S01E26
- "at 5 (minutes) to (the hour)" is a Greek idiom, equivalent to "at the last minute".
- In Greek, the same word is used for cents and minutes.
- Paris is actually a Greek male name. This is why Zouboulia gets confused.
- While most of the Greek cities have names that are female nouns, the city of Giannena (where Aggela comes from) is a neuter noun in plural.
- Anna Vissi is a Greek singer, with a very long career. Her age was at some point a subject of debate.
- Usually, people with surnames ending in -akis have origins from Crete.
All rights belong to their rightful owners. This video is for educational purposes only: to help learners of Modern Greek and also help non-Greek people understand the Greek culture. This is a fan translation, as no official professional translation of the show exists.
- "at 5 (minutes) to (the hour)" is a Greek idiom, equivalent to "at the last minute".
- In Greek, the same word is used for cents and minutes.
- Paris is actually a Greek male name. This is why Zouboulia gets confused.
- While most of the Greek cities have names that are female nouns, the city of Giannena (where Aggela comes from) is a neuter noun in plural.
- Anna Vissi is a Greek singer, with a very long career. Her age was at some point a subject of debate.
- Usually, people with surnames ending in -akis have origins from Crete.
All rights belong to their rightful owners. This video is for educational purposes only: to help learners of Modern Greek and also help non-Greek people understand the Greek culture. This is a fan translation, as no official professional translation of the show exists.
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LearningTranscript
00:00My name is Charlie, and these are my angels, Dahlia, Zumbulia, and Angela.
00:08And these are Spiros and Fotis, two of the most qualified secret agents in the world.
00:14About 30 years ago, a terrible crime was committed.
00:18A young woman was found dead, and an innocent man was sentenced for a crime he had never committed.
00:25How could the real guilty people manage to mislead the authorities?
00:30And how were they involved in a big economic scandal?
00:34Everyone who tried to find the truth is now dead.
00:38Everyone apart from the five of you.
00:42Keep your eyes open, and don't disappoint me.
00:49Keep your eyes open!
00:56When I was born in Athens, 1957, my family was happy because I was a girl.
01:07They all started to call me Angel when I was 11.
01:10My hair was like the gold, and my eyes like the pearl.
01:13But my uncle's name was Charlie, was Charlie, was Charlie.
01:16My father's name was Nick, all my brothers in law.
01:18But my uncle's name was Charlie, was Charlie, was Charlie.
01:21My sister's name Maria, my brothers-in-law.
01:25I think it was November, 1967.
01:32My birthday's first evening, we're having great fun.
01:35Friends and family were there at November 11.
01:38My uncle wasn't there, but he sent me a gun.
01:40But my uncle's name was Charlie, was Charlie, was Charlie.
01:43My father's name was Nick, all my brothers in law.
01:46But my uncle's name was Charlie, was Charlie, was Charlie.
01:50What's going on?
01:52It's not going forward.
01:53It's going backwards. Let's go with the opposite.
01:55Since you say it's close.
01:57What are you talking about, Maria?
01:59If it's not going forward, it's not going back.
02:01How do I know if it's not going forward or backward?
02:04It's the opposite.
02:05It's the opposite, Maria.
02:06Since you say it's not going forward, it's not going backward,
02:10it's not going sideways, it's not going anywhere.
02:12It's not going sideways?
02:13It's not going sideways.
02:14Why?
02:15Because it's not curved.
02:16It's going sideways.
02:18Wait a minute.
02:19I know this neighborhood.
02:20There should be a bus stop back here.
02:22Let's go see.
02:24Horses!
02:26And those taxi drivers?
02:27Do they need a strike today?
02:29It's over, that's it.
02:30The other one's going to kill us.
02:39If I don't come at their time, I'm going to kill them.
02:41My Spiros, my Spiros, my baby.
02:44Come on, grandma, stop it.
02:45How can I stop it?
02:47I don't know, find a way to stop it.
02:49Look at the other kids' parents.
02:50The other kids' parents don't love me as much as I love you.
02:53Good morning and congratulations.
02:56Thank you very much.
02:58Has my uncle come?
02:59Yes, I think he's inside.
03:01What about Angela?
03:02Not yet.
03:03Ah, I see.
03:04So I'll see you inside.
03:10Grandma, did you call them all?
03:12You swear once.
03:13I swear once and those who should be here are not here.
03:16Why don't you call them?
03:17They should be here, I'm not looking for them.
03:19I called those who were at Dalia's house.
03:22The one who was destroying the plan to get Zumbuli out of the hospital.
03:26It wasn't Kondi.
03:30If we put it like that, it wasn't Vasilis either.
03:32Vasilis is my son.
03:34And Garoufalia is...
03:35What?
03:36The housekeeper.
03:38The housekeeper had the balcony of their house open yesterday
03:41and a parrot came in and they held him.
03:47Where is he now?
03:48A parrot came into our house.
03:51Kondi came in.
03:52Theopoula!
03:53What did I say?
03:54Isn't it right?
