Mateczka 1995
Transcript
00:00:00of the United States of America.
00:00:03Thank you.
00:00:31Who knows?
00:00:33Maybe if I had found it earlier,
00:00:36it wouldn't have been such a mess.
00:00:39I found it a moment ago.
00:00:41I think I'll have to wear glasses.
00:00:44The print is readable in this book.
00:00:46Older books are easier to read.
00:00:48But when I reach for my little book,
00:00:51I have to keep it close to my nose.
00:00:54I don't know why my sister didn't tell me about it earlier.
00:00:57She's always in trouble.
00:00:59Anyway, I manage somehow.
00:01:01Let's see.
00:01:03I often heard about the bishop
00:01:05of Alexandria, Anathasius,
00:01:07who told his rector
00:01:09to sing psalms
00:01:11with such a slight change of voice
00:01:13that it looked more like a declamation
00:01:15than a song.
00:01:17It seems to me, sister,
00:01:19that we in the chapel
00:01:21resemble this bishop.
00:01:23Sometimes.
00:01:25We gather in the chapel
00:01:27to rest.
00:01:29Prayer is also a rest.
00:01:34But also an effort.
00:01:36I lack this effort.
00:01:39I feel tired
00:01:41and forget what is really important.
00:01:44Then I try
00:01:46not to think about myself.
00:01:49How is it?
00:01:51Does a sister pray
00:01:53without thinking about herself?
00:01:55And I often manage to do it.
00:01:57What does a sister think about then?
00:02:00About God.
00:02:03I think that every time
00:02:05I should imagine Him,
00:02:07closing my eyes
00:02:09so as not to look
00:02:11at how God is imagined
00:02:13by people in sculptures
00:02:15and paintings.
00:02:17I often think, Mother,
00:02:19that this is not my God.
00:02:22Christ
00:02:26is probably the one
00:02:28closest to me
00:02:30from Turin.
00:02:37You again, my Lord God,
00:02:39listen to me and come with help.
00:02:41Look, have mercy
00:02:43and restore my health,
00:02:45because in your eyes
00:02:47I have become a mystery to myself
00:02:49and this is my weakness.
00:02:53St. Augustine.
00:02:56We will show this fragment to Leon.
00:03:01He is probably not a mystery to himself.
00:03:05Because he does not pray with us.
00:03:07I do not know if I should ask.
00:03:09Please.
00:03:12Mr. Leon once told us
00:03:14that he has known his mother for a very long time.
00:03:16Yes, it is true.
00:03:19Who was he?
00:03:22He is my friend.
00:03:26He is my friend.
00:03:29He is my friend.
00:03:32He is my friend.
00:03:34He is my friend.
00:03:37I once considered him
00:03:39to be my teacher.
00:03:41He was very famous.
00:03:44They have been looking for him since the beginning of the war.
00:03:46They had to find a place
00:03:48where he would be safe.
00:03:50And where do you look for such a place?
00:03:52At a friend's.
00:03:56This is not my business.
00:03:58Sister, he does not hide from me,
00:04:00but from us.
00:04:03This should be enough for me, Mother.
00:04:07I thought that something from this text
00:04:10is worth reading to our girls.
00:04:13Mother would like to read it to them before the test.
00:04:16They will not understand.
00:04:18Maybe there will be at least one.
00:04:21For them, the test is fun.
00:04:24So St. Augustine
00:04:27would consider such fun a sin?
00:04:33It is good that our sister will help us.
00:04:35There is nothing wrong with these accounts.
00:04:38These are only the accounts
00:04:40that we issued to the suppliers.
00:04:42But, as Mother knows,
00:04:44not everyone wanted to take them from us.
00:04:46Before the war,
00:04:48it was called double buchaltery,
00:04:50and there was always something suspicious in it.
00:04:53The last account for wood transport.
00:04:56If they were late even for one day,
00:04:58we would freeze to death.
00:05:04It's probably not far away.
00:05:06Maybe in the city.
00:05:08At night you can clearly hear the front.
00:05:10My God, how long will it take?
00:05:12A month?
00:05:14Maybe until spring?
00:05:16Mr. Leon says that the front will break through earlier.
00:05:19How does he know about it?
00:05:22I do not know.
00:05:24I saw it earlier.
00:05:26How does he know about it?
00:05:28Probably from the city.
00:05:30It's better not to go there.
00:05:34There is no discipline in the whole factory.
00:05:38The most important are the classes
00:05:40that Mr. Leon conducts.
00:05:42He also has good sides.
00:05:44The girls are not bored.
00:05:46Does the sister want to say
00:05:48that they have too little fun?
00:05:50That too.
00:05:52I think they have too much of it.
00:05:56He also teaches order.
00:05:59Leon.
00:06:02I think what he does is not only fun.
00:06:05In the past, it is said,
00:06:07the mysteries were exhibited in churches
00:06:09and there was nothing wrong with it.
00:06:11He has a slightly different opinion
00:06:13about this, Father Prefect.
00:06:16He is too harsh.
00:06:19Or maybe he says it out of jealousy.
00:06:23Not all our girls like him
00:06:25and he is great at showing it.
00:06:27And they fall for Mr. Leon.
00:06:30It has always been like that.
00:06:36May I?
00:06:41I wanted to drink some hot tea,
00:06:43but there is no one in the kitchen.
00:06:46Only a cold stove.
00:06:48There is a thermos with hot tea in the fridge.
00:06:52And the key to the lock
00:06:54is kept in my coat pocket.
00:06:56The lock is always open, Mr. Leon.
00:07:00So I will light a cigarette here.
00:07:04Yes, light it.
00:07:09A girl from the choir told me
00:07:11that I am afraid of everything here.
00:07:13You?
00:07:15Yes.
00:07:17That I am even afraid to light a cigarette
00:07:19during a break in the corridor.
00:07:23Now I am afraid too.
00:07:25I think you can see it.
00:07:30Do you recognize it?
00:07:34No.
00:07:37There is something engraved inside.
00:07:45From the grateful choir.
00:07:49Do you recognize it now?
00:07:51No.
00:07:54It's a souvenir.
00:07:56I'm sure you have put a lot of effort into it.
00:08:00Me?
00:08:03There are glances of dead nations
00:08:05that sparkle forever.
00:08:10He fought with his left hand
00:08:12which he cut into pieces with a sword.
00:08:16But the cord of his ring
00:08:18got entangled
00:08:20with the golden brooch
00:08:22of the chieftain
00:08:24and broke into pieces.
00:08:26Then he stopped resisting.
00:08:28He only shook his arm
00:08:30and everyone felt
00:08:32that he wanted to get rid of the queen.
00:08:36But he died calling his name
00:08:38which I will not name.
00:08:42I didn't get close to the cigarette
00:08:44and you didn't manage
00:08:46to expose this text.
00:08:48Constancy, it was just an attempt.
00:08:52It was just for fun.
00:08:54I guess so.
00:08:56There was nothing wrong with it,
00:08:58sister Constancy.
00:09:02The author of the text
00:09:04which we remembered
00:09:06with the chieftain's mother
00:09:08is called Giroudoux.
