Lud, zbunjen, normalan - 169. epizoda (S7E1)
Lud, zbunjen, normalan - 170. epizoda (S7E2): https://dai.ly/x91jt8i (Sledeca epizoda)
Lud, zbunjen, normalan - 168. epizoda (S6E24): https://dai.ly/x91erna (Prethodna epizoda)
Lud, zbunjen, normalan - 168. epizoda (S6E24): https://dai.ly/x91erna (Prethodna epizoda)
Category
š
MotorTranscript
00:00You
00:30Oh
01:00Oh
01:30Fava
01:32And sir Faruk FazlinoviÄ
01:36And Urbano?
01:38Urbano
01:40Let's go now, coffee, bed?
01:42Bed
01:44And you have to reduce the coffee, you know?
01:46You don't like it because of the pressure
01:48Okay, we'll increase the bed
01:50Faruk, now we're going to adapt the whole apartment
02:00Nonsense, nonsense, nonsense is normal
02:03Nonsense, nonsense, nonsense is normal
02:06Nonsense, nonsense, nonsense is normal
02:09And what about you?
02:11I set the white lamb on fire
02:16White lamb
02:20Love, breakfast!
02:23All girls, mm-mm
02:25No saloons, mm-mm
02:27I'm so sleepy.
02:33Hello.
02:34Oh, it's you, son.
02:36Who came up with this idea so early in the morning?
02:40It has to be some physical worker.
02:43You know, the one who digs the canals before he bakes them.
02:48Yes, what is it? Stop, stop, stop.
02:50I'm not going to listen to any problems now.
02:54He knows the order now.
02:56First, coffee, then breakfast, then breakfast, and then...
03:01Then you can call me. You can call me in about two hours.
03:05Actually, he doesn't call me in the afternoon.
03:08He calls me in the evening.
03:10Come on, cheers.
03:11I'm going to listen to his problems now.
03:16And those of his machinitura, those of Barbara.
03:20I'm going to listen to his problems now.
03:25Oh, Maria, how, how can you sing so early in the morning?
03:30Faruk, everything is clear.
03:32You just need to be positive.
03:34Here you go, from Maria, with love.
03:36What is this? What kind of white porridge is this?
03:39What porridge, Faruk? God, these are eggs.
03:41These are eggs? And where are the yolks?
03:43I took care of your yolks.
03:45Cholesterol is good for me, so I laugh.
03:47And you shouldn't.
03:49You need to clean the protein.
03:51Oh, and the egg whites.
03:53And when you eat breakfast, prepare your bed.
03:56You didn't prepare your bed yesterday, Faruk.
03:59Well, I can't get used to this new Faruk,
04:02when he prepares your bed, washes your ears, brushes your teeth.
04:05You know what's the worst for me, Maria?
04:07The worst is when I see the sun rise in the east,
04:10I fall over so much as if I saw a live fire.
04:13Oh, my dear, you'll fall over.
04:16That's why I would fall over until noon.
04:19You can't. Come on, come on, you'll get cold.
04:24Tell me...
04:26I'll cut it for you.
04:28Tell me, what's the new Faruk talking about?
04:30Has he completely recovered?
04:32You know what he says?
04:34He says they took out all his blood vessels,
04:37and put some tubes in him.
04:40He's like new now.
04:42Don't show it to yourself, please.
04:46That's good, good. That means he's healthy.
04:48Completely recovered.
04:50Let's hope he'll stay there to live.
04:53I don't think he'll...
04:55What do you mean, Maria?
04:57He's like a pig in a slaughterhouse.
05:00Do you know that Sweden has the largest number of women
05:04over 60 years old?
05:06All of them are like greedy goats.
05:08Maria, you know what else?
05:10He put diopters on his eyes,
05:12so he could see better where the goats are.
05:15And he's chasing them around the fjords.
05:17That's good.
05:18Everything is good.
05:19You see, we just need to be positive.
05:21He's in the slaughterhouse behind the goats, far away.
05:23We're here alone.
05:25Let's hope he'll stay that way.
05:27Maria, if you talked to him when he left,
05:29you wouldn't have to worry at all.
05:31The socks are dirty, the scissors are dirty.
05:34And when you wash up and recover,
05:37you come back here.
05:39My dear son, I thought you knew me better.
05:43Why did you stay in Sweden?
