Lud, zbunjen, normalan - 177. epizoda (S7E9): https://dai.ly/x91jtjs (Sledeca epizoda)
Lud, zbunjen, normalan - 175. epizoda (S7E7): https://dai.ly/x91jtjq (Prethodna epizoda)
Lud, zbunjen, normalan - 175. epizoda (S7E7): https://dai.ly/x91jtjq (Prethodna epizoda)
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MotorTranscript
00:00This is a story about a man and a horse.
00:04It's a story about a man and a horse.
00:07It's a story about a man and a horse.
00:12These horses act so well,
00:15that it can't be edited to look decent.
00:19Clean!
00:21Hey, Ruhfaš, can I ask you something?
00:25Ask me.
00:27Listen, a friend of mine is coming from Priština.
00:30So?
00:31We need to go to the airport.
00:32Why?
00:33Ruhfaš, can I take a service horse?
00:35You can, I'll put the keys on the shelf.
00:38You'll put the keys here?
00:39Are you out of your mind?
00:41If he finds out that the keys are here,
00:43he'll take you for a ride.
00:45I forbade him to take a horse for a ride
00:49for a few days.
00:53Come on, get on the plane.
00:55I have to work.
00:57Thank you, Ruhfaš,
00:58for letting me see this sissy scene.
01:01Maybe I can learn something.
01:03All the sissies in the world
01:06can be divided into three main groups.
01:11At the age of 20,
01:14breasts are like pumpkins.
01:17Round and hard.
01:23Round and hard.
01:26I can't do this.
01:29Myzafranović will edit this.
01:31Let me try the parallel editing.
01:35They're still pretty and hard,
01:39but a little bit longer.
01:44Whatever.
01:47At the age of 50 and later,
01:51breasts are like red onions.
01:56Why onions, dad?
01:58You cry when you see them.
02:02Dad, dad.
02:03This can't be edited.
02:05It's shit.
02:06Ruhfaš, it's shit.
02:09I know what I'm saying.
02:11There's no Kedija.
02:13What do you mean?
02:14They stole him.
02:19Kedija
02:31Can you remember exactly
02:33what time it happened?
02:36I can.
02:37In the morning.
02:38When the mentor came to pick up the keys
02:41and go to the airport.
02:43He went down to the parking lot
02:44and saw that Kedija was gone.
02:46You're the owner of the stolen car, right?
02:49Yes, I am.
02:50Actually, I'm not.
02:51The owner is the company.
02:53But it's my father's.
02:56Fazlinović's nephew.
02:57The company uses the car,
02:59so the company owns the car.
03:01Okay.
03:02That's all for now.
03:05We'll let you know if we find out anything.
03:08Sir,
03:09I have to ask you.
03:10What are the chances that Kedija will be found?
03:13Honestly,
03:15we can find a dozen stolen cars.
03:18Two or three.
03:19That's not good.
03:20Where?
03:21I'm sorry, sir.
03:23I had to do this.
03:25It's okay, Bolan.
03:26What do you care about a stolen car?
03:28It's not a big deal, man.
03:30But the time has come in Sarajevo
03:32that you can't leave a blind man overnight.
03:34Bolan will steal him, too.
03:35Mr. Bilmez,
03:37where were we?
03:38What did we agree on?
03:39Nothing.
03:40We agreed on everything.
03:41But sir,
03:42I'm not sure
03:43I can meet your conditions.
03:45That Vlado,
03:46he's a Balkan,
03:48unaccountably expensive actor.
03:50Look, Faruk,
03:51this is a business
03:52like any other business.
03:53There's no emotion.
03:54Either take Vlado
03:55or forget about the money for filming.
03:57Is that clear?
03:58Do you know how much viewership there is?
04:00Viewership has fallen below all levels, man.
04:02Come on,
04:03think of a day
04:04when I can...
04:05Can I?
04:06Okay, see you.
04:10Don't ask.
04:11We filmed an action drama
04:13on TV last year.
04:15We have some props left.
04:16We have guns,
04:17pistols,
04:18phantoms,
04:19everything.
04:20You don't need it.
04:21I don't need it?
04:22Actually,
04:23I do need it.
04:24I never know
04:25what Izet will write in the script.
04:26Maybe he'll write an action scene.
04:28Yes, yes.
04:29Tomorrow,
04:30the guy will bring it here.
04:31Okay?
04:32No, not here.
04:33Tomorrow is a day off.
04:34Let him bring it to my office.
04:35Okay, okay.
04:38What is it?
04:39Huh?
04:40Don't be afraid, man.
04:41I'm not afraid.
04:42Oh, don't be afraid.
04:43Don't be afraid, man.
04:44Don't be afraid.
04:45That's it, man.
