Sto para 5 - S01E16 - Greek subtitles

geso101
geso101
  • 3 months ago
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00:00Nikoleta, I'm sorry to disappoint you, but Manolis is not to blame.
00:04It's your fault.
00:06What can he do to you now, excuse me?
00:08He's moving to the city.
00:10Oh, and if I'm not there,
00:12I'll make you happy again.
00:16I miss you too, Nikoleta.
00:19I don't have anyone to talk to.
00:21I've been left here with a headache.
00:23I can't speak or talk.
00:25I'm fed up with my life.
00:27Yes, my child, I'm telling you, he hasn't said a word.
00:30And he's doing very well.
00:32Did you say something?
00:34No, I was just doing your job.
00:38Anyway, let's talk about something else.
00:42What Margarita?
00:44Oh, yes, what did she do?
00:47How are you, mother?
00:49I'm happy for you.
00:51You're leaving the hospital next week.
00:53Come on, I'll take you home, I'll take care of you, we'll take care of you.
00:56And until then, I guess, you'll be able to talk.
00:59And we have a lot to talk about, the two of us.
01:01Right, mother?
01:03And while you're here, the sister from here will make sure you don't miss anything.
01:07Isn't that right, sister?
01:09Of course.
01:13The other one next to her says,
01:15Don't worry, this is uninhabitable.
01:18Yes, and I'm telling you, he's put silicone on his chest.
01:23Yes, my child, he has put silicone, I don't know.
01:27Yes, well, such a result can only be obtained from gymnastics.
01:31Silicone.
01:33Silicone.
01:35I'm telling you, don't worry.
01:37I'm going downstairs for a cigarette.
01:39And we, as we said, mother.
01:49Miss.
01:51Yes.
01:52Good morning.
01:54Good morning.
01:59What's up?
02:02Yes, what are we doing?
02:04No, no, no.
02:07I'll get the phone.
02:08Yes, where?
02:15Tanya!
02:22Ah, Foti.
02:32Spiros.
02:38The souvlaki.
02:40I don't know about the souvlaki personally.
02:43How am I going to get the phone? What am I going to tell him?
02:52Ah, Angela.
02:54Okay, and what am I going to tell them?
02:58Where are we?
03:02And that the other guy is here with the black ones.
03:05Okay, give me your phone.
03:07You don't have it?
03:08Then tell them on their phones.
03:10Don't you remember?
03:13Boy, I have a cell phone.
03:15I don't have children's phones.
03:17Because I lost my old device,
03:19and I lost all the numbers I had.
03:23And the five, yes.
03:25Now?
03:49I was an angel of Charlie, of Charlie, of Charlie
03:52I was wearing gold earrings in my boots
03:55I was an angel of Charlie, of Charlie, of Charlie
03:58I was chasing thieves in the mountains
04:06In my sleep I saw him getting drunk
04:09And the boss was calling me
04:12And they told me the password, how he would love me
04:15And how I would go on a journey to the peaceful
04:18And I was wearing gold earrings in my boots
04:21And I was an angel of Charlie, of Charlie, of Charlie
04:24I was chasing thieves in the mountains
04:27I can't take it anymore.
04:29I wonder about ourselves.
04:31We don't know if he's alive or dead.
04:33And if he's alive, we don't know where he is.
04:35And we're just sitting here?
04:36He's right.
04:37What should we do?
04:38Something.
04:39But not just sit here with our hands crossed.
04:41Let's look for him.
04:42Let's go to the hospital.
04:43Okay, that's not possible.
04:45If I stay here one more day, I'll go crazy.
04:47Do you have his phone number?
04:49Not at home, not on the phone.
04:52Does anyone else have the phone number
04:55that can give us the kids' numbers?
04:58Until you wake up and I tell you what happened.
05:01I go out to water the flowers and I see Yuka in my dream.
05:05What?
05:06Let me write it down.
05:08Two.
05:09One.
05:10Zero.
05:11Two, ten.
05:12You're a good swimmer, aren't you?
05:15Three.
05:17Eight.
05:19One.
05:21Seven.
05:23Eight.
05:25Four.
05:27Four.
05:29Five.
05:30Thirty-eight, eighteen, four, four, five.
05:33Whose phone is this?
05:45Marinella's.
05:51Who knows what he's going to tell her?
