サスペンス名作選 浅見光彦ミステリー⑥唐津・佐用姫伝説殺人事件
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00:00:00GENKORYOKU GENKORYOKU GENKORYOKU
00:00:30GENKORYOKU
00:00:35GENKORYOKU
00:00:40GENKORYOKU
00:00:55Kanojo wo eranda
00:00:58I don't know why, but the seasons just flow by
00:01:07I've lost sight of our promise
00:01:12Even if we meet again and search for each other's eyes
00:01:20I'll fill in the blanks
00:01:25I won't let go of your hand
00:01:29House Lease Back
00:01:33Nami, do you know the service called House Do's House Lease Back
00:01:37where you can continue to live even if you sell your house?
00:01:41House Lease Back?
00:01:44Yes.
00:01:45If I sell my house, I can't continue to live, right?
00:01:47Can I continue to live as it is?
00:01:49Yes.
00:01:50House Do will pay for the house you live in with cash.
00:01:55After that, you can continue to live as it is without having to move
00:01:59by paying monthly rent.
00:02:03You can also buy it again.
00:02:06I've never heard of it.
00:02:08It's already used by many people.
00:02:11I see.
00:02:14I wanted to continue to live, so I decided to use House Lease Back.
00:02:18There was a little bit of money left, but it was okay.
00:02:21I'm glad.
00:02:23It's an old house, so I was worried,
00:02:28but it was surprisingly okay.
00:02:32I thought it would be great to be able to buy a house that I'm used to living in again.
00:02:37House Lease Back is used as a living allowance,
00:02:42so please consider it once.
00:02:45House Lease Back is the 10th anniversary.
00:02:49It is selected from more than 5,000 customers nationwide.
00:02:54Also, customer satisfaction is 97.6%.
00:02:58We are satisfied with many people.
00:03:02We deliver a pamphlet that is easy to understand and popular to everyone who calls us for free.
00:03:09House Do's House Lease Back is the 10th anniversary.
00:03:14You can apply for a free pamphlet at
00:03:170120-350-340
00:03:210120-350-340
00:03:26We are waiting for your call.
00:03:29Do you have an instrument that has been left behind for many years?
00:03:33It's okay if it's broken.
00:03:36We, who are particular about instruments, will buy it carefully.
00:03:4024 hours, call anytime, anywhere in the country, free of charge.
00:03:45The shortest time is 30 minutes.
00:03:48You can also buy cash on the spot on that day.
00:03:520120-8899-87
00:03:55If you want to buy an instrument, please leave it to us.
00:04:00Work is going well.
00:04:02I'm saving money.
00:04:04I have to sleep again.
00:04:06It's time to operate.
00:04:08There is also a succession.
00:04:10If possible, I want to choose a reliable one.
00:04:15Fundrapp is a big deal after all.
00:04:18In uncertain times, certain assets are operated.
00:04:21After all.
00:04:22After all.
00:04:23After all.
00:04:25Fundrapp is a big deal after all.
00:04:34After all.
00:04:35After all.
00:04:36After all.
00:04:37After all.
00:04:38After all.
00:04:39After all.
00:04:40After all.
00:04:41After all.
00:04:42After all.
00:04:43After all.
00:04:44After all.
00:04:45After all.
00:04:46After all.
00:04:47After all.
00:04:48After all.
00:04:49After all.
00:04:50After all.
00:04:51After all.
00:04:52After all.
00:04:53After all.
00:04:54After all.
00:04:55After all.
00:04:56After all.
00:04:57After all.
00:04:58After all.
00:04:59After all.
00:05:00After all.
00:05:01After all.
00:05:03After all.
00:05:04After all.
00:05:05After all.
00:05:06After all.
00:05:07After all.
00:05:22Behind the lord.
00:05:24I continue to pray to the Lord.
00:05:28I call that nadir,
00:05:31Yosuke, come on! What are you doing?
00:05:54Yosuke, come on!
00:05:57Yosuke, come on!
00:05:59I'll leave you alone!
00:06:01What are you doing?
00:06:03I'm leaving!
00:06:05See you later!
00:06:07Be careful!
00:06:09Your pants are hanging on your butt!
00:06:13Thank you for the meal.
00:06:16Mr. Yoichiro, what do you like to bake?
00:06:22Mr. Toyo will be opening a shop in Tokyo.
00:06:27Mr. Toyo's father was very close to him.
00:06:31Today is his first day.
00:06:35You don't have much time, do you?
00:06:41I'm sorry.
00:06:43Honey, a car is here to pick you up.
00:06:49See you later.
00:06:59Good morning.
00:07:01Mitsuhiko, what do you like to bake?
00:07:05Nothing.
00:07:07That's good.
00:07:09Study hard.
00:07:11Yes, ma'am.
00:07:13Mr. Yoichiro will be very pleased.
00:07:17I'll be in your care.
00:07:20Why don't you go?
00:07:22I can't.
00:07:24It's the 57th floor.
00:07:26I've been thinking about it.
00:07:29I don't like tall buildings.
00:07:31But, ma'am...
00:07:33What if it breaks?
00:07:37I don't like tall buildings.
00:07:41I'm your son after all.
00:07:45I can't go.
00:07:47See you later.
00:07:48Mother!
00:07:50Mother!
00:07:53The 57th floor.
00:07:58On my mother's order,
00:08:00I'm going to a shop in Aritayaki
00:08:03which is a few meters above ground level.