04:46Let's go.
04:49What is this
04:50Balkan bullshit?
04:53I'm sick of it.
04:59Hey, man.
05:01Where is it?
05:02In the closet.
05:06What do you think?
05:07He won't watch our show anymore?
05:10What are you talking about?
05:11It could have been a disaster.
05:13Come on, let's go.
05:16I told you.
05:17When your wife comes,
05:19she can't stand it.
05:21How did Rugo do?
05:23You know, Rugo is from
05:24the prison in Sarajevo.
05:25It was a disaster.
05:26He was sentenced for three days.
05:28Three days?
05:29Yes, three days.
05:30I mean, three days for Zagreb.
05:32He was sentenced for five days.
05:34I mean, he was sent to Sarajevo.
05:35When he was in Bulgaria,
05:36he was sentenced for 13 days.
05:38He was sentenced for eight days.
05:39Eight days?
05:40I'm sure he was sentenced for
05:41more than 13 days.
05:43I'm going to be shocked
05:45when I see my airplane.
05:47The captain told me
05:49that a pilot can fly
05:51directly to Pristina,
05:52not to Zagreb,
05:54but to Pristina.
05:55I photographed it.
05:57There are 10 passengers.
05:58Go to Syria.
06:00Oh, man.
06:01It's phenomenal.
06:03Look,
06:04this airplane is like a
06:05flight attendant
06:07because it has a higher level.
06:09It can even serve me
06:10when they tell me
06:11to buy something
06:12because it's a bit expensive
06:13but I can buy a lot of things.
06:14Very good.
06:15What's the bill?
06:17Here's the payment.
06:18No, I don't need it.
06:19I'll pay in cash.
06:20Cash, apartment,
06:21I'll pay in cash.
06:22Before you take the money
06:23by yourself, Rugo…
06:24Mr. Deja,
06:25this is very complicated.
06:26Remember when I told you
06:27that you transferred the money
06:28from the U.S. bank
06:29to the U.S. bank?
06:30How much?
06:32How much?
06:33Two million dollars,
06:34no more, no less.
06:35Two million dollars?
06:36Yes, yes, two million.
06:37Two million.
06:38You transferred two million?
06:39Yes, yes.
06:40Mr. Deja, are you okay?
06:41Mr. Deja?
06:42Mr. Deja?
06:44Here you go,
06:45two beers.
06:46Here you go.
06:47The glass is yours.
06:48It's yours.
06:49Thank you, Maria.
06:50I don't have the money.
06:51This is the money
06:52for Zali
06:53and this is the money
06:54for Seraif and Ivar.
06:55Oh, Deja,
06:56you can't just take
06:57what I have here.
06:58You need to know
06:59what I have here
07:00before you take it.
07:01And second,
07:02here in Sarajevo,
07:03if you give me
07:04more time,
07:05I will give you
07:06more money.
07:07And third,
07:08here in Sarajevo,
07:09if you give me
07:10more time,
07:11I will give you
07:12more money.
07:13And fourth,
07:14here in Sarajevo,
07:15if you give me
07:16more time,
07:17I will give you
07:18more money.
07:19And fifth,
07:20here in Sarajevo,
07:21if you give me
07:22more time,
07:23I will give you
07:24more money.
07:25And sixth,
07:26here in Sarajevo,
07:27if you give me
07:28more time,
07:29I will give you
07:30more money.
07:31And seventh,
07:32here in Sarajevo,
07:33if you give me
07:34more time,
07:35I will give you
07:36more money.
07:37And eighth,
07:38here in Sarajevo,
07:39if you give me
07:40more time,
07:41I will give you
07:42more money.
07:43And ninth,
07:44if you give me
07:45more time,
07:46I will give you
07:47more money.
07:48And last,
07:49I waited
07:50a month
07:51time
07:52from Sarajevo
07:53two months
07:54to come here
07:55and you
07:56alone
07:57asking money
07:58by phone
07:59through your
08:00two eyes
08:01in your
08:02luggage
08:03He says we're out of viewership.
08:05It's not up to us, Bala. We do everything professionally.
08:08Professionally.
08:09Bala, I'm telling you, you have no idea.
08:12You act like you're in some amateur theater.
08:15What are you talking about?
08:17He's right, Maria. Acting is a disaster.
08:21Except for you, Izet, you're really good.
08:23I agree.
08:25I'm the only one articulated there.
08:29Bala, it's all because of Mahovina.
08:31He threw that drum in my ear, and it doesn't work again.
08:34What drum?
08:35Well, Maria, you put that drum in your ear.
08:37Actors can't memorize the text.
08:40Like in Hollywood, you know?
08:47What are you doing, son?
08:51You'll be proud of me, father.
