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00:00My name is Charlie, and these are my angels, Dahlia, Zumbulia, and Angela.
00:08And these are Spiros and Fotis, two of the most qualified secret agents in the world.
00:14About 30 years ago, a terrible crime was committed.
00:18A young woman was found dead, and an innocent man was sentenced for a crime he had never committed.
00:25How could the real guilty people manage to mislead the authorities?
00:30And how were they involved in a big economic scandal?
00:34Everyone who tried to find the truth is now dead.
00:38Everyone apart from the five of you.
00:42Keep your eyes open, and don't disappoint me.
00:49Keep your eyes open!
00:56When I was born in Athens, 1957, my family was happy because I was a girl.
01:07They all started to call me Angel when I was 11.
01:10My hair was like the gold, and my eyes like the pearl.
01:13But my uncle's name was Charlie, was Charlie, was Charlie.
01:16My father's name was Nick, all my brothers in law.
01:18But my uncle's name was Charlie, was Charlie, was Charlie.
01:21My sister's name Maria, my brothers-in-law.
01:25I think it was November, 1967.
01:32My birthday's first evening, we're having great fun.
01:35Friends and family were there at November 11.
01:38My uncle wasn't there, but he sent me a gun.
01:40But my uncle's name was Charlie, was Charlie, was Charlie.
01:43My father's name was Nick, all my brothers in law.
01:46But my uncle's name was Charlie, was Charlie, was Charlie.
01:50What's going on?
01:52It's not going forward.
01:53It's going backwards. Let's go with the opposite.
01:55Since you say it's close.
01:57What are you talking about, Maria?
01:59If it's not going forward, it's not going back.
02:01How do I know if it's not going forward or backward?
02:04It's the opposite.
02:05It's the opposite, Maria.
02:06Since you say it's not going forward, it's not going backward,
02:10it's not going sideways, it's not going anywhere.
02:12It's not going sideways?
02:13It's not going sideways.
02:14Why?
02:15Because it's not curved.
02:16It's going sideways.
02:18Wait a minute.
02:19I know this neighborhood.
02:20There should be a bus stop back here.
02:22Let's go see.
02:24Horses!
02:26And those taxi drivers?
02:27Do they need a strike today?
02:29It's over, that's it.
02:30The other one's going to kill us.
02:39If I don't come at their time, I'm going to kill them.
02:41My Spiros, my Spiros, my baby.
02:44Come on, grandma, stop it.
02:45How can I stop it?
02:47I don't know, find a way to stop it.
02:49Look at the other kids' parents.
02:50The other kids' parents don't love me as much as I love you.
02:53Good morning and congratulations.
02:56Thank you very much.
02:58Has my uncle come?
02:59Yes, I think he's inside.
03:01What about Angela?
03:02Not yet.
03:03Ah, I see.
03:04So I'll see you inside.
03:10Grandma, did you call them all?
03:12You swear once.
03:13I swear once and those who should be here are not here.
03:16Why don't you call them?
03:17They should be here, I'm not looking for them.
03:19I called those who were at Dalia's house.
03:22The one who was destroying the plan to get Zumbuli out of the hospital.
03:26It wasn't Kondi.
03:30If we put it like that, it wasn't Vasilis either.
03:32Vasilis is my son.
03:34And Garoufalia is...
03:35What?
03:36The housekeeper.
03:38The housekeeper had the balcony of their house open yesterday
03:41and a parrot came in and they held him.
03:47Where is he now?
03:48A parrot came into our house.
03:51Kondi came in.
03:52Theopoula!
03:53What did I say?
03:54Isn't it right?
03:55Do you compare the parrot with Garoufalia?
03:57Are they comparing?
03:58The parrot is the most beautiful.
04:00Did you see him?
04:01All blue.
04:02Amazing.
04:03What did you want?
04:04For Garoufalia to be blue too?
04:06If she was blue, she would be a little ostrich.
04:09From up close.
04:10Theopoula.