03:55Do you compare the parrot with Garoufalia?
03:57Are they comparing?
03:58The parrot is the most beautiful.
04:00Did you see him?
04:01All blue.
04:02Amazing.
04:03What did you want?
04:04For Garoufalia to be blue too?
04:06If she was blue, she would be a little ostrich.
04:09From up close.
04:10Theopoula.
04:12With that belly the boat went and put on.
04:15Like Rubik's cube.
04:18How do you know Rubik's cube?
04:20He cried.
04:25It's here.
04:26Perfect.
04:27We'll take the bus.
04:28Dalia, go and get four tickets.
04:30And you help me push the cars aside.
04:32Quickly.
04:33You know what you'll say.
04:34Four tickets to the bus.
04:35I know, I know.
04:37Four tickets to the bus.
04:38In front of the seats.
04:39One window.
04:40What?
04:41What tickets do you want?
04:42To the bus.
04:43Normally?
04:44But return.
04:45And?
04:47Not now.
04:50What do you mean, normally?
04:52Get out.
04:53What am I doing?
04:58What are you doing?
04:59What are you doing?
05:00What are you doing?
05:01What are you doing?
05:02What are you doing?
05:03What are you doing?
05:04What are you doing?
05:06How many tickets do you have?
05:07Four.
05:08Do you know that you have the right to a ticket?
05:10What?
05:11Dalia, did you bring the tickets?
05:12No.
05:13Why?
05:14Zoupoulia has the right to a ticket.
05:15I'll show you.
05:16What are you doing?
05:17Mom, we have the right to a ticket.
05:18Why should we pay for the normal ticket?
05:20You're a troublemaker.
05:21You're like a piece of paper.
05:22In ten minutes, when the difference is less than the normal ticket, you're stuck there.
05:25Ten minutes you, ten minutes Angela, ten minutes Afonis.
05:28Do you know how much they charge us?
05:29Do you know?
05:30Thirty minutes.
05:31How much is thirty minutes?
05:32Don't ask her.
05:33She'll tell you in half an hour.
05:35Come on, finish it.
05:36We won't make it.
05:37I'm going.
05:38Push.
05:39Push.
05:40You don't deserve to do a single job.
05:43Push.
05:44Where?
05:45Forward.
05:46Where are you going again?
05:48We push from behind to go forward.
05:50Come on.
05:54You have a problem with the front and the back.
05:59How are you?
06:00I'm glad to see you again.
06:02Me too.
06:04Aunt, I had an idea.
06:06My God, I don't think we'll hear it.
06:08It has to do with the wedding.
06:11Our wedding?
06:12Yes.
06:13Then tell her.
06:14Since we won't see her perform, at least we'll hear her.
06:17Frida, you know, is an excellent artist.
06:20I know.
06:21She told me.
06:23I thought that at the award ceremony I would like to present a medley.
06:27Latin American dance.
06:30Sweetheart, it's better not.
06:33The wedding will be a very tight circle.
06:35Only people I love and appreciate will be invited.
06:39I can't put them through this trial.
06:51How do you feel, Mrs. Sofia?
06:53I'm so proud, so proud.
06:56For all the children of the world who get their degrees,
06:59but especially for my son.
07:01Isn't it a very important day?
07:03Of course.
07:04You know, it's the first time I've been to an award ceremony.
07:07We had been to the Pope's 30th birthday.
07:10It was a ceremony, my dear.
07:12Ceremonies are held in the church to make you a priest.
07:15Here we are at the university, at an award ceremony.
07:18Scientists come out of the university.
07:21Really?
07:22Yes.
07:23Almost.
07:24To be precise, scientists come out in Sweden.
07:27Here they come out unemployed.
07:54Whatever you think, whatever you think,
07:56from which country did the bus start?
07:58Let me tell you, it's not a joke.
08:00Zimbabweans are smarter.
08:02What did she say? I didn't hear.
08:04If you live alone for so long,
08:06and things that are given to us, you know them.
08:09But from nowhere, not from nowhere.
08:11Did you see after the Eurovision?
08:13All the tourists.
08:15Rock and roll angels.
08:18Bring some hot rock.
08:20Hallelujah.
08:21Great song, huh?
08:25Hot rock. Hallelujah.
08:28I agree with what you're saying.
08:30But let's keep in mind that it can be a little...
08:39How are you, my love?
08:40Fine.
08:41You're bothering me again today.
08:43No, no, no.
08:44Everything is going perfectly for a week.
08:46Come on, bravo.
08:47How is your grandmother doing in Somalia?
08:50She's getting better, she's getting better.
08:53Where are you, mom? You're crying all the time.
08:55Sit down and talk to me for a while.
09:00Arfalia, you don't want to sit down?
09:02She's straight.
09:05Did you see the parrot of Nespina?
09:07A blue one, huh?
09:08Fantastic.
09:10I've also started to calm down.
09:12Well, they didn't even take a phone call.
09:14No.
09:15It's better not to talk, because...
09:18Ah, I also wanted another favor.
