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00:00That's what you say. We were supposed to meet yesterday,
00:03but there were some problems with Fotis' channel,
00:05so we decided to meet today at 5.
00:10I'm lucky I have you and I can talk in this house,
00:12otherwise I'd be staring at the bars.
00:17What about you? How are you going to get on with her?
00:20Have you ever even touched her?
00:22But you do.
00:24Whenever she takes you in her arms, you let her go.
00:29What are you doing here?
00:30Nothing, Marinela. We were just having a chat.
00:33Lia, are you changing the baby on the couch?
00:36Are you coming in from downstairs?
00:38Is this what you call a nice joke in the village?
00:40You gather all your friends in a room full of cats and you call it a joke?
00:44Exactly.
00:46You see, wherever I go, I end up with cats.
00:49What did you say?
00:50Nothing. She didn't say anything, Marinela.
00:52Are you going out?
00:53Yes.
00:54Good voice.
00:55What do you want me to prepare for lunch?
00:57Something heavy to eat.
00:59I'm not going to eat here anyway.
01:00We're invited by Geli, the reporter.
01:03When are you coming?
01:05By the theologian? At night.
01:06At night?
01:07Yes. Are you going somewhere?
01:09No, I'm not. Where should I go?
01:12I don't know. To Martinique? Guadeloupe?
01:16No, no, no. I'm going to stay at home.
01:18You'll do very well.
01:20Keep your mind on the baby.
01:21If you dare, go and leave him alone.
01:24Oh, and I'd like to tell you something else,
01:27but neither my background nor my education allows me to do so.
01:30You're a cat and you look like one.
01:42Don't laugh at all. We're in trouble.
01:45What am I going to do with you now?
01:49So, we're all here.
01:54Yes.
01:55Are you crazy?
01:56Are you crazy?
01:58Yes! We're here!
02:03At this point, I'd like to say that I'm very happy
02:06to have such a warm audience.
02:08Yes! Yes! Yes!
02:11Enough!
02:16So, I'd like to welcome you
02:18to this first meeting
02:20after the last mission at the campsite.
02:23A mission that was a complete success.
02:28Yes.
02:29Now you're not clapping.
02:31What's there to clap for?
02:32It's like you didn't know what we were doing at the campsite.
02:34You were running around all day.
02:39I can't believe it. He's got tears in his eyes.
02:41Also, I'd like to welcome the new members of our team.
02:46Who?
02:47The baby.
02:48Leave the baby alone.
02:51I can't wait to put him to sleep.
02:53You're going to put him to sleep?
02:55Of course.
03:01This is our first meeting
03:03at the Metropolis Palace.
03:05Who am I?
03:06What are you asking? Can't you see the baby?
03:08Shut up.
03:09Let's continue.
03:13I saw him in my sleep holding a gun
03:15and there were a lot of robbers passing by
03:19and in the storm and in the snow
03:21I was shooting and I was skiing
03:23I was an angel, ducali, ducali, ducali
03:26I was wearing golden feathers in my boots
03:29I was an angel, ducali, ducali, ducali
03:32I was chasing the thieves in the mountains
03:40I saw him in my sleep screaming
03:43and the boss was calling me
03:45and they told me his name, how he loves me
03:48and how I'm going to travel in peace
03:50I was an angel, ducali, ducali, ducali
03:53I was wearing golden feathers in my boots
03:56I was an angel, ducali, ducali, ducali
03:59I was chasing the thieves in the mountains
04:03So, recapitulating...
04:05It's been a long time.
04:07The key.
04:08We haven't found what it means yet.
04:10And it won't come out.
04:13Ah, ideas!
04:16The minister's archive hasn't revealed his secrets yet.
04:20Maybe we shouldn't put the right person to look for it.
04:23You're stupid!
04:24Come on, they stopped and you started.
04:27But the third element we found is the most important.
04:33The phone number of the person who put the waiter in the circle.
04:37Yeah!
04:38Who are they?
04:40Me.
04:41I'm holding the card with my phone.
04:43And where am I?
04:44We found it together.
04:45There was no room.
04:46No, there was no room.
04:48You searched the whole page and there was no room for me.
04:56What are you saying?
04:57You're like Brad Pitt and I'm like Miega.