00:08:15I didn't expect you to come all the way here.
00:08:22I've been in Tokyo for a few days.
00:08:25I was supposed to go back to Karatsu today,
00:08:28but I had to make time for you.
00:08:40Thank you.
00:08:44Study hard.
00:08:46Thank you.
00:08:50Mr. Kusama.
00:08:53It's been a while.
00:08:55How have you been?
00:09:00I'm Asami.
00:09:02Welcome.
00:09:05I didn't expect this exhibition to be the beginning of a murder case.
00:09:13Are you Asami's son?
00:09:17My mother asked me to come.
00:09:21I'm honored to have you here.
00:09:27You're young, but you're a police chief.
00:09:33You've grown up a lot.
00:09:36No, he's my brother.
00:09:41What?
00:09:42I live like a stray cat.
00:09:47A stray cat?
00:09:49I'm surrounded by my mother and brother's family.
00:09:52That's why I'm so small.
00:10:04This is Asami, a relative of the man I used to work for.
00:10:11I'm Mitsuhiko.
00:10:13This is my apprentice, Narusawa Hisako.
00:10:16Nice to meet you.
00:10:19She's my daughter.
00:10:23She's 30 years old, but she's still working.
00:10:27I'm proud of her.
00:10:32I'll show you around.
00:10:34No, I'll do it myself.
00:10:51This is Arita's traditional ritual.
00:10:55Traditional?
00:10:58I heard that Arita shrinks a lot when it's burned.
00:11:04You know it well.
00:11:06I was in a hurry before I came here.
00:11:09I stayed up all night.
00:11:29Please don't mind me.
00:11:35He's Toyo's son.
00:11:38He has his own kiln in Ome.
00:11:44I'll show you around.
00:11:52Please come in.
00:11:55We'd like to talk.
00:11:58You're Arita.
00:12:00He's Ome.
00:12:03You two must be childhood friends.
00:12:06I think you're mistaken.
00:12:09Tadao...
00:12:12I'm Arita.
00:12:14Tadao is engaged.
00:12:17What?
00:12:20That man.
00:12:35I was wrong.
00:12:38I thought you were childhood friends.
00:12:41I was wrong.
00:12:47Thank you for coming.
00:12:50You're welcome.
00:12:52I made this with rust.
00:12:55I wanted to give it to you.
00:12:57You don't have to.
00:13:00I'll take it.
00:13:02Tadao!
00:13:06I'll teach you pottery next month.
00:13:11I'll show you the world of Toyo.
00:13:14I haven't seen it yet.
00:13:16You'll see it.
00:13:18You're a potter.
00:13:20I'm a critic.
00:13:22My brush will make it twice as expensive.
00:13:25Go home.
00:13:27Please come in.
00:13:35Hello, Mr. Kageyama.
00:13:38Mr. Kageyama.
00:13:44We were going to have dinner together.
00:13:49But you're not here.
00:13:52You're not the kind of guy who breaks promises.
00:13:57Especially not when we're having dinner.
00:14:02Thank you.
00:14:03Kageyama-san!
00:14:09Kageyama-san!
00:14:11Kageyama-san!
00:14:23What a nice color.
00:14:26Toyo-sensei told me to remember that I was drawing charcoal.
00:14:32That's how we met.
00:14:34Mother, this is a life-threatening situation.
00:14:37We have to go to the 57th floor.
00:14:40You're right.
00:14:46Hello, this is Asami.
00:14:49Oh, Toyo-sensei.
00:14:52Today...
00:14:54I was looking forward to seeing your work.
00:14:59But I had to take a day off.
00:15:02And you gave me something very nice.
00:15:05What?
00:15:08Murder?
00:15:10Yes.
00:15:11Yoichiro...
00:15:13No, I mean the police chief.
00:15:15He's not back yet.
00:15:19Hello, this is Mitsuhiko.
00:15:21Who was killed?
00:15:23Hidetaro Kageyama-sensei.
00:15:25He's an art critic.
00:15:27There was a person in Kansai who was not in a good mood.
00:15:32He's dead.
00:15:33No, he was killed.
00:15:36I really don't know what to do.
00:15:39So I remembered Asami-san's request.
00:15:43And I did this.
00:15:45Please report this immediately.
00:15:47Yes, of course.
00:15:49The hotel staff...
00:15:50Okay, I'll take care of it.
00:15:54What do you mean by murder?
00:15:57Mitsuhiko!
00:15:58No, I don't know anything.
00:16:01It's scary.
00:16:04Good night.
00:16:06Hey, Mitsuhiko.
00:16:08It's too early to say good night.
00:16:11You.
00:16:13I see.
00:16:15Toyo-sensei didn't call you.
00:16:19Toyo-sensei called Yoichiro.
00:16:24Mother, where are you calling from?
00:16:26You're not the police chief, are you?
00:16:29But you don't know what's going on.
00:16:32What if the police do something rude to Toyo-sensei?
00:16:34Mother!
00:16:35You have to think about your brother's position.
00:16:38You always tell me that.
00:16:42The police chief is in charge of the case.
00:16:44If the police chief says something,
00:16:46the police chief won't be able to do anything.
00:16:48You're right.
00:16:51I shouldn't have done that.
00:16:58But I'm worried.
00:17:02But good night.
00:17:05Mitsuhiko.
00:17:07I don't know why, but...
00:17:10I want you to leave for a while.
00:17:12Just for a while.
00:17:14Don't leave without saying goodbye.
