Sto para 5 - S01E19 - English subtitles
- "at 5 (minutes) to (the hour)" is a Greek idiom, equivalent to "at the last minute".
- Gerakas and Pallini are districts of Athens.
- Kolonaki is a posh area of Athens.
- "Da Capo" is a famous cafe in Kolonaki.
- "Tamtakos" is the name of the protagonist in a series of B-movies of the '80s.
- "Koliva" is a dish based on boiled wheat that is used liturgically in the Eastern Orthodox Church for commemorations of the dead.
- The song Dalia sings is well known, but she is paraphrasing it to fit her narrative.
- The name "Zouboulia" comes from the Greek word for hyacinth, the flower.
- "National Resistance" refers to the people's resistance during the occupation in WWII. There is a street named after this.
- "Gemista" is a traditional Greek dish. It's stuffed tomatoes and peppers.
- "Tis agapis macheria" was a TV series.
- "Serseris" is a word used in Northern Greece (where Zouboulia comes from) and it now means: stupid/idiot. It's of Turkish origin and it's original meaning is: crook/rogue.
All rights belong to their rightful owners. This video is for educational purposes only: to help learners of Modern Greek and also help non-Greek people understand the Greek culture. This is a fan translation, as no official professional translation of the show exists.
- Gerakas and Pallini are districts of Athens.
- Kolonaki is a posh area of Athens.
- "Da Capo" is a famous cafe in Kolonaki.
- "Tamtakos" is the name of the protagonist in a series of B-movies of the '80s.
- "Koliva" is a dish based on boiled wheat that is used liturgically in the Eastern Orthodox Church for commemorations of the dead.
- The song Dalia sings is well known, but she is paraphrasing it to fit her narrative.
- The name "Zouboulia" comes from the Greek word for hyacinth, the flower.
- "National Resistance" refers to the people's resistance during the occupation in WWII. There is a street named after this.
- "Gemista" is a traditional Greek dish. It's stuffed tomatoes and peppers.
- "Tis agapis macheria" was a TV series.
- "Serseris" is a word used in Northern Greece (where Zouboulia comes from) and it now means: stupid/idiot. It's of Turkish origin and it's original meaning is: crook/rogue.
All rights belong to their rightful owners. This video is for educational purposes only: to help learners of Modern Greek and also help non-Greek people understand the Greek culture. This is a fan translation, as no official professional translation of the show exists.
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LearningTranscript
00:00I
00:30Get me
01:00Oh
01:30Especially you, you had a lot of them before you were born.
01:45Life is happy
01:49Everyone takes two steps out
01:53What does that mean?
01:54Where?
01:55Everyone takes two steps out for what?
01:56For the grave
01:57Which grave?
01:58The Hindu one
01:59What does that mean?
02:00That we will all die one day and you will bury us
02:10What do I dance then?
02:23Was this song successful?
02:27I don't know what is better for this woman
02:29To inform her or to leave her alone
02:32Why did you say that?
02:34I was dancing to it
02:36Go away
02:37I don't sign anything today
02:39I am upset
02:42The second one
02:43I was holding a gun in my sleep
02:56And a lot of robbers were passing by
02:59And in the storm and in the snow
03:02I was shooting and I was skiing
03:04And I was an angel of Charlie, of Charlie, of Charlie
03:07I was wearing golden earrings in my boots
03:09And I was an angel of Charlie, of Charlie, of Charlie
03:12I was chasing thieves in the mountains
03:20In my sleep I saw him drinking tea
03:23And the boss was calling me
03:26And they told me the password, how he will love me
03:29And how I will go on a trip to the peaceful
03:32And I was an angel of Charlie, of Charlie, of Charlie
03:35I was wearing golden earrings in my boots
03:37And I was an angel of Charlie, of Charlie, of Charlie
03:40I was chasing thieves in the mountains
03:42What are you reading?
03:43I am looking for a job
03:45You haven't found anything yet?
03:47Something high
03:48If I don't find anything good today
03:50I will start taking calls from tomorrow
03:52To the things I have written so far
03:54Don't be late
03:55Whatever job you find
03:57One day you will
03:59What will happen?
04:22What does she have?
04:24I don't know
04:26She has been like this since she came
04:28If I tell you what she was telling me
04:30What?