05:55Marinella will tell me...
06:03Oh, she'll tell me Dalia's phone number.
06:05I see.
06:07And I know Marina's phone number.
06:10I'm just guessing.
06:12Well, I'm still impressed.
06:14Wow.
06:16So I'm going to talk to Marinella.
06:26Where are you going?
06:27To the nursery.
06:29What are you going to do?
06:30I'm going to get a pie.
06:32If I wait for you at the nursery, I'll be late.
06:35You'll be late.
06:37I'm going to get a pie.
06:39If I wait for you at the nursery, I'll be late.
06:41You'll be late.
06:43What's your neighbor's name?
06:45I don't know, I don't care.
07:08I'm going to get a pie.
07:27I'm busy at the moment.
07:29Leave a message or call 61...
07:3360, 62, 29, 45.
07:42Please.
07:44Nothing happens by chance.
07:53I want to tell you that I admire you very much.
07:57Me and my whole family.
08:00My friends.
08:02We grew up with your songs.
08:06I've said a lot.
08:08Millions.
08:10And everything is...
08:12You like them a lot, don't you?
08:13Everything is great.
08:15It's just that...
08:17I didn't like Amos that much.
08:20Don't say that again.
08:22No, I didn't like him at first.
08:25After I got used to him...
08:27After you liked him?
08:29Yes, that's right.
08:31Everyone gets used to this life.
08:33Except for the stupidity and stupidity that someone carries in his head.
08:36Yes.
08:37She doesn't get used to anything.
08:39Nothing?
08:40That's right.
08:42Any other news?
08:43A lot.
08:44I have a lot to tell you.
08:46It's just that...
08:47What?
08:48I've lost a little bit of what I'm talking to you about.
08:51Before you were better, that is.
08:53As far as the track is concerned, the emotion...
08:56Anyway, you're very simple and accepting.
08:58It impresses you, doesn't it?
09:00That's how I am.
09:02And I'm a very outgoing person.
09:04When I'm happy, I'm very happy.
09:06When I'm angry, I'm also very angry.
09:08I cry, I shout, I whine.
09:10Of course.
09:12Because all the great artists are like that.
09:15They have an intense personality.
09:17Exactly.
09:18Now, let's say...
09:20If I have to break you up because I feel like I want to...
09:23I'll do it.
09:24Yes?
09:25Yes.
09:26Do you want me to show you?
09:28You're the devil all morning.
09:34What's up?
09:35An idiot called me and made a joke of me.
09:38Yes, what did she say?
09:39That she really likes my songs.
09:43A lot?
09:44That's what she said.
09:45What a world, my God.
09:48I'm sorry, what songs?
09:50What songs?
09:51I thought she was talking to Marinella.
09:53I thought she was talking to Zoumbouli.
09:55She hasn't been able to say my name correctly for so many years.
10:01Was she talking about me?
10:03Yes, she had a speech.
10:05A joke?
10:06No, it's not a joke.
10:07It's a joke.
10:08It's more than a joke.
10:09It's perfect.
10:10It's magic.
10:11Take the phone.
10:12Take it.
10:13Why should I tell her?
10:14I'll call her.
10:23Amalia?
10:24Yes?
10:25Amalia, is that you?
10:26Who is it?
10:27Amalia, it's Dalia.
10:28Dalia?
10:29Where are you?
10:30Where did you go?
10:31What are you doing there?
10:32At home.
10:33We're all together at home.
10:34Fotis, Angelos, Spyros, we're all here.
10:35And the singers?
10:36We don't have singers.
10:37It's just us.
10:38Listen to me, please.
10:39How did you find out about Marilena's phone?
10:40Did you meet Zoumbouli?
10:41No, I didn't.
10:42Did you meet Zoumbouli?
10:43No, I didn't.
10:44Did you meet Zoumbouli?
10:45No, I didn't.
10:46Did you meet Zoumbouli?
10:47No, I didn't.
10:48Listen to me, please.
10:49How did you find out about Marilena's phone?
10:50Did you meet Zoumbouli?
10:51Who's on the phone?
10:52Did you meet Zoumbouli?
10:53Yes, we're together.
10:54Where?
10:55In the hospital, in the next bed.
10:56She's pregnant?
10:57And she's pregnant.
10:58She just can't speak.
10:59Not at all.
11:00Words.