00:09:10He was born in Belac.
00:09:12I don't know where it is.
00:09:14Somewhere in France.
00:09:16Apparently the Germans arrested him.
00:09:18Someone heard it on the radio.
00:09:20Oh my God.
00:09:22It's the same there.
00:09:24The cigarette I was putting on
00:09:26had to be lost.
00:09:30And where is this one from?
00:09:34This one will not be lost
00:09:36anyway.
00:09:38At least not until I
00:09:40show this text in the theatre.
00:09:42Sometimes
00:09:44when I can't fall asleep
00:09:48I turn on my bed
00:09:50and I think
00:09:52that if I have to start
00:09:54from the beginning
00:09:56I should choose something
00:09:58not too pathetic.
00:10:00But then you fall asleep.
00:10:02Yes.
00:10:04It often happens to me.
00:10:06When I can't fall asleep
00:10:08I remember the dead.
00:10:12I'm most afraid
00:10:14when someone appears
00:10:16whom I didn't know
00:10:18was dead.
00:10:22Sometimes
00:10:24I hear
00:10:26a girl crying in the bedroom.
00:10:38It's getting closer.
00:10:42There are a lot of troops in the city.
00:10:44The prefect said
00:10:46that some new troops
00:10:48from our side appeared in the forest.
00:10:50That's why the troops were withdrawn.
00:11:02Who could it be?
00:11:04I'll go and see.
00:11:06Not you.
00:11:08Go back to your room.
00:11:12Go.
00:11:26Just look at her.
00:11:28Konstancja has short legs.
00:11:30She never takes such big steps.
00:11:32You were spying on her.
00:11:34But she always
00:11:36raises her head.
00:11:38Only when someone clings to her
00:11:40she lowers her head
00:11:42and has closed eyelids.
00:11:44But did you notice
00:11:46how sharp she looks?
00:11:48But she has a nice voice.
00:11:50You can't deny that.
00:11:52Yes, she has.
00:11:54Do you think so too?
00:11:58They want to sleep.
00:12:00What they will see
00:12:02will be better than
00:12:04the most interesting dream.
00:12:06Don't be so sure.
00:12:08Have you ever seen an innocent head
00:12:10with no bad thoughts?
00:12:12Almost never.
00:12:14Stop arguing with the devil.
00:12:16Girls, I fell asleep.
00:12:18My head hurts since morning.
00:12:20So from now on
00:12:22it will stop hurting.
00:12:24This time
00:12:26we won't pretend
00:12:28neither Konstancja nor Klara.
00:12:30What did she do to you?
00:12:32She always defends you.
00:12:34Did I say anything bad about Klara?
00:12:36But you'd like to maup her as well.
00:12:38You repeat exactly
00:12:40what Jasia says.
00:12:42Who is Jasia for you?
00:12:44Prince Jan.
00:12:46Okay, Prince Jan.
00:12:48Paulina, do you always
00:12:50have to maup someone?
00:12:54What's this newspaper?
00:12:56Take your hands off.
00:12:58It's an old newspaper.
00:13:00And I won't tell you
00:13:02where we got it from.
00:13:04If you're nice,
00:13:06you'll be able to look at it later.
00:13:08I'm not interested at all.
00:13:10And that's why you're stupid.
00:13:12Did you hear what Mr. Leon
00:13:14said about curiosity today?
00:13:16Your Mr. Leon.
00:13:18Maybe someone
00:13:20fell in love with him.
00:13:22That wouldn't be a bad idea.
00:13:24You should know.
00:13:26He said that as soon as the war is over
00:13:28he will open a theatre with real actors.
00:13:30I could also
00:13:32become an actress in a real theatre.
00:13:34Do you know what kind of career it is?
00:13:36I've seen actresses in the cinema.
00:13:38I've never been to the cinema.
00:13:40Now no decent person
00:13:42goes to the cinema.
00:13:44And I've been once.
00:13:46And I've seen that all those actresses
00:13:48are not better than us.
00:13:50You could be even better.
00:13:52With such a thin ass?
00:13:54But you have a big one,
00:13:56but a small mind.
00:13:58Did you hear what Mr. Leon said
00:14:00about curiosity today?
00:14:02I heard.
00:14:04So what?
00:14:06We know her better than him.
00:14:08Shut up.
00:14:10After the war
00:14:12he will open a school for actors.
00:14:14Mr. Leon also says
00:14:16that school is not the most important thing.
00:14:18The most important thing is to have a talent.
00:14:20Cars,
00:14:22fur,
00:14:24jewellery,
00:14:26travelling,
00:14:30music.
00:14:36But this girl is stupid.
00:14:38They live even better in America.
00:14:40I once read a book
00:14:42about such an actress.
00:14:44About whom?
00:14:46Oh, a very big star.
00:14:48And she was born in the same hole as us.
00:14:50Then she went to America
00:14:52and now she is very poor.
00:14:54They are bad people.
00:14:56Actors?
00:14:58Actors are bad people.
00:15:00Everyone sins.
00:15:02I didn't make it up.
00:15:04Sure.
00:15:06Someone as stupid as you did.
00:15:08Why is this cow always picking on me?
00:15:10Yes, but not a cow.
00:15:12Jesus, you are so boring.
00:15:14First, the title.
00:15:16A great drama
00:15:18of a famous actress.
00:15:20Act I
00:15:22A trip.
00:15:24Act II
00:15:26A hospital.
00:15:28Act III
00:15:30A trial.
00:15:32What trial? What are you talking about?
00:15:34That's what we want to show you, ladies and gentlemen.
00:15:36In the last act,
00:15:38you will all be judges.
00:15:40I just want to sleep.
00:15:42I've had enough of your whining.
00:15:44I can tell you why she is so sleepy.
00:15:46Because recently she has been dreaming
00:15:48about the young Alun from the seminar
00:15:50who is supposedly hiding in Plebany.
00:15:52But why does someone from the seminar
00:15:54look like a Jew?
00:15:56What did he do?
00:15:58Leave him alone.
00:16:00Maybe he is a Jew?
00:16:02He doesn't look like a Jew.
00:16:04Right, Julia?
00:16:06What do you want?
00:16:08He doesn't have such beautiful red hair
00:16:10like you, my dear,
00:16:12nor such beautiful black eyes
00:16:14where everything can be read.
00:16:16He doesn't.
00:16:18So what?
00:16:20That's enough.
00:16:22Well, ladies,
00:16:24we can start.
00:16:26Act I
00:16:28Title Love
00:16:34I'm ready.
00:16:38The place of action.
00:16:40Theatrical wardrobe.
00:16:44The show is over
00:16:46and I'm starting to get dressed.
00:16:48Imagine,
00:16:50a basket with flowers,
00:16:52roses,
00:16:54without mimosa.
00:17:00It's you.
00:17:02I haven't seen you at the audience today.
00:17:04I've been working.
00:17:06I can't spend every evening
00:17:08in the theatre.
00:17:10You've been drinking.
00:17:12From where?
00:17:14Just a little.
00:17:16Don't make fun of me, my dear.