04:31Strange things, I didn't understand
04:33She was telling me something about Tsouloufi
04:35That now he can stand proud and proud
04:37But at some point he will become a bald head
04:40And she brought me some apples for the hair
04:42And?
04:43I tried them
04:44Now I don't know what the results will be
04:46In 15 days she will show me
04:47Where did she end up?
04:49Nowhere
04:50But she is not very well
04:52Go make her some company
04:54Put her to do something, to forget
04:56You know what?
04:57Do you know where the gynecologist is?
04:59I have no idea where he is
05:09Let me tell you
05:11Logically I will regret it
05:13But do you want to help me with the search?
05:16Really?
05:17Yes
05:18That's great
05:27Help Komotria
05:29What does help Komotria do?
05:30What do you think?
05:31It helps Komotria
05:32Who?
05:33Forget it
05:39You never needed to work
05:41How is that?
05:42I don't have my own businesses
05:44I need a job like this too
05:45Not to do anything and make money
05:47Do you want me to come home and show you?
05:49Yes
05:50To bring my own businesses
05:52And make a company
05:53Ok, but I won't bring them all
05:55I will leave some here
05:56What?
05:57Nothing, go on
06:02Waitress, waitress, waitress
06:04I don't want a waitress
06:05I am tired of working in cafes and bars
06:07Waitress and barwoman?
06:09You don't look at them at all
06:20Waitress, waitress, waitress, waitress
06:24Waitress, why are you doing this?
06:26They are asking for a lot of people
06:28But she doesn't say what exactly you should do
06:30I should sit next to the waitress and keep her company
06:33Babysitting?
06:35What babysitting?
06:37I am a waitress
06:38You should look at the work area
06:40Don't turn around, Elida
06:41There are mobile phones behind you
06:42Oh, sorry
06:45See you later
06:52Here you go
06:53Private medical center
06:54Stop it with the medical centers
06:56They need to be older people
06:57Don't look at them
06:58It doesn't say that
07:00Private medical center
07:01Is asking for a cleaner
07:02Salary, insurance, full insurance
07:04I don't know what it is
07:06Communication time, 9 to 3
07:08It has a phone
07:09Cleaner?
07:10You don't want it?
07:11I don't care
07:12I don't mind. I have work to do.
07:14Let me see.
07:20Come on, come on.
07:22Dalia, this is in Corfu.
07:24How can I go to Corfu every morning?
07:26I'll give you my helicopter.
07:28And if you want, tell them it's yours.
07:30And I'll be a cleaner with a helicopter.
07:32What does it matter to them if you're on time?
07:34Cleaners don't go to work with a helicopter.
07:36With what?
07:38With their trash.
07:40With their trash?
07:44Fotis!
07:46What happened?
07:48Get out of here.
07:50Why? I didn't say anything.
07:52Get out of here.
07:54I didn't say anything.
07:56Do we have anyone new?
07:58I told you, I'll let you know.
08:00It's been three days.
08:02You gave me a week.
08:04What does that mean?
08:06That by the end of the week you'll have found them?
08:08Very likely.
08:10Very good.
08:12Go on.
08:26Spiro!
08:28Ah, welcome.
08:30Look!
08:32What is it?
08:34My school notebooks.
08:36Isn't it nice?
08:38It's good.
08:40Have you seen them?
08:42You can't see them.
08:44And there are no pages.
08:46Why?
08:48I tore them.
08:50Tomorrow they'll be unreadable.
08:52Shouldn't they be suspended for five days?
08:54No, they shouldn't.
08:56No, it's the right thing to say.
08:58A basic lesson and not a solution to an exercise?
09:00Or are you going to my school to learn?
09:02If you don't want to, stay at home.
09:04Where are you going?
09:06I'm going to get rid of Kondi.
09:08And if you don't get rid of her, you won't have her at home.
09:10Have you seen the birds?
09:12They're everywhere, like a virus.
09:14Konditida.
09:16You know they put us in the same cage.
09:18I have to change my seat.
09:20But my notebooks are nicer.
09:22You'll sew them for me.
09:24Me? Why?
09:26How are you going to sew your grandma's?
09:28What?
09:30Oh, you didn't know?
09:32There's no chance.
09:34Let's go.
09:42Are you sure it was him?
09:44Yes.
09:46Spyros Deloglou.
09:48He's a student.
09:50He was with his grandma.
