Bioskop HD
Bioskop HD
  • 4 months ago
Lud, zbunjen, normalan - 178. epizoda (S7E10): https://dai.ly/x91jtjo (Sledeca epizoda)
Lud, zbunjen, normalan - 176. epizoda (S7E8): https://dai.ly/x91jtjm (Prethodna epizoda)
Transcript
00:00So, I guess we'll get to the point.
00:11Hey, Foofe, man! Look what I've got.
00:14What's that?
00:15Diary.
00:16What diary?
00:17The diary that your mother gave you.
00:19Dearie, my mom!
00:21Wait, how did you get the diary? My mom is in your house.
00:24Your brother forgot the coffee.
00:26He was so crazy when he read the diary.
00:29When we have time, we'll discuss it.
00:31This is the second time. I have to go to the bathroom.
00:34You brought this diary, but who's going to eat it?
00:36Cheers!
00:42Did you make the bed?
00:43I did.
00:44And the teeth?
00:45I washed them before and after breakfast.
00:48That's right. You wash them after breakfast.
00:51Teeth have to be washed after every meal.
00:55Here's the salad.
00:57Come on, enjoy.
00:59You wash the peas, I have to go to the bathroom.
01:02And please, put this in the sink when you're done.
01:06I'm off.
01:10Oh, thank God.
01:13I almost threw up.
01:19This wine is great.
01:22Faruk, I forgot to tell you that...
01:27...since this smells like sewage,
01:30I have to wash the dishes again.
01:34Look...
01:36What was I going to say?
01:39I'm out of breath.
01:42I'm off.
01:47We don't like pigeons.
01:57We don't like pigeons.
01:59We don't like pigeons.
02:01We don't like pigeons.
02:03We don't like pigeons.
02:05We don't like pigeons.
02:06What's wrong with you?
02:10It smells even worse.
02:12My eyes sting, my nose itches.
02:15There's no other way but to get out of here.
02:19Oh, I'm dead.
02:21The sun is setting.
02:24What happened, old man?
02:26The situation is a complete disaster.
02:29We're on the verge of collapse.
02:31Dear son, our expenses are higher than our income.
02:34I know, I know.
02:35It's expensive to shoot a series.
02:37I know, but it's too much.
02:40Look at this hotel bill.
02:43How much do we pay for this hotel?
02:45A night? Five hundred?
02:47So that every room has a pool.
02:51This is an old hotel for Vlado Mladenovic.
02:55Is he a clown or a king?
02:59Why don't you rent him a cheap apartment in Hrsnica?
03:02I had to take that hotel.
03:04One day, Ljutko Ris will come into production.
03:07Vlado, look, I really don't understand.
03:10We took the best hotel, the most expensive hotel in the canton.
03:15I don't see where the problem is.
03:17The problem is not in the hotel.
03:20The problem is in the number of rooms.
03:22I can't be in just one room.
03:24That's impossible.
03:26How many rooms would you need to be in?
03:29Four. At least two.
03:31I can't be in just one room.
03:34To learn the text, to prepare the role and to sleep.
03:38That's impossible.
03:40That ruins my artistic experience.
03:44I'm begging you.
03:46Take me out of this hotel.
03:48I can't look for a room.
03:50What are you going to do?
03:52Leave the series.
03:54I can't do that.
03:56Four?
03:57Four.
04:01I'm begging you.
04:02Just to be next to each other.
04:07You were not normal.
04:09You should have kicked him out of the hotel.
04:12You are to blame.
04:14You signed a contract with him.
04:16It was a mistake.
04:18I didn't have a picture.
04:22I signed it.
04:24Here you go.
04:26Do you agree with all the clauses in the contract?
04:29That's a very correct contract.
04:32I signed it without thinking.
04:34Just sign it.
04:36I'm going to find my pictures.
04:38What pictures?
04:40You signed the contract.
04:42I didn't sign it.
04:44It doesn't matter.
04:46I don't care.
04:48Just sign it.
04:52Here?
04:54Yes.
04:59Here you go.
05:01Congratulations.
05:03I didn't read the contract.
05:06I couldn't read it.
05:08I didn't find Jozeluk.
05:10Who is Jozeluk?
05:12We will give him a hard time.
05:14He is not the only actor.
05:16I think you forgot what the director of the TV said.
05:19Safed Bilmez.
05:21Take Vlado Mladenovic to act.
05:23That's my condition for the continuation of the filming.
05:26But dear Bilmez, do you know how much Vlado costs?
05:29He is the most expensive actor in the Balkans.
