Sto para 5 - S01E25 - English subtitles
- "at 5 (minutes) to (the hour)" is a Greek idiom, equivalent to "at the last minute".
- Hondriki-Lianiki is a commonly used phrase (including the dash) and it means Wholesale-Retail. Dalia mispronounces it and mistakes it for a female person. It's not uncommon for Greek women to use two surnames (their maiden name and their husband's surname), separated by a dash.
- OSE is the Greek railway company.
- "Dolce Vita" is an old TV series. Katiana Balanika was starring in it.
- Fotis' dream about Katiana Balanika is a reference to the TV series "Savvatogennimenes" (by the same writer as "Sto Para 5"). In that series, Argyris Aggelou (the actor that plays Fotis) was playing a character who was a student of Balanika's character.
- Tinos island is famous amongst Greeks for the Church of Panagia Evangelistria, with its reputedly miraculous icon of Virgin Mary that it holds. Many Greek Orthodox believers ask for the protection and favours of Virgin Mary, and they later have to fulfil their vow by visiting the Church in Tinos in order to light a candle or offer ex-votos.
- Petros the pelican was the official mascot of the Greek island of Mykonos. Even if the original bird has now passed away, three new pelicans took up residence around the main town of Mykonos. One, honorifically, was given the name "Petros".
- Zoi Laskari was a famous Greek actress. Mykonos is well known for attracting celebrities.
- Super Paradise beach is a trendy beach in Mykonos.
- It's a Greek custom to throw a few coins inside a new car, for luck.
- "One woman, two men" is a well-known old rebetiko song.
All rights belong to their rightful owners. This video is for educational purposes only: to help learners of Modern Greek and also help non-Greek people understand the Greek culture. This is a fan translation, as no official professional translation of the show exists.
- Hondriki-Lianiki is a commonly used phrase (including the dash) and it means Wholesale-Retail. Dalia mispronounces it and mistakes it for a female person. It's not uncommon for Greek women to use two surnames (their maiden name and their husband's surname), separated by a dash.
- OSE is the Greek railway company.
- "Dolce Vita" is an old TV series. Katiana Balanika was starring in it.
- Fotis' dream about Katiana Balanika is a reference to the TV series "Savvatogennimenes" (by the same writer as "Sto Para 5"). In that series, Argyris Aggelou (the actor that plays Fotis) was playing a character who was a student of Balanika's character.
- Tinos island is famous amongst Greeks for the Church of Panagia Evangelistria, with its reputedly miraculous icon of Virgin Mary that it holds. Many Greek Orthodox believers ask for the protection and favours of Virgin Mary, and they later have to fulfil their vow by visiting the Church in Tinos in order to light a candle or offer ex-votos.
- Petros the pelican was the official mascot of the Greek island of Mykonos. Even if the original bird has now passed away, three new pelicans took up residence around the main town of Mykonos. One, honorifically, was given the name "Petros".
- Zoi Laskari was a famous Greek actress. Mykonos is well known for attracting celebrities.
- Super Paradise beach is a trendy beach in Mykonos.
- It's a Greek custom to throw a few coins inside a new car, for luck.
- "One woman, two men" is a well-known old rebetiko song.
All rights belong to their rightful owners. This video is for educational purposes only: to help learners of Modern Greek and also help non-Greek people understand the Greek culture. This is a fan translation, as no official professional translation of the show exists.
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LearningTranscript
00:30You'll look everywhere.
00:33You'll dig, if necessary, even the floors.
00:36Do you understand?
00:38Tomorrow, anyway.
00:42It's horrible.
00:44This man stayed in prison for 22 years for a crime he never committed.
00:48How can you live after something like that?
00:50And how can you forget it the moment you discover it?
00:53You're talking about Stadrianidis, aren't you?
00:55First I put him in prison, and then I realized that everything was a lie.
00:59He was a good man, after all.
01:01At first, I thought he was a...
01:03What?
01:04I don't know. I thought he deserved what happened.
01:06Especially after what happened with Exeter.
01:08I thought he was a fraud, that he did it for the money.
01:11But he was trying to justify a crime.
01:14And to correct his mistake.
01:1630 years.
01:20Be careful, after 1996, while the graphic character remains the same,
01:25the names of Paralyptos and Apostolos change.
01:28It's strange.
01:29Venatopoulos was a therapist.
01:31He had to hide. He communicated with pseudonyms.
01:33And he has a different management all the time.
01:36He has changed more than me.
01:38He knows about that.
01:40So, let's put them down in chronological order,
01:43and see which one is the most recent.
01:45It seems that the only one who knew where he was hiding was Stadrianidis.
01:48Now it's us.
01:51We have to meet him.
01:53And what should we tell him?
01:54Stadrianidis may have died, but we have to deal with his case.
01:58We have to win his trust.
02:02What is this?
