Lud, zbunjen, normalan - 168. epizoda (S6E24)
Lud, zbunjen, normalan - 169. epizoda (S7E1): https://dai.ly/x91jt8k (Sledeca epizoda)
Lud, zbunjen, normalan - 167. epizoda (S6E23): https://dai.ly/x91ern4 (Prethodna epizoda)
Lud, zbunjen, normalan - 167. epizoda (S6E23): https://dai.ly/x91ern4 (Prethodna epizoda)
Transcript
00:00And?
00:02And what?
00:04What are you counting?
00:07I'm counting, Maria.
00:09Why did it take us so long to start doing this?
00:14I don't know.
00:19I don't know.
00:21I don't know.
00:23I don't know.
00:25I don't know.
00:27I don't know.
00:28I don't know.
00:34Who is it now?
00:36Wait, I'll be right back.
00:41Listen, Ada.
00:44I can't live without you, Faruk.
00:46I've realized that you're right.
00:48The two of us simply have to be together.
00:58You need a grandfather, nuts and honey?
01:12Do you need a father, a permanent job?
01:18Is it new youth, madness or joy?
01:22Is it new youth, madness or joy?
01:31Madness, madness, madness, madness is normal.
01:35Madness, madness, madness, madness is normal.
01:38Everywhere around me, music and women.
01:43I don't know why I'm playing, I should be studying.
01:48Questions torment me, they pull me out of my house.
01:54Problems are over, there is no solution.
02:01Madness, madness, madness, madness is normal.
02:04Madness, madness, madness, madness is normal.
02:07What's wrong with you?
02:09What's wrong with you?
02:16Great.
02:18Everything is fine.
02:20We can move in next week.
02:22Hey, Damce.
02:24I'm in the apartment.
02:26You have to come and see.
02:28Yes.
02:30It will be done next week and we can move in.
02:33Aha.
02:37A small halaka made for you.
02:40Great, great.
02:42It's nothing special.
02:44I just wanted to look at it and I'm free.
02:47Okay.
02:49See you later, grandma.
02:51Where were we?
02:53With this throwing.
02:55Son, something has been bothering me lately.
02:58I feel like I'm going to throw up.
03:03When you drink a bottle of marijuana?
03:05No, when I drink a little bit of marijuana, I don't throw up, I have a right.
03:11Aha, and what did the specialist say?
03:13First of all, I didn't understand anything.
03:16Doctor, mother, I don't understand anything.
03:20Can you explain it to me with a simple dictionary?
03:24Here, you see, here are the blood vessels.
03:26The blood flow has been reduced so that the oxygen is heavily distributed in your brain.
03:32That's why you have a headache.
03:34Yes, yes, yes.
03:36As I can see, you can prevent me from taking marijuana and prescribe new drugs.
03:41It's not that simple.
03:43We won't be able to solve your problem without an operation.
03:46Uh.
03:48That's exactly what I thought.
03:50You'll have to go on the operation.
03:52I mean, don't be surprised.
03:53You smoke, you drink, you behave irresponsibly towards your health for years.
03:58That's not true.
04:00I've always adhered to what the doctors told me.
04:04Come on, please, we all know how well you adhere to the doctor's instructions.
04:08Here it is.
04:11Take it out.
04:13Is that you, son of Damir?
04:15Take it out, Bolan, what are you doing?
04:17What am I doing?
04:19Let me go, I have nothing to do with it.
04:20All right, Bolan, but why are you holding that leash over your eyes?
04:23Well, I was, Bolan, at that doctor of yours, he told me
04:26that I'm not allowed to drink or look anymore.
04:29I have to drink like this now.
04:32Here.
04:34What can I do when you doctors express yourselves in two ways?
04:39Well, nothing, then get ready for the operation.
04:42At our place?
04:44Never, no chance.
04:47Well, what would you do if you had an operation in Switzerland?
04:50The sea is Austria, no, the best is Sweden.
04:54Come on, Bolan, you know how much such an operation costs in Sweden.
04:58But, son, dear, the hospital is like a hotel.
05:02Medical nurses, Swedes.
05:07You know what, do what you want, but you have to have the operation now.
05:10I'm going to see Barbara, see you later.
