Opole 2014 - Folkowo i kabaretowo cz. 1
Transcript
00:00:30Oh
00:01:00Oh
00:01:30Foreign
00:02:00Foreign
00:02:30Foreign
00:03:00Foreign
00:03:30Foreign
00:03:52Foreign
00:04:00The relationship between you and any culture is not very visible, I'm sorry.
00:04:04What does he mean?
00:04:05I don't know.
00:04:06Ficas?
00:04:09Try to hit a child!
00:04:12No, but gentlemen, this is a party dedicated to folk culture.
00:04:16I work here.
00:04:18And we just came to it.
00:04:21But in what character?
00:04:22In the character of the embodiment of the spirit of the people.
00:04:25In Latin, spiritus ludu.
00:04:28Well, it suits you more, spiritus ludu, yes.
00:04:31But I don't have you arranged in any way in the program, so ...
00:04:36Because we don't fit anywhere in any frames.
00:04:39You haven't seen the benches here somewhere?
00:04:42Somehow not.
00:04:43And a shop with a straight fork?
00:04:45I don't think so either, I'm sorry.
00:04:47Hey!
00:04:48Take a lean!
00:04:51Yes, and then you beat me, right?
00:04:54Take a lean, don't be afraid!
00:04:56But just a little.
00:04:59Oh, Mamunciu, people!
00:05:01He's talking about folk culture to the core!
00:05:05Well, it can't be!
00:05:07Sick or sick?
00:05:08I'm not sick, I'm here at work, gentlemen.
00:05:10Hey!
00:05:11Think about it!
00:05:12And such a folk culture was created when?
00:05:14When the boy was plowing the field?
00:05:16Well, not really, because then he was busy.
00:05:19Well, that is, after work, in his free time.
00:05:22And what did the grandfather do in his free time with the boy?
00:05:25Do you remember from school?
00:05:27From the regime school, I remember.
00:05:29Back then it was said that he was drinking the boy in the inn, yes.
00:05:32Well, those were beautiful times.
00:05:34But it's not coming back anymore.
00:05:36Well, the conclusion from this is that this whole folk culture was created on the basis of percent, right?
00:05:44Well, maybe except for the cuts, only because women would cut themselves with scissors.
00:05:49Well, except for the cuts.
00:05:52Well, if this whole folk culture was created on the basis of percent, how do you want to understand it?
00:05:56Well, where is the logic here?
00:05:59There is some sense in what you are saying, gentlemen, it's true.
00:06:02Well, well, but don't worry.
00:06:04When we come back, we will help you.
00:06:06Well, we'll just find a shop.
00:06:08Oh, and a park?
00:06:09A park? I'm sorry, what for a park?
00:06:11Well, where is the easiest bench to grind?
00:06:15Well, it's supposed to be right.
00:06:17Well, and you pretend here somehow, because when humanity realizes that you are talking about folk culture,
00:06:23and you are sober as a baby, you will lose all respect.
00:06:26And human respect is hard to work for all the years.
00:06:30Well, look at us.
00:06:32Well, for now.
00:06:34Well, for now.
00:06:35Thank you very much.
00:06:41I urge you that they will come back here, I think.
00:06:44But if you allow me, I will try to shake at least at the beginning.
00:06:49Because this cabaret folk and cabaret, we will start with such a cabaret part.
00:06:54Now let them hysterize, because I promised them that they would be welcomed on this stage.
00:06:59Cabaret Novaki!
00:07:12Who's there?
00:07:13It's me.
00:07:14And?
00:07:17And please open.
00:07:19I did not open to Germans, I did not open to Jehovah, I will not open to Toysmerf.
00:07:26Mrs. Krystyna, let them in.
00:07:28Beg me.
00:07:32I beg you.
00:07:33And make that voice.
00:07:35Mrs. Krystyna.
00:07:36Do it!
00:07:38I beg you.
00:07:40Oh, I came without a balcony.
00:07:43Oh, oh, oh, oh, oh, oh.
00:07:45So what, let them in, Mrs.
00:07:46Well, come in, it's open.
00:07:51But you fucked up the room.
00:07:58And why did you dress up like a dog show?
00:08:02Oh.
00:08:07I have an official matter.
00:08:08Is there a boss?
00:08:09And it depends for whom.
00:08:11And for me?
00:08:12And for me, and for me.
00:08:13And for me, they recently issued a mandate for cycling on a bike.
00:08:17And?
00:08:18There is no boss.
00:08:20Okay, Mrs. Krystyna.
00:08:22There is also no mandate for this.
00:08:25Oh, what a corrupt police.
00:08:30But you should not ride a bike on a bike after a drink.
00:08:33You should ride a bike after a drink.
00:08:35After what drink?
00:08:36I barely wet my mouth.
00:08:38Alkomat showed 2.5 promille.
00:08:40I was almost sober.
00:08:43I could drink more.
00:08:47Okay, is there a boss?
00:08:49There is a boss.
00:08:50Oh.
00:09:00Krystyno.
00:09:01What about a drink?
00:09:02You hit your head.
00:09:03Aniela.
00:09:04So much.
00:09:05I would do it for you.
00:09:06Prayer is a good idea for the evening.
00:09:07Kajdzidła, the smell is carried in the air.
00:09:10Staszku, what brings you here?
00:09:12I came with an official matter.
00:09:13I came to talk to you.
00:09:15So why Krystyna doesn't call?
00:09:18Because, as they say, dogs bark and the caravan goes on.
00:09:23Staszku, tell me, what's the matter?
00:09:25I don't know, because...
00:09:27I mean...
00:09:29Because...
00:09:36What? Do you have a nervous tic?
00:09:38No, not a tic, but...
00:09:40He wants the priest to drive me away.
00:09:42What a stupid priest.
00:09:43What a saint, saint, saint.
00:09:46Maybe Krystyna would brew some tea.
00:09:48Or maybe some wine.
00:09:49Krystyno.
00:09:50It's over anyway.
00:09:51How is it over?
00:09:52I bought 30 liters recently.
00:09:54It wasn't enough.