05:00He's right, Foti.
05:01You didn't find me either.
05:03Do you wear my hair like that?
05:05What do I look like if I'm not fat?
05:06It doesn't matter.
05:07What am I?
05:08Nothing, nothing.
05:10What did he say?
05:11What?
05:12Oh, I see.
05:13No, because I lost the bottle with their stickers.
05:15Hey, hey, hey.
05:16We're here to get a phone.
05:17Are we going to get it or what?
05:18To get it.
05:19To get rid of it first and then get it.
05:21Well, I think I'll stay.
05:22So, deal.
05:23Bring the paper with the number.
05:28Who's going to get it?
05:31I'm not getting it.
05:35What?
05:36I didn't hear you.
05:37Come on.
05:38You wouldn't know what to say.
05:40What?
05:41Will you get it?
05:42Me?
05:43Of course I will.
05:44Look at the drawing.
05:45Who's bragging with a piece of paper in their hand?
05:50In a good way.
05:52Will you get it?
05:53Let me get it.
05:56Do you have a cover?
05:57I do.
06:01Do you have any idea what you're going to say?
06:03No.
06:04It doesn't matter.
06:05Let him get it to make sure that this number exists
06:07and that he's really a woman and then we'll see.
06:10Hello?
06:15She's calling.
06:19She's not answering.
06:22Oh, she's on the phone.
06:28What happened?
06:29She's on the phone.
06:31And?
06:32She said her name.
06:33And how do you say it?
06:36You said it well.
06:38Foti, what happened?
06:39What did you say?
06:42The one on the phone?
06:46Yes.
06:48I know her.
06:51And it's not just me.
06:54We all know her.
07:00Who is it?
07:02Zana Ioannou.
07:04Who?
07:05I don't believe it.
07:07Are you sure?
07:12Who is Zana Ioannou?
07:28I see.
07:32She's a fashion designer.
07:33She's a fashion designer.
07:36She wears a lot of clothes so she's a fashion designer.
07:38You're wrong, Zouvoulia. And Christodoulos is a priest.
07:40Do you call a priest a priest?
07:41Christodoulos is a bishop.
07:43The same way.
07:44Is she a bishop?
07:46You call Christodoulos a priest and you call him a bishop
07:48so you don't call her a fashion designer.
07:51And how do you say it?
07:52Father!
07:53Are you afraid?
07:54What can I do?
07:55We've been trying to differentiate between priests and designers for half an hour.
07:58Do you want me to kill your trauma?
08:00I'm sorry.
08:01I'm a fashion designer.
08:03Great.
08:04And let's approach this fashion design, because if it was a fashionista, we would take a patron, if it was a priest, we would take a refugee.
08:11Now that it's neither one nor the other, what are we going to do?
08:29Is there more?
08:30Why? Are you tired?
08:31No, I'm not. Is there?
08:34Give me twenty seconds.
08:36We're saved.
08:37I had read somewhere that when Onassis signed his economic agreements, he always had two bodyguards with him.
08:44And the former king of Congo, again, had his youngest daughter in his arms.
08:48No one had a cook like him.
08:51I, for the first time, in these critical times, I want to be the cook.
08:55That's a new fashion.
08:56If you don't like it, go to Congo.
08:58Clever.
08:59Let's talk.
09:00What can I do? He's not leaving.
09:03Ah, I want you to pay special attention to this engraving.
09:06Yes? Why?
09:08It's probably your biggest business venture in the last two years.
09:12Very nice.
09:13What is it?
09:14It's about the construction of the world's largest natural gas pipeline.
09:17It starts from Kyrgyzstan and extends to five Asian countries.
09:21Awesome.
09:22And it's mine now?
09:23Fifty percent. You own it.
09:26Didn't I tell you?
09:27Not even a fox would dare to steal it.
09:30What is a natural gas pipeline?
09:32It's about a...
09:33Leave it, I'll say it.
09:34What you're saying is a thick pipe with a big hole in the middle.
09:39And in there, the air passes through.
09:41And of all the goods in the world, this is what I chose to buy.
09:44If you like it...
09:45Of course, and you know best.
09:47This engraving is in a place that I don't know where it comes from.
09:51If I ever want to see it, I can't because I don't know where it is.