11:01That's why I told Amalia to call us.
11:02You're saying now that in her village they call her Zoumbouli, my child?
11:03So now Amalia has said everything.
11:04Who is the one who's chasing us?
11:05Why?
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19:01No, not again.
19:13Cat.
19:17Meow, cat.
19:21Human.
19:22Meow.
19:23Meow.
19:25Meow.
19:27Meow, kitty.
19:29What a cutie, you see?
19:31I don't think I'll be able to get her on the phone.
19:36Okay, okay, leave it now and go to sleep.
19:39I can't stand the floor anymore.
19:41Everything will be fine.
19:44Really?
19:46The kids won't leave you like this.
19:49Of course.
19:51Maybe there's been a problem.
19:55I don't know.
19:57I saw some strange movements last night before I fell asleep.
20:01Let me check tomorrow and I'll tell you again.
20:54I don't know.
21:21Where are you going? A walk?
21:23Your mom is still a baby.
21:25I hope everything goes well and you go to the blessing of God and the Virgin Mary.
21:29It will, it will.
21:39What's going on?
21:41Someone is outside.
21:44What's going on?
21:50It's Malia.
21:52Yes?
21:53Hey, Spiro.
21:55Hey, Malia, what's going on?
21:57People have gathered here.
21:59What people?
22:00People, a lot.
22:01At the entrance of the hospital, on the floors, outside the hospital, everywhere.
22:05Can you tell us exactly where?
22:08I can.
22:09Where?
22:10Everywhere.
22:11Everywhere?
22:12People are coming and going.
22:14It's crazy.
22:15Bring her here.
22:16Malia?
22:17Hi, I'm Angel.
22:18Hi, how are you?
22:20I'm fine.
22:21Tell Zumbulia not to be afraid.
22:23Tell her that we are preparing a business.
22:26I think it would be better if you leave the business now and instead look for a way to get Zumbulia out of here.
22:35What are these?
22:36The plans of the building.
22:37Whatever you need, you'll find it in here.
22:39Did you find them?
22:40You can't see them.
22:41I'm so busy with Pepita and Consuela all day.
22:44It's a good job.
22:45It's just better technique.
22:46I would say so, but...
22:48Malia?
22:49Zumbulia?
22:50Is she with you?
22:51Yes, she's here.
22:52The kids?
22:56Greetings.
22:57Tell her not to be afraid.
22:58Tell her not to be afraid.
22:59Let's talk.
23:04Zumbi?
23:05Zumbi, can you hear me?
23:07There's no signal.
23:08I can't hear anything.
23:11If she can't speak, why would she hear you?
23:13Maybe that's why.
23:15Zumbulia?
23:16We'll save you.
23:17Don't be afraid, Zumbulia.
23:19We love you so much, Zumbulia.
23:21Remember my pitchfork.
23:23No, not the pitchfork, Zumbulia.
23:24Remember the wind.
23:26The wind!
23:27The wind!
23:28The wind!
23:29The wind!
23:30The wind!
23:35It's me again.
23:36I'm waiting for news.
23:38Bye.
23:40Bye.
23:49They love you a lot, though.
23:53It's nice to have friends who love you.
23:59I have.
24:00I had.
24:03We got lost.
24:05I got lost.
24:07It's a long story.
24:11What's going on out there?
24:13A lot of people have gathered.
24:19Are you afraid?
24:40Manhattan, smoke on your pipe and put that in!
24:51I want to be in America!
24:53Okay, I'm in America!
24:55Everything's free in America!
24:59America!
25:00Bravo!
25:01You were amazing.
25:03I wonder if you're not too busy with your music.
25:06I had a lot of projects.
25:07Do you know what I told everyone?
25:09I'm sorry, but I won't take part in the musical here in Greece.
25:13I feel the same way about the ancient tragedy.
25:16It's an ancient tragedy, the ones that take place in Epidaurus.
25:20What should I do? No, no.
25:22No and no again.
25:23And let them beg you.
25:25That's what I'll do.
25:27How is he?
25:29I think I'll catch him.
25:31Really?
25:32That's exactly what I admire in a man.
25:36He doesn't have a lot of brains,
25:38but he has the patience to catch something and succeed.
25:42That's my hobby since I was a kid.
25:45I'd dig things up, fix them.
25:47I'm an expert.