09:20Because I think you're the only reasonable person here in Omigiri.
09:24Foti's father?
09:25Foti's father is marrying Marilena the next month.
09:28Excellent, ma'am.
09:29Don't do this to me now that I need some kind of salvation.
09:33The university doesn't graduate without a scholarship.
09:38The university doesn't graduate without a scholarship.
09:44Isn't it wonderful if the whole room sings it during the ceremony?
09:50No.
09:54Be careful.
09:55The professor is very strict.
09:57They have to be absolutely quiet.
09:59No laughter, no applause.
10:01And, for God's sake, no tears and emotions.
10:03Because I'm talking about my grandma, sir.
10:05Don't worry.
10:06Well, I have to go.
10:08Take them, find them, tell them to hurry.
10:11And tell them not to talk.
10:16Vasilis! Vasilis!
10:18Be specific.
10:20A bottle of water.
10:21Amalia.
10:22And an orange juice.
10:24Amalia.
10:25Yes, sir.
10:26Not a word.
10:41Marilena.
10:44Let's go.
10:45Let's go to Hellenicia.
10:51We love to live there.
10:57Odysseus?
10:58No.
10:59An artistic program?
11:01Say it anyway.
11:04I don't know it.
11:05We're in the early stages, that's why.
11:07The girls come out later.
11:08Oh, really?
11:09Of course.
11:10You'll see what's going to happen here.
11:12Remus comes in last.
11:14Marilena comes in last.
11:15And they finish together.
11:16Ah, perfect!
11:18Did you like it?
11:19I like Remus.
11:20But I won't see him.
11:22We have to go down.
11:24When do we go down?
11:25After the mission, Zoe.
11:27And before the wedding.
11:28Ah, what a shame!
11:29They're immigrants.
11:30They left their country and their homes
11:32to come here on a white day.
11:34Don't talk anymore.
11:35And this thing is going to hell.
11:37We'll never make it!
12:00It hasn't started yet.
12:02Quiet, please.
12:04We're ready.
12:06Don't look like you have a big belly.
12:08The baby inside is like this.
12:11Why?
12:12To look tall.
12:14Did you see how naughty he is?
12:16Like his mother blowing the hair.
12:18Dalle qualle.
12:20He didn't learn anything from us.
12:24Who told us you were here?
12:35Deloglu, my child.
12:36Are the people in front of you yours?
12:42No, sir. I don't know them.
12:44I don't see how we're going to do well today.
12:46Does anyone want pastelli?
12:48Pastelli!
12:50Ladies and gentlemen.
12:52Before we start,
12:54I would like to ask you something.
12:57I know that today is very important
13:02and moving, I would say.
13:04Both for our descendants
13:06and for their relatives and friends.
13:08That's why I'm asking you
13:10to show the required respect.
13:14I won't allow speeches,
13:16laughter, voices
13:18and in general anything
13:20that could destroy the atmosphere
13:23of the ceremony.
13:25Immediately after,
13:27you will have the opportunity to celebrate
13:29and take pictures.
13:31Until then,
13:32I would like you to watch
13:35with almost religious reverence.
13:38It started!
13:40No, no, I think we're in time.
13:42We're in time!
13:43What do you mean?
13:44Mr. Oulis is talking.
13:46The car broke down
13:47and we came by bus.
13:48What?
13:49Stop it!
13:50Take off your tie.
13:51Alex, did you bring it?
13:52I brought it.
13:53Pants, shirt and shoes.
13:55We'll give them now or later.
13:57Up, up.
13:59Slowly, slowly.
14:01Guys, let's go.
14:02Slowly.
14:03Come on.
14:04Half, half, half.
14:06Okay?
14:08Okay.
14:09Come on, you too.
14:13Veloglou.
14:24Veloglou, my son.
14:25Who are all these people?
14:29I didn't hear you.
14:32My son.
14:33Louder, my son.
14:34I can't hear you.
14:45My friends.
14:50They're my friends.
15:01Friends.
15:02A word so small but so difficult.
15:05It's hard to say it's true.
15:08But for these five people it's true.
15:11Perhaps their only truth
15:13in this paradoxical story
15:15they've found.
15:16Where nothing is obvious
15:18and nothing can be explained
15:20with simple logic
15:21or even with the law of probabilities.
15:24Fifteen years ago
15:26they were sleeping together
15:27in an airport room.
15:29And just last year
15:30they met, fell in love,
15:32united.
15:34They walked their lives together
15:36until death and back again.
15:38Again and again.
15:40And they're together again.
15:42They want to believe forever.
15:44Summer found them united.
15:46United for the common goal.
15:48At the same time, each of them
15:50had to face their own
15:52special problems.
16:01One, two, three.
16:03She trembled from my kiss.
16:05Her little, little, little,
16:08little, little bikini
16:11that she was wearing
16:13for the first time.
16:15Because this summer
16:17her problem had nothing to do
16:19with the shock
16:20of her business activities.
16:22She had promised Alex
16:24that she would try
16:26to see her with a different eye.