05:13Well, I'm going to find money for the operation.
05:18I don't have to do this if I want to live another hundred years.
05:24What are you going to do?
05:27That's the way it is.
05:30Hello?
05:32Izete, listen, I've been thinking about your offer.
05:36Aha.
05:38Well, yes, now I've warmed up a little.
05:42Aha, the price suits me.
05:45Consider that we have agreed.
05:48Cheers.
05:51Sir, what do you have to eat?
05:54I have peas.
05:56Peas?
05:58Well, the peas are cooked, Barbara, I tried it, you won't believe it.
06:02The peas are just like that.
06:04You won't believe it, the peas are just like that.
06:08Son, ribs, ribs.
06:11Ribs, son, let's have lunch.
06:18Wait, what will we have for dinner?
06:21Well, we're celebrating.
06:23What are we celebrating?
06:25Our anniversary.
06:27What anniversary? We just got together a few months ago.
06:29Oh, Damche, you forgot, not there, but in our room, eight years ago.
06:31Oh, I'm sorry, I totally forgot about that anniversary.
06:34Come on, order us wine, but exclusively.
06:43You know what, if I were you, I'd think twice before coming in.
06:51Marijana.
06:53This really doesn't make any sense.
06:55Your clothes smell like juniper.
06:58What?
06:59This is a toilet, a toilet.
07:01Can you imagine what it's like for me?
07:03And I'm known as someone who doesn't care about hygiene and doesn't play any role in life.
07:07Don't get me started, I don't have anything.
07:09And you don't have, how do you say, toilet paper.
07:12And that's an important thing.
07:14I read it in the papers a little while ago, I found it.
07:16Here it is.
07:18It says, in Croatia, tons of toilet paper are used per capita on an annual basis.
07:24Can you explain to me why Croats use toilet paper per capita?
07:29Oh, Marija, this is...
07:31I know, I know.
07:33Toilet paper, toilet paper, juniper, it's all dirty, I know.
07:36Men's underwear, they fall apart.
07:39It splashes all over the place, like they have a fire extinguisher.
07:43And women, it's like they're always in a hurry, they don't have time,
07:47and then they leave before they finish.
07:49And now I have to go there all day.
07:51But I don't care.
07:53I know, it's like I returned a fly.
07:55I would know.
07:58Look at him.
08:00Wait, I'm coming, I'm coming.
08:02Why are you in such a hurry?
08:04He's going to make a hole in my head.
08:06Look how much he's grinding with those hands.
08:08Marija, can you and I make a deal?
08:10What?
08:12I'll fix your problem with juniper, and you'll fix mine with juniper beer.
08:15You're the one who's going to wash my toilet.
08:17What do you mean I'm going to wash the toilet?
08:19Who said I was going to wash the toilet?
08:21I have an idea how to solve this painlessly.
08:23I'll be right back.
08:25I'm not going to do anything.
08:27You know what, we should've taken Faruk and Jebra for lunch.
08:30Don't worry, I cooked lunch for Svetlojica.
08:33You cooked lunch?
08:35Yes, why?
08:37What did you cook?
08:39Peas, I love peas.
08:41Peas? Fazlinović?
08:43Fazlinović and I, if we had a family farm, we'd have peas on the farm.
08:45Again, it's peas.
08:56Ugh.
09:10Here's my opener.
09:12Leave me alone, I can't do anything today.
09:17This is harder than I thought it would be.
09:21What do you mean?
09:22There are three people on stage now.
09:24Senad, Marija and Stari.
09:26You were absolutely right when you said Marija hit Stari.
09:30I know that, but why is Faruk mad?
09:32That's why Marija is fucked up.
09:34Stari can't decide between the two of them.
09:36You know, I had coffee with him this morning,
09:38so that's not a double, it's a triple.
09:40Son, it's so hard to choose.
09:43I've been crazy about Senad for so many years.
09:47I really can't imagine my life without him.
09:49I can't imagine my life without him, day and night.
09:53And on the other hand, Marija.
09:56She's so beautiful.
09:59It's so nice to be with someone who understands you.
10:02Son, it's so nice to be with someone who's completely compatible with you.
10:07We're like eggs and a pan.