05:45There were two important revolutions in my life.
05:49You heard about the October Revolution.
05:52Yes, I did. And what about it?
05:54After the October Revolution,
05:56I lived in Russia for years.
05:58I know you're indoctrinated by communism,
06:01but what does communism have to do with Sweden?
06:04The second revolution started in Sweden.
06:09Was there a revolution in Sweden?
06:11There was a sexual revolution.
06:15Now it's time for Izet FazlinoviÄ
06:18to spend a few decades
06:20in his Swedish mother's womb.
06:23Don't worry, my dear Janja.
06:26Izet is now in the Scandinavian Bahamas.
06:31Little Damir is staying with Barbara.
06:34And you and I are here like Adam and Eve
06:38in paradise.
06:40How nice of you to say that.
06:42I hope it stays that way.
06:46Hey, look at the time. I have to go to San Remo.
06:49Why?
06:50How can I work?
06:52There's Renata.
06:54Renata doesn't even have a gift for the hostess.
06:57You know what she did one day
06:59when the guests invited her to a coffee?
07:01What?
07:02She made her a second coffee.
07:04In two days, I could leave her alone
07:07and go to San Remo.
07:10I'm going, darling.
07:12Eat all you want.
07:13They need you for protein.
07:15Breakfast is the most important.
07:17I will, Marie.
07:18Then get ready for bed.
07:20I'll get dressed, get ready for bed,
07:22have breakfast and go to the coffee.
07:24Before that, brush your teeth.
07:26I will, Marie. I'm not a baby.
07:28Don't tease me, Zorro.
07:30Bye.
07:32Lock the door.
07:33Bye.
07:37I can't believe it.
07:40It's like Stonzi without a jacket.
07:44It's like Faruk without a bed.
07:50I can't believe it.
07:52Why not?
07:53What's the hurry?
08:05Hello.
08:06Accord Production?
08:08Yes, how can I help you?
08:10You must be the mentor.
08:13I recognized you by your fluent dialect.
08:18Wait, mentor.
08:20I'm so glad I danced to meet you.
08:24I feel like I've known you my whole life.
08:29How long did you wait for me?
08:31Kufa talked to me about you for four or five minutes.
08:34Six minutes.
08:35And then Chombe told you about your life story.
08:43So you're another Kufa and Chombe.
08:48What do you mean?
08:50I'm Kufa's brother and you're Chombe's brother.
08:55Is that normal?
08:57You're...
08:58What am I?
08:59You're dead.
09:01Kufa was crying when he heard you were dead.
09:05I found a diary.
09:07A diary? Was it in the news?
09:09No, this diary.
09:11My sister's diary from the day the three of us were born.
09:14Three of us? You, Chombe, who's the third?
09:16Fufe.
09:17Chombe, Fufe and me, Kufa.
09:19The three of us.
09:20Unbelievable.
09:21Look what my sister wrote.
09:23She went to a butcher's 30 years ago.
09:26Look.
09:27She says one of her three sons will die the day she turns 37.
09:33Kufa, how old are you?
09:35In ten days, I'll be 37.
09:38It says here that one of you three will die,
09:40but that doesn't mean it's you.
09:42I'm not lucky enough to have a brother die.
09:44It's me, Mentor.
09:45I'm 100% sure it's me.
09:47Everyone's talking about Kufa.
09:50Guys, my brother died.
09:52Chombe died?
09:53Not Chombe, Fufe.
09:54Chombe was driving a Rickshaw and he got hit by a car.
09:57We have to celebrate this.
09:59I didn't get hit by a car.
10:01I didn't die.
10:02I know you didn't die,
10:04but why did Chombe tell me you died?
10:06Because we had to pacify Kufa.
10:08He was very upset.
10:10He's the one who's going to die.
10:12We had to pacify him,
10:14so we told him I died.
10:16Do you understand?
10:17I do, I do.
10:18Oh, look at the phone.
10:21Do you need a phone?
10:22Okay, since you're already here,
10:24let me call Chombe and Kufa.
10:26They must be worried sick.
10:28Come on.
10:31Don't take too long.
10:32You know it's expensive.
10:34They care about me a lot.
10:36Especially when I'm traveling.
10:38They're worried sick.
10:39They can't sleep now.
10:41Yeah.
10:43Hello?
10:44Hey, Chombe.
10:47It's me, Fufe.