02:03I found only this.
02:04In a corner, in Patari.
02:06What is it?
02:08Read it.
02:13Who is Aris Papadopoulos?
02:15That's what it says on the cover.
02:17See how he signs inside.
02:25Gerasimos?
02:28Did we find him?
02:54He doesn't communicate with the environment.
02:56He doesn't communicate with nature.
02:58He doesn't communicate with nature.
03:00He doesn't communicate with nature.
03:02He doesn't communicate with nature.
03:04He doesn't communicate with nature.
03:06He doesn't communicate with nature.
03:08He doesn't communicate with nature.
03:10He doesn't communicate with nature.
03:12He doesn't communicate with nature.
03:14He doesn't communicate with nature.
03:16He doesn't communicate with nature.
03:18He doesn't communicate with nature.
03:20He doesn't communicate with nature.
03:22He doesn't communicate with nature.
03:24He doesn't communicate with nature.
03:26What do you mean he doesn't communicate with nature?
03:28At least you should know that.
03:30What?
03:31Nothing.
03:32Can you walk?
03:34We will get together in the afternoon.
03:36We will bring Zumbuli Abbas and nothing will happen.
03:38I don't think so.
03:40Tomorrow Marilena has an appointment with a doctor.
03:42How did this happen?
03:44In the middle of nowhere?
03:45Not in the middle of nowhere.
03:46We just passed by.
03:48First of all, he thinks he killed grandpa.
03:51He thinks he killed grandpa.
03:53And now he is talking to them.
03:55He doesn't understand.
03:59Are you done?
04:01How?
04:02Did you sign them?
04:04No, I didn't have time.
04:06I was studying them.
04:07Oh, you were studying the contracts.
04:09Since when?
04:10Since forever.
04:11What?
04:12Don't we know who we are working with?
04:14Do you know?
04:15What do I not know?
04:17We have a new contract with this woman.
04:19Yes, of course.
04:20It's been years.
04:21Since I called her Lianiki.
04:23Then Yannis got married.
04:24He got fatter and bigger.
04:25Yes, yes, yes.
04:26Don't tell you what I remember.
04:27I was invited to the wedding.
04:29Sign them in five minutes.
04:30I'm in a hurry.
04:31Yes.
04:34Did you see him, Evra?
04:35What did I tell him?
04:36Can you tell me?
04:37What can I tell you?
04:39He has a bad temper lately.
04:40If I tell him that I'm going out in the afternoon...
04:42You can walk after all.
04:44It's hard.
04:45Don't look in front of him.
04:47I walk comfortably.
04:48He has two other girls.
04:50They watch me all day.
04:52Wherever I go, they run in front of me.
04:54One after the other.
04:56At a point where I can't.
04:57You'll see there are three of them.
04:59As soon as I find some time, I'll look into it.
05:01Good, good.
05:03I'll tell Fotis you're coming.
05:05Yes.
05:06If Zoumboulia comes, I'll come.
05:07I'll see how he is.
05:08He's not well.
05:09You should be prepared for what you'll face.
05:17He recognizes us.
05:19I don't know.
05:20He looks at us like this.
05:22Like a stork.
05:23And?
05:24He looks like a stork.
05:25Have you ever seen one?
05:26I went to the zoo with my grandma years ago.
05:29And there was a stork.
05:30And it was exactly this.
05:31It looked like this.
05:32This.
05:33It looked like this.
05:34And?
05:35It looked like this.
05:36And?
05:37It looked like this.
05:38And?
05:39It looked like this.
05:40And?
05:41And?
05:42And?
05:43And?
05:44And?
05:45And?
05:47It sounded like she was talking to someone she knew, but I don't remember where from.
05:51Yes, she didn't know you.
05:55What?
05:56Let's try one more time.
05:58Go.
06:02Zoumboulia.
06:04How are you feeling?
06:07Zoumbi!
06:09Zoumbi!
06:10I'm Italia!
06:11Look, I'm walking.
06:13I'm going to take a picture and show it to my grandma, she's going to go crazy.
06:19It's a shame.
06:22Zoumboulia, I know you're very busy, but please try to calm down a bit.
06:27It's a shame we've come to the end now.
06:30No, Zoumboulia, we've found everything.
06:32Everything. Stavrianitis, who was trying to discover the truth,
06:34because he was in a coma,
06:36with Venetopoulos, they had become friends, they were dating.
06:38And we have it all in our hands.
06:40Yes, and I got it from the priest.
06:42And we know where Venetopoulos lives.
06:44And only we know, no one else.
06:46We have to go and meet him.
06:47And your grandpa, Charalambos, is fine, he's alive, he didn't die.
06:51Fotis called me that night.
06:53I talked to him.
06:54And if you want, we can call him now
06:56and make sure we're not lying to you.
06:58Yes.
07:04Do you understand?
