Sto para 5 - S01E03 - Greek subtitles
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00:00I'll tell you what we did wrong.
00:02Yes?
00:03Tell me, because I really want to hear it.
00:05So, you see, we're looking for the keys to see where the key goes.
00:10Big mistake.
00:11The key may have nothing to do with the house.
00:14We have to look for his papers, his files on the computer.
00:17Some watch he might have kept.
00:19Only then will we know who threatened him, who was afraid of him, and in the end who killed him.
00:24That's right. And quickly, before we hear any keys at the door.
00:54Why are you in such a hurry? Don't you want to be seen?
01:06I'm doing it for you.
01:08What will the neighbors say?
01:10Your husband hasn't died in ten days.
01:13You don't have to worry about me.
01:15I know what I'm doing.
01:24I know what I'm doing.
01:53I know what I'm doing.
02:13I know what I'm doing.
02:41I know what I'm doing.
02:59What are you doing?
03:01What's going on?
03:02What's going on?
03:06They left.
03:07They must be in the living room.
03:09They're coming.
03:14What I'm telling you, the money is little.
03:16And that's exactly what you told them.
03:19End of discussion.
03:22Is this your last word?
03:24Absolutely.
03:30Besides, we didn't come here to talk.
03:34Do you know that if you didn't talk so much, I could get married to you?
03:42What are they doing?
03:44I don't know.
03:45They're just laughing.
03:47Stop it.
03:48Are they kissing?
03:52Shut up.
03:53You're embarrassing me.
03:57Now she hit somewhere.
03:58Where?
03:59I don't know.
04:00She hit somewhere.
04:02Now he hit too.
04:04What are you hitting?
04:05She's doing it.
04:07What?
04:08She's jumping.
04:16Okay.
04:18Yes.
04:19What are you doing?
04:20I think I'm throwing up.
04:21I'm throwing up.
04:25Let him.
04:26Don't lift him.
04:27Let him hit again.
04:30I'm hitting his.
04:32Move him.
04:34I can't.
04:35My pants are in my pocket.
04:36Sit on me.
04:37I'm going to cry.
04:43I'm dead.
04:46Yes.
04:47Yes.
04:48Yes.
04:49Yes.
04:50Yes.
04:51Yes.
04:52Yes.
04:53Yes.
04:54Yes.
04:55Yes.
04:56Yes.
04:57Yes.
04:58Yes.
04:59I'm going to die.
05:01I'm dead.
05:15What? Where are you now?
05:17We have to press the eject button, Spyro.
05:19First we have to press the eject button.
05:21Yes, I know. I'm pressing the eject button.
05:23What happened? Why did you stop?
05:25Someone is talking.
05:26Spyro!
05:27Yes?
05:28No, I left the TV inside.
05:30Go on.
05:31I'm going.
05:33Where was it? I don't know.
05:35Start again.
05:36What do you want me to do? He's not talking.
05:38Let's watch it again.
05:41No.
05:42He's not talking, I told you.
05:44Go on.
06:08Why did you stop?
06:10I have to go.
06:12I can't stay here tonight.
06:14Let's talk first.
06:16You have to bring me in contact with them.
06:18Not with the one I talked to the first time.
06:20The one from above.
06:22I haven't seen him either.
06:24I don't care if you call him.
06:26Pretend I got married.
06:28The one I got married to, to be safe.
06:30Now that you killed him,
06:32you are the one who has to be safe.
06:34You didn't take much.
06:35Yes, but I didn't take much.
06:37Whatever you asked me to find, I found.
06:39That's not enough.
06:41The original plan didn't say you would kill him.
06:44The evidence you had in his hands, you wanted.
06:46And I gave them to you.
06:47Not all of them.
06:48That's what I found.
06:50Tell your boss to look for himself better.
06:53And in the end, who are you? Me or them?
06:56Them.
06:58They don't pay me.
07:00That's why I don't work.
07:02What do you do?
07:03What job?
07:05Until now, they paid me to have you around.
07:08They pay me to send you as far away as possible.
07:11Are you crazy?
07:12What are you going to do?
07:13I told you.
07:15My job.
07:16Vassilis.
07:17Vassilis, leave the gun.
07:19What?
07:38I'm sorry.
07:52Bravo, Zouvoulia!
07:54Come here.
07:55Bravo, Zouvoulia!
07:56What happened?
07:57We got him.
07:58Zouvoulia got him.
07:59Bravo, Zouvoulia!
08:00What did Zouvoulia do?
08:01He hit him on the head from behind.
08:03Bravo, Zouvoulia!
08:04Stop it, you too!
08:05Bravo, Zouvoulia!