09:52How did you learn all this?
09:54I asked the neighbors.
09:56They told me.
09:58What are you going to do now?
10:00There are four of them left.
10:02Who's looking for them?
10:06I told you.
10:08The less you know about this job, the better.
10:10You won't even tell me that I'm your brother?
10:12Exactly.
10:14Because you're my brother and I don't want you to get hurt.
10:16That's why I won't tell you.
10:18I'm leaving.
10:20Where are you going?
10:22To get a job again.
10:24Now that I know where he lives, I'll be open all day.
10:26He can't.
10:28Lia?
10:30What does she want now?
10:32Yes?
10:34I'm going to take a bath.
10:36Where are you going?
10:38I'm going to take a shower.
10:40What do you want me to do?
10:42Come and get you some water with the tap?
10:44Don't be silly.
10:46If Geli calls, tell her I'll be there in an hour.
10:48Where?
10:50At Geli's for Kunkan.
10:52What about the baby?
10:54Kunkan doesn't know about the baby.
10:56She won't come.
10:58I didn't mean that.
11:00Please tell me what you meant.
11:02I think we're going to laugh a lot today.
11:04I meant that I have a date with the kids today.
11:06Yes?
11:08And I can't miss it.
11:10Why?
11:12Because we have to meet and tell them.
11:14On the phone?
11:16We can't tell them on the phone.
11:18We have to tell them up close.
11:20Listen to me, Lia.
11:22I'm going to Geli's on paper.
11:24And you can't take the baby with you on the phone.
11:26So what do we have to do?
11:28We have to stay here and have a great time.
11:30And I have to meet the kids.
11:32You're so funny.
11:34You have a throat and you talk.
11:36Instead of apologizing to me
11:38for getting involved in such an adventure.
11:40Because you want to go down from your village to Athens
11:42and become Hercules Poirot.
11:44Everyone goes down from their village to Athens for a reason.
11:46Some to become actors.
11:48Some to become singers.
11:50Me to become what you said.
11:52What did you say?
11:54And your great-grandfather Manavis to become a foreigner.
11:56What did you say?
11:58What you heard.
12:00Manavis of the Neochorou of Eurotania.
12:02Wasn't he his father?
12:04How do you know?
12:06You write it in your family album.
12:08Don't leave it in my bedroom.
12:10What did you think? I don't read?
12:12From the first moment I stepped foot here
12:14I know it. Don't look where I'm not talking.
12:16That's how I am from Kolonaki.
12:18I am from Kolonaki.
12:20Of course.
12:22And I bought the cucumbers you put in your salad
12:24from Manavis of Kolonaki.
12:26But also the ones that came from somewhere.
12:28Didn't I plant them in Takapo?
12:30And you said it like that? Really?
12:32The way I look at you and you look at me.
12:34Takapo? How could I remember?
12:36Don't be ridiculous.
12:38The last moment came to my mind.
12:40I was going to say Mutakos.
12:42Let's go to my office.
12:44You don't have to talk to her so abruptly.
12:46Don't forget that she helped us save you.
12:48That's why I didn't tell her about my mom's affair.
12:50Otherwise I would have told her.
12:52And did she stay at home?
12:54Yes, she was playing cards there.
12:56Let her be. What are we doing?
12:58We are waiting for the others and getting organized.
13:04Spirakos, you are not doing it right.
13:06Grandma, I am doing it by force.
13:08Take it off and do it again from the beginning.
13:10Your kids are waiting for me.
13:12It doesn't matter. You can go later.
13:14Your grandma doesn't mean anything to you.
13:16I inform you that I am the only grandson in Greece
13:18who is currently busy with his grandma's education.
13:20Because you are a Spaniard, kid.
13:22No, because no other grandma goes to high school.
13:24Yes, okay.
13:26Come on, I'll fix it now because it has cracks.
13:28It doesn't matter.
13:30It does matter.
13:32In my opinion, whatever happens,
13:34it's better if it doesn't have cracks.
13:36What time are you going to the kids?
13:38We had to be there already.
13:40So you don't have time to throw us the car at school?
13:42No, because the car is at the workshop
13:44and I will be there in the meantime.
13:52Welcome.
13:54I brought you a package from Spiridoula's memorial.
13:58Oh, Spiros!
14:00Take the Spiros and go to the kids.