08:55It says here, from one to three years.
09:00And I put them together in less than five days.
09:05Father, son, it's Friday.
09:09Let's have a wonderful weekend together.
09:17I can't.
09:20Maybe we should all work on this plan.
09:23Stop!
09:25All right, Fufe, learn the text.
09:28That's it, man.
09:29A great battle of man and text.
09:32I have a lot of hands, my brain is tired.
09:35I mean, I can't put my mouth together to know the text.
09:38Fufe, look at Izet.
09:40See how he doesn't get stuck anywhere?
09:43He even adds the word, wake up.
09:46Rukvas, I have an idea.
09:48What do you think if we put the drums in my ear,
09:51I take the script, go behind the camera,
09:55read the script, and what do I read?
09:58Let him repeat.
09:59This is how Hollywood works.
10:01It's not that bad, I thought.
10:03It's not, but the realization was a disaster.
10:06Today is Friday.
10:09Let's have a wonderful weekend together.
10:17Okay.
10:19Okay.
10:20What did you have in mind to work on me?
10:23What did you have in mind to work on me?
10:26See you on Monday.
10:27See you on Monday.
10:29Stop, stop, stop.
10:31What the hell is that sentence?
10:34You should've just said,
10:36Dad, what did you have in mind to work on me?
10:41Did you put something on you, on me?
10:45No, my mentor reads it that way.
10:47Why do you say Monday?
10:49He reads it that way.
10:51I mean, my mentor reads it.
10:53It was weird for me, too.
10:54Mentor, come here.
10:56Stay here.
10:58Why do you put Fufe on Monday?
11:02When I say Marmalade, you laugh at me.
11:06If Marmalade is wrong,
11:08then Monday is wrong, too.
11:11It was even worse when the smart director
11:15replaced Fufe and his mentor.
11:19This one is an actor, and this one is a clown.
11:22That's how you work, neighbor.
11:26Dad, you'll be proud of me.
11:28Dad, you'll be proud of me.
11:31It says, from one to three years.
11:34It says, from one to three years.
11:37And I put them together in less than five days.
11:39And I put them together in less than five days.
11:42Bravo.
11:43Bravo.
11:44Evala, bravo.
11:45Stop, man.
11:47He's not your father.
11:49He's your neighbor.
11:51He's Fufe's father, and he's your neighbor.
11:54What can I do, you idiot?
11:55That's how Fufe writes to me.
11:58That's how he writes.
11:59We didn't do anything with that bastard.
12:02We'll sort it out somehow with these two idiots.
12:06You tell us what Bilmez said.
12:08If we don't do what he wants from us,
12:12he'll stop financing the series.
12:14What does he want?
12:16Vlado Mladenović.
12:17Vlado Mladenović, bro.
12:19Take Vlado Mladenović to act.
12:21Watch out for Faruk.
12:22That's my condition for continuing filming.
12:24But dear Bilmez, you know how much Vlado costs.
12:28He's the most expensive actor in the Balkans.
12:31Yes, but Vlado is gaining viewership.
12:33No one will watch your, what's his name, Fufe.
12:37The people won't.
12:38Either Vlado, or there's no filming.
12:43Did you call him to steal the car?
12:46That's not a bad idea at all.
12:48Vlado Mladenović is a great actor.
12:50It would be easier for me if he was my partner.
12:54I know that, but do you know
12:56how much he costs?
12:58He's more expensive than that Charlie...
13:04What's his name, Maria?
13:05Chaplin, Faruk.
13:06Charlie Chaplin.
13:07I know he's...
13:09You should call him and try to talk to him.
13:12I called him and talked to him.
13:14And?
13:15It was a long and extensive conversation.
13:19Vlado, let me ask you.
13:21How much does one of your episodes cost?
13:26Vlado Mladenović
13:28Vlado Mladenović
13:30Goodbye.
13:32It was a long and extensive conversation.
13:36How much does one of your episodes cost?
13:40When I heard the price,
13:43I knew there was nothing to talk about.
13:46Man is electricity, high voltage.
13:49What do you think of the business?
13:51Nothing.
13:52When I see the things we filmed,
13:54we filmed them.
13:56Oh, no way.
14:00I don't know.
14:01Maybe only Fufet's idea from last night.
14:04Fufet's idea?
14:06Maria, mother, we live together.
14:09We share good and bad together.
14:12You won't let me have a beer in Veres.
14:15That's right.
14:16Because I think of you.
14:18I care for you, Faruk.
14:20That's good.
14:21You like beer.
14:23I do.
14:24You love it.
14:25I love it.
14:26Imagine if I let you have a beer in Veres.
14:30You'd become an alcoholic.
14:34What are you talking about?
14:37I have half a beer.
14:39Half a beer.