10:11You're really fucked up.
10:13No, I'm not. I'm just crazy.
10:16I'm crazy about love.
10:17Who would've thought?
10:19He didn't even have one until yesterday,
10:21and today two people are chasing him.
10:23Nothing is normal with him,
10:25so I don't even know what would be normal.
10:27Let's toast our anniversary.
10:30Damce.
10:32Barbie.
10:34Happy anniversary.
10:42Why does it smell like this?
10:44This won't go away in a year.
10:48Why are you so surprised?
10:50It's like you didn't participate in the fire.
10:54Why are you packing?
10:57Sit down, son.
10:59I need to talk to you about some important things.
11:04Son, my dear.
11:06I've made an important decision.
11:09Please, don't go.
11:11I'm begging you.
11:13Leave me alone with your nonsense.
11:16No matter what important decision you've made,
11:19it can't be more important than the one I'm supposed to make.
11:23Senada or Maria, is that it?
11:28Yes, that's it.
11:30What have you decided?
11:32I've decided, son,
11:34to take you as an advisor.
11:38You have a similar experience.
11:41You know, in life,
11:43you often have to sit on two chairs.
11:47Son, you know,
11:49I haven't found a better solution in similar situations.
11:52I only remember when one was here,
11:55and the other was in Primavera.
11:57Chaos.
12:06Where is Veso?
12:12Who was that?
12:14It's the first time.
12:16He's my grandson.
12:18He wouldn't want us to be caught like this.
12:22What's going on here?
12:25It would be stupid
12:27if Faruk and Damir caught us like this.
12:30Get out of here.
12:32No, there's no need.
12:34Don't be a child.
12:36Get out of here.
12:38Get out of here.
12:41There's no one here.
12:43They must have left.
12:49Hold on.
12:51What's going on here?
12:53I remember.
12:55I remember.
12:57You rolled around like a frog.
12:59Did you get a bruise on your head?
13:01When I ran out of here
13:03and ran into her and you in the hallway,
13:05I got a total bruise.
13:08Son,
13:09come to us.
13:11Shut up!
13:13I can't help you.
13:15You have to decide
13:17if you want Maria or Senada.
13:21I don't know.
13:23I don't know.
13:25I'm just not smart.
13:27You Fazlinovićs have a custom
13:29to find yourself between two fires.
13:31Just remember,
13:33before the mention of Senka,
13:35now Faruk, Maria, Senada.
13:36They have, they have.
13:38Except me, of course.
13:40Don't talk to me like that.
13:42Me? Never.
13:44What about the drug addict?
13:50Fuck, it's Hrmpalija.
13:52Doctor!
13:54It's him.
13:56It's not that easy to get him out.
13:58I'm telling you.
14:07What is this in the middle of the road?
14:10Whose is this?
14:13Get out.
14:30Barbie!
14:32Who are you?
14:34Are you Hrmpalija?
14:36Barbie!
14:38Barbie, why?
14:40What could I think?
14:42A naked woman on a bed,
14:44and you under the bed.
14:46You hid under the bed.
14:48Hrmpalija was chasing me.
14:50I had nothing to do with the drug addict.
14:52I have to go do something urgent.
14:54I won't be here for an hour.
14:56You know everything.
14:58I know. Every third count.
15:00Or fourth.
15:02Okay.
15:03Make me a beer.
15:05I solved the problem with the hygiene in the toilet.
15:08What are you doing?
15:11I'm a fool.
15:13I wanted to take him as an advisor.
15:15But where are you going?
15:18I have to tell you everything from the beginning.
15:21Look, son.
15:23This apartment is worth a lot of money.
15:25Shut up, man.
15:27It's a good location,
15:29with a good architecture.
15:30Architecture?
15:32Just think of that witch
15:34who sold her apartment here.
15:38Come in, brother.
15:40Here.
15:42This is the apartment unit.
15:44You see, it's all Austrian buildings.
15:47Let me show you something.
15:55Fuck! What is this?
15:57Everything is falling apart.
15:58Antiquity.
16:00This place is priceless.
16:03It's perfect.
16:05Some people don't like black soil,
16:07but all three of them were really irresponsible.