08:06Look at him.
08:07He's dead.
08:09Not like that.
08:10Look at him.
08:13He's breathing.
08:14Bravo, Zouvoulia!
08:16You didn't kill him, did you?
08:18What was that?
08:19The minister's wife.
08:20He's not going to kill him.
08:21Don't rush it.
08:22Let's wait a little longer.
08:24Are you crazy?
08:26Let's go!
08:36Let's go!
08:38Let's go!
09:03What I'm saying is that we shouldn't put him down so easily.
09:07MacGyver was a lonely man.
09:09Who?
09:10MacGyver.
09:11He was a lonely man.
09:12And yet, he did everything he was told to do.
09:15Just because he never gave up.
09:17No matter how hard things were for him.
09:20Who was MacGyver?
09:21An old TV serial.
09:23What?
09:24Are you deaf?
09:25A serial?
09:26I've been talking about it for hours and I can't hear you.
09:28Give me a break.
09:29Give me a break.
09:30Give me a break.
09:31Give me a break.
09:32Give me a break.
09:33Give me a break.
09:34Give me a break.
09:35Give me a break.
09:36You don't understand.
09:37These people, no matter who they are,
09:39they have nothing to plant a seed for us.
09:42And look at what happened to the minister's wife.
09:45What happened? She's not even a queen.
09:47That's right.
09:48The truth is that she got away, didn't she?
09:50She got away.
09:51That's why if we stay like this, united,
09:53if we're not united,
09:55if we're not united,
09:56when the bad things happened,
09:57she and I were alone.
09:59Don't be sad.
10:00It's good now.
10:01A few more women would have died.
10:03The seed would have come to you and we would have cried.
10:05Don't you understand?
10:08Don't you understand?
10:25I understand.
10:26Yes, but why don't we see the positives of what happened today?
10:29Bravo!
10:31What are the positives of what happened today?
10:33You're acting like a nice guy.
10:35I'm not putting him in the house.
10:36I'm going to kill you.
10:37Come on, come on.
10:38This is a joke.
10:39We can't do this.
10:40I don't understand.
10:41One moment, one moment.
10:42Let's take things from the beginning.
10:44First, now we know that the minister was murdered.
10:47I say this because someone claimed
10:49that she ate something and raped him.
10:51Second, we also know that the minister's wife is in the pool.
10:54And third, those who killed him are looking for some evidence.
10:57So if we find them first...
10:59Stop it.
11:00She's a liar.
11:02He's right, Zumbulia.
11:03Tell them.
11:04They're going to kill us.
11:05He was forgiven.
11:06What we're doing is crazy.
11:08We don't know who we're chasing.
11:09We don't know who we're looking for.
11:11We don't know who our enemy is and who our friend is in this story.
11:14Losing someone in his life is really horrible.
11:17I know it because I've lived it.
11:19But today we're in danger of losing our lives too.
11:22Not that I really care about my life,
11:27but I think I'm going to stop here.
11:29What?
11:30I'm quitting.
11:32Goodbye.
11:42Where's my house?
11:44We'll take you there.
11:46Thank you.
11:47So that's it? We're breaking up?
11:49Yes.
11:54Listen to me carefully.
11:56I got a call from Evia.
11:57A dog caught a fish four meters away.
11:59We're going to play it first and foremost.
12:01No one else knows.
12:02Listen to what I want you to do.
12:03You're going to start with a long shot of the beach.
12:05A panoramic shot.
12:06Are you listening to me?
12:07Yes.
12:08And then I want you to dive the camera into the sea.
12:11Submerge the camera and put it in the fish's mouth.
12:14As if we're watching a performance.
12:16How the fish got stuck.
12:18Oh my God.
12:19I'm going to explode.
12:20Amazing.
12:21I just thought of it.
12:22Do you want to cover it, Frida?
12:23Oh God.
12:24I don't know if it would be good for my career to deal with fish reports.
12:27Okay, then Fotis will do it.
12:28I'll do it.
12:29Perfect.
12:30Tell me, what do you need for this shot?
12:32A helicopter.
12:33A sailor.
12:35A crane.
12:36Okay.
12:37Submerge the fish in the sand and pull it up.
12:39Half a minute.
12:42As if we're on top of a fish's body.
12:44Which song would fit?
12:47Good morning, son.
12:48Good morning, dad.
12:49What do you have? What's wrong?
12:50Nothing.
12:51Nothing or you don't want to tell me?
12:53Both.
12:55I don't think you're like that about the shots from the right.
12:58Which right?
12:59The one you went to earlier.
13:01Did you see the tape?