16:28That she would never
16:30meet and talk again
16:32just to watch TV.
16:42A promise
16:44that she never kept.
16:49So, this agreement
16:51will bring us the maximum
16:52economic gain
16:54but mainly
16:56the joy that you and I
16:58need for the great
17:00opening in Africa.
17:02Because anyone
17:04who tries to do something there
17:06will face unbearable
17:08difficulties.
17:20Dahlia's biggest problem
17:22this summer was something else.
17:26Hey, Stella, what's up?
17:28You did it the way you did it
17:29and then maybe...
17:30And where is this thing going?
17:31I'll be in here in a minute.
17:32From a businesswoman
17:33you're becoming a good...
17:34a good wife.
17:35I don't understand
17:36why you're doing it with me now.
17:37Because you provoked it.
17:38Me?
17:39The only thing I said on the phone
17:40was that if you come back to Greece
17:42we should have a coffee.
17:43And since then
17:44I've been listening.
17:45Go away, we're talking.
17:47Specifically, Dahlia's problem
17:49had a nickname.
17:51I like Paris Hilton.
17:52What?
17:53Yes.
17:54Not sexually.
17:55Friendly.
17:56She's filled the place with bears.
17:58She caught her.
17:59Now we're going to be friends.
18:00From where to where?
18:01I don't know.
18:02You're the only one left.
18:03That's what you said on the phone.
18:04Does it matter if I bring her here one day?
18:06For half an hour?
18:07To see her go away?
18:08Where? Here at home?
18:09To get my wife.
18:10Who is Paris Hilton?
18:11A rich woman.
18:12And what does she do?
18:13She's rich.
18:14What does she do for us?
18:16And why is she called Paris?
18:18Paris.
18:19With a feminine J.
18:20Paris.
18:21Like the city?
18:22Either she was born there
18:24or her parents were there when they took her in.
18:27I'm not sure.
18:28Anyway, they took her out of the city.
18:30And the curtains cost a fortune.
18:32Yes, but these rich people...
18:34I accept them.
18:35I wanted to take my mother-in-law's name out.
18:38If I could.
18:39Are you going to bring her here without Hilton?
18:41I gave birth to her in Koumaria.
18:43Is Hilton better than Koumaria?
18:45What are you talking about?
18:46Girls are not even feminine.
18:47I was born in Igoumenitsa.
18:49Ah, you can cut Igoumenitsa.
18:51You can make it Nitsa.
18:52Nitsa Hilton.
18:53That's enough.
18:54She wants a hand anyway.
18:56Zoumboulia's first problem, at least,
18:58was not a surprise.
19:00It was probably expected.
19:02From the day Marilena and Thomas
19:04decided to get married,
19:06the night visits to Thomas
19:08were a common occurrence.
19:21No.
19:39Don't.
19:40Don't.
19:44It's sexy.
19:45And from that moment on,
19:47they stopped being only night visits.
19:52Ta-ka-ta-ka-ta...
19:55Ta-ka-ta-ka-ta-ka-ta-ka-ta-ka-ta-ka-ta
19:57My heart is choking.
20:01Ta-ka-ta-ka-ta-ka-ta-ka-ta-ka-ta-ka-ta
20:03Ta-ka-ta-ka-ta-ka-ta-ka-ta-ka-ta-ka-ta
20:06Ta-ka-ta-ka-ta-ka...
20:07But I knwo you love it.
20:13You have fallen in love.
20:14It's a heart ache and I know.
20:16I know that you're hurting...
20:18There were temporary solutions to the problem, of course.
20:31The hard times started when Zoupoulia found out that her daughter and her son-in-law
20:36weren't coming at all this summer, as they had decided to spend their holidays somewhere else.
20:43Venezuela!
20:44Venezuela!
20:45That's what they call it.
20:46I don't care what they call it or where it is.
20:48In the devil's hell.
20:50Stop it.
20:51You hear? I hear you.
20:52They say they're going to put the baby on the plane to America
20:55and then they're all going to take it and go there.
20:58That's my house.
20:59That's my son's house.
21:00Stop it.
21:01My daughter wasn't like that.
21:03Since she's like that, I'm going to my village for a month to calm down.
21:08Stop!
21:11I made it.
21:12And that was her biggest mistake.
21:15Because she believed that only her villagers could tell her pain.
21:19But unfortunately for Zoupoulia, they were waiting to hear other things from her mouth.
21:39Since Easter, I've been having the same dream.
21:43That my daughter is so small.
21:45And she's running.
21:46In the bushes, in the backyards.
21:48And she's running, running, running.
21:50And where she's running, she suddenly has two huge wings.
21:53Like an eagle.
21:54And she's flying.
21:55And I'm sitting in the backyard and I'm looking at her.
21:58And she's waving at me from above.
22:01Do you understand?
22:03The West.
22:04How much is it?
22:05How should I know, Maritha?
22:08And then she says to me, don't believe in dreams.
22:11Do you have a swimming pool at home?
