Sto para 5 - S01E25 - Greek subtitles

geso101
geso101
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Transcript
00:30You'll look everywhere.
00:33You'll dig, if necessary, even the floors.
00:36Do you understand?
00:38Tomorrow, anyway.
00:42It's horrible.
00:44This man stayed in prison for 22 years for a crime he never committed.
00:48How can you live after something like that?
00:50And how can you forget it the moment you discover it?
00:53You're talking about Stadrianidis, aren't you?
00:55First I put him in prison, and then I realized that everything was a lie.
00:59He was a good man, after all.
01:01At first, I thought he was a...
01:03What?
01:04I don't know. I thought he deserved what happened.
01:06Especially after what happened with Exeter.
01:08I thought he was a fraud, that he did it for the money.
01:11But he was trying to justify a crime.
01:14And to correct his mistake.
01:1630 years.
01:20Be careful, after 1996, while the graphic character remains the same,
01:25the names of Paralyptos and Apostolos change.
01:28It's strange.
01:29Venatopoulos was a therapist.
01:31He had to hide. He communicated with pseudonyms.
01:33And he has a different management all the time.
01:36He has changed more than me.
01:38He knows about that.
01:40So, let's put them down in chronological order,
01:43and see which one is the most recent.
01:45It seems that the only one who knew where he was hiding was Stadrianidis.
01:48Now it's us.
01:51We have to meet him.
01:53And what should we tell him?
01:54Stadrianidis may have died, but we have to deal with his case.
01:58We have to win his trust.
02:02What is this?
02:03I found only this.
02:04In a corner, in Patari.
02:06What is it?
02:08Read it.
02:13Who is Aris Papadopoulos?
02:15That's what it says on the cover.
02:17See how he signs inside.
02:25Gerasimos?
02:28Did we find him?
02:54He doesn't communicate with the environment.
02:56He doesn't communicate with nature.
02:58He doesn't communicate with nature.
03:00He doesn't communicate with nature.
03:02He doesn't communicate with nature.
03:04He doesn't communicate with nature.
03:06He doesn't communicate with nature.
03:08He doesn't communicate with nature.
03:10He doesn't communicate with nature.
03:12He doesn't communicate with nature.
03:14He doesn't communicate with nature.
03:16He doesn't communicate with nature.
03:18He doesn't communicate with nature.
03:20He doesn't communicate with nature.
03:22He doesn't communicate with nature.
03:24He doesn't communicate with nature.
03:26What do you mean he doesn't communicate with nature?
03:28At least you should know that.
03:30What?
03:31Nothing.
03:32Can you walk?
03:34We will get together in the afternoon.
03:36We will bring Zumbuli Abbas and nothing will happen.
03:38I don't think so.
03:40Tomorrow Marilena has an appointment with a doctor.
03:42How did this happen?
03:44In the middle of nowhere?
03:45Not in the middle of nowhere.
03:46We just passed by.
03:48First of all, he thinks he killed grandpa.
03:51He thinks he killed grandpa.
03:53And now he is talking to them.
03:55He doesn't understand.
03:59Are you done?
04:01How?
04:02Did you sign them?
04:04No, I didn't have time.
04:06I was studying them.
04:07Oh, you were studying the contracts.
04:09Since when?
04:10Since forever.
04:11What?
04:12Don't we know who we are working with?
04:14Do you know?
04:15What do I not know?
04:17We have a new contract with this woman.
04:19Yes, of course.
04:20It's been years.
04:21Since I called her Lianiki.
04:23Then Yannis got married.
04:24He got fatter and bigger.
04:25Yes, yes, yes.
04:26Don't tell you what I remember.
04:27I was invited to the wedding.
04:29Sign them in five minutes.
04:30I'm in a hurry.
04:31Yes.
04:34Did you see him, Evra?
04:35What did I tell him?
04:36Can you tell me?
04:37What can I tell you?
04:39He has a bad temper lately.
04:40If I tell him that I'm going out in the afternoon...
04:42You can walk after all.
04:44It's hard.
04:45Don't look in front of him.
04:47I walk comfortably.
04:48He has two other girls.
04:50They watch me all day.
04:52Wherever I go, they run in front of me.
04:54One after the other.
04:56At a point where I can't.
04:57You'll see there are three of them.
04:59As soon as I find some time, I'll look into it.
05:01Good, good.
05:03I'll tell Fotis you're coming.
05:05Yes.
05:06If Zoumboulia comes, I'll come.
05:07I'll see how he is.
05:08He's not well.
05:09You should be prepared for what you'll face.
05:18ZOUMBOULIA
05:28He recognizes us.
05:30I don't know.
05:32He looks at us like this.