04:12With that belly the boat went and put on.
04:15Like Rubik's cube.
04:18How do you know Rubik's cube?
04:20He cried.
04:25It's here.
04:26Perfect.
04:27We'll take the bus.
04:28Dalia, go and get four tickets.
04:30And you help me push the cars aside.
04:32Quickly.
04:33You know what you'll say.
04:34Four tickets to the bus.
04:35I know, I know.
04:37Four tickets to the bus.
04:38In front of the seats.
04:39One window.
04:40What?
04:41What tickets do you want?
04:42To the bus.
04:43Normally?
04:44But return.
04:45And?
04:47Not now.
04:50What do you mean, normally?
04:52Get out.
04:53What am I doing?
04:58What are you doing?
04:59What are you doing?
05:00What are you doing?
05:01What are you doing?
05:02What are you doing?
05:03What are you doing?
05:04What are you doing?
05:06How many tickets do you have?
05:07Four.
05:08Do you know you have a right to a ticket?
05:10What?
05:11Dalia, did you bring the tickets?
05:12No.
05:13Why?
05:14Zoupoulia has a right to a ticket.
05:15I'll show you.
05:16What are you doing?
05:17Mom, we have a right to a ticket.
05:18Why should we pay for the normal ticket?
05:19You're a troublemaker.
05:20You're like a piece of paper.
05:21In ten minutes, when the difference is less than the normal one, you're stuck there?
05:25Ten minutes you, ten minutes Angela, ten minutes Afonis.
05:28Do you know how much they charge us?
05:29Do you know?
05:30Thirty minutes.
05:31How much is thirty minutes?
05:32Don't ask her.
05:33She'll tell you in half an hour.
05:35Come on, get out of here.
05:36We won't make it.
05:37I'm going.
05:38Get out of here.
05:39Get out of here.
05:40You don't deserve to do a single job.
05:42Get out of here.
05:43Where?
05:44Forward.
05:47Where are you going?
05:48We're going backwards to go forward.
05:50Come on.
05:54You have a problem with the front and the back.
05:59What are you doing?
06:00I'm so happy to see you again.
06:02Me too.
06:04Aunt, I had an idea.
06:06My God, I don't think we'll hear it.
06:08It has to do with the wedding.
06:11Our wedding?
06:12Yes.
06:13Then tell her.
06:14Since we won't see her do it, at least we'll hear it.
06:17Frida, you know, is an excellent artist.
06:20I know.
06:21She told me.
06:23I thought that at the award ceremony I would like to present a medley.
06:27Latin American dance.
06:29Latin American dance.
06:31Sweetheart,
06:32better not.
06:33The wedding will be a very tight circle.
06:35Only people I love and appreciate will be invited.
06:39I can't put them through this trial.
06:51How do you feel, Mrs. Sofia?
06:53Oh, I'm so proud, so proud.
06:56I mean, for all the kids in the world who are getting their degrees,
06:59but especially for my Spirakos.
07:01Isn't it a very important day?
07:03Of course.
07:04You know, it's the first time I've been to an award ceremony.
07:07We had been to Santa Claus.
07:10It was a ceremony, my dear Theopoula.
07:12Ceremonies are held in the church to make you a priest.
07:15Here we are at the university, at an award ceremony.
07:18Scientists come out of the university.
07:22Really?
07:23Yes.
07:24To be precise, scientists come out in Sweden.
07:27Here they come out unemployed.
07:54Whatever you think, whatever you think,
07:56from which country did the lottery start?
07:58Let me tell you, it's not a joke.
08:00Zouvoulia is smarter.
08:02What did she say? I didn't hear.
08:04Just because I live alone for so many years
08:06and things that are given to us, she doesn't know.
08:09But from nowhere, not from nowhere.
08:11Did you see after the Eurovision?
08:13All the tourists.
08:15Rock and roll angels.
08:18Bring some hot rock.
08:20Hallelujah.
08:21Great song, huh?
