• 5 months ago
Transcript
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00:04:00Właściciel fabryki organizuje strajk w obronie robotników, któryk będzie musiał wyrzucić.
00:04:09Że co?
00:04:12Co pan powiedział?
00:04:21Dzwonek.
00:04:22Dzwonek.
00:04:27O, halo.
00:04:30C'est moi.
00:04:32Oui.
00:04:33Comment allez-vous?
00:04:37Proszę pana, jesteśmy na podwórku pana dawnej fabryki.
00:04:45Oui.
00:04:46Dorota tu jest obok.
00:04:49Je la passe.
00:04:50Daję ją.
00:04:52Że nie wiem, kto tam jest.
00:04:56Karol Walcz, dziadek pani.
00:04:59Un moment.
00:05:00Co pan zwolił, bo ja nigdy dziadka nie miałam.
00:05:05Mała pani i ma pani dziadka.
00:05:08Un moment.
00:05:09Mieszka w Paryżu 135 135 ulica Saint Dominique.
00:05:16Tak, ale skąd ja mam wiedzieć, że to jest mój dziadek, jak z nim w życiu nie rozmawiałam.
00:05:19A to jest okazja.
00:05:21Proszę.
00:05:24Wiesz, Dorota.
00:05:26Halo, Dorota Walcz mówi.
00:05:30Dzień dobry.
00:05:36Tak.
00:05:38No, dlaczego my nie słyszymy?
00:05:40No właśnie.
00:05:43To jest mecenas?
00:05:47Tak, on tu stoi.
00:05:50Ja też, tak, w takim białym aucie.
00:05:54Tak, proszę pana, jest taka ulica, tylko żona, ona się już nie nazywa Lenina, tylko się nazywa...
00:05:58Lincolna.
00:05:59Lincolna się nazywa, tak.
00:06:01Proszę pana, ja zaraz sprawdzę, tylko muszę pojechać.
00:06:05Pan jedzie.
00:06:08Tak, muszę to sprawdzić.
00:06:17Tak, są.
00:06:18Karol Walcz?
00:06:20Tak, ja nigdy nie zwróciłam uwagi.
00:06:24Są, coś jeszcze?
00:06:26Co pod kratą?
00:06:28Tak.
00:06:53A czy, a czy jest tutaj ten słynny sejf Walców?
00:06:58Pomyłka.
00:07:29Czy ja dobrze widzę?
00:07:32Czyżby nasza Dorotka została spadkobierczynią Walców?
00:07:44No, widzi pan?
00:07:46Poniedziałek i taki numer, no.
00:07:49A, a, a to ja się bardzo cieszę!
00:07:53Bardzo!
00:07:54Bardzo cieszę!
00:07:56Bardzo!
00:07:58A wie pani dlaczego?
00:08:00Bo to pani będzie teraz musiała wyrzucić swoje koleżanki z pracy, a nie ja!
00:08:11A pan?
00:08:12Panie Moniak?
00:08:14No właśnie, ja bym chciał powiedzieć słówko.
00:08:17Co?
00:08:19Że jest taki szary, mały wicedyrektor.
00:08:23Cicho bądźcie!
00:08:26I że on się może jeszcze przydać fabryce.
00:08:32Telefon niech pan weźmie.
00:08:34Też się przyda.
00:08:46Cicho bądźcie!
00:09:16Cześć.
00:09:46Cześć.
00:09:56Dokąd?
00:09:58Hotel Marriott?
00:10:00Wyspy Kanaryjskie? La Scala?
00:10:03Czy fabryka?
00:10:05Fabryka.
00:10:08Ja nie żartuję.
00:10:10Ja też.
00:10:16Fabryka.
00:10:33Proszę.
00:10:36Nie powinna się pani pojawiać w fabryce.
00:10:38Fabryka ma zbankrutować, pani koleżanki wziąć szomaż, bezrobocie
00:10:43i wtedy pani spokojnie odbierze fabrykę.
00:10:49Panu, się ten robinek zawsze zgadza.
00:10:53Wystarczy pójść do fabryki, żeby się przekonać.
00:10:56Na pewno font Lagrène.
00:10:58Strajkują.
00:11:08Voila!
00:11:14Nie przypomina panu papugi?
00:11:39Dobrze pilnujesz.
00:11:40Czego?
00:11:41Mojego.
00:11:43No jak to mojego majątku?
00:11:45Bo to wiadomo czyje to jest.
00:11:48A co nie wiadomo?
00:11:50Ja tam nic nie wiem.
00:12:12Dzień dobry.
00:12:28Halo?
00:12:42Dziewczyny dam wam podwyżkę!
00:12:45Podwyżkę!
00:12:46Co ty robisz?
00:12:48Nie ząbcie!
00:12:51Chodź to możesz strażakom!
00:12:58Nie wierzą pani.
00:13:01Nie wierzą.
00:13:03Wiedzą, że musiałaby pani sprzedać cały zapas flaneli,
00:13:07aby mówić o podwyżce.
00:13:08Nie wierzą mi.
00:13:24Zobaczcie!
00:13:26Już nie zakłada kombinezonu.
00:13:29Wielka dama, nie musi.
00:13:32Zobaczcie!
00:13:34Już nie zakłada kombinezonu.
00:13:36Wielka dama, nie musi.
00:13:55Spadaj no!