25:49Not the girl, though.
25:52Yes, my ambition is more artistic.
25:56I've always dreamed of a career in theatre, in cinema.
25:59And I'll do it, aunt.
26:01On the radio.
26:04This is...
26:05What?
26:06Dalia.
26:07She's the accountant of a huge fortune.
26:11I have 12 acres of olive trees in my village.
26:13She has more.
26:15Theopoula is a shame.
26:16She's a good girl, that's all.
26:19How old is she?
26:2134, exactly.
26:22I've heard of her.
26:23Is she an unmarried woman?
26:25She was born in 1922,
26:27with a Belgian, a secret marriage.
26:30But she only lasted two months.
26:34You were really upset.
26:36I'd forgotten that, too.
26:38Your grandma's a good girl.
26:40They know everything.
26:41They've been following her.
26:43They see where she goes, what she does.
26:45How did they follow us to the warehouse?
26:48The thing is, will these people be able to do it?
26:51Why? How did we do it?
26:53Us? We're a group of people.
26:57What are we?
26:58That's exactly what I was asking.
27:01I don't know if we're a group of people,
27:03but we're a team.
27:05We learned how to work as a team,
27:07keeping each other's personality and character.
27:11What do you mean?
27:12I mean, based on the material we have,
27:15we'll share the same roles.
27:17I didn't get it.
27:20I think she means
27:22that each of us should take on a role that suits our personality.
27:25Exactly. To be ourselves.
27:28That's the only way to succeed.
27:30So, we'll stay out of it?
27:32We can't go to the hospital.
27:35But we won't forget the possibility of transplantation.
27:38Yes, we're here to protest.
27:41We'll protest only because it's an accident.
27:44Okay, you protest, and I'll say it's an accident.
27:53Silence!
27:55Thank you.
27:56I don't know my job.
27:58First of all, do we all agree?
28:00Of course. And Poula?
28:03We'll be together.
28:04What? Can't you see the plan?
28:07I don't know if I can do what you're asking.
28:09First of all, you need equipment for something like this.
28:12We have the equipment. We just chose it.
28:14Right. We'll spend more money.
28:16Shame on you. We're doing this for the company.
28:18You're saying that again.
28:20We'll do it in general.
28:21Or we'll go straight to the premiere tomorrow.
28:24Guys, aren't we doing it wrong?
28:27As you can see, we've given you equipment.
28:29Each of you must be committed to what you have to do.
28:32Don't get confused.
28:34Oh, and I have to add something that wasn't in the plan.
28:37Rita is in charge of catering.
28:39What am I doing in here?
28:41Excuse me, what is this Donald?
28:44Which Donald?
28:45In my documents, it says...
28:48...the code name Donald.
28:51It says Daisy on mine, too.
28:54Who wrote these?
28:55Me. Why?
28:57I thought that since we're not communicating by wireless,
29:00it would be better not to use our real names.
29:02That's right, because the others might fall for our trick.
29:05What is Nels Hol... Holgersson?
29:08Don't you remember?
29:09No, and I don't remember it now. What is this name?
29:12They're all names from a shared plan.
29:14Excellent idea.
29:15What the hell are these? Delete them.
29:17No.
29:18Angela, believe me, it's not a bad idea.
29:20It'll give the whole business a positive note.
29:22What positive note, dad?
29:25We want to save Zumbulia.
29:26We want to save Clarabel.
29:28Yes, that one.
29:30But I repeat, the idea is not bad.
29:33Ms. Marilena, do you agree?
29:38Obviously, thanks to a trick, you were given this name.
29:42Does it mean anything?
29:43No, no. I made sure it fits everyone.
29:45In their personality, in their personality...
29:48But I didn't do it.
29:50I chose them as my guests, and then as a reward.
30:00How did you get her?
30:02Bracunei.
30:08Me too, me too.
30:10Look at him, look at him.
30:20I'm sorry.
30:36On.
30:37On.
30:38Off.
30:39On.
30:41Off.
30:42Easy, isn't it?
30:43What else am I going to live through?
30:46You'll talk to me as often as possible.
30:49Always be careful, okay?
30:51A little brick for the road?
30:52It's not time for brick, Ms. Dalia.
30:54It's always time for brick, Martha.
30:56Rita, Ms. Dalia, Rita.
