Lud, zbunjen, normalan - 153. epizoda (S6E9)
Lud, zbunjen, normalan - 154. epizoda (S6E10): https://dai.ly/x91a14k (Sledeca epizoda)
Lud, zbunjen, normalan - 152. epizoda (S6E8): https://dai.ly/x91a02y (Prethodna epizoda)
Lud, zbunjen, normalan - 152. epizoda (S6E8): https://dai.ly/x91a02y (Prethodna epizoda)
Transcript
00:00This video was made with the support of the Serbian Government and the Ministry of Culture of the Serbian Republic.
00:11You two are just like father and son.
00:15Damir, you were having fun with this Junit, right?
00:19Yes.
00:20How long ago?
00:21About 12 years ago.
00:22What do you think, how old is this little Damir?
00:25About 12 years old.
00:30Is the DNA test done?
00:31It's done.
00:32My little boy didn't have anything in common.
00:35Great, he's a stone in my heart.
00:38Why is dad saying I'm not his son?
00:41What?
00:42I just heard him say he did a DNA test.
00:46Fuck.
00:48He found out.
00:49My little boy.
00:55Here you are, big brother, big brother.
01:00Just like an old cat.
01:05I didn't know you were here.
01:09You have to hide in two places.
01:12Where is he and where is Branko?
01:14Where can I find you?
01:17Where could he be?
01:20He's calling you.
01:23You're not here.
01:25And you're not in the only place on the shelf.
01:29Where could he be?
01:31You're 100% behind the couch.
01:34Now I'm going to turn the couch.
01:37There you are.
01:38You found me.
01:39I found you.
01:40I found you.
01:41Now I need you.
01:42Yes, I'm leading 3-0.
01:44When we play, it'll be 4-0.
01:46Come on, stay here.
01:48The number is 100.
01:49You'll never find me.
02:05There you are.
02:09What happened?
02:10Are you okay?
02:12I'm not okay.
02:13I'll never be okay again.
02:15Can you forgive me?
02:17It's so hard.
02:18Did you see?
02:20Mom is crying.
02:21No, she's not.
02:22She hit herself.
02:23She's in pain.
02:24Come to your room.
02:26Come here.
02:29What's up?
02:30Nothing.
02:31Are you playing with Grandpa?
02:32I'm leading 3-0.
02:333-0?
02:34I think he's in the locker room.
02:36Let's find him.
02:41Hey.
02:42What happened?
02:43Barbara?
02:44What happened?
02:45Damir, will you ever forgive me?
02:47Please, I'm begging you.
02:49What?
02:50What should I forgive you?
02:52I know you know what you're up to.
02:55I don't know.
02:56Barbara, all I know is that I don't know anything.
02:59I know you know.
03:00You know I know you know.
03:02You know about Džemica.
03:03Džemica.
03:04Jure.
03:05Jure, what should I tell you?
03:07Say something.
03:10Maybe like this?
03:16Džemica isn't yours.
03:20I'm begging you.
03:22What the fuck did you say?
03:24I thought...
03:25I thought you knew.
03:27What did you think?
03:28Are you crazy?
03:30I'm not crazy, but I didn't know.
03:32Go to hell.
03:33Damir!
03:36Wait!
03:39I'm sorry.
04:09I'm sorry.
04:10I'm sorry.
04:11I'm sorry.
04:12I'm sorry.
04:13I'm sorry.
04:14I'm sorry.
04:15I'm sorry.
04:16I'm sorry.
04:17I'm sorry.
04:18I'm sorry.
04:19I'm sorry.
04:20I'm sorry.
04:21I'm sorry.
04:22I'm sorry.
04:23I'm sorry.
04:24I'm sorry.
04:25I'm sorry.
04:26I'm sorry.
04:27I'm sorry.
04:28I'm sorry.
04:29I'm sorry.
04:30I'm sorry.
04:31I'm sorry.
04:32I'm sorry.
04:33I'm sorry.
04:34I'm sorry.
04:35I'm sorry.
04:36I'm sorry.
04:37I'm sorry.
04:38I'm sorry.