05:32Yes, but Vlado raises the audience.
05:35Either Vlado or there is no filming.
05:37We have to put up with him.
05:41We can't do anything to him.
05:43He won't be so powerful.
05:46No one will mess with Izet Fazlinovic.
05:50Especially that actor Vlado Mladenovic.
05:54I'm telling you.
05:59It stinks.
06:01We'll have to take that soap again.
06:04Again?
06:06He recently cleaned the siphons in the kitchen.
06:09Don't you feel it?
06:11It stinks like hell.
06:14You have to plug this socket.
06:18Marija.
06:20You have to plug this socket again.
06:23I can't go now.
06:26It stinks again.
06:29You can't.
06:31I don't know when you'll come.
06:33See you.
06:36Mom had an affair with neighbor Hichmet from the third floor.
06:41They had sex in his apartment.
06:44What is this?
06:46With Zoran from the eighth floor?
06:51I can only see Sabri from the ground floor.
06:54I don't think it's with Tims.
06:57It is with him.
06:59On an electric scooter.
07:01God, save me.
07:03Mom, you really didn't choose.
07:06The whole neighborhood had sex with you.
07:14Fuck.
07:17Fuck.
07:19This is shit.
07:23It's terrible.
07:25What happened?
07:26Don't ask me anything.
07:28Okay, I won't ask you.
07:30Don't ask me anything.
07:33It's terrible.
07:35Don't ask me anything.
07:37Should I ask you or not?
07:39I've had this dialogue before.
07:41I see what it says in the diary.
07:43My old woman said that one of us three sons will die when he turns 37.
07:49I had the same dialogue with your brother Kufet.
07:52He also thought that he would die when he turns 37.
07:55I saw the diary.
07:57Was there something in the news?
07:59Look at this diary.
08:01My old woman has been reading the diary since the day the three of us were born.
08:05Look at what the old woman wrote.
08:07She went to a slaughterhouse 30 years ago and made that slaughterhouse.
08:10Look.
08:11She says that one of her three sons will die when he turns 37.
08:17Kufet, how old are you?
08:19In 10 days, 37.
08:21Yes, and Kufet thought that he was the one who would die.
08:25I'm 100% sure.
08:27And I'm turning 37 in a few days.
08:29In fact, it's not even a few days, it's two days.
08:32Oh my God, you're stupid.
08:34Kufet also thought that he would die when he turns 37.
08:38But I don't remember how he calmed down.
08:41Oh, I remember.
08:43I remember how not to.
08:45Everyone talks.
08:47Kufet is happy today.
08:49Guys, my brother died.
08:51He calmed down when the slaughterhouse told him that you died.
08:54The slaughterhouse thought that I would calm him down.
08:57I didn't die.
08:58My mother didn't die.
09:00Kufet, tell me.
09:02Are you sure that the slaughterhouse turned 37?
09:05Oh my God, my true soul.
09:08Why?
09:10I don't know.
09:11I don't know how old the slaughterhouse is.
09:13You see?
09:14Maybe he will die, not you.
09:16My mentor, I'm not happy that my brother will die.
09:20I'm 100% sure.
09:22You know what?
09:23I will die from clean peace.
09:25Believe me, from clean peace.
09:27Hear that, from clean peace.
09:29Yes, from pure peace.
09:31Healthy right from clean peace.
09:39Do you know that there is a restaurant in Amsterdam
09:42where you can eat and drink as much as you want?
09:45And you get 100 euros for sex.
09:48Who told you that, Mirko?
09:51How is my wife doing?
09:53And...
09:54Stop! Stop!
09:56Vlado, this was brilliant.
09:58Brilliant.
09:59Lunch break.
10:01Who has money, order something to eat.
10:04I'm not going to the slaughterhouse.
10:06You will get a steak.
10:08Listen, let's all go to the slaughterhouse.
10:11The slaughterhouse is on strike today.
10:1450 training sessions per unit.
10:17Lunch break, 17 minutes.
10:19And we continue with scene 43.
10:24Excuse me, where is my room for rest?
10:29What room?
10:30A room for rest.
10:32The contract says that I have to have my private clothes
10:35a maximum of 18 meters from the set
10:37so that I can rest.
10:39And they have to be completely white
10:41because only in white can I focus
10:44on the character of the character I create.
10:47What does it say?
10:50What does it say?
10:53It says everything.
10:56But I haven't seen this.
10:58It happens.
11:01I'm going to the hotel.
11:02Wait, wait.
11:03I'll be back when you get the room for rest.