05:33He's a stork.
05:35What?
05:36He looks at storks like this.
05:37Have you ever seen one?
05:38I've been to a zoo with my grandma years ago.
05:41There was a stork.
05:42He looked at us like this.
05:44This.
05:48As if he said, I know you from somewhere, but I don't remember where.
05:51He really didn't know you.
05:54What?
05:56Let's try again.
05:58Start.
06:02Zoumboulia.
06:04How are you feeling?
06:07Zoumbi.
06:09Zoumbi.
06:10It's me, Italia.
06:11Look, I'm walking.
06:14It's me.
06:15I want to take a picture and show it to my grandma.
06:18She'll go crazy.
06:20It's a shame.
06:22Zoumboulia, I know you're very tired.
06:25But please, try to calm down.
06:28It's a shame that we've come to the end.
06:30No, Zoumboulia.
06:31We've found everything.
06:32The stork who was trying to discover the truth
06:34because he was in love with a stork.
06:36They became friends with Venetopoulos.
06:37They were dating.
06:38We have it all in our hands.
06:39I downloaded them from my dad.
06:41And we know where Venetopoulos lives.
06:43And only we know, no one else.
06:45We have to go and meet him.
06:47And your grandpa, Charalambos, is fine.
06:49He's alive, he didn't die.
06:51Fotis called that night.
06:53I talked to him.
06:54And if you want, we can call him now
06:56and make sure we're not lying to you.
07:04Do you understand?
07:11This flight is here for your safety.
07:13Please observe the following demonstration
07:16of the safety features.
07:19In case of decompression, oxygen mask
07:22such as the one being shown to you
07:24will automatically be released above your seat.
07:27Before helping others,
07:29pull the mask firmly downwards.
07:32Place the mask over your nose and mouth
07:35and breathe normally.
07:38Your life vest is located underneath your seat.
07:42To use it, if instructed,
07:45put your arms through the strap loops
07:47and then your head through the rest.
07:50Pull the straps down
07:52so the back unfolds completely.
07:54Adjust it to your waist.
07:56If necessary,
07:58you may additionally inflate the rest
08:00by blowing into the tubes.
08:02To fasten your seatbelt,
08:04push one piece of the buckle into the other.
08:07Adjust it to your waist.
08:09To unfasten it,
08:11lift the upper part of the buckle
08:13and pull out the other half.
08:20In case of an emergency,
08:22luminous markings along the aisle
08:24will show you the way to the exits,
08:26which are two blocks to the right
08:29and two blocks to the left.
08:31There are two doors at the front of the aircraft,
08:35two doors at the rear
08:37and four window exits
08:39at the center over the wings.
08:43All exits are clearly marked in red.
08:50The safety onboard card
08:52is located in the seat pocket in front of you.
08:56Please read it carefully.
09:02Well?
09:03Exhaustion.
09:05I see.
09:07Are you very tired?
09:09What are you busy with?
09:10Normally, I should be busy with the baby,
09:12but in reality,
09:13it's better if I don't talk.
09:15You will also need medication.
09:17I will prescribe you some pills,
09:19but most importantly, you need rest and a lot of sleep.
09:22Does the baby help you get in touch?
09:24If it helps her, why not?
09:26But it doesn't help anyone else. Do you hear me?
09:29If you need anything, call me.
09:31Make sure she takes her medication and gets some rest.
09:34She will be fine in a month or two.
09:38Thank you, doctor.
09:39Let me accompany you.
10:00I became a swimmer.
10:02She became a complete nirvana.
10:15I told you.
10:16It's so easy to forget someone.
10:20And so, with this unprecedented development,
10:23the research of our five heroes
10:25stopped abruptly.
10:27Zumbulia's disease interrupted their journey
10:29and prevented them from visiting Venetopoulos.
10:32If they had gone then,
10:34everything would have been different.
10:36When they finally managed to visit him,
10:38they would discover that they had chosen
10:40the wrong day.
10:42Because Dalia's dream,
10:44as well as anything else that had happened to them
10:46during this time,
10:48was not a coincidence.
10:58Help!
11:06Mr. Dalia?
11:08What did you see again?
11:10The same dream every night.
11:12The same fear that it wouldn't come true.
11:15And unfortunately, for the five of them,
11:17it would come true.
11:19In 40 days from now,
11:21as soon as Zumbulia gets better,
11:23their visit to Venetopoulos
11:25will be their last.
11:27And unfortunately,
11:29any attempt by Dalia to warn them
11:31will be in vain.
11:33There are four of us.
11:35Me, Angela, Zumbulia and one of you two.
11:37Who?
11:38I don't remember.
11:39But then comes the fifth,
11:41and the next picture is us five
11:43and a train coming towards us.