16:10They left me a key
16:12so I could come in
16:14if I missed anything.
16:16And they left me a key.
16:18Forget it.
16:20Here you go, Marjofel.
16:22Is this little guy the only heir to this apartment?
16:25The only one.
16:26I'm his mother, his guardian.
16:28I'm in charge of his property.
16:30Everything is clean.
16:32Believe me.
16:35Let me lock the door.
16:37This is Sarajevo.
16:39It's a mess.
16:41Let me show you the rest of the apartment.
16:44It's really dark in here.
16:48You know it's dark in here.
16:50There's no light.
16:52This is the kitchen and the dining room.
16:56What do you say?
16:58Fine, fine.
17:00But I'm more interested
17:02in how you came up with all this.
17:04Fine.
17:06You find the buyer,
17:08your share.
17:10Walnuts and beets.
17:12Mixed.
17:14Mixed.
17:16You can see it's quality.
17:18God forbid war.
17:20You can only warm up to two months.
17:22God forbid war.
17:24Look, auntie.
17:26Listen to me.
17:28I'm one of the biggest fans of Marshal.
17:31Listen to me.
17:33Let me take it.
17:35Whenever I see that picture,
17:37I get goosebumps.
17:39Your auntie brought it in 1953
17:41when she was in Sarajevo for Kurban Bajram.
17:43It was a gift for you.
17:45Take it.
17:47Take it.
17:49Take good care of it.
17:51It was before the war.
17:53My dear.
17:54Thank you.
17:58Here, see?
18:00This is your receiver.
18:02It's spacious and bright.
18:04It is spacious.
18:06You know where it is?
18:08Behind the door.
18:10It's not there.
18:12It is bright,
18:14but it's claustrophobic.
18:16No, it's not.
18:18It's kind of dark, too.
18:20I used to drink his brandy here
18:22in Maksuzija.
18:24I don't know where it is.
18:26Look at me.
18:28I'm still standing here.
18:30That's it.
18:32Yes, this is Maksuzija 16.
18:34She speaks Herzegovian.
18:36She's from Popova Polja.
18:38Whenever I go to Mirovina,
18:40I go to Popova Polja because of her.
18:42Great.
18:44Then it's yours.
18:46Really?
18:48Of course.
18:50There's no one to drink it.
18:52What are you saying?
18:54This used to be a master bedroom.
18:56And this is a girls' room in Fazlinović.
18:59What?
19:01Why is there a girls' room in Fazlinović?
19:03This is the top of the apartment.
19:05This is the top.
19:07If this room was in Dalmatia,
19:09it would have a view of the sea.
19:11Pelješac, Hvar, Korčula.
19:13You know, those things.
19:15It looks there.
19:17Where does it look now?
19:19It looks at the container.
19:21But it has a comparative advantage
19:22when you throw garbage out of the window.
19:24It's practical.
19:26Let me see.
19:34Calm down, son.
19:36Calm down.
19:38My dear.
19:42I'm in a state of sorghum.
19:45If it weren't for you,
19:47we would have died.
19:49Who would have thought
19:50that what he sees later
19:52can be good?
19:54I didn't fly for 20 years.
19:56I got a flying panic attack.
19:58It's not your fault.
20:00When you were little,
20:02they kissed you in your belly.
20:05The first word you said
20:07was guća guća.
20:21Look at this great project.
20:24From the living room to the bedroom.
20:27What do I know?
20:29I think it has a lot of doors.
20:31It's like there's always a leak.
20:33No, look at this.
20:35The bedroom.
20:37No, I'm telling you,
20:39you should only let VIP passers-by in this room.
20:42Jarana, everything is good for you.
20:45But those containers stink.
20:47What do you mean?
20:49I can see it in the container.
20:51It has to stink when the window is open.
20:53When it's closed, it doesn't stink.
20:55Let me show you.
20:57You're good. I'm proud of you.
20:59Look at this.
21:01It has a floral design.
21:03Floral design?
21:05It's like a flower.
21:07Let me see.
21:13What is this?
21:15A fridge?
21:18A lot of people can live here
21:21and never meet for days.
21:23It's a great project.
21:25How do I know?
21:27Everything is in a circle.