11:05Stop, Vlado, stop.
11:07Don't ruin everything.
11:08Completely white, got it?
11:11Oh, my people.
11:14What a regional actor.
11:19I can't believe it.
11:22Hello, excuse me.
11:24We have a problem.
11:25This Vlado is asking us to provide him
11:27with a white room
11:29with a maximum distance of 18 meters from the set.
11:34Hold on for another day.
11:37I'm going to finish that shit.
11:40I'm just changing the script.
11:42Don't worry.
11:43He can do whatever he wants.
11:45I'll take care of him.
11:46Come on, Zdravo.
11:47You're bothering me.
11:48Come on.
11:49Sarma on the action.
11:50Sarma like a soul.
11:52Sarma.
11:53One piece, half a mark.
11:54Two pieces, mark.
11:55Where is it?
11:56How much do you want?
11:57Three.
11:58Mark and a half.
11:59Thank you.
12:00Here's the soul.
12:01Here's one.
12:03Two, three.
12:05Here's a little bit of juice.
12:08Bagatela.
12:09Bagatela wrapped in homemade sour cabbage.
12:12Come in.
12:13Boss.
12:14Here I am for that departure.
12:16Not here.
12:17Upstairs.
12:18Upstairs in my apartment.
12:20At Fazlinović's.
12:21Again?
12:22We came twice last month.
12:23Nothing.
12:24You've gone too far.
12:25You stink like a septic pit again.
12:28Wait.
12:29Wait.
12:30Mala.
12:31Come here.
12:32Make sure you sell all this sarma.
12:34And don't let Faruk start filming
12:36while there's one sarma in the pot.
12:39Don't worry.
12:40He's recording everything.
12:41I will.
12:42Meho.
12:43Let's go.
12:45Let's go upstairs.
12:46I don't get it.
12:47It's stuck again.
12:48There's something wrong.
12:50Oh my God.
12:51I don't want to die.
12:53I don't want to die.
12:55Fufe, you've had too much to drink.
12:57Who gave you this beer?
12:59This?
13:00This is the light one.
13:02Export one.
13:03Why?
13:04I mean, which order, Fufe?
13:06What do I know?
13:07What do I care?
13:08You know what?
13:09I'd rather die than have dead foam.
13:11Shut up.
13:12You're not going to die.
13:13Calm down.
13:14How do you know I'm not going to die?
13:16I'm going to die.
13:17One hundred percent.
13:18Have you ever heard of cataract?
13:20Yes, I have.
13:21When?
13:22I've never heard of it.
13:23Why does that idiot want to change the script
13:26without my approval?
13:28Every episode is good.
13:30Mentor!
13:31Mentor, come here.
13:35Yes, boss?
13:36You and Fufe need to do something quick.
13:38No, I can't.
13:39Fufe is drunk as a girl.
13:43Drunk?
13:44I forbade him to drink alcohol
13:46and all the other drinks on the set.
13:48And the onions?
13:49You drink beer, too.
13:50I'm different.
13:51I'm a director.
13:52Did you read my contract?
13:54Why did you let the idiot get drunk?
13:57Fufe read my diary and it says...
14:00I'll have to call Chombeta again.
14:03Chombeta?
14:04Last time, when Kufe thought it was that diary,
14:07I called Chombeta and we solved the problem.
14:12RukfaÅ”!
14:13Tell me, how do you doodle?
14:16Oh, Chambrero!
14:18How are you?
14:20I'm fine, RukfaÅ”.
14:23Listen, Chomba.
14:25Your brother, Kufe,
14:27told me he's going to die.
14:30We need to do something.
14:35It would be best for you to let him die, RukfaÅ”.
14:38He'll be fine.
14:39I don't know what else to do.
14:41Come on, Chombeta.
14:42You're so stubborn.
14:43You're going to die anyway.
14:45You know what I mean?
14:47Call him this afternoon
14:50and tell him that Fufe died.
14:53Deal?
14:54I can call him and tell him that I died,
14:56but I'm not doing it.
14:57Why?
14:58Just call him and tell him that Fufe died.
15:03Tell me...
15:05Chambrero, how are you in America?
15:07I heard you changed your name.
15:10Yes, I did.
15:12Now you're called Chrizlič-Marie.
15:16That's artistic.
15:18Is that Chrizli from Grizli?
15:21No, but when they heard my voice,
15:23they gave me a name for the mosque.
15:26Oh, yes.
15:27Just so you know,
15:28it's the Great American Mosque.