09:55Do you understand?
09:56This is what I sign every day.
09:58What you're wondering, I inform you that many big businessmen would have wanted to have it.
10:02But we weren't wondering at all, Alex.
10:04I wanted it too.
10:05When I was a kid, when my parents asked me what gift I wanted,
10:08I would say a piece of paper from Kyrgyzstan.
10:10We're not going to meet today.
10:12One of the other days.
10:13I'm going to bring the rest.
10:15I'll be back in two minutes.
10:21He says he's coming back now.
10:23The person you want to approach.
10:25Why do you want to approach him?
10:27I can't tell you that.
10:28He's someone we want to do it with our own hands.
10:31Do you have any idea?
10:33Mrs. Antalya.
10:34Magic.
10:35What magic?
10:36You're going to do magic to him.
10:38My sisters wanted me.
10:40The one who turned to look at her.
10:42And they did magic to him.
10:44She and her mother.
10:45And he came by himself.
10:47It was Sunday afternoon.
10:49And he asked her to marry him.
10:50Really?
10:51And how did they do it?
10:53She found them a girl, a whore.
10:55Who said that in order to tie him up,
10:57He had to go out on a Saturday night.
10:59With a pair of pants.
11:00To go out on a date.
11:02A whore.
11:03We have a whore.
11:04Nice.
11:05And she had to dance naked.
11:06Holding her hands.
11:07Two leaves of wild silk.
11:09Really?
11:10Yes.
11:11And her mother came out and danced.
11:13Naked?
11:14Chichidi.
11:15And she said some words.
11:17That the girl gave her.
11:20And the next month.
11:21They got married for three years.
11:25And what kind of dance is this?
11:27Samba, rumba, freestyle?
11:29No.
11:30These are specific steps.
11:32Seven turns around yourself.
11:34And seven circles.
11:37And all this seven times.
11:40And with the leaves of wild silk in your hand.
11:43Get up, I'll show you.
11:46Hold these.
11:48Seven turns around yourself.
11:51And seven circles.
11:54One.
11:56Two.
11:57I didn't do them right.
11:58I'll be embarrassed.
11:59Yes.
12:00And seven circles.
12:05And finish where you started.
12:08Where did you start?
12:15What a joy I got from this dance today.
12:18I'm in heaven.
12:21Are you crazy?
12:23Why?
12:24The girl did it and she got caught.
12:26And I'll go out in the woods naked.
12:28Dancing with two leaves of wild silk in my hands.
12:30What time will this happen?
12:31Because at six o'clock we have to go to the pediatrician.
12:35Listen.
12:36I'm getting jealous.
12:37Let me tell you.
12:38Are you sure you want to stay in the woods naked?
12:40Anyway, tomorrow when we go to the pediatrician, I will suggest this.
12:43The best thing I want from you is to sit and think logically.
12:46We don't have much time ahead of us.
12:47They will find us first.
12:48Before we find them.
12:50The other time at five o'clock we got away.
12:52Did you think of something?
12:54I'll think.
12:55I'll break my head and I'll think.
12:56Okay.
12:57Anyway, listen.
12:58It's seven turns around yourself.
13:00Oh.
13:02The line broke.
13:06The line broke.
13:17Anyway, Marinella.
13:19Maybe we don't match.
13:20But I admire you for one thing.
13:23Yes.
13:25We really don't match.
13:26Because I don't admire you for anyone.
13:30Why do you admire me?
13:31You are beautiful.
13:33Thank you.
13:34No, you are beautiful.
13:35Even the last time you came to the village,
13:37with that beautiful blue dress,
13:39you made a big impression.
13:41Do you know how many kids that year were dressed like Marinella?
13:47Really, you.
13:48Those beautiful clothes you wear.
13:50Where do you find them?
13:51I'm looking for them, Lia.
13:52I'm getting informed.
13:54The point is that you find your own.
13:56My own are from Serra.
13:58And that's where they should stay.
13:59Only this skirt.
14:00I found it on a motorcycle in Drama.
14:02I saw the fabric.
14:03I liked it.
14:04Yes, yes.
14:05She bought the same one as Gelli.
14:06Really? For a skirt?
14:07For a tent.
14:09Good for you, Dracula.