11:46And what does that mean?
11:48I don't know.
11:50But if we're going to look for Venetopoulos,
11:52it's better to go now, because Zumbulia can't.
11:54We want to get better first.
11:56It doesn't matter.
11:57It's better now, just the four of us.
11:59You can't do that, Dalia.
12:01We've been together for almost a year now.
12:03How can we leave Zumbulia out?
12:05Let's wait for the doctor's appointment.
12:07But that's why we have to go now.
12:09Because when the fifth appears,
12:11the train comes.
12:13Yes, but the fifth is one of the villages,
12:15not Zumbulia.
12:17Did you make a deal with the doctor
12:19and you see him in your sleep?
12:21Because our dreams are affected
12:23and I saw in my sleep
12:25that I had a teacher, Balanika.
12:27Exactly.
12:29And because I see in my sleep
12:31that my exam starts
12:33and I have only three classes left
12:35and I don't believe in dreams,
12:37I suggest we wait
12:39for Zumbulia to get better
12:41and in the meantime
12:43we can deal with our lives.
12:45What do you mean?
12:47Spyros!
12:49Grandma, I'm reading!
12:53Spyros, we want to talk to you.
12:55From what I see, it's not good.
12:57Spyros, a very important issue
12:59has arisen.
13:01Grandma, I have an exam.
13:03You'll be fine, I'm sure.
13:05As long as you read with a system.
13:07We had arranged, as you say,
13:09with Theopoula
13:11to go to Dinos to get married.
13:13Is that so?
13:15We took these for Mykonos
13:17because Dinos has sold me out.
13:23And where is Mykonos?
13:25It's next door. Why should we go?
13:27It's not for you.
13:29Because George and Panagiotis went.
13:31When?
13:33The day before yesterday.
13:35They went to Mykonos,
13:37they saw Pelikano,
13:39they ate Laskari.
13:41Really?
13:43I'll tell you, Theopoula.
13:45We told Theopoula
13:47to go to Dinos
13:49to light a candle.
13:51And when everything was ready
13:53and we did our last shopping,
13:55Theopoula changed her mind.
13:57I want to go back to Mykonos.
14:01My life has no meaning anymore.
14:03What are you saying?
14:05I have nothing to do.
14:07You've been saying that since yesterday.
14:09I'm bored at school.
14:11I'm bored with George,
14:13I'm bored with Panagiotis,
14:15I'm bored with the cards.
14:17I'll explain it to you another time.
14:19Go and buy me a grave.
14:21What are you saying again, Theopoula?
14:23And you should buy one
14:25so that I won't be alone.
14:27Oh, my God. Get out of your place.
14:29So?
14:31So what?
14:33Are you going to talk to Garoufalia?
14:35Me? From where to where?
14:37Who will go there?
14:39To the first cemetery.
14:41The trolley will be convenient for us.
14:43Why? Are we going to come?
14:45So tell me, will you talk to them?
14:49Cigarettes!
14:53Beautiful.
14:55Excuse me, guys.
14:57Excuse me.
14:59Bye.
15:01You didn't pay attention at all.
15:03What do you want?
15:05Why didn't you come out today?
15:07I have to leave the house in three days.
15:09And three, and thirteen, and twenty-three if necessary.
15:11We are as we are. That's what we were missing now.
15:13What are you doing, Zboulia?
15:15Did we have any news?
15:17The same, my angel.
15:19I've been doing yoga for 14 years.
15:21I haven't managed to get to this level.
15:23In the meantime, she goes and sits permanently
15:25next to the Buddha, and she does it
15:27repeatedly. And she is happy.
15:29Only when I see them...
15:31What?
15:35Just for half an hour, huh?
15:37I don't want to leave her alone.
15:39This again? Where are you going?
15:41I ended up being a nurse in Lyia.
15:43Anyway,
15:45I'm coming from there now.
16:07Did you find him?
16:09No.
16:11The last time I saw him in the village
16:13was four years ago.
16:15It makes sense.
16:17A drapet is constantly changing
16:19the neighborhood.
16:21And what exactly was the place?
16:23A village in Evia.
16:25A village?
16:29Why did he choose to live in a village?
16:31He hid better in a big city.
16:35He probably wanted his peace.
16:37The residents said he didn't make many friends.
16:39He was friendly with everyone,
16:41but he was relatively distant.
16:43And now?
16:45There is someone who lives in Athens now
16:47and who may know where Venetopoulos went
16:49after Evia.
16:51I'll make sure to find him as soon as possible.
16:53Be careful.
16:55For ten years now, this man has been missing.
16:57It's the first time I've been so close.
17:01Be careful.