10:49Hey.
10:51What do you mean, where did I go?
10:53I told you I went to Sarajevo.
10:55What are you looking at?
10:56I'm not in my room.
10:57I went to Sarajevo.
10:59You don't know how nice I told you
11:01I went to Sarajevo.
11:02I did.
11:04Come on.
11:05I told you.
11:06I didn't tell you.
11:07I told you and Kufa.
11:10You two are crazy.
11:13Hello?
11:15Maria.
11:16Maria.
11:17Give me this.
11:18One of these.
11:19This whiskey.
11:20Give it to me.
11:21Barbara, what's wrong?
11:22What happened?
11:23Did you steal the money?
11:25Don't ask me.
11:26It's all falling apart.
11:27It's all disappearing.
11:28Damir.
11:30Are you sick or do you have a fever?
11:32I have a fever.
11:34Damir, you have a fever.
11:36Barbara, it can't be.
11:37I mean, he is a misogynist.
11:39But he's crazy about that stuff.
11:41Are you sure?
11:42I saw him with my own eyes.
11:44I caught him.
11:48I caught him.
12:00Damir, what are you doing?
12:03I can't believe it.
12:05I can't believe it.
12:07It's all falling apart.
12:08It's all over.
12:12And you, VazlinoviÄ,
12:13you're all the same.
12:15God, my Faruk is different.
12:17That's what you said about Damir.
12:19Look at him now.
12:20Really?
12:21Don't tell me, Kufa,
12:24that they let you go again.
12:26You know, it's normal
12:27to have a fight with a taxi driver.
12:29It's normal.
12:30Stop it.
12:31You'll kill us all.
12:33Don't worry about the thieves.
12:35We're in heaven.
12:37He must be crazy.
12:38He'll be happy when he hears I'm here.
12:41Kufa, you know what?
12:42Here's Vileni, our mentor.
12:44I'll call you when I'm alone
12:46in the office
12:47and when the mentor doesn't know.
12:49Cheers.
12:51That's right.
12:52We'll put Total here
12:54and instead of an actor
12:55we can have Fosne.
13:00Mentors!
13:01Where are the doors?
13:03Here's RuhvaÅ”.
13:04Did Fufa come?
13:06Where are you, RuhvaÅ”?
13:08Old house.
13:09Old house?
13:10Yes, where are you, RuhvaÅ”?
13:12Old house.
13:14Wait.
13:16Okay, okay.
13:17Fufa, I know.
13:18I know you wanted me.
13:20Don't bother me.
13:21Okay?
13:22What did he want?
13:23He's been here for years.
13:25We haven't seen each other.
13:26What years?
13:27He's been here for 12 months.
13:29Don't bother me, man.
13:31Don't bother me.
13:33Like a dog.
13:34What years?
13:35He's been in Sarajevo
13:36for five years.
13:37If he has more than that.
13:39Do you remember
13:40what you said to me
13:41in San Remo
13:42when we met?
13:43Do you remember?
13:44Try me, horse!
13:48RuhvaÅ”!
13:50Look who's arrived
13:51from the state of America.
13:54Fufa!
13:56I just needed you.
13:58You just needed me.
14:00That's exactly what you said
14:01to me the last time we met.
14:03And that didn't give me peace for five years.
14:05I sit down and count.
14:06I need RuhvaÅ”.
14:08And?
14:09Here he is.
14:10You have no idea
14:11how lucky I am.
14:12I know.
14:13I know.
14:14That's why I came.
14:15Hey, RuhvaÅ”.
14:16Do you know we need a tonic?
14:18Maybe Fufa can be a tonic.
14:20Fufa can be a tonic.
14:21You're not normal.
14:22You don't know Fufa.
14:24I know Combet and Kufa.
14:26That's the same thing
14:27as you don't know me.
14:28And you, RuhvaÅ”,
14:29have forgotten
14:30what kind of family I come from.
14:31I was born to be a tonic.
14:34Come on, mentor.
14:35Let's add that five.
14:36Come on.
14:37No, no, no.
14:38You can't see the tonic.
14:40You have to hear it.
14:41Do you understand?
14:43Come on, lift it up.
14:46It's not a problem.
14:48What do you say?
14:49Here, for example.
14:50There.
14:52What do you say?
14:53Wait.
14:54Here, look.
14:55Fufa.