00:14:06Spadaj!
00:14:22Trzeba by...
00:14:25wcisnąć.
00:14:27Żeby nie wypadło.
00:14:33Nie.
00:14:37No nie gniewaj się no!
00:14:39Mogę ci pomóc, chcesz?
00:14:42Jezu, wiesz co?
00:14:44Ty ciągle o jednym.
00:14:46Ja myślałam o Brazylii.
00:14:48Mówiłeś, że chcesz gasić pożady.
00:14:50No.
00:14:51Mogę cię tam wysłać.
00:14:53Chcesz?
00:14:57Ale ja nie znam brazylijskiego.
00:14:59Nie!
00:15:06Pracujesz?
00:15:07A co?
00:15:08Mam strajkować przeciwko sobie?
00:15:10To nie jest twoja fabryka!
00:15:12To jest moja fabryka!
00:15:14Nigdy nam o tym nie mówiłaś!
00:15:17Przecież sięgam, nie wiedziałam!
00:15:19Wiesz, kim była moja matka?
00:15:20No wiem, to mówię.
00:15:21No właśnie!
00:15:22I co myślisz?
00:15:23Ona by mi powiedziała, że dziadek miał fabrykę?
00:15:25Ona się tylko cieszyła, że ja pracuję jako robot.
00:15:28Powiedziała, że to jej fabryka
00:15:29i że może robić, co chce.
00:15:31Dziewczyny!
00:15:32A my też możemy robić to, co chcemy, nie?
00:15:34Nie!
00:16:04Cześć!
00:16:34APARTMENT 251
00:17:04APARTMENT 251
00:17:34APARTMENT 251
00:17:50Co jest?
00:17:51Kurde, chanie jeden!
00:17:53Łapie przy sobie, dobra?
00:17:54Tak, trzeba.
00:17:57Przepraszam.
00:17:59APARTMENT 251
00:18:03No, mecenas jak zwykle w pięknym towarzystwie.
00:18:08To jest pani Dorota Walc.
00:18:10Dzień dobry!
00:18:11Pewnego dnia wszystkich nas wykupili.
00:18:13Twoja tajna broń?
00:18:15A gdzie ją ukrywałeś?
00:18:18Uważaj na niego, może być niebezpieczny.
00:18:20Jest bardzo bezpośredni w wyrażaniu uczuć
00:18:22i to może go kosztować wiele pieniędzy.
00:18:24Zawsze twierdziłam, że to jest jego główna wada.
00:18:28Proszę.
00:18:30Proszę, proszę.
00:18:34Szybko się uczysz.
00:18:36Tak? No właśnie zastanawiam się,
00:18:37czy mam ci pozwolić mówić na ty.
00:18:38Na ty to jestem jednym strażakiem.
00:18:40A to z powodu tego strażaka
00:18:42tak pogodziłaś te kączki smary?
00:18:44Nasza gospodina aż do teraz
00:18:47musi je mocno wycierać.
00:18:53Chodźmy.
00:18:58Dziękuję serdecznie.
00:18:59Dobry wieczór.
00:19:05Po co pan mnie tu przyprowadził?
00:19:08Żeby zobaczyć jak żyją bogaci ludzie.
00:19:12Ale po co?
00:19:14No, żeby pokazać jak się zachowują.
00:19:17Tak? A co jest dziwnego w ich zachowaniu?
00:19:19Co jest dziwnego w zachowaniu gospodyni?
00:19:22No, czuć milion.
00:19:25Wie pan co?
00:19:26Milion to ja też mam.
00:19:27Jak wezmę na to godziny.
00:19:31Milion dolarów?
00:19:33No.
00:19:39To pan mówi o dolarach?
00:19:47Bardzo proszę, nie zjeść mi chusteczki.
00:19:56Nie, nie, nie, nie, nie.
00:20:06Kto właściwie wśród tych dziesięciu...
00:20:09Przepraszam.
00:20:10Kto wśród tych dziesięciu sportowców,
00:20:12kto wygrał?
00:20:14Tak?
00:20:15Tak, naprawdę nie wiem.
00:20:16Ja dawno gdzieś nie byłem.
00:20:17Z dziesiątki.
00:20:18Z dziesiątki. Kto jest pierwszy, kto drugi?
00:20:26Tak.
00:20:35Miliony w kieszeni.
00:20:38Pardon.
00:20:40A ci przy sałatkach?
00:20:43A to jest jeans.
00:20:44Trzysta tysięcy.
00:20:49A tamci, co piją ten zaj zajer?
00:20:53A to jest...
00:20:54Kilka milionów dolarów.
00:20:57Immobilie, nieruchomości.
00:21:02Pan ma też troszmalu?
00:21:07A mnie na ile pan ocenia?
00:21:09No...
00:21:12Ładnie pani wygląda.
00:21:14Pasuje pani do ta sukienka.
00:21:15No ile?
00:21:16Pani powinna się ubierać z taką dyskretną elegancją.
00:21:20No ile no?
00:21:21Bo dzisiaj rano była pani ubrana fatal.
00:21:23ILE?!
00:21:31Milion dolarów.
00:21:40Bardzo państwa przepraszam.
00:21:42Ja muszę iść.
00:21:45Przepraszam, panie mecenasie.
00:21:47Ma pana jakiegoś nauczyciela brazylijskiego?
00:21:50Brazylijskiego.