08:25Hot rock, hallelujah.
08:28I agree with what you said.
08:30But let's keep in mind that it can be a little...
08:39How are you, my love?
08:40Fine.
08:41You've been bothering me today too.
08:43No, no, no.
08:44Everything is going perfectly for a week.
08:46Come on, bravo.
08:47How is your grandmother doing in Malia?
08:49Eh?
08:50Ah, she's getting better, getting better.
08:53Where have you been, mom?
08:54You've been crying all the time.
08:55Sit down and talk to me for a minute.
09:00Arfalia, you don't want to sit down?
09:02She's straight.
09:05Did you see the parrot of the nest?
09:07A blue one, huh?
09:08Fantastic.
09:10I'm starting to worry too.
09:12Well, they didn't even take a phone call.
09:14No.
09:15It's better if I don't talk because...
09:18Ah, I wanted another favor.
09:20Because you think you're the only reasonable person here in Omigiri.
09:23What about Foti's father?
09:25Foti's father is marrying Marilena next month.
09:28Excellent, ma'am.
09:29Don't do this to me now that I need some kind of salvation.
09:32The university doesn't go without a caretaker.
09:38The university doesn't go without a caretaker.
09:45Isn't it wonderful if the whole room sings it during the ceremony?
09:50No.
09:54Be careful.
09:55The professor is very strict.
09:57They have to be absolutely quiet.
09:59No laughing, no clapping.
10:01And for God's sake, no crying and moving.
10:03I'm saying this for my grandma, sir.
10:05Don't worry.
10:06Well, I have to go.
10:08Take them, find them, tell them to hurry.
10:11And make sure they don't talk.
10:16Vasilis! Vasilis!
10:18Be specific.
10:20A bottle of water.
10:21Amalia.
10:22And an orange juice.
10:24Amalia.
10:25Yes, sir.
10:26Not a word.
10:42And now the main event.
10:57The show?
10:58No.
10:59An art show?
11:01Tell me, Katz.
11:04I don't know.
11:05We're starting.
11:07The morning show starts later.
11:08Oh, yeah?
11:09Yes, of course. You'll see what it's like in a bit, Mrs. Ropera.
11:11First, the last stop.
11:12Remos is coming in.
11:13The last one, Marinela.
11:14And they're wrapping up together.
11:16Ah, perfect!
11:17Did you like it?
11:18I like Remos.
11:20But I won't see him.
11:21We're going down.
11:23When are we going down?
11:25After the mission, Zoe.
11:26And before the wedding.
11:27Ah, what a shame!
11:29People are immigrants.
11:30They left their country and their homes
11:32to come here to see a white day.
11:34Don't talk to me anymore.
11:35And this thing is going like a bee.
11:37We'll never make it!
12:00It's not started yet.
12:02Quiet, please!
12:04We're ready.
12:05Don't look like you have a big belly.
12:08The baby inside is like this.
12:11Why?
12:12To look tall.
12:14Did you see how naughty he is?
12:15Like his mother, blowing his hair.
12:19He didn't learn anything from us.
12:24Who told you you were here?
12:27Quiet, please.
12:35Don't talk, my child.
12:36Are the people in front of you yours?
12:42No, sir. I don't know them.
12:44I don't see us doing well today.
12:46Does anyone want pasteli?
12:48Pasteli!
12:50Ladies and gentlemen,
12:52before we start,
12:54I would like to ask you something.
12:57I know that today
12:59is very important
13:01and moving, I would say.
13:04Both for our descendants
13:06and for their relatives and friends.
13:08That's why I'm asking you
13:10to show the required respect.
13:14I won't allow speeches,
13:16laughter, voices,
13:18and in general anything
13:20that could destroy
13:22the atmosphere of the ceremony.
13:25Immediately afterwards,
13:27you will have the opportunity
13:29to celebrate and take pictures.
13:31Until then, however,
13:33I would like you to watch
13:35with almost religious reverence.
13:39Has it started?