04:39I'm sorry.
04:40I'm sorry.
04:41I'm sorry.
04:42I'm sorry.
04:43I'm sorry.
04:44I'm sorry.
04:45I'm sorry.
04:46I'm sorry.
04:47I'm sorry.
04:48I'm sorry.
04:49I'm sorry.
04:50I'm sorry.
04:51I'm sorry.
04:52I'm sorry.
04:53I'm sorry.
04:54I'm sorry.
04:55I'm sorry.
04:56I'm sorry.
04:57I'm sorry.
04:58I'm sorry.
04:59I'm sorry.
05:00I'm sorry.
05:01I'm sorry.
05:02I'm sorry.
05:03I'm sorry.
05:04I'm sorry.
05:05I'm sorry.
05:06I'm sorry.
05:07I'm sorry.
05:08I'm sorry.
05:09I'm sorry.
05:10I'm sorry.
05:11Lirebay!
05:12You're free.
05:13I've been there.
05:14Are you coming out of that business, or what?
05:15The iron gate is gone, the cold has started to work, and the Judge ordered the Scottie
05:16Browns to be freed.
05:17Can you really get anybody else to g flute this town?
05:20Whatever's happening is Somer's fault!
05:21I don't care.
05:22Come on, Somer, mother, we all know this.
05:23Why would you listen to one of our relatives?
05:24Come on, man.
05:25You're free.
05:26Yes, I am.
05:27Call me.
05:28You're free!
05:29This man can call the judge's attorney immediately.
05:31I just feel guilty right now.
05:33We know each other.
05:34But listen, go to that Rojak of yours.
05:36Get out of the way. What's his name? Faruk?
05:38Yes, Faruk.
05:39Go to him.
05:40Go, Bolan, you accused an innocent man of stealing a camera.
05:43If he's accused, you're screwed.
05:45Rojak is in a hurry.
05:46Let him go, Rojak, Nerojak, Loza, Neloza.
05:49If he's looking for his damage, you're done.
05:55Hey, old man, what's up?
05:58Old man, is everything all right?
06:05What is this?
06:09This is not good, God forbid.
06:11Old man, I have to go now, but I'll call you on the phone to check how you are.
06:17Old man?
06:19Do you even hear me?
06:21Do you even hear me?
06:26There's something wrong here.
06:35It's me.
06:37I'm guilty.
06:40I'm guilty of everything.
06:44Good day.
06:45Good day.
06:46Oh, Mr. Mithat, was it Mithat?
06:48Yes, yes, Mithat, Milan, yes.
06:50The highest referent, Pio Mio.
06:52Yes, Pio Mio.
06:54That's like when you drink, and because of that, you're Mio to the people.
06:57Pension Mirovinsko, that's it.
06:59I understand, yes.
07:01Here you go.
07:02Thank you.
07:03Well, how can coffee help you?
07:05Coffee?
07:06Yes, coffee.
07:07Well, that's a surprise to me.
07:09Little does anyone know that my name is Milan Cmar.
07:12Listen, Mr. Cmar, I actually didn't come for you.
07:15Me?
07:16I came to see your father.
07:18My father?
07:19Rodoljub Cmar.
07:21That's your father, I suppose.
07:23Yes, yes, I suppose he is, too.
07:25I mean, you know what they say.
07:27Can I see him?
07:28He's registered at this address, like you.
07:30Well, you can't now, because he's not here now.
07:33He's on the road.
07:35On the road?
07:36Yes, yes, on a business trip.
07:38But he's still working.
07:40What did I say?
07:41On a business trip?
07:42I made a mistake.
07:43He's on this business trip.
07:44He went to see his family on a business trip.
07:46Listen, Mr. Cmar.
07:48This is very serious.
07:50We have a basic suspicion
07:52that someone has been raising his pension in his name for years.
07:55What are you saying? Is that possible?
07:58Yes, yes, yes, I'll be very direct.
08:00I have to see your father.
08:02If he's not here tomorrow,
08:04I won't have a choice.
08:06I'll have to call the police.
08:08The police? Why the police?
08:10If I were you,
08:12I would tell the judge to come home quickly.