21:29I have a feeling these people are always far away.
21:31No way.
21:33I lived here, I know.
21:35Come to the bedroom.
21:37We've been there.
21:39Everything is in a circle.
21:41I'm confused.
21:43How could this door open by itself?
21:44Let the door open.
21:46I'll sleep on the floor.
21:48I'm stressed out.
21:50Me too.
21:52I'm lucky.
21:54I have a maxillofacial in the bedroom.
21:56I don't get it.
21:58I'm sure I got used to the hang-up when we left.
22:00Now they're divorced.
22:02Someone was in the house.
22:04He was in the house in the park.
22:06When we came in, the door was locked.
22:09Do you know?
22:14I don't know.
22:20What do you think?
22:22I'll do something.
22:24I have a client.
22:26That's great.
22:28Bring him here.
22:30The door is always locked.
22:32Of course it's locked.
22:34Call him.
22:36What's wrong?
22:38I'm coming.
22:45This is the bathroom door.
22:48That's it.
22:50What do you think?
22:52Will it work?
22:54It's possible.
22:56One day, a man asked me if there was anything in the bathroom.
23:00Really?
23:02Yes.
23:06It's locked.
23:08I locked the door.
23:10I don't want to get involved.
23:11Do you need a witness?
23:13Did you lock the door or not?
23:15Please, let me out.
23:20I can't listen to you anymore.
23:23What does it have to do with your trip?
23:26Barbara and Samir wanted to sell our apartment.
23:29Of course it has to do with it.
23:31This is a homeless waitress on the outskirts.
23:34No one would sell it.
23:38This apartment is worth a lot of money.
23:42So what?
23:44You know that my blood vessels are sick.
23:48I know.
23:50I'm scared.
23:52I'll go to the hospital.
23:54They don't have machines to remove blood vessels.
23:58I know.
24:00I understand.
24:02But I don't understand this.
24:04I'm going to Sweden.
24:07They want to make me a general.
24:09Sweden?
24:11Yes, in Sweden.
24:13The hospitals there are better than our hotels.
24:17They have 17 stars.
24:19And the money?
24:21How do you plan to pay for the surgery?
24:24How much?
24:26I sold the apartment.
24:28Please.
24:30My health is the most important thing to me.
24:33But...
24:35But what?
24:37I have the right to sell it.
24:38And what are we going to do?
24:41Damir and Barbara are renovating the apartment.
24:44They'll move in in a couple of days.
24:46And me?
24:48I'm serious.
24:51It's time to be independent.
24:54You don't have to worry about other people.
24:58You have to be independent.
25:03You're crazy.
25:05You're crazy.
25:06You're crazy.
25:08How are you going to do this to me?
25:10How?
25:12I'm your only son.
25:15And now what?
25:17You want to kick me out?
25:20Shame on you.
25:22You should be ashamed.
25:24Instead of supporting your father.
25:27You should tell him,
25:29Come on, dad.
25:31Come to Sweden.
25:33I'm begging you.
25:34I'm begging you.
25:36You're acting like a fool.
25:38Tell me.
25:40Who did you sell the apartment to?
25:42The apartment.
25:44Here.
25:46The buyer is here.
25:50There you are.
25:52Are you going to pay?
25:54Yes. I have the money on my account.
25:56Here's the fifth copy of the receipt.
25:58Come on.
26:00Sit down.
26:05I don't know where my glasses are.
26:07I'll put them here.
26:15Maria?
26:17Hey, Faruk. What's up?
26:20How are you?
26:23I'm fine.
26:25Why are you laughing?
26:27Maria bought the apartment.
26:29What does it have to do with it?
26:31Faruk doesn't care about you.
26:32You can stay here as long as you want.
26:35With me.
26:39There.
26:41You're not going to be alone again.
26:44It's true that love doesn't last this year,
26:47but that's why the job is never better.
26:50It looks like we're going to continue shooting the series.
26:53Yes, I heard.
26:55When you think about it,
26:57the series is great.
26:59What are you talking about?
27:00Do you remember when Kufa acted as Slijevac?
27:03He's a great actor.
27:09That's why Samko is a great actor.
27:12100 euros?
27:14I mean, I hear it's 100 euros.