15:31I mean, Chambero,
15:32it's just this little mosque,
15:34the Bosnian one,
15:36and there's the Great American Mosque.
15:40Because there's little market there.
15:43Yes, I understand.
15:45Look, Chambero,
15:47please call him and tell him that Fufe died.
15:52I will, I will, Rukfa,
15:53a hundred percent,
15:54maybe even ninety percent.
15:56I'm sorry, I have to go.
15:57A colleague is coming.
15:59Oh, Fred, how do you do, dude?
16:01Majed, that's enough, Majed.
16:03On any continent.
16:06Now I get it.
16:07So it was your idea.
16:08You organized it all.
16:10Of course, it was all my idea.
16:13I couldn't watch that idiot
16:14die like a dog.
16:16Just like this one.
16:17Rukfa, what are we going to do now?
16:19I don't know.
16:20What do I know?
16:21We'll think of something.
16:22Here, we'll call Kufet,
16:24let him say this time that Chombe died.
16:27That's a great idea.
16:29If Fufe hears that Chombe died,
16:31he'll definitely calm down.
16:33That's what I'm telling you.
16:34But listen,
16:35you have to do something for me right now.
16:38I can't count on this drunk horse.
16:40Tell me, boss.
16:41Go and buy white sheets
16:43and stop the entire production.
16:46Are you in?
16:47I'm in, but I don't know why.
16:49I'm telling you,
16:51a clean departure, like a tear.
16:53Here it is.
16:54Mehov,
16:55something smelled like poop.
16:57I'm not crazy.
16:59I know,
17:00but this is the third time you call me
17:02because of the same departure.
17:03And every time I tell you that it's not his fault.
17:06There's nothing to smell from the departure.
17:10But you smell like the world.
17:13It was hot today.
17:15Hey,
17:16where's my plate?
17:17Wait, wait.
17:19There's something suspicious here.
17:21What's suspicious?
17:23It's the third time you call me
17:25because there's something smelly in the kitchen.
17:27Right?
17:28Yes, that's right.
17:29I think I have the least common content
17:31for every three times you called me.
17:34Oh,
17:35you made lunch, huh?
17:37Uh-huh.
17:38Hey,
17:39I'll make you a sandwich, huh?
17:41But first,
17:42I need to get rid of this smell from the departure.
17:44Okay,
17:45we'll do that in a second.
17:47Oh,
17:48who did this to you?
17:49A clean departure,
17:50100% when I tell you.
17:51Here it is.
17:52What's smelly then?
17:55What's smelly?
17:57Some dry meat, huh?
17:59Oh, I cooked peas on dry meat.
18:01Hey,
18:02do you want me to make you a plate?
18:04I wouldn't dare, but...
18:07Well, let's eat.
18:09Sit down.
18:13I don't see the connection.
18:15And you?
18:17Fuck it, I don't see it.
18:19There's no logic in it.
18:21If it's smelly again,
18:23call me,
18:24we'll talk,
18:25although I don't see any logic in it.
18:28I don't have anything else to say to you, believe me.
18:31Well, Meho, dear,
18:33what's smelly if it's not a departure?
18:35What could it be?
18:36I don't know.
18:38But I could make a plate of peas.
18:41Come on, sit down.
18:42Gladly.
18:48Here it is.
18:49Now I'm going to put some bread on it.
18:51That's it.
18:52Although,
18:53to be honest,
18:54maybe it would be smarter
18:56if you removed the peas without bread.
18:58You've gone too far.
19:00Well, I've been on a diet for two weeks.
19:03Just let it go.
19:08And I have to tell you,
19:09I've lost about 15 days.
19:11Give me some more of that meat.
19:13Well, this is free meat,
19:14what's there to be ashamed of?
19:15Well, come on,
19:16once in a while.
19:18That's right, Mentor,
19:19that's where you have to push him.
19:21Your hand.
19:22I don't get it,
19:23why does everything have to be white?
19:25Why?
19:26Because Vlado is an idiot.
19:28Because he's an actor.
19:29And actors are that kind,
19:31just some contra.
19:33Actors, actors, actors,
19:34actors are actors.
19:36Hello, Vlado.
19:37Here.
19:38So,
19:40that's it, right?
19:41Yes, exactly.
19:4218 meters of vinegar,
19:44and everything is white,
19:46and you can make a play here.
19:49Very good, I'm very satisfied.
19:51I'm glad.
19:52So,
19:53we can shoot.
19:55Well, we can't today,
19:56I think we'll do it tomorrow.
19:57Why can't we?