00:17:16Okay.
00:17:18Mitsuhiko.
00:17:20Yes?
00:17:22Please don't leave.
00:17:26Okay?
00:17:45Excuse me.
00:17:46I need to talk to Toyo-sensei.
00:17:56I see.
00:17:59Who are you?
00:18:03Thank you.
00:18:05Get out of here!
00:18:06This man is...
00:18:09No, no.
00:18:10I was informed by Toyo-sensei.
00:18:12I couldn't stay still.
00:18:13You were informed?
00:18:14Did he inform you?
00:18:16Why?
00:18:17No, I mean...
00:18:19Wait!
00:18:23Wait outside.
00:18:26Okay.
00:18:38Look at this.
00:18:39What's wrong with this notebook?
00:18:40There's nothing written on it.
00:18:41No.
00:18:57Toyo-sensei.
00:19:02Toyo-sensei.
00:19:06I told you to get out!
00:19:08Okay.
00:19:09Get out!
00:19:10Get out!
00:19:11Be quiet!
00:19:12Get out!
00:19:13Don't touch me!
00:19:19What's this?
00:19:21You don't have to ask.
00:19:23Get out!
00:19:24Okay.
00:19:25Get out!
00:19:26Get out!
00:19:36Mr. Sahashi.
00:19:37Yes?
00:19:38I heard you had a fight with Mr. Kageyama, the victim.
00:19:43No, I didn't.
00:19:45Mr. Keiichi.
00:19:46I didn't ask you.
00:19:47Say it again.
00:19:48It's none of your business.
00:19:49I saw Mr. Sahashi and the victim fighting.
00:19:55What?
00:20:01For now, there are two clues.
00:20:04First, on the first page,
00:20:06the yellow sand on the floor.
00:20:09What is the result of the audit?
00:20:17The other clue
00:20:19is the writing of Sayohime on the notebook.
00:20:23Sayohime?
00:20:25Oh, you read it as Sayo-hime?
00:20:28You looked it up, didn't you?
00:20:30So, what is it about?
00:20:36Where were you from 6 to 7 o'clock?
00:20:42Is it my alibi this time?
00:20:44Detective, I was at home when I received a call from Toyo-sensei and rushed to the hotel.
00:20:51Why did Toyo-sensei contact you?
00:20:57Oh...
00:20:59Yes...
00:21:01No...
00:21:02The murder case...
00:21:04The police haven't come yet.
00:21:06Why did you let him know?
00:21:09I...
00:21:10Shut up!
00:21:11Why did you let him know about the murder case?
00:21:15It's not something else. It's a murder case!
00:21:18We're in trouble.
00:21:20Why didn't you contact us?
00:21:23Detective, do you want to say that I killed him?
00:21:26Shut up!
00:21:27Why did you let him know about the murder case?
00:21:36Alibi, huh?
00:21:40Mr. Hakai!
00:21:42Where do you think you're going?
00:21:44Huh?
00:21:45What?
00:21:46Shut up!
00:21:48What are you doing when I'm busy?
00:21:57Detective Asami.
00:21:59Are you an idiot?
00:22:02Detective Asami
00:22:17It's hot today.
00:22:21The alibi has been established.
00:22:24He went to the hotel to see his mother.
00:22:27He'll be back at 5 o'clock.
00:22:29We're working hard on this case.
00:22:32I'd like to thank you for that.
00:22:38Tea!
00:22:39Tea!
00:22:40Hurry up!
00:22:42What?
00:22:43Nothing.
00:22:47Please relax.
00:22:49What?
00:22:50It's 5 o'clock.
00:22:53I'm working hard every day.
00:22:56I'm tired.
00:23:00I'm...
00:23:04Yasuda.
00:23:06I'm Uetaro.
00:23:08I'm Uetaro.
00:23:10Nice to meet you.
00:23:12Did you find out anything about the yellow sand?
00:23:16What?
00:23:18The yellow sand.
00:23:20The police will investigate.
00:23:23Whether you're the police chief's brother or not.
00:23:29I don't know yet.
00:23:32Mr. Sawashi said he didn't know either.
00:23:39What about Sayohime?
00:23:43You said the police would investigate.
00:23:48It's the detective's secret.
00:23:52Your brother will be happy to hear that.
00:23:56Thank you very much.
00:24:04It's only natural that the police are working on the murder of Hidetaro Kageyama.
00:24:14There are only two clues since then.
00:24:18The yellow sand and Sayohime's...
00:24:22Sayohime's...
00:24:26Sayohime's...
00:24:28Sayohime's...
00:24:30Sayohime's...
00:24:32Sayohime's...
00:24:34Mitsuhiko, did you start singing?
00:24:38What?
00:24:39Didn't you say Sayohime?
00:24:41Does Sayohime have anything to do with singing?
00:24:44It's a moment.
00:24:46A moment?
00:24:48Do you have a machine?
00:24:51Yes.
00:24:53A moment?
00:24:55The machine was washed away on the island?
00:24:57Yes.
00:24:58It was left on the island.
00:25:00Well...
00:25:02There's a phrase like this.
00:25:04Without calling for help
00:25:08The moment
00:25:12Falls to its original length
00:25:17Matsuura Sayohime
00:25:22A massage for my body
00:25:27And a cry for my voice
00:25:35A cry for my voice
00:25:42Matsuura Sayohime.
00:25:44My late father practiced many times here.
00:25:50What kind of woman is Sayohime?