14:02Come on, grandma, I'll tell them the package now.
14:04You'll tell them, huh?
14:06What's going on down there?
14:08It's crazy, crazy.
14:10Kondi is about to go crazy.
14:12She's about to go crazy.
14:14What did you do to her?
14:16I wrapped her up.
14:18Well done, Theopoula.
14:20What do you mean, well done?
14:22I took the girl's clothes and wrapped her up.
14:24She said it was about going crazy.
14:26Grandma, shame on you.
14:28Take your books.
14:30They're ready.
14:32I'm leaving.
14:34Goodbye.
14:42They didn't make it.
15:12It's over.
15:14We have to take action again.
15:16That's why we're here.
15:18I can't handle it.
15:20That's why I've been so upset for so long.
15:22I understand that I'm missing...
15:24Knowledge.
15:26No, I'm missing adventure.
15:28What can I say?
15:30I have no house, no job, no money, nothing.
15:32Well, that's not important.
15:34We're going to have a great time.
15:36We're going to have a great time.
15:38We're going to have a great time.
15:40We're going to have a great time.
15:42We're going to have a great time.
15:44We're going to have a great time.
15:46We're going to have a great time.
15:48We're going to have a great time.
15:50We're going to have a great time.
15:52We're going to have a great time.
15:54We're going to have a great time.
15:56We're going to have a great time.
15:58We're going to have a great time.
16:00We're going to have a great time.
16:02We're going to have a great time.
16:04We're going to have a great time.
16:06We're going to have a great time.
16:08If I hadn't written Consuela's tears,
16:10I could have written this.
16:12What do you know about Kolokotronis?
16:14Nothing.
16:16But I could have written for someone I know.
16:18Who?
16:20Zoupoulia.
16:22Should I make your life a musical?
16:24No.
16:26Why?
16:28It's not enough to tell me you made it.
16:30You should make it a musical.
16:32Zoupi, zoupi.
16:34Zoupi, zoupi.
16:36Welcome.
16:38What's going on?
16:40Nothing.
16:42Akella hasn't found a job yet.
16:44Dalia is going through a phase of melancholy.
16:46And Zoupoulia's life is going to be a musical.
16:48From whom?
16:50From Dalia.
16:52Zoupoulia.
16:54Right.
16:56I have news.
16:58Tell me.
17:06ANGELOS
17:20The offices of Exeter
17:22were in Agia Paraskevi.
17:24This was nothing.
17:26Two offices.
17:28One is empty.
17:30The other operates as a clinic.
17:32We should begin our research from there.
17:34Great! I'll tell you what we have to do.
17:37Let's go, get ready and go!
17:40Stop it! You're going to kill us all!
17:42We're going to go to the dentist, give him a punch,
17:45beat him up, so that he'll tell us what he knows.
17:48Yes!
17:49No way!
17:50Then there's only one solution.
17:52We're going to go as customers.
17:54What?
17:55As patients. What do you call it?
17:57We're going to go, we're going to catch the conversation
17:59and we're going to find out what he knows.
18:01If he cares for him, who's the owner,
18:03if we find out who the owner is,
18:05will he tell us who the owner of the office was?
18:10Who is it?
18:15Yes?
18:17Yes?
18:21Yes?
18:22Who is it?
18:23I don't know, they're not talking.
18:25They must be mistaken.
18:27Don't worry, this is what we're going to do.
18:29It's the perfect plan.
18:30Yes, this one.
18:33The next day
18:37Boulinos.
18:38I don't know any more details.
18:40How did you find him?
18:41I followed this Spyro.
18:43He entered a residential building in Pagrati,
18:45went up to the 5th floor with the elevator.
18:47He had two apartments, one had light, the other didn't.
18:50I called both of them.
18:52What he answered was ours.
18:55How do you know it wasn't a random visit?
18:58Did he see the red girl with him?
19:00No, that's what I'm waiting to see.
19:02Maybe we have another clue.
19:04But something inside me tells me I found them.
19:06I can smell the money from far away.
19:08Do you know how much we'll get if I find the five of them?
19:15I'll call you back, something's going to happen.
19:20Why did you go downstairs?
19:22To get a cigarette, they say.
19:24Cigarettes, coffee?
19:26You don't know how to do a job?
19:28You do it.
19:29Bye.
19:33Will you take her home?
19:35I don't have a car today.