14:56Mentor.
14:57Mentor, give me my weapon.
14:58Mentor.
15:00Fufa's tonic is Pussy Smoke.
15:03Pussy Smoke, huh?
15:06You told him everything.
15:08That's right.
15:09I understand you, Barbara.
15:10I understand you completely.
15:12Now that I'm in trouble,
15:14I'd kick his ass.
15:15How he pissed me off.
15:19Wait a minute.
15:21The apartment
15:22where you live,
15:24whose apartment is that?
15:25Mine.
15:26I bought it with my own money
15:27from the ChevabÄanica family
15:28that we sold.
15:29Never mind.
15:30Congratulations.
15:31But Damir now...
15:32Damir.
15:33I told him nicely.
15:34You know what I told him?
15:35I told him,
15:36I don't want to see you here anymore.
15:38Even if you leave here
15:40in two hours,
15:41Serse, wherever you are,
15:42I don't care.
15:43I don't care.
15:45It's not that I don't care,
15:46it's just that I'm looking
15:47where he's going to come from.
15:50Fuck him.
15:55It'll be like there's no one here.
15:57I just hope
15:59they didn't change the door.
16:02Oh,
16:03they didn't.
16:06Hey, Damir,
16:07who are you, horse?
16:09Do you think
16:10I still have make-up on?
16:12When ever.
16:13You talk a lot, Barbara.
16:15But look,
16:16come on,
16:17pull another one like this,
16:19deeper.
16:20There.
16:21So you can think in peace.
16:23Barbara,
16:24can you give him
16:25one more chance?
16:27He's not all bad.
16:29Well,
16:30it's up to you.
16:31I'll go get ready.
16:34What's the worst that can happen to me?
16:37Marija!
16:38Marija!
16:40Give me something hot
16:41to eat!
16:42Hot?
16:43You don't want beer?
16:44Hot!
16:45When I saw who came back,
16:46all I could think of was hot.
16:48When?
16:49Before?
16:50So he's already here.
16:54Well, he doesn't have a second door
16:56he'll knock on,
16:57but on mine.
16:58Mother,
16:59I knew right away
17:00that this would happen.
17:02Do you remember
17:03what I told you last Sunday?
17:05Last Sunday?
17:06Yes,
17:07I remember.
17:09What does that have to do with this?
17:11Guys,
17:12is this a man
17:13or a sex machine?
17:19Brilliant!
17:21Faruk!
17:23Faruk,
17:24what else
17:25does a woman need?
17:27Faruk,
17:28is this a man
17:29or a sex machine?
17:31People,
17:32women,
17:33children,
17:34the police,
17:35well,
17:36it's invisible!
17:38Faruk!
17:39Marija,
17:40I'm sorry
17:41I broke your new pajamas.
17:45You dreamed it.
17:46I already told you
17:47that you dreamed it.
17:48Don't give me those eyebrows.
17:50Remember what I told you
17:51later
17:52while we were drinking coffee.
17:53Faruk,
17:54that didn't happen.
17:57If it happened,
17:59Faruk,
18:00I would remember it.
18:02You dreamed it.
18:05You can't remember it,
18:07Marija.
18:08When you're satisfied,
18:10it's consciousness.
18:12Don't be boring
18:13about that dream.
18:15What did I tell you
18:16after that dream
18:18and sex machine story?
18:20What about a fantasy
18:22about a crow and a key?
18:24That.
18:25On the front door.
18:27No,
18:28on the lock.
18:29Yes,
18:30on the front door
18:31to change the lock.
18:32I'm afraid
18:33that too many people
18:34have the key from those doors.
18:35Who has it?
18:36Damir and Izet.
18:37I'm telling you,
18:38too many people.
18:39Marija,
18:40there's no fear
18:41that they'll come
18:42and live here.
18:43Damir lives with Barbara
18:44in a beautiful apartment
18:45with a beautiful view,
18:46and Izet is in Sweden
18:47with a child
18:48in a candy factory.
18:50Come on,
18:51okay,
18:52let it be
18:53as you say.
18:54But I'm afraid
18:55that we should
18:56change the lock.
18:59That's right,
19:00that's right.
19:01But I don't know
19:02what it has to do
19:03with Fufe's return.
19:04What do you mean,
19:05what does it have to do?
19:06It has everything to do
19:07with Faruk.