07:10The crew of this flight is here for your safety.
07:13Please observe the following demonstration of the safety features.
07:19In case of decompression, oxygen mask, such as the one being shown to you,
07:24will automatically be released above your seat.
07:27Before helping others, pull the mask firmly downwards.
07:32Place the mask over your nose and mouth and breathe normally.
07:40Your life vest is located underneath your seat.
07:43To use it, if instructed, put your arms through the strap loops
07:48and then your head through the rest.
07:51Pull the straps down so the back unfolds completely.
07:55Adjust it to your waist.
07:57If necessary, you may additionally inflate the rest by blowing into the tubes.
08:04To fasten your seatbelt, push one piece of the buckle into the other.
08:10Adjust it to your waist.
08:12To unfasten it, lift the upper part of the buckle and pull out the other half.
08:22In case of an emergency,
08:24luminous markings along the aisle will show you the way to the exits,
08:28which are two doors at the front of the aircraft,
08:32two doors at the rear,
08:34and four window exits at the center over the wings.
08:40All exits are clearly marked in red.
08:47The safety onboard card is located in the seat pocket in front of you.
08:53Please read it carefully.
08:59So?
09:01Exhaustion.
09:03I see.
09:05Are you very tired? What are you busy with?
09:07Normally, I should be busy with the baby.
09:09But in reality, it's better not to talk.
09:12You will also need medication.
09:14I will prescribe you some pills, but you mainly need rest and a lot of sleep.
09:19Does the baby help you get in touch?
09:21If it helps you, why not?
09:23But it doesn't help anyone else. Do you hear me?
09:26But it doesn't help anyone else. Do you hear me?
09:29If you need anything, call me.
09:31Make sure she takes her medication and gets some rest.
09:34She will be fine in a month or two.
09:38Thank you, doctor. I will accompany you.
09:57I became a swimmer.
09:59She became a complete nirvana.
10:12I told you.
10:13It's so easy to forget a person.
10:16And so, with this unexpected development,
10:19the research team of the University of Athens
10:22And so, with this unexpected development,
10:25the research team of the University of Athens
10:27stopped abruptly.
10:29Zouvoulia's disease interrupted their course
10:31and prevented them from visiting Venetopoulos.
10:34If they had gone then, everything would have been different.
10:38When they finally managed to visit him,
10:41they would discover that they had chosen the wrong day.
10:44Because Dalia's dream,
10:46as well as anything else that had happened to them all this time,
10:50was not a coincidence.
11:06Mr. Dalia?
11:08What did you see again?
11:10The same dream every night.
11:12The same fear of not becoming real.
11:15And unfortunately for the five of them,
11:17they would become real.
11:1930 days from now,
11:21as Zouvoulia was getting better,
11:23the visit to Venetopoulos was scheduled to be their last.
11:27And unfortunately,
11:28any attempt of Dalia to warn them
11:31would fall into the void.
11:33There are four of us.
11:34Me, Angela, Zouvoulia, and one of you two.
11:37Who?
11:38I don't remember.
11:39But then the fifth came,
11:40and immediately the next picture.
11:42It's 5.30 and a train is coming towards us.
11:46And what does that mean?
11:48I don't know.
11:49But if we're going to look for Venetopoulos,
11:51it's better to go now,
11:52Zouvoulia can't make it.
11:53But we said we'd wait for her to get better first.
11:55It doesn't matter.
11:56It's better now.
11:57Just the four of us.
11:58You can't do that, Dalia.
12:00We've been together for almost a year now.
12:02How can we leave Zouvoulia out?
12:04Let's wait for the doctor to tell us in a month.
12:06But that's why we have to go now,
12:07so we don't have to wait.
12:08Because when the fifth appears,
12:09the train is coming.
12:10Yes, but the fifth is one of the villages,
12:12not Zouvoulia.
12:14Did you make a deal with the doctor
12:16and you see him in your sleep?
12:18Because our dreams are affected
12:20by what we experience in reality.
12:22When I was playing dolce vita,
12:24I went to Lycio.
12:25I saw every night in my sleep
12:27that I had the Balanica.
12:29Exactly.
12:30And because I see in my sleep and in my awakening
12:32that my exam is about to start,
12:34and because I have only three classes left
12:36for the college entrance exam,
12:38and because I don't believe in dreams,
12:40I suggest we wait for Zouvoulia to get better
12:42and in the meantime,
12:43we should get busy with our lives.
12:45What do you mean?
12:47Spyros!
12:48Grandma, I'm studying!
12:56Spyros, we want to talk to you.
12:58From what I see, it's not good.
13:00Spyros,
13:01a very important issue has arisen.
13:04Grandma, I have an exam.
13:05You will do very well, I'm sure of it.
13:07As long as you study systematically.
13:09We had arranged, as you say, with Theopoula
13:11to go to Mykonos to eat.
