Lud, zbunjen, normalan - 160. epizoda (S6E16): https://dai.ly/x91eqyy (Sledeca epizoda)
Lud, zbunjen, normalan - 158. epizoda (S6E14): https://dai.ly/x91a14o (Prethodna epizoda)
Lud, zbunjen, normalan - 158. epizoda (S6E14): https://dai.ly/x91a14o (Prethodna epizoda)
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MotorTranscript
00:009,910 miles. I hope I didn't make a mistake.
00:15You did, but you're not left-handed.
00:18The mixer is an old-timer, it doesn't work like this anymore.
00:22Ten miles, it's like I gave it to you.
00:25It's true that your mixer didn't work.
00:27If your mixer worked, it would have destroyed your job.
00:31What mixer? It's not even a pipe.
00:34Actually, once it came to the meter to smell,
00:37but I threw it away, it hasn't been in the studio for two months.
00:40We'll see.
00:41Guys, just take it easy, please.
00:44Rukfaš, see you.
00:47Pasha, look, I'm begging you, keep it.
00:50Keep it, Rukfaš did a lot of hits and riffs on it.
00:54It's the same as if I told you to keep ten miles.
00:57I can't do it for nothing. See you.
01:01Come on.
01:02Pasha.
01:03Keep it.
01:05You took ten miles from me, huh?
01:08Yes, I took it, but somehow I felt sorry for the mixer.
01:11I tied myself to it, somehow that mixer came to me like a man.
01:17And what are you going to do with so much money?
01:19You know what I'm going to do?
01:21I'm going to save it.
01:23I want to get rid of the power of Izet.
01:26I want to emancipate myself and get rid of him.
01:30Voila, that was the time, yes, yes.
01:32Burek, do you know what my goal in life is?
01:34What is your goal, Faruk?
01:36How many goals do you have?
01:38My goal is to get Senada back.
01:42And while I live with Izet,
01:45do you know how many chances there are to achieve that?
01:48Zero.
01:50That's a serious number for your looks, Faruk.
01:53Yes, exactly.
02:21It's crazy, it's crazy, it's crazy, it's crazy, it's normal
02:26It's crazy, it's crazy, it's crazy, it's crazy, it's normal
02:29Everywhere around me, music and women
02:35I don't like to play, I'd like to study
02:41Questions torture me, I pull them out of the house
02:45Who has a problem, but there's no solution
02:51It's crazy, it's crazy, it's crazy, it's crazy, it's normal
02:54It's crazy, it's crazy, it's crazy, it's crazy, it's normal
02:57What's wrong with you?
03:05I don't have a cell phone.
03:08I'll be late for work.
03:11I don't have a cell phone.
03:13I'll be late for work.
03:17I don't have a cell phone anywhere.
03:20Look for it in the oven. Maybe it's there.
03:28In the oven? How can a cell phone be in the oven?
03:31Why not?
03:33How much you use the oven, I keep a cell phone in it
03:36and medicine for depression.
03:38In the oven, it would be like an ice cream.
03:42Maybe you could give me some of those medicines.
03:45You give me 200.
03:51Here it is.
03:53I'll be late for a business meeting.
03:56Call him, call him.
03:58Stop, stop, stop.
04:00Barbara, dear, why don't you turn off your cell phone?
04:03Call in the middle of the frame.
04:05I know, this is really important to me.
04:07I really have to go. Give me the light, I'll take a break.
04:09Hello?
04:11Hey, dad, wait for me to come out of the set.
04:13I just acted.
04:15In the frame, with the cell phone turned on.
04:17I can't do this amateurism yet.
04:19I'm full.
04:21Break, five minutes, until Barbara puts her hands on the cell phone.
04:24You're really getting divorced.
04:26Did you really have to?
04:28Listen, dad, okay, don't worry about anything.
04:31She was never for you.
04:33I mean, mom is a total lunatic.
04:35We all know that.
04:37Maybe it's better for you to get divorced.
04:39She ruined your life, man.
04:42She ruined it.
04:44Barbara's parents are getting divorced.
04:46There's no point in listening to this.
04:48These are private matters.
04:50You have a little less than an hour.
04:5358 minutes, to be precise.
04:56And why do we have?
04:58To film, Faru, to film.
05:00What's wrong with you, Maria?
05:02We have to shoot nine more episodes.