13:40No, no, I think we're in time.
13:42We're in time!
13:43What do you mean, now?
13:44Mr. Oulis is talking.
13:45Stop it.
13:46The cars are ruined.
13:47We came by bus.
13:48What?
13:49Stop it.
13:50What are you saying?
13:51What did you bring?
13:52What did I bring?
13:53Pantyhose, shirt and shirt.
13:55We'll give it to you later.
13:58Upstairs, upstairs.
14:00Slowly, slowly.
14:01Guys, let's go.
14:02Slowly.
14:03Come on.
14:04Half.
14:05Half.
14:06Half.
14:07Half.
14:08Half.
14:09Half.
14:10Half.
14:11Half.
14:12Half.
14:13Half.
14:14Half.
14:15Half.
14:16Half.
14:17Half.
14:18Half.
14:19Half.
14:21Half.
14:24Damned actor, who are all these people?
14:29Did I hear correctly?
14:33Louder, kid, can't hear you.
14:45My friends.
14:50They are my friends.
15:01Friends. A word so small, but so difficult.
15:05Difficult to say it and to be true.
15:08But for these five people, it is true.
15:11Perhaps their only truth in this absurd story they have found.
15:16Where nothing is obvious and nothing can be explained
15:20with simple logic or even with a few possibilities.
15:24Fifteen years ago, they were walking together in an airport room.
15:29And only last year, they met, fell in love, united.
15:34They walked their lives together, until death and back again.
15:38Again and again. And they are together again.
15:42And they always want to believe.
15:44Summer found them united.
15:46United for the common goal.
15:48At the same time, each of them had to face their own special problems.
16:13For Talia, this summer, her problem had nothing to do with the shock
16:18she was subjected to by her business activities.
16:22She had promised Alexi that she would try to see them with a different eye.
16:27And that she would never go to meetings and interviews again,
16:31just to watch TV.
16:34A promise they never kept.
16:40So, this agreement will bring us the greatest economic gain,
16:45but above all, the security that you and I need
16:49for the plentiful opening in the country of Africa.
16:53Because all of us,
16:55all of us,
16:57all of us,
16:59all of us,
17:01all of us,
17:03all of us,
17:05all of us,
17:07all of us,
17:09all of us,
17:11all of us,
17:13all of us,
17:15all of us,
17:17all of us,
17:19all of us,
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23:57all of us,
23:59Bravo!
24:01What did she say?
24:03Sit where you're sitting, I said.
24:05Tell her to come here and we'll find her a wife.
24:07What did she say?
24:09Come here Maria.
24:11Why are you asking all the time?
24:13Leave me alone.
24:15I have work to do.
24:19Unlike Zumbulia,
24:21nothing has changed
24:23in Spyros' house.
24:25Exhausted from the exams,
24:27Spyros was waiting for his wife
24:29to continue his quiet and boring life.
24:31The only new problem
24:33he had to face
24:35had to do with his grandmother
24:37and she didn't have a name like Dahlia.
24:39It was just a number.
24:41447.
24:49Listen Spyros,
24:51I've got an idea.
24:53It's 4-0, what do you think?
24:55I asked Vasilakis to play Regioneon
24:57and I said I'd do it too.
24:59What game?
25:01Regioneon, because it's my class.
25:03Esperinou's?
25:05No, not Esperinou's.
25:07I haven't finished it yet.
25:09Do you want to play Regioneon
25:11at the secondary school?
25:13Where will you find them?
25:15I'll look for them and I'll find them.
25:17What are you looking for?
25:19Are you going to the secondary school now?
25:21No, I'm bringing them here.
25:23What?
25:25To the clinic.
25:27You all have to come from the same room
25:29and they'll measure your cholesterol,
25:31triglycerides, sugar,
25:33and whoever has the least will be the president.
25:35Yes, but what is this?
25:37What?
25:39The last exams.
25:41I wanted to show them to you in a way.
25:43Look here.
25:45Triglycerides 447.