22:14On the balcony.
22:18And before that, she had another dream.
22:21That she was a marble statue.
22:24And I was talking to her, talking to her, talking to her.
22:27And she didn't say anything.
22:29She was just sitting there, talking.
22:31The West.
22:32How much is it?
22:35It looks like I've had this since I was a kid.
22:38The marble statue.
22:39Did you see it?
22:40Where did you see it, Marika?
22:42Theodoridou and Foustanos.
22:43They said it because they broke up.
22:45Who told me, Marika?
22:46And I work without my daughter.
22:47I don't deal with that.
22:48The West.
22:49How much is it?
22:50What am I going to do with this girl?
22:52I don't know.
22:53Tsovolas?
22:54Yes.
22:55Did you see him?
22:57I saw him.
22:59And I saw Tsovolas.
23:01And the marble statue.
23:02And everyone.
23:03When you go down to Athens, they put you in a bus
23:06and they take you through all the houses.
23:08You tell the driver who you want to see.
23:10They call them there.
23:11And then you go down with the bus
23:13and they greet you on the balconies.
23:15Papadopoulos, Patakos, Tsovolas.
23:17They were all slaves.
23:19Which bus is this?
23:2184.
23:22Which one?
23:2384.
23:25I've told you it's bigger than me.
23:33Yes.
23:34When will you come?
23:36I don't know.
23:38Come on.
23:39I don't know.
23:41I'm in a dilemma.
23:44I'm in a dark tunnel.
23:47Bravo.
23:48What?
23:49Nothing.
23:50I'm in a tunnel.
23:52I'm in a tunnel.
23:53I'm in a tunnel.
23:55I'm in a tunnel.
23:58I'm in a tunnel.
24:01What?
24:02Nothing.
24:03Stay where you are.
24:05Tell her to come here and we'll find her.
24:08What did she say?
24:11Come here, Maria.
24:12Why do you always ask questions?
24:14Leave me alone.
24:15I have work to do.
24:16Come on.
24:20In contrast to Zoumboulia,
24:22nothing has changed in Spiros' house.
24:25Exhausted by the stress of the exams,
24:27Spiros has been waiting for his fiancée
24:29to continue his quiet and boring life.
24:32The only new problem he had to face
24:35was his grandmother.
24:37She didn't have a nickname like Dahlia's.
24:40She was just a number.
24:42447.
24:49Listen, Spiros.
24:50I have an idea.
24:51No, no.
24:52It's 4-0.
24:53What are you going to say?
24:54Listen.
24:55Vasilakis' class is having a reunion.
24:57I'm going to have one too.
24:59What?
25:00A reunion for my class.
25:02Esperinou's?
25:03No, not Esperinou's.
25:04I haven't finished it yet.
25:05Dimotikou's.
25:07Dimotikou's?
25:08Do you want to have a reunion at Dimotikou's?
25:10Where will you find them?
25:11I'll look for them.
25:12You're the one looking for them.
25:14Are you going to Dimotikou's now?
25:15No, I'm bringing them here.
25:17I'm going to book a restaurant,
25:19a fun center.
25:20I haven't decided yet.
25:22Really, where am I going to take them?
25:24To a clinic.
25:25So that you can all gather from one room
25:28and they can measure your cholesterol,
25:30triglycerides, sugar,
25:32and whoever has the least,
25:33you can give them to the president.
25:34Yes, okay.
25:35Yes, okay, but what is this?
25:36What?
25:37What?
25:38The last exams.
25:39I wanted to show them to you in a way.
25:42Look here.
25:44Triglycerides, 447.
25:46It's good.
25:47If you do a summary, it's good.
25:49If you do a diet,
25:50it's 300 above the normal.
25:52Look here.
25:53You're going to be in a lot of trouble this year.
25:55A lot of things are going to be cut off.
25:56You'll forget the last exams.
25:57Home, school, school, home.
25:59You should be careful.
26:00You're just like your grandpa.
26:02He was like this since he was a kid.
26:03Before he was 60, he had a high blood pressure of 23 and...
26:06It looks like someone was raising it.
26:08What do you want to say with that?
26:11I'm sorry.
26:12You're apologizing to me?
26:13Are you messing with me?
26:15Theopoula!
26:17She did the right thing once.
26:22What are you doing?
26:23What can we do?
26:24My grandson is here.
26:25He's accusing me of killing my husband.
26:28That's not true.
26:29We were together all day yesterday.
26:31We were fighting.
26:32Not yesterday.
26:33In 1986.
26:35We were fighting again.
26:37You made me talk like that.
26:39Why don't you understand?
26:40Why?
26:41What did I say?
26:42Because I want to have a reunion?
26:44Theopoula wants to have a reunion.
26:46Don't put too much salt, though.
26:48Because last time you made it salty and it wasn't edible.
26:51Grandma, be careful.
26:52That's all I'm telling you.
26:54And next month you'll have another exam.
26:56And you'll be careful, Theopoula.
26:58I'm putting you in charge.