13:03It's not meant to be played, it's too far away.
13:05But if you really want to make an international hit, we'll organize it right.
13:08You'll go to the cameraman with a professional camera.
13:11Dad.
13:12What?
13:13Which shot?
13:24The news of the Eurovision Song Contest
13:26The new Eurovision Song Contest
13:28The new Eurovision Song Contest
13:30The new Eurovision Song Contest
13:32The new Eurovision Song Contest
13:36The source of the delay in the preparations for the Eurovision Song Contest
13:40seems to be annoyed.
13:42Representatives of the Swedish TV
13:44are arriving in Athens tomorrow
13:46to offer their knowledge and experience
13:48in order to strengthen the preparations.
13:53Mrs. Adalia.
13:55Alex.
13:56How are you?
13:58I'm fine.
13:59TV and party.
14:01That's what I always did.
14:03Are you going out tonight?
14:07No.
14:08Why?
14:10Because once I said I was going out and you came to shoot me.
14:13I found a good time and ruined the world.
14:16Who shot you? What are you talking about?
14:18Alex, don't mind him.
14:20By the way, I went out and I went out.
14:22The trips are over.
14:23Talk to me, Mrs. Adalia.
14:24Why are you like this?
14:25What can I tell you now? It's a lot.
14:28The kids are missing.
14:30They didn't do well in the preparations for the Eurovision.
14:32Let them go.
14:33I don't understand you.
14:36Did anyone call me?
14:37No.
14:40Who's going to pick me up?
14:44Alex, I think I'm going to be alone for a while.
14:47The last time you said that was when you were alone for two years.
14:51And now I cut it so much.
15:02What is this?
15:03What?
15:04This window is south-east.
15:06The plant where he put it doesn't do well Feng Shui.
15:10Ask before moving anything in the house.
15:13Did you understand?
15:15No.
15:16On the contrary, it would bother me.
15:19The kids are coming in a while.
15:20They will leave the baby and then I will go to the airport.
15:23Come, I'll show you your room.
15:25It's ready.
15:26Okay.
15:31It's ready since yesterday, but where can you see it?
15:34It was missing all day.
15:35The baby's room is right next door.
15:37From here you will hear the baby.
15:39He also has one in his room.
15:41Does the baby have a cell phone?
15:43It's called mobile communication.
15:46What do I have to do to hear it?
15:48Silence.
15:49The kids.
15:50Let me tell you.
15:51Doesn't this glass in front of the window bother you?
15:53No.
15:54From the moment you are in the room, Feng Shui has already been destroyed.
16:03Welcome.
16:04We came too.
16:06Oh, how beautiful.
16:08Did you leave the baby here?
16:10I thought they brought flowers.
16:12Did you say something?
16:13No.
16:14What can I say?
16:15How are you, mom?
16:17I'm fine.
16:18She made me.
16:19She brought me a room with a Kung Fu.
16:21Fantastic.
16:22It's called Feng Shui.
16:24So, are we ready to go down?
16:26Yes.
16:27Alexandros is waiting for us in the car.
16:28Just a minute.
16:29I'll put something on top and I'll come.
16:33Mom.
16:34Will you make it?
16:36With Marnella?
16:37Come on.
16:38Don't worry.
16:39I'll bring her by car.
16:40I don't know what to say.
16:41Maybe a friend from the village will come to see you.
16:43Here?
16:44Dracula will see her.
16:46He will take Fofo and Vangelia with the landlord.
16:50Will you make it?
16:52How can you leave them and go?
16:55I don't leave them to strangers.
16:57I leave them to his grandmother.
16:58But you will grow up without his mother.
17:00I grew up without my father.
17:02And not for a while.
17:03Forever.
17:04But you have me.
17:06I was both a mother and a father.
17:08But it's not the same.
17:10The baby will grow up and I will know that his parents love him.
17:13Because soon they will come back.
17:15I know that my father died.
17:17And I never learned why.
17:24Mom, what happened to you?
17:26I tried.
17:28What are you doing? You are crying.
17:31I was a poor woman.
17:32What did I do?
17:33I took them to court, but...
17:36Here is another one.
17:37I was afraid and I didn't cry.
17:39What did I do?
17:40I don't blame you.
17:42You did what you could.
17:44If you could do more, you would have done it.
17:46Did I ever blame you?
17:48No.
17:49How did this happen to you?
17:51I can't understand.
17:52Come here.
17:54What happened?
17:57It's where you left me and I will be alone.
17:59Everything will be fine.
18:01Haven't you told me not to be afraid?
18:04Everything will be fine.
18:05When will I leave? When will I come back from America?
18:07You won't understand.