27:16It's a special way to pay.
27:18Thank you, sir. You didn't have to.
27:20No problem.
27:22I'm weak in the eyes of people.
27:24I'm not weak. I'm totally blind.
27:27My father is blind. That's why I'm like this.
27:30I see.
27:32Do you know my father?
27:34No, I don't.
27:37I didn't mean that.
27:39Do you know my father? He's a member of Slavovidi.
27:42Maybe I know him.
27:44How would I know him if I've never seen him?
27:46Tell him that Kufa said hello to him.
27:48He'll know.
27:50I'm thirsty.
27:52I need water.
27:54What's wrong?
27:56If anyone doubts that Kufa is a genius,
27:58that's not true.
28:00What's wrong with you?
28:02I'm blind.
28:04Someone gave you money because you're beautiful.
28:07Don't be ridiculous. I didn't say beautiful.
28:09I said blind.
28:11Who gives you money?
28:13Money.
28:15Your father does.
28:17He doesn't give me money.
28:19I'm telling you, he's blind.
28:21I'm sorry, Kufa. I need water.
28:23You're stupid.
28:25Is he Orthodox?
28:27Kufa!
28:29What's going on?
28:31Tell me, boss.
28:33If you know God, help me.
28:35Go get a mentor and sit at Burek's table.
28:38You're the cameraman, he's the tonic.
28:41Tell him about the technical stuff,
28:43while I try to set up the set.
28:46No problem, boss.
28:48Let's go.
28:50What did Kufa say?
28:52He said we have to act now.
28:54What do we have to act?
28:55I have to admit,
28:57I didn't understand your financial director.
29:00I didn't understand him at all.
29:02You know how it is.
29:04It's very complicated,
29:06and our director is hard to talk to.
29:09Sometimes even I don't understand him.
29:11I'm the cameraman, you're the tonic.
29:13Tonic?
29:15What kind of tonic?
29:17Shut up.
29:19He's the man whose father is blind.
29:21Who's beautiful?
29:23No one is beautiful, especially not you.
29:25I love you as a father.
29:27And what he spat at me is a special story.
29:30Don't talk, Mr. Zuhra.
29:32You'll see, we're a great team.
29:34As soon as the cameraman comes,
29:36he's done for the director of photography.
29:39He's a genius.
29:41Good afternoon.
29:43I'm glad to see you.
29:45I mean, to hear you.
29:47I have a business meeting,
29:49we'll talk later.
29:51No, we're here for a business meeting.
29:53I'm the cameraman,
29:55you're the tonic.
29:57What are you?
29:59He's the cameraman, I'm the tonic.
30:01If you're deaf, we're not deaf.
30:03Who's deaf?
30:05This is a hidden camera.
30:07Admit it.
30:09Don't trust the first impression.
30:11There's another impression,
30:13he'll be worse.
30:15Which first and second impression
30:17does the cameraman tell you
30:19that you're beautiful,
30:21and the tonic says you're deaf?
30:23What does he say?
30:25That you're deaf.
30:27Then it's a secret.
30:29Mr. Čađa,
30:31I'm glad you got to know
30:33the technical part of the team.
30:35Are you fucking with me?
30:37I beg your pardon?
30:39Maršu, you and this moron,
30:41what's wrong with you?
30:43Do you think Faruk killed the mentor,
30:45that moron Kufeta?
30:47No, it's a big shame
30:49for the regional TV production
30:51if it's left without two professionals.
30:53I'm going to the bathroom.
30:55I'm going to the bathroom.
30:59What a beautiful moron.
31:09I have to tell you
31:11that I'm completely shocked.
31:14Son, dear,
31:16give me some sugar and water.
31:20But how?
31:22How did you come up with
31:23that Marija would buy the apartment?
31:25Give me some water.
31:27Son, dear,
31:29when Barbara and Samir
31:31sold my apartment,
31:33I'm going to Marija's
31:35for a ride tomorrow.
31:37Unbelievable.
31:39Who's the bigger moron
31:41between them?
31:43Samir or Barbara?
31:45Just so you know,
31:47your apartment is in a great location.
31:49If you ever come up with
31:50that apartment,
31:52don't get me wrong,
31:54I'm a hot customer.