00:09:56Krystyno.
00:09:57Oh, I'm sorry.
00:09:59Well, Staszku, to the point. What's the matter?
00:10:01There are two matters, priest.
00:10:02The first one is that all the nearby villages are laughing at us.
00:10:04What villages?
00:10:05I don't know, Czarnowolcy, for example, are laughing at us.
00:10:08Really?
00:10:09Yes, they're laughing at us.
00:10:10I gave Krystyna a ride on a bike, didn't I?
00:10:12You did, you did, priest, you did.
00:10:14But where is Krystyna going?
00:10:16Oh, I don't know.
00:10:18Nowhere.
00:10:25They're not laughing at that.
00:10:28They're laughing at us, that we don't have biedronki in the village.
00:10:31Oh, really, really.
00:10:33The commander must have spilled something there.
00:10:35After all, biedronek is from Zezran.
00:10:38I'm sorry, holy priest.
00:10:40I can't get this nonsense out of the house.
00:10:42After all, it's worse than ants in sugar.
00:10:45Krystyno.
00:10:46Oh, I'm sorry.
00:10:47But these insects are driving me so mad.
00:10:50And from the moment the priest bit the ant's ass.
00:10:55For you, the commander, to see the priest.
00:10:57A man with three footprints.
00:11:01I've never seen a man put his pants over his head.
00:11:05With all due respect to the holy priest.
00:11:08And in real life, you wouldn't laugh at a doctor like that.
00:11:10In real life, you wouldn't laugh at a doctor like that.
00:11:12And why is the priest looking at me like that?
00:11:14As they say, there are never too many holy traitors, right?
00:11:19Krystyna misunderstood me.
00:11:21I meant the biedronka shop, not some...
00:11:23The Bulgarian who controlled the commander misunderstood the commander.
00:11:29I just asked for a proof.
00:11:31Since when do you identify yourself without pants?
00:11:35Krystyno.
00:11:36Oh, I'm sorry.
00:11:38And you, Staszko, now explain yourself.
00:11:41It's not like Krystyna says.
00:11:44It was a misunderstanding.
00:11:45I asked for a proof and she undressed.
00:11:48I also undressed so she wouldn't be sad.
00:11:51We got up in the forest, it was nice, we talked.
00:11:53Will you fulfill the will of an elderly, sick woman?
00:11:59How can we help?
00:12:00Can you speak a little louder?
00:12:03Why?
00:12:05Krystyno, what will she say?
00:12:07Let her be praised.
00:12:08Krystyno.
00:12:09For the last time...
00:12:10Krystyno.
00:12:12Speak a little louder, because I don't like it when the commander doesn't speak.
00:12:16But this is a private conversation.
00:12:18Okay, okay.
00:12:19You son of a...
00:12:22I think you're talking about your son.
00:12:24That's not what I meant.
00:12:26Krystyno.
00:12:27Oh, I'm sorry.
00:12:29You can't record, you can't eavesdrop, you can't shoot your uncle.
00:12:33Oh, I fucked up.
00:12:41What did Krystyna say?
00:12:43Because this is...
00:12:46This is the second...
00:12:49You don't want to record?
00:12:51Krystyno.
00:12:52Oh, I'm sorry.
00:12:54But I can't speak.
00:12:56So what about your uncle?
00:13:03I mean...
00:13:05Krystyno, I beg you.
00:13:07I can't do anything about the disease.
00:13:09Krystyna shot your uncle in the ass.
00:13:13Oh...
00:13:16Oh, you faggot.
00:13:26Krystyno.
00:13:27I gave Krystyna a slap in the face.
00:13:29Why did Krystyna do it?
00:13:32Because your uncle parked at a place for the disabled.
00:13:35But he doesn't have one leg.
00:13:39That's why he was running so slowly.
00:13:43Krystyno, that's a sin.
00:13:45But I confessed.
00:13:46Where?
00:13:47At the police station.
00:13:48That doesn't qualify for confession.
00:13:50How does it not qualify for confession?
00:13:52There was a queue, there were bars, they forced me to do it.
00:13:55It was all there.
00:13:57Krystyno, with such an opinion we won't get a loan to repair the church.
00:14:00Oh, the priest really doesn't care about this loan.
00:14:02The director of the bank almost admitted it to us.
00:14:05How did he almost admit it if I haven't been able to reach him for a month?
00:14:09And the priest won't call.
00:14:11Why?
00:14:12Because we don't have a range in the basement.
00:14:17Krystyno!
00:14:18Oh, I'm sorry.
00:14:19Mrs. Krystyno, it smells like a crime to me.
00:14:22You faggot, it's your socks that smell like a crime to me.
00:14:26Does Krystyna have anything else to say?
00:14:28If I hit you with a sledgehammer, your blood would pour out.
00:14:33What is Krystyna talking about?
00:14:35I'm practicing magic.
00:14:37I'm not going to get offended like this.
00:14:39Bulgarians will say so.
00:14:42And Krystyna has crossed the line with the authorities again.
00:14:45Let the priest know how he crossed the line with that Bulgarian.
00:14:49Krystyno!
00:14:50Oh, I'm sorry.
00:14:52I'm going to have to go to the commander and unwind everything.
00:14:55A day like any other, isn't it?
00:14:57Krystyno!
00:14:58Oh, I'm sorry.
00:15:00Krystyno, it's really just worries.
00:15:02And what happened to the priest?
00:15:04What happened?
00:15:06Did the priest have a mass?
00:15:08What?
00:15:20The Novak's Cabaret.
00:15:21Ladies and gentlemen,
00:15:22we know where this cabaret theme comes from,
00:15:24because the festival has been hosting cabarets for years.
00:15:28And why folk?
00:15:30Well, we decided to take the opportunity
00:15:32to celebrate the year of Oskar Kohlberg.
00:15:35200 years ago, this outstanding ethnographer,
00:15:38folklorist, composer was born,
00:15:40who documented Polish folk culture.
00:15:43I have here in front of me, ladies and gentlemen,
00:15:45all the works of Oskar Kohlberg.