13:13Is that so?
13:14We went there for Mykonos,
13:16because Mykonos sells bread to others.
13:23And where does Mykonos fit?
13:25It doesn't matter. Why should we go there?
13:26It's not for you.
13:27Why? How did George and Panagiotou go?
13:29When?
13:30The day before yesterday.
13:31They worshipped Panagia,
13:33then they went to Mykonos,
13:35they saw Pelikano,
13:36they ate Laskari.
13:37Really?
13:38Yes.
13:39Don't worry, Theopoula, I'll tell them.
13:41We had told Theopoula
13:43that when she leaves the house,
13:45we should go to her house to light a candle.
13:47Ah, and after the candle,
13:48you would throw a Super Paradise.
13:50Yes.
13:51And since everything was ready
13:52and we did our last shopping,
13:54Theopoula changed her mind today.
13:57I want to go back to Mykonos.
14:02My life has no meaning anymore.
14:04What does she say?
14:05I have nothing to do.
14:07She's been saying that since yesterday.
14:09I'm bored at school.
14:11I'm bored with George,
14:12I'm bored with Panagiotou,
14:13I'm bored with the cards.
14:15Which ones?
14:16I'll explain it to you another time.
14:17I don't want anything.
14:19Go and buy me a grave.
14:21What are you saying again, Theopoula?
14:23And you should buy one, too,
14:25so that I won't be alone.
14:27Ah, my dear Panagia,
14:28get out of your position.
14:29So?
14:30So what?
14:31Are you going to stay at Garoufalia?
14:33Me? From where to where?
14:34Who will go there? Us?
14:36To the first cemetery we buy.
14:38He says it's convenient for us.
14:40Why? Are we going to come?
14:42So, tell me.
14:43Will you talk to them?
14:49Cigarette!
14:53Beautiful!
14:55Excuse me, guys.
14:56Excuse me.
14:58Bye.
15:01You didn't pay attention at all.
15:03What do you want?
15:04First of all,
15:05why didn't you come out today?
15:07I've been out of the house for three days.
15:09And three and thirteen and twenty-three,
15:10if necessary.
15:11We are as we are.
15:12That's what we were missing now.
15:13What are you doing, Zouboulea?
15:15Did we have any news?
15:17The same, my angel.
15:19I've been doing yoga for 14 years.
15:21I haven't managed to get to such a level.
15:23In the meantime, he goes and sits
15:25permanently next to the Buddha,
15:26you say, and he does it repeatedly.
15:28And he's happy.
15:29Only when I see them...
15:32What?
15:35Just for half an hour, huh?
15:37I don't want to leave her alone.
15:39That again?
15:40Where are you going?
15:41I ended up being a nurse in Lyia.
15:44Anyway,
15:45I'm coming from there now.
16:05Did you find him?
16:07No.
16:09The last time I saw him in the village
16:11was four years ago.
16:13It makes sense.
16:15A drapet is constantly changing housing.
16:19And what exactly was the place?
16:21A village in Evia.
16:24A village?
16:27Why did you choose to live in a village?
16:29It's better to hide in a big city.
16:32In a big city, it's better to hide.
16:35He probably wanted his peace.
16:37The people there said he didn't have many friends.
16:40He was friendly with everyone,
16:41but relatively distant.
16:43And now?
16:44There is someone who lives in Athens now
16:46and who may know where Venetopoulos went
16:48after Evia.
16:50I'll make sure to find him as soon as possible.
16:52Be careful.
16:54For ten years now,
16:55this man has been missing.
16:57It's the first time I've been so close.
17:01Be careful.
17:02Stay calm.
17:04If Venetopoulos comes out of the middle,
17:07this case is over.
17:11Whatever they do, they win.
17:14I don't know if...
17:16If what?
17:20I talked to the old man who owned the old house of Stavrianidis
17:23and asked him if anyone strange had passed through there.
17:27And he told me about two men and two women
17:30whose description matches the ones we're looking for.
17:34Four?
17:35Yes, four and not five.
17:37But what if they were men?
17:39What if they found something?
17:40What do you mean?
17:41I don't know.
17:43The way I found this letter,
17:45maybe they found...
17:47No.
17:49No, not now.
17:52Don't say that now.
17:55We're in the final straight.
17:58There's still a month left.
18:02I have to be quick, you understand?
18:09Nothing should go wrong.
18:12And indeed, nothing will go wrong this time.
18:15Their dark plans may have failed a year ago
18:19when our five heroes got entangled at their feet.
18:22This time, however, the meeting of the two sides
18:25will benefit the criminals.
18:28Twenty days remain until their final meeting,
18:31until Dalia's dream comes true.
18:35So you have an exam?
18:37Yes.
18:38Do you have a lot?
18:39No, three.
18:40But they're the most difficult lessons in school.