14:41It's expensive, but you have enough to drink.
14:45Fufet, do you have half a beer?
14:48If I had half a beer,
14:50I'd ask you for half a beer,
14:52so I could have a beer.
14:54Yes, I'm thirsty.
14:56No one will listen to Fufet.
14:58Fufet has a great plan.
15:01What plan?
15:02Great.
15:03I can't tell you.
15:05It's a secret.
15:07I'll tell you.
15:09For that plan,
15:11you need a Phantom,
15:13a gun, a can,
15:16I can't tell you the rest.
15:18I'm serious about Fufet's plan.
15:24Are you robbing a bank?
15:25Why?
15:26Do you remember what I read in the paper?
15:30Come on.
15:31It's been 12 years
15:33since Unexbank was robbed.
15:37They robbed 5 million marks
15:41and never caught them.
15:43Never.
15:44Every policeman in this country
15:47has a gun.
15:48Robbery is the safest way to make a living.
15:51Robbery is the safest way to make a living in this country.
15:56What did you say?
15:57I saw a bank on the street.
15:59It's undersecured.
16:01Why?
16:02Do they have a gun?
16:03It doesn't have to be a real gun.
16:05It's just a toy.
16:06You put it in,
16:07click, click, click.
16:08Good day, good day.
16:10This is robbery.
16:12Robbery?
16:13In broad daylight?
16:14You need to think about that.
16:18I should go with you
16:19and be like Bonnie and Clyde.
16:22You should be like Bonnie
16:24and he like Clyde.
16:26I can't imagine him with a gun
16:29killing me.
16:30You're like Smotan.
16:32Who's Smotan?
16:33I can rob a bank
16:35every second.
16:37You can, you can.
16:38Sorry, we didn't recognize you.
16:40Don't try to fool me.
16:43If we don't catch him,
16:45we're done for.
16:47Bye.
16:49Where are you going?
16:51I'm going to rob a bank.
16:54I don't want to rob a bank.
16:57I want to find a woman
16:59to marry.
17:00Robbing a bank is a sin.
17:02You've been doing it for years.
17:05I don't care.
17:06I want to find a woman
17:08to marry.
17:10You've been doing it for years.
17:12I don't care.
17:15Excuse me.
17:16Could I have a cappuccino?
17:19Thanks, I'm waiting for my friend.
17:21This is too bad.
17:22The cappuccino in Dubrovnik is really good.
17:24In Dubrovnik?
17:25Yes.
17:26I was thinking
17:27I should take my plane
17:28to Dubrovnik
17:29for a cappuccino
17:30and we could go back.
17:32This is my private plane.
17:36It's too bad
17:37You don't have time. What are we going to do?
17:39Bye.
17:41When did you come back from the market?
17:43I'll tell you when I come back.
17:45And where's Cunko?
17:46He'll be here in a minute.
17:48Can't you wait for him?
17:50How do you know?
17:51He knows. He knows.
17:55Excuse me.
17:57My friends called me.
17:59It looks like he's not coming.
18:02Maybe I could take your plane to Dubrovnik
18:05and go to that cappuccino.
18:07I'll give you a ride if you want.
18:09Thank you.
18:16Son, daddy, it's Friday.
18:21Let's have a wonderful weekend.
18:28Faruk, I'm a layman,
18:31but I think you're going to miss the series like the Warsaw Pact.
18:35Did you hear what happened?
18:39The red house on the street caught fire.
18:43Fadil's house caught fire?
18:47Yes.
18:48Fadil came back home.
18:51He caught a woman with a gun in bed.
18:54He killed them both.
18:56We don't know who's the fireman.
19:00Their acting talent is on par with Gusan's.
19:05That's right.
19:06We have to find Vlade Mladenovic.
19:11Without him, this series has no chance.
19:16Let me see, please.
19:18Do I have every paw in its place?
19:20No.
19:21Don't worry about it.
19:23You want to ruin the series with my money?
19:26Forget it.
19:27Faruk, I can't do this anymore.
19:29I'm already giving you a lot of space for filming.
19:32It's against all my principles.
19:34I'm constantly losing money.
19:36Put the money somewhere else.
19:38I've never put money anywhere else.
19:42It's not my style.
19:44I've been brainwashed since I was a kid.
19:49No, no.
19:51It's not your style.
19:53It's from your neighbor.
19:55This is your secret craft.
19:59You just have to play with your own things.
20:02I never get bored.
20:05My dear son, remember one thing.
20:10It's long.
20:12Don't wash your hands.
20:14Did you remember?
20:15I'm a dad.
20:17Where's Milović?
20:19Where's Kotelčeva?
20:22When you were a kid,
20:24did he let you sit on the balcony?