00:17:18You said you wouldn't take
00:17:20a single drop into your mouth.
00:17:22I must have been a little drunk.
00:17:26I wanted to tell you
00:17:28something important.
00:17:30Tell me.
00:17:32I trusted you very much.
00:17:34What do you mean?
00:17:36I've been sitting in the studio all day.
00:17:38I was tired of your breast.
00:17:40You never said it was so tiring for you.
00:17:42Listen.
00:17:44In order to succeed,
00:17:46you have to get tired first.
00:17:48And I really want this breast
00:17:50to be my best work.
00:17:52And you know why.
00:17:54Because you've never
00:17:56made a bad sculpture.
00:18:00Because I love you.
00:18:04Leave it.
00:18:12Don't you want to hear
00:18:14what I have to tell you?
00:18:16I'm waiting.
00:18:18We're leaving.
00:18:20What about your theatre?
00:18:22We're going far away.
00:18:24I don't care about the theatre or the audience.
00:18:26I just want us to be together.
00:18:28We?
00:18:30A wonderful idea.
00:18:32We're leaving.
00:18:34The only problem is that we don't have the money.
00:18:36I have the most expensive one.
00:18:38I don't want to be your mistress.
00:18:40We'll be rich.
00:18:42No.
00:18:46These are the tickets and passports.
00:18:48Oh my God.
00:18:50You're crazy.
00:18:56And so, my dear,
00:18:58the first act of the play ends.
00:19:00Well.
00:19:02As for the performance of two lunatics,
00:19:04you couldn't have come up with something
00:19:06equally stupid.
00:19:08Listen, Capuchin's head.
00:19:10This is a fictional story.
00:19:12We're only playing a real drama.
00:19:14What are you talking about?
00:19:16A real drama from life.
00:19:18This was just the first act.
00:19:20The most important things will happen later.
00:19:24But you'll have to wait for that.
00:19:26And there will be something to watch,
00:19:28dear audience.
00:19:30And then, after some time,
00:19:32it will be your turn.
00:19:34Then you'll all have fun in court.
00:19:36Oh God, I'm so tired.
00:19:38As if I were on a real stage.
00:19:40Even Leon
00:19:42has never murdered me like that.
00:19:44Mr. Leon,
00:19:46turn off the light.
00:19:48All right, Mr. Leon.
00:19:52The performance is over.
00:20:08The performance is over.
00:20:38Come in.
00:20:44Please.
00:20:48Does it bother you?
00:20:50No.
00:20:52No, no.
00:20:54No.
00:21:08Apparently, Paweł has arrived.
00:21:10I'm worried about him.
00:21:14As always.
00:21:16He wants to tell me something important.
00:21:18Well,
00:21:20maybe he'll finally talk.
00:21:22He doesn't like to talk about himself.
00:21:24It's true.
00:21:26Just like his mother.
00:21:28My sister tries
00:21:30not to pay attention to herself.
00:21:32How many
00:21:34talkative conspirators have I seen?
00:21:38All those accidents over the years,
00:21:40what do you think they were caused by?
00:21:42Of course, by gossip.
00:21:44Do you have a moment?
00:21:46Now I'm starting
00:21:48to rehearse with the girls.
00:21:50I want to read you something.
00:21:54When I remember the tears
00:21:56I shed
00:21:58hearing the church hymn
00:22:00in the first moments
00:22:02after regaining my faith
00:22:04and the fact that I am now
00:22:06moved not by the influence of the hymn
00:22:08but by the content
00:22:10sung with a smooth voice
00:22:12and properly modelled,
00:22:14I see again
00:22:16the great benefit of this habit.
00:22:18So I hesitate
00:22:20between the danger
00:22:22I see in pleasure
00:22:24and the benefit I have learned
00:22:26from experience.
00:22:28Mr. Andrzej, old Augustine.
00:22:30However, when it happens to me
00:22:32that I am more moved by the hymn
00:22:34than by its content,
00:22:36then I admit that it is a sin
00:22:38and I would prefer
00:22:40not to hear the hymn.
00:22:44It's a bad word.
00:22:48Do I have to understand it
00:22:50as a directive?
00:22:54Let me tell you
00:22:56that Augustine simply means
00:22:58a bad choir.
00:23:00It's too easy to explain.
00:23:02Because the content sung
00:23:04as he says
00:23:06with a smooth voice
00:23:08and properly modelled
00:23:10please pay attention
00:23:12to the fact
00:23:14that it doesn't have to
00:23:16follow any further plan.
00:23:20It is a strict union
00:23:22of two values
00:23:24– music and words.
00:23:26I do not agree
00:23:28with those who believe
00:23:30that music should not be
00:23:32a form of prayer
00:23:34as poetry is.
00:23:36But it must be
00:23:38subordinated to something.
00:23:40To grace.
00:23:42Grace?
00:23:46Perhaps.
00:23:48But I do not
00:23:50have
00:23:52that grace.
00:23:56We are again
00:23:58on the steep path
00:24:00that you are trying to lead me on.
00:24:02I would love to,
00:24:04but I am too weak.
00:24:06You?
00:24:08I would love to hold you
00:24:10tight in my arms
00:24:12on this path.
00:24:14If it were
00:24:16some beautiful angels
00:24:18I could be very sad.
00:24:20And what would you do
00:24:22if one of the girls
00:24:24asked you
00:24:26if you believe in God?
00:24:28I would prefer
00:24:30not to talk about it with them.
00:24:32I would send them
00:24:34to you.
00:24:36Would they answer you?
00:24:38I would tell them
00:24:40that like many others
00:24:42I have been looking for him all my life.
00:24:44Is this not a lie?
00:24:48He ran away.
00:24:50Yes.
00:24:58I have to go.
00:25:06I have to go.
00:25:08I have to go.
00:25:10I have to go.
00:25:12I have to go.
00:25:14I have to go.
00:25:16I have to go.
00:25:18I have to go.
00:25:20I have to go.
00:25:22I have to go.
00:25:24I have to go.
00:25:26I have to go.
00:25:28I have to go.
00:25:30I have to go.
00:25:32I have to go.
00:25:34When he said
00:25:36his eternal power
00:25:40and all his disgrace
00:25:48he lost'.
00:25:56This is not
00:25:58a grandfather's disappointment anymore.
00:26:00I just want you to
00:26:02From the purity of the lady, the son of God, the living.
00:26:07Yesterday was better.
00:26:09But yesterday, sisters, we were practising with the accompaniment.
00:26:13Yes.
00:26:15And now, about Herod the Crucifix, please.
00:26:19About Herod the Crucifix
00:26:26What is the reason
00:26:31that you, Mary,
00:26:36do not acknowledge
00:26:40nor do you atone
00:26:43for your great sin?
00:26:48Now, Ania and Sabina, please.
00:26:52In the middle of this fragment, you are already in your places, right?
00:26:57When the choir is singing,
00:26:59what is the reason that you, Mary,
00:27:01are already standing with your faces to the audience
00:27:03and you have stupid faces.
00:27:06Yes, because you are not afraid of Herod.