00:15:47I mean, these are not all the works,
00:15:49because there are more than 80 volumes.
00:15:52I decided that I would not read more than 80 of them for you,
00:15:55but I will try to read them all for you today
00:15:57during this cabaret.
00:15:59Hence this folk theme,
00:16:01but it does not mean that folk artists
00:16:04will have to perform cabaret pieces,
00:16:07and that cabaret artists will have to refer to folklore.
00:16:11No.
00:16:12It's just a nice coexistence, I hope,
00:16:14that will be created here.
00:16:16However, until this year,
00:16:18Oskar Kohlberg, among others,
00:16:20will be referred to in such a way
00:16:22that we will try to complement
00:16:24something that does not exist in Kohlberg's work,
00:16:26because it could not exist,
00:16:28that is, such contemporary Kohlberg pieces
00:16:30that could be found, folk pieces.
00:16:32What are they like?
00:16:33I recently wrote a piece,
00:16:35which is undoubtedly folk,
00:16:37and could be found in all such works.
00:16:39It is a piece,
00:16:41I would follow my girl,
00:16:43but I will not catch her,
00:16:45because she ran away with a pendulum.
00:16:47It could easily be found in such a work,
00:16:49but it could not,
00:16:51because Oskar Kohlberg
00:16:53had no contact with a pendulum yet.
00:16:55Anyway, we also have less and less of these contacts.
00:16:57That is why I added a second sentence
00:16:59of this poem,
00:17:01that is, I will go to Małgosia,
00:17:03because something does not fit on a pendulum.
00:17:05And we will develop this folk thread
00:17:07during this whole evening.
00:17:09As for the cabaret thread,
00:17:11we will mention a little.
00:17:13For example,
00:17:15now a mention of the Polish cabaret
00:17:17from 30 years ago,
00:17:19exactly in 1984,
00:17:21a cabaret called
00:17:23Ostry dyżur took place here.
00:17:25As part of this cabaret,
00:17:27you heard the famous monologue
00:17:29of Bohdan Smolenia,
00:17:31A tam cicho być,
00:17:33that is, a whisper.
00:17:35As it turns out,
00:17:3730 years have passed,
00:17:39and the monologue is still inspiring.
00:17:41Please, here,
00:17:43inspired by this monologue
00:17:45of Bohdan Smolenia,
00:17:47artists of the cabaret
00:17:49of tiring sketches.
00:17:59La, la, la
00:18:01Uh, uh, uh, uh
00:18:03La, la, la, la, la, la
00:18:05Uh, uh, uh, uh
00:18:07La, la, la, la, la
00:18:09Uh, uh, uh, uh
00:18:11He saw an advertisement
00:18:13and his eyes lit up.
00:18:15Ha, ha!
00:18:17I'm not carrying it for you,
00:18:19but for the nurses.
00:18:21I ask myself, what is in this advertisement,
00:18:23what is in it?
00:18:25It is bread,
00:18:27And a thought.
00:18:30What thought?
00:18:32A thought, because we don't know how to move a human body.
00:18:36We know how to move what mom gave us in the ghetto.
00:18:40Boom, boom, boom.
00:18:46Mr Adamczyk, I see you.
00:18:48Damn, I found such a secret.
00:18:52Mr Adamczyk.
00:18:53What?
00:18:54Mr Adamczyk complains that you stole 20 zlotys from him.
00:18:58Oh, what a big deal, 20 zlotys.
00:19:01And when they were making a transfer from Ofen to Zuzna, 20 billion were lost.
00:19:06And what, I took them?
00:19:08Anyway, if I had 20 billion now, maybe I would be treated by a real doctor.
00:19:14Not just a syringe, a pill and a cap.
00:19:18And I like...
00:19:22Mr Adamczyk.
00:19:23Yes.
00:19:2420 zlotys.
00:19:25Yes.
00:19:26Did you lose them?
00:19:27Yes.
00:19:28And do you believe him?
00:19:30Yes.
00:19:31But you're a madman.
00:19:33Yes, and you?
00:19:35And I'm here by chance.
00:19:38I just found myself in the wrong place at the wrong time.
00:19:42Well, as far as I remember, at 12 o'clock in the afternoon on the market in Krakow, you were playing Hey Now.
00:19:47Yes.
00:19:48As a hostage.
00:19:50And I risked it.
00:19:53There's a shot at the end.
00:19:57Damn.
00:19:59Damn.
00:20:04It's good that I leaned over, because now I would have two holes in my face.
00:20:09Mr Adamczyk, let's go.
00:20:11Where are we going?
00:20:12To the canteen.
00:20:13Oh, great.
00:20:14Mr Adamczyk, see you for dinner.
00:20:16What's for dinner today?
00:20:18Steamed dumplings.
00:20:19I'm not going.
00:20:21Why?
00:20:22I would go if they were made of meat.
00:20:28Let's go, Mr Adamczyk.
00:20:29Ladies and gentlemen, too many things have died recently in this hospital.
00:20:32Not a lot, just four.
00:20:35And a little more will die.
00:20:49Come here.
00:20:52Come here.
00:20:54Let's talk.
00:20:56He's already gone.
00:20:58Sit down, sit down.
00:21:00But wait, I'll just check if I took everything.
00:21:04Wait.
00:21:05Helmet?
00:21:06There is.
00:21:10Menage?
00:21:12There is.
00:21:14Very good.
00:21:19Super.
00:21:20Bagnet?
00:21:23There is.
00:21:26Twenty zlotys for fuel?
00:21:30There is.
00:21:32Well, I just need a tank.
00:21:36What do I need a tank for?
00:21:38I'm going to war.
00:21:40And what are you laughing at?
00:21:41One hit and four wounds.
00:21:45I checked for dinner.
00:21:49There were dumplings.
00:21:51Russian.
00:22:02But I'll tell you, Putin called me.
00:22:05I'll tell you, he's very fine.
00:22:08He's behind bars.
00:22:10He would even be able to kill for peace.
00:22:13But I'll tell you, I'm sure he'll get the peace prize.