18:10Yes.
18:12It's done.
18:15What is this, Koukos?
18:21God bless you, mother.
18:24You made me laugh once.
18:29What didn't you understand?
18:30These are the numbers I have learned.
18:32Five siblings.
18:33Angoustias, Magdalena, Martirio, Amelia and Endel.
18:37In a foreign country?
18:38Yes, in our country they will have ancient Greek names.
18:40Which will they be?
18:41I haven't thought about it yet.
18:42Good. We are on the right track.
18:44And they all want Pepe?
18:46Pepe.
18:47His name is Pepe Romano, my angel.
18:49The same. Doesn't any other man have this village?
18:51He has, but he is the beautiful boy of the village.
18:54Besides, Pepe Romano is a symbol.
18:57Exactly.
18:58He is a magical, dreamlike creature, who enchants everyone with his voice.
19:02Mrs. Avraam, who will play Pepe?
19:05George Dalaras.
19:06What did you say, Angela?
19:07Nothing.
19:08We are going to make a great show in our house.
19:10Let's go.
19:11Of course.
19:13I want you to make a self-design.
19:16With the self-design again?
19:18Are you going to bring it to the stage and start playing?
19:21It's not finished.
19:22It seems to me that you also make self-designs at home.
19:24What do you want to say?
19:25You pretend to write, but you don't write the truth.
19:27So, concentrate.
19:29Okay.
19:32I want you to pretend that you are birds.
19:37What birds? The ones that fly?
19:39Yes.
19:40Good again.
19:41I want you to focus on your hands.
19:45I want to see your hands.
19:49They transform into wings.
20:00Angela!
20:01What?
20:02Who are you, sir?
20:03How can you come in like this?
20:04Let me tell you.
20:05The others are going to the office.
20:06I will call you in a bit.
20:07I have work to do.
20:08Well done, boy.
20:09What happened?
20:10We shouldn't give up.
20:11I have something to show you.
20:13What?
20:14Okay.
20:15I talked to the doctor.
20:16Oh, shit.
20:17Spirakos?
20:18Yes.
20:19The birds are flying.
20:20They are learning to fly.
20:21They are learning to fly.
20:22They are learning to fly.
20:23They are learning to fly.
20:24They are learning to fly.
20:25They are learning to fly.
20:26They are learning to fly.
20:27They are learning to fly.
20:28They're learning to bounce!
20:29They're learning to bounce?
20:30Yeah.
20:31Yes.
20:32They are learning to bounce.
20:33I thought you looked up and saw Klamathiasis.
20:34Bowling!
20:35You can tell from the very beginning.
20:36Well done, Mrs. Despina.
20:37What do you think?
20:38Let me guess.
20:39Do you want to learn bowling, too?
20:40No way.
20:41Me?
20:42Bowling?
20:43How can I get to learn?
20:44What about Theopoula?
20:45You want to learn bowling?
20:46Uhhh no.
20:47I don't want to either, so no one wants to learn to bowl
20:49and we don't have a problem.
20:50Voula?
20:51I'm sorry, Lido?
20:52Gramma Mia Tatkapi, I mean.
20:53Did you say Lido?
20:54No, I said the writer.
20:56What did she say?
20:58She said we need to find a hobby.
21:01Me too?
21:02No, me and Theopoula.
21:04Find one.
21:06Spirakos?
21:08Tell me, my boy.
21:12Bungee jumping. What is it?
21:15It's like wood surfing.
21:17What bungee jumping?
21:18Why wood surfing?
21:19Are you going to drive me crazy?
21:20I told you I have my worries.
21:22Why, my boy?
21:23Is it bad to learn five things?
21:25What is there to learn, grandma?
21:26All the big women sit at home,
21:28they play, they play, they watch TV.
21:30We are not big.
21:33Who is it, then?
21:34Ah, it will be the cassettes.
21:35Which cassettes?
21:36We ordered cassettes.
21:38We will learn French with the cassette player.
21:40We agree on the Greek in this house,
21:42we will catch the French now.
21:48Good evening.
21:49Good evening.
21:50We need to talk.
21:53Be careful.
21:54This is Stavrianidis.
21:55Did you recognize him?
21:56Yes.
21:57Look now.
21:58The waiter is coming in a hurry.
22:00Be careful of his CD.
22:01It's empty.
22:02There is only one glass on it.
22:03Right.
22:04Do you want me to get you a piece of cake?
22:06It's delicious.
22:07Grandma, no.
22:08We have work to do.
22:09Go.
22:10Okay.
22:12What did I say?
22:13That a waiter in a restaurant
22:15would have a CD full of glasses
22:17and he would serve the whole world.