25:47It's good.
25:49If you're on a diet,
25:51you can't eat anything.
25:53You'll be in a good shape this year.
25:55Don't forget the exams.
25:57Go home, school, school, home.
25:59You should be careful.
26:01You're like your grandpa.
26:03He was so angry before he turned 60.
26:05He was 23.
26:07Someone was pushing him.
26:09What are you trying to say?
26:11I'm sorry.
26:13You're not sorry.
26:15Theopoula.
26:17She was right once.
26:21What are you doing?
26:23What can we do?
26:25My grandson is here.
26:27He accused me of killing my husband.
26:29That's not true.
26:31We were together all day yesterday.
26:33No, not yesterday.
26:35We were together again.
26:37You made me talk like that.
26:39Why don't you understand?
26:41Why? What did I say?
26:43Because I want to have a reunion?
26:45Theopoula will have a reunion.
26:47Don't add too much salt.
26:49I didn't eat anything.
26:51Grandma, be careful.
26:53You'll have exams again next month.
26:55Be careful, Theopoula.
26:57I'm counting on you.
26:59Yes, yes.
27:01What am I saying?
27:03That's what I'm saying.
27:05I'm going to start calling.
27:11You saw her?
27:13You saw her?
27:15Here it is.
27:19Three candies.
27:21Four hundred and forty-seven.
27:23Oh, you're always fighting.
27:25You're always fighting.
27:27I'm fighting with the other one
27:29because of pregnancy.
27:31I can't even talk anymore.
27:33Nothing, nothing.
27:35Until she's born,
27:37I'll stay here.
27:41Football?
27:43Yes.
27:45How many is it?
27:47Because if I tell you, you'll understand.
27:49Four zeroes.
27:51Really?
27:53Really.
27:55Another bucket.
27:57And while in Spiros' house
27:59the problem was the number 447,
28:01in Telefoa, the summer issue
28:03was another number.
28:05The zero point zero.
28:07What is this?
28:09The latest news.
28:11I asked to be included
28:13in the calculations.
28:15What is this O?
28:19Zero point zero,
28:21Vourloti, O.
28:23And let me tell you, dad,
28:25all day long
28:27we're at zero point zero.
28:29All week long.
28:31The great artists
28:33are often recognized
28:35after their death.
28:37Sometimes and never.
28:39I'm talking to myself.
28:41And I'm talking to you.
28:43Quiet, kids.
28:45As you know, I'm planning
28:47to start a new life
28:49next to my beloved Marilena.
28:51This may force me
28:53to start preparing
28:55for the difficult situation
28:57here in Telefoa.
28:59What do you mean?
29:01Are you leaving the channel?
29:03I'll prepare a three-hour feast.
29:05Prepare your suitcases.
29:07You have to change hands.
29:09I expect the management
29:11to end up with Fotis.
29:15You were a bit of an asshole.
29:17Why do you ask?
29:19I always remember
29:21how I cursed your aunt Frida,
29:23your mother Fotis.
29:25She was close to my age.
29:27She always told me
29:29to watch out for Frida.
29:31Don't be stupid, dad.
29:33Don't make her a manager.
29:35If I make her a manager,
29:37the manager will be
29:39the one who does 0.1.
29:41What?
29:43The one who first
29:45gets us off the ground
29:47and gets us to 0.1
29:49will take over Telefoa.
29:51The strange thing is
29:53that while someone expected
29:55Frida to go crazy
29:57with the idea of a manager
29:59and to run away
30:01to extreme TV shows,
30:03he didn't,
30:05as he did for so many years.
30:07We can't say how many.
30:13The one who got away
30:15from his course
30:17for the sake of 0.1
30:19was Fotis,
30:21either by bringing TV shows
30:23that he himself didn't believe in...
30:25Wait a minute.
30:27Your husband went with your sister.
30:29They did it.
30:31You want your sister to leave
30:33but your husband to stay?
30:35Yes, but if my sister leaves
30:37my husband will leave too.