19:08He's going to...
19:09Fufe.
19:10What's Fufe now?
19:11Fufe.
19:12Fufe is a moron.
19:13And that's why
19:14he's a moron.
19:15And that's why
19:16he's a total idiot.
19:18I thought you knew
19:19that Fufe came back
19:20from America.
19:21Oh my God,
19:23he won't.
19:24I think now
19:25Fufe is staying
19:26in our apartment.
19:27Wait, wait,
19:28what do you mean
19:29Fufe is staying
19:30in our apartment?
19:32Who else?
19:33Damir.
19:34Damir?
19:35Why would Damir
19:36stay in our apartment?
19:37You don't know.
19:45Hello, Faruk.
19:46Hello, Barbara.
19:47I have to go,
19:48two hours have passed,
19:49just to see
19:50if you've recovered.
19:53Who?
19:54Who recovered?
19:55Who?
19:56I don't think it was Damir.
19:57Dear Faruk,
19:58you're so slow.
20:00Did Barbara
20:01get away with it?
20:02He didn't kick her out,
20:04she kicked him out.
20:07So Damir got away with it.
20:09Listen,
20:10it doesn't matter
20:11who did it,
20:13the question is,
20:14where will Damir go
20:16with all his suitcases?
20:17That's important
20:18for the two of us.
20:20Wait a minute,
20:21maybe he won't stay with us,
20:22maybe he'll get a flat,
20:23a waitress,
20:25maybe he'll go to a hotel.
20:27Wait, I have to take this.
20:31Look, someone's calling
20:32from our apartment.
20:33You have one,
20:34answer it.
20:38Damir, son,
20:39I know it's you.
20:42Come on, answer it,
20:43I know it's you.
20:44Come on, say hello.
20:47Dear Mary,
20:49it looks like
20:50you're almost done
20:51with our sexual
20:53and acrobatic
20:54adventures.
20:57That's what I'm telling you.
21:08You really need
21:09an excuse
21:10for a situation like this.
21:12Thank you for
21:13this difficult story.
21:15Son,
21:16I can expect anything,
21:17but that Barbara will kick you
21:19because of some patient.
21:21Keep your mouth shut.
21:22She's not a patient.
21:24She's Mary's sister.
21:25Sister?
21:26That's incest.
21:28What's incest?
21:29It's incest with a sister.
21:31It doesn't matter
21:32if she's a biological
21:33or a medical sister,
21:35a sister is a sister.
21:37Okay, let it go,
21:38but I have to be here
21:39with you for a while
21:40until things settle down.
21:44What do you mean,
21:45for a while? Today?
21:46Tomorrow?
21:47Well,
21:48every guest stays for three days.
21:50I don't know.
21:51I have loans,
21:52and now Barbara
21:53wants me to pay for food.
21:54I think I'll stay
21:55for a little longer
21:56than three days.
21:57Damir, son,
21:58you know very well
21:59that this apartment
22:00has never been mine.
22:02Now Mary bought it,
22:03and she's wondering.
22:06What's going on?
22:09Oh, Pristin!
22:10What do you want from me?
22:12Are you crazy?
22:13I don't know what to do
22:14with this fool.
22:16What do you mean,
22:17you don't know what to do?
22:18I explained to you
22:19in Bosnian
22:20this morning
22:21what to do
22:22with Fufeto.
22:24Listen, mentor,
22:26throw this fool out of here
22:28on his feet.
22:30As you know,
22:31and you can do it.
22:32This is a genetically
22:33modified fool.
22:35Get him out of here
22:37like Maradona.
22:39What are you talking about?
22:41You said I should throw him
22:42out on his knees.
22:44But it's better
22:45to do it on his feet.
22:47It's not that big of a difference.
22:49What's important
22:50is that I can't do this.
22:51He's still
22:52Fufeto's brother,
22:53and he's
22:54Fufeto's brother.
22:55Don't get upset
22:56right away.
22:57First, listen to me.
22:59Did you say
23:00we need people
23:01because we're
23:02starting to shoot a series?
23:03Yes.
23:04Then let's give him a chance.
23:05I'll train him.
23:07I'll train him
23:08both as a cameraman
23:09and as a dancer.
23:10When Fufeto
23:11and Fufeto
23:12could do this,
23:13he wouldn't be
23:14as stupid as the two of them.