19:37She's at the office.
19:38I'll take you.
19:39No, I'll take a taxi.
19:41No, she'll take us.
19:43Where's the limousine with the chauffeur?
19:45That way.
20:03Hello.
20:05Hello.
20:24I don't understand why we're going to the dentist.
20:27I'm an amazing dentist.
20:30My father, the dentist.
20:32His son, he's an amazing dentist.
20:36Is he good?
20:37No, he's not.
20:38Last year, Fofoka went to the dentist.
20:40She had her teeth pulled out.
20:42Porcelain, white polish.
20:44It was a luxury.
20:45Fengi.
20:46Fofoka is a good friend of yours, right?
20:48Yes, she is.
20:49Other friends?
20:50Vangelio.
20:51Vangelio is a very good friend of yours.
20:53Yes.
20:54Tula Tuzigoudi is very good.
20:56Tula Tuzigoudi.
21:00I'll sing you a song about Tula Tuzigoudi.
21:08I made some nice music.
21:10What are you talking about?
21:12Nothing.
21:14Tell me.
21:15Did any of them fall in love while you were married?
21:18Was there any infidelity?
21:21Were you ever in a relationship?
21:23You know, things like that.
21:24They help me a lot.
21:25What?
21:27Never mind.
21:28I'll put them on tomorrow.
21:30Give it to me.
21:31Give it to me.
21:32What are you writing for so long?
21:35Zumbuli.
21:36The flower of the village.
21:39It was born in 1900.
21:41How much?
21:42What?
21:43Earlier?
21:44How old are you?
21:45If I like you a little, you'll give me the national flag.
21:50It's not meant to be here.
21:52You're weird.
21:53You're going to make me lose the whole world.
21:55You're going to make me lose the whole world.
22:01Zumbuli Abadzidou.
22:03For the last few months, she's been living with her stepmother Marilena Dorkofiki in Kolonaki.
22:07She has a daughter in America.
22:09She goes down to Athens to take care of her grandson.
22:12Did you learn all this from the neighborhood?
22:14It's incredible what a neighbor can tell you about a homeless person.
22:17And in Kolonaki?
22:18In Kolonaki, maybe even less.
22:21The other one?
22:22Fotis Voulinos.
22:23The owner of the house they met yesterday.
22:25He's a journalist on a channel I've never seen before.
22:28He's a TV personality.
22:29I don't know him.
22:30I don't think anyone knows him.
22:32He lives with the redhead, Angela.
22:34I don't know her father.
22:35But that's not what concerns me right now.
22:37It's something else.
22:39What is it?
22:40Do you know why my birds were released yesterday?
22:43In a limousine, from here to down there.
22:45Spiros, Zumbulia and Xanthia the fifth.
22:47She was supposed to be her own.
22:49She left the other two and went on on her own.
22:51Where did she go?
22:52I don't know.
22:53To check where Zumbulia is, I lost the best one.
22:55We're talking about a lot of money.
22:57Maybe the limousine isn't hers.
22:59But if it is, I have to find out.
23:04But first, I have to visit Mr. Fotis.
23:08So we can see his face.
23:11So, what's the plan?
23:13We're going to the doctor's in exactly an hour.
23:15I'll pick you up from home.
23:17We've arranged a meeting with the others.
23:19I'll be there in an hour.
23:21We're going to the doctor's in exactly an hour.
23:23I'll be there in an hour.
23:25We're going to the doctor's in exactly an hour.
23:27We'll tell the doctor that the tooth hurts.
23:29What if he doesn't find anything?
23:31He'll look for it.
23:33What if he finds it?
23:35Do we go to the doctor to get a suture?
23:37Are you afraid, Angela?
23:38No, I'm just asking.
23:42Excuse me, where is Mr. Voulinos?
23:44The father or the son?
23:46There are two. The son, I think.
23:48There?
23:49Yes, yes. I'm done here.
23:51I'm going to pick you up.
23:53You're probably looking for his brother.
23:55Who am I looking for?
23:59You're here, son. You're late.
24:01Let's go for a warm-up.
24:07You'd better walk after the show.
24:09Don't leave with luggage like the others.
24:11He's laughing, isn't he?
24:13Come on!
24:17Come on!
24:23It's okay. I'm warm.
24:25Put your kneepads on and let's go.