05:04You can have 99.
05:06But you'll shoot somewhere else.
05:08You didn't pay me.
05:10Because I've been renting you space for two weeks.
05:12Your contract expires in the afternoon.
05:15There's you, pack this in the squid and get out of here.
05:18Maria, you'll be paid as much as the TV pays us.
05:22Just like you just said, blah, blah, blah, blah, blah.
05:25Faru, things are very simple and quite clear.
05:28As I said, you have 57 minutes left.
05:32In that time, either you pay me or you get out of here.
05:36Oops!
05:3856 minutes left.
05:41Faru, time flies when I'm talking to you.
05:46We don't even have any money left.
05:48We're totally broke.
05:50Look at this, bro.
05:52Here are your bills.
05:53Empty.
05:54And what now?
05:55As long as the TV doesn't pay us for the next war,
05:58we have to come up with a plan.
06:02Otherwise, we'll have to stop the series.
06:04We can't stop the series.
06:06What's wrong with you?
06:08It doesn't matter.
06:09Okay, you'll see.
06:11First of all, Maria has the permission to kick us out.
06:15Okay, what do you say?
06:16How much do we need to survive until we get the first payment?
06:19We need...
06:2215,000.
06:2315,000?
06:2415,000?
06:25Where do we get 15,000 from?
06:27Okay, we could get 10,000.
06:30But we're totally broke.
06:33Fuck.
06:35Look, we need 1,000,000.
06:38It's the same thing.
06:39Faru and I, together,
06:41we have everything we have,
06:43we don't have 1,000,
06:45but we have 10,000.
06:46I know, I know.
06:47But I don't know if it's true.
06:49There's someone among us who might have that much money.
06:54Why not?
06:55If you use the kitchen,
06:57I keep my cell phone in it,
06:59and the prescriptions.
07:01Considering that the kitchen serves me as a bathroom.
07:07Then you could give me some of those prescriptions.
07:10I have 200 of them.
07:12No, no.
07:14Here it is.
07:16I'll be late for a business meeting.
07:19Don't make me laugh, Snaho.
07:22What kind of business meeting are you going to,
07:25all dressed up like that?
07:27What?
07:28What do I lack?
07:30You lack clothes, Snaho.
07:32That's what you lack.
07:35Listen, you.
07:37Don't you.
07:39Me.
07:40Come on, ma'am, it's time.
07:41Get the laundry.
07:42In the middle of the play.
07:44Excuse me?
07:45Faruk.
07:46Marija, what's wrong with you?
07:48You ruined my best take in the series.
07:51I didn't do anything, what's wrong with you?
07:53Don't do that to me.
07:54Before I came to meet you,
07:56I let you act for 48 seconds after the contract expired.
08:04Here.
08:05What did I tell you?
08:06Marija stopped filming.
08:08What kind of snake is that?
08:10What's going on?
08:12Why didn't you pay, Marija?
08:14Why didn't you let me direct?
08:16We'll pay, son.
08:17We'll pay for everything, Marija.
08:19We just need to talk.
08:20I'm sorry, dear Marija.
08:22No problem.
08:23You can talk as much as you want.
08:25But no filming.
08:26In fact, no talking at all.
08:29You have to order something.
08:31Let's go.
08:32Good day, please.
08:33Okay, give us a beer.
08:35Three beers.
08:36That's right.
08:38But we can't stop filming like this.
08:41Look at the mess on the set.
08:44Dad, I just learned how to direct.
08:47Son, dear.
08:48Greece.
08:49Greece, Europe.
08:51We're totally devastated.
08:53In 15 days, we'll get a new payment from the TV.
08:56What 15 days?
08:58We can't stop filming.
09:00In 15 days, we'll break all the rules.
09:02I know, son.
09:03Look.
09:04Burek and I have an idea.
09:07If you agree with her,
09:09we'll move out.
09:10If your idea involves my 10,000,
09:15which I got from Mixety,
09:17you can take it.
09:18We'll give it back to you
09:20as soon as we get a payment from the TV.
09:22What money?
09:24I buried it,
09:25concreted it,
09:26armed it.
09:27I hid it from myself.
09:29Don't be a coward.
09:31I want to be a coward.
09:34And I want my 10,000.
09:36Don't, son.
09:38Son, dear.
09:40Look.