08:16He'll be here tomorrow at 11.
08:19It would be much better for you
08:21if your father was here tomorrow.
08:23Goodbye.
08:24Goodbye.
08:29Fuck, what am I doing now?
08:32Fuck.
08:36I'm a coward.
08:40I'll dehydrate from pain and tears.
08:46How could I let that happen?
08:52Give me a son.
08:55This is the blood of your blood.
08:58The son of your son.
09:00Come on, please.
09:02You can see from a mile away
09:04that the child has nothing to do with us.
09:06I know what you want.
09:08You want to get rid of us
09:10to support the child.
09:12How can you be so heartless?
09:16How?
09:18Do you think I'm that kind of person?
09:23Do you really think so?
09:29I've always been loyal to your son.
09:32You all know what kind of person he is.
09:34He's a regular...
09:36...asshole.
09:38I saw them...
09:40...together...
09:42...in the dumpster.
09:45Here I am.
09:47Director Faruk Fazlinović.
09:49That's my name.
09:51This isn't so bad, is it?
09:54This is great.
09:55This is masterful.
09:56This is a real show.
09:58I've only cried on me three times.
10:00I'm fed up, you see.
10:02It's normal for a father to write a text.
10:04Fedja Isović will be furious when he sees this.
10:07Rukvas, if I were you,
10:09would you put some music on this scene?
10:12Some Eric Clapton?
10:14Clapton?
10:16Where can we find Clapton to...
10:20This is killing me.
10:23You can't keep filming like this.
10:25What can we do?
10:27We still have a lot to do.
10:29Faruk, how much more do we have to film
10:32to finish the first episode?
10:34We have a few more scenes.
10:36We still have a scene where
10:38that jackass from Bunari is a lefty.
10:40Rukvas,
10:42can I play that lefty?
10:46You act.
10:48Why not?
10:49Everyone calls me Willis.
10:51Willis?
10:52Yes, like Bruce Willis.
10:54Faruk, I'm begging you.
10:56I'd like to play the role
10:58of the thief.
10:59I'm begging you.
11:00All right.
11:01Bruce Willis.
11:02It's not a big role,
11:04it doesn't even have a script.
11:06Hello.
11:07All right,
11:08who's going to play Jeparosh?
11:10Jeparosh?
11:11That's a different story.
11:13We have to find someone authentic,
11:15someone who's corrupted,
11:17someone who's morally rotten,
11:19someone who's a whore.
11:22Where's the lunch?
11:24What's wrong?
11:29I can't believe it.
11:31I can't believe this is happening to me.
11:33I can't believe it.
11:34I'm so sorry, Damir.
11:36I'm so sorry.
11:37Sorry?
11:38Fuck him.
11:39But that was before we got married.
11:41It was just an unconditional relationship
11:43with one man,
11:45just a few times.
11:47When you knew
11:48that the whore wasn't my son,
11:50why did you marry me?
11:52Why, Barbara?
11:54I didn't...
11:55I didn't know.
11:57What didn't you know?
11:58Didn't you know that maybe
12:00you could get in trouble a few times?
12:02You didn't know!
12:03No, that, Damir.
12:04I didn't know that.
12:05I didn't know if the whore was yours.
12:07I didn't know if it was yours or his,
12:09until you did that DNA test.
12:11Barbara, that doesn't justify you, you know?
12:15What DNA test?
12:17Yesterday, you told Faruk
12:19that you did the DNA test
12:21and that you knew the child wasn't yours.
12:23Yesterday, Faruk said...
12:28Oh, I didn't do that for the whore, no.
12:31I just...
12:34Damir,
12:36who did you do the DNA test for?
12:39I did it...
12:43You know what?
12:44That doesn't matter now.
12:45You know what matters?
12:46It matters that maybe the whore is my son.
12:48That's what matters.
12:52I always put more chances
12:54that it was yours.
12:56Oh, fuck.
12:58We have to do this smartly.
12:59What?
13:00Sit down.
13:02We have to talk.
13:04We have to come up with a good plan.
13:09It's my fault.