30:58Martha stayed at home to cook, to have food to eat.
31:01Whenever and wherever we cook well.
31:03Is it my fault? Why don't you wear your apron?
31:05Right. If they catch me, I'll get rid of the many, many questions.
31:10We said you'd use your code names.
31:12Now we're alone.
31:14Yes, but you have to get used to it.
31:15She's right, Mrs. Melissa.
31:16Leave me alone. Candy, candy.
31:19Are we going to talk to the others, too?
31:21No, just me. Don't get confused.
31:23Come on, Dete, what's going to happen now?
31:25Are we going to get her out of here?
31:26Wait, Daisy, let's get the okay from Deltan.
31:28Is he going to give it to us? We're saved.
31:31Daisy.
31:34This is Papa Stroumf. This is Papa Stroumf.
31:37Can you hear me, Frou-Frou?
31:38I'm listening, Papa Stroumf.
31:40Are you ready?
31:41Ready.
31:44Is my little pony with you?
31:46Yes.
31:47What are you doing to my little pony?
31:49I'm feeding it.
32:17Woo-hoo.
32:18Woo-hoo.
32:20Woo-hoo.
32:21Woo-hoo.
32:22Woo-hoo.
32:23Woo-hoo.
32:24Woo-hoo.
32:25Woo-hoo.
32:26Woo-hoo.
32:27Woo-hoo.
32:28Woo-hoo.
32:29Woo-hoo.
32:30Woo-hoo.
32:31Woo-hoo.
32:33Woo-hoo.
32:34Woo-hoo.
32:35Woo-hoo.
32:36Woo-hoo.
32:37Woo-hoo.
32:38Woo-hoo.
32:39Woo-hoo.
32:40Woo-hoo.
32:41Woo-hoo.
32:42Woo-hoo.
32:43Woo-hoo.
32:44Woo-hoo.
32:45Woo-hoo.
32:47Woo-hoo.
32:48Woo-hoo.
32:49Woo-hoo.
32:50Woo-hoo.
32:51Woo-hoo.
32:52Woo-hoo.
32:53Woo-hoo.
32:54Woo-hoo.
32:55Woo-hoo.
32:56Woo-hoo.
32:57Woo-hoo.
32:58Woo-hoo.
32:59Woo-hoo.
33:01Here, Tom.
33:02Here, Tom.
33:03Can you hear me, Papa Stroumf?
33:04I can hear you, Tom. Where are you?
33:06We're here with Nils...
33:08Henriksen.
33:09Henriksen.
33:10Holgerson.
33:12Holgerson.
33:13With whom?
33:14Holgerson.
33:15Well, with him, anyway.
33:17Say, Kandi Kandi sends a kiss.
33:19Kandi Kandi sends a kiss.
33:21Kandi Kandi sends a kiss.
33:23Kandi Kandi has sent a kiss ten times since this morning.
33:26The taxi driver is jealous of us.
33:28Doesn't she know how to do it?
33:30Kandi Kandi, break.
33:32Jerry and Tenten?
33:35They're coming.
33:36Okay.
33:37Let us know when you're in position number two.
33:39Okay.
33:40Over.
33:41Woo-hoo.
33:43Woo-hoo.
33:44Woo-hoo.
33:45Woo-hoo.
33:46Woo-hoo.
33:47Woo-hoo.
33:48Woo-hoo.
33:49Woo-hoo.
33:50Woo-hoo.
33:51Woo-hoo.
33:52Woo-hoo.
33:53Woo-hoo.
33:54Woo-hoo.
34:15Woo-hoo.
34:16Woo-hoo.
34:17Woo-hoo.
34:18Woo-hoo.
34:19Woo-hoo.
34:20Woo-hoo.
34:21Woo-hoo.
34:22Woo-hoo.
34:23Woo-hoo.
34:24Woo-hoo.
34:25Woo-hoo.
34:26Woo-hoo.
34:28Woo-hoo.
34:29Woo-hoo.
34:30Woo-hoo.
34:31Woo-hoo.
34:32Woo-hoo.
34:33Woo-hoo.
34:34Woo-hoo.
34:35Woo-hoo.
34:36Woo-hoo.
34:37Woo-hoo.
34:38Woo-hoo.
34:39We're here.
34:41Yes.
34:42Good morning.
34:43Good morning.
