That drunk Damir is going to take the kid away.
32:00He's crazy.
32:01He didn't return the kid on time again.
32:04Mare,
32:05don't mess around.
32:07I have to.
32:10Damir!
32:11Damir, stop!
32:12Hurry!
32:13Stop when I tell you.
32:14Damir, stop!
32:16I know.
32:17Don't disturb me.
32:18The police,
32:19Barbara,
32:20the social workers,
32:21they're all here.
32:22He's crazy.
32:23He didn't return the kid on time again.
32:25Mare.
32:26Damir,
32:27I swear to God,
32:28you'll see the kid.
32:29Come on!
32:30What an idiot.
32:31Mother,
32:32dear child.
32:33She'll stay with her father's family for a while
32:35and then she'll go to the masseuse
32:37and tell them everything.
32:39Don't, Damir.
32:40I'm begging you.
32:41Don't do anything stupid.
32:42Stupid?
32:43Stupid?
32:44I'm going to do something really stupid.
32:46She brought the police to me
32:48because the kid is with my family.
32:50Now I have to throw her and the police out of the window.
32:58I told you they're crazy.
33:02You see they're crazy.
33:05Crazy?
33:06What?
33:07We Fazlinovićs are crazy?
33:08Is that it?
33:09Yes.
33:10You're crazy.
33:11Although, of course,
33:12this is all normal to you.
33:13So what?
33:14You're like some social worker,
33:16aren't you?
33:17You're like a policeman, aren't you?
33:18It was a shame
33:19that you brought the two of them
33:21to declare us crazy,
33:23just because Izet took his little one out on the street.
33:26Oh, I really can't believe this.
33:29We haven't had this in our career yet.
33:31You see,
33:32he justifies what that old man is doing.
33:34He's a father.
33:35And I don't understand you at all.
33:38Damir, son,
33:39you're not that crazy.
33:41What crazy?
33:42Where do you see crazy?
33:44And what's not normal here?
33:45That Izet took his little one out on the street today.
33:48Tomorrow, I'll take him out on the street.
33:50The day after tomorrow,
33:51the old man will take the little one out on the street.
33:53There are three of us.
33:54We can't take him out on the street every day.
33:56Oh, this is really too much.
33:58Is it possible that you justify
34:00what your grandfather is doing?
34:02Listen,
34:03you social worker.
34:06You have no idea
34:08how much Izet loves his little sweet Shvrč.
34:12He is proud of him.
34:14He can't wait
34:15to take him out on the street,
34:16to show him to the world,
34:17so that everyone knows he's his.
34:19I remember,
34:20he once said to me,
34:22Son,
34:23my little Shvrč,
34:25he loves the most when he's outside,
34:27on the street.
34:28And what's wrong with that?
34:30What?
34:31Do you see how crazy that is?
34:33He gave his little one a sweet Shvrč.
34:35So what if Izet gave him a sweet?
34:37Why don't you give him a sweet, huh?
34:39Shvrč,
34:40a really nice sweet for a little one.
34:42Damir, son,
34:44now you've screwed up
34:46the whole thing.
34:48What do you mean,
34:49the whole thing?
34:50Where do you see the whole thing?
34:52Here I am, all dressed up.
34:54Great, grandfather,
34:55that you've come.
34:56Give the little one,
34:57give the little one,
34:58so that everyone can see him.
34:59Don't even come near me.
35:01What's wrong with you three?
35:02You're totally crazy.
35:03How do I look?
35:05Let's run away, son,
35:06from here.
35:07I've seen and heard enough.
35:09Goodbye.
35:10Listen,
35:11for you,
35:12I have a three-word word.
35:14M-A-R-S.
35:16Mrs.
35:17Damir.
35:19Old man,
35:20you too,
35:21don't touch Shvrč.
35:23Shvrč has come.
35:24Let's go to your apartment
35:26to explain this case.
35:28Mr. Policeman,
35:29you're going to laugh
35:31when you see...
35:37What was that?
35:39Did you see how I caught them?
35:41I caught them all.
35:43Let's go to the coffee shop.
35:50Here he is.
35:51The boss is gone.
35:54Oh,
35:55what a nice haircut.
35:56Let's go.
36:03Fuck,
36:04it's so ugly.