00:22:18He'll get it.
00:22:20But I don't know who yet.
00:22:26And the Russians say that we did all this.
00:22:30Tell me, what did we do there?
00:22:33Tell me, what did we do there?
00:22:35And, I'm sorry, Kurski did the same shit.
00:22:43And leave me alone with this Tusk.
00:22:47I would have killed Jarek a long time ago.
00:22:51I would have tanked him to the full.
00:22:58And leave me alone with this Union.
00:23:01What did they help you with?
00:23:03And I'll tell you, this whole Union is such a gender.
00:23:08Don't you understand?
00:23:10It's gender.
00:23:12Nobody understands it.
00:23:15I can even explain it to you.
00:23:17The point is that England and France behave like women.
00:23:20And in this whole Union, only Merkel has balls.
00:23:25Leave me alone with this.
00:23:31And what did we do all these years?
00:23:35We set up radars.
00:23:38And now we're going to catch Russian tanks on them.
00:23:43And leave me alone with this TV.
00:23:45They're crazy.
00:23:47They show war, and they fight for peace.
00:23:50And what, I don't have more important things?
00:23:53Who were you in the dance with the stars?
00:23:56And I don't know who was there either.
00:23:58I'll tell you, all these stars are like a tailor.
00:24:01I recognize them by the numbers.
00:24:05And leave me alone.
00:24:07This blonde from Play was supposed to dance.
00:24:09They even called her.
00:24:11But she didn't have access.
00:24:15But I'll tell you, there's a 50% chance
00:24:18that I'll be in the next edition.
00:24:21I'll tell you, there's a 50% chance.
00:24:23I want it, they don't.
00:24:32But you know, you have to have talent here.
00:24:36Yesterday I left a donut at the canteen.
00:24:39Four people turned away.
00:24:42I felt like in The Voice of Poland.
00:24:53And people like to watch silly things.
00:24:57All these reality shows.
00:24:59But someone already came up with that.
00:25:02But it was called The Brotherhood of the Sejm.
00:25:05And you know what's the difference between them?
00:25:08In reality, they go to bed at the end.
00:25:11And in The Brotherhood of the Sejm, they fuck all the time.
00:25:19You know, because people would like to watch something
00:25:22that would make them laugh.
00:25:24Like, for example, the squad of Nawałki.
00:25:26Now, the first elimination match,
00:25:28we would play with Gibraltar.
00:25:31Half an island against half a football team.
00:25:33And I would be a joker.
00:25:37I'll tell you, out of all this sport,
00:25:39I like to watch Hoda Koska.
00:25:42But I'll tell you, it doesn't work.
00:25:44I watched it for two months, and I didn't lose any weight.
00:25:48But you know what?
00:25:50I think it's because I exercised badly.
00:25:52Because when she exercised her buttocks,
00:25:54I exercised my forearm.
00:26:04All right, all right.
00:26:06We're talking here, and the war is going on.
00:26:09How's that? On the Internet.
00:26:12Did you hear?
00:26:14Apparently, Putin on Facebook
00:26:16clicked Obama for a cap.
00:26:19Obama, by the way,
00:26:21was kicked out of our class.
00:26:23How do I know that?
00:26:25Sikorskis are twerking on Twitter.
00:26:34Hello?
00:26:36Mr. Adamczyk, hello?
00:26:38Mr. Doctor, I just woke up.
00:26:41Mr. Adamczyk?
00:26:43What is this?
00:26:45What's going on?
00:26:47Mr. Doctor, I know what's going to happen.
00:26:49Excuse me?
00:26:51I know what's going to happen.
00:26:53What's going to happen?
00:26:55It's going to happen.
00:26:57It's going to be fun.
00:26:59It's going to happen.
00:27:00It's going to happen.
00:27:02It's going to be fun.
00:27:14A bunch of exhausting sketches.
00:27:16Ladies and gentlemen,
00:27:18going back to what can't be in all of Oskar Kohlberg's works,
00:27:21there can't be contemporary poems
00:27:23like those about fireflies and pendolinos
00:27:25that I quoted earlier.
00:27:27There can't be a folk poem
00:27:28that could be written now.
00:27:30I fell in love with Renata
00:27:32on the fourth morning.
00:27:34She showed me in the chat
00:27:36how she was turning hay.
00:27:38This is an acquisition of civilization
00:27:40that should be in folk songs
00:27:42and more and more often
00:27:44such poems will be created
00:27:46when it comes to folk culture.
00:27:48Now, ladies and gentlemen,
00:27:50I will introduce you,
00:27:52or rather I will remind you
00:27:54of two ladies,
00:27:56Mrs. Paula and Mrs. Ola.
00:27:58They represented us
00:28:00at the Eurovision Song Contest.
00:28:04Paula and Ola.
00:28:08Please take a good look at them.
00:28:10We would like to invite you
00:28:12to the couch over there.
00:28:14Due to the fact that their performance
00:28:16at the Eurovision Song Contest
00:28:18caused a lot of comments,
00:28:20we decided to dress you up a bit more,
00:28:22to take away the equipment
00:28:24that caused the comments.
00:28:25We will put you in a basket
00:28:27and I would like you to make moves
00:28:29that will not be associated
00:28:31with anything.
00:28:33For example, you can only pluck flowers.
00:28:35Although, as far as I know,
00:28:37flowers will also be associated
00:28:39because to make a flower,
00:28:41you first need a bee.
00:28:43Never mind, let's leave this topic.
00:28:45Perhaps you have also met
00:28:47this gentleman who has already
00:28:49sat down comfortably there.
00:28:51He has a great face.
00:28:53Donatan.
00:28:55Artists of the band
00:28:57Pieśni i Tańca Mazowsze
00:28:59and Cleo.
00:29:26We don't like to do it.
00:29:28We like to have fun.
00:29:30You know what I mean.
00:29:32We are Slavs for everyone.
00:29:35We don't like to do it.
00:29:37It's a Slavic game.
00:29:39When you have to go to work
00:29:41and you get lost,
00:29:43there are a hundred reasons
00:29:45and ideas
00:29:47how not to make money here.