27:00Yes?
27:01Yes.
27:02What am I saying?
27:03That's what I'm saying.
27:05I'm going inside to start the phone calls.
27:12Did you see her?
27:13Did you see her?
27:17Here she is.
27:19Three candies.
27:20Four hundred and forty-seven.
27:23Oh, you guys are fighting all the time.
27:27I'm sitting next to the other one because of pregnancy.
27:31I can't even talk anymore.
27:34Nothing, nothing.
27:36Until she's born, I'm going to stay here.
27:42Football?
27:43Yes.
27:44How old is she?
27:45How old is she?
27:46Because if I tell you, you'll understand.
27:48Four hundred and zero.
27:49Really?
27:50Really.
27:55Another can.
27:56And while in Spiros' house the problem was the number four hundred and forty-seven,
28:01in Telefoa, the issue of the summer was another number.
28:05Zero point zero.
28:06What is this?
28:07The latest news.
28:09We've been here since last week.
28:11They asked us to participate in the calculations.
28:14What is this O?
28:20Zero point zero, Vourloti.
28:23And let me tell you, dad.
28:25All day long, we're at zero point zero.
28:29All week long.
28:31The great artists are often recognized after their death.
28:36Sometimes and never.
28:37Who are you talking about?
28:38Who are you talking about?
28:39I'm talking about me.
28:40And I'm talking about you.
28:41Uncle!
28:42Quiet, guys.
28:44As you know, I plan to start a new life next to my beloved Marilena.
28:50This may force me to start preparing for the difficult situation here in Telefoa.
28:56What do you mean?
28:57Will you leave the channel?
28:58I'll prepare a three-hour feast.
29:00Prepare your suitcase.
29:02I'll always be here for whatever you need.
29:05But the management of the channel must gradually change hands.
29:09The expected is for the management to end up in Foti.
29:15You used to be an asshole, huh?
29:17Why do you ask?
29:18I don't know.
29:19But I always remember how I cursed your aunt, Frida.
29:22Your mother, Foti.
29:24How weak she was.
29:25She was close to her age, that's why.
29:27She always told me,
29:29Thoma, take care of Frida.
29:31Don't be stupid, dad.
29:33Don't make her a manager.
29:34I didn't say I'd make her a manager.
29:37The manager will be the one who will do zero point one.
29:40What?
29:41The manager will be the one who will do zero point one.
29:49The strange thing is that while someone expected Frida to go mad at the idea of the manager
29:54and to run away to extreme TV shows,
29:57she remained faithful to her artistic skills, I believe,
30:00and continued her struggle for the promotion without hesitation,
30:04as she did for so many years.
30:06We don't say how many.
30:11We don't say how many.
30:14The one who left his path for the sake of zero point one was Fotis.
30:19Either by bringing to the channel shows that he himself didn't believe in...
30:23Wait a minute.
30:25Your husband went with your sister.
30:28So they did it.
30:29Yes.
30:30And now you want your sister to leave the house, but your husband to stay.
30:35Yes, but if my sister leaves the house, my husband will leave too, he says.
30:40Yes, but then I won't get his pension.
30:44Besides, he says, if my sister leaves and her husband leaves too,
30:49then he accepts to stay.
30:51Nice.
30:52Yes, but me and my sister's husband...
30:57We are giants.
30:59Then who will I be with?
31:01With my husband?
31:02Like, like, like, like, like, like, like.
31:06Like, like, like, like, like, like.
31:08Or by changing the already existing concept of other shows.
31:13Yesterday, at the age of 76, the former president of the Parliament, Anastasios Miriakis, died.
31:19The entire political world expressed its sadness about his death.
31:23Our channel is also compromising with the other channels of the family.
31:27Either by trying to hit on a target group,
31:30which until then had left him with no interest,
31:33without liking him, but with the hope that he will find an audience.
31:37And since we are done, my good friends of the rubber,
31:40let's go together now to play football.
31:42So, grab your balls again and let's go together.
31:47Here.
31:49Cheers.
31:57How was it?
32:01You didn't like it, huh?
32:02What can I say, my boy?
32:04I find the puzzle, however it is, a little boring.
32:08Why don't you play naked?
32:11That would be interesting.
32:13Theopoula!
32:14Why?
32:15Why?
32:16Grab the buttons and start saying to the camera,
32:19in a naked voice,
32:21two more, one more, two more, one more.
32:26I wouldn't see that.
32:29As we say, you don't miss anything when you try it.
32:39Do things you love.
32:41Things from your heart.
32:43That's what I'm trying to do.
32:45You're not doing that.
32:49I wanted to make your heart work a little harder,
32:52not your mind.
32:53I was just trying to bring something new.
32:56All those who work in television, don't they try to bring something new?
33:00The important thing, my boy, is not to bring something new to television.
33:04The important thing is, if you understand that you shouldn't bring it,
33:08to have the courage to take it back.
33:13Okay.
33:25Okay.
33:44The only one who didn't have a problem to surprise everyone,
33:48was Angela.