36:10Fuck,
36:11it's so ugly.
36:14Who?
36:15Svodina girl.
36:17Really ugly.
36:19You're crazy.
36:20I can't stand kids.
36:21Not at all.
36:22Not at all?
36:23Which idiot didn't get it?
36:25Oh,
36:26it can't be like that,
36:27Barbara.
36:28No, no.
36:29We have horses for a race, too.
36:31Do we?
36:32Tajo,
36:33tell her I'll fire her
36:34if she keeps acting like this.
36:36Oh,
36:37son,
36:38I can't.
36:39My hands are tied
36:40because of that.
36:41I have to
36:42do something here.
36:44But, dad.
36:45Oh,
36:46you,
36:47you.
36:48Don't say anything.
36:49You said you live
36:50in this white Zagreb city.
36:52Yes,
36:53I got a business offer
36:54that I couldn't refuse.
36:55Good evening, Faruk.
36:56I came to say hello.
36:58I mean,
36:59it's okay.
37:00We've been working together for so long.
37:02But,
37:03Mr. Jure,
37:04who are we going to work with now?
37:06Yes, who's going to...
37:08Safet.
37:10Bilmez.
37:11You've met him.
37:12He's my deputy.
37:13Safet,
37:14Bilmez,
37:15right?
37:16Just a moment.
37:17Just a second.
37:20Kids,
37:21it's time to root out
37:23the changes
37:24regarding
37:25Barbara's engagement
37:26in the series.
37:30I'm sorry.
37:31It's not my fault.
37:32I promised myself
37:33that
37:34I wouldn't
37:35get involved.
37:36But, please,
37:37what's going to happen
37:38to Fazlinović?
37:39Here,
37:40I'm just finishing
37:41the report.
37:42It's all clear by now.
37:43So,
37:44it's not healthy
37:45for a child
37:46to spend time
37:47in such an environment.
37:48So,
37:49I'll ask the court
37:50to fully
37:51respect
37:52the mother's request
37:53for full care
37:54and to ban
37:55anyone
37:56from Fazlinović
37:57from communicating
37:58with the child.
37:59They're ordinary fools.
38:00I'm sorry.
38:01It's not just you.
38:02Hello?
38:03Barbara speaking.
38:06Yes?
38:09Wait,
38:10I don't understand.
38:12Are you sure?
38:14Okay.
38:15Okay.
38:16I'll respect your wish,
38:17but just so you know,
38:18I don't agree with that.
38:19Goodbye.
38:21I'm sorry again.
38:22Barbara?
38:24You won't believe this.
38:26Barbara has changed her mind.
38:29She doesn't want
38:30to ban Fazlinović
38:31from communicating
38:32with the child.
38:33On the contrary,
38:34she has decided
38:35to give them
38:36double the time
38:37they can spend
38:38with him.
38:40Maria,
38:41I don't understand
38:42anything anymore.
38:44Really.
38:45Hey,
38:46my dear lady,
38:47I don't understand
38:48anything
38:49about them either.
38:51I don't understand
38:52if she's gay
38:53or not.
38:54Father,
38:56how can I
38:57give in
38:58when you keep
38:59making a mess
39:00in this town?
39:01How?
39:03Oh, daughter,
39:05in order to
39:06give in
39:07in this town,
39:09you first
39:10have to find
39:11a man
39:12you're not
39:13with anymore.
39:15She was,
39:17and that's
39:18impossible,
39:19daughter.
39:21Besides that,
39:22it wasn't
39:23my fault.
39:25Her lover
39:26flew into the room
39:27with a gun
39:28in his hand,
39:30and I had
39:31to run
39:32through the window
39:33like a hero.
39:37I just hope
39:38that Nikhad
39:39didn't hear this.
39:41He's the only
39:42man in this town
39:43I can give in to.
39:45I doubt
39:46that Nikhad
39:47didn't hear this.
39:49I was
39:50in bed
39:51with Nikhad's
39:52mother.
39:56And from that
39:57moment on,
39:58I had to
39:59run through
40:00the window.
40:03To the enemy,
40:04father,
40:05everything!
40:27Let me
40:28live,
40:29just so
40:30I can live.
40:32A little fear
40:33hurts me,
40:34life is
40:35to love.