22:19While he has only one glass on him
22:21and he goes to a specific person.
22:23He is a pervert.
22:24Do you want an orange cake?
22:26I made it.
22:27Grandma, we don't want it.
22:28Go.
22:29How do you make an orange cake?
22:30It's easy.
22:31I have a cooking show on my channel.
22:32Ask me.
22:33Grandma, we don't want it.
22:34If it is, we will call you.
22:35Okay.
22:39So, he might be the one who poisoned him.
22:42Someone else must have poisoned him.
22:44Obviously.
22:45But when did you record all this?
22:47While I was talking to the reception
22:48with a broken camera
22:49that didn't let me in.
22:50I had the camera open and I was recording.
22:51Spirits, who are you?
22:52What will happen to your grandma now?
22:54I am Sofia,
22:55my grandma from Spirakos.
22:56Fotis.
22:57Nice to meet you.
22:58Angela.
22:59Nice to meet you.
23:00Go now.
23:01Okay.
23:07So,
23:08since you did the right thing
23:09at the funeral of Zubulia...
23:11Yes, okay.
23:12Can we...
23:13Wait, wait.
23:14We can find out
23:15which catering company
23:16took over the show
23:17and we can identify him
23:18by looking at his face.
23:19Yes,
23:20but the problem is
23:21that Zubulia quit.
23:22We have to make her
23:23come back.
23:24Both of them.
23:32Whatever.
23:33I came to stay with you.
23:37You look like a tall girl.
23:39Thank you.
23:40My hair is short.
23:43Did Spyros tell you
23:44that we will be in trouble?
23:46Don't worry.
23:47Let's go outside.
23:48Take out the cassette.
23:54Wait a minute.
24:06Who is she?
24:08My cousin.
24:10What is she doing?
24:11What is she doing?
24:12She is singing
24:13over a dead fish.
24:15She has a nice voice, though.
24:17She looks like a tall girl, too.
24:20Let's go.
24:41Let's go.
25:11Let's go.
25:31As you can see,
25:32there is no way
25:33we can find out
25:34the wife of the minister.
25:36Don't tell me
25:37she left the country.
25:38You think so?
25:39She can't go to the police
25:40and she will get in trouble.
25:41The others want to get rid of her
25:42so she has to disappear.
25:44That's right.
25:45Forget about her.
25:46We have to find the other one.
25:48Yes, but first
25:49we have to cook the lentils
25:50and the soup
25:51to get them back.
25:52Where do we start?
25:53From the lentils.
25:54The soup is more difficult.
25:55Don't tell me
25:56we have the lentils
25:57and we hit the feeling.
25:58We have it for sure.
26:00I have an idea.
26:02Is this the issue
26:03at the minister's house?
26:04Who?
26:05His wife?
26:06Yes.
26:07Didn't he realize
26:08that someone hit him?
26:09So he knows
26:10that someone was at his house.
26:11Yes, but he didn't see us.
26:13That's the good thing.
26:14That we saw them
26:15and she didn't.
26:17You are completely incompetent.
26:18How can you say
26:19she got rid of her?
26:20Do you think
26:21you can tell me
26:22after two days?
26:23I wasn't well.
26:24I had to go to the hospital
26:25and they kept me inside.
26:26How can we find her now?
26:27She must have left the country.
26:28She is so scared
26:30that she won't talk.
26:31And what can she say?
26:32They hit you.
26:33They hit me.
26:34There was someone else in the room.
26:36Did you see them?
26:37No.
26:38We heard a woman
26:39shouting
26:40NOW!
26:42Then I don't remember anything.
26:43What could she have heard?
26:45Not much.
26:47All the things
26:48that Stavrianidis' wife
26:49was in the pool
26:50and that death
26:51was a murder.
26:52Ah, high things.
26:53It's not my fault.
26:54How could she know
26:55that someone was in the room?
26:56I am absolutely sure
26:58that our partnership
26:59will continue
27:00in the next year
27:01with even greater success.
27:04President Milou
27:05President Milou
27:06H.G. Corporation
27:07Daniel Hadji Alexandrou
27:09It's good, isn't it?
27:11What?
27:12You are wasting your time.
27:13At least let them come in.
27:16Should I send it?
27:17Where?
27:18I am writing it.
27:19I am reading it.
27:20I am listening to it.
27:21Ah, you should sign it and everything.
27:26It's for me.
27:27It's for me.
27:28The kids.
27:29The kids.
27:30Pick it up.
27:32Please.
27:33Who is it?
27:34The guard from the gate.
27:35Oh, come on.
27:36What do you want?