09:41As soon as Loma goes to bed,
09:42it's yours.
09:43Don't worry.
09:45I won't give you my 10,000.
09:48Wait, dear.
09:49Mare, give me a beer.
09:51Those two are real hyenas.
09:54They ruined my church.
09:56What are we going to do now?
09:58I don't know.
09:59We have to think of something quickly.
10:01Think, old horse.
10:03Think.
10:08Hey, old man, it's you.
10:10Wait, didn't you come to the shoot?
10:12The shoot was canceled.
10:13We ran out of money.
10:16Do you have coffee?
10:17I do.
10:25Son, let me ask you.
10:27Have you ever met Barbara's parents?
10:30Of course I have.
10:31Those are your unsung fools.
10:33They're always at war at home.
10:35Last time Barbara and I were at their place in Zagreb,
10:38she smashed her driver's window in the parking lot.
10:41Wait, what did she do with the window in the parking lot?
10:44In the apartment, Bolan.
10:45She hit her brother with the window.
10:47The window flew through the window in the parking lot
10:49and smashed the driver's window.
10:50Yeah.
10:52Do you know what's going on between them?
10:58What?
10:59I mean, do you know that they're getting divorced?
11:02I mean, do you know that they're getting divorced?
11:04Braco and Ruza are getting divorced.
11:06Yes, that's what I heard.
11:07Who did you hear from?
11:09Barbara.
11:10Barbara told you, but she didn't tell me.
11:12She didn't really tell me,
11:14but there was a microphone on the set
11:17and I heard Barbara talking to her dad on the phone.
11:21I can't believe it.
11:24I really didn't know you were such a jerk
11:26to listen to other people's conversations.
11:28Man, the microphone is on.
11:31It's a professional deformation.
11:34Why didn't you turn it off?
11:36It was so uncultured.
11:37You see, Barbara didn't say anything.
11:39She probably has a problem telling us something about it.
11:41It's not my fault.
11:42It's the microphone's fault.
11:43In psychiatry, there's a name for people like you.
11:46You don't have a life of your own,
11:47so it's easier for you to mess with other people's lives.
11:49It was so uncultured.
11:51Man, the microphone is on.
11:53I have to know what the actors and other actors are saying about me.
11:58I wish I knew what the guy at the top told me
12:03so that I wouldn't be able to direct
12:06a part of Paketić and Ded Mraza.
12:12I'll give it to you later.
12:24I tried, I really tried, but...
12:28I just can't live without you.
12:32I can't live without you either, Senči.
12:40If we find out where she keeps the money,
12:43I don't even have to ask her.
12:45You know what, I don't want to get involved in that.
12:48That robbery of yours.
12:50What?
12:51Stealing.
12:52You don't have any money for me to give birth to a child.
12:55That's fate.
12:57And when the money from the TV goes down, we'll give it back.
13:00Yes, and what if he put it all in the bank?
13:03Him?
13:04He's so sad.
13:06He's like Saila.
13:07He never had an account in the bank.
13:09He hid it somewhere in the house.
13:12We have to find out where.
13:14Hello?
13:15He's outside.
13:16What do you mean, he's the only one outside?
13:19Listen, my dear.
13:21You have to get me something.
13:24Senči, Senči, I'm so happy.
13:27When I saw you this morning at the door,
13:30I thought I was dreaming.
13:32I know, I know.
13:34Gocovo is a multi-stupid circumstance.
13:38I hope so, Faruk, because some of your stupidity,
13:41I don't know if I could stand it anymore.
13:44Senči, my dear, give me a chance, please.
13:51And my parents, too.
13:53What about them?
13:54They'll get a nervous breakdown when they find out we're together again.
13:57Really?
13:58They think you're not serious, that you're childish,
14:01that you like to drink, that you're a rocker, that you're...
14:03Well, just everything they hate.
14:06You know what we'll do?
14:08Call Večeras for dinner.
14:10Dinner?
14:11For dinner.
14:12I'll dress up, put on a suit, a tie,
14:16and they'll see I'm a serious guy.
14:18Put on a tie, you?
14:20No, I'll dress up as the most serious TV producer.
14:25I'll convince them I'm not what I am.
14:29Večeras at 8 at Marija's.
14:31I don't get it.
14:32What and who should come, and what should they bring us?
14:35Oh, Burek, don't get me involved.