13:11It's not your fault, Damir.
13:15It's nothing.
13:16It's me.
13:19I'm just a regular whore.
13:22Why are you to blame, dear son-in-law?
13:26He's not a good son-in-law.
13:33Mara, give me a beer and a cigarette.
13:35I'm totally drunk.
13:36You're drunk?
13:37You smoked a cigarette and now you want to get away from me?
13:39That too, but...
13:41I'm drunk with these guys.
13:43What do you have against them?
13:45You don't have a day of work experience.
13:48I don't have a day, but I have a night.
13:50I worked two nights as a night watchman.
13:52Oh, I'm sorry.
13:53That's a completely different story.
13:55Just run away.
13:56Do you know how much your pension is?
13:58Maybe I didn't earn my pension, but my dad did.
14:01What do you have against that?
14:03This drunkard says that someone raises his father's pension for years
14:06and that he'll come to check it tomorrow.
14:08If my dad isn't home, I'll go to the police.
14:10Police?
14:11Yes, to the police, dear Mara.
14:13A whore and a whore.
14:17What's up with him?
14:18I have no idea.
14:20He took a bottle of brandy for two hours,
14:22and now he says he's a whore.
14:24Now he's a whore.
14:26Kufa, look at this.
14:28You call your dad to come to your place tomorrow.
14:30When he gets there, I'll drink this.
14:32Here you go.
14:33You see, there's a little problem.
14:35What is it?
14:36My dad is banned tomorrow.
14:38My dad is buried even at the bar.
14:40Your dad is dead.
14:42I mean, there's a possibility that we could have buried him alive,
14:46but it's unlikely.
14:48When did he die?
14:50Not long ago.
14:52I don't know.
14:53Fifteen years ago.
14:54Fifteen years?
14:55Yes.
14:56And someone raises his father's pension for years?
14:59Who?
15:01Me.
15:03Kufa, this time you ruined him.
15:06Go back.
15:07I don't want to.
15:08First he took out the bottle of brandy,
15:10and then I continued and so on.
15:11Fifteen years?
15:13You should be ten years younger.
15:15Mara, don't say that, please.
15:17He's helping you, and God knows what he's doing.
15:21Shut up.
15:25Listen, Samke, I'm so ashamed of you.
15:29I've been lying in the wall for five days,
15:31not guilty, not in debt, all because of you.
15:33You can do this to me if you want to make it up to me.
15:36I'd make it up to you, Faruk.
15:38I've never done that.
15:40You have to lie there.
15:41You know I've never lied.
15:43Burek knows that.
15:44I'm not in the business.
15:45Samke, you don't have to act.
15:47Just be yourself.
15:49Be completely natural.
15:51Let it come out of you.
15:53What should I act as?
15:55Jeparoša.
15:56So, a guy goes into a tavern.
15:58Sorry, I'm playing that role.
16:01You, yes.
16:02So, the mentor goes into the tavern,
16:05and you go outside.
16:06Then you meet in the middle,
16:08you hit each other,
16:09and you have a fight.
16:10Well, I'd give you an Indian fakir,
16:12a fight about a cobra.
16:14Okay, Faruk.
16:15There was one time at the Sembel Riva circus.
16:17Come on, let the kids see a cobra fight.
16:19Come on, we know you, Samke.
16:21You're a tough nut.
16:23What am I?
16:24You want me to beat you up, right?
16:26You want me to report you for false testimony, right?
16:29You want me to report you for myth and corruption, right?
16:32You want me to...
16:36You're worse than Izet.
16:38Don't make me cough.
16:39Here's Burek, make him cough.
16:41Why me?
16:42Mentor, did you get rid of the fake cash
16:44that this guy is supposed to steal from you?
16:46I did, Rukfaša.
16:47This pocket has real money,
16:51and this pocket has fake money.
16:53Wait, wait, wait.
16:54If we're going to do that scene,
16:56I'd rather do it with real money.
16:58I mean, for credibility.
17:00Hello, hello, Spielberg.
17:02Tomorrow at 9 a.m.
17:03at Maria and Sandra's place.
17:05We're filming downstairs.