27:37Yes?
27:38It's for you to light a candle
27:39and I want to talk to you.
27:40Let them come in.
27:41I am a woman.
27:42Let them come in.
27:43I am a woman.
27:44Let them come in.
27:45Let them come in.
27:46Let them come in.
27:47I am at work.
27:48I didn't go anywhere else.
27:49Is it urgent?
27:50No.
27:51Three letters
27:52for the new year.
27:53Are you crazy?
27:54From now on?
27:55It's summer.
27:56I told you
27:57we had some free time.
27:58I told you
27:59we had some free time.
28:00It's better
28:01to have free time
28:02and not to miss out.
28:03Isn't that why
28:04I didn't see
28:05the forbidden love?
28:06It's good
28:07that you didn't stay
28:08at Father Vassilis.
28:09Come on.
28:10Go now.
28:11Go now.
28:12And you will clean
28:13this up for me
28:14on December.
28:15My pleasure.
28:16Thank you.
28:17Happy Easter.
28:18Bye.
28:19Bye.
28:20Mrs. Tyrenas.
28:21Come, come, come.
28:22Mr. Tyrenas.
28:23Come, come, come.
28:24Come, come, come.
28:25Mr. Tyrenas.
28:26Come, come, come.
28:27Mr. Tyrenas.
28:28Come, come, come.
28:29Hello!
28:31Hello!
28:33Hi!
28:35Come on in.
28:51Come on in.
28:59Why are you looking at the tavern?
29:09We're looking at the house.
29:12Ah, yes, the tavern, but why are you looking at it?
29:15It's a house, not a stadium.
29:17In size, they look a bit alike.
29:19Come, have a seat.
29:29I'm very glad you came.
29:46Have some cake. I just brought it, do you want some?
29:49Ah, no, it's better. Bono has put a flower in it.
29:53So, how's Bono?
29:56I brought you a gift.
29:58What is it? A Christmas present?
30:00No, not a Christmas present.
30:02Don't say that.
30:04Anyway, guys, you shouldn't have.
30:06Why? What is it?
30:08It's a blouse.
30:10Ah, guys, I have a million and I don't wear them.
30:14Open it, so you can see it.
30:21I want to be afraid.
30:24Oh, I want to be afraid.
30:28Just as long as you stand, stand by me.
30:35We have to get rid of your traces.
30:37You'll need to disappear for a while.
30:39And I don't think you can remember anything else.
30:41Go outside and wait for me.
30:43Yes, sir.
30:50We can't worry about his wife.
30:52Even so, you'll keep her mouth shut.
30:54Maybe there's another problem.
30:56But don't worry, I'll deal with it personally.
30:59From time to time, we'll get rid of this story.
31:03It wasn't my choice to be so alone.
31:06But I think that's how I was born.
31:09I grew up with dads, with servants.
31:12I saw my parents every Christmas and Easter.
31:15Did you go to school in Switzerland?
31:17In Schaffhausen?
31:19In the 7th district of Pankratio.
31:21Oh, I don't know.
31:23And even there, where all the girls were from rich families, I stood out.
31:27First of all, because my parents enrolled me in school, they bought everything.
31:31After that, everyone enrolled me.
31:33They were competitive with each other, but not with me.
31:36They couldn't compete with me.
31:38They just hated me.
31:40And I didn't understand it.
31:43The day I turned 17, I saw a limousine outside the school, from here to the other side.
31:48It was a birthday present.
31:50You can't imagine what happened at school.
31:52What a serious man. You get a 17-year-old girl, a limousine as a present.
31:56What presents do your parents give you?
31:59They don't live.
32:01My grandma usually buys me slippers.
32:03Nice and practical.
32:05No, compared to the limousine, it's true.
32:08If they bought me slippers, they would buy me the whole factory.
32:12When you have money, everyone loves you.
32:14But when you have so much money, half of the world hates you.
32:16There is no immediate stage.
32:18No one in Greece is jealous of Gianna Angelopoulou.
32:20Only me.
32:21Do you understand what I mean?
32:24More or less.
32:25I've never felt like a member of a team, a company.
32:29Only now, with you.
32:32You bring me wealth.
32:36I've lost everything.
32:38That's why we came here.
32:40Because we don't believe that we have to break up.
32:42Now that we have evidence, we know who we are chasing.
32:44Who are we chasing? Where is Angela?
32:46She went to find Ellen.
32:48That's why we have to stay together.
32:50I'm in. And I won't do it again. I promise.
32:53So, what's left is an official confession.
32:56Call her. I'll talk to her.
33:03I gave birth to the baby.
33:05Baby, you will say it and be careful with the cover.