00:27:09Drink from what he will be talking about.
00:27:13Before the choir finishes,
00:27:15put the chair in the middle of the stage, please.
00:27:19Yes, it will be a throne.
00:27:22And both, yes.
00:27:25The guard of the princess.
00:27:27Good.
00:27:28Come, Herod.
00:27:30Wait a moment, not like that.
00:27:32You must remember that in this scene
00:27:35you are moving like dolls.
00:27:40Here, on the left leg.
00:27:44Good.
00:27:45Here you are.
00:27:47Come, Herod.
00:27:55But, Mr. Leon, Helena is too small.
00:27:59Herod should be big.
00:28:01Have you seen him?
00:28:03Have you never been afraid of someone smaller than you?
00:28:05A little Herod?
00:28:07Herod was not like her, thin and small.
00:28:10Don't laugh.
00:28:11Quiet.
00:28:13In the royal robe, in the crown, you will look very dangerous.
00:28:17Of course, you have to make terrible faces,
00:28:20because Herod is dangerous.
00:28:23So, Herod goes.
00:28:30He sits on the throne.
00:28:33To the left.
00:28:36To the right.
00:28:39In one hand, a golden apple.
00:28:41In the other, a pearl.
00:28:43And here I am, King Herod of the round world,
00:28:50with gold and favour.
00:28:54African antipodes and underground countries.
00:28:57All this remains in my royal power.
00:29:00They praise me, and so on.
00:29:02Do you understand?
00:29:03You have to say it like this.
00:29:06As if there were no stop signs there.
00:29:10As if you wanted to shout it out in one breath.
00:29:14And remember the accents.
00:29:17But I don't know what's going on,
00:29:20that the throne is swaying under me.
00:29:23Please.
00:29:25Herod goes.
00:29:27He sits.
00:29:31To the left.
00:29:32To the right.
00:29:33The throne is swaying, please.
00:29:35But I don't know what's going on,
00:29:37that the throne is swaying under me.
00:29:40Why am I restless,
00:29:43although there is no hunger of war?
00:29:45Although there is no hunger of war.
00:29:47Although there is no hunger of war.
00:29:49Hey, courtiers, field marshals,
00:29:52make me a madrigal.
00:29:54Make me a madrigal.
00:29:56Make me a madrigal,
00:29:58because I am overwhelmed with sadness.
00:30:02Very good.
00:30:16They must be a little tired.
00:30:18No, not at all.
00:30:20Yes, yes, the nurse is right.
00:30:22We're taking a break.
00:30:24And I'll light a cigarette myself.
00:30:26Can I ask you something?
00:30:28I'm listening.
00:30:29Are the actors afraid of you?
00:30:31What kind of question is that, Paulina?
00:30:33Well, yes.
00:30:35They were afraid.
00:30:37They had to be afraid.
00:30:40And you, my ladies,
00:30:42you should be afraid of me, too.
00:30:44The mother-in-law said something else.
00:30:47About me?
00:30:48Apparently, everyone in the theater liked you very much.
00:30:51And how did the mother know about it, sir?
00:30:54Well, we've known each other for a long time.
00:30:57Before the mother entered the monastery?
00:31:00Well, it's none of your business, my dear.
00:31:02We're going back to class.
00:31:04Yes.
00:31:05The cook can sleep a little longer upstairs, sister.
00:31:10Why didn't you answer me, Paulina?
00:31:13What would you like to know?
00:31:15You recognized me earlier, didn't you?
00:31:17Who?
00:31:19The mother.
00:31:21Well, yes.
00:31:23We've known each other for a long time.
00:31:26Before the mother entered the monastery.
00:31:29Well, yes.
00:31:31We've known each other for a long time.
00:31:34Well, yes.
00:31:36We've known each other for a long time.
00:31:38Before the mother entered the monastery.
00:31:41My sister doesn't want to talk to us about it.
00:31:45You didn't answer me, sir.
00:31:48I think I'm the only teacher here who asks such questions.
00:31:52And who believes in them, sir.
00:31:56Don't you believe in your sister?
00:31:58You can ask me anything.
00:32:01Can you ask me?
00:32:03Don't lie to me, sir.
00:32:12I know.
00:32:16I'm not a good teacher, but I think sometimes you have to lie.
00:32:21When?
00:32:23You'd like to know too much, my lady.
00:32:27I asked if you knew the mother.
00:32:29I think I told you yes.
00:32:32We've known each other for a long time.
00:32:34Will you ever tell us about her?
00:32:38What do you want to know?
00:32:40What my sister didn't tell us about her.
00:32:43Paulina! Marta!
00:32:52Look how much paperwork I have.
00:32:56You know they wanted to throw us out of here.
00:32:59They wanted to set up a field hospital here.
00:33:01But someone warned us about it.
00:33:03We have someone like that in the monastery.
00:33:05Who is it?
00:33:07Translator.
00:33:10The Germans will run away and he will have to stay.
00:33:13So he collects witnesses of his innocence.
00:33:17He convinced them that this is not a good place for a field hospital.
00:33:22But we're talking about me all the time.
00:33:24What about your mother?
00:33:26She lives in eternal fear.
00:33:29She still has bad feelings.
00:33:33You know, she managed to survive the whole war without these feelings.
00:33:39Now when the war is over, she keeps talking about some misfortune.
00:33:43She's tired.
00:33:46You two are so unlike each other.
00:33:49That's what you think.
00:33:51I don't think about misfortune. I just pray that they don't find us.
00:33:55Do you manage somehow?
00:33:58It's getting harder and harder.
00:34:00I don't have enough time to pray.
00:34:03I mean, to be alone with God.
00:34:09Do you think you can be sure that you are closer to God by praying in the chapel for hours?
00:34:14I don't know.
00:34:16And I know.
00:34:18And what if you have even less time?
00:34:22What if someone comes to you with the message that you only have a few minutes?
00:34:26I don't understand.
00:34:28I'll explain it to you in a moment.
00:34:30Someone reads, washes a glass,
00:34:33takes medicine or entertains someone with a conversation.
00:34:37What are you talking about?
00:34:39About myself.
00:34:41When I go to him in the corridor, in the staircase or on the street,
00:34:46that's when I pray.
00:34:48Although I know it doesn't matter at all.
00:34:51I pray that everything goes according to plan.
00:34:54Because there is always such a plan.
00:34:57What plan?
00:34:59Someone else takes care of it.
00:35:01Who?
00:35:02I only know some names or pseudonyms.
00:35:04There is a division of tasks. Do you understand?
00:35:06No.
00:35:07Listen.
00:35:09Someone brings an envelope to me on a specific day.
00:35:13And I can open it.
00:35:15I even have to do it before I give it to her at the destination.
00:35:19The envelope contains a name, surname, address
00:35:22and a few verses of always the same text.
00:35:25Why do they bring it to you?
00:35:27Because, mother, there is a division of tasks.
00:35:30The court that judges...
00:35:32What court are you talking about?
00:35:34The court that measures the punishment.
00:35:36And what do you have to do with it?
00:35:38Because I'm the one who carries these envelopes.