17:09Come on, Izet.
17:11I'm closing.
17:14Izet.
17:16Let's go home.
17:19Where am I?
17:21You're so dead.
17:30What am I going to do?
17:36Yes, my son.
17:40Yes.
17:54He's not here.
17:56How did I leave him?
17:57That's how I found him.
17:59He's not here.
18:02Izet.
18:03Izet, are you okay?
18:06Shvika, darling.
18:09Help me.
18:10It's not Shvika.
18:13I've never had a case like this.
18:16Barbara.
18:19Leave him to us.
18:21Let him be.
18:23Why am I torturing him?
18:28What does Barbara say?
18:33Ah, there you are.
18:34Come on, come on.
18:35Oh, you're all stiff.
18:37I left you here last night.
18:39You didn't move.
18:40Really?
18:43You're going to have a lot.
18:46Okay, if you insist.
18:48Hush.
18:51It's a surprise.
18:53Then it's better to do it tomorrow.
18:55Right.
18:56We don't have a choice.
18:58Tomorrow, action.
19:00I'll give you a day off.
19:02And you?
19:03I'm going down to Maria's.
19:04She's already opened.
19:05I have to have a quick drink.
19:08Action.
19:12Damir.
19:15Do you want to...
19:18Do you want to forgive Mika?
19:22Barbara, just pray to God that he's mine.
19:26I really don't know what to think.
19:29See you downstairs.
19:36Hey, Janice.
19:37What's up?
19:38Nothing, Janice.
19:41Are you sick?
19:43No.
19:45Tell me, Mom.
19:48Yes, I can see that you are sick.
19:50Let me blow your nose a little.
19:52Come on.
19:53I don't have a nosebleed.
19:54I'll tell you later.
19:55Just blow a little.
19:57That's when I lost my immunity
20:00from this early recovery.
20:03If I want to finish this shoot,
20:05where would I be born?
20:09We're not going.
20:11You say you don't have a nosebleed.
20:13I don't.
20:15Me neither.
20:17What are we going to torture you for?
20:26It's my fault, Damir's son.
20:29It's my fault.
20:31Rukvaš said we should set up a counter light
20:34for the camera on the stairs.
20:36Kufa, shouldn't there be a counter light
20:40from the back?
20:42Come on, Mentor, don't get involved
20:44in the lighting system.
20:46Mika Ukerka explained everything to me.
20:48The stairs are there, the light is against them.
20:51Piece of cake.
20:52Hey, did you deal with that guy from P.O.M.?
20:55No, I didn't.
20:57When is he coming?
20:58At 11.
20:59If Dad isn't home when he comes,
21:01he'll call Friar Muri.
21:03Why don't you ask Dad to come?
21:05He'd have to dig him out first.
21:14Give me a double lozenge.
21:16You can't.
21:17It's neither a double nor a regular one
21:19until you solve that problem there.
21:21It's my fault, too.
21:23Since when is she here?
21:25Since last night.
21:26Like she's never seen a bar.
21:28No, she's not.
21:29Mortus is drunk.
21:30Please, take him home.
21:31I can't look at him anymore.
21:33I'm not listening.
21:34Oh, Mare, if you only knew
21:36what kind of shit I'm in,
21:37you wouldn't ask for anything from me.
21:39Give me that lozenge, please.
21:41You'll get me in trouble.
21:48Great costume.
21:49You really pulled it off well.
21:51Look, it's like a real jacket.
21:53What kind of costume is this lighthouse in?
21:55Hello, people.
21:56What the hell is this lighthouse doing here?
21:58It's lit with some kind of contra-light.
22:00Contra-light?
22:01You see, it's contra-stepanica.
22:03Come on, contra.
22:04Listen, Samka, you and Kofa
22:06stand here next to the bar.
22:08The mentor comes in,
22:09then you go out,
22:10and Kofa hits you here, you know.
22:12And at that moment,
22:13you smear his forehead
22:14with the oil from the right pocket.
22:16Do you count?
22:17I count, just hurry up, Fargul.
22:19I have to go.
22:20You see, people are waiting for me.