00:29:49In a country with such low wages
00:29:51and high prices,
00:29:52we don't care about money.
00:29:54We turn on
00:29:56the Slavic split
00:29:58to make money
00:30:00without doing anything.
00:30:03When you have to go to work,
00:30:05we turn on the split
00:30:07and there is a way
00:30:09to make money
00:30:11without doing anything.
00:30:13We don't like to do it.
00:30:15We like to have fun.
00:30:17You know what I mean.
00:30:19We don't like to do it.
00:30:20It's a Slavic game.
00:30:22We don't like to do it.
00:30:24We like to have fun.
00:30:26You know what I mean.
00:30:28We are Slavs for everyone.
00:30:30We don't like to do it.
00:30:32We like to have fun.
00:30:34You know what I mean.
00:30:36We are Slavs for everyone.
00:30:38We like to have fun.
00:30:40We have someone to have fun with.
00:30:42No matter what happens,
00:30:44we have to show ourselves.
00:30:46It's a Slavic game.
00:30:48It's a Slavic game.
00:30:50We live in a country
00:30:52where you can get
00:30:54such low wages
00:30:56and high prices.
00:30:58We can't get it done easily.
00:31:00we turn on the split
00:31:02to make money
00:31:04without doing anything.
00:31:07When you have to go to work,
00:31:10we turn on the split
00:31:12and there is a way
00:31:14to make money
00:31:16without doing anything.
00:31:17I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you
00:31:47We don't like to do, we want to do, not to do anything
00:31:52Hey, we turn on the flick, Slavic split, to do, not to do anything
00:31:58Hey, we turn on the flick, Slavic split, to do, not to do anything
00:32:07Thank you
00:32:17Ha!
00:32:21Ha!
00:32:25That's what I think, Piotrek
00:32:28They asked us to sing so much
00:32:31And they didn't invite you and YOLO
00:32:34Because they don't know each other
00:32:36But maybe because they sing folk here, or something
00:32:41No, Olejuk, we only sing folk with YOLO
00:32:43Well, like folk, not discopolo
00:32:45YOLO?
00:32:46Take Hadziuk from USA
00:32:48Folk is a folk song, right?
00:32:50The one that people create in the village and people like it
00:32:54So when me and YOLO create a discopolo in the village and people like it, it's automatically folk
00:33:01And what if you put it in the city?
00:33:03And in the city, no, in the city it would be hip-hop
00:33:06But a song that would be a wake-up call for the whole of Poland, you wouldn't be able to arrange
00:33:12Why not? Easy
00:33:13Easy?
00:33:14So why didn't you arrange it, huh?
00:33:17Because I have talent, but I don't have money
00:33:20Because, listen, pay the producer
00:33:23In the radios, pay for them to play
00:33:25Critics at various festivals, so that they like it, pay
00:33:28And where to get it from?
00:33:29So take it now
00:33:31There are so many people, it's an opportunity to launch yourself
00:33:34But YOLO doesn't have it, and she does the choreography and the second vocal for me
00:33:38But we'll make you a second vocal
00:33:39When we drink, when we drink what we have here, it's ho-ho
00:33:43It's a third and a fourth, like normal Poznań words
00:33:47But what would it be about?
00:33:49Well, Musowo, love
00:33:52Yes, because you're only at the first bottle
00:33:55After the second, you'll get so drunk that he'll take you too
00:33:59Give me that card
00:34:02Wait, wait, wait, because the sticker tears off here
00:34:06Tears off, oh
00:34:10Well
00:34:12Come on
00:34:13On the other side you have a clean one
00:34:15Go
00:34:18But first it has to be like this
00:34:21That it's necessarily in the village, so that hip-hop doesn't come out
00:34:25So maybe a cow or a hen
00:34:28Are you going to sing about a cow?
00:34:30A cow and a hen are not suitable for a song
00:34:33So maybe a horse
00:34:34Oh, a horse
00:34:35Or a few horses
00:34:38A herd
00:34:39Oh, a herd
00:34:41A herd of wild horses
00:34:42And where have you, for fuck's sake, seen a herd of wild horses in the village?
00:34:47But it's just a metaphor
00:34:49Because if you go to the American market, it's going to be like in Znalaz
00:34:52They have those various horses, Jaguars and Mustangs
00:34:56A herd of wild horses rushes through the valleys
00:35:00Good, good, good
00:35:02And then what?
00:35:04And then there has to be something sad about love
00:35:07So maybe this herd lost your woman
00:35:11Your beloved
00:35:13But such a thing is suitable for a red stripe for a message or a song
00:35:18And it has to rhyme
00:35:22A herd of wild horses
00:35:25Rushes through the valleys
00:35:28Hey
00:35:30Where did all my girls go?