14:10At the right time,
14:11when I had to fulfill your needs.
14:13Did you say anything, Lia?
14:14No, Marinella.
14:15What can I say?
14:16I didn't say anything.
14:18Really, because I'm thinking
14:19about changing my wardrobe.
14:20Where would you advise me to go?
14:23Dimnokratos and Aristides corner.
14:25What's there?
14:26A car workshop
14:27that has beautiful dolls.
14:29Yesterday I got one for the car.
14:32You didn't understand me, my dear.
14:34Not at all, Lia.
14:35You see it all the time
14:36that I try to read it
14:37and you don't let me.
14:38You ask questions
14:39and we finish.
14:40Do you know Zanna Ioannou?
14:41I know her.
14:42That's where I want to go.
14:43No way.
14:44Why?
14:45Because she's a pervert,
14:46a snob,
14:47a spoiled brat.
14:49They're all crazy.
14:51And this one of two or three people
14:52who control her circle,
14:53everyone else
14:54is better than her.
14:56Who said that?
14:57My dear,
14:58from Zumbulia to Zumbulia.
14:59To say that she's a snob,
15:00we put her nose.
15:02She called me during the rehearsal
15:03and told me.
15:04Another rehearsal?
15:06When will this show be on?
15:08I don't know.
15:10Anyway,
15:11now she broke her leg again
15:12and I was saying
15:13that the replacement
15:14has made us all play with plaster
15:15to have a better family.
15:17What anomalies are those?
15:18I don't know.
15:19She does a half-hour
15:20of stretching on stage.
15:21Now we're done.
15:23I see.
15:25So, bringing her closer
15:26is impossible.
15:27We'll send her to the doctor
15:28or to Dalia.
15:29No, no.
15:30Dalia shouldn't
15:31be seen in all this.
15:32If the journalists
15:33and the newspapers
15:34find out that she's out,
15:35they won't let her
15:36take a step.
15:37It's better
15:38if no one knows about her.
15:39Should I go to Zana
15:40and beat her up?
15:41Angela,
15:42we said
15:43it's better
15:44to leave her this way.
15:46Wait a minute.
15:49Come, Theopoula.
15:50Come in.
15:51Welcome.
15:52How are you?
15:53I'm fine.
15:55Did you find the way
15:56to the house?
15:57We didn't lose him.
15:59Oh, you didn't lose him.
16:00No.
16:01I see.
16:02I don't want to ask
16:03where you were
16:04because
16:05I don't know
16:06what I'm going to hear.
16:07I just want to know one thing,
16:08even if you want to answer me.
16:10At 2 and a quarter
16:11at night,
16:13out in Athens,
16:15how many other
16:1668-year-olds
16:17are there?
16:18Five?
16:19Ten?
16:20None, maybe?
16:22I'm 68.
16:24Come on, Theopoula.
16:25You're like me.
16:26I was born in 1937.
16:27No,
16:28I was born in 1939.
16:30You were born in 1937,
16:31my dear Theopoula.
16:32I don't know
16:33when I was born.
16:34I was born in 1939.
16:36Come on, my dear Theopoula.
16:37Don't you remember
16:38the times when we said
16:39we were both
16:40born in 1937,
16:41the same month?
16:42We lied to Panagiotou
16:43that we were born in 1939.
16:45Did you forget?
16:46Oh, yes.
16:47I was born in 1937.
16:48You and me.
16:50So, you're 68 too?
16:51Yes.
16:53Then I saw one.
16:54Who?
16:55You.
16:56That's right.
16:57And I saw another one.
16:58You.
17:00So, each of us
17:01saw one.
17:02And two of us
17:03saw four.
17:06Come on, my dear.
17:07Go to bed
17:08because it's late.
17:10You're so sleepy.
17:11We'll sit here
17:12and watch TV.
17:18Kallos?
17:20Yes?
17:22Did you sleep?
17:24No, I just...
17:27I don't want to explain.
17:28Come on.
17:29So, where do we end up?
17:31In the fact that
17:32we have no idea
17:33what the next step is.
17:35Unless Fotis
17:36comes up with something.
17:38I was willing
17:39to give my whole life
17:40for this man.
17:41I left home.
17:42I left my husband
17:43and my children
17:44to be with him.