22:22Let's go a little faster.
22:23Here, boss, I read the script.
22:25What do you need to know, boss?
22:27You don't have a single line.
22:28Of course I do.
22:29The man with the scarf,
22:30that's me.
22:31He goes out,
22:32and from that moment,
22:33he hits you with his pocket.
22:34Let it go, mentors.
22:36Did you prepare a fake hunt?
22:39Here, in the right inner pocket.
22:41Faruk, there's no shooting
22:42until you solve the problem
22:43in the form of a member of your family.
22:45What's the mood?
22:46What mood?
22:47Take it, brother.
22:48Bunca, drink, Bunca.
22:50Pour me some rakija, son.
22:52I can't take it anymore.
22:53Take him home,
22:54or there's no shooting
22:55until I come back from the kitchen
22:57so we don't see him here.
22:58No problem, Marija,
22:59I'll take care of that.
23:02Kufa, come here!
23:04Tell me, boss.
23:05Take him home,
23:06and bring him home.
23:08Who's going to film, boss?
23:10Burek, can you film this first scene
23:12until Kufa comes back?
23:14I can, and I know how to.
23:16And me?
23:17You, mentor, the place.
23:19Where should I put the camera?
23:21Put it here, like this.
23:24Come on, Kufa, come on.
23:25Here, here.
23:26Take him home.
23:28I don't know where to put it.
23:30Quiet, actor!
23:33Quiet!
23:34Quiet!
23:35I'm the only one talking here!
23:37Only the director talks and Burek does what he wants.
23:40Did you make it?
23:41I did.
23:42Give me the camera.
23:43Why is he so small and sick?
23:46A little.
23:47A little, a little.
23:48We need to give him
23:49all the vitamins and warm drinks.
23:50I'll go get this,
23:52and you pray to God that everything is fine.
23:54God.
23:55Look, look, Barbara!
23:57Barbara!
23:58Get out of here!
23:59Look where she's standing!
24:01Get out!
24:03And I'm begging you,
24:05I'll repeat it one more time.
24:07There's no interruption until I say stop.
24:10Now get into the characters,
24:11and don't leave the characters
24:13until I say stop.
24:15Rocko, stand behind Shank.
24:16Mentor, stand behind Stepanica.
24:18Come on.
24:19Faster, faster.
24:20One more time.
24:21One more time.
24:22That's it.
24:23Rocko, I'm begging you,
24:24don't add the text.
24:25You know it hurts me
24:27when someone adds a text
24:28that Burek didn't write.
24:30Come on now.
24:31Is it clear?
24:32It's clear.
24:33Just hurry up, please.
24:34People are waiting for me.
24:35And where is the spot
24:36where our judge didn't say?
24:37There, in the middle.
24:39Why can't I?
24:41Stupid actor!
24:44Come on, let's shoot.
24:45Come on, camera!
24:46And where?
24:47Action!
24:51Oh, I'm sorry, sir.
24:54I didn't notice you.
25:00Stop!
25:02Phenomenal!
25:04Rocko, you were natural
25:06like a rock!
25:08Rukfaš, we have to do it again.
25:10Why do we have to do it again, mentor?
25:12Samir took me
25:13the real 500 marks
25:14from these pockets.
25:15Here's where my fake catch is.
25:17Oh, mentor,
25:18if I were you
25:19I'd run after him
25:20as long as my legs carry me.
25:29I'm really glad
25:30that my father managed to come.
25:32Yes, I'm glad too.
25:33He's a little tired
25:34from the trip, you know.
25:36No problem.
25:37Now that he's here,
25:38we'll finish in five minutes.
25:39Can we just
25:40wake him up for a minute?
25:42No, please.
25:43He's terribly thirsty.
25:44And he's nervous
25:45when he wakes up.
25:46Just a minute
25:47Let's restore his identity.
25:51Mr. Rocko,
25:52can you wake up?
25:54No, he's asleep
25:55like a horse.
25:56It's hard to wake him up.
25:58Sir,
25:59can you tell me
26:00if you're Rodoljo Rocko?
26:03Sir, are you Rocko?