00:22:12Moja fabryka.
00:22:15Moja.
00:22:20Moja fabryka.
00:22:44Wiecie ile to jest warte?
00:22:46Co?
00:22:48Fabryka.
00:22:53Milion dolarów.
00:23:00Ja tu z wami zostaję.
00:23:01Trzeba pilnować.
00:23:03Pilnować, dobre sobie.
00:23:04Przecież to panią złapałem na kradzieży materiału.
00:23:07Ale nie doniosłeś.
00:23:09No nie doniosłem, bo pani odkroiła połowę flaneli.
00:23:12Okradało się tę komunę.
00:23:15Okradało.
00:23:18A bo to było moje?
00:23:33Słuchaj.
00:23:35A po co ci była ta flanela?
00:23:39Pociąłem na pieluszki.
00:23:41Sprzedałem.
00:23:42Na pieluszki?
00:23:47Na pieluszki.
00:23:51Pieluszki.
00:24:03Będziesz się uczuł Brazylijskiego.
00:24:07Pele.
00:24:09Maracana.
00:24:12Herbata.
00:24:17Herbata.
00:24:37Tu sprzyzby.
00:24:38Tak.
00:24:39Dawaj, dawaj.
00:24:43Uwaga.
00:24:44Proszę to weźmy do tyłu.
00:24:45Nie tam, tutaj.
00:24:48I to też.
00:24:49To poziomo, to poziomo.
00:24:51To w poziomie.
00:24:54Pieluszki.
00:24:56Pieluszki.
00:25:00Pieluszki.
00:25:01Pieluszki na pięć tysięcy.
00:25:03Pieluszki.
00:25:07Pieluszki na pięć tysięcy.
00:25:12Nie kładź.
00:25:14Stoi i sprzedaje.
00:25:16Pieluszki na pięć tysięcy.
00:25:19Pieluszki na pięć tysięcy.
00:25:21Pieluszki.
00:25:26Pięć tysięcy.
00:25:27Pieluszki na pięć tysięcy.
00:25:28Pięć tysięcy.
00:25:31Pieluszki na pięć tysięcy.
00:25:33O.
00:25:34Posiłki przyjęli.
00:25:36Pieluszki na pięć tysięcy.
00:25:38Spójrzcie.
00:25:39Pieluszki.
00:25:40Pieluszki na pięć tysięcy.
00:25:43Pieluszki.
00:25:44Pieluszki na pięć tysięcy.
00:25:51Pieluszki.
00:25:53Proszę się nie pchać.
00:25:54Za wszystkich starczy pieluszek.
00:25:57Jak się pani podoba?
00:25:58Powiedz mu, że mają dziesięć procent do dotarły.
00:26:00A ja to już i powiedziałem.
00:26:02Pieluszki.
00:26:03Pieluszki.
00:26:14Pieluszki.
00:26:16Panie, o ile te banany?
00:26:17Kilogram za dychem.
00:26:18Ja biorę wszystkie.
00:26:19Wszystkie.
00:26:20Aha.
00:26:23Banany.
00:26:24Weźcie.
00:26:25Ja się cały czas zastanawiałem, jak się pani pozbędzie od tych niepotrzebnych osób.
00:26:29No to teraz już mam widzieć.
00:26:30No.
00:26:31Pieluszki.
00:26:32Pieluszki na pięć tysięcy.
00:26:33Dziękuję.
00:26:34Pieluszki na pięć tysięcy.
00:26:35Dziękuję.
00:26:36Pieluszki na pięć tysięcy.
00:26:37Dziękuję.
00:26:39Pięć tysięcy.
00:26:40Pięć tysięcy.
00:26:41Pięć tysięcy.
00:26:42Pięć tysięcy.
00:26:43Pięć tysięcy.
00:26:45Pięć tysięcy.
00:27:12To były pany pieluszki?
00:27:26Tak, ja zainwestowałem w pieluszki.
00:27:30Tak, no to pan stracił.
00:27:31No właśnie obliczałem ile.
00:27:351200 dolarów, dwa i pół dolara za paczkę.
00:27:39No tyle mnie kosztował pani upór.
00:27:41The factory is going to go bankrupt.
00:27:46It's nonsense to invest in something that doesn't formally belong to you.
00:27:52But I don't understand why.
00:27:54Formally, in a few days, it will be my property.
00:27:56Why should I take shit, if I can take interest?
00:28:03For this.
00:28:12Yes?
00:28:15I don't agree with this calculation.
00:28:18Then I will invest in diapers.
00:28:20And I will invest in my flannel.
00:28:22But you won't stand the competition.
00:28:24So what should I do?
00:28:26So what? What does my lawyer tell me?
00:28:29Taking into account all the circumstances, theoretically speaking,
00:28:37you can only dance with me.
00:28:43I'm not dressed.
00:28:50Only partially.
00:29:07Poli becomes my favorite client.
00:29:23Yes?
00:29:25Campari?
00:29:27A drink from the vermouth species, used for cocktails.
00:29:31Discreet elegance.
00:29:33A way of dressing that doesn't pay attention to what you're wearing.
00:29:36Choosing colors.
00:29:38Bright colors.
00:29:40The opposite of discreet elegance.
00:29:45Did I do a good job?
00:29:47High five.
00:29:56I'll be right back.