23:16He's not stupid
23:17because he can't
23:18be stupider
23:19than Fufeto
23:20and Fufeto.
23:22He's not stupid.
23:24He's not.
23:25Listen,
23:26it's your responsibility
23:27to get him out
23:28of here
23:29like you know
23:30and can do it
23:31on his feet.
23:32Put him on you
23:33and carry him
23:34wherever you know
23:35and can do it.
23:36Cheers.
23:37I'm surrounded
23:38by idiots.
23:39A mentor?
23:40No, a doctor.
23:42What can I do for you?
23:44I'll stay here
23:45for three days.
23:46Leave it.
23:47We're starting
23:48a new series.
23:49We need to learn
23:50how to use a camera
23:51and a microphone.
23:52Sure.
23:53Learning is a privilege.
23:54Please,
23:55tell me
23:56who needs to explain
23:57how to use
23:58a camera and a microphone.
23:59Don't you think
24:00Maria will make a problem
24:01because I'm here?
24:02What are you talking about?
24:03No.
24:04I'm just
24:05a man's brain
24:06here.
24:07I'm just
24:08a medical factor
24:09to express myself.
24:11I have to take this.
24:12Considering
24:13that Maria
24:14owns this apartment.
24:15You know,
24:16she bought this apartment
24:17a hundred percent
24:18from that crazy Izzet
24:19instead of
24:20leaving it to me.
24:21A hundred percent
24:22crazy Izzet.
24:25What crazy Izzet?
24:26I don't think
24:27he's coming back
24:28from Sweden.
24:29No, no, Maria.
24:30It's just
24:31Damir and I
24:32remember
24:33some Izzet's thoughts.
24:35There's one
24:37who didn't have
24:38painful memories.
24:39That one
24:40won't have
24:41a bright future.
24:42Maria,
24:43I really have to
24:44thank you
24:45for taking me
24:46under the wing
24:47of your warm home.
24:48I think
24:49I'll try
24:50not to stay long
24:51just until
24:52I reorganize
24:53financially.
24:54Well,
24:55okay.
24:56No problem.
24:57Damir,
24:58while you're here,
25:02here,
25:03this is yours.
25:05A bill?
25:07You don't have
25:08to pay
25:09for it.
25:10But the bills
25:11are yours.
25:13Well, son,
25:14congratulations.
25:15You've become
25:16a director.
25:17Now we're colleagues.
25:18That's good.
25:19Good, good.
25:20I'll pay the bills.
25:21Just don't
25:22call me.
25:23Don't hang up.
25:25For God's sake, Damir.
25:27Where did you get that?
25:28Please.
25:29And please,
25:30who do I have
25:31abroad to call?
25:32Whatever.
25:34What are you waiting for?
25:36I don't count.
25:38You said
25:39you were going
25:40to pay the bills,
25:41so I asked
25:42what are you waiting for?
25:43Why don't you go
25:44and pay?
25:45Right now?
25:46No, when?
25:47The bills
25:48have to be paid
25:49right away
25:50on arrival.
25:51You have to
25:52avoid
25:53late payments.
25:54Okay.
25:55I just have to
25:56unpack
25:57and go pay.
25:58That's good.
25:59Or
26:00you go pay
26:01right away
26:02and unpack
26:03whenever you want.
26:05Okay.
26:07Bye.
26:10So...
26:13Damir, hello.
26:14Welcome.
26:16Hug her, Maria.
26:20Bye.
26:27Thank you, Maria.
26:28Really, thank you.
26:29I know it's hard
26:30for you
26:31because we won't
26:32be alone anymore.
26:33But you'll see,
26:34he's nice, good.
26:37Okay, Faruk,
26:38honey.
26:39I mean,
26:40he's your son.
26:41He's your
26:42direct son-in-law.
26:43So,
26:44what are we going to do?
26:45It'll be fine.
26:46You know
26:47how I see it.
26:48If he's already
26:49convicted
26:50that one of them
26:51brought him
26:52here,
26:53then it's better
26:54for it to be
26:55Damir
26:56than Izet.
26:57I mean,
26:58he's two years younger.
26:59You're absolutely
27:00right, Maria,
27:01absolutely.
27:02Damir is
27:03as quiet
27:04as a bumblebee.
27:05He eats
27:06very little.
27:07That's good.