18:43That's why they left you at home, just to study.
18:46Yes, yes, how?
18:47What did you say?
18:48Nothing.
18:49How are you doing?
18:51Fine.
18:52I'm staying at my aunt's.
18:54I got a job.
18:55Oh, really? Where?
18:56As a dentist.
18:57It's a job.
19:06Excuse me for a minute.
19:16What happened?
19:19Ask him what money he gets
19:21and if he brings girls,
19:22because he's looking for Espina's daughter.
19:24Grandma, get her together.
19:25We said we'd find her with Vasilis.
19:27She won't do anything else.
19:28And if she's pregnant?
19:29Because if she is, I have to think about it again.
19:32What?
19:33The child is pregnant.
19:34Tomorrow or the day after tomorrow,
19:35I might want to kick her out again.
19:36What will happen?
19:38I'm going.
19:44I don't know what to do.
19:45Make a quick decision.
19:46You have to go to Mykonos.
19:47Make a decision.
19:49Well done, my dear.
19:50You've become a star.
19:51You didn't let the divorce take you down.
19:53I'm trying.
19:55I'm a sportswoman.
19:56Aerobics, of course.
19:57What do you do?
19:58Do you go to the gym?
19:59I signed up for a basketball team.
20:02What was that?
20:04Something fell out of the air.
20:07Let's go see.
20:17People are going crazy.
20:19Tell her to sign up.
20:21She'll make a scene in the neighborhood.
20:23She'll be fine.
20:24Don't worry.
20:25Come on.
20:26Go inside.
20:27Tell her about Vasilis.
20:29Come on.
20:30Let's go.
20:35Do you want her to become a basketball player?
20:40Whatever I want.
20:41She's in love.
20:43So, tell me.
20:44How did this happen all of a sudden?
20:49I wanted to talk to you.
20:52You know, my grandma and I were very upset
20:55when things turned out like this with Vasilis.
21:09I'm coming.
21:12I'm coming.
21:14What happened?
21:16We had a problem.
21:18We were upset.
21:19Don't take it out on her.
21:21I don't care about the problem.
21:23I'm just trying to calm down.
21:27Come on.
21:28What are you doing?
21:29Why are you hanging up?
21:30How are we going to talk?
21:31We're not going to talk.
21:32That's right.
21:33We're not going to talk.
21:34Come on.
21:41I'm sorry.
21:42What was I saying?
21:43About me and Vasilis.
21:45Oh, yes.
21:47It's a shame you can't see it.
21:49You're in love.
21:50Because once in six years
21:52you have to break up.
21:53Why don't you sit down
21:55so everyone can take the blame?
21:57It's not Vasilis's fault.
21:58It's my fault.
22:00But I couldn't take it anymore.
22:02I haven't heard from her in a long time.
22:04The day I lost her came.
22:06Do you want to tell me?
22:08What can I tell you, Spyros?
22:10Do you know what it's like
22:11when you turn on your TV
22:12and see Jessica, 28 years old,
22:15trying to get my daughter-in-law out of the house?
22:18What's that?
22:19It was a big deal in Couscous.
22:21And who is Jessica?
22:22Who do you think she is?
22:24Who could have called
22:26and said that Jessica, 28 years old,
22:28has a married child
22:30and wants to get her daughter-in-law out of the house?
22:34I know one truth.
22:36We both know the truth.
22:38I should have said 32.
22:40That's why you got mad.
22:42I haven't been well lately.
22:44At first, I didn't care about the situation.
22:49Suddenly, I got caught and lost my patience.
22:51And I'm fine now.
22:53What can I say?
22:54I've understood it and I've accepted it.
22:56She doesn't want me.
22:57Tomorrow, the day after tomorrow...
22:59I'm going to have a baby.
23:01What's going to happen?
23:02How is she going to deal with it?
23:04And what I don't understand is
23:06why she doesn't want me.
23:08Garoufalia, are you pregnant?
23:10Yes.
23:19Mother?
23:25What can I say?
23:27Something good.
23:29It's a moving moment.
23:34Are you pregnant?
23:54Well done, my friend.
23:56You did a great job.
23:58Yes.
24:00You brought two people together.
24:02Aren't you proud?
24:04I am.
24:08If I don't pass the course,
24:10I'm going to lock you all up.
24:14While Sofia and Theopoula's trip to Mykonos,
24:16Spyros' flight,
24:18and Garoufalia's return
24:20were normal,
24:22something happened in Dalia
24:24that I didn't expect.
24:31And you make a mozzarella
24:33and it's ready.
24:35Forget it.
24:36Why?
24:37I'm not going to be a plastic surgeon
24:39because you're too lazy to sign it.
24:41It will be convenient for you too.
24:43You'll get the contract and sign it right away.
24:45It takes me so many days.
24:47All writers need to know their boss' signature.
24:49I don't want to know it.