00:35:32Good
00:35:33Good, good, good
00:35:35But I like it so much that I don't know what to do
00:35:38Let's drink
00:35:41Piotrek
00:35:43But I look at it like this
00:35:45If this is supposed to be a hit all over Poland
00:35:48Then we probably have too little inspiration
00:35:52Maybe it will be missing
00:35:54Well, it will definitely be missing
00:35:56It will be missing more inspiration and I will create with what I have
00:35:59Only on one leg so that the audience does not split
00:36:01Good
00:36:11Ladies and gentlemen
00:36:13In addition to celebrating this year the year of Oskar Kohlberg
00:36:16We also celebrate, this is real information, the Polish-Turkish year
00:36:19Namely, we celebrate the 600th anniversary of the establishment of Polish-Turkish diplomatic contacts
00:36:24I know that you from history remember that they were not always diplomatic
00:36:27But we celebrate this year
00:36:30And we noticed with our colleagues that there are a little bit of Turkish songs in Polish show business
00:36:36I don't know if you have already heard a Turkish song at the festival in Opole this year
00:36:40We decided to do something with it
00:36:42And we set up a group of Turkish songs, in short ZPT
00:36:46Westhnienie haremu, that's what we called it
00:36:49I mean, at first we called ourselves guards of the harem
00:36:52But then we found out who were the guards in the harem
00:36:54It was stupid of us and we withdrew from this name
00:36:57And we will try to promote Turkish songs in Polish show business
00:37:02What you will hear now is a song about six Turkish sisters
00:37:07About Ayşe, Basak, Fatme, Canan, Burçu and Rashid
00:37:11Who achieved success, but their father did not like it
00:37:15So for the first time, I think, Westhnienie haremu will perform in such circumstances
00:37:19I just wanted to inform you that the Westhnienie haremu band has a sponsor
00:37:24Dom Mody Rozpacz Sultana in Istanbul
00:37:27And here we go
00:37:29Westhnienie haremu presents a Turkish song called Cyniczne Cury Curychu
00:37:35I learned the choreography from Turkish music videos
00:37:39They can do it for six hours
00:37:42This song lasts 2.50
00:37:45You will learn something in Turkish
00:37:49Watch out and repeat at the right moments
00:37:56My old father has six daughters
00:38:01Ayşe, Basak, Fatme, Canan, Burçu and Rashid
00:38:06When he is angry with his daughter, it is in this order
00:38:10Ayşe, Basak, Fatme, Canan, Burçu and Rashid
00:38:15One night they left the house and ran away
00:38:20Ayşe, Basak, Fatme, Canan, Burçu and Rashid
00:38:25My father got the news that they are in the city of daughters
00:38:30My father hit the road and shouted
00:38:34Cyniczne Cury Curychu
00:38:36Cury Curychu, I love you all
00:38:40Cyniczne Cury Curychu, I am crying for you from Istanbul
00:38:54Learn this, it is something about love in Turkish
00:38:58In every second song
00:39:01And after a few years they left Switzerland
00:39:06Ayşe, Basak, Fatme, Canan, Burçu and Rashid
00:39:11And they got close to Lake Cyprus
00:39:16Ayşe, Basak, Fatme, Canan, Burçu and Rashid
00:39:21Their husbands, handsome boys, five brothers and one stranger
00:39:26Simon, Lukasz, Krystian, Bogaz, Jonas and Andreas
00:39:31My father got a lot of photos, each with a similarity
00:39:36My father hit the road and shouted
00:39:40Cyniczne Cury Curychu, I love you all
00:39:45Cyniczne Cury Curychu, I am crying for you from Istanbul
00:39:55Ayşe, Basak, Fatme, Canan, Burçu and Rashid
00:40:01I swear, when I did this in a hotel in Istanbul
00:40:05I got a leave for peace and direction for research
00:40:10They all work together with Russia, they trade gas
00:40:16Ayşe, Basak, Fatme, Canan, Burçu and Rashid
00:40:20Ships sail through Bosporus, uranium, copper and phosphorus
00:40:25Ayşe, Basak, Fatme, Canan, Burçu and Rashid
00:40:30In secret from their husbands, they also trade explosives
00:40:35Ayşe, Basak, Fatme, Canan, Burçu and Rashid
00:40:39My father became a star of the show business
00:40:44Radio Istanbul 2 has a huge number
00:40:49Cyniczne Cury Curychu, I love you all
00:40:54Cyniczne Cury Curychu, I am crying for you from Istanbul
00:40:59Ladies and gentlemen, this is the last opportunity to learn this Turkish text
00:41:04When you come back home, they will ask you where you were at the festival in Opole
00:41:08Repeat something
00:41:09Ah, ah, ah, ah, ah
00:41:13Ah, ah, ah, ah, ah, ah
00:41:17Louder
00:41:20Ah, ah, ah, ah, ah
00:41:22By yourself
00:41:27Great Turkish
00:41:31Without a breath, the harem
00:41:32Ladies and gentlemen, I'm going to lie down, and you will now, with hysterical applause, welcome the cabaret of Jurek.
00:41:52But what do you want from me? Tell me, what do you want from me? Because you're nagging me, nagging me. What do you want from me?
00:41:58Because you don't care about our business at all!
00:42:01I don't care?
00:42:02Yes.
00:42:03I don't care?
00:42:04Yes.
00:42:05Yesterday, for half a day, I was licking sugar beets on time.
00:42:07But you wash secretly!
00:42:10Lady, I only washed my feet. I had such an advantage in my shoes that I could grow mushrooms.
00:42:16Listen, we run an agro-touristic farm, right?
00:42:19Well, yes.
00:42:20And those from the city come here to feel the rustic atmosphere.
00:42:23And when we agree that we don't wash for a week, we stick to it.
00:42:29But this is some kind of an overstatement!
00:42:31Listen.
00:42:32What?
00:42:33This is supposed to be a village like from the 19th century. Dirt, dirt, and eating with your hands.
00:42:39Maybe it's for a better effect. I'll get infected with typhus.
00:42:43It's enough that every weekend you're drunk.
00:42:47It's better to go to the left, and then go to the compost.
00:42:52Today a guest is coming, you have to make him feel the atmosphere.
00:42:55I will go to the compost so that a villager from the city will feel valued.
00:43:00And will you go to the Caribbean?
00:43:02That's the argument.
00:43:04Hello!
00:43:06Hello!
00:43:07He's here!
00:43:08So fast?
00:43:09Okay, smear your face with mud.
00:43:11Come on.
00:43:13Just be precise.
00:43:14So that there is such a precise washing when smearing with mud.
00:43:18Come on, come on.
00:43:19Hello, is anyone here?
00:43:21This way!
00:43:22This way!
00:43:24Come on, sir!
00:43:25Hello!
00:43:26Oh, sir!
00:43:27Come on, sir!
00:43:28Wow, a bag on wheels, such a genetics.
00:43:32I invite you, I invite you.
00:43:33Wow, he cleaned his shoes, wow.
00:43:35Good morning to the great sir.
00:43:38Welcome to our agro-touristic farm.
00:43:41Sweet asses.
00:43:44Maczkowiaki are bowing to the belt.
00:43:47They would bow lower, but their knees have grown to the other side.
00:43:52How do you do?
00:43:53How do you do?
00:43:55Let him say cherry tomatoes.