26:05Yes, I am.
26:06The oldest.
26:07The oldest?
26:08Are you kidding, dad?
26:09He's the oldest
26:10out of all the Rocko's.
26:12And I'm the oldest.
26:13I mean, the tallest.
26:15He's the tallest
26:16out of all the Rocko's.
26:17He's kidding, dad.
26:18We call him
26:19Rocko,
26:20Rocco,
26:21like that.
26:24Dear colleague,
26:25tell me,
26:26I'm sick of this nonsense.
26:27Relax, colleague.
26:29I have good news.
26:30Really?
26:31We have a positive
26:32matching report
26:33for these two samples
26:34we got.
26:35This sample is the father,
26:36and this sample is the son.
26:38The age is irrelevant.
26:40Dear doctors,
26:41dear colleagues,
26:42you know
26:43what a stone fell from my heart.
26:45I beat it and it passed.
26:46There was no need.
26:47It's quite clear
26:48that Dzemal Branko Fazlinović
26:49is your father.
26:50Excellent, excellent.
26:52You wanted to say
26:53that I'm his father, right?
26:55Wait.
26:56According to these findings,
26:58Dzemal Branko Fazlinović
26:59is your father.
27:00You thought
27:01his father was someone else,
27:02not Dzemal Branko Fazlinović.
27:03No, no, no, no, no.
27:04It just had to turn out
27:05that I'm Dzemica's father.
27:07I really don't know.
27:09Maybe the samples
27:10got mixed up in the lab.
27:12That's all.
27:13Someone replaced the samples
27:15in the lab by mistake.
27:22Here.
27:23Sign here and here
27:24and we're done.
27:25Mi-la-n-č-ma-r-c-r-t-i-c-a-c-u-f.
27:33Here it is.
27:34Thank you.
27:35I'm sorry for the inconvenience.
27:37Not at all.
27:38You wouldn't believe
27:39how many cases of fraud there are.
27:41The pensioner dies,
27:42and then someone from his family
27:44takes his pension for years.
27:46Don't say that.
27:47It's terrible
27:48what people think.
27:49You wouldn't believe it.
27:50Yes, yes.
27:51Goodbye.
27:52Goodbye.
27:55Is this
27:57the right place?
28:01Where am I?
28:02You're at home, Dad.
28:04He's always disoriented
28:06when he wakes up
28:07and he's in a hurry
28:08so you'd better get going.
28:09Hey!
28:10This is different.
28:13It's different.
28:14I renovated it
28:15while you were away, Dad.
28:17Thank you, Mr. Pio Mio.
28:19I'll see you
28:20when you're a different person.
28:23Goodbye.
28:24Goodbye.
28:25This is the latest.
28:27You renovated it?
28:29Really?
28:31You renovated it
28:33for yourself?
28:36What did you take from me?
28:38What did you take from me?
28:40Where did you find it?
28:41A rib.
28:42It's not a rib.
28:43It's my...
28:44My...
28:45Justin!
28:46Look what you did
28:47to his hair.
28:48A rib!
28:49So, everything's fine?
28:50What's wrong with me?
28:51They just messed up
28:52those findings
28:53and it turned out
28:54that the rib was mine,
28:55not his.
28:56I was suspicious.
28:58Why would you be suspicious,
28:59you idiot?
29:00They replaced the findings
29:01in the laboratories.
29:02I guarantee it's not the first time.
29:04But...
29:05What was the name of that...
29:08that you thought
29:09was the father of the rib?
29:11Zdenko.
29:13My...
29:15friend from college,
29:16an actor.
29:17You and I weren't
29:18in a serious relationship then.
29:20What's your name, Zdenko?
29:22Thank you.
29:25You won't believe it.
29:26Who?
29:27Zdenko, the big brother.
29:29It's unbelievable
29:30we're talking about him now.
29:31Hey, hey, hey!
29:32Barbara!
29:35Barbara!
29:36We haven't seen each other in ages!
29:39What's up?
29:40How are you?
29:41Well,
29:42work, home, mosque,
29:43that's it.
29:45You?
29:46Do you have kids?