30:39Let him go.
30:41Yes, but then I won't get his pension.
30:43Ah.
30:45Besides, if my sister leaves
30:47and her husband leaves
30:49then he accepts to stay.
30:51Fine.
30:53Yes, but me and my sister's husband
30:57are giants.
30:59Then who will I be with?
31:01With my husband?
31:05That's it.
31:07Or by changing
31:09the already existing concept
31:11of other TV shows.
31:13Yesterday, 76-year-old
31:15Prime Minister of the Parliament
31:17Anastasios Miriakis passed away.
31:19The entire political world
31:21expressed their sadness for his passing.
31:23Our channel agrees
31:25with the rest of the family.
31:27Either by trying
31:29to hit on a target group
31:31that until then left him
31:33with no interest,
31:35but with the hope
31:37that he will find an audience.
31:39And now that we're done
31:41with my good friends
31:43let's go together
31:45to dance.
31:47So, grab your keys
31:49and let's go together.
31:51Here.
31:53Traveling birds
31:56How do I look?
32:00You didn't like it, did you?
32:02What can I say, my boy?
32:04I find the dance
32:06a bit boring.
32:08Why don't you dance naked?
32:10That would be interesting.
32:12What?
32:14Why?
32:16Grab your keys
32:18and start saying to the camera
32:20with a soft voice
32:22a soft voice
32:24a soft voice
32:26I wouldn't be able to see that.
32:28What can I say?
32:30You don't miss anything
32:32when you try it.
32:38Do things that you love.
32:40Things from your heart.
32:42That's what I'm trying to do.
32:44You're not doing that.
32:48I wanted to make your heart
32:50work a bit harder.
32:52Not your mind.
32:54I just tried to bring something new.
32:56Everyone who works in television
32:58tries to bring something new.
33:00The important thing, my boy,
33:02is not to bring something new to television.
33:04The important thing is
33:06if you realize that you shouldn't bring it
33:08to have the courage to take it back.
33:20What happened?
33:46And the only one who didn't have
33:48any problem at all
33:50to surprise everyone
33:52was Angela.
33:54She may have been wanted
33:56but thanks to the jealousy of the reporters
33:58and journalists to shed light
34:00on her case
34:02she was able to appear
34:04comfortably and without fear.
34:06Months after the double murder
34:08of Kasteli and Koutsioumari,
34:10the 24-year-old Angeliki Akimidou
34:12continues to avoid arrest.
34:14The media and the police
34:16believe that the 24-year-old
34:18has fled to various prisons
34:20to pass unnoticed.
34:22The journalistic department of our station
34:24studying the recent complaints
34:26presents some of the prisons
34:28that, according to rumors,
34:30the young woman uses.
34:32Of course, the evidence has been reported
34:34to the police and is expected to help
34:36especially in her arrest.
34:46I'm going to kill you.
34:54I'm going to kill you.
35:16I'm going to kill you.
35:20Please help us, miss.
35:32That's the way it should be.
35:34And things from the good
35:36would soon get even better.
35:38I found a job.
35:40Bravo, where?
35:42In the theater, on vacation.
35:44It's too dangerous, so many people will see you.
35:46I won't show up, I'll play.
35:48Where will you be, in the theater?
35:50No.
35:52In the prison?
35:54No.
35:56Where will you be?
35:58First of all, what kind of job is it?
36:00What are you going to do, my child?
36:02One.
36:04The European body.
36:06You're going to pull your hair.
36:08The great success of Athens.
36:10Now also in your city.
36:12Nikos.
36:14Tsiglas.
36:16Paporaki.
36:18Papadopoulos.
36:20Apostolion.
36:22And the only one, Maria Mandela.
36:26Along with the other 15,
36:28actors and dancers.
36:32Yellow, yellow, yellow.
36:36The European body.
36:38You're going to pull your hair.
36:40Second and third,
36:42in the elementary school.
36:44They are building
36:46workhouses.