33:12Please.
33:14Evangelio?
33:16Evangelio is from the village.
33:18Listen, Evangelio.
33:19Lia can't talk to you right now.
33:22And you should know that you receive calls from 4 to 6 in the afternoon.
33:27It's 7 past 4 now.
33:29So, try again tomorrow.
33:31Goodbye.
33:33What did you do there, Marie?
33:35Take a cell phone, Lia.
33:36It's not possible for her to call every three minutes, even if she's from the village.
33:40Or she will learn to call you at specific times.
33:42You're not eating. You're not eating!
33:44I'm going to get ready and get a phone call right away.
33:47Even better.
33:53Please.
33:54Yes, hello.
33:56Please, I would like to talk to Zumbulia.
33:58You're out of luck, young man.
33:59Lia receives calls from 4 to 6.
34:03Try again tomorrow.
34:05Goodbye and greetings to your villagers.
34:08She hung up on me.
34:10What about Zumbulia?
34:11She's probably with her mother-in-law.
34:13I didn't even give Zumbulia to her.
34:14And she told me to say hello to my villagers.
34:16What's wrong with her?
34:18No, she's one of the good people Zumbulia has.
34:21She wants to put her feet in a shoe.
34:23She told us the day before yesterday.
34:24So, why is she in quarantine?
34:26I don't know. She told me to pick her up tomorrow.
34:28Yes.
34:29Do we have an address?
34:30I have it.
34:31Now you'll see.
34:32I know these almost-rich aristocrats.
34:36I had them as students.
34:37I didn't put them in their place when I had to.
34:39I'll do it now.
34:54She's hot.
34:56She's worth waiting for.
34:58Let's go.
35:06Are you serious?
35:07Very serious.
35:08His wife was in the bathroom.
35:10We heard it with our own ears.
35:11Unbelievable.
35:12I knew he was a bad man.
35:13But I didn't expect him to go that far.
35:15Should we go to the police?
35:16It's no use.
35:17First of all, how are we going to prove our innocence?
35:19Are we going to be punished?
35:21Let me tell you.
35:22Makaritis said it.
35:23Not the police.
35:24We'll get into more trouble.
35:25And what are you going to do?
35:26The way we started.
35:27And it's better for you not to know too much.
35:30Does anyone bother you after the minister's death?
35:32Do you feel like you're being watched?
35:34I don't know. Why?
35:36Maybe you should think about leaving.
35:39From my house?
35:40From your house.
35:41From Athens.
35:42From Greece.
35:44Maybe you're right.
35:45We'll continue anyway.
35:47Nobody knows us anyway.
35:49What we want is evidence.
35:52What can you tell us that will prove useful?
35:54Wait.
35:56Wait.
36:06I saved his office.
36:08When I saw that they were in there after his death,
36:10I collected everything and brought it here.
36:12What is it?
36:13Newspaper articles.
36:14I wrote them down.
36:15I was so busy these days that I looked at them,
36:17but I didn't understand anything.
36:19I kept a file, though.
36:20And although I told him many times that I would take care of it,
36:23he didn't want to.
36:24He wanted to do it himself.
36:25Take them.
36:26Maybe you'll clear my mind.
36:30Thank you.
36:32Be careful.
36:33You too.
36:34And think about what I told you before.
36:36You might be in danger.
36:38You'd better leave.
36:41I'll think about it.
36:42Bye.
36:54Bye.
37:11Take it easy.
37:25This woman is an exorcist.
37:27Fortunately, I'm a Buddhist.
37:30And she's giving birth again.
37:32Someone should tell her that giving birth is more difficult than giving birth.
37:36Wait a minute, my angel.
37:38Where are you going?
37:39I'm going to pick up the phone.
37:41Don't be late.
37:42The baby might wake up.
37:43And she'll see your face and get scared.
37:45I'm not answering.
37:46Are you waiting for someone?
37:48No.
37:49That's what she said.
37:50Ask before you answer.
37:51Who is it?
37:53Who is it?
37:54My love, it's me, Dalia.
37:57Who?
38:00I found you and I had to come.
38:05So this is where you are.
38:09You're so small.
38:10But it suits you.
38:11I brought you something for the house.
38:13A handkerchief.
38:14I had it in front of me.
38:15No one saw it.
38:16And I was wondering why I didn't give it to my friend.
38:19From what I can see, the place needs it.
38:22Hello, ma'am.
38:23How can I help you?
38:24Who are you, ma'am?
38:25Come back, I'll lock you up.
38:26Are you my mother-in-law?
38:27Oh, yes, I am.
38:29Yes, come in.