14:37This is a serious counter-report.
14:40It's a secret operation.
14:42Here you go, my dear.
14:43I'm sorry, I barely made it.
14:45Your speed was always on the bad side.
14:48And what's the good side?
14:49The good side is worse than the bad side.
14:52Come on, bring it out.
14:53I did, I did.
14:54I had a lot of fun.
14:56Here it is.
14:58Directly from Cino's warehouse in Hadzic.
15:01Genius.
15:02Bravo.
15:03I'm glad a man like you can be trusted.
15:06Wait, what's this got to do with a nose cap?
15:09I really don't know.
15:10This Burek is a total counter-report.
15:12It's a secret operation.
15:13Burek, this is dangerous, don't rush it.
15:17This is a serum of truth.
15:20Wait a minute.
15:21You really think Faruk is a serum of truth?
15:25Well, yes.
15:26Faruk is a subject?
15:28Yes.
15:29Oh, take Faruk.
15:31It changes the situation.
15:33Take...
15:34This is a very dangerous drug.
15:36It's your son, God forbid.
15:38I should dose it.
15:39The brain can get stuck,
15:41it can stay like a plant all its life,
15:44like Ficus philodendron,
15:45Eucalyptus monsa...
15:47I'm sick of these botanists.
15:49Faruk is my son.
15:50Why are you asking?
15:51Tell me, how are you doing with him?
15:53Well, really,
15:54how many times do I have to tell you
15:56that I went through training for this.
15:58I've dealt with a million subjects.
16:00Don't fuck me now.
16:01You know, you didn't even finish elementary school,
16:04now you're some kind of CIA agent.
16:06Just so you know,
16:07I don't want to be a part of it.
16:08That's what I mean.
16:09You don't have to be a part of it, Burek.
16:11This is not a job for amateurs like you.
16:13I'm telling you nicely, don't fuck me.
16:16Excuse me.
16:17What kind of data do we subjects need to extract from these?
16:26Yes, yes, yes, yes!
16:28Bravo, maestro!
16:29Yes, yes, yes!
16:31I really can't understand
16:33how someone can not like billiards,
16:36but like football.
16:37Football is for assholes.
16:38Wait, let me strengthen it a little.
16:40Where's my remote?
16:43Where did I put it?
16:49Look, look, look at the dust.
16:52Like in a cocoon.
17:01You don't know what to say, Mom.
17:03I mean, Dad was always an asshole.
17:05Maybe it's better to get divorced.
17:07You want to get divorced?
17:09We'll try.
17:10For a few months.
17:13Then you can sleep here with me and Damir.
17:16No, we'll get together somehow.
17:19This is a big apartment.
17:21Me?
17:22Damir?
17:23No, he'll get mad.
17:25Besides, we won't tell him anything.
17:27You'll come to the door and...
17:29What will he do?
17:30He'll keep nagging us all the time.
17:34Sometimes we fight like in a tram,
17:36but when he hears us,
17:38he doesn't care.
17:43Hey, man.
17:45Are you looking at the billiards again?
17:47I don't know what's more boring,
17:49watching or playing.
17:50What do you care?
17:51You don't know the rules of football,
17:53and you don't care about the billiards.
17:55Billiards are poetry, man.
17:58Hey, son.
17:59I have some information for you.
18:01Tell me.
18:02Barbara's mother is coming.
18:04Ruza is coming to Sarajevo?
18:06What are you doing here?
18:08She's not coming for three months.
18:11She didn't tell me anything.
18:13She won't tell you anything.
18:15She wants to bring you to her.
18:17Barbara's mother with suitcases in front of the door,
18:20and you have nowhere to go.
18:22She's so shameless.
18:24How do you know that?
18:26I heard Barbara talking on the phone.
18:29I can't believe it.
18:30You're eavesdropping again.
18:32I'm not eavesdropping.
18:34You're here to pretend you're sick.
18:37You're a real patient.
18:39It's a psychological case.
18:41It's a remote case.
18:42Remote what?
18:43I don't want to know when you come to me like that.
18:46I'm telling you, son...
18:48I have to talk to Barbara first.
18:51I won't eavesdrop.
18:54You won't?
18:55I know people like you.
18:57You like to eavesdrop,
18:59and then you have a pathological need
19:01to talk about what you heard.
19:03How is this happening to me?