19:58We have the whole afternoon,
20:00we can shoot all day.
20:02And you don't read contracts at all?
20:08It says here that I don't shoot
20:10before 12 and after 14, see?
20:12Where does it say that?
20:15Wait.
20:16Vlado, my dear,
20:18that means that you work
20:20only two hours a day.
20:23See you tomorrow.
20:25Very good.
20:40Meho,
20:41is that fart?
20:43It's from the chair.
20:44Look, here.
20:45I heard you.
20:46I'm ashamed of you.
20:47You really surprised me.
20:49In public,
20:50I know,
20:51the wind can't be tied,
20:52but
20:53in my bar,
20:54you found
20:56to blow yourself.
20:59Am I stupid?
21:03Meho,
21:04thank you.
21:06Enlighten me,
21:07your wind.
21:08Take care of me,
21:09I'll be right back.
21:13I'll enlighten you,
21:14your fart.
21:22One, two, three,
21:23one, two, three.
21:33I've changed it great.
21:34Hey, old man,
21:35what's up?
21:36I see there's beans behind me.
21:38There is,
21:39come on, take the plate,
21:40sit down.
21:41It's not clear
21:42It's great,
21:43there's no reason.
21:44I'm a screenwriter,
21:46and I decide
21:48if there's a reason
21:49to change the script,
21:50and there isn't.
21:51Okay, okay,
21:52screenwriter,
21:53do whatever you want,
21:54but is there a lot of changes?
21:56There isn't,
21:57just a few.
22:01Stop!
22:02Don't move.
22:13With a comment.
22:15That's right,
22:16thank you.
22:22Well,
22:23it looks like it's done.
22:25It looks like it.
22:30No, no, no,
22:31don't stick it.
22:32Every grain,
22:33every grain.
22:34Come on.
22:43So,
22:44as soon as the main actor comes,
22:46we start filming.
22:47Is that clear?
22:48Clear?
22:49His hour
22:50costs
22:51like your month.
22:52Here he is.
22:55Hey, Vlado,
22:56how are you?
22:57Good, good.
22:58Just in time,
22:59we start filming.
23:01I think there's some misunderstanding.
23:03I came for a coffee,
23:04to have a drink,
23:05I'm not working today.
23:06No, no, no,
23:07it's not a misunderstanding.
23:08Today we're working on scene 43.
23:13Article 22.
23:16What is Article 22?
23:19Every other day is a free day.
23:21I work one day,
23:22I rest one day.
23:24Please, DuŔan,
23:25just tell me one cappuccino
23:26with a lot of chocolate powder
23:28and milk, please.
23:32It's not a machine.
23:34I'm just working,
23:35I have to rest.
23:37Yes?
23:41Hey, Vlado,
23:42Vlado,
23:43actor,
23:44down on the set,
23:45all sectors are ready
23:46like five guns.
23:48We're just waiting for you
23:49and we can start filming.
23:50I know, but
23:52I feel
23:55I don't feel like working,
23:56somehow.
23:58I can't right now.
24:00Vlado, please,
24:01I'm begging you,
24:02Vlado,
24:03Vlado,
24:04Vlado,
24:05Vlado,
24:06Vlado,
24:07please,
24:08we have to film something.
24:09Vlado,
24:11how can I work
24:12when the production
24:13doesn't respect the basic
24:14contract clauses?
24:15What?
24:16Did I ask you
24:17that in my room,
24:18in this room,
24:19there should always be
24:20a glass of chilled
24:21champagne at 11 degrees?
24:22What is this?
24:24What is this?
24:25Empty?
24:26How can I work?
24:27How?
24:29Please,
24:30we'll film tomorrow.
24:32Please,
24:33buy me
24:34a glass of champagne.
24:35Please.
24:36At least I'm not
24:37a demanding person.
24:38Come on, please.
24:39Okay, I will, I will.
24:41What brand is that champagne?
24:42Mars Napoli.
24:43Come on.
24:47Wait,
24:48I didn't quite get it.
24:50What do you do?
24:52I'm a bioenergetician.
24:54Bioenergetician?
24:55I'm a bioenergetician.
24:57Okay,
24:58you were.
24:59What are you now?
25:01Stop!
25:02Stop!
25:03That's it.
25:04Scene
25:0543.
25:06Vlado,
25:07you really are
25:08a genius.
25:09You really are
25:10a funny actor.
25:11You're worth
25:12all the money
25:13invested in you.
25:14Break!
25:1515 minutes
25:16and we'll continue
25:17with scene 12.