24:51Is it difficult for you?
24:53What?
24:54What?
24:55Tomatoes.
24:56Dalia.
24:57I don't do it.
24:59Your father would never deny me
25:01this favor if I asked him.
25:02Also, your father has never seen him so angry.
25:04Also, your father did other things to me
25:06that I don't do.
25:12Ritsa!
25:14Go inside, please.
25:19What was that?
25:20In front of Ritsa.
25:21Who?
25:22What did you say?
25:23Was it a lie?
25:24It's none of your business.
25:25I know what it's about and what it's not.
25:27So, you learned that what I did to your father
25:29is none of your business.
25:30And if it's your business,
25:31then it's mine tonight.
25:34He was my father
25:35and I want to know what happened between you two.
25:37You have no right to know.
25:38Oh, yes?
25:39Very well then.
25:40We quit.
25:42What?
25:43Did you have any idea about the word and the sentence?
25:46You're the best.
25:47Absolutely.
25:48Either you tell me the whole truth
25:50or you look for someone else.
25:57What was that?
25:59The truth is that he is interested
26:01and so am I.
26:05The other positive thing is that
26:07we don't have the strength to move on.
26:10What can we do, Ellie?
26:12Silence.
26:13We don't hear her voice at home.
26:15That's exactly what we needed.
26:17I've put the pills on her.
26:18It's a shame.
26:20Now that I'm used to it and I'm enjoying it,
26:23I'm afraid that when the time comes
26:25she'll start shouting like a girl again.
26:28Maritela!
26:29Why did you call me in the middle of the night?
26:32Come on, Ellie. I'm hanging up.
26:36Come on, Mary.
26:37Since when have you been going shopping?
26:40It was a dream and it's gone.
26:43Cheers.
26:45I hope she doesn't find us.
26:48I hope so, too.
26:51What's new?
26:53Where are the others?
26:55They're coming.
26:56What's new?
26:57What have you been up to?
26:59We were waiting for you to get better.
27:01I was hiding at home.
27:02I was dyeing my hair.
27:03I was washing the dishes again.
27:05That's it.
27:06Come on, Mary.
27:07One month?
27:08Is that what you've been doing all this time?
27:10Dyeing your hair and washing the dishes?
27:12What's wrong with you?
27:13Why did you leave the old man in the country?
27:15What are you talking about?
27:17I haven't recovered yet.
27:19What's going on?
27:20Do you hear her?
27:21Tell me.
27:22When are we going to find Venetopoulos?
27:24We'll go. Wait.
27:26We have other jobs that we left in the middle.
27:28Who?
27:29You and me.
27:37But they're English.
27:38They have a different sense of humor.
27:40London?
27:41Shh.
27:42Oh.
27:43Someone's bothering me.
27:45Can you see them?
27:46I can see them.
27:47That's how she tells me to go get her from the hair salon.
27:51Why?
27:52Because I have something to tell her tomorrow.
27:54It's already past Easter.
27:55Why only Easter?
27:56Does everyone else know?
27:58No one else.
28:00Oh, good.
28:01That's why she'll make you look like her.
28:03Buddhists.
28:04Have you seen them?
28:06I saw a documentary.
28:08It's nothing.
28:09It's something crazy.
28:10Something orange.
28:11Don't worry.
28:12He's ready.
28:13He's just missing his suit.
28:15That's why Aaron Aron left the channel recently.
28:17That's why.
28:18That's why.
28:20Anyway, objectively, they haven't done anything wrong.
28:23They came to see a movie at the cinema.
28:25Today.
28:26In a month, they'll see her at home and under the covers.
28:30How did this happen to me?
28:31How did this happen to me?
28:33Did you have other jobs at the hair salon?
28:35That's why.
28:37Hey, hey, hey, hey.
28:40She wanted to see me at the cinema.
28:42I'm going to destroy her today.
28:44I'm telling you.
28:46Emma Thompson.
28:48Oh.
28:49He understands.
28:50It's nerve-racking.
28:52That's it.
28:53I won't leave her alone.
28:55She doesn't know me well.
28:59What are they doing?
29:01I can't see.
29:04What are they doing?
29:06For a long time.
29:07For a very long time.
29:08For as long as possible.
29:12What's going on?
29:27Can you imagine getting married?
29:30And having this baby?
29:32I didn't allow this to happen.
29:34She's a...
29:36Even though she's one of us.
29:38I don't think it's going according to plan.
29:40I'll kiss her when something happens.
29:42Are you serious?
29:43Of course I am.
29:44I don't think we should worry.
29:50Lia?
29:51Fotis?
29:52What?
29:53Calm down, my boy.
29:54What?
29:55I didn't say anything terrible.
29:57What?
29:58Rich vocabulary.
29:59Are you getting married?
30:01Why shouldn't I fix my life?