17:47Love
17:48is the highest emotion
17:50a person can feel.
17:52That's why
17:53it's possible
17:54to lead him
17:55to the most
17:56reckless decisions.
17:58Exactly.
17:59So, one night
18:01I felt
18:02that I couldn't stand
18:03anymore
18:04in the erotic polygamy.
18:06I packed some clothes
18:07and closed the door
18:08of my house forever.
18:10Didn't you say goodbye
18:11to your children?
18:13You didn't have the strength.
18:15I went to his house.
18:17The man
18:18you were in love with.
18:20Yes.
18:21He told me
18:23to pack everything
18:24and stay with me.
18:26I believed him.
18:27But that night...
18:29That night?
18:31That first night
18:32he left you?
18:34Yes.
18:37Because
18:38something happened.
18:40We had never...
18:42You had never
18:43been so close
18:44as a couple.
18:46Yes.
18:47And in the beginning
18:48it was so beautiful.
18:49He hugged me.
18:51He kissed me.
18:53How did you feel
18:54then?
18:56I felt happy.
18:58As if I had found
18:59what I was looking for
19:00all my life.
19:02The port
19:03that every
19:04seasick ship
19:05is looking for.
19:07Yes.
19:08We fell in bed
19:09and he continued
19:10to kiss me
19:11and hug me.
19:13Be careful
19:14with your description
19:15because it's noon.
19:17But nothing happened.
19:18That's the point.
19:21Nothing happened.
19:23He couldn't...
19:25No, no.
19:26I just had
19:27some problems.
19:29I had these problems
19:30since I was a child.
19:32Psychologically?
19:34No, no.
19:35He had to do...
19:37Although the doctor told me
19:38that it could be
19:39psychological.
19:40But basically...
19:43Speak.
19:44Don't be shy.
19:46Yes.
19:47In a way
19:49I got airsick.
19:52Did you have constipation?
19:53No.
20:10Come on, come on.
20:11Don't laugh, guys.
20:12The woman lost
20:13her husband
20:14because of
20:15an unfortunate moment.
20:16I mean,
20:17what could we do?
20:18It was self-inflicted.
20:19It's human.
20:21Both of us.
20:23At least
20:24something good
20:25came out of this case.
20:26Finally,
20:27I see you are patient.
20:28It will be
20:29half an hour,
20:30don't you think?
20:31Frida, get her.
20:32Well,
20:33I have to go
20:34to some work.
20:35I'll leave you
20:36to find the channel
20:37by yourself.
20:38I want you
20:39to be calm, okay?
20:40Okay.
20:41I'll give her
20:42her pills.
20:43She'll be fine.
20:44Foti,
20:45I have news for you.
20:46Great.
20:47How can I help you?
20:48Take five topics
20:49and tell me.
20:50Bye.
20:51Bye.
20:54It doesn't matter
20:55where you find
20:56any news.
20:57I had work.
20:58I didn't have time.
21:02What are these?
21:03The news you'll say.
21:05Six topics
21:06about Jane Ziverioti.
21:08Who is Jane Ziverioti?
21:09Ziverioti's daughter.
21:11But I don't know her.
21:12What can I say?
21:16What is this?
21:17Put them down.
21:18These are mine.
21:20Look here.
21:21Dandoula,
21:22Eleftheria,
21:23Arvanitaki.
21:24You took everything
21:25and left me
21:26with Jane Ziverioti.
21:27What is this?
21:28Put them down,
21:29I'm telling you.
21:30These are mine.
21:36Don't look at me.
21:37If you do,
21:38you'll get a beating.
21:39Why don't you try
21:40to do a spin first?
21:41Can you see it?
21:42That's how you'll get it.
21:44Coffee's ready.
21:46Thank you.
21:48Here you go.
21:53What can you say?
21:54Why were you so excited
21:55about the phone call?
21:56No,
21:57you'll tell me
21:58what you were thinking
21:59about approaching Jane.
22:01Me?
22:02You?
22:03I'll cut it from the root.
22:05Nothing.
22:06Zouboulia thought
22:07about approaching her
22:08as a customer
22:09but then we found out
22:10that it's not easy.
22:12Angela knew about it.