25:18Luka,
25:19is tomorrow a day off?
25:20Yes, mentor,
25:21tomorrow is a day off.
25:22Dad,
25:23I'm going to Ljubljana tomorrow.
25:24As far as I'm concerned,
25:25Vlado,
25:26you can go
25:27to Tungus
25:28and to Samoprekstra
25:29tomorrow
25:30to get yourself
25:31here.
25:32There's one more thing
25:33we have to finish.
25:34What is it?
25:35I'm going to Ljubljana
25:36to play a play
25:37in the Ljubljana Drama Theatre.
25:39I'm playing a big role,
25:40a great play
25:41by a fantastic actor.
25:44I don't want to disappoint you.
25:45What does that have to do
25:46with you?
25:50It's all in the contract.
25:52If the actor,
25:53that is me,
25:54has a play
25:55in some other city,
25:56that is this time in Ljubljana,
25:57the production,
25:58that is you,
25:59is obliged
26:00to pay
26:01the cost of the play.
26:02I'm going to see
26:03who I can turn to
26:04to secure
26:05the plane ticket
26:06to Ljubljana.
26:07The plane?
26:08Yes, the ticket.
26:18Maria,
26:19Maria,
26:20I'm going to get
26:21nervous.
26:22You too?
26:23Faruk,
26:24I can't take it anymore.
26:25I'm going to scream.
26:26Loudly.
26:27Very loudly.
26:29I feel
26:30like someone
26:31has pressed
26:32on that sign
26:33from the pharmacy.
26:34The sign
26:35from the pharmacy?
26:37You know what those
26:38signs look like
26:39at the pharmacy?
26:40There's a glass
26:41like this,
26:42unnecessary,
26:43and a snake
26:44has been
26:45circling around
26:46that glass
26:47and it's buzzing.
26:48I know,
26:49I know,
26:50I know.
26:51That glass,
26:52unnecessary,
26:53is me.
26:54And your
26:55snout
26:56is a snake.
26:57It's buzzing me.
26:58Faruk,
26:59I'm not a snake.
27:00I haven't seen
27:01a snake in my long
27:02hospitality career.
27:03He's been drinking
27:04like a girl
27:05for days.
27:06He's been
27:07drinking everything
27:08in the cafe.
27:09I don't know
27:10where he is.
27:11I don't want
27:12to die.
27:13I don't want
27:14to die.
27:15Your arm?
27:16I'm so young
27:17to die,
27:18I've only just
27:19started living.
27:20Don't give me
27:21people.
27:22Don't give me.
27:24Maria,
27:25what did you
27:26give him
27:27to drink
27:28in the cafe?
27:29Listen,
27:30for God's sake,
27:31take him away
27:32from here.
27:33I'm scared,
27:34I'll bite him.
27:35Mentor,
27:36come here.
27:37Listen,
27:38put this
27:39bear on
27:40and take him
27:41away from here.
27:42Where do I
27:43take him,
27:44Lukfos?
27:45Take him
27:46wherever you
27:47can.
27:48Just
27:49wash him
27:50and dry him.
27:51It's over.
27:52For God's sake,
27:53I'm going to die.
27:54For God's sake,
27:55I'll be 37
27:56tomorrow.
27:57Maria,
27:58I'm
27:59nervous,
28:00I'm
28:01laughing
28:02and I'm
28:03full.
28:04I'm your
28:05debtor,
28:06Faruk.
28:07I'm going
28:08to wash myself.
28:09My head is
28:10itching.
28:11Son,
28:12Faruk.
28:13What is
28:14this
28:15psychiatry?
28:16He's not
28:17asking me anything,
28:18I don't know
28:19if I'll stay
28:20in his mind.
28:21What is it?
28:22Vlad?
28:23He knows
28:24what he wants now.
28:25He wants
28:26to go to
28:27Ljubljana.
28:28There's
28:29a play there,
28:30a very difficult
28:31play,
28:32a struggle,
28:33blood,
28:34mud.
28:35Son,
28:36just calm down.
28:37I said I'd
28:38fix everything.
28:39Are you shooting
28:40Scene 12 today?
28:41Yes,
28:42I'm shooting
28:43Scene 12,
28:44and then we're
28:45free until tomorrow.
28:46There's
28:47a change
28:48in Scene 12.
28:49I'm just
28:50filming her.
28:51When you
28:52film her,
28:53nothing
28:54will be
28:55as difficult
28:56as
28:57a
28:58mudball.
28:59Oh,
29:00mother,
29:01it's as
29:02difficult
29:03as
29:04carrying a
29:05horse
29:06and not
29:07a man.