36:52What is this?
36:54Why?
36:56Is this a job?
36:58What will you do with your future?
37:00If I like you, what's your problem?
37:02What do you like?
37:04Only a man in the world could like this job.
37:06Who?
37:10The European body.
37:12You're going to pull your hair.
37:14The great success of Athens.
37:16Now also in your city.
37:20The European body.
37:22You're going to pull your hair.
37:24But these were not the only jobs
37:26of the 15 in the summer.
37:28Their research to find
37:30the one and only link
37:32that kept them together,
37:34Pavlos, continued.
37:36And they may not have learned
37:38what they did not know
37:40the four of the five
37:42was that Zouvoulia
37:44had abandoned them.
37:46Even if he had not found the courage
37:48to tell them.
37:50The visit to the village
37:52was not for a while,
37:54but forever.
38:08Who is Pavlos?
38:10Pavlos Manoviros Giannakis, a journalist.
38:12He is the only journalist
38:14who seems to be doubtful
38:16of Venetopoulos' opinion.
38:18He does not say it clearly,
38:20but he constantly leaves suggestions.
38:22At the age of 17, 18, 19,
38:24until he takes a position at 20,
38:26pointing to the gaps of the case.
38:28At 21, he no longer exists.
38:30What do you mean?
38:32He no longer writes in the newspaper.
38:34Neither the next, nor ever again.
38:36I'm sure. We have to call Zouvoulia.
38:38Did he go back to the village?
38:40Yes. Why?
38:42Manoviros Giannakis?
38:44He must be a critic.
38:46Strange name. Perfect name.
38:48Why perfect? Because it is rare.
38:50Do you know how easy it will be to identify him?
38:52How many Manoviros Giannakis will there be?
38:54One.
38:56Only one?
38:58Yes. Manoviros Giannakis,
39:00Pavlos' apostle.
39:02He may be the son of Pavlos we are looking for.
39:04He may be the son of Pavlos we are looking for.
39:06Bring it here.
39:08Take Zouvoulia and tell her to come immediately,
39:10because we are in a bit of a hurry.
39:12It's not like we have to wait a week
39:14before she comes to find us.
39:16Okay.
39:18But don't tell her we're going,
39:20because then she won't come.
39:22Why are we going? Isn't he staying in Athens?
39:24No. Where is he staying?
39:26Take Zouvoulia and we'll see. Bye.
39:28Mykonos!
39:30Alex, I have to make a phone call
39:32There is no need. I'm on my way.
39:36I see.
39:40Did the bride send anything new?
39:42A puppy and a cat.
39:44A cat.
39:46I see.
39:48Did you know that
39:50goats go sideways?
39:52It never bothered me.
39:54I see.
39:58When you are walking down the streets
40:00and you see a truck and a van
40:02and you talk, what do you call that?
40:04A schizophrenia.
40:06No, no, it's a job.
40:08I don't know.
40:10It exists. I've seen it.
40:12I have seen it in business.
40:14What business?
40:16With vans and trucks.
40:18How do I know no?
40:20How about we buy two trills?
40:22Fifty-six.
40:26Make your phone call.
40:28I'll be right back.
40:32I almost forgot.
40:34You shave your eyebrows
40:36You pull your hair
40:38You are Greek, you are heavy
40:40You have become a fougar
40:42Cha-cha-cha-cha
40:44Where is he?
40:58Oh, Christ!
41:00Dad!
41:02What am I seeing?
41:04Did you come back?
41:06I came back, my dear.
41:08And I'm tired of seeing your face
41:10wherever I go.
41:12What do you mean, my dear?
41:14Politics and publicity go hand in hand.
41:16You changed your hair, I see.
41:18You know, to make me look better.
41:20Ah, you want to look better.
41:22What's new with you?
41:24Did your mother kick you out again?
41:26Who says that?
41:28Cosmos.
41:30Ah, Cosmos.
41:32What did you learn?
41:34You will open a nursery if you leave.