33:50She may have been wanted,
33:52but thanks to the jealousy of the reporters and journalists
33:56to shed light on her case,
33:58she could now be released in peace and without fear.
34:02Months after the double murder of Kasteli and Koutsioumari,
34:05the 24-year-old Angeliki,
34:07Akimidou,
34:09was released from prison.
34:11The journalistic circle and the police circle believe
34:14that the 24-year-old has fled to various prisons
34:17to pass unnoticed.
34:19The journalistic part of our station,
34:21studying the recent complaints that have been made,
34:24presents some of the prisons
34:26that, according to rumors, the young woman uses.
34:29Of course, the police have also seen the evidence
34:32and are waiting to help, especially in her imprisonment.
34:35...to help, especially in her imprisonment.
34:55Have a good time.
35:05...to help, especially in her imprisonment.
35:20Follow us, please.
35:22...to help, especially in her imprisonment.
35:34That's the way it should be.
35:35And things would soon get even better.
35:39I found a job!
35:40Well done! Where?
35:42In the theater, for a tour.
35:44No, Angela, it's risky. So many people will see you.
35:46I won't show up. I'll play.
35:48Oh, where do you want to go? To the theater?
35:51No.
35:52To the prison?
35:53No.
35:54Where will you be? What's the job?
35:56You'll see. Come on, let's go.
35:58What will you do, my child?
36:00One.
36:02The European body.
36:05I'll put it in your hair.
36:07I am the great success of the autumn.
36:10Now also in your city.
36:13Nikos.
36:14Nikos.
36:15Nikos.
36:16From Raki.
36:17Nikos.
36:18From Raki.
36:19From Raki.
36:20And I am Maria Vantala.
36:26With 15 more actors and dancers.
36:32YOLO, YOLO, YOLO.
36:35The European body.
36:37I'll put it in your hair.
36:40Second and third, in the elementary school.
36:45The buildings are working.
36:53What is it?
36:54Why?
36:55What do you mean why?
36:56It's a job.
36:57What's stopping you?
36:58Instead of doing something serious, what will you do with your future?
37:01If I like you, what's your problem?
37:03What do you like?
37:04Only a person in the world could like this job.
37:07Who?
37:10The European body.
37:12I'll put it in your hair.
37:14First and third, in the elementary school.
37:25But it weren't the only stars on the five-a-side in the summer.
37:29The investigations needed to find the one link between him and Pavlos were continuing.
37:35And they may not have already known who was Pavlos.
37:39But what the four out of the five didn't know was that Zouvoulia had abandoned them.
37:45Even if he hadn't found the courage to tell them.
37:48The visit to the village wasn't for a while, but forever.
37:53In the next episode
38:08This is Pavlos.
38:09Who?
38:10Pavlos Manovirogiannakis, a journalist.
38:13He's the only journalist who seems to be suspicious of Venetopoulos' innocence.
38:17Read it.
38:19He doesn't say it clearly, but he leaves it underlined all the time.
38:22From the 17th of the month, to the 18th, to the 19th,
38:25until the 20th, he takes a stand, pointing out the gaps in the case.
38:29At the 21st, he's no longer there.
38:31What do you mean?
38:32He's no longer there, he doesn't write in the newspaper.
38:34Neither the next one, nor ever again.
38:36Say it.
38:37I'm sure. We have to call Zouvoulia.
38:39Did he go back to the village?
38:41Yes.
38:42Why?
38:43Manovirogiannakis? He must be a critic.
38:46Strange name.
38:47Perfect name.
38:48Why perfect?
38:49Because it's rare.
38:50Do you know how easy it will be to find him?
38:52How many Manovirogiannakis will there be?
38:54One.
38:56Only one?
38:57Yes.
38:58Manovirogiannakis Apostolos, of Pavlos.
39:01Maybe he's the son of Pavlos we're looking for.
39:03We saw him in all the telephone bookings in Greece.
39:06Bring it here.
39:07Take Zouvoulia and tell her to come immediately,
39:09because she's telling us something strange.
39:11Maybe he has to sit up for another week,
39:13and we have to go first, and he'll come and find us.
39:15Something like that.
39:16Okay.
39:17But with the people we're going to,
39:18why would he not come then?
39:21Why are we going? Isn't he staying in Athens?
39:23No.
39:24Where is he staying?
39:25Take Zouvoulia and we'll see. Bye.
39:28Mykonos!
39:30Alex, I have to make a phone call,
39:32and I can't continue.
39:33There's no way. I'm in a hurry.
39:37I see.
39:40Did the bride send anything new?
39:43A puppy and a cat.
39:46A cat?
39:47Yes.
39:48I see.
39:50Did you know that cranes go sideways?
39:53I've never heard of it.
39:56I see.
39:59When you're walking around the streets
40:01with a truck and a van and you're talking,
40:03what do you call that?
40:05A schizophrenia.
40:06No, no, it's a job.
40:07I don't know.
40:08It exists, I've seen it.
40:09I've seen businesses.