29:47Family?
29:48I have a son,
29:498 years old.
29:50You?
29:51I'm married,
29:52but...
29:53I don't have kids.
29:56We went to the doctors.
29:58There's nothing we haven't tried.
29:59We tried everything,
30:00but they say
30:01when I was little
30:02I used to sleep with a snitch.
30:04A snitch?
30:05Snitches know how to cause
30:06sterility in men.
30:08Oh, he's a doctor.
30:09My story, my friend,
30:10my story.
30:14Come on,
30:15Barbara, I'm so glad
30:16I saw you.
30:17Come on.
30:23If only we knew...
30:24If only we knew
30:25we shouldn't make
30:26such a fuss.
30:27He's sterile,
30:28he can't be
30:29the father of twins.
30:30What?
30:31Unbelievable.
30:32Yeah,
30:33Barbie,
30:34this is a pile of
30:35multi-stupid circumstances.
30:36I doubt it,
30:37this is too much for me.
30:38Come on, come on.
30:51Huh?
30:53What was I like?
30:54Hey, Marlon Brando.
30:56Your technique is good,
30:57but you know what?
30:58Can you work on
30:59your speech?
31:01This time, it'll be a table.
31:04I've been through
31:05a lot already.
31:06Come on,
31:07if you ever need
31:08something like this again,
31:09I'll act it out for you.
31:10Call me,
31:11you know my number.
31:12I know.
31:13Come on,
31:14you can go now.
31:15Bye.
31:16Bye.
31:23Let me pay.
31:24Come on.
31:25How much is it?
31:26Two marks.
31:28Here you go.
31:29Nice to meet you.
31:33Oh,
31:34how are you, sir?
31:35Chmar?
31:38Chmar?
31:39Yes,
31:40is that you?
31:41Chmar?
31:42I remember you,
31:43Chmar.
31:44Don't you
31:45fall like this,
31:46get out of my house.
31:48Get out.
31:50He's really right,
31:51you're really
31:52a terrible man.
31:53Where have I been?
31:54Hey,
31:55Mare.
31:56Tell me,
31:57tell me.
31:58I drank so much
31:59that my
32:00keys hurt
32:01from the house.
32:03I just
32:04can't find
32:05where
32:06they are.
32:07Give me a bottle of
32:08spirit.
32:09Give me
32:10a bottle of
32:11brandy.
32:12Give me
32:13more.
32:16Here you go.
32:18Mare,
32:21where am I?
32:22Next to me
32:23in the basement.
32:24But how
32:25am I?
32:28I found you
32:29in the room
32:30next to the
32:31closet.
32:32I have no idea.
32:34Give me
32:35a bottle of brandy.
32:37Come on,
32:38what's going on?
32:39You drink a lot
32:40these days.
32:41Nobody
32:42asked you anything.
32:45I have
32:46my own
32:47reasons
32:48why I'm
32:49like this.
32:51Hey,
32:52you didn't hear
32:53when I said
32:54stop.
32:56What are you doing?
32:58Why are you running?
32:59Stop!
33:00Stop, Samir!
33:01Stop!
33:02And get
33:03Mentor back!
33:05What did he say?
33:06Nothing.
33:07He said
33:08he didn't hear
33:09when I said
33:10stop.
33:11And he's still running.
33:12He's not out of his role yet.
33:13Is he going to
33:14get me back?
33:15Come on,
33:16stop,
33:17Mentor,
33:18stop.
33:19When Samir
33:20could get
33:21this role,
33:22he could
33:23get
33:24this role
33:25from Levata.
33:26But Samir
33:27who's
33:28the one
33:29who's
33:30not
33:31a man
33:32is
33:33not
33:34a man
33:35either.
33:36You're
33:37a man
33:38and
33:39I'm
33:40a woman,
33:41so
33:42I'm
33:43a woman.
33:44But
33:45Samir
33:46is
33:47a woman.
33:48But
33:49I
33:50am
33:51a woman.
33:52But
33:53Samir
33:54is
33:55a woman.
33:56Laugh
34:26I just want to live, a little fear and pain, life is to love.