00:25:53I don't know Sayohime.
00:25:55I'm tired of hearing it.
00:25:57I'm sorry.
00:25:59A long time ago, there was a person named Sayohime in Matsuura.
00:26:04He broke up with the woman he loved.
00:26:07He found her in a place called Nantokayama,
00:26:10and she died crying.
00:26:12It's a very simple story.
00:26:15Can you tell me more about it?
00:26:18I don't know much about it.
00:26:22Hizen is in Saga Prefecture, isn't it?
00:26:26Matsuura.
00:26:28There was a peninsula called Higashimatsuura.
00:26:31Karatsu.
00:26:33Matsuura in Hizen is around Karatsu.
00:26:36Karatsu in Karatsu-yaki?
00:26:39Yes.
00:26:40In other words, Karatsu's Sayohime?
00:26:45Why did it become such a story?
00:26:48Yes.
00:26:49When Mr. Toyo Sahashi was in trouble,
00:26:52there was a mark of a ballpoint pen in the room of the person who was killed.
00:26:59Mitsuhiko.
00:27:01Forget about that.
00:27:03I was surprised to hear that it was a murder case.
00:27:07I just set fire to your detective play.
00:27:10Thank you for that theory.
00:27:13Yes, that's all.
00:27:19Mother.
00:27:20It's Mr. Saka.
00:27:23Thank you.
00:27:26If Sayohime's death message is a dying message,
00:27:30the written memo should remain as it is.
00:27:33However, the criminal took the memo.
00:27:36For the criminal,
00:27:38it was very inconvenient to have it left.
00:27:42In addition, the connection between Sayohime and the yellow sand...
00:27:47According to the investigation so far,
00:27:49the body found from the seabed of Nanatsugama,
00:27:52a famous place in Yobuko-cho, Higashimatsuura Peninsula, Saga Prefecture,
00:27:55was the 52-year-old Kusama Kanji, a pottery master of Karatsu-yaki.
00:28:00Nanatsugama, the site,
00:28:02is famous as the number one underwater park along the coast of the Japan Sea.
00:28:06The body of Mr. Kusama was found on a cruise ship around the cave of Nanatsugama.
00:28:11In addition, there are traces of being strangled by something,
00:28:14and it is believed that he used the body in the sea for about 40 hours after his death.
00:28:18The local Yobuko police station is investigating from both sides of the line of suicide and murder.
00:28:24Mr. Kusama is a popular artist among pottery enthusiasts
00:28:29because he is not particular about the technique of Karatsu-yaki,
00:28:32and it is expected that he will...
00:28:35It's kind of creepy.
00:28:37If you're talking about Karatsu, it's Karatsu.
00:28:43Sayo-hime's...
00:28:45Mitsuhiko.
00:28:49Two of the few people who happened to meet at the site of the incident were killed.
00:28:56I can't stay still.
00:29:00I lied to my mother that it was an interview,
00:29:03but what I can't fool is my fear of heights.
00:29:08Um, how high are you going to fly?
00:29:11Today, I'm planning to fly about 10,000 meters.
00:29:14Oh, really?
00:29:15Um, don't you think it's scary to fly in the sky?
00:29:19Yes, um, today the weather is good and the air flow is stable,
00:29:22so don't worry and enjoy your comfortable flight in the sky.
00:29:26Thank you.
00:29:33Karatsu-yaki
00:30:03Karatsu-yaki
00:30:12I thought Mr. Kageyama had passed away,
00:30:15but now it's Mr. Kusama from Karatsu-yaki, right?
00:30:18Mr. Toyo's health has deteriorated and he has passed away.
00:30:22I just called Mr. Toyo.
00:30:25I'll call you again.
00:30:27No, it's just shocking, so I'll be careful.
00:30:33I'm going to stay at Karatsu-yaki with Mr. Asami tonight.
00:30:38What?
00:30:40Oh, no, um,
00:30:42Mr. Toyo is going to give a speech tomorrow
00:30:45and I'm going to attend Mr. Kusama's funeral here.
00:30:49Oh.
00:30:53Oh.
00:30:55Is there any rumor
00:30:59about the murderer who killed Mr. Karatsu-yaki?
00:31:04Mr. Kageyama and Mr. Kusama
00:31:08are not unrelated to each other.
00:31:12At least that's what I felt when I first met them.
00:31:17Why?
00:31:19Those two...
00:31:24Those two are like mochitsu motaresu.
00:31:28Mr. Kageyama praises Mr. Kusama,
00:31:31and the price goes up because of that.
00:31:34Mr. Kusama's work was worth more than the price.
00:31:38Did Mr. Kageyama get a rebate?
00:31:43No.
00:31:44You can't say that about someone who's passed away.
00:31:49No.
00:31:50No.
00:31:52Oh, that's Kagami-yama.
00:31:57It's where the legend of Sayo-hime,
00:31:59which Mr. Asami wanted to know about, remains.
00:32:02It's also called Hire-furi-yama.
00:32:05Hire-furi-yama?
00:32:08It's said that Sayo-hime
00:32:10waved her fin to a man she missed
00:32:13who was on a boat far away from here.
00:32:17Fin?
00:32:18It's said that during the Yamato period,
00:32:20a woman hung it on her neck
00:32:22and waved it from left to right.
00:32:24Oh, she waved it from her neck like this.
00:32:27Is it such an old story?
00:32:30It's said to be from the 6th century.