00:35:43I never told you that I stopped believing in God a long time ago.
00:35:48But when it comes to judgment, I really repeat, God...
00:35:52Has no one asked you for permission?
00:35:55It's an order, mother.
00:35:58You didn't have to agree to it.
00:36:00When I was called for the first time, I was allowed to choose.
00:36:04Indeed, I could refuse then.
00:36:06And you didn't refuse.
00:36:09Until now.
00:36:11What does it mean?
00:36:13That I was carrying this envelope and I saw what it looked like.
00:36:17When I was handing out these whistles.
00:36:20When the man I came to took out a piece of paper from the envelope.
00:36:24I said he only had a few seconds.
00:36:27And that he was allowed to pray.
00:36:30Why are you telling me this?
00:36:33You wouldn't refuse such a right to anyone.
00:36:37I don't want to listen to this any longer.
00:36:40I can't tell this to anyone but you.
00:36:43You know what?
00:36:45Sometimes they even try to pray.
00:36:48Or they kneel and beg.
00:36:51But not God.
00:36:53No more words.
00:36:54You have to help me.
00:36:56Wait!
00:36:57You didn't have to do this.
00:36:59Someone else would have done it for me.
00:37:01Maybe I wouldn't have given them a chance.
00:37:03You said this is the right place for such a conversation.
00:37:06You are someone who should understand me best.
00:37:09I didn't do anything wrong to you.
00:37:11But you can understand what's going on.
00:37:14When you don't have the strength to listen to this man
00:37:17who defends himself at all costs.
00:37:20You are sick.
00:37:21You are probably right.
00:37:23When I came here, I observed how you live.
00:37:25And when I came back, I repeated to myself
00:37:27that a decent life is possible.
00:37:29And that someday, when all this nightmare disappears,
00:37:31it will be possible to forget about it all.
00:37:33Just like you forgot.
00:37:35No one has ever sent me to someone I knew before.
00:37:38This time it's about something else.
00:37:41I was never told to kill a man I knew.
00:37:47Did you talk him out of it?
00:37:49I went back.
00:37:51Thank God.
00:37:52You don't have to thank him.
00:37:54I was a coward.
00:37:55I lacked courage.
00:37:57You shouldn't expect anyone to give you such orders.
00:38:02Orders, Mother.
00:38:04I don't.
00:38:06What?
00:38:07It's time to carry out such orders.
00:38:13Now you are sick.
00:38:17You were sick too?
00:38:26Let us now pray for those
00:38:28who were detained today in the city.
00:38:32Holy Mary, full of grace,
00:38:34blessed art thou among women,
00:38:36and blessed is the fruit of thy womb, Jesus Christ.
00:38:39Holy Mary, Mother of God,
00:38:41pray for us sinners,
00:38:43now and at the hour of our death. Amen.
00:38:49Sister Zenobia heard that these are men
00:38:51who were caught red-handed.
00:38:53They also took people out of the house.
00:38:55Sister, why aren't they afraid?
00:38:57The war will soon be over.
00:39:00Martha, this is a stupid question.
00:39:02You shouldn't say that.
00:39:04She'll tell us in a moment,
00:39:06that God destroyed Sodom.
00:39:08Do you think it's just a legend?
00:39:10Sister, it's all so terrible,
00:39:12and we're having fun.
00:39:14You have a long tongue, Sylvia.
00:39:16Maybe nothing will happen to us.
00:39:18Sister, they say they're building a chateau in the city.
00:39:22No one has seen it with their own eyes.
00:39:25Don't think about it.
00:39:27Everything will be clear tomorrow.
00:39:29At least now you'll be able to enjoy this fun.
00:39:32What fun?
00:39:35We should all pray in the chapel.
00:39:37All night?
00:39:38Exactly.
00:39:39If you want it so much,
00:39:41you should ask Mother of God
00:39:43for permission to stay the night.
00:39:45You don't have to pray all night.
00:39:47I'm not going to sleep anyway.
00:39:49If it lasts,
00:39:51they'll pray there too.
00:39:53Who?
00:39:56The ones they're going to hang.
00:39:58They said they were blowing up railway tracks.
00:40:01Mr. Leon was in town after lunch.
00:40:03Don't think about it.
00:40:05We can only wait for what will happen.
00:40:09We can always only wait.
00:40:12Go to sleep.
00:40:14Turn off the light.
00:40:17Maybe they'll really be hanged.
00:40:19Maybe.
00:40:21And you won't be able to do anything about it.
00:40:23For sure.
00:40:24You!
00:40:25No one's going to keep you here.
00:40:27The chapel isn't locked.
00:40:28Take the blanket and go.
00:40:29Leave her.
00:40:30So what?
00:40:31You're afraid.
00:40:32And you?
00:40:33I'm just trying not to think, Julia.
00:40:36Maybe I have less reasons to be afraid than you do.
00:40:40I don't know.
00:40:43Maybe I have less reasons to be afraid than you do.
00:40:46Why less?
00:40:48Ask her.
00:40:49Get away from her.
00:40:51You two.
00:40:57Sister Zenobia was in the closet today.
00:41:00I covered for her.
00:41:02They're up to something.
00:41:04And it's definitely because of you.
00:41:06They have other problems now.
00:41:08Something's always going on.
00:41:09Her brother-in-law came to see her.
00:41:11They talked all day.
00:41:13How long do you think he's going to be here?
00:41:16Ask him yourself.
00:41:17He'd say I'm bothering him.
00:41:19I like him.
00:41:21He always came to the chapel in the summer.
00:41:23You prayed to him then.
00:41:25I think we need to kill this jerk.
00:41:28They're all a little hot-tempered.
00:41:30Even during the rehearsal, Mr. Leon told Sister Zenobia
00:41:33to pay more attention to the notes.
00:41:40Do you hear that?
00:41:45It's the same.
00:41:47It's very far away.
00:41:51The front will move only in the spring.
00:41:53You'll see what happens if one of them comes in
00:41:55and smells the smoke.
00:41:57All right. The door is closed.
00:41:58The light on the stairs is off.
00:42:00Well, ladies, we can start.
00:42:03I don't want to listen to this.
00:42:05Shut your ears.
00:42:07Listen.
00:42:08Now, in our theater, the climax is coming.
00:42:11So what?
00:42:13Always in the second act, the most important accidents have to happen.
00:42:16Don't be a monkey, Mr. Leon.
00:42:19How do you know he wouldn't cry tears of joy?
00:42:22He likes to move.
00:42:24Especially when he sees us.
00:42:26Leave him alone. He was happy today.
00:42:28He said that even in a real theater,
00:42:30rehearsals don't always go as well as ours.
00:42:32He lied, poor boy.
00:42:33He didn't want us to lose our enthusiasm for fun.
00:42:36You're right.
00:42:37Because what else is going on in your heads now?
00:42:40What?
00:42:41You're some loser from the seminary,
00:42:43whom the priest's wife feeds better than our prefect.
00:42:47Be careful now.
00:42:52Listen, not a word from now on, all right?
00:42:55The second act, that is, the crime.