24:33I'll be back in ten minutes.
24:35Don't be late, I have an appointment.
24:37Oh, and where are you?
24:39I have an appointment tomorrow.
24:41As soon as you get back, stop whining
24:43and get some tomatoes from the stairs.
24:45You know what I mean.
25:03Come on, Marie. It's me.
25:05Yes, brothers.
25:07Yes, Boulia and Avgerinos.
25:09I'm done with this.
25:11I don't want you to make me a musical.
25:13I want you to play Marina,
25:15who's been married eight times.
25:17I have the wedding tree ready.
25:19You won't need anything for the stage.
25:21Where are you now? Have you started?
25:23Yes, and I'm ready.
25:25I don't want you to start.
25:27Come on.
25:31Grandma!
25:33Grandma!
25:35Here.
25:37What's this?
25:39The doctor's medicine.
25:41Theopoula, leave me alone.
25:43What is it?
25:45I'm running late.
25:47I'm in a hurry.
25:49You can go.
25:51I can't. I have work to do.
25:53What work?
25:55The dentist.
26:03THE DENTIST
26:05THE DENTIST
26:07No.
26:09No.
26:11No.
26:13No.
26:19No.
26:21No.
26:23No.
26:29No.
26:31How many do I have at the moment?
26:34Leave her alone.
26:35Instead of taking her in,
26:36she should do something to me,
26:37to make me lose her a bit.
26:38What kind of assistant is he?
26:40You sit in a corner.
26:42That's it.
26:43Ah, I could do that too.
26:45You, my dear, with this hair,
26:47only in the hands of love,
26:48they would take you.
26:52Anyway,
26:53don't you feel a little bit like that?
26:56Yes, man.
26:57Doesn't he have a good influence?
26:58I don't mean that.
27:00Think about it.
27:02We are in a place that is almost historical.
27:05This is where the people we are looking for
27:07used to live and work.
27:10You can feel it in the air
27:11that we are getting closer to them.
27:14Who would have imagined then,
27:16when they sent their answers,
27:19that 15 years later,
27:21five people,
27:22us,
27:24would walk in their footsteps,
27:26we would follow their signs one by one
27:29in our journey to discover the truth
27:32and the separation of justice.
27:34Ah.
27:37Don't you get bored when he says that?
27:39I like them a little bit.
27:41You, of course.
27:43And you too, Seri.
27:45What historical place?
27:46We brought you to Acropolis.
27:47We are in Odontidiotou.
27:49Don't speak loudly.
27:50Can you hear inside?
27:51Shouldn't he understand
27:52that we have all come together?
27:54What are we going to ask, Master?
27:56Yes, yes.
27:57I just have the impression
27:58that we have forgotten something
27:59to address you, Seri.
28:01We haven't forgotten anything.
28:03I don't want anyone to notice me.
28:04I don't care about anything else.
28:06Are you afraid?
28:07Aren't you afraid?
28:08Not at all.
28:09And I have a feeling
28:10that everything will go very well
28:12because we are perfectly prepared.
28:17Good evening.
28:18Good evening.
28:19Who is next?
28:21I don't know.
28:27We have forgotten it.
28:44Open it.
28:45When did you open it?
28:47He is twelve.
28:48Thirteen years old.
28:51How many?
28:52Five stitches.
28:57Five what?
29:00What is here until now?
29:02Various things.
29:04Excuse me.
29:05I always wanted to ask.
29:07Do you pay for a doctor?
29:09It depends on the area.
29:11Do you rent this place?
29:13No, it's mine.
29:15So, this place has always been yours?
29:18Yes.
29:22This looks like an old building.
29:24Has it been here for a long time?
29:26Since my father.
29:27What year was it?
29:291985-1986.
29:31The towels have a different color.
29:33Oh, I see.
29:35So, you have been a doctor for many years.
29:37Yes, quite a lot.
29:38Was he always a doctor?
29:41As far as I know, yes.
29:44I came to Greece in 1993.
29:46Until then, I lived in Switzerland.
29:48Ah, very interesting.
29:50I write, you know.
29:52Mainly musicals.
29:56So, you were a doctor since 1993?
29:59Yes.
30:00What was it before?
30:02Why are you asking?
30:04Nothing. We are just talking.
30:06I think it was an office of a company.
30:09Did you rent it?
30:11No, from my father.