19:05Listen to me, father.
19:07If you tell me this,
19:09you'll have to deal with me.
19:12You little...
19:14This little...
19:16She's so mad at her father.
19:24What's the plan?
19:25It's simple.
19:29We take the beer,
19:31we twist it,
19:33we pour the serum,
19:35three drops,
19:37one, two, three,
19:39and we take the alcohol.
19:41What else?
19:42We take the alcohol and the weed.
19:44I mean, the weed and the weed.
19:46Then it's more resistant.
19:48Let's try seven.
19:50Four.
19:51Five, six, seven.
19:53Here's another one.
19:55Do you want me to pinch you?
19:57Don't pinch me.
19:58You're trained.
20:00And the other two beers?
20:02They're for us.
20:03We don't want to get drunk.
20:05We have to...
20:06Here.
20:07Let's mark it here
20:09so we know which one is with the serum.
20:12Here it is.
20:13Where's the subject?
20:15He's a thousand percent in the living room
20:17looking at that stupid billiard.
20:19We can't agree on anything like this.
20:21The most normal, general,
20:23a little twisted,
20:25without too many questions.
20:27I'll ask him from the beginning
20:29what he's got, where he's got it,
20:31and when we see that the serum is working,
20:33we ask him the main question,
20:35which in our case is...
20:37Where's the money?
20:39Oh, my Russian school.
20:41Let's go.
20:45Hey, son, look what I've got.
20:48Look, a billiard.
20:50Yes.
20:51How did you two get together?
20:53Well, we ran into each other
20:55playing a game of chance,
20:57so I said we'd have a beer
20:59and let ourselves go by chance.
21:01I'd like a beer, too.
21:03Oh, great!
21:05Look, Grandpa, I've got three beers,
21:07just for the three of us.
21:09What a coincidence.
21:11I've got three beers,
21:13and you've got three.
21:15Incredible coincidence.
21:17Isn't this from Vistovice?
21:19It's just from yesterday.
21:21I'll be fine.
21:23I'm nervous.
21:25I've got dinner with Nadia's parents.
21:27I'm shaking.
21:29Something's wrong.
21:31Is that you two together again?
21:35Yes, and you should know
21:37how happy I am.
21:41Oh, what a coincidence.
21:43Congratulations.
21:47How do you know that brothers
21:49get married and get married?
21:51What?
21:57I can't believe it.
21:59He was eavesdropping
22:01on my private conversation.
22:03What an idiot.
22:05That sounds pathological.
22:07Why didn't you tell me
22:09that people get divorced?
22:11I was looking for the best time,
22:13but I couldn't find it.
22:15What about your mom coming?
22:17How do you know that?
22:19It's pathological.
22:21He was hiding behind a rubber band
22:23while his mom came.
22:25I can't believe it.
22:27He's not normal.
22:29He should be hiding in this house.
22:31You're right.
22:33Why didn't you tell me
22:35that my wife was coming?
22:37I'm sorry.
22:39When did I tell you?
22:41I found out a little while ago.
22:43Mom's coming.
22:45Let her come.
22:47I've never drunk
22:49a better beer in my life.
22:53Where did you buy it?
22:55He's not ready for surgery.
22:57Let's see if he works.
22:59What's wrong with you?
23:01What's wrong with you?
23:03Nothing.
23:05I was in the closet
23:07a little while ago.
23:11I drank a little.
23:13I wanted to reduce the tension.
23:17Then I came here
23:19and I saw the billiards
23:21all afternoon.
23:25It works, son.
23:27The billiards work on you.
23:29Nice, nice.
23:31Except when you rub it
23:33in the closet,
23:35is there anything else?
23:37I don't know.
23:39There is.
23:41I know it,
23:43but Izet doesn't.
23:47He wanted me to know.
23:49But I really
23:51don't know
23:53how to say it.
23:55Just tell us what it is.
23:57I'm sorry, son.
23:59I have to tell you now.
24:01You don't have to.
24:03Just tell us what it is.
24:05Do you know what it is?
24:07There was a manager
24:09here
24:11and I fell down
24:13behind the bed
24:15and Barbara was in it.
24:17This is not good.
24:19This is not good at all.
24:21What's not good?
24:23If Faruk tells Izet
24:25that my mom is coming,
24:27Izet will make us a circus
24:29and change all our eyebrows.