31:56Yes, that's what I said.
31:58I need this,
32:00I remember Marija,
32:02I'll call her.
32:04In three minutes,
32:06we'll have everything ready.
32:08Excuse me,
32:10can I go out for a second?
32:12There's no rush.
32:14What rush?
32:16I'm just asking.
32:18Marija, sorry,
32:20I'll be right back.
32:22There's no rush,
32:24I told you.
32:26How could you,
32:28how?
32:30Why?
32:32It's my apartment.
32:34Fine, it's yours,
32:36you sold it,
32:38but what about her?
32:40Why did you bring me
32:42into this awkward situation?
32:44When I have to make
32:46the biggest decision
32:48in my life,
32:50what's the problem?
32:52I can't make the biggest decision
32:54in my life
32:56based on the apartment you sold her.
32:58Look,
33:00the apartment is Marija's,
33:02or do you like her?
33:04I like her.
33:06Then, in my opinion,
33:08Marija is twice as good
33:10as you are,
33:12let's hope.
33:14But Dad,
33:16I'm not a materialist,
33:18I'm an emotional idealist.
33:20I'm sorry.
33:28Hey, Faruk.
33:30Hey.
33:32I was just passing by
33:34to see how you're doing.
33:36Well,
33:38I'm thinking about it,
33:40and I'm a bit confused.
33:42I know, I know,
33:44I understand you,
33:46I don't want to pressure you,
33:48but
33:50I would like to tell you something.
33:52Well, tell me.
33:54You know,
33:56I was trying to buy an apartment
33:58through your cousin Samir.
34:00I know,
34:02he did something to you.
34:04Yes, yes, yes,
34:06but I still managed to do it.
34:08And I bought
34:10a two-bedroom apartment
34:12a bit lower down the street.
34:14Totally new.
34:16So I was thinking
34:18when you decide
34:20that maybe
34:22you and I could
34:24live together
34:26in it.
34:29Totally new.
34:32Two-bedroom.
34:34Oh, man, come on.
34:36Come on, man, drive.
34:38I'm a bit nervous, man.
34:40Come on.
34:42Hello.
34:44Kids,
34:46how are you doing with the renovation of the apartment?
34:48How many days?
34:50A few more days and it's done.
34:53I'm so jealous of you.
34:55I'm so jealous.
34:57Okay, forget it.
34:59Tell us what's going on.
35:01Did you make a choice?
35:03I don't know.
35:05I'm not sure.
35:07It depends.
35:09On what?
35:11It depends on where I'm going to live.
35:13I don't care.
35:15You better not care, son.
35:18I don't care.
35:36Hello, tell me, son.
35:40I don't know.
35:42I can't. I haven't decided yet.
35:44I haven't decided yet.
35:46I can't, son,
35:48let the apartments
35:50affect my decision
35:52on where I'm going to live
35:54for the rest of my life.
35:56I can't.
35:58Until I decide,
36:00I can't sleep with Maria
36:02and I can't sleep with Senad.
36:04Yes.
36:06That's right, son.
36:08Listen,
36:10you'll find Tajo.
36:12You know where he is.
36:14Good night.
36:16What can I do?
36:18He's too young for me.
36:25Come on, Faruk.
36:27Hang in there.
36:29You're the worst.
36:42Faruk, don't go anywhere.
36:44Don't go anywhere.
36:46It's never been worse
36:48and it never will be.
36:55Dear readers,
36:57what have we learned
36:59from our little night talks so far?
37:02We've learned
37:04that under Tito's boot
37:06it was ten times better
37:08than under their,
37:10let's say,
37:12freedom and democracy.
37:14Debra, son,
37:16what's the hardest thing for me?
37:18What?
37:20The hardest thing for me
37:22is to leave you.
37:24All this other stuff
37:26doesn't mean anything to me,
37:28my dear son.
37:30Bye,
37:32my friend Debra.
37:39Bye, Grandpa.
37:41Bye.
37:42Bye.
37:45I've had enough of his stories.
37:48If I had two more,
37:50I'd go crazy.
38:12Let me live,
38:14just so I can see you alive.
38:17A little fear hurts me,
38:19life is to love.