20:26He was constantly drunk.
20:29He was always drunk.
20:32But look.
20:33He put you in a good position.
20:36For example, with no money.
20:39That's right.
20:40That's true.
20:42I could never put money anywhere else.
20:45You're just a jerk to me.
20:47Oh, yeah?
20:48Then...
20:49You should start getting ready to stop filming.
20:53You've been filming and filming.
20:55Maria, I thought I'd try...
20:58Try whatever you want.
21:01Maria has to go back to work.
21:04So we don't lose her, you know?
21:07Maria, I didn't think I'd try what you think.
21:10You didn't, I know.
21:15What should I do?
21:17What should I do?
21:23Hey, kid.
21:24Is your dad here?
21:25No.
21:26He had a surgery.
21:27Surgery?
21:28Looks like I made a mistake,
21:29but I need Faruk Fazlinović.
21:30He's a grandpa.
21:31He's not at home.
21:32Then I'll leave this here.
21:34This is some kind of filming equipment.
21:36Where are you going to put this?
21:37Just a second.
21:41Bye, kid.
21:42Bye.
21:46Whoa.
21:47Cool.
21:51You see, my neighbor,
21:54how Vazda can be blacker and warmer.
21:58Neighbor, what would you like to be in your next life?
22:05What do I know?
22:07What do I know?
22:10Maybe a horse?
22:11You can't, neighbor.
22:13You can't be the same twice.
22:16You're crazy.
22:20Don't get mad, neighbor.
22:24I'm just kidding.
22:28When I put my sweet voice on his rude, ugly, and disgusting face,
22:38everything looks better.
22:41That's right.
22:58There's no one here.
23:02I'd rather lock the door,
23:05because it's safer this way.
23:13Hello?
23:14Liza, can you hear me?
23:16I brought you the money to buy me that plane.
23:19Please, come to the production.
23:21I'm waiting for you here.
23:22Come on, hurry up.
23:28Wow, what a beautiful sight.
23:31It's the most beautiful sight in the world.
23:38Don't worry, I'll take care of it.
23:40What is it?
23:42Nothing, what's wrong?
23:43I saw a bag full of euros.
23:45I'm begging you.
23:47Are you crazy?
23:49I'm not crazy.
23:50I saw a bag full of euros.
23:53There's nothing in it.
23:56Give it to me.
23:57Let me go.
23:59Let me go.
24:06What a magical sight.
24:15Mentor, how many people do you need to kill for this much money?
24:20Coffee and brandy
24:22Excuse me.
24:24What do you think about drinking some coffee?
24:26You don't have to drink brandy all the time.
24:28I'll drink coffee,
24:30but it's not because I don't drink brandy.
24:33Coffee and brandy are completely compatible liquids.
24:37Coffee raises my blood pressure,
24:40and brandy destroys it.
24:42If you say so,
24:44but I'm afraid you drink a lot for your age.
24:47Where is my mother?
24:50And where is the artist?
24:53I don't know.
24:54I have no idea.
24:56We haven't seen each other for a few days.
24:59He asked me to give him some money,
25:03and I think he got a little angry because I didn't want to.
25:06And what now?
25:08Are we going to continue filming this series or are we stopping?
25:11I don't know,
25:12but it looks like he got some money.
25:15That's why he got the money
25:18to pay that shit actor Vlado Mladenovic.
25:22I don't know why he got this,
25:24but I'm sure he has it.
25:26When I was carrying the coffee in the production,
25:29a very unusual picture was waiting for me.
25:32115,700 plus 115,700,
25:36plus 115,900, plus...
25:39I could have jumped down on the coffee,
25:41and I would have...
25:43What is this?
25:45Is this all ours?
25:47Where did he get it?
25:48I have no idea.
25:50Wait.
25:51Wait, Mare.
25:53Wait, I read this in the papers this morning.
25:56Wait.
25:57Here it is.
25:58A bank robbery.
26:00That's the one down the street.
26:02The police are looking for the suspect.
26:07Initials...
26:09Oh, my dear.
26:11F.F.
26:131000% Faruk Vazlinovic.
26:15I'm sorry, you don't think...
26:17I mean, our fool robbed the bank.
26:22No.
26:24I said it right.
26:25You drink a lot.
26:26It doesn't matter what I drink, Mare,
26:29but that's the logic and connection
26:31of the well-known elements.
26:34It was reported in the papers
26:35that someone robbed the bank.
26:37Faruk has the money,
26:38so it's logical that he robbed the bank.
26:40Is that the logic and connection
26:42of the well-known elements?
26:45You forgot that the suspect is F.F.
26:49And F.F. told us in Sanremo
26:52that he will rob the bank.
26:54Mare, dear,
26:55when people are in desperate situations,
26:58they are ready for desperate actions.