24:31Do you think I don't know that?
24:33I told Faruk nicely.
24:35If he tells Izet,
24:37I hope he wants to.
24:39He seems to understand the seriousness of the problem.
24:41I hope he won't tell.
24:43And my mom won't be able
24:45to come tonight.
24:47Do you think my house
24:49is a nightclub?
24:51Izet!
24:53Don't worry,
24:55son.
24:57Pick up the phone
24:59and call your mom.
25:01I heard you sold your mixer.
25:03What mixer?
25:05Your mixer
25:07for music.
25:09I sold the mixer.
25:13You sold it well.
25:15I took the price
25:17for it.
25:19I was tied
25:21to that mixer.
25:23We traveled so many kilometers.
25:25I wrote
25:27so many lines
25:29with it.
25:31It came like a dream.
25:33Where did you leave the money?
25:35In the bank?
25:39I'm not crazy.
25:41I left it here.
25:47No one
25:49can know
25:51that I hid money here.
25:53If they find out
25:55that I hid money here,
25:57Izet and Burek
25:59will kill me.
26:01Don't tell anyone
26:03where you left the money.
26:07In a secret place.
26:09In your
26:11secret place.
26:15It's
26:17Izet's secret place.
26:19It's your son's school.
26:21Don't tell anyone
26:23where your secret place is.
26:25Just tell me where
26:27Izet's secret place is.
26:29He's on the balcony. Call him.
26:31Izet,
26:33don't call anyone.
26:35Let's calm down.
26:37You have to accept the fact
26:39that Barbara lives here with me.
26:41If she lives with me,
26:43she should visit her mother.
26:45I know how it goes.
26:47She comes for a few days,
26:49and stays for a few years.
26:51Don't you think
26:53that it's time
26:55to meet my mother?
26:57She's at the bar.
26:59She can come here
27:01and have a cup of coffee.
27:03But there's no theory
27:05that she sleeps here.
27:07You know how many of us
27:09have suffered in this house.
27:11You know what they say.
27:13A man's stomach is not empty,
27:15and his house is not cramped.
27:17But in this case,
27:19a man's stomach is empty,
27:21so his house can't be more empty.
27:23Mother,
27:25my dear son,
27:27where's Grandpa?
27:29He's gone.
27:31He said hello to you.
27:33He liked the beer.
27:35How did he get in?
27:37Why didn't you tell me?
27:39It's a roulette table.
27:41It's a roulette table
27:43where you've been
27:45hunting all the time.
27:47You've been holding your black background.
27:49A long time ago.
27:51I haven't been hunting
27:53for years.
27:55But that's why
27:57I've been hunting here.
27:59Because I knew
28:01this was the last place
28:03where you'd think
28:05I was hunting.
28:07You've been hunting here?
28:09Yes, in the roulette table.
28:11Where did you hunt?
28:13I think
28:15Grandpa
28:17robbed me.
28:19Grandpa,
28:21I'm going to kill him now.
28:23Grandpa!
28:25My ten thousand
28:27Markulina
28:29savashashije
28:31fiu
28:33my dove
28:35fiu my dove
28:37Old man,
28:39you're really bad.
28:41You promised you wouldn't tell the truth
28:43that Barbara's mother was coming,
28:45but no.
28:47It just
28:49flew out of me.
28:51Barbara's soul.
28:53There's no reason to be angry.
28:55Damir himself said
28:57that your parents...
28:59What did he say to my parents?
29:03Damir told me
29:05that your parents are idiots
29:07and morons.
29:11Thank you, old man.
29:13I have to go.
29:15I have to go.
29:17I have to go
29:19to the party
29:21with Senadina
29:23and her mother's asses.
29:25Fiu, fiu, fiu, fiu.
29:27Fiu, fiu, fiu, fiu.
29:29What did you tell my parents
29:31behind my back?
29:33What?
29:35Damir.
29:37Do you believe this idiot
29:39who went to the party
29:41with Senadina?
29:43Look what I told you yesterday.
29:45Your Faruk will never change.
29:47I've been waiting for him for 45 minutes.
29:49I don't know, I don't understand.
29:51I'm sure he was held up by something.
29:59Mom, where have you been?
30:01Do you know how late it is?
30:03Give me your socks.
30:05You're really crazy.
30:07It's so late.