00:32:33At that time, the Yamato Empire
00:32:35sent troops to Mimana, south of Chosun.
00:32:39The commander named Satehiko,
00:32:41who came from Yamato,
00:32:43fell in love with Sayo-hime.
00:32:45Oh.
00:32:46So this was the base where they crossed over to Mimana.
00:32:49Yes.
00:32:50And while they were staying here,
00:32:53the commander and Sayo-hime
00:32:55fell in love.
00:32:57Yes.
00:33:01But Satehiko decided to go to war
00:33:04and left Karatsu by boat.
00:33:09Sayo-hime waved her fin
00:33:12and cried and died on this mountain.
00:33:22Sayo-hime's...
00:33:24What?
00:33:26Oh, no, no.
00:33:28She cried and died.
00:33:33This mountain is perfect for a sunset.
00:33:36A sunset that can make you cry.
00:33:43Yellow sand?
00:33:45What is that?
00:33:47It was scattered around the corpse of Kageyama-sensei.
00:33:51Yellow sand?
00:33:53Yes.
00:33:54Do you have any idea what it is?
00:33:58No, I don't know.
00:34:02It's strange, isn't it?
00:34:05Even the police don't know what it is.
00:34:10I'd like to go to Yobuko.
00:34:24I've never been to Yobuko.
00:34:27Of course, I've never been to Kanatsugamo.
00:34:31Have you lived in Arita since you were a child?
00:34:34Yes.
00:34:36When I heard that we were going to Yobuko and eat fish,
00:34:40Toyo-sensei strongly opposed it.
00:34:44There are seven caves on the sea surface.
00:34:50The biggest cave is about 115 meters deep.
00:34:55Genbougan is in the natural cave.
00:34:59The first one is the left-hand cave.
00:35:02There are seven caves.
00:35:05Only one of them is through.
00:35:08This cave is about 70 meters deep.
00:35:13You can pass through this cave on a small boat.
00:35:32I found Kusama-san's body around here.
00:35:37I feel like I'm going to be sucked in.
00:35:41I feel like I'm going to be sucked in.
00:35:44If it wasn't for Kusama-san,
00:35:47I might have just thought that I'd like to burn a time like this.
00:36:03To Be Continued
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00:38:21I asked people with back pain.
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00:39:51I will ask the way.
00:39:54Where are you going?
00:39:56I want to go to the police station.
00:40:02What are you doing here?
00:40:06I'm waiting here.
00:40:07Mr. Asami, please go to the police station.
00:40:10See you.
00:40:31I'm going to the police station.
00:40:42Do you want to know the situation of the investigation?
00:40:44I told you to announce it in the press conference.
00:40:46Don't say that. Please tell me.
00:40:48I came all the way from Tokyo.
00:40:50What do you do?
00:40:52I'm a reporter.
00:40:54I'm a reporter related to pottery.
00:40:58You can't do it in Tokyo or pottery.
00:41:01Mr. Detective, please.
00:41:04What are you doing?
00:41:15Mr. Yasuda.
00:41:17You think that the two murder cases are the same.
00:41:22Stop it.
00:41:29Police station?
00:41:34Excuse me.
00:41:36Are you hurt?
00:41:38Excuse me.
00:41:40Are you okay?
00:41:42Are you okay?
00:41:43The body was submerged in seawater for about 40 hours.
00:41:47According to the autopsy, there was a mark on the neck.
00:41:52He drank a lot of water.
00:41:54After he lost consciousness, he was thrown into the sea.
00:41:57A plankton was found from the seawater in the sea.
00:42:01Therefore, the body was submerged in seawater for 40 hours.
00:42:07Please take a look at this.
00:42:10We found two places where the body was placed.
00:42:15One is Hatomizaki, off the east coast of Matsuura Peninsula.
00:42:20The other is Oshima in Karatsuan.
00:42:23These are the seven places where the body was found.
00:42:26So far, we haven't found any evidence.
00:42:32We haven't found anything about the murderer.
00:42:36Only one murderer?
00:42:38Of course.
00:42:39We went to Hatomizaki and Oshima.
00:42:42It was a very troublesome place to go.
00:42:46How did the murderer invite Mr. Kusama to such a strange place?
00:42:56Hello.
00:43:08Did the police find out anything?
00:43:12It was like a newspaper article.
00:43:15By the way, what did you say about this place?
00:43:22I remember this place.
00:43:26What?
00:43:27You said you've never been here.
00:43:33But I remember it.
00:43:37I want to go over there.
00:43:57I've never been here before.
00:44:00I think I've seen this place before.
00:44:06It's called Gijikioku.
00:44:08Anyone can come here.
00:44:13Mr. Hasami.
00:44:16I'm staying here tonight.
00:44:20Oh.
00:44:22Me too.
00:44:24No, no.
00:44:26I came all the way here.
00:44:29Please let me come with you to Mr. Kusama's funeral tomorrow.
00:44:44Oh.
00:44:46It's wonderful.
00:44:49Oh.
00:44:50It's the color of farewell.
00:44:52What?
00:44:54You said it in Hirefuriyama, didn't you?
00:44:57A sunset that even makes you cry.
00:45:02The color of farewell blurs with tears.
00:45:09I think it's a special color, too.
00:45:39It's not Gijikioku.
00:45:49Is it a real memory?
00:45:51Yes.
00:45:53It's a much older memory than I was taken to Mr. Toyo's house.
00:46:00I went to Mr. Toyo's house when I was four years old.