00:30:06La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la
00:30:36Lion, Rue de Bayonne, Rue de Bayonne, cztery, cztery milion, ni wimsys, chtery milion, chtery, ni wimsys
00:30:49Cztery milion, konkriec, cztery milion, siedem other
00:30:51Do we know her?
00:30:52She hasn't introduced herself
00:30:54Hey!
00:30:55You only have a minute to put those shoes on your leg, you crappy prick
00:30:59And get out of there with your back door because all of a sudden that!".
00:31:04What do you mean? I know you, Ewa.
00:31:07You look like an old sewing machine.
00:31:10Dorota?
00:31:11Of course, Dorota. What about you?
00:31:14Where were you supposed to be? Paris? The States?
00:31:17Are you better because you're flirting with a guy who bought out half the city?
00:31:21Better?
00:31:22What?
00:31:23You're on our radar. Is that why you're better?
00:31:25Say that again.
00:31:26Of course I will. You think I'm scared?
00:31:28I'm not talking about the guy who bought out...
00:31:31Private property. Haven't you heard of it?
00:31:37Private property.
00:31:43How do you know?
00:31:49Private property.
00:32:00Ewa.
00:32:14Ewa.
00:32:15Let me go!
00:32:16Dammit! This is my daughter!
00:32:18Out of the package!
00:32:21What are you doing here?
00:32:23What's wrong with me?
00:32:25Why do you want those factories and money?
00:32:27We never had money and that was great.
00:32:29And what have you done to my daughter?
00:32:31Why are you turning her upside down?
00:32:33She doesn't need your money!
00:32:35You've never been honest!
00:32:41I'm sorry.
00:32:46Ah?
00:32:50Maria.
00:32:55Why are you shouting?
00:32:59Edmund...
00:33:01Oh my God, Edmund!
00:33:29Ha-ha-ha!
00:33:33Hop-da, hop-da!
00:33:39Hop-da, hop-da!
00:33:41Ha-ha-ha!
00:33:43Ha-ha-ha!
00:33:51Hop-da!
00:33:59Hop-da!
00:34:29Hop-da, hop-da!
00:34:59Hop-da, hop-da!
00:35:29Hop-da!
00:35:59Hop-da, hop-da!
00:36:01Hop-da, hop-da!
00:36:09I have something for you.
00:36:11For me?
00:36:15Yes, for you.
00:36:17You're Maria Waltz's daughter, aren't you?
00:36:19Yes.
00:36:23I don't want a carpet.
00:36:25This is not a carpet.
00:36:29Come in.
00:36:47This is my parachute.
00:36:55I don't need it anymore.
00:37:05Try it on.
00:37:07But why?
00:37:21Goodbye.
00:37:25Goodbye.
00:37:35Very beautiful.
00:37:39But why me?
00:37:43You don't know, my dear.
00:37:49You don't know.
00:37:51It's a gift.
00:37:53For the debt.
00:37:55And for crying.
00:37:59It's a gift.
00:38:05But if you want
00:38:09to buy
00:38:15100,000 parachutes
00:38:21it's a gift.
00:38:29It's a gift.
00:38:31A gift.
00:38:35Our whole life
00:38:41is a great
00:38:43gift.
00:38:45How is it not there?
00:38:47How is it not there?
00:38:49I heard there are trips to Brazil.
00:38:51To bankrupt.
00:38:53What?
00:38:55Did you hear?
00:38:57We have to bankrupt.
00:38:59How?
00:39:01Do they speak Portuguese?
00:39:03What?
00:39:05There is no teacher of this language?
00:39:09Then let it be English, I know.
00:39:15There is no
00:39:17teacher of this language.
00:39:19There is.
00:39:21There is Portuguese.
00:39:23It's me.
00:39:25I hired a teacher
00:39:27of English.
00:39:29And they checked it
00:39:31and it doesn't make any sense.
00:39:33The best computers were surprised
00:39:35why it's so crumpled.
00:39:37Because I kept it in the shoe.
00:39:39The best computers in the city checked it.
00:39:41It means he's playing
00:39:43a complete idiot with me.
00:39:47Don't sit on my parachute.
00:39:49Oh, sorry.
00:39:53You know what?
00:39:59If he's playing
00:40:01a complete idiot with me...
00:40:03Excuse me?
00:40:05I say if he's playing
00:40:07a complete idiot with me
00:40:09I know that if he's playing
00:40:11a complete idiot with me
00:40:15I have to meet Grandpa alone.
00:40:39Hey, bravo!
00:40:53Damn!
00:40:57I had it on my postcard.
00:41:05I'm abroad for the first time.
00:41:07I'm abroad for the first time.
00:41:15They didn't close the gates.
00:41:17I'm abroad for the first time.
00:41:29Hello, madam.
00:41:31Hello, Mr. Dan.
00:41:33Excuse me.
00:41:35Do you live here?
00:41:37Mr. Karol?
00:41:39Yes.
00:41:41How old is he?
00:41:43The last one?
00:41:45What did she say?
00:41:47Mr. Karol died last year.
00:41:53What? What?
00:41:55What's going on?
00:41:57Damn!
00:41:59What's going on?
00:42:01What?
00:42:03What's going on?
00:42:17This is the end of jokes.
00:42:25White limo with a driver
00:42:27speaking Polish.
00:42:29Oh!
00:42:31White limo with a driver
00:42:33speaking Polish.