27:08And Izet,
27:09Izet
27:10eats
27:11a lot.
27:12Whenever
27:13I think of
27:14Maria,
27:15his
27:16clothes,
27:17socks,
27:18and
27:19socks,
27:20I get
27:21crazy.
27:22So,
27:23I eat
27:24his
27:25clothes
27:26every day.
27:27And I
27:28hear his
27:29clothes,
27:30Maria,
27:31in my
27:32veins,
27:33in my bones.
27:34Faruk,
27:35you're being
27:36so suggestive.
27:37I would
27:38swear
27:39that I
27:40hear
27:41Dernjav
27:42behind that
27:43from somewhere.
27:44I'll
27:45chase you
27:46to Strasbourg,
27:47you
27:48shameless
27:49Sarajevo
27:50honest
27:51taxi driver.
27:55You
27:56are
27:57a
27:58bandit,
27:59and
28:00you
28:01are
28:02used
28:03to
28:04this
28:05Balkan
28:06shit.
28:07What
28:08is this?
28:09Where
28:10is
28:11BaboviÄ's
28:12estate?
28:13He
28:14won't
28:15be able
28:16to.
28:17I'm
28:18telling
28:19you.
28:20He
28:21won't
28:22be able
28:23to.
28:24He's
28:25a
28:26genius.
28:27He
28:28knows
28:29how
28:30to
28:31do
28:32it.
28:33BaboviÄ
28:34doesn't
28:35even
28:36know
28:37who
28:38he is.
28:39You
28:40have to
28:41spare
28:42him
28:43some
28:44time.
28:45Like
28:46this
28:47is
28:48the
28:49best
28:50job
28:51that
28:52she
28:53can
28:54Hello.
28:55All the boards have changed.
28:58I wouldn't be surprised if at the entrance to Sarajevo
29:02it says GT Borg.
29:06Look, mine have changed too.
29:10Who's bothering me now?
29:13Maria Bona, it's expensive to call me on this Swedish number.
29:17What do you mean expensive, dear?
29:20I mean it is expensive, but...
29:22I could ask you about your health. I'm interested.
29:26Don't you think Faruk and I regret spending so much on you?
29:31Come on, please, leave.
29:34It's not me that's expensive to you, it's me that's expensive to me.
29:39If I'm not in Sweden, then I'm paying for this conversation.
29:43And where are you going if you're not in Sweden?
29:46Here I am!
29:49In my little house!
29:54I'm sorry, Faruk.
29:56Don't spend this credit on a Swedish card anymore.
30:01How are you, my dear children?
30:03I see you're happy that I'm back.
30:06Izet, where are you from?
30:08Where am I from, my dear son?
30:10Who's from Sweden?
30:11I couldn't live anymore.
30:13It's a cold country, God forbid.
30:16It's not a country for a man of Bosnian-Herzegovian genes.
30:20It's not, my dear.
30:22How could I go there?
30:24Let me get my phone.
30:26My great-grandfather was right.
30:29You should live only where figs grow.
30:33Half of the people in Sweden are fig-lovers.
30:36They've never heard of figs.
30:39They say figs don't grow in Sarajevo.
30:42That's right, son.
30:44They don't grow, but at least figs melt in the fourth month.
30:48And in Sweden, when they make figs,
30:51five generations of children play with them.
30:54Believe me, I know.
30:56God, you've lost your mind.
30:58Okay, you'll tell me later.
31:00I'm going now, children.
31:02I haven't even arrived yet,
31:04and I'm already fixing this historical injustice.
31:08Where are you going?
31:10Unpack while I come back.
31:17I thought I heard Izet's voice.
31:20It was deaf.
31:24Was this the spirit of Damir's grandfather,
31:27my father?
31:29His name is Fufet.
31:31People, wake up!
31:33Wake up!
31:35Unemployed people of this ruined country!
31:39Their names have been changed in the streets and in the markets.
31:44They've taken our names and hanged their own.
31:48Izet!
31:49How can I help you, my dear son?
31:52You're back!
31:54I heard your voice in the dining room.
31:57I don't know what you heard, but you'll hear it now.
32:01People!
32:03Can you help me get rid of this little partisan?
32:07What's left of him?
32:09What are you doing, Bolan?
32:11You're a complete idiot.
32:13Idiot?
32:14Tell me, what was the name of the street
32:17where you took your first steps?