00:46:04Four years old?
00:46:07Two years old?
00:46:09I could hear the sound of shamisen and drum from his house.
00:46:17I could hear the high-pitched laughter of a woman.
00:46:23I was always waiting for him.
00:46:30Waiting?
00:46:32I could hear the sound of a boat from the shore.
00:46:39A woman was rowing a boat.
00:46:50There were a woman and a man on the boat.
00:46:56When the boat approached the shore,
00:47:03the woman and the man held hands and entangled.
00:47:20I could hear the sound of shamisen and drum.
00:47:30I was alone again.
00:47:35But if I waited a little longer,
00:47:47he would come back.
00:47:50I could hug his warm back and go home.
00:47:55I told myself.
00:47:59A little longer.
00:48:02A little longer.
00:48:06Mom.
00:48:08Don't call me mom.
00:48:15I'm sure she's my mother.
00:48:24But I can't remember her face.
00:48:30No matter how hard I try to remember her,
00:48:37I can't find her.
00:49:08I'm sure she's my mother.
00:49:11I'm sure she's my mother.
00:49:14I'm sure she's my mother.
00:49:17I'm sure she's my mother.
00:49:20I'm sure she's my mother.
00:49:23I'm sure she's my mother.
00:49:26I'm sure she's my mother.
00:49:29I'm sure she's my mother.
00:49:32I'm sure she's my mother.
00:49:35I'm sure she's my mother.
00:49:38I'm sure she's my mother.
00:49:41I'm sure she's my mother.
00:49:44I'm sure she's my mother.
00:49:48We're going to find out.
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00:51:46Rambo.
00:51:48The third series will be broadcast three times in a row.
00:51:52The second episode, Rambo Escapes Anger.
00:51:56Tomorrow at 7 p.m.
00:52:01I spent two days in Yobuko in exchange for the murder case.
00:52:06I followed the secret of Hisako.
00:52:09However, the circumstances are the circumstances, so I am modest.
00:52:13I remember.
00:52:15Today, until March of 1932, there was a Joro-ya.
00:52:19It's an anti-pollution law, isn't it?
00:52:21Yes, yes.
00:52:23It's a shame, but I remember it well.
00:52:31This was a good time, unlike now.
00:52:35I caught a lot of fish.
00:52:37When it rained, I was about to be caught by the fishermen.
00:52:41I was able to catch a lot of fish.
00:52:43I had a lot of fun.
00:52:47This Joro,
00:52:49He crossed the river by himself.
00:52:51It's a ship of the ocean.
00:52:53He was able to catch a lot of fish.
00:52:57Master, thank you very much.
00:53:00No problem.
00:53:01I remembered the old days after a long time.
00:53:04There was a good time in the old days.
00:53:08At that time, was there a woman with a child?
00:53:13A woman with a child?
00:53:16I don't know.
00:53:18I don't know.
00:53:20Oh, no.
00:53:23This is Lupo Reiter.
00:53:25He wants to investigate.
00:53:27Oh, Lupo Reiter.
00:53:29Yes.
00:53:30Then,
00:53:32Do you know the story of the old woman who was a geisha?
00:53:36Do you know the story of the old woman who was a geisha?
00:53:47Recently,
00:53:49I went on a date.
00:53:51I brought the fish to Hokkaido alive.
00:53:54The price of the land has risen.
00:53:56I was in trouble.
00:53:59Thank you very much.
00:54:02There he is.
00:54:03Mr. Toki.
00:54:07Mr. Kamichi.
00:54:10Mr. Tomitake.
00:54:12Mr. Tomitake.
00:54:15Mr. Tomita.
00:54:18Mr. Tomitake.
00:54:23Mr. Tomita.
00:54:25I was told not to call her mother.
00:54:30You can't call your mother mother?
00:54:33Of course not.
00:54:35If you call her mother from the side,
00:54:37she won't be able to stand up.
00:54:39Ah, yes.
00:54:43No.
00:54:45Do you remember the name of that little girl?
00:54:50I don't know.
00:54:52But she listened to her mother.
00:54:56She didn't get in the way of her work.
00:54:59She didn't talk.
00:55:01She didn't look at anyone.
00:55:03She just waited for her mother.
00:55:06It was a pity.
00:55:08She was a good girl.
00:55:11It was a pity.
00:55:15I remember.
00:55:16The name of that little girl.
00:55:18It was Chako.
00:55:19Chako?
00:55:21Chako?
00:55:22Yes.
00:55:23She called her Chako.
00:55:25Do you remember?
00:55:27Why did she have to give birth to a child?
00:55:33I don't know.
00:55:37I don't know if she had a family or not.
00:55:43I don't know.
00:55:44If you ask me,
00:55:46I don't know if she had a family or not.
00:55:52But she had a baby.
00:55:58A baby?
00:55:59With a man?
00:56:01Of course.
00:56:03She had a baby with a man.
00:56:07That's all.
00:56:10She lost weight before she died.
00:56:13Maybe she was sick.
00:56:15But she didn't stop working.
00:56:18She had a baby and two children.
00:56:22She didn't have time to rest.
00:56:26I want to talk to her.
00:56:30I thought your real father was Mr. Toyo.
00:56:38I thought so too.
00:56:41Mr. Toyo didn't want to tell me about his mother.
00:57:08Chako?
00:57:10Chako?
00:57:38I remember the color of the sunset.
00:57:57The color of the sunset.
00:58:01But that's how I see it.