27:01Faruk was desperate
27:02that we had to stop filming the series.
27:05Yes, that's right.
27:07But again, that's not enough.
27:10Yes, Mare.
27:12I didn't tell you the main thing.
27:15I found a box this morning.
27:18What box?
27:19In F.F.'s room.
27:21Take it.
27:22Take it without a gun.
27:24Okay.
27:25There's no one here.
27:26The air is clean.
27:28What's this?
27:30Here it is.
27:32A phantom.
27:34See?
27:35And a gun.
27:37Guys,
27:39this fool is really ready
27:42to rob the bank
27:44to see where the money is.
27:47But wait, Izet.
27:48I mean, this is Faruk.
27:50He's not a criminal.
27:52He robbed the bank.
27:54A thousand percent.
27:55Let's go.
27:56Let's go right now.
27:57Where are we going?
27:58Let's go out of this table
28:00to catch the fool with the evidence.
28:03Okay, Vlado.
28:04Okay.
28:05I'm glad we're going to cooperate.
28:08Okay, see you tomorrow.
28:10Bye.
28:12There.
28:13That's settled.
28:15What?
28:16That Vlado Mladenovic?
28:18He's coming tomorrow.
28:20Hey, Luka.
28:22Do you know what I asked you for?
28:25Don't worry.
28:27I won't tell anyone
28:29that I asked you for this.
28:31Thank you, Luka.
28:32It's important to me
28:33that no one knows I have money here.
28:35People will think I'm a coconut.
28:37I don't care
28:39if they find out
28:40that I took money from you.
28:42If Izet found out,
28:43he'd kill me.
28:45I'm going to the bar.
28:46Let's go.
28:47There he is.
28:49Unlucky.
28:50That one.
28:52How could you do that?
28:56How?
28:57So you know.
28:58You know
28:59that you can't hide anything from me.
29:01I can teach you so much.
29:03Okay, man.
29:05I didn't want to,
29:07but it was such an awkward situation.
29:10Faruk.
29:11Are you telling me that you really are...
29:13If you gave me money,
29:16I wouldn't have to.
29:17You're totally going to ruin
29:20your life
29:22between that Hercegovac
29:26and that Bilbosan guy.
29:28You always told me
29:30that it's better to rob a bank
29:32than to serve money.
29:34Figuratively.
29:36Figuratively, I thought.
29:38I know that it's figuratively.
29:40I'm not that stupid.
29:42Faruk, you shouldn't have.
29:45You always tell me
29:46that you and Izet
29:48need me to do something
29:49in my life.
29:50That I need to get out
29:52of this mess.
29:53And now,
29:54when I finally got
29:55my fate in my hands,
29:58you two are attacking me.
30:01You're not fair.
30:03You're not.
30:05Monkeys.
30:06Stop it, stop it.
30:07Listen, Faruk.
30:08No one thought
30:09that you'd take
30:10such a radical step.
30:11At least he hid
30:12that ghost and that gun.
30:14He left it in the middle of the room
30:16so that everyone can find it.
30:17What ghost?
30:20What gun?
30:22What does it have to do with anything?
30:24It has nothing to do
30:27with anything.
30:31Izet is right.
30:32You'll end up in prison.
30:34And listen,
30:35don't mention me
30:36in any context.
30:37What are you two talking about?
30:38There he is.
30:39He's asking for you.
30:41He's asking for me?
30:42Listen,
30:43now that I've taken over,
30:44I can pull you out
30:45of this mess.
30:46Wait,
30:47what would he be asking for me for?
30:48He didn't hide any traces.
30:50What traces, Izet?
30:55Good day, people.
30:56Good day.
30:57Do you know
30:58where I can find
30:59this Faruk Fazlinović?
31:00I was at the production.
31:01There's no one there.
31:03Faruk,
31:04did you say Fazlinović?
31:07Yes, that's him.
31:08No,
31:09we don't know anyone
31:11whose name is Fazlinović,
31:12or whose name is Fazlinović.
31:14This is the first time I've heard him.
31:17Dad,
31:18what's wrong with you?
31:20I'm Faruk Fazlinović.
31:22Let him be,
31:23he's not Faruk.
31:25He's my retarded son.
31:29He claimed yesterday
31:31that he's Charlie Chaplin.
31:33It's such a terrible disease.
31:35May God protect him.
31:37Izet,
31:38you're completely crazy.
31:40Yes,
31:41I'm Faruk Fazlinović.
31:43Here's my ID.
31:45Just so you know,
31:46gentlemen,
31:47I have nothing to do
31:49with the robbery.
31:51Marija,
31:52give me your coat.
31:54It's dirty.
31:55What's it to you?