22:13Oh,
22:14you're talking nonsense.
22:15Exactly.
22:16Dalia had an idea
22:18but she didn't.
22:20I didn't.
22:21I see.
22:23I, Dilari,
22:24will give the solution
22:25once again
22:27because
22:28I thought
22:29about this.
22:36I didn't get it.
22:37What didn't you get?
22:38The body is simple
22:39and tested.
22:40Exactly.
22:41As we took part
22:42in the Beach Volley Tournament
22:43we'll take part
22:44in the Callistia Tournament.
22:45Oh, really?
22:46What about Zouboulia?
22:47I can't wait to see her
22:48in the dressing room today.
22:49Hey, kid,
22:50are you stupid?
22:51Who will we send
22:52to the Callistia Tournament?
22:53Bagader?
22:54We'll find a girl
22:55and we'll send her.
22:56And what will happen
22:57when we send her?
22:58What will happen?
22:59Listen to this.
23:00This year's organizers
23:01trusted the successful
23:02Greek designer
23:03Zana Ioanna.
23:04Where does Zana come from?
23:05From the eggplant.
23:07In order to chair
23:08the committee
23:09that will choose
23:10the 40 finalists
23:11from all the girls
23:12who will participate.
23:13In addition,
23:14Mrs. Ioanna
23:15will be the one
23:16who will be involved
23:17until the last minute
23:18in the appearance
23:19of the candidates
23:20for the final night.
23:21She herself declares.
23:22With the girls
23:23we expect
23:24hard work
23:25for a whole month.
23:26Our rehearsals
23:27will be endless
23:28and demanding.
23:2924 hours a day
23:30but the result
23:31I believe
23:32will be justified.
23:33I'm sure
23:34that Zana
23:35will be justified.
23:36Our goal
23:37is for this organization
23:38to remain in the history
23:39of the institution
23:40as the best
23:41it has been so far.
23:42I don't think...
23:43What don't you think?
23:44If we try
23:45to approach her
23:46in a playful way
23:47to bring her
23:4850 euros
23:49or a bouquet
23:50as a customer
23:51it is very likely
23:52that she will be underestimated.
23:53Without the effort
23:54and the work she has
23:55there is no chance
23:56that she will take it.
23:57And so
23:58by sending
23:59one of our girls
24:00to the competition
24:01we will have access
24:02to her
24:03and there is no chance
24:04that anyone will notice us.
24:05Because
24:06it will just be
24:07one of the 40 girls
24:08who will go
24:09daily
24:10and quietly
24:11to do her rehearsal.
24:12Wait a minute!
24:13Wait a minute!
24:14Wait a minute!
24:15So we have to
24:16find one girl
24:17to send
24:18who will be among
24:19the thousands
24:20of people
24:21who will be
24:22among the 40?
24:23Yes.
24:24Tell me
24:25before the twists
24:26and turns
24:27and after the attempts.
24:28Don't worry.
24:29The plan is perfect.
24:30And who will we send?
24:31It has to be
24:32under 25 tons
24:34tall,
24:35strong,
24:36beautiful,
24:37and beautiful.
24:46Get out of here!
24:47Why, my angel?
24:48Didn't you tell us
24:49that you were going
24:50to Argoloponissos?
24:51So many years ago
24:52when I was a girl.
24:53Great!
24:54Now that you are older
24:55you will go to Arilas.
24:56Forget it.
24:57She is right.
24:58Why?
24:59No, no.
25:00She is right.
25:01She is right.
25:02Let's go for a walk.
25:03Let's go for a walk
25:04to see how you walk.
25:05Let's go.
25:14Here is the girl
25:15I was talking about.
25:16That's right.
25:17I was coming back
25:18from the coffee shop
25:19when you were missing.
25:20What a pity!
25:21What a pity!
25:22What a pity!
25:23I don't think
25:24we should send
25:25Aghela.
25:26Her picture
25:27with me
25:28and Elena
25:29in the park
25:30has been circulating.
25:31We should find
25:32someone else.
25:33We need
25:34a tall
25:35beautiful
25:36blonde
25:37girl
25:38with blue
25:39or green eyes.
25:40And we should be able
25:41to make her
25:42what we want
25:43and she should be sweet
25:44and smiley.