30:13Is your father also a doctor?
30:15He was a soldier.
30:17He is dead.
30:20In a funeral.
30:25Courage.
30:27Two more months.
30:29Do you know the song that goes
30:31All two meters take the earth?
30:33I know it.
30:35I didn't know it.
30:37So, you are the ones who owned the offices of your father?
30:41You never saw them?
30:43I don't understand. Why are you asking?
30:45After all, what did you answer to the girl with the red hair
30:48who asked you if you bought the country
30:50from whom you bought it and when?
30:54Should I kiss you?
30:56Who are you and what do you want?
31:11Doctor, is this how I pull it?
31:14It's from the tension.
31:16What about our pie?
31:18What you are saying, I heard it from my father.
31:22I remember when the scandal had broken out,
31:25he called me every day and informed me.
31:28He was very upset.
31:30I think he had resigned from the department.
31:33Your doctor is so sweet.
31:35Could you play the harambe?
31:38Stop it. Tell us, doctor.
31:41That's all I have to tell you.
31:43What did your father resign then?
31:45I don't know.
31:46I guess he was the general manager of the place.
31:49You don't know.
31:51I told you, I was in Switzerland.
31:53They learned everything, their parents were running.
31:55The Americans, the Swiss.
31:56What did you say?
31:57Nothing. They were saying something about me.
31:59What's the point of reopening this case?
32:02It's for us.
32:04Are you in charge?
32:06The lady?
32:07She's a big deal.
32:09We are not in charge.
32:11We are just trying to find a solution to a mystery.
32:14Maybe fate forced us to try this.
32:19Maybe fate forced us to try this.
32:22For this, anything can happen.
32:24For us, anything can happen.
32:26Will you tell him to say it?
32:28For this, anything can happen.
32:30For us, it's important.
32:32I see.
32:33As I told you, my father was a soldier.
32:36A man of the class.
32:38He didn't ask for anything, he asked for everything.
32:40I've kept his things.
32:42I'm looking for the landlord.
32:45You can get them from the police.
32:48We'd prefer you to do it.
32:50Okay.
32:54I'll look for him and let you know.
32:57As soon as possible, please.
32:59As soon as possible. Tomorrow.
33:12Tomorrow.
33:43So...
33:45The plan is working.
33:47I know.
33:49Don't worry, I'm on the right track.
33:52He said the same thing.
33:54Forget about him.
33:56If you want, I can get him out of the way.
33:58Today.
33:59No.
34:01I want him out of the way.
34:03I want him out of the way.
34:05I want him out of the way.
34:07I want him out of the way.
34:09I want him out of the way.
34:12I want you to find those five first.
34:14And then...
34:16As you wish.
34:19How's it going?
34:21I told you.
34:23I'm on the right track.
34:26Do you know who they are?
34:30Dalia Hadji-Alexandro.
34:32Who?
34:33The daughter of Belisario Hadji-Alexandro.
34:35The richest woman in Greece.
34:37In Europe.
34:39She lives here.
34:41And she's a queen.
34:43And she's behind all this.
34:45Unbelievable.
34:47Why?
34:49These five are a team.
34:51They'll do anything for each other.
34:53They've proven it.
34:55They risked their lives to escape the hospital.
34:57So what?
34:59I don't want their money anymore.
35:01I know how much they're worth.
35:03It's a lot of money.
35:05But it's more than what they'll give me.
35:07You want to find Hadji-Alexandro?
35:09Exactly.
35:10And you'll go to her house?
35:12That's a trap.
35:13I saw it.
35:14I'm not crazy.
35:15I'll find another way.
35:16Where?
35:17To the easiest target of the five.
35:19And maybe the most useful.
35:21Where, as far as I know,
35:23the file is.
35:25Good evening.
35:27Good evening.
35:35How are you today, Mrs. Theopoula?
35:37Better.
35:39Won't you tell me to change seats again?
35:41No, no.
35:43I'm used to it now.
35:45That's what I said.
35:47Mrs. Theopoula and Mrs. Garoufalia
35:49are mother and daughter.
35:51Let them sit separately.
35:53You always have good ideas.
35:55Have fun.
35:57I'm having fun.
35:59You have to be proud of her.
36:01Smart girl.
36:03I'm going to kick her out of the house.
36:05She has the best parents in the class.
36:07She should have something better.