00:58:17Miss Fusako, is something the matter?
00:58:21What?
00:58:22Has something happened to this vase?
00:58:26No.
00:58:28Mr. Asami!
00:58:35How did it go yesterday?
00:58:38How did it go?
00:58:39Did any of the three companies make a move?
00:58:42No, nothing yet.
00:58:45I told my mother that I might be able to meet her here today.
00:58:51Mother?
00:58:52You mean my mother?
00:58:54Yes, of course. Please call the Tokyo police station right away.
00:58:58What?
00:58:59I told them that I met you at Yobuko.
00:59:03I thought it would be best if you told them how you were doing.
00:59:08Don't be ridiculous.
00:59:12Hello, this is Mitsuhiko.
00:59:14Mother, is something the matter?
00:59:17I told him that I was going to interview him,
00:59:21but he told me to stop acting like a detective.
00:59:24Go back to Tokyo right now.
00:59:26The publisher wants you to do his job.
00:59:30Yes.
00:59:32Yes, I understand.
00:59:37Is there anything I can do for you?
00:59:40I'm not here to report anything to you.
00:59:42I see.
00:59:52HISAKO
01:00:05I lost contact with Ms. Hisako.
01:00:08But I wonder what she looked like in front of the Kusama Kanji vase.
01:00:15I'm starting to wonder.
01:00:17KUSAMA KANJI VASE
01:00:20I decided to call my mother and wait for Mr. Toyo to return.
01:00:25If Mr. Toyo's name is involved, my mother won't say no.
01:00:31KUSAMA KANJI VASE
01:00:44Hisako saw the Kusama Kanji vase?
01:00:48Yes, she was quite shocked.
01:00:51After that, she lost sight of Ms. Hisako.
01:00:54I see.
01:00:55Even if you say that, I didn't see the vase.
01:00:59I'm sure Ms. Hisako will be back soon.
01:01:01You can ask her yourself.
01:01:04But Ms. Hisako may have been mesmerized by your new technique.
01:01:12When I see something like that, I get goose bumps.
01:01:18Yes.
01:01:19It's not easy to find red sand to burn.
01:01:27The Kusama Kanji vase has a different color than the Karatsuyaki Kanji vase.
01:01:35It's a very small part of the Kusama Kanji vase.
01:01:37The color of the Kusama Kanji vase is like the sunset.
01:01:44Before that, I saw the same sunset as Ms. Hisako.
01:01:47I told her that the color of the Kusama Kanji vase is the color of separation.
01:01:54Why did you tell her that the Kusama Kanji vase is the color of separation?
01:01:58I told her that the Kusama Kanji vase is the color of the sunset.
01:02:03And then I saw the sunset with Yobuko.
01:02:06Yobuko?
01:02:07What did you do with Yobuko?
01:02:11Did Ms. Hisako find out about your mother?
01:02:15Are you talking about my daughter?
01:02:18You!
01:02:21You've done a lot of things.
01:02:25I was going to take it to the grave.
01:02:30I'm sorry.
01:02:35But I'm sure you're grateful that Ms. Hisako raised you.
01:02:44I didn't tell her that I was her father.
01:02:54When she was a child,
01:02:58if I had told her that she was my daughter,
01:03:03there would have been no separation.
01:03:07Ms. Hisako still has the color of separation in her heart.
01:03:14What do you mean?
01:03:16It was three years ago.
01:03:19Ms. Hisako and my son, Tadao, said they wanted to be together.
01:03:25Married?
01:03:27Two people?
01:03:29Jean, my brother and sister.
01:03:34Hisako and I are brothers?
01:03:37Are you kidding me?
01:03:39We've been living in the same house for 30 years.
01:03:41Dad, you didn't show me any of that.
01:03:44I'll tell you right now.
01:03:46Hisako's mother was Yobuko's daughter.
01:03:51It's true that she was my classmate in elementary school.
01:03:55Tadao!
01:03:58Hisako is your father's daughter.
01:04:01I knew it!
01:04:02No!
01:04:04She didn't lie to me.
01:04:07It's a lie that she's pregnant.
01:04:12You can't marry her.
01:04:15Don't tell Hisako.
01:04:18Please.
01:04:21So Tadao left the house without telling Hisako.
01:04:29Ms. Hisako doesn't know what's going on.
01:04:32She only has the sadness of parting with Tadao in her heart.
01:04:39Once, Hisako didn't tell me where she was going.
01:04:44She went to visit Tadao.
01:04:49Right after that, Tadao came back with a young woman.
01:04:57He promised to marry a woman named Satoko.
01:05:02He wants you to know that.
01:05:16I understand how Tadao feels.
01:05:23But I don't understand how Hisako feels about bringing tea to Tadao and Satoko.
01:05:40Hisako!
01:05:45Hisako!
01:05:50Hisako!
01:05:51Ms. Asami!
01:05:53Ms. Asami!
01:06:08Ms. Hisako muttered as she watched the sunset.
01:06:12The meaning of the word, the color of parting,
01:06:15is clearly the parting between her and Tadao.
01:06:23On the battlefield,
01:06:26I could clearly see Kusama Kanji being killed.
01:06:31The scene that I've seen so far is coming back to life.
01:06:38Meeting Tadao had an important meaning.
01:06:43Hello!
01:06:45Hello!
01:06:47Yes!
01:06:49Who is it?
01:06:59I'm Asami, the one who knows Arita's Mr. Toyo Sahashi.