25:45And where can we find
25:46someone like that?
25:47In Antenna.
25:48Come on!
25:49Focus!
25:50Think about it
25:51and start
25:52with your environment.
26:01No, no, no!
26:02I do not have a girlfriend!
26:24Neither do I!
26:31I
26:50Don't speak better
27:01It's clear
27:08Say I don't understand you can't hear see Angela
27:31Oh
28:01I'm a bit of a dip. I'm a fish. Yeah, please. You know this is a unit. They're boring and I'm you think I don't know plus
28:07Hey, that's it. He's your kid. It's a derriere's music. It's an amulet. So pick up a ticket. Yeah, let's have
28:13Analyze, I'm gonna talk about this in a fortnight. Oh, yeah, I came in. I said, you know, this will be
28:16I'm too sporty. They tell you something. I'm a victim. I still have lost on the history. She's worried
28:21They say, oh, I'm a boy. Can I'm a city school. Come on. I'll be your brothers in a town
28:25My stuff in a leaf yet easy a pomodoro manita tell if they are
28:29What I let a pomodoro mani the Viennese put a speedy that in a kiddy can use a dog a hronya
28:34They make a fan does my chair at a plus my homie. London. Give me the service. I'm a cosmic. Oh, there's a man who's a sickly losses
28:45But I got all I like see more put on me. I'm a fix. I'm Jack O'Connell. I'm trying to buy stucco Lister
28:55Ha ha
28:58Till I have a
29:00Yet, you can't jealous and room. What do they mean at the speedy?
29:03That's a kid again. He tell us that he can't be a sex office. I think I'm a macri a pota pota
29:08This is the most it was sick. I have to see God. I hope you see what you need yet an amorphous in a
29:13Xanthia
29:15Silly, I mean I think
29:17But when I see my tissue
29:19Then you know do you know me love you to take a fancy to see a sketch and I'm so sad
29:24I'm so sad I hate it if they
29:27Empathy I'm hoping you can hear you yet. Oh, I'm lost
29:29Lepone
29:31Till the phone
29:32I'm a racer. I can't give you my cities. I'm gonna go to the media. I'll tell you a fair
29:37Proceeding a colossal in here. You know, I said I say hone if you don't do it at all
29:40I'll ask you about that. He bought it. He's a boy. He's naftalia's people. Yeah, I said it's going to be a
29:45Skyscraper get the boy if I listen to the Scandinavia keep at it
29:49Tipota
29:50Noxy, I'm easy boy. Oh, no, don't you see?
29:53Okay, no, it's okay. No rendezvous. What do we get in a pony?
29:58Paraskevi tell ya
30:14Oh
30:44Oh
31:14Yeah
31:16I'll tell you more. No, it's just a personal property. Okay, but I'm gonna have to make a lot of them
31:20Oh
31:50Oh
32:20Oh
32:50Oh
33:21Let me tell you
33:24See, no, we don't give up on it. I love it. Yeah
33:26Keep it running. I got me a t-shirt. You need to
33:29Hurry up. Oh, bella. You know, I feel like what you had to steal with a unit
33:33Nikola, then I keep only on the floor. So put in police. Yeah
33:36Oh, there's a story. Well, he had a tomato. It's not
33:39They got me. I was a calisthenic. Oh, yeah, I get it. You guys don't tell me yet. I don't ask you guys. I'll tell you
33:44You gotta tell me
33:50Oh
34:20Yeah
34:50Oh
35:20Oh
35:50Oh
36:20Oh
36:50Oh
37:20She's making a lot of noise from the side.
37:28Come on.
37:29We're at Foti, will you come?
37:31I didn't mean to, but since we're here, I'll come.
37:34Come on, bye.
37:37I didn't tell you to gather them.
37:40Asshole!
37:43What the hell am I doing?
37:46Hello, I'm here for the audience.
37:52Who is she?
37:53Ask her to tell you.
37:56Why are you laughing? Who is she? Is she a member of the police?
37:59She's the daughter of the manager.
38:01She came the previous week from Sokavi.
38:04She opened the door and asked what her name was.
38:08Does she have a funny name?
38:09No, no, my dear Spyros, ask her.
38:12She's a nice girl, isn't she?
38:14Yes, very nice.