30:09I couldn't go out.
30:11No, no, Senča, it's not that.
30:13I got drunk
30:15in this gin beer.
30:17It's a good beer.
30:19You know how I liked it?
30:21Yes, I could expect that.
30:23How are you?
30:25Look, dad.
30:27Look at the tie.
30:29Do you know
30:31how disgusting it is
30:33to party with you here?
30:35If nothing, at least you're honest.
30:37We're all crazy about you.
30:39Senada forced us.
30:41Senada forced me, too.
30:43She wanted to
30:45wear a tie, a dress,
30:47so I could act
30:49like a serious,
30:51professional man.
30:53And I didn't do it.
30:55I didn't do it, mom.
30:57Faruk, man, what are you talking about?
30:59Well, Senča, I'm just honest.
31:01And not only
31:03that I don't love your parents,
31:05Senča, your dad
31:07stinks so much.
31:09Sir, let me tell you something.
31:11He stinks so much
31:13that when I talk to you,
31:15he comes to his senses.
31:17Faruk!
31:19Senča, it's true.
31:21He stinks like a beast.
31:23Your mom is different.
31:25Mom is a miracle.
31:27Sir, you have breasts.
31:29A man really has
31:31a mouth to look at all day.
31:33And it's a secret.
31:35It's a secret.
31:37It's a secret between us.
31:39Sir, I've had sexual relations
31:41with women of your age.
31:43How could that be
31:45desirable?
31:47But what are we going to
31:49have for dinner?
31:51Punač?
31:53Do you want a beer?
31:57Džido.
31:59Džido, Fazlinović
32:01Džido, Fazlinović
32:03He's too secretive.
32:15Mom, how is it?
32:19It's not even close.
32:21Why? Your mom is hoping
32:23and she left so fast.
32:25She didn't even eat or drink.
32:27They all left.
32:29Well, maybe
32:31they didn't like the waitress.
32:33Since you've been running the tavern,
32:35this tavern has become
32:37like a stable.
32:39Why are you
32:41so mad at me?
32:43Maria, now that I'm telling you
32:45why I forced you to
32:47break up with Juro
32:51I'm 100% sure
32:53you want to fuck me
32:55and make me mad.
32:59I'm 100% sure
33:01you want to fuck me
33:03and make me mad.
33:05Oh my God,
33:07are you the police
33:09or a spy organization?
33:11I'm telling you nicely,
33:13this man
33:15stole 10,000 marks
33:17and disappeared
33:19in an unknown direction.
33:21I don't know where
33:23I wouldn't call you.
33:25I would solve it all myself.
33:27I'm telling you nicely.
33:31Oh, poor man.
33:33Did you get hit by a tractor?
33:37A truck.
33:39What truck?
33:41Maria's truck.
33:43How are you going to
33:45fix this?
33:47How am I going to
33:49fix your truck?
33:51I'm so mad
33:53at the waitress
33:55who stole 10,000 marks
33:57and disappeared
33:59with my 10,000.
34:01What am I going to do now?
34:03What?
34:05Hey guys, what's up?
34:07I just came from the airport
34:09to Barbara's mom.
34:11I told you nicely,
34:13there's no chance
34:15that her mother
34:17will be in this house.
34:19Take it easy,
34:21take it easy.
34:23Oh,
34:25what a tractor hit you.
34:27Shut up
34:29and leave me alone.
34:31Hey guys,
34:33we're going home now.
34:35This is my mom Ruža.
34:37Hello.
34:39This is Izet,
34:41over there is Faruk,
34:43and Damir is ours.
34:45She just told me
34:47that they stayed in the hotel.
34:49You know, Mrs. Ružica,
34:51I don't know what to do.
34:59My dear,
35:01faithful reader,
35:03I'm going to repeat myself
35:05because I'm, you know,
35:07Repetitio est mater studiorum.
35:11Let's be honest,
35:13you couldn't hide
35:15from your aunt's police.
35:17They knew
35:19where you were
35:21and what you were doing.
35:23And today,
35:25when people talk about
35:27aunt's police,
35:29those are the people
35:31that the same police
35:33would have arrested long ago.
35:35It's normal that they love
35:37this police when they can
35:39do whatever they want
35:41and no one arrests them.
35:43There's no such thing as
35:45a great reader,
35:47a magnificum lector.