30:03When you meet someone in life...
30:05Yes, but one person.
30:06The lady met eight people.
30:08From meeting to meeting.
30:09I think this conversation is offending me.
30:11Marilena is right, Fotis.
30:12Don't talk like that.
30:13First of all, what marriage was that?
30:15She's a Buddhist.
30:16You're a Christian.
30:17Where will you get married?
30:18We'll have a political wedding in the city hall.
30:20I won't come.
30:21Why?
30:22Who invited you?
30:23Mrs. Vogo.
30:24What?
30:25Mrs. Vogo.
30:26She has the bathroom and she wants you.
30:27Why don't you marry Mrs. Vogo?
30:28What?
30:29I don't like Mrs. Vogo.
30:30You should marry someone you like.
30:31Eugenia Ikomotria.
30:32I don't believe it.
30:33All this gossip.
30:34Stop it.
30:35Eugenia Ikomotria, dad.
30:36You'll get in trouble.
30:37And what will happen?
30:38Fotis, my boy.
30:39You're delusional.
30:40And finally, I don't understand.
30:41Do you want me to get married again...
30:43or do you want me to marry Marilena?
30:45The second one.
30:46And both.
30:47You're not eating.
30:48What did you say?
30:49For good, I took it with me today.
30:50I'm not going to go crazy at this wedding.
30:52At someone else's?
30:53Stop talking nonsense all the time.
30:54Did you ask the poor Frida?
30:56Fotis, are you crazy?
30:57How will you introduce her to a new relative?
30:59Like this?
31:00Out of nowhere?
31:01A show to give to Frida?
31:02She'll say yes.
31:03Are you going to fall so low?
31:05Are you going to buy us all out...
31:07so we can accept this woman by your side?
31:11So, dad,
31:13I'm not buying you out.
31:21My father bought it for me.
31:23Have a nice trip.
31:25Do you really like it?
31:29It's modified, right?
31:31Yes.
31:32I fought for a new one, but...
31:33Bravo, bravo!
31:34It's a very nice size.
31:36What are you doing, Marie?
31:38She told me.
31:39It's ready.
31:40Get in the car, Christian.
31:41I'm going to sleep.
31:42Ah.
31:43She made a sign.
31:45So,
31:46we have a new car.
31:48Is the soundproofing good?
31:49When do we start?
31:50Tomorrow.
31:51At eight o'clock I'll give the last lesson for the graduation.
31:54At ten o'clock I'll be done.
31:56Tomorrow at ten o'clock.
31:57Close the door.
31:58No.
31:59I am a very stylish girl.
32:09What time do you want me to wake you up tomorrow?
32:11Eight o'clock.
32:13I want to be ready at ten o'clock.
32:14I see.
32:15And whatever you need...
32:16I know, I know, I'm going.
32:21Very good.
32:27What are you doing now?
32:28Can you tell me?
32:29I don't want to leave excuses behind me.
32:32Until you come back from where you came from,
32:34I'll be gone.
32:35But I plan to come back tomorrow night.
32:37Tomorrow night I won't be here.
32:43Here you are.
32:58These are signed.
33:00I know.
33:04Did you sign them?
33:05It's like a greeting card.
33:12With your father?
33:17We were in love.
33:21Just once.
33:24Before he left for Canada.
33:27I knew he was married.
33:28That we had different ages.
33:29I was afraid of my parents.
33:31I was trying to resist.
33:35I didn't want him to realize that I was in love with him.
33:39From the first moment.
33:42From the first day he looked at me, I fell in love with him.
33:47And him?
33:49The same.
33:54He wanted to leave your mother.
33:57We were planning to leave together.
34:01I was going to pick him up from the airport that day.
34:05I had a month to see him.
34:08And I'll never see him again.
34:14Are you satisfied now?
34:19In the same plane was Zumbulia's husband.
34:22What?
34:23Spiros' parents.
34:24Spiros' parents.
34:25Fotis' sister and mother.
34:26And Angela's father.
34:29Now I'm thinking about it.
34:31Okay.
34:33How?
34:36Do you understand now why I'm so attached to these people?
34:39And I leave home and work and everything.
34:41I understand.
34:43You can't leave people you're attached to.
34:47Isn't that right?
34:49That's right.
34:55Don't leave.
34:57I won't leave.
35:01Now that you've learned everything about me and your father, what do you have to say?
35:05Do you think I'll say something bad?
35:07Yes.
35:10Now I love you even more.
35:14I love you too.
35:25I love you.
35:36I'm the only one who knows him.
35:39I found him.
35:40What?
35:41I found him. I know where he is.
35:43The address we had was from his first house.
35:46The last house is in a village near Lamia.
35:48Are you sure?
35:49Yes.
35:50I spoke to this guy from Evia.
35:51He told me that until last year, at least, they had some contact.
35:54He lived there.