34:44Where's the morphine?
34:45What do you have for the night shift?
34:47Huh?
34:48Whatever you see here.
34:49Where are we?
34:51At the train wreck.
34:52Where?
34:53This is Papa Shroof. Do you copy?
34:56Your guard?
34:57Where's my dad?
34:58Where is he?
35:02Come on, Dad. It's me.
35:04Come on, Tenten. This is Papa Shroof.
35:05Who's Papa Shroof now?
35:07Come save me. I don't know where I am.
35:08God has brought me.
35:09Jerry?
35:10Yes, that's what's bothering you now. Jerry.
35:12He's brought me to a nightclub.
35:14Why?
35:15They've lost 80%.
35:18You're going to cut us some slack, aren't you?
35:20Ask the girls if I want to get anything from them.
35:23I'll get it from Sophie anyway.
35:25Get out of there right now and get into the Shroof village.
35:28Okay. Let's go, Albert.
35:31Let's go.
35:33I'll be back. What time do you close?
35:35I told you.
35:36What was that?
35:43Hey, hey, hey.
35:45Albert, Albert.
36:12Jerry and Tenten, okay?
36:14Great.
36:16The next one. Dracumbel.
36:18Hmm. Ideas.
36:22Go, go, go.
36:42DRACUMBEL
37:02Dracumbel, okay.
37:04Are you in position one?
37:05In position two.
37:06All of them?
37:07Yes. Come on, it's over.
37:10Daisy and Donald, you're left.
37:12Okay, let's go.
37:13Are the clothes inside?
37:14Inside. Let's go.
37:42DRACUMBEL
37:45I have to go to the bathroom.
37:47I'll be right back. Let's go see the doctor.
38:11DRACUMBEL
38:38Hey, he's not going in there.
38:42Not here either.
38:47What are we doing?
38:48We're waiting for instructions.
38:49They said they'd send a message.
39:05Okay.
39:06Now?
39:07Did you send a message to Amalia?
39:09Yes. Now?
39:10We leave from here and everyone goes to their post.
39:13Okay.
39:14Come on, let's go.
39:23Toilet.
39:40DRACUMBEL
40:10DRACUMBEL
40:40DRACUMBEL
40:41DRACUMBEL
40:42DRACUMBEL
40:43DRACUMBEL
40:44DRACUMBEL
40:45DRACUMBEL
40:46DRACUMBEL
40:47DRACUMBEL
40:49DRACUMBEL
40:50DRACUMBEL
40:51DRACUMBEL
40:52DRACUMBEL
40:56I'm here. I'm so glad, son.
40:57What happened?
40:58I went to the funeral.
41:00Sophie, Spiridoula died, did you know that?
41:03Really?
41:04Yes. I saw her with my own eyes.
41:06Let's go later.
41:08Where's Spiros?
41:09In position three.
41:10Come on, I'll take you there, and then we'll go to the post office.
41:14Come on, come on, my child.
41:33I don't want to read the book first, but I want to read it now.
41:40Come on.
42:10I don't want to read the book first, but I want to read it now.
42:17Okay, don't look at it now.
42:19Since this is what we have to do, this is what we will do. Get up.
42:24He followed me.
42:26The last time I went to his office, he put people and followed me.
42:29They saw that I came to the hospital, and then they started asking questions.
42:33Okay, don't worry.
42:35He can't do anything to you.
42:37He needs you.
42:38No one needs him.
42:41I just want this story to end, to give him the other one, and to get rid of him.
42:45What did the doctor tell you?
42:47The only good thing I heard today.
42:49He's doing well, and he'll be out sooner than expected.
42:52When?
42:53Tomorrow.
42:54That's enough, Candy Candy. You've eaten the whole universe.
42:57And what will happen? Will I go bankrupt?
42:59Since I'm the one with a plan.
43:01Good, very good.
43:03What's up? Are we starting?
43:05We're waiting to get the okay from everyone.
43:07Fotis and Spyros in their positions.
43:10Frida and Avram in their positions.
43:12Marilena too.
43:14Angela and Alex in their positions.
43:16Who's left?
43:17Sofia and Theopoula.
43:28Is that her?
43:29Yes.
43:32Sit down.
43:37What's up?
43:54Send a message to our people.
43:57What should I write?
44:00Everything is ready.
44:03We're starting.