00:42:58It's happening in a hospital abroad.
00:43:02The patient did the following medical examinations the day before.
00:43:07I was at the doctor's this morning.
00:43:09A great professor.
00:43:11He said that the condition of my fiancé
00:43:14doesn't give any hope.
00:43:17That's exactly what he told me.
00:43:21The patient will, unfortunately, suffer a lot.
00:43:25Coming to him, I don't know what to say.
00:43:28I'm completely broken.
00:43:33Don't stand like that.
00:43:36Don't sleep.
00:43:38I saw you coming in.
00:43:40Did you sleep?
00:43:42No.
00:43:43They gave me an injection.
00:43:45It's better now.
00:43:47But it's taking longer.
00:43:49It has to be better.
00:43:51It's just a transitional crisis.
00:43:54Why are you lying?
00:43:56I don't want to lie.
00:43:58We promised each other that we would always tell the truth.
00:44:01It's so stuffy here. Maybe I'll open the window.
00:44:04I'm irritated by the noise.
00:44:07You didn't kiss me.
00:44:12You did what I asked.
00:44:15It's very difficult.
00:44:17I know, but I can only count on you.
00:44:20You shouldn't expect that from me.
00:44:24You don't love me.
00:44:26I love you.
00:44:28So you'll do it.
00:44:30I'm afraid.
00:44:31You don't have to be afraid.
00:44:33You just have to help me.
00:44:35But I can't.
00:44:37I told you where you should look for it.
00:44:41There were no problems.
00:44:43I was afraid to go in there.
00:44:46But I finally went in.
00:44:48And you have it with you now, right?
00:44:52When we arrived here,
00:44:54I thought the sky had opened for us.
00:44:58You regretted leaving the theatre.
00:45:00I didn't think about it at all.
00:45:02And you succeeded.
00:45:06Why is that?
00:45:08You were talking to the doctor.
00:45:12He can't explain it to me.
00:45:14He can't do anything to make me suffer less.
00:45:18I bought it.
00:45:21Show me.
00:45:26A lump.
00:45:28But it's enough.
00:45:30You shouldn't be afraid.
00:45:32My dear, I don't want to do it.
00:45:34It's a fraction of a second.
00:45:36But I don't want it.
00:45:38We promised we'd never hurt each other.
00:45:40That's why I don't want it.
00:45:42And that's how you hurt me.
00:45:47There's a letter in the drawer
00:45:50in which I explain everything
00:45:53and take full responsibility.
00:45:59Remember what you told me on the first night.
00:46:03That I love you very much.
00:46:05That you'll never leave me.
00:46:09I didn't know
00:46:11that you could suffer so much.
00:46:15But I won't leave you until the last moment.
00:46:20Take it.
00:46:22When I lie down
00:46:24and turn my head to the wall,
00:46:28put it on the shelf.
00:46:38Attention, sisters!
00:46:49Can't you sleep?
00:46:54I feel something.
00:46:57Smoke?
00:46:59I don't feel anything.
00:47:03Sister Klara told me about your worries.
00:47:06We have no influence on what happens.
00:47:08We can only pray.
00:47:11But God doesn't require you to be attentive.
00:47:14Let's pray in the morning.
00:47:17And now, please,
00:47:19don't make any noise.
00:47:21We've only learned two verses, Mother.
00:47:24It goes on and on,
00:47:27the stove is burning,
00:47:30Józef Nieborak
00:47:33supports it with a stick.
00:47:36The wind is blowing from everywhere,
00:47:39it won't warm anything up.
00:47:42The wind is blowing from everywhere,
00:47:45it won't warm anything up.
00:47:48Hail, Lord Jesus!
00:47:51Hail, Mary!
00:47:53Hail, holy Józef!
00:47:56All the company!
00:47:58Amen, amen, amen, amen, amen,
00:48:04amen, amen, amen!
00:48:13I talked to Paweł.
00:48:16Yes.
00:48:19He doesn't say anything, Mruk.
00:48:23He never told you what he does?
00:48:27They never talk about their affairs.
00:48:31He only boasted once
00:48:34that they beat up a friend or something.
00:48:39He kept asking about you.
00:48:42Do you know why he came now?
00:48:45Because they're beating him up again.
00:48:49They told him to shoot the friend he was in the unit with.
00:48:52He told me he was making such sentences.
00:48:55But he couldn't do it.
00:48:59He wanted me to find out about it.
00:49:02He wanted me to find out about it.
00:49:05He wanted me to find out about it.
00:49:10This is a serious matter.
00:49:14If he told you about it,
00:49:17it means they let him down.
00:49:20They'll be looking for him.
00:49:23What does he want to do?
00:49:26I don't know.
00:49:28I should help him.
00:49:32Give him shelter for how long?
00:49:35He wants to know if he can live with it.
00:49:39Do you understand?
00:49:42He didn't have the courage to ask me about it before.
00:49:45He didn't have the courage, Dureń.
00:49:51I told him to stay.
00:49:56I'm asking you to talk to him.
00:50:00He didn't ask for such help.
00:50:09We're waiting, Mr. Leonie.
00:50:13We're waiting, Mr. Leonie.
00:50:25Let your sister sing with them.
00:50:32What happened?
00:50:36There was a man from the city
00:50:41Who said what he wanted?
00:50:44He said he'd come tomorrow.
00:51:10What are you doing here?
00:51:14Where have you been?
00:51:17It's none of your business.
00:51:20Maybe it is.
00:51:23You must be the one who found yourself here.
00:51:27Are you looking for help?
00:51:30I'm looking for help?
00:51:33Yes, you want to hide here.
00:51:36I'm looking for help?
00:51:39Yes, you want to hide here.
00:51:42I want to warn you not to risk it.
00:51:45What risk?
00:51:48You talked about it yesterday.
00:51:51Your mother complained?
00:51:54No, she said she didn't know how to help you.
00:51:57I know she can't afford such help.
00:52:00She doesn't even know what you want to do.
00:52:03Leave them alone.
00:52:06You must run away.
00:52:09No one will look for you.
00:52:12Are you sure?
00:52:15Someone else will help you.
00:52:18She also said...
00:52:21Don't pretend.
00:52:24What do you want from her?
00:52:27Sin?
00:52:30I'll try.
00:52:33It's a pity she came to you.
00:52:36She's afraid of you.
00:52:39No need.
00:52:42I can do it.
00:52:51Act 3.
00:52:54The court.
00:52:57It was hard for you to believe it.
00:53:00You're stupid.
00:53:03You ate all the brains.
00:53:06Don't talk about food.
00:53:09I was hungry.
00:53:12Do you know how she feeds herself?
00:53:15Everyone wants to eat there.
00:53:18But my sister always chases me away.
00:53:21Don't talk about food.
00:53:24I'd like some bread with lard.
00:53:27What about oysters?
00:53:30What oysters?
00:53:33Stop it.
00:53:36And wine, of course.
00:53:39Did you drink it?
00:53:42Of course.
00:53:45Did you drink bimber?
00:53:48Yes.
00:53:51You must have drunk a lot of it.
00:53:54It hit you in the head.