32:20Zlatko IvaniÅ”eviÄ.
32:21Who was Zlatko IvaniÅ”eviÄ?
32:23Your partisan, the Spanish warrior.
32:26And what's the name of the street where you took your first steps?
32:30I don't have a clue.
32:32See? You don't have a clue.
32:34A man without a tie, a wall.
32:37Imagine, who the hell did they take
32:41and hang this educated bricklayer?
32:44Come on, son, take this, help me.
32:47God, the revolution has to wait. I have to pay the bills.
32:50You pay the bills.
32:52That's how I made a deal with Mario.
32:54I don't pay the rent, but I pay the bills.
32:56Dad, she's been nagging me about the Swedish number all morning.
33:00Who's been nagging you?
33:02A lot of people.
33:04Here she is again.
33:06Hello, Mario.
33:07If you want to pay the bills to little Damir,
33:10don't waste your impulses on my Swedish number.
33:13Bye.
33:15I have to activate that old Bosnian number.
33:20Hello, people!
33:22The revolution is calling!
33:25The revolution is calling, people!
33:28People!
33:35Let's do it again, Fufe.
33:37Fufe, what is this?
33:39That?
33:40That's a big plan.
33:43That's when something is big, when it's big.
33:46Okay.
33:47This?
33:48That's extremely big.
33:51That's when, for example, you film someone walking on the street.
33:56I'm telling you, it's all a piece of cake.
33:58Just ask.
33:59Fufe, congratulations.
34:00You've learned everything.
34:02Now you just need a little practice.
34:04I'm telling you, man, I'm born talented.
34:07I came and dream and photography.
34:09Now, Fufe, take the camera and go to the street
34:12and film all these shots that we've learned.
34:15So, I take the camera and go to the street.
34:19I'm telling you, man, it's all a piece of cake.
34:21Cheers!
34:34Mentor, I don't understand anything here.
34:37Nothing at all.
34:38What don't you understand, Fufe?
34:40I didn't film anything.
34:42I don't understand how your camera works.
34:45In America, the cameras are absolutely different.
34:48How can they be different?
34:50Cameras all over the world are the same.
34:52That's not true.
34:53In America, you have a red button.
34:55When you press it, the camera works.
34:57When you press it again, the camera doesn't work.
34:59Forget about it.
35:00Fufe, our camera also has a red button.
35:02Where is it?
35:03Here.
35:04Show me.
35:06I've checked everything and there's no red button anywhere.
35:11No red button.
35:13Hey, kids!
35:14What's up?
35:16Well, joy and happiness never end.
35:19I see.
35:20What's that, Rasakov?
35:22What?
35:23Oh!
35:24Look.
35:25Oh, my people.
35:27I took this butter in the plane.
35:30It must have melted from too much heat
35:34with which I entered the revolution.
35:36Where did you find it?
35:37Give me this for cleaning.
35:40Why are you looking at me like that?
35:42Now I have a match
35:44from the Red League of Champions.
35:52Fufe, tell me.
35:53On which suitcase is the light and on which suitcase is the camera?
36:01What is it?
36:02The camera.
36:03Congratulations!
36:05You managed to distinguish the light from the camera.
36:08I see.
36:09I can't believe there's a camera in this suitcase.
36:12Now you'll see what it looks like when a professional shoots.
36:18It's a series we shot a few months ago.
36:22Okay, okay.
36:23I'm interested to see what it looks like.
36:30Sit and enjoy.
36:33I hope no one touched the light.
36:35Let's see what we have here.
36:39A man.
36:40Between 15 and 70 years old.
36:44Black.
36:45Hair.
36:46Beard hair.
36:47Comfortably filled.
36:50He's in a back position,
36:53which indicates that during the murder there was no need for a gun.
36:57What are you writing?
36:58My type.
37:00You see I'm recording on the recorder.
37:02What type of history do you live by?
37:05Watch and learn.
37:07A knife.
37:08A kitchen knife.
37:10Which indicates that the killer was a cook,
37:12or someone who did amateur cooking.
37:15Or maybe a cook.
37:17Or a butcher.
37:27Write.
37:28My suspicions are justified.
37:30The murder took place with a firearm,
37:33not a knife.
37:35What did I say about you?
37:37Oh, well.
37:39Let it go.
38:05It hurts like hell.
38:07Life is to be loved.