38:15And if she starts talking, you'll see how nice she is.
38:20Is there something wrong?
38:22No, no, my dear Spyros, she's fine.
38:24Open the door, girl.
38:29Hello, I'm here for the audience.
38:32Welcome, welcome, girl. Come on in.
38:34Come on in, come on in.
38:37Hello, how are you?
38:39I'm fine, I'm fine. Do you remember Theopoula?
38:42Of course, we met the other day. How are you, Mrs. Theopoula?
38:46I'm fine, I'm fine.
38:50This is my grandson.
38:53Hi, my name is Spyros.
38:55Nice to meet you.
38:58What's your name?
39:00And turn.
39:02Around, around, seven times.
39:04And then...
39:09Up, up, up.
39:12What are you doing?
39:14Nothing.
39:18Spyros sent us a message.
39:20And what does he say?
39:23I'll be right there. I've found the perfect candidate.
39:26I just had a little, little problem.
39:28What problem?
39:29He doesn't say.
39:31Hello, you like the young guy?
39:34Yes, I like!
39:43I love anything by...
39:451, 2, 3, 4, 5.
39:47I love anything by...
39:491, 2, 3, 4, 6.
39:56Hello!
39:58Hi!
40:00Is that her?
40:01Yes.
40:03What a doll! Like an angel!
40:05What's your name, my girl?
40:07Amalia.
40:09What? Amalia?
40:11I didn't say Amalia. Something else.
40:13Yes, but she wanted to say Amalia.
40:15Why don't you say it?
40:17Because she can't.
40:19What do you do?
40:21Amalia, let me introduce you.
40:24Fotis, Angela, Daya, Zumbulia.
40:29Zumbulia?
40:30Here she is again. How do you do it?
40:33Who?
40:34What are we going to do?
40:41Again, baby, you leave me.
40:44Again, you leave me.
40:47I would like to be here with you.
40:51Just for one night.
40:54Again, baby, you leave me.
40:57Again, you avoid me.
41:01I would like to be here with you.
41:03Look how good she is.
41:05It's not a pity.
41:07What kind of girl is she?
41:09Calm down.
41:10She's obedient.
41:11As soon as I told her to come, she followed me.
41:13What are we going to do?
41:15I'm going to cut her off.
41:16I'm going to cut her off at the interview.
41:17She won't make it to 40.
41:19I can't let her talk like that on TV.
41:21Yes.
41:22It's not good.
41:23I'm suffering without you.
41:27I'm suffering, I'm suffering.
41:30I only want you.
41:34She sings the chorus well.
41:36She has no chance.
41:38Let's make sure she won't say either yes or no.
41:41What do you mean?
41:42You'll see.
41:43First, let's make sure she's willing to go.
41:47What are you watching, Maria?
41:49A video clip.
41:51I see.
41:53What have you been up to lately?
41:55Nothing.
41:56I'm taking care of my grandma, who's at the hospital.
41:58What's wrong with her?
42:00She has urology.
42:03Suddenly, you don't know where to start.
42:06Amalia, are you working?
42:08No.
42:09I'm thinking about modeling.
42:12You're interested in modeling.
42:14Do you like it?
42:15A lot.
42:16Don't say a lot.
42:19Why a lot?
42:20I like it a lot.
42:22She's not suffering.
42:24She's the only one having a good time.
42:25You can't make her laugh all the time.
42:26She's been laughing all the time.
42:28I'm going to kill you.
42:29Don't laugh.
42:30I'm going to talk to her.
42:31Amalia, tell me.
42:32Giannis, the man from Kozani.
42:34Dalia!
42:36Giannis, the man from Kozani.
42:42The next one.
42:47Who is he?
42:48You'll find what you need in the file.
42:51As usual.
42:54You're leaving for Thessaloniki next week.
42:56You're preparing for the wedding.
42:58You tell me when it's going to happen.
43:00As soon as possible.
43:04I don't want to make a mistake this time.
43:06There won't be a mistake.
43:09What about the other thing?
43:11We're close.
43:13How close?
43:16We'll find out on Friday.
43:30I don't want to make a mistake.
43:32I don't want to make a mistake.
43:34I don't want to make a mistake.
43:36I don't want to make a mistake.