31:56What's it to you?
31:57What's it to you,
31:59both of you?
32:00Stop.
32:01Gentlemen,
32:02why did you come?
32:05I came for the coat.
32:07Oh,
32:08where did you go with my car
32:10to the robbery?
32:12Is the car in my name?
32:14How dare you?
32:15Robbery, Izet?
32:16You're crazy.
32:17It's not the time for someone to explain
32:19what kind of robbery you're talking about.
32:21Anyway,
32:22what's your name?
32:23My name is Izet Fazlinović.
32:26I have nothing to do with this.
32:29Wait, Izet Fazlinović,
32:30you know me.
32:31Here,
32:32you're the owner of this coat.
32:34Yes,
32:35the owner of the coat is Izet,
32:37but the company uses him.
32:39Did you find him?
32:40No,
32:41I don't know anything.
32:43Anyway,
32:44cheers.
32:45Goodbye.
32:46Marija,
32:47give me your brandy.
32:48I'm thirsty.
32:49I'll just hear it.
32:50Come on, pour it.
32:53What kind of robbery is he talking about?
32:55I have no idea.
32:56I think he's thinking about stealing the coat.
32:58Did you find him?
33:00I don't think
33:01this guy came to arrest Faruk
33:03because of a robbery.
33:04Shut up.
33:05They're asking him
33:06to give them
33:07a partisan monument.
33:09Don't talk nonsense,
33:10pour that brandy.
33:11Marija,
33:12Faruk will be arrested
33:14in five minutes.
33:16You'll see.
33:17Fravko,
33:18do you want to take him to jail?
33:19Take him, take him.
33:20Let him see him,
33:21maybe he'll recognize him.
33:22We caught the guy
33:23who stole your coat.
33:25He's a fool,
33:26let him not see us.
33:27Fufe.
33:29Your friend.
33:30Please tell him
33:31that I work in production
33:33and that I have the right
33:34to drive a coat.
33:35Fufe is with him.
33:36He went to rob a bank,
33:38he found the right guy
33:39to rob the bank.
33:40Congratulations.
33:41Here,
33:42that's the guy
33:43who stole your coat.
33:44Fufe,
33:45I'm going to crush you
33:46with a goat.
33:48Oh,
33:49so you know
33:50the exact story.
33:51Unfortunately,
33:52I know it.
33:53Did I forbid you
33:54to bring the coat?
33:56Oh, no, no.
33:57Well,
33:58simply,
33:59that's not true.
34:00You never told me that.
34:02What do you mean,
34:03I didn't tell you?
34:04Did I tell you
34:05that I'll crush your head
34:06because of the coat?
34:08Listen,
34:09the keys to the coat
34:11are here.
34:14I'll crush your head,
34:16will you take the coat
34:18without asking?
34:19Is that clear?
34:20Clear, chief.
34:21Clear.
34:23No wear connection, Rukvash.
34:24No wear connection.
34:25No wear connection.
34:26What?
34:27It has nothing to do
34:28with what I just told you.
34:30You said something similar,
34:31but a bit different.
34:32Listen,
34:33the keys to the coat
34:35are here.
34:37I'll crush your head,
34:39will you take the keys
34:41without asking?
34:42Is that clear?
34:43Where's the difference?
34:44Where's the difference, Rukvash?
34:46You told me
34:47that you'll crush my head
34:49if I take the keys to the coat.
34:51See,
34:52I told you,
34:53don't worry,
34:54I'll take the keys to the coat.
34:55I'm not like that.
34:57That's true.
34:58The keys to the coat
34:59are with me.
35:00Then how do you start the car?
35:02You put the yellow wire on the red one
35:04and it starts like crazy.
35:05So you know, in the future.
35:06Just a little bit.
35:07Just a little bit.
35:08So this car
35:09will be the last
35:10in your production.
35:11Even today.
35:12From tomorrow,
35:13from tomorrow,
35:14Rachmetlija.
35:15Just to remind you once more,
35:17with these two
35:19and the robbery of the bank,
35:21I have nothing to do with it.
35:23The car is in my name,
35:25but I didn't know
35:26that they would use it
35:27for the robbery of the bank.
35:29Oh,
35:30sir,
35:31the big,
35:32stupid,
35:33dear,
35:34my good friend,
35:35the policeman,
35:36I wouldn't
35:37want to
35:38keep you
35:39anymore.
35:41What do you want to know?
35:43He's talking
35:44about the robbery of the bank.
35:52Oh,
35:53don't tell me,
35:54Kufa,
35:55that they let you go
35:56from work again.
35:57What does it matter?
35:58You fell asleep
35:59on the job.
36:00What?
36:01That's normal.
36:02Your eyes are closed,
36:03what?