35:56He's leaving.
35:57Today.
35:58And he made sure that his next residence is underground.
36:05The President of the Greek Democratic Party, Mr. Aris Pavrinos,
36:08is optimistic about the outcome of the election campaign.
36:11He appeared at the major party meeting in Corinth yesterday.
36:15These elections will probably be the most controversial in recent years.
36:19Nevertheless...
36:20It's not Marilena's fault, Zumbulia.
36:22Marilena heard her heart.
36:24And that's what she did.
36:25Then it's his fault.
36:27No, it's not his fault.
36:28A man who gets involved in a love triangle between two women
36:31is a disappointed person.
36:33He wants to be honored, but he can't.
36:35He's forced to cut his heart in two.
36:37Do you know what the consequences are for this?
36:39First of all...
36:40Hey!
36:41You can't smoke in here.
36:42Why?
36:43Coffee, cigarettes, sandwiches are not allowed in the car.
36:47That's enough, you're done.
36:50This loser is definitely to blame.
36:52Angela!
36:53Look at the map and calculate the distance to the village we're going to.
36:57Fotis!
36:58What do you think about love triangles?
37:00It's very difficult.
37:02You want to be completely devoted to a woman
37:04and you can't because you're forced to share your love in two.
37:07See?
37:08And this is true for women.
37:09A woman, two men,
37:11a fight without a man.
37:13Do you understand the drama behind this line?
37:18What can I say?
37:19You know.
37:21What do you think, Marta?
37:23When a woman gets involved in a love triangle,
37:25her main goal is to eat the other woman's boyfriend and marry him.
37:29When a man gets involved in a love triangle,
37:31his main goal is not to eat the other woman's boyfriend
37:34so he doesn't have to marry her.
37:36This is the main difference between the two sexes.
37:40Anyway, in both cases, you have an excellent sex.
37:43How can you be so insensitive?
37:45It's not easy.
37:49Yes?
37:50Come on, Fotis.
37:51Come on, where are you?
37:52Outside the school.
37:53Are you done? Are you coming?
37:55I haven't started yet.
37:57But it's ten o'clock.
37:58I know.
37:59There was a mess and the program changed
38:01and instead of eight o'clock, it's eleven o'clock.
38:03And what do we do now?
38:04I don't know, but I can't leave.
38:05It's the last lesson before college.
38:08Was that necessary?
38:09Let me tell you, you start
38:11and as soon as I'm done, I go home,
38:13get the car and come find you.
38:15I have a map.
38:16Okay, good luck.
38:23What happened?
38:24We're starting.
38:25Spiros?
38:27He changed the lesson time.
38:28He'll find us there.
38:30Come on.
38:33Come on.
38:36Follow me.
39:01Grandma, I'm here.
39:02How did you write it?
39:04I don't know.
39:05I think I rewrote it.
39:07I wasn't focused.
39:08He changed the lesson time twice.
39:10We started at eight,
39:11then they told us it was eleven
39:12and in the end we wrote it at ten.
39:13I had my mind set on the others.
39:16What's that suitcase?
39:18Mykonos!
39:19Are you going?
39:20Yes!
39:21And straight away.
39:24What happened to Garofalia and Vassilis?
39:27Spiros, thank you very much.
39:29You understand how much you helped us
39:31to find them with Garofalia.
39:33I didn't do anything.
39:34What do you mean?
39:35I didn't do anything because I was running around
39:37all over Greece with work
39:38and I didn't have time to think clearly.
39:40I hope we don't get in trouble again.
39:43But even if we get in trouble again...
39:45We'll have Spiros to be our friend.
39:47Thank you very much.
39:48Take care, Vassilis.
39:49I'll be in Athens for three or four days.
39:51Let's meet and have lunch together.
39:53Okay, but not today,
39:55because I'm in a hurry today.
39:56What's up?
39:57Mrs. Sofia told me something.
39:58Are you going on a trip?
39:59Sort of.
40:00I'm leaving anyway.
40:02And Mrs. Sofia and her mother
40:04are going on a trip, Vassilis.
40:05Did you know that?
40:07I'd better not talk.
40:09Are you happy?
40:10Yes.
40:11What?
40:13The way you see them now,
40:15isn't it a shame for a young boy like me
40:17to be with them?
40:20This time,
40:21it didn't seem like anything could stop
40:23Mireia from meeting.
40:25Dalia didn't say anything,
40:27although she saw her prophetic dream
40:29coming true.
40:30Maybe because she wanted to hope
40:32that everything would go well in the end.
40:34It was four and not five,
40:36and it would really be
40:38a judgmental moment
40:40when they would meet the fifth one.
40:42Because with him,
40:43they would also meet his pursuers.
40:45Even if everything, however,
40:46sometimes seems predetermined,
40:48there is always a small window.
40:55Yes?
40:58Amalia?