38:30Oh, hello.
38:31Dalia Hadji Alexandrou.
38:33Hadji Alexandrou.
38:35Are you dyslexic?
38:36That's a big face for a woman.
38:38Don't I tell you?
38:39It's my father's famous joke.
38:41Your father's?
38:42Hadji Alexandrou of Belisarius.
38:44Are you the daughter of Hadji Alexandrou of Belisarius?
38:48Yes, I am.
38:49What kind of daughter are you?
38:51Of Haro?
38:54Funny!
38:55Not my father's, but mine.
38:57Sit down.
39:07Where is she going now?
39:21I don't know.
39:22I don't know.
39:23I don't know.
39:24I don't know.
39:25I don't know.
39:26I don't know.
39:27I don't know.
39:28I don't know.
39:29I don't know.
39:30I don't know.
39:31I don't know.
39:32I don't know.
39:33I don't know.
39:34I don't know.
39:35I don't know.
39:36I don't know.
39:37I don't know.
39:38I don't know.
39:39I don't know.
39:40I don't know.
39:41I don't know.
39:42I don't know.
39:43I don't know.
39:44I don't know.
39:45I don't know.
39:46I don't know.
39:47I don't know.
39:48I don't know.
39:49I don't know.
39:50I don't know.
39:51I don't know.
39:52I don't know.
39:53I don't know.
39:54I don't know.
39:55I don't know.
39:56I don't know.
39:57I don't know.
39:58I don't know.
39:59I don't know.
40:00I don't know.
40:01I don't know.
40:02I don't know.
40:03I don't know.
40:04I don't know.
40:05I don't know.
40:06I don't know.
40:07I don't know.
40:08I don't know.
40:09I don't know.
40:10I don't know.
40:11I don't know.
40:12I don't know.
40:13I don't know.
40:14I don't know.
40:15I don't know.
40:16I don't know.
40:17I don't know.
40:18I don't know.
40:19I don't know.
40:20I don't know.
40:24I don't know.
40:30Zoumbouli, I'm afraid what we were thinking the other day is true.
40:32I'm afraid it's true.
40:34Ted Turner, my son, hasn't crossed Jane yet.
40:38We talked on the phone the other day and he almost气 Trade me.
40:41And they've been divorced for so many years.
40:43Is it your house or YOUR apartment?
40:45I live...
40:46At least I own it, of course.
40:47It's my family home.
40:48My great-grandfather spent the last years of his life here.
40:51Yasos Dorkofikis.
40:53Oh, he looks old.
40:56If an earthquake hits him, he'll go down.
40:59You should have stayed with me.
41:02We'll see about that.
41:04I wanted to tell you something else.
41:05The other month, in Holland,
41:07there was a celebration, I don't remember exactly,
41:10of the rule of democracy in the country.
41:12And Beatrice invited me.
41:13You know how close my father was to that royal family.
41:19I know.
41:20Oh, dear.
41:21So she invited me, and I said,
41:23I'm not going alone.
41:24I've told her so much about you,
41:26and it's an opportunity to meet her.
41:27She'll be very happy. What do you think?
41:32Since she invited us...
41:34Perfect. We'll go by Learjet.
41:35We won't have any trouble.
41:37Fortunately, because with the KTEL...
41:39Ah!
41:40Ah!
41:41Ah!
41:42Ah!
41:43Ah!
41:44Ah!
41:46Ah!
41:47The eternal kiss!
41:48Ah!
41:49Ah!
41:50Ah!
41:53For God's sake.
41:54The window is south-east.
41:56Put a plant there.
41:58Don't you think of Feng Shui?
42:01I'll have another vodka.
42:03With more ice this time.
42:10Oh!
42:12Ah!
42:15Ah!
42:17Ah!
42:18Ah!
42:23Ha ha!
42:39Oh, Zumbulia, our team.
42:41The kids are waiting outside.
42:45What do you prefer, spending the day with your partner or with us?
42:53Well, I'm glad you came to see me.
42:55You wouldn't believe it. The South House is on fire!
42:58Zumbulia, are you here?
42:59Yes, I'm here.
43:00What are we going to do now? Where are we going?
43:02We're going to meet Angela. She says she has news.
43:04We'll tell you the rest on the way.
43:09Zumbulia, Zumbulia, Zumbulia, Zumbulia, Zumbulia...
43:18How will we find the guy on the tape?
43:20We have a plan.
43:22We might need your partner's help, though.
43:24Leave it to me. I'll take care of it. Thank you.
43:27Angela.
43:29What's she carrying?
43:31She looks strange to me.
43:37What happened?
43:38They found us.
43:39What?