00:42:35Yes.
00:42:37Limo with a driver speaking Polish.
00:42:39White limo
00:42:41with a driver speaking Polish.
00:42:43Ah!
00:42:45White limo with a driver speaking Polish.
00:42:47And what's the name of this airport?
00:42:49Orli.
00:42:51And how long will it take
00:42:53to transfer the property to Mrs. Dorota?
00:42:55If you
00:42:57smoke my cigarette once more
00:42:59you'll have to
00:43:01piss on it to extinguish it.
00:43:03Just pray
00:43:05that you don't run out of urine.
00:43:09Well.
00:43:11OK?
00:43:13Dear patron,
00:43:15I know you're very sorry,
00:43:17but it was me who set you on fire.
00:43:19And I didn't say...
00:43:21I'm sorry.
00:43:23But...
00:43:25I just can't stand
00:43:27dumping prices.
00:43:29You see how fast I'm learning?
00:43:33But in the end you're my patron.
00:43:35You'll defend me
00:43:37and give me
00:43:39a nice speech.
00:43:41You're...
00:43:45closer than you think.
00:43:47Yes.
00:43:49Yes.
00:43:57We're going to Lyon.
00:43:59We'll make a visit to the patron.
00:44:01Maybe we'll find out something there.
00:44:03There you go.
00:44:05And what do you want for all this?
00:44:07No, it's me.
00:44:09Of course.
00:44:11He bought everything around me.
00:44:13He said I'd go bankrupt.
00:44:15And if I go bankrupt, he'll buy it all.
00:44:17For free. Of course.
00:44:19That's why I didn't want
00:44:21these dumplings to be sold to me.
00:44:23There was no problem with me.
00:44:25Huh.
00:44:27Who was I talking to on the phone?
00:44:29You know, I can't answer that.
00:44:33Jesus, you're going to be a driver for the rest of your life.
00:44:37That's my job.
00:44:39Yes.
00:44:55I called my husband again yesterday.
00:44:57He didn't tell me you were coming.
00:45:01I didn't know yesterday
00:45:03that I was coming today.
00:45:05Such a visit to another factory.
00:45:07You have to organize it.
00:45:09It can take a week.
00:45:13But I can't wait a week.
00:45:15Your husband is helping me take over my factory.
00:45:21It's beautiful.
00:45:33Among the girls,
00:45:35the barber.
00:45:37And among the boys, the sailor.
00:45:39Jeanette
00:45:41wears the dress of my first birthday.
00:45:43And the briefcase?
00:45:45The dress of my first holiday
00:45:47in Normandy.
00:45:55Pyjamas
00:45:57that open easily
00:45:59and spread down.
00:46:01Like in the 60s.
00:46:05The hotel is 5 stars.
00:46:19One night,
00:46:21with his application,
00:46:23we can go down with him
00:46:25to the hotel bar
00:46:27without fear of scandal.
00:46:35Dear friends,
00:46:37I'm very pleased
00:46:39that you made for me
00:46:41such a beautiful show.
00:46:43That wasn't in the contract.
00:46:45What wasn't in the contract?
00:46:47I'm a foreigner and I speak a foreign language.
00:46:49I only know Russian.
00:46:51She speaks Russian.
00:46:53I don't understand this language.
00:46:55What?
00:46:57Olga?
00:46:59You speak Russian?
00:47:05Madame de Rothewald
00:47:07said
00:47:09that she doesn't have children.
00:47:11That she sleeps all night.
00:47:13That's why
00:47:15she doesn't want to give her opinion
00:47:17on the show.
00:47:19She only asks why,
00:47:21since you have problems
00:47:23with the sale.
00:47:25You haven't signed an agreement
00:47:27with her factory yet.
00:47:29I understand your interest
00:47:31in Russian.
00:47:33But I don't speak it.
00:47:35My ex-husband
00:47:37said that you wanted
00:47:39to draw attention
00:47:41to the great Soviet market.
00:47:47Yes.
00:47:51How long have you been here?
00:47:53Three years.
00:47:55I'm waiting for you in front of the factory.
00:47:59Do you know this owner?
00:48:01The owner of the factory?
00:48:03What?
00:48:05You rarely come here.
00:48:07What does he do?
00:48:09He's a manager.
00:48:11He's demoralized.
00:48:15I used to bring beer to the factory
00:48:17and demoralize the whole crew.
00:48:19Do you remember
00:48:21how much the wine cost?
00:48:23First of May,
00:48:25the working class is coming.
00:48:27And me and my colleagues
00:48:29are going to the stands.
00:48:31And in two days,
00:48:33we'll have a racing race.
00:48:35Cheers, colleagues!
00:48:39Warsaw, Berlin, Prague!
00:48:45You wouldn't have any problems
00:48:47with the factory.
00:48:49None!
00:48:51I was a hippie.
00:48:53If you were a hippie,
00:48:55I was the president of the USA.
00:48:57Yes, I was a hippie.
00:48:59And you still look like a flower.
00:49:01If everyone was a hippie,
00:49:03why is there so much shit in the world?
00:49:07Go save the world!
00:49:11I want to be a hippie too!
00:49:27Hippies!
00:49:35Hippies!
00:49:43Watch out!
00:49:49Hey!
00:49:51Hippies!
00:49:53And he got offended.