40:11What businesses?
40:13With vans and trucks.
40:15How do I know?
40:18How much will it cost to buy 2 or 3?
40:215 or 6?
40:26Make your phone call.
40:28Do it!
40:32I'll miss you.
40:35The streets, the streets.
40:37You'll pull your hair.
40:39Greek, we're in a hurry.
40:42You've become a whore.
40:44Where is he?
41:02Oh, Christ.
41:04Dad, what are you doing?
41:07Are you back?
41:08Yes, I'm back.
41:10I'm tired of seeing your pussy.
41:12That's the way it is.
41:14Politics and publicity go hand in hand.
41:16I see you've changed your hair.
41:18You know, to make my face look better.
41:20Ah, you want to be seen.
41:22What's new with you?
41:23Did your mother kick you out again?
41:25No, she kicked me out.
41:26Because that's what it sounds like.
41:28Who says that?
41:29The world.
41:30Ah, the world.
41:32What did you learn?
41:33She says you'll open a nursery if you go out.
41:35That's what I'm saying.
41:36Because you told us that again.
41:38But what nursery?
41:39I saw a new nursery.
41:41What did you learn, you whore?
41:43That I used the community's money to build a house?
41:46Did I say such a thing?
41:48Who said it then?
41:49The world.
41:50And really, what does it matter to you?
41:53You're rich, you'll open a nursery and everyone will be yours.
41:57They're your friends, aren't they?
41:59My friends.
42:00Is that it?
42:01Or maybe you're doing them a favor?
42:03What did you say, you whore?
42:04It's my village and I want to say it.
42:06Because it's my village, isn't it?
42:07They made fun of you because it's your village.
42:09You're not a stranger anymore, you're gone.
42:11That's why I paved the way for you.
42:13So that you'd get beaten up and leave an hour earlier.
42:16That's why?
42:17Or so that you'd pass by your new car and get in trouble?
42:20God knows where you found her.
42:22Bad fate, bad fate.
42:24For so many years you didn't even deserve to change a tractor.
42:27But no.
42:28Don't go.
42:29Stay here, here, so you can see me.
42:32So that the president comes out again and you can get rid of your bad luck.
42:35Ah, and something else.
42:37Do you remember how many votes you lost 4 years ago?
42:41I don't remember.
42:42Ah, you don't remember.
42:44Let me remind you.
42:46With 90.
42:47Not 5, not 10.
42:53And who is this whore?
42:55Mia.
42:57And when did these elections happen?
42:594 years ago.
43:014 years ago and now she caught you and you're crying?
43:04I'm not crying about that.
43:06I'm crying about what she said to me.
43:08What did she say to you?
43:09She spoke badly to me.
43:11Did she call you fat?
43:12Because I'm fat for her to say that to me?
43:14No, my child.
43:15I mean, did she or someone else say that to you?
43:17Who would say that to me?
43:18Oh, people.
43:20She said that she doesn't know me.
43:22Oh, okay.
43:24And the worst thing is that it's not me.
43:26The worst thing is that it's the truth.
43:28A year has passed.
43:30And I come to my village and I'm a stranger.
43:33No, my dear.
43:34You love your village.
43:35I love it.
43:36That's why I came.
43:37Because I love it.
43:38And I didn't mean to go back.
43:40What?
43:41I didn't want to go back.
43:43I wanted to stay here in peace.
43:45Far away from the trains, the airplanes, the pools, the airplanes.
43:48I wanted to go far away and...
43:50From us?
43:54My children told me that you don't care to know what we discovered.
43:58That's right.
43:59But I changed my mind.
44:01I will come.
44:02I will continue.
44:03And I won't do it for Stavrianidis, for Danetopoulos or for anyone else.
44:07I will do it for me.
44:08I will make it to the end.
44:10Well done, Zoubi.
44:11I will come tomorrow.
44:12But leaving this place, I will make an impressive exit.
44:33But what's going on out there?
44:57Take the eggs.
44:58We'll find them tomorrow.
45:01Take the eggs.
45:02Be careful.
45:03Don't break them.
45:10I'm leaving, Gorgias. I'm leaving.
45:12Be careful and remember me.
45:14Toulas, put the asphalt where the sun can't see it.
45:19I won't need it.
45:21As you can see, I'm flying.
45:24Take this too.
45:26I won't need the other one.
45:30Take this too.
45:33I won't need the other one.
46:00I won't need the other one.
46:15Be careful.
46:16And whatever you need.
46:17I know, I know.
46:18We won't need anything.
46:19Kisses.
46:20Bye.
46:21Bye.
46:22Bye.
46:25Bye.
46:26Bye.
46:31STANISLAVOS
46:52And like that, our story begins again.
46:55Five people on a ship, saying hello.
46:58And that's how it's going to end. On a ship, again.
47:02But then it won't be five. It'll be four.
47:08And maybe it's time for me to tell you who I am.
47:12Or rather, I'm sorry, to tell you who I really am.
47:20Maybe not again.
47:24Shall we sail?