01:07:06I'm Asami, the one who knows Arita's Mr. Toyo Sahashi.
01:07:12Ah!
01:07:14Mr. Tadao's father!
01:07:17I haven't met him yet,
01:07:19but I'm here to meet him.
01:07:24Mr. Tadao...
01:07:25It's a rare day for a visitor.
01:07:28Please come in.
01:07:35Thank you.
01:07:47Please sit down.
01:07:49Isn't she a woman?
01:07:53Yes.
01:07:54She's about 30 years old.
01:07:56She's slim,
01:07:58and a little lonely.
01:08:02Yes.
01:08:03Is she with you?
01:08:05No.
01:08:06She's in town.
01:08:09Town?
01:08:10There's a restaurant called Genkai.
01:08:14You'll know if you go there.
01:08:16Genkai?
01:08:17Genkai of Genkai?
01:08:20That's where she met Mr. Tadao.
01:08:24This?
01:08:25But I heard Mr. Tadao had someone he wanted to marry.
01:08:30She's that woman.
01:08:33Ah!
01:08:35You're the wife of the cook?
01:08:41Thank you.
01:09:00What are you doing?
01:09:07Sayo-hime!
01:09:10Sayo-hime?
01:09:13You said Sayo-hime.
01:09:16Is that sand Sayo-hime?
01:09:18Get out!
01:09:19Is it that important?
01:09:21Of course it is!
01:09:23It's our teacher's business secret!
01:09:26Business secret?
01:09:28What is it?
01:09:29No, no, no.
01:09:32You're a coward!
01:09:34If you want to make a new art,
01:09:36think about it!
01:09:38You can't steal!
01:09:39No, no.
01:09:41It's just a little rare.
01:09:46See?
01:09:47It's all gone now.
01:09:50See?
01:09:54Yellow sand.
01:09:58Sayo-hime.
01:10:01Our medicine
01:10:03isn't something you can make red
01:10:07by looking for red sand.
01:10:09It's a lot of work.
01:10:24You have to see Tadao-san.
01:10:38Excuse me.
01:10:43I saw you at Mr. Toyo's shop the other day.
01:10:49I see.
01:11:00Come in.
01:11:09This way, please.
01:11:18piano plays softly
01:11:49What is it?
01:11:58Um,
01:11:59all the tools used in this house
01:12:02belong to Tadao-san, right?
01:12:05Yes.
01:12:07These pots, too.
01:12:10Yes.
01:12:18The End
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01:15:03Collections for 4 da policymakers
01:15:05The first edition is limited to 2,090 yen, and you can get it for only 2,090 yen.
01:15:13You can apply by calling 0120-123-700, or 123-700.
01:15:19Oden is waiting for you in Toyama.
01:15:22I've heard the name Asami-san from my father many times.
01:15:26Your father is the director of the Okura office, right?
01:15:29Yes, I'm a reporter without a title.
01:15:33No, no, it's good for both of us.
01:15:38So, do you have something for me?
01:15:41Yes.
01:15:45I've seen the yellow sand.
01:15:49I came to your office a while ago.
01:15:52I saw the yellow sand there.
01:15:57Do you know that Mr. Hidetaro Kageyama was killed in a hotel room on the night of the incident?
01:16:05Yes, the police came to me to ask about Mr. Kageyama.
01:16:09What?
01:16:10The police said that there was one person who had signed at the entrance on the day of the incident.
01:16:15Ah.
01:16:16There was yellow sand in Mr. Kageyama's room.
01:16:20You know that, don't you?
01:16:22Yes.
01:16:23Did you tell the police that you had the sand?
01:16:28No, I didn't.
01:16:30Why?
01:16:31That sand is like the life of the job I'm trying to do now.
01:16:37If the media finds out, I'll lose my life.
01:16:42You could have told the police.
01:16:45There's no guarantee that the media won't find out.
01:16:50If you use that sand as a bait, anyone can do it.
01:16:56But you don't know what I'm imagining.
01:17:07That's right.
01:17:09If you think like that, I think you can tell the police about the sand.
01:17:16I think I understand your image now.
01:17:22Oh.
01:17:23That image is the color of a sad farewell.
01:17:52I don't know.
01:17:58I don't know.
01:18:04I don't know.
01:18:10I don't know.
01:18:16I don't know.
01:18:22I don't know.
01:18:28I don't know.
01:18:34I don't know.
01:18:40I don't know.
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01:19:00I don't know.
01:19:08I don't know.
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01:31:26I don't know.
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01:35:02I don't know.
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01:38:04I don't know.
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01:38:52I don't know.
01:38:58I don't know.
01:39:04I don't know.
01:39:10Asami.
01:39:16Take me to Tadao.
01:39:40Asami.
01:39:46Asami.
01:39:52Asami.
01:39:58Asami.
01:40:04Asami.
01:40:10Asami.
01:40:16Asami.
01:40:22Asami.
01:40:28Tadao.
01:40:34Tadao.
01:40:40Tadao.
01:40:46Tadao.
01:40:52Tadao.
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01:41:34Tadao.
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01:47:40Tadao.
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01:48:04Tadao.
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01:53:16Tadao.
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01:53:28Tadao.
01:53:34Tadao.
01:53:401,080 yen.
01:53:441,080 yen.
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01:54:401,080 yen.
01:54:441,080 yen.
01:54:481,080 yen.
01:54:521,080 yen.
01:54:561,080 yen.
01:55:001,080 yen.