00:43:57And if you need something, just shout cherry tomatoes!
00:44:02And I will come, or the one in the bushes.
00:44:07No, I will not say cherry tomatoes to you.
00:44:09He says!
00:44:10Let him say.
00:44:11Please tell me your name.
00:44:13I am Petrek, after my father.
00:44:16And I'm Jessica, also after my father.
00:44:19Nice to meet you.
00:44:21I have to tell you that you have a beautiful place here.
00:44:24Oh, sir, it's beautiful here.
00:44:26There is a farm, there is a farmer.
00:44:30And on these mountains, when you come in, there is such a beautiful view.
00:44:34On the compost.
00:44:35Yes.
00:44:37And the great sir, where did he come from?
00:44:40From Łomża.
00:44:41Łomża, a big city.
00:44:44Metropolia.
00:44:45Venice of the North.
00:44:48People go to church in shoes.
00:44:51I am very glad, sir, that you came to us in Łomża.
00:44:55Yes.
00:44:57I am also glad that I will finally be able to get away from this city life.
00:45:01And taste the real village.
00:45:04Taste?
00:45:05So maybe you will drink local fricas?
00:45:08Oh, gladly, and what is it?
00:45:10Elephant Mentos.
00:45:12The Freshmaker.
00:45:14Oh.
00:45:17Of course.
00:45:19Elephant.
00:45:20Long-living.
00:45:22I didn't carry it in my pocket for two months.
00:45:26And if you chew it well, you will make a balloon.
00:45:31A little hard.
00:45:32And I would have chewed it early anyway.
00:45:37And if you found a puddle there, don't worry, the dog helped me.
00:45:43Azor! Azor!
00:45:45To the puddle!
00:45:47There is no waving tail.
00:45:49Leave it alone, Piotrek.
00:45:50Don't talk to him.
00:45:52He must be tired.
00:45:53He wants to go to the hotel.
00:45:54Yes, yes.
00:45:55I would like to freshen up after the trip.
00:45:57Oh, and you ordered an apartment with a jacuzzi?
00:46:00Yes.
00:46:01It's the guest room on the left.
00:46:03Good.
00:46:04Sir, and which jacuzzi do you want to turn on?
00:46:07And why?
00:46:09Because before I go to your bathtub, I have to eat beans.
00:46:23You know what?
00:46:24Such a joke.
00:46:25I was scared that you were telling the truth.
00:46:28No, I don't tell the truth.
00:46:31So what? You will go to freshen up.
00:46:33Yes, yes, I will go.
00:46:34If you were looking for a towel, it's not here.
00:46:39Good.
00:46:40Fortunately, I took mine.
00:46:42Oh, I'm sorry.
00:46:44Because I read in the folder that here you can meet local customs.
00:46:49Oh, yes.
00:46:50You can.
00:46:51For money, everything is possible.
00:46:55What do we have here?
00:46:57What do we have here?
00:46:58Slicing.
00:46:59Slicing sugar beet for a while.
00:47:01Yes.
00:47:02Throwing the widows into the doll of Sotys.
00:47:04Yes.
00:47:05Once there was a living Sotys.
00:47:07But once he stayed with widows for 15 years.
00:47:11And the biggest attraction straight from the Wild East.
00:47:14Rodeo on Prosiak.
00:47:16Oh, on Prosiak.
00:47:18I mean, I dress up a little.
00:47:21And if you pay here, you can feed him with dumplings.
00:47:25Well, it's a revelation.
00:47:29And I personally recommend extreme sports.
00:47:33Bungee jumping to a hundred on a cow's calf.
00:47:38Or putting your ass in a hole.
00:47:45So I...
00:47:47So I, sir, I choose...
00:47:49I choose you.
00:47:50Rodeo for it, sir.
00:47:52Don't you prefer to put your ass in a hole?
00:47:55No, sir, I prefer Rodeo.
00:47:57And please prepare these diapers for me.
00:47:59Oh, two for me now.
00:48:01Good.
00:48:02I haven't eaten diapers for a long time.
00:48:04Well, you'll get full.
00:48:05Yes, yes.
00:48:06Thank you very much.
00:48:07Watch out for the parrots, sir.
00:48:10It's coming, it's coming.
00:48:11I'll eat diapers like normal, like a fool.
00:48:14Until your elbow straightens.
00:48:17Your pig ears will shake.
00:48:19What?
00:48:20Diapers.
00:48:22I don't care about business.
00:48:24Yesterday I was licking beets.
00:48:26Today I will be doing for Prosiak.
00:48:29Why did I need this doctor of physics?
00:48:32Why?
00:48:37Why?
00:48:42Ladies and gentlemen,
00:48:43if you were to follow all of Colberg's works,
00:48:45you would notice that folk works
00:48:47have certain characteristics.
00:48:49First of all, surprising changes in subject matter
00:48:52very often occur in such works.
00:48:54Let's take an example of it.
00:48:56The red berries fall into water.
00:48:58This is how the piece begins.
00:49:00And here it seems that there should be
00:49:01There should be a continuation of the story about the fall of berries,
00:49:04like, I don't know, a fish is in a truncheon, then her stomach hurts, for example,
00:49:07but it turns out that a completely different thread appears here.
00:49:10Red berries fall into the water, people say that I have no beauty.
00:49:14What is the relationship between the fall of berries and beauty, we have no idea.
00:49:18However, I took advantage of this rule, of such a sudden change of subject,
00:49:24and I would like to quote you a poem with a sudden change of subject.
00:49:30What is something like this?
00:49:32My mother told me not to lie on the grass,
00:49:34and Barack Obama was in Warsaw on Wednesday.
00:49:36True, there is a sudden change of subject, there is no relationship.
00:49:39It is not by chance that the name of the American president appears here,
00:49:43because I wanted to make a certain claim.
00:49:45Namely, when President George Bush was visiting Poland,
00:49:49during one of the meetings, he used and quoted a fragment of the folk song of the band,
00:49:56which will appear on the stage in a moment,
00:49:59or maybe it already is, but you pretend that you don't see it.