41:36That's what I say.
41:38Because you told us that again.
41:40But what about the nursery?
41:42I saw a new housekeeper, Anna.
41:44What did you say, Zubulia?
41:46That I used the community's money
41:48to build a house?
41:50Did I say that?
41:52Who said that then?
41:54You will open a nursery,
41:56and everyone will be yours.
41:58They are your friends, aren't they?
42:00My friends.
42:02Is that it?
42:04Or do you have a problem with them?
42:06What did you say, Bariklosa?
42:08It's my village, and that's all I want to say.
42:10Because it's my village, isn't it?
42:12They made fun of you for being from your village.
42:14You are a stranger now, and you left.
42:16That's why I paved the way for you.
42:18So that you get beaten up and leave an hour earlier.
42:20That's why?
42:22Oh, Kamira.
42:24You haven't changed a bit all these years.
42:26But no.
42:28Don't leave.
42:30Don't stay here,
42:32so that you can see me,
42:34so that the president can come out again
42:36and tear you apart.
42:38Oh, and something else.
42:40Do you remember how many votes
42:42you lost four years ago?
42:44I don't remember.
42:46Oh, you don't remember.
42:48Let me remind you.
42:51And who is this girl?
42:53Who?
42:55And when did these elections happen?
42:57Four years ago.
42:59Four years ago, and now you're crying?
43:01I'm not crying about that.
43:03I'm crying about what she said to me.
43:05What did she say to you?
43:07She spoke badly to me.
43:09Did she call you fat?
43:11Because I'm fat to say that to me?
43:13No, my child.
43:15I mean, did she or someone else say that to you?
43:17Who would say that to me?
43:20She told me that I'm a stranger.
43:22Oh, come on.
43:24And the worst thing is that I am.
43:26The worst thing is that it's true.
43:28A year has passed
43:30and I come to my village and I'm a stranger.
43:32No, my dear.
43:34You love your village.
43:36I love it, that's why I came.
43:38Because I love it.
43:40And I didn't mean to go back.
43:42What?
43:44I didn't want to go back.
43:46I wanted to stay here in peace.
43:48I want to go back and...
43:50Go back?
43:54My children told me that you don't want to know what we discovered.
43:58That's right.
44:00But I changed my mind.
44:02I will come. I will continue.
44:04And I will not do it for Stavrianidis,
44:06nor for Venetopoulos, nor for anyone.
44:08I will do it for myself.
44:10I will make it to the end.
44:12Well done, Zoubi.
44:14I will come tomorrow.
44:16I will make it to the end.
44:38What's going on out there?
44:46What's going on out there?
45:02Be careful!
45:04Don't break anything!
45:10I'm leaving, villagers! I'm leaving!
45:12Be careful and remember me!
45:14The asphalt you destroyed,
45:16you should put it where the sun doesn't shine.
45:18I don't need it.
45:20As you can see, I'm flying!
45:24Take this.
45:26You won't need the other one.
45:32I'm coming, Maris!
45:44I'm coming!
46:14Do you need anything?
46:16Yes, I know we won't need anything.
46:18Kisses!
46:20Bye, Maris!
46:44And that's how our story begins.
46:46With the five of us on a ship,
46:48saying goodbye.
46:50And that's how it will end.
46:52On a ship, again.
46:54But then,
46:56there won't be five of us.
46:58There will be four of us.
47:00And maybe it's time
47:02to tell you who I am.
47:04Or rather, I'm sorry,
47:06I don't know who I am.
47:08I don't know who I am.
47:10I don't know who I am.
47:12Or rather, I'm sorry,
47:14I don't know who I am.
47:16I don't know who I am.
47:18I don't know who I am.
47:20Or rather, I don't know who I am.
47:22Or rather, I don't know who I am.
47:24Shall we go?
47:36I saw it in my sleep,
47:38I was holding a gun,
47:40you were crying a lot.
47:42And in the storm and in the snow,
47:44I was shooting and I was sailing.