36:09I'll let you read.
36:11But you have to get some rest.
36:13We haven't started yet.
36:15We girls never get tired.
36:17Especially if I don't unload the cart.
36:19I won't rest.
36:21What did you say?
36:23Nothing.
36:25Let's read.
36:27I'll leave you to it.
36:29Theopoula, are you mad?
36:31Mother, she kicked her out of the house.
36:33Where is Garoufalia?
36:35She hasn't come yet.
36:37I locked her in the bathroom.
36:39The door is broken.
36:41She broke it.
36:43Now she will think that I kicked her out.
36:45She will push me out.
36:47If she doesn't come,
36:49you will come and sit next to me.
36:51Yes, but you have to say it this time.
36:53Don't tell the teacher that I'm weird.
36:55Don't worry.
36:57I'll say it.
36:59Is everyone in their seats?
37:01Someone is missing.
37:03Will Garoufalia come?
37:05I think so.
37:07She didn't read much yesterday.
37:09Garoufalia?
37:11Impossible.
37:13Listen to her.
37:15Stop it.
37:17Pangeli, get up.
37:19Don't do the exercise we left yesterday.
37:25Sothi.
37:27What is it?
37:29She is coming.
37:31Where did you see her?
37:33I didn't see her.
37:35I can hear her footsteps.
37:37She is coming.
37:39You didn't lock her?
37:41She is coming.
37:43I'll go crazy.
37:45There she is.
37:47Can you hear her?
37:51Good evening.
37:53How did you get out?
37:55How did you get out?
37:57Did you get out of the trap?
37:59Like the cockroaches.
38:01I'm sorry I'm late.
38:03But my mother
38:05has broken the bathroom door
38:07for a month now.
38:09So, I get in, I try to get out,
38:11I tried, I tried and I finally got out.
38:13It doesn't matter, Garoufalia.
38:15Sit down.
38:23What are you doing, mother?
38:25Is everything out of place?
38:27That's it.
38:29Everything I could find.
38:31And what's inside?
38:33The 1988 contract.
38:35Oh.
38:37That's what it looks like.
38:39Thank you very much.
38:41It's strange, isn't it?
38:43I don't know you, but I feel
38:45that what you're doing is for good.
38:47It is.
38:49Believe us.
38:51So,
38:53C equals 3.
38:55And since C equals 3,
38:57then
38:59H equals
39:015.
39:03Very good. Well done.
39:05Thank you.
39:07Have a seat, Mrs. Sofia.
39:09How was it?
39:11Very good. And a nice jacket.
39:13Thank you.
39:15Who will be next?
39:17Do you know her?
39:19I know all of them.
39:21I knew all of them.
39:23You should be ashamed.
39:25Come, Garoufalia.
39:31Look at the table.
39:33Is it enough?
39:35What happened?
39:37It's nothing.
39:39Tell her to take off her clothes.
39:41I think she's pregnant.
39:43She's crying.
39:45She's pregnant.
39:49She's pregnant.
39:51That's it.
39:53She'll never leave.
39:55She's not sure.
39:57We're going to kick her out.
39:59Calm down.
40:01I'm going to see my daughter.
40:03I'm not going to the monument.
40:05I'm busy.
40:07I'll come with you.
40:09Do you have the keys?
40:11I'll go to you.
40:13I'll come with you.
40:31Hello.
40:35Hello.
40:39I'll drink some water.
40:41My legs are getting tired.
40:59I'm a mess.
41:01I can see that.
41:03Did he hit me again?
41:05How are you?
41:07I'm better.
41:09Sit down.
41:21Are you here for your grandson?
41:23He's a boy.
41:25He's preparing a bill.
41:27He'll kick me out.
41:29I'm sorry.
41:31I see.
41:33What are we going to do now?
41:35We haven't read them yet.
41:37Are they going to write something?
41:43Yes.
41:45Spyros?
41:47Come here.
41:49What happened?
41:51Theopoula.
41:53What happened?
41:59What can I do?
42:01I'll get back at you.
42:03I'll get back at you.
42:05I'll get back at you.
42:07I'll get back at you.
42:09I'll get back at you.
42:11I am back.
42:13I can't believe it.
42:15What's happened?
42:17What's happening?
42:19I'm going crazy.
42:21What happened?
42:23What happened?
42:25I can't believe it.