00:53:57Klara said she saw bimber on the market.
00:54:00Mr. Leon said...
00:54:03those who are to be hanged...
00:54:06have been taken out of town.
00:54:09Let's start.
00:54:12Act 3.
00:54:15The court.
00:54:18Everyone will have to say...
00:54:21if there's a punishment for murder.
00:54:24First, let's recall everything again.
00:54:27That's how it's done in a real court.
00:54:30As you remember...
00:54:33I decided to leave.
00:54:36I persuaded my fiancé to leave...
00:54:39believing he'd make a career abroad.
00:54:42It was the man I pretended to be.
00:54:45I wanted to leave so badly.
00:54:48Everyone wanted to leave.
00:54:51But I could have stayed here.
00:54:54I was a famous actress.
00:54:57You did it out of stupidity.
00:55:00Out of love.
00:55:03You don't do such things out of love.
00:55:06She doesn't understand anything.
00:55:09I'm ashamed of you.
00:55:13If you really love someone...
00:55:16you want to be with him.
00:55:19I don't understand.
00:55:22One day I will.
00:55:25As you remember, I insisted on leaving.
00:55:28I bought tickets and said...
00:55:31we'd have enough money.
00:55:34Then there was Act 2.
00:55:37The man got to the hospital too late.
00:55:40There was no help.
00:55:43He was in so much pain...
00:55:46he wanted to end it.
00:55:49Is what you're saying a sin?
00:55:52No, it's true.
00:55:55But he could have committed suicide.
00:55:58You know, pretending to be that woman...
00:56:01I understand why she agreed to his request.
00:56:04She knew there was no hope.
00:56:07The doctors confirmed it.
00:56:10I couldn't help him...
00:56:13until he asked her to buy a revolver.
00:56:16I think she was very scared.
00:56:19It's a made-up story.
00:56:22Or you read a stupid book.
00:56:25We didn't read a book.
00:56:28It's not made up.
00:56:31Are you going to listen to it?
00:56:34She bought a revolver?
00:56:37She had to accept it.
00:56:40Maybe she was hoping for a miracle.
00:56:43What miracle?
00:56:46Maybe she thought the doctors were mistaken.
00:56:49The patient was losing strength.
00:56:52You know the last scene.
00:56:55She bought a revolver, put it in her bag...
00:56:58and went to the hospital.
00:57:01She didn't want to die.
00:57:04But what could it have changed?
00:57:07What do you mean?
00:57:10She saved herself from hell.
00:57:13She didn't think about herself.
00:57:16We showed you that scene.
00:57:19The patient asked her not to be afraid.
00:57:22He told her to put a gun to her chest.
00:57:25Then the police showed up...
00:57:28and took the car to the prison.
00:57:31Now you have to play the court scene.
00:57:34You can only answer one question.
00:57:37Is this woman guilty?
00:57:40She is.
00:57:43I won't answer.
00:57:46Who allowed you to ask such questions?
00:57:49We didn't ask for consent.
00:57:52You have no shame.
00:57:55No one can hide the truth.
00:57:58Not even our little sister.
00:58:01At least leave her alone.
00:58:04Enough!
00:58:07There is always someone who accuses.
00:58:10And a defender.
00:58:13What did the accused say?
00:58:16The crime was committed.
00:58:19There is a victim.
00:58:22Why was the murder committed?
00:58:25Was there such a court?
00:58:28Now you have to answer.
00:58:31Why did the crime take place?
00:58:34Why did she agree to fulfill the patient's wish?
00:58:37Why did she buy a gun?
00:58:40She couldn't have.
00:58:43But she did it at his request.
00:58:46There was an envelope on the bed.
00:58:49The crime took place at his request.
00:58:52If the guard was suffering and he wanted it,
00:58:55she saved him from the torture chamber.
00:58:58She was innocent.
00:59:01Is it allowed to force a person to do such a thing?
00:59:04She knew only one answer.
00:59:07She is guilty.
00:59:10This sick man could not realize what he was saying.
00:59:13He could be unconscious.
00:59:16They tried to soothe him.
00:59:19Such injections limit the consciousness of the patient.
00:59:22I don't know if he was a sinner.
00:59:25You can't judge him.
00:59:28God will do it.
00:59:31He won't look at your sentences.
00:59:34If she really loved him.
00:59:37It doesn't matter.
00:59:40Are you sure?
00:59:43If someone kills another person, he is a murderer.
00:59:46And in a war?
00:59:49Always.
00:59:52And if he does it in self-defense?
00:59:55Also.
00:59:58And in the defense of someone's life?
01:00:01She didn't defend life.
01:00:04It's true.
01:00:07Think about what the defenders would have to say.
01:00:10Can any court punish her more than she punished herself?
01:00:13By shooting.
01:00:16She herself?
01:00:19What kind of punishment could it be?
01:00:22Life with the conviction that such a crime was committed.
01:00:25I had to think about it earlier.
01:00:28Then she thought whether to fulfill the request.
01:00:31It's a pity she forgot about the price.
01:00:34I think she knew the price.
01:00:38But the court acquitted her.
01:00:41What kind of court was it?
01:00:44It was.
01:00:47Would you acquit her as well?
01:00:50Enough of this fun.
01:00:53Do you want to know why they told us to listen to all this?
01:00:56It's a pity you were in such a hurry.
01:00:59You would have to decide on the guilt.
01:01:02Tell them the truth.
01:01:06In which case did you read everything?
01:01:09The thief. I thought it was one of the sisters.
01:01:12So you can tell them the truth.
01:01:15Tell them.
01:01:18No!
01:01:21Are you afraid?
01:01:24Who was it?
01:01:27Mother.
01:01:35Mother.
01:02:06And?
01:02:09He said he had to talk to his mother.
01:02:12Did he tell his sister that I was busy?
01:02:15Yes.
01:02:18His sister will bring him.
01:02:21And please go get Mr. Leon.
01:02:24Thank you.
01:02:33My mother never told me to wait for so long.
01:02:36We have a lot of things to do.
01:02:39I don't doubt it.
01:02:42There used to be fewer of them.
01:02:45I didn't say that.
01:02:48I think she had more problems.
01:02:52I think she's joking now.
01:02:55When it's all over.
01:03:01You'll get used to it.
01:03:04I envy her.
01:03:07I have a hard time with it.
01:03:10What can I do for you?
01:03:13There is something.
01:03:16Maybe you can pay off your debt.
01:03:19What debt?
01:03:22We both have a good memory.
01:03:25Let's not beat around the bush.
01:03:28I've always tried to help the monastery.
01:03:33Your sisters are grateful to you.
01:03:36It's time to show gratitude.
01:03:39Let's pray for those who helped us.
01:03:42It's not enough for me.
01:03:45What do you expect from us?
01:03:49It's hard to guess.
01:03:52What can we do for you?
01:03:55A lot.
01:03:58Just like I did for you.
01:04:01What did I do with the letters?
01:04:04I asked my mother to take care of the metrics.
01:04:07I threw the letters into the trash.
01:04:10It was a risk.
01:04:13God sees such deeds.