00:49:55He's afraid we'll rape him.
00:49:57Hippies, are you afraid
00:49:59we'll rape you?
00:50:05You look sexy
00:50:07in your uniform.
00:50:13Look at your uniform!
00:50:17It's good, isn't it?
00:50:19Look!
00:50:21It looks like
00:50:23a parachute.
00:50:25Have you seen it?
00:50:53Hippies!
00:51:05Hippies!
00:51:07Hippies!
00:51:09Hippies!
00:51:11Hippies!
00:51:23Hippies!
00:51:53Hippies!
00:51:55Hippies!
00:51:57Hippies!
00:51:59Hippies!
00:52:01Hippies!
00:52:03Hippies!
00:52:05Hippies!
00:52:07Hippies!
00:52:09Hippies!
00:52:11Hippies!
00:52:13Hippies!
00:52:15Hippies!
00:52:17Hippies!
00:52:19Hippies!
00:52:21Hippies!
00:52:23Hippies!
00:52:25Hippies!
00:52:27Hippies!
00:52:29Can you sew?
00:52:51Can you sew?
00:52:53Can you sew?
00:52:55Can you sew?
00:52:57Can you sew?
00:52:59Can you sew?
00:53:01Can you sew?
00:53:03Can you sew?
00:53:05Can you sew?
00:53:07Can you sew?
00:53:09Can you sew?
00:53:11Can you sew?
00:53:13Can you sew?
00:53:15Can you sew?
00:53:17Can you sew?
00:53:19Can you sew?
00:53:21Can you sew?
00:53:23I don't sew!
00:53:25I don't sew!
00:53:27I don't sew!
00:53:41Well, how much will this material cost us?
00:53:49Nothing.
00:53:52It won't cost anything.
00:53:54You'll give me what you can't sell here.
00:54:00That's interesting.
00:54:03I'm ready to sign a contract with you at any moment.
00:54:07A contract?
00:54:08Yes. I didn't know you had such a short negotiation.
00:54:12As long as there's an offer, no doubt.
00:54:16So what? We split the profits in half, right?
00:54:22Brutto or netto?
00:54:29Brutto.
00:54:31Netto.
00:54:33No.
00:54:36And what if you fail?
00:54:41I have insurance in the factory.
00:54:46Insurance in the factory, that suits me very well.
00:54:51Jacques!
00:54:53Prepare the contract.
00:54:56Brutto.
00:55:05You made a very risky contract.
00:55:11I'm your most talented...
00:55:17...student.
00:55:40When I was a kid, we used to make parachutes like this.
00:55:44But instead of a seal, there was always a key.
00:55:48Then we'd go up on the roof...
00:55:54...and throw it.
00:56:00And then we'd go down.
00:56:04And then we'd go up again.
00:56:07And then we'd go down again.
00:56:13You're behaving badly.
00:56:19I think...
00:56:22...you're overreacting.
00:56:26Does that mean you've been burned?
00:56:29Burned?
00:56:32Aren't you angry?
00:56:35You were very...
00:56:38...irritating in your exposé on TV.
00:56:41I was on TV.
00:57:01Exactly from Vietnam!
00:57:11The boys are gone.
00:57:15You know, honey, this is our last night.
00:57:41Mayakulma, Mayakulma...
00:57:44Mayakulma, Mayakulma...
00:58:03Mayakulma, Mayakulma...
00:58:09For your happy return.
00:58:15Mayakulma, Mayakulma...
00:58:28I'm here.
00:58:45They wrote about you in the papers.
00:58:47Director Moniak is waiting for you.
00:58:51Are you still reading Lenin?
00:58:55He was lying on the trash, so I picked it up.
00:58:58Yes.
00:59:15Why do you need so much money?
00:59:17You'll be happier.
00:59:19Yes.
00:59:21It's for you.
00:59:23You're going to Russia.
00:59:28Don't you want to meet Edmund Edmundowicz?
00:59:34I don't know.
00:59:36I don't know him.
00:59:38I don't know him.
00:59:40I don't know him.
00:59:42I don't know him.
00:59:48Do I know anything?
00:59:50Can't you see?
00:59:51I can see.
00:59:52What's the matter?
00:59:53What's the matter?
00:59:55What's the matter?
00:59:57You're asking me?
00:59:59Why don't I know what's going on?
01:00:01What's the matter?
01:00:02I'm interested in our flannel, can't you see?
01:00:05Who am I?
01:00:07You?
01:00:08You were a communist.
01:00:09And now you're on the trash.
01:00:11I'm not asking you a question.
01:00:13I'm not asking you a question.
01:00:14I'll sign it.
01:00:20Congratulations.
01:00:24What was that?
01:00:26What was that?
01:00:27What was that?
01:00:28What was that?
01:00:29What if I make it?
01:00:30What if I make it?
01:00:31No, you'll make it.
01:00:41No, you'll make it.
01:01:11No, you'll make it.
01:01:42So, you're free to go.
01:01:44Hello.
01:01:45So, everything's done, as we agreed?
01:01:47Good.
01:01:48Why are you standing here?
01:01:50Get out of here.
01:01:57Get out.
01:02:11Get out.
01:02:20Mama.
01:02:31Now come here.
01:02:33Come on.
01:02:41You can go now, sweetheart.
01:03:11Get out.
01:03:15Get out.
01:03:21Get out.