29:08His
29:09house is
29:10far away,
29:11so
29:12I can't
29:13stay here
29:14for a while.
29:15Just a
29:16few more
29:17hours,
29:18Ventor.
29:19A few
29:20more hours
29:21and I'll
29:22go away
29:23to the
29:24other
29:25world.
29:26Okay,
29:27where is he
29:28now?
29:29Where is he
29:30now?
29:31I can't
29:32wait forever.
29:33It's
29:3415 to
29:3519 and
29:36he's
29:37still
29:38not here.
29:39You
29:40can't
29:41become
29:42a man
29:43like a
29:44mudball.
29:45I'm
29:46here.
29:47Where
29:48are you,
29:49neighbor?
29:50I've
29:51been
29:52looking for
29:53you for
29:54two hours.
29:55Sign here
29:56and your
29:57apartment is
29:58yours.
29:59Come on!
30:00Here it is.
30:01Congratulations,
30:02from today
30:03this apartment
30:04is yours.
30:05Thank you, neighbor.
30:06Congratulations,
30:07my dear.
30:08Stop!
30:09Stop!
30:10Stop!
30:11Eze,
30:12why are you
30:13being dragged
30:14into the frame
30:15like some
30:16Chinese actress?
30:17You don't
30:18exist in this
30:19scene!
30:20I was really
30:21surprised when
30:22you said
30:23that you
30:24don't
30:25exist in this
30:26scene.
30:27I would
30:28have
30:29died if
30:30I hadn't
30:31entered the
30:32frame and
30:33taken this
30:34contract.
30:35What contract?
30:36This one.
30:37Mr.
30:38Actor just
30:39signed an
30:40annex for
30:41our company
30:42and according
30:43to that annex
30:44there are
30:45no more
30:46his
30:47demands and
30:48requests.
30:49I don't
30:50understand anything,
30:51neither
30:52this or
30:53this.
30:54I didn't
30:55even
30:56sleep
30:57this
30:58night...
30:59I'm
31:00dead.
31:01Oh,
31:02oh,
31:03my good
31:04daddy.
31:05My
31:06good
31:07daddy.
31:08My
31:09good
31:10daddy.
31:11What's
31:12wrong,
31:13daddy?
31:14Nothing,
31:15father.
31:16I don't
31:17know
31:18where
31:19I am.
31:20Mentors!
31:23Wait, how did you get here?
31:25Up here?
31:26I came to see you.
31:28How are you, Fufe?
31:29How can I be? Terrible, terrible.
31:32And down there?
31:34Did they mention me?
31:35No one. Believe me, Fufe, no one.
31:38Wait, I guess there's someone I'm missing.
31:40You're not missing anyone.
31:41It's easier for everyone down there when you're not there.
31:43Especially Mario.
31:44Whatever.
31:46I never liked him.
31:48I'm not lying, he's not missing anyone.
31:50What about Kufa and Chombe?
31:52Did you call them?
31:53Yes, they called me a while ago.
31:55I talked to them.
31:56I just told them that he killed himself from alcohol.
31:58And you can't talk.
31:59You're a dead body.
32:00That's right.
32:01That's right.
32:02I brought you up here.
32:04Wait, wait, wait.
32:05You brought me up here?
32:07You brought me up here?
32:09Yes, man, I'm exhausted.
32:11Wait, mentor.
32:12So that means you came up here.
32:16You came up here forever?
32:18No, I just came to see you.
32:20I have to go down there to get my equipment.
32:22What about food?
32:23What kind of food was there?
32:24Food?
32:25What kind of food, Fufe?
32:27My food.
32:30I knew it, man.
32:33I knew I'd find you up here.
32:35Your hand.
32:37So you came up here too.
32:39Who's going down there to get my equipment?
32:41Am I right?
32:42I don't think I will.
32:44Me?
32:45I won't.
32:46If someone has to lie down up here,
32:48then it's me.
32:50Come on, run.
32:51Get out of here.
32:53Get out of here.
32:55Guys, is anyone going to stay down there,
32:57or are we all going to come to this world?
32:59We've done enough.
33:00We need to rest a little.
33:03Come on, get out of here.
33:10Oh, fuck.
33:13I got scared for a second.
33:15Guys, does anyone know where to go
33:17when they come to this world?
33:24Listen, Kufe, Bilmez, that horse guy,
33:28call Fufe and tell him that his brother died,
33:32that Chombe died.
33:35Well, he knows that Chombe is alive and well.