00:50:02President George Bush quoted a fragment of the song,
00:50:05there is a garbage dump here for now, but there will be San Francisco.
00:50:08Meanwhile, President Obama came and did not quote any song of this band.
00:50:13So now, using the Internet translator, I would like to turn to President Obama,
00:50:18who, I know, is watching our program,
00:50:20because now is a good time for him.
00:50:26Mr. President, listen, please, these songs, and next time you repeat, please.
00:50:33Special for you, Golec Orchestra!
00:50:38Welcome to the field, my dear.
00:50:40Attention.
00:50:41Trumpets up, my dear, and let's go.
00:50:45About how to do it to make money, and not to make money, my dear.
00:50:49We move Beskid Żywiecki.
00:50:54I propose all hands up.
00:51:05Wonderful.
00:51:14Let's go.
00:51:44Who is afraid of the strong one,
00:51:47Every day he is afraid of three.
00:51:50It's not true that in a man
00:51:53The worker's blood flows.
00:51:56They were stealing for work, one with an ax, the other with a hammer.
00:51:59They were mastering for half a century, and what?
00:52:02They were still building good, they were constantly exceeding the norms,
00:52:05But the whip went to the bottom.
00:52:08Yes, a salad is important, but it's a waste of money.
00:52:11To make it all easier, he chewed his throat.
00:52:14Respect, peace, respect, health, one after the other,
00:52:16Half of it is the best life.
00:52:19Who is afraid of the strong one,
00:52:22Every day he is afraid of three.
00:52:25It's not true that in a man
00:52:28The worker's blood flows.
00:52:31Who is afraid of the strong one,
00:52:34Every day he is afraid of three.
00:52:37It's not true that in a man
00:52:40The worker's blood flows.
00:52:54When you catch a job in a bank, you take banknotes,
00:52:57Because soon, instead of a horse, you will walk on sand.
00:53:00Today, a job is not a desire, not a dream,
00:53:03Today, thinking is the best thing in life, yes.
00:53:06Discover a new value, a feeling for work,
00:53:09Because it's not good when there is a bar above the door.
00:53:12Life is not a mad Pole, not a Młodzik, not an orc.
00:53:15Listen carefully, good advice.
00:53:18Who is afraid of the strong one,
00:53:21Every day he is afraid of three.
00:53:24It's not true that in a man
00:53:27The worker's blood flows.
00:53:39Opole!
00:53:41Opole!
00:53:44Opole!
00:53:47Opole!
00:53:50Opole!
00:53:53Who is afraid of the strong one,
00:53:56Every day he is afraid of three.
00:53:59It's not true that in a man
00:54:02The worker's blood flows.
00:54:10Give, give, give, give, give,
00:54:13Give, give, give, give, give,
00:54:16Give, give, give, give, give, give,
00:54:19Give, give, give, give, give, give, give.
00:54:23The clocks have already drunk half the night,
00:54:30We lie like hungry and nothing.
00:54:35Voices from the basement,
00:54:38Something whines and pisses me off,
00:54:42Does it always have to be like this?
00:54:49You put them then as a theft,
00:54:56To wake up the old in us.
00:55:01To wake up the old in us.
00:55:06I remember how suddenly
00:55:09I felt like in a sail,
00:55:13Their shape struck me like a spell.
00:55:19Cognac strings
00:55:23In this hot night.
00:55:27Cognac strings
00:55:30The power of sweet impressions.
00:55:34Cognac strings
00:55:37In this hot night.
00:55:41Cognac strings
00:55:44The power of sweet impressions.
00:55:49Give, give, give, give, give,
00:55:52Give, give, give, give, give,
00:55:56Give, give, give, give, give,
00:55:59Give, give, give, give, give, give, give, give, give.
00:56:04I remember that moment when you were sweet,
00:56:10I wanted to drink from your lips again.
00:56:17I was already like in heaven,
00:56:21But still from you,
00:56:25A thin thread separated me.
00:56:32But what are the obstacles so small,
00:56:39When the flames engulf us again.
00:56:46Let the red crown live,
00:56:51From the cordon of cognacs
00:56:55It's time to relax.
00:56:59Cognac strings
00:57:03In this hot night.
00:57:07Cognac strings
00:57:10The power of sweet impressions.
00:57:14Cognac strings
00:57:17I keep smiling.
00:57:21Cognac strings
00:57:24I love her more.
00:57:28Cognac strings
00:57:31In this hot night.
00:57:35Cognac strings
00:57:38The power of sweet impressions.
00:57:42Cognac strings
00:57:45I keep smiling.
00:58:15Cognac strings
00:58:18The power of sweet impressions.
00:58:22Rock'n'roll!
00:58:29You're getting up, and you have to get up already.
00:58:34In the mirror you can see
00:58:37That my face is tired.
00:58:41The dream is not over yet,
00:58:44And you're already falling into the time of pain.
00:58:47You're stuck,
00:58:50And you have to do the right thing.
00:58:59It's time for the summit,
00:59:02Don't knock in the middle of the day.
00:59:05Someone is playing the guitar behind the corner.
00:59:12Suddenly they shouted it for you.
00:59:15Cognac strings
00:59:17In the mirror
00:59:19Short words.
00:59:22Crazy is my life.
00:59:30Crazy, crazy, crazy is my life.
00:59:37Crazy, crazy, crazy is my life.
00:59:44The world is spinning, somewhere in the abyss,
00:59:47Like an endless gallery.
00:59:50Crazy, crazy, crazy is my life.
00:59:57The world is spinning, somewhere in the abyss,
01:00:00Like an endless gallery.
01:00:04Crazy, crazy, crazy is my life.
01:00:22Crazy, crazy, crazy is my life.
01:00:29Crazy, crazy, crazy is my life.
01:00:36The world is spinning, somewhere in the abyss,
01:00:39Like an endless gallery.
01:00:42Crazy, crazy, crazy is my life.
01:00:49The world is spinning, somewhere in the abyss,
01:00:52Like an endless gallery.
01:00:55Crazy, crazy, crazy is my life.