01:03:34Get out.
01:03:37We met at the Grand Hotel, remember?
01:03:42And now you'll find out who I really am.
01:03:46Get in, let's go.
01:04:06Get in.
01:04:12Do you know Tchaikovsky?
01:04:18An outstanding Russian romantic.
01:04:22What's your name?
01:04:34What's your name?
01:04:51What's your name?
01:05:21What's your name?
01:05:51THE GRAND HOTEL
01:06:17This is my parents' house.
01:06:21And this is my mother.
01:06:24Hello, mother.
01:06:26Hello, son.
01:06:29It's been a long time.
01:06:32Let me introduce you.
01:06:34This is Dorota Waltz.
01:06:36What?
01:06:38Dorota Waltz. I told you about her.
01:06:40She's not Russian?
01:06:42No, she's from Poland.
01:06:44She's not made of our dough.
01:06:46Mom, it's uncomfortable.
01:06:48Can she do anything?
01:06:50She'll rest for a while.
01:06:52Then she'll have lunch.
01:06:54Then we'll go fishing.
01:06:56Everything will be fine.
01:06:58Son, she's not made of our dough.
01:07:00Let me introduce you to your family.
01:07:04He's coming.
01:07:16Welcome.
01:07:18Welcome.
01:07:20Hello.
01:07:24Come in.
01:07:30Sit down.
01:07:33You must be hungry.
01:07:35Eat some caviar.
01:07:38Good, fresh caviar.
01:07:41Drink vodka.
01:07:44Be like at home.
01:07:52What?
01:07:54Two guys are smoking.
01:08:03Let's go.
01:08:33One, two, three, four.
01:08:35That's it.
01:08:37Here you are.
01:08:39Thank you.
01:08:42Son, are you crazy?
01:08:44You're an idiot.
01:08:46You should come to your mother for a few days.
01:08:49And do this.
01:08:51You're shameless.
01:08:53You're an idiot.
01:08:55You're an idiot.
01:08:57You're an idiot.
01:08:59You're an idiot.
01:09:01You're shameless.
01:09:05Those bastards again.
01:09:08What happened?
01:09:10Let's go.
01:09:12He'll kill her.
01:09:14He'll kill her.
01:09:16Mom, what are you saying?
01:09:18Why are you scared?
01:09:21He'll kill her.
01:09:23I love Dorota Waltz very much.
01:09:27To Dorota Waltz's health.
01:09:32To Dorota Waltz's health.
01:09:35Dad had a dog.
01:09:38He loved her.
01:09:42She ate a piece of meat.
01:09:46He killed her.
01:09:49He killed her.
01:09:56He killed her.
01:10:00Look, it's written there.
01:10:02Advertisement.
01:10:04Let's go.
01:10:06Let's go.
01:10:11How much?
01:10:1310.
01:10:15Let's go.
01:10:17Let's go.
01:10:19Let's go.
01:10:21Be careful.
01:10:23That's it.
01:10:25It's a deal.
01:10:49Sir.
01:10:51You want to tell me that you don't know where she went.
01:10:55With three tiramis.
01:10:58With three full tiramis.
01:11:02She didn't have to give the factory back.
01:11:05I would have brought the factory down.
01:11:11And then you would have bought it.
01:11:13You would have earned it.
01:11:15And I...
01:11:18This is...
01:11:21Her factory.
01:11:23I didn't know that.
01:11:25Sir.
01:11:27Did you sign the leave agreement without knowing where?
01:11:31I didn't know.
01:11:34Sir.
01:11:35You would have signed the shipment.
01:11:38Even...
01:11:40To Hussein.
01:11:42What? Me?
01:11:44She is your client.
01:11:51It was supposed to be completely different.
01:11:55Fuck!
01:11:56Bravo!
01:12:00And there was a time...
01:12:02When you could unscrew two screws from a weaving machine.
01:12:07What?
01:12:10Isolation could be erased.
01:12:16Accident at work.
01:12:22You know, sir.
01:12:24Accidents in our industry were always big.
01:12:39DOROTKA
01:12:50Dorotka?
01:12:52Dorotka is in Russia.
01:12:54What?
01:12:55Nothing.
01:12:57In Russia?
01:12:59And for what purpose, if possible?
01:13:02I am tied to a trade secret.
01:13:06You have a beautiful jewelry here.
01:13:10There is nothing to talk about.
01:13:12Dorotka brought a suitcase of money from Paris.
01:13:16From Paris?
01:13:18Money?
01:13:20But...
01:13:22She didn't get it from me.
01:13:36DOROTKA
01:13:53Well?
01:13:54Do you want to fish?
01:13:59Get up.
01:14:06Get up.
01:14:12Hands up.
01:14:15Me too?
01:14:16Yes, yes, come on, come on.
01:14:20Now you will get to know him better.
01:14:24Tell me, where is the car with the goods?
01:14:27Count.
01:14:28Up to twenty.
01:14:30I can't.
01:14:33One.
01:14:36Two.
01:14:38Three.
01:14:40Four.
01:14:42Five.
01:15:02Six.
01:15:04Seven.
01:15:06Eight.
01:15:08Nine.
01:15:10Ten.
01:15:12Eleven.
01:15:14Twelve.
01:15:16Thirteen.
01:15:18Fourteen.
01:15:20Fifteen.
01:15:22Sixteen.