33:39Just call him and tell him that Chombe died.
33:42I know.
33:43Think of something.
33:44Let's say the piano fell on his head.
33:46Just tell him that he died.
33:48Okay, I don't have to repeat it a hundred times.
33:50Cheers.
33:51You're wasting my impulses.
33:53Guys, I need five minutes to explain to the man
33:58that his brother died.
34:00Is there anything else about that Gnevnik?
34:02I'm sorry, I can't.
34:03Please, sit down for a moment.
34:05Maria, cut me those chicken fillets.
34:07Chicken fillets.
34:09I'm going crazy about that Fufe.
34:11What about the contract?
34:12What was the contract?
34:13What contract?
34:14Didn't Vlado have a contract that didn't suit you at all?
34:18What a disaster, the contract.
34:21He didn't even have a picture when he signed it,
34:24and now the legal force has hit us.
34:27What do you think, do I have to pay you for the 23rd episode?
34:31You don't even exist in the 23rd episode.
34:34It's not my fault that I don't exist.
34:36I signed the contract for three or six episodes,
34:38and that's not my problem at all.
34:41Look.
34:42What does it say?
34:46Okay, that was in the old contract,
34:48but what happened now when Izet asked Anik to sign it?
34:51Did he sign it?
34:52He signed it, but Izet told you how he signed it.
34:56I tried.
34:57Did he sign it or not?
34:59The two of us just hoped that we'd made it,
35:03and then everything went to hell.
35:05All the dots from the old contract that he gave me
35:10become irrelevant in this annex.
35:15Izet, you're the king.
35:18I told you I'd go out with him.
35:22He doesn't know who Izet Fazlinović is.
35:26I'm so glad to see you so happy and cheerful.
35:29I'm going to act.
35:31You're the best when you're laughing.
35:36Izet, can I ask you something?
35:38Sure. I'm open to any kind of communication.
35:41What's the name of the character I'm playing in this series?
35:44Mirko Kurilić. I wrote it and came up with it.
35:47You know that we actors sometimes get so into the character
35:51that we can't separate it from the real me.
35:55Do you know that?
35:57This is exactly from the director's point of view.
36:00Actors are total morons.
36:04How did I sign up for this?
36:06How did you sign up?
36:09Sunset and Kalesano, Kurilićko.
36:13Mirko.
36:15Now I have to go to Ljubljana, and you're paying with the plane.
36:21Who's laughing last?
36:23Goodbye.
36:25I don't know how Izet got the idea
36:27that he would sign his own name in the middle of the shoot.
36:30We were hoping for nothing.
36:32Izet must be thinking something.
36:38You know what's weird, Mentor?
36:40What is it, Fupo?
36:42This smells the same way as down there.
36:46Isn't that weird for you?
36:48Fuck, the phone.
36:50The phone, motherfucker.
36:53What if it's the phone?
36:55I didn't know there was a phone in this world.
36:58Maybe someone got up and asked where I was.
37:01Wait, where's the phone?
37:05Hello?
37:06Who's this, Fufo?
37:10Fufo, my brother.
37:12Where did you get this number from?
37:15What did you have before this number?
37:17I didn't know you communicated with this world.
37:20Tell me, do I miss you?
37:24Bro, I knew I'd miss you.
37:33Don't tell me this happened.
37:36Wait, I don't get it.
37:39Come on, bro. Be strong.
37:41Hang in there.
37:43What's up, bro?
37:45Wait, I don't get it.
37:51He's not here.
37:53Who's not here?
37:55We need to check the room.
37:57Fufo told me the piano fell on his head and he's dead.
38:01Now I get it.
38:03I don't get it.
38:05What don't you get?
38:07Gatara said one of us three is going to die.
38:10And now, me, the room, and Kavela.
38:13Wait, something's not right.
38:15Something's not right.
38:18Father!
38:20Is it true that neighbor Mirko wants to buy our apartment?
38:25I sent him a contract for neighbor Ragibi.
38:29I'm sorry I'm late. I have to talk to you.
38:33Tell me, neighbor Mirko.
38:36Neighbor Ragibi gave me this contract.
38:38Some things in this contract are not logical.
38:41My son, if the contract was logical,
38:45everyone would be legal.
38:47You sell me the apartment,
38:49and I can enter his estate only after your death.
38:52Do you want to enter the apartment after your death?
38:58Maybe I'm right.
39:01First you die,
39:03and then you enter the estate.
39:07I'm not signing this.
39:11I'm not signing this.
39:41I'm not signing this.