36:04Because you fell asleep
36:05behind the wheel
36:06of the truck.
36:07That can be
36:08uncomfortable,
36:09you know.
36:10Tell me,
36:11where is Čombe?
36:12What is he doing?
36:13Is it your job?
36:14They didn't accept him
36:15as a rescuer
36:16at the pool.
36:17He doesn't know
36:18how to swim.
36:19Tell him
36:20that it wouldn't be
36:21bad if he knew
36:22how to swim
36:23as a rescuer,
36:24you know.
36:25Good day.
36:26Good day.
36:27Is there
36:28a mentor here?
36:29Mentor?
36:30Mentor
36:31Kosovo.
36:32Just a minute,
36:33wait a minute,
36:34please.
36:35Hello?
36:36Hello?
36:37Hello?
36:38Hello?
36:39Mentor?
36:40Mentor,
36:41where are you?
36:42I'm begging you,
36:43please.
36:44What can I do
36:45to help you?
36:46Are you
36:47the mentor
36:48of Kosovo?
36:49As far as
36:50I know,
36:51I am.
36:52Is your plane
36:53registered
36:54as
36:55BA
36:5693
36:5779?
36:58Why?
36:59Isn't it
37:00parked well?
37:01The problem is
37:02that I don't know
37:03where it's parked.
37:04I'll steal it.
37:05I'm begging you.
37:06We are in Mara,
37:07Kosovo.
37:08We stole
37:09the plane.
37:11Last night,
37:12in the evening,
37:13a private plane
37:14disappeared
37:15from the Sarajevo airport.
37:16It's registered
37:17as
37:18BA
37:1993
37:2079.
37:21Well,
37:22it had to happen
37:23at some point.
37:24By the way,
37:25are you afraid
37:26that I'll steal your car?
37:28What are you talking about?
37:30I patented
37:31a system
37:32of my own.
37:33Protect it.
37:34There's no chance
37:35that I'll steal your car.
37:36Protect it.
37:37What system?
37:38Up there.
37:42You took the tires
37:43off the car.
37:45The tires
37:46and the rims.
37:47I have a little job.
37:48I'll take them off
37:49every night
37:50and put them back.
37:51But,
37:52let me see
37:53if they can
37:54take it
37:55without the tires.
37:56Let me see this.
37:57Did you take
37:58the one
37:59that robbed
38:00the bank?
38:01Fikret Fazlijic.
38:02There.
38:03But,
38:04if Faruk
38:05is not Fikret Fazlijic,
38:06how can I catch him?
38:08Neighbor,
38:09what would you like
38:10to be
38:11in your next life?
38:13What do I know?
38:17Maybe
38:19a horse.
38:20Well,
38:21you can't, father.
38:22You can't be
38:23the same twice.
38:26You're really
38:27a ghost.
38:29And, neighbor,
38:30do you know
38:31what the abbreviation
38:32DNK
38:33means?
38:35I know
38:36somehow
38:37that I don't know.
38:38DNK
38:39D
38:40N
38:41K
38:42That's the abbreviation
38:43for
38:45neighbor,
38:46isn't it?
38:51Now,
38:52I understand
38:53why I look
38:54like neighbor
38:55Safet
38:56from the third floor.
39:01Father,
39:03we could
39:04have a coffee.
39:06Son,
39:07be careful
39:08when you speak
39:09in New Bosnian.
39:10It's not
39:11coffee
39:12or coffee,
39:13but
39:14coffee.
39:15Neighbor,
39:16what does
39:17coffee
39:18have to do
39:19with coffee?
39:20It's the same.
39:21No,
39:22neighbor,
39:23there are differences.
39:24It's the same
39:25as if I
39:26praise your wife
39:27or
39:28fire her.
39:29There are
39:30differences,
39:31believe me.
39:32But,
39:33I don't
39:34have a wife.
39:35I'm not married.
39:37I know,
39:38neighbor,
39:39that's why
39:40I can't
39:41fire you
39:42or
39:43praise you.
40:03I'm not married.
40:04I'm not married.
40:05I'm not married.
40:06I'm not married.
40:07I'm not married.
40:08I'm not married.
40:09I'm not married.
40:10I'm not married.
40:11I'm not married.
40:12I'm not married.
40:13I'm not married.
40:14I'm not married.
40:15I'm not married.
40:16I'm not married.
40:17I'm not married.
40:18I'm not married.
40:19I'm not married.
40:20I'm not married.
40:21I'm not married.
40:22I'm not married.
40:23I'm not married.
40:24I'm not married.
40:25I'm not married.
40:26I'm not married.
40:27I'm not married.
40:28I'm not married.
40:29I'm not married.
40:30I'm not married.
40:31I'm not married.