01:15:24Seventeen.
01:15:26Eighteen.
01:15:28Nineteen.
01:15:30Twenty.
01:15:38What is it?
01:15:40A paratrooper.
01:15:43My paratrooper.
01:15:48How the weather has changed, huh?
01:15:52So you can't count.
01:15:55But I will teach you.
01:15:57What is your name?
01:15:58Seryozha.
01:15:59Start.
01:16:00One.
01:16:02Two.
01:16:04Go to school.
01:16:06Come on, come on.
01:16:08Two.
01:16:09Three.
01:16:11Four.
01:16:13Five.
01:16:15Six.
01:16:17Seven.
01:16:19Eight.
01:16:21Nine.
01:16:23Ten.
01:16:25Count, count.
01:16:27Twelve.
01:16:29Thirteen.
01:16:31Fourteen.
01:16:33Fifteen.
01:16:35Sixteen.
01:16:37Seventeen.
01:16:39Eighteen.
01:16:41Nineteen.
01:16:43Twenty.
01:16:45Twenty-one.
01:16:47Twenty-two.
01:16:49Twenty-three.
01:16:51Twenty-four.
01:16:53Twenty-five.
01:16:56Twenty-six.
01:16:58Twenty-seven.
01:17:00Twenty-eight.
01:17:02Twenty-nine.
01:17:04Twenty-ten.
01:17:06Twenty-eight.
01:17:08You're going to be a star.
01:17:12You're going to be a star.
01:17:16You're going to be a star.
01:17:20You're going to be a star.
01:17:24This can all be yours.
01:17:27You can buy as much as you want.
01:17:29I'll organize a ship from Odessa for you.
01:17:32Okay.
01:17:33See what kind of material it is.
01:17:36Touch it, touch it.
01:17:40Good material.
01:17:41Well, yes.
01:17:42Are they my colors?
01:17:43Yes.
01:17:44Different color?
01:17:45Yes.
01:17:46Here you are.
01:17:48Well, think, think.
01:17:51Ah, okay.
01:18:36Can you tell me what that means?
01:18:40She's going to take a bankrupt factory that you're going to buy for nothing.
01:18:44And she's doing a brilliant deal.
01:18:46And with you.
01:18:47There's something I don't understand.
01:18:50The parachute deal with Deris didn't give her the right to succeed.
01:18:53But she succeeded.
01:18:56And you signed a contract with her.
01:19:00Next week, a ship from Odessa arrives with the fabric
01:19:04that is intended for us.
01:19:06Do you know how much she's going to earn?
01:19:09How do you know how much she's going to earn?
01:19:11A lot.
01:19:12She's better than I thought.
01:19:14But it's me who told her everything.
01:19:16Me, me.
01:19:19I don't care if you sleep with her or not.
01:19:22Sweetheart, everything will be fine.
01:19:24Fine.
01:19:25Won't you be in love?
01:19:28By chance?
01:19:29Now you're talking about mythology.
01:19:31It's a very good sauce.
01:19:33It's me who taught her everything.
01:19:35She owes me a lot.
01:19:36She will sign everything I want.
01:19:38I hope so.
01:19:40Because you invested my money.
01:19:43And I have no debt to you.
01:19:45And I could be mean.
01:19:48It's not you who created me, my little Pygmalion.
01:19:53Did Derota bring back money from France?
01:19:58Yes, I lent it to her.
01:20:01But she won't give it back to me.
01:20:31I love you.
01:20:58Beautiful city.
01:21:00But how much can I earn on it?
01:21:04Let's talk.
01:21:09I won't sell you my factory.
01:21:14The factory has to go bankrupt.
01:21:17Such directness in expressing feelings
01:21:20can cost you a lot of money.
01:21:24Expressing feelings won't cost me anything.
01:21:28I talked to your wife.
01:21:31About the area around the factory.
01:21:33We'll talk.
01:21:40And what will be my place in it?
01:21:44You could be my patron.
01:21:47After all, you appeared in my life for the first time.
01:21:59So I'm nothing.
01:22:02And my place?
01:22:05You have no place.
01:22:07I checked you.
01:22:29Here you are, Mr. Director.
01:22:38To work!
01:22:58To work!
01:23:03To work!
01:23:08To work!
01:23:13To work!
01:23:18To work!
01:23:23To work!
01:23:28To work!
01:23:33To work!
01:23:38To work!
01:23:43To work!
01:23:48To work!
01:23:53To work!
01:23:58To work!
01:24:03To work!
01:24:08To work!
01:24:13To work!
01:24:18To work!
01:24:23To work!
01:24:28To work!
01:24:33To work!
01:24:38To work!
01:24:43To work!
01:24:48To work!
01:24:53To work!
01:24:58To work!
01:25:03To work!
01:25:08To work!
01:25:13To work!
01:25:18To work!
01:25:23To work!
01:25:28To work!
01:25:33To work!
01:25:38To work!
01:25:43To work!
01:25:48To work!
01:25:53To work!
01:25:58To work!
01:26:03To work!
01:26:08To work!
01:26:13To work!
01:26:18To work!
01:26:23To work!
01:26:28To work!
01:26:33To work!
01:26:38To work!
01:26:43To work!
01:26:48To work!
01:26:53To work!
01:26:58To work!
01:27:03To work!
01:27:08To work!
01:27:13To work!
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