01:04:17I'd like others to see it too.
01:04:20What should I do?
01:04:23What did I do when we were told
01:04:26that apart from the girls,
01:04:29my mother is also looking for a singing teacher.
01:04:32He's not a singing teacher.
01:04:35I said I knew him well.
01:04:38He was here before the war.
01:04:41It was also a risk.
01:04:44You didn't want to hurt us.
01:04:47Now I'm looking for help.
01:04:54Sister Klara asked me to come here.
01:04:57We were just talking about you.
01:05:03I have nothing to hide.
01:05:06I'll just tell you what happened
01:05:09when the Germans wondered
01:05:12why I didn't go to the front hospital.
01:05:15I told them it wasn't the right building
01:05:18and that it was too difficult to get here.
01:05:21You're asking us for help.
01:05:24Us?
01:05:27We were talking about unpaid bills.
01:05:30What bills?
01:05:33You know well.
01:05:36I was a translator at the post office.
01:05:39Maybe a lot.
01:05:42Your mother convinced you, didn't she?
01:05:45I understand.
01:05:48What kind of help could it be?
01:05:51Effective.
01:05:54That's nonsense.
01:05:57What could they do?
01:06:00The same thing they did to you.
01:06:03I brought a letter with your photo.
01:06:06It's true.
01:06:09Then I tore it up and threw it away.
01:06:12You want to hide here?
01:06:15Yes.
01:06:18Will it be a good place?
01:06:21Why? It was for you.
01:06:24I can wait here until they stop looking for me.
01:06:27Maybe it's better to run away?
01:06:30I have nowhere to go.
01:06:33Will your mother close the door?
01:06:36I don't see a reason to answer such questions.
01:06:39I'm not asking you.
01:06:42So how?
01:06:45This is a place
01:06:48where you should look for help.
01:06:51Didn't the young man
01:06:54your mother is visiting look for the same?
01:06:57He must have as strong papers as you.
01:07:00I always had my eyes open
01:07:03but I tried to help her.
01:07:06Then I turned my head
01:07:09and I didn't have to see anything.
01:07:12We owe each other a lot.
01:07:30You look very beautiful.
01:07:33It's a pity I don't have a mirror.
01:07:36Clara's sister could make costumes
01:07:39in the theatre.
01:07:42I don't have a mirror.
01:07:45I don't have a mirror.
01:07:48I don't have a mirror.
01:07:51I don't have a mirror.
01:07:54I don't have a mirror.
01:07:57Clara's sister could make costumes in the theatre.
01:08:00I always liked sewing.
01:08:03It's good that this is the last attempt.
01:08:06Don't you like it so much, Sylwia?
01:08:09I'd rather it was just a dream.
01:08:12What?
01:08:15I'd like to fall asleep and wake up
01:08:18when everything is over.
01:08:21It's possible that when you wake up tomorrow
01:08:24what I'm thinking about can't be a dream.
01:08:29They have their secrets.
01:08:32You thought when we started the rehearsals
01:08:35that we would finish them after the war.
01:08:38I prayed for such a miracle.
01:08:41Your sister was listened to.
01:08:44I think not only Clara's sister.
01:08:47What a funny beard.
01:08:50It's just a costume.
01:08:53He must be an old man.
01:08:56They didn't say he was an old man.
01:08:59He must have been a man of his age.
01:09:02He was always seen as an old man in the theatre.
01:09:05Not only in the theatre.
01:09:08Was your mother also afraid of the last rehearsals?
01:09:11What's it to you?
01:09:14Yes, sometimes.
01:09:17It was a real theatre and real roles.
01:09:20All of them are real.
01:09:23Why do you ask?
01:09:26I once told them
01:09:29that my mother was a very good actress
01:09:32and that good actors don't have to be so afraid of the audience.
01:09:35Are they loved?
01:09:38In any case, the audience can show it to them.
01:09:41Did your mother always show it?
01:09:44I don't remember.
01:09:47I don't know.
01:09:50Always.
01:09:53I'd like to be in a real theatre.
01:09:56You will.
01:09:59You will all be invited to my first performance.
01:10:02We've already been invited.
01:10:05It will take place here.
01:10:08I won't go to the theatre.
01:10:11What a change!
01:10:14I'm ashamed of it.
01:10:17Why?
01:10:20They lie there every time.
01:10:23Who?
01:10:26All of them.
01:10:29You're exaggerating.
01:10:32It's a sin to pretend.
01:10:35You can't pretend that something is really happening.
01:10:38You can, but you have to do it well.
01:10:42It's not always a lie.
01:10:45But it always has to end in a sin.
01:10:48My child!
01:10:51What sin are you talking about?
01:10:54Maybe even now, we're committing the same sin.
01:10:57You, me, Małgorzata, all of us.
01:11:00Can we really pretend like this?
01:11:03In this heavenly garden?
01:11:06What happened to you?
01:11:09It was shown many times.
01:11:14This man has come.
01:11:17Let him wait.
01:11:22So what if it was shown?
01:11:25Can you show every truth?
01:11:28Yes, you just have to learn your role well.
01:11:31And the crucifixion too?
01:11:34Yes.
01:11:37One day you'll see the real procession
01:11:40of the crucified Christ
01:11:43who carries the cross
01:11:46of the apostles, the bishops.
01:11:49What if someone asks to kill him?
01:11:52Sylwia!
01:11:55Because he doesn't want to do it himself.
01:11:58You can also kill yourself.
01:12:01First look at this person, and then...
01:12:05Let the nurse follow her.
01:12:12We saw it.
01:12:15What she just said.
01:12:18We played this scene in the bedroom
01:12:21exactly as they wrote in the newspapers.
01:12:24What newspapers?
01:12:27There was also a photograph of the mother.
01:12:30Someone took it in court
01:12:34Why didn't the nurses tell us the truth?
01:12:37Was what they wrote there a lie?
01:12:45You wanted to know the truth?
01:12:48I burned those newspapers, Mother.
01:12:51We were supposed to answer
01:12:54whether someone could be given such a guilt.
01:12:57Do we have the right to ask such questions?
01:13:00We have the right.
01:13:03But we can't answer.
01:13:06You can't give such a guilt.
01:13:09You have to save.
01:13:12Who?
01:13:15Those who need help.
01:13:18And nothing else?
01:13:21You can't forget about penance.
01:13:24The devil also thinks about penance sometimes.
01:13:27When the war is over,
01:13:30the penitentiaries will be alone.
01:13:33The priest told us that now is the time of true penance.
01:13:36Why should we penance, Mother?
01:13:39We didn't kill anyone,
01:13:42we didn't burn houses, we didn't ruin churches.
01:13:45Maybe we should penance for someone else's guilt.
01:13:48And it should be just?
01:13:51And those who did it?
01:13:54Are they similar to us?
01:13:57To me?
01:14:00No, I'm not similar to them.
01:14:03Nor to you.
01:14:06I'm not similar to you either.
01:14:12Let's go.
01:14:24Let's go.
01:14:54Let's go.
01:15:24Let's go.
01:15:54Let's go.
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