17:03Stay quiet.
17:05If Venetopoulos comes out of the middle,
17:07this case is over.
17:11They can do whatever they want.
17:15I don't know if...
17:17If what?
17:19I talked to the old man
17:21who used to live in Stavrianidis' house
17:23and asked him if a stranger had passed by.
17:27He told me about two men
17:29and two women
17:31whose description matches the ones we're looking for.
17:35Four?
17:37Yes, four, not five.
17:39What if they found something?
17:41What do you mean?
17:43I don't know.
17:45Maybe they found...
17:47No.
17:49Not now.
17:51Don't tell me that now.
17:55We're in the final straight.
17:59There's still a month left.
18:01I have to be quick.
18:03You understand?
18:09Nothing should go wrong.
18:11And indeed,
18:13nothing will go wrong this time.
18:15Their dark plans
18:17may have failed
18:19a year ago, when our five heroes
18:21got entangled at their feet.
18:23This time, however,
18:25the meeting of the two sides
18:27will benefit the criminals.
18:29Twenty days were left
18:31until their final meeting,
18:33until Dalia's dream comes true.
18:35So, you have an exam?
18:37Yes.
18:39Do you have a lot of them?
18:41No, three.
18:43But they're the most difficult.
18:45That's why they left you at home.
18:47Yes, yes.
18:49What did you say?
18:51Nothing.
18:53How are you?
18:55I'm fine.
18:57I'm staying at my aunt's.
18:59I got a job.
19:01Where?
19:03I'm a dentist.
19:05Excuse me for a minute.
19:15What happened?
19:17Ask her what money she's getting
19:19and if she's getting girls
19:21because she's looking for her niece's daughter.
19:23I told her to find her
19:25with the king.
19:27She won't do anything else.
19:29What if she's pregnant?
19:31Because if she is, I have to think about it.
19:33Tomorrow or the day after,
19:35I might want to fire her.
19:37I'm going.
19:43I don't know what you're going to do.
19:45Make a quick decision.
19:47You have to go to Mykonos.
19:49Good for you.
19:51You didn't let the divorce take you down.
19:53I'm trying.
19:55I'm a sportswoman.
19:57What do you do?
19:59I joined a basketball team.
20:01What was that?
20:03Something fell out of the air.
20:07I'm going to check.
20:17People are going crazy.
20:19Tell her to go register.
20:21She'll make a scene in the neighborhood.
20:23She'll be fine.
20:25Go inside and tell her about the king.
20:31I'm going.
20:35She's going to make a scene.
20:37She's playing basketball now.
20:39I'm going.
20:41I'm going.
20:43Tell me,
20:45how did this happen?
20:49I wanted to talk to you.
20:51You know,
20:53my grandma and I were very upset
20:55when this happened to the king.
21:01I'm going.
21:09I'm going.
21:15What happened?
21:17We had a problem.
21:19We were upset.
21:21Don't take it out on her.
21:23I don't care about the problem.
21:25I'm trying to make a scene.
21:27I'm going.
21:29How are we going to make a scene?
21:31We're not going to make a scene.
21:33We're not going to make a scene.
21:41Excuse me.
21:43I was talking about me and the king.
21:45Oh, yes.
21:47It's a shame you don't see it.
21:49You love each other.
21:51You broke up once at six years old.
21:53Why don't you sit down
21:55and take responsibility for my mistake?
21:57It's not my fault.
21:59It's the king's fault.
22:01But I couldn't take it anymore.
22:03It's been so long
22:05that I haven't heard from him.
22:07Do you want to tell me?
22:09What can I tell you, Spyros?
22:11Do you know what it's like
22:13when you turn on your TV
22:15and see Jessica, 28,
22:17wanting to leave the house?
22:19What's that?
22:21It was on the news.
22:23Who's Jessica?
22:25I called her to tell her
22:27that Jessica, 28,
22:29has a married child
22:31and she wants to get rid of her.
22:33I know one truth.
22:35We know the same truth.
22:37I should have said 32.
22:39That's why you were mad.
22:41I wasn't well recently.
22:43I didn't care
22:45about the situation.
22:47Suddenly,
22:49I lost my patience.
22:51And I'm fine now.
22:53I've accepted it.
22:55He doesn't want me.
22:57Tomorrow...
22:59I'll have a baby.
23:01What will happen?
23:03How will he deal with it?
23:05I don't understand
23:07why he doesn't want me.
23:09Are you pregnant?
23:11Yes.
23:19Mother?
23:23What can I say?
23:25Something good.
23:27A moving moment.
23:31Did you pee?
23:53Well done, my friend.
23:55You did a great thing today.
23:57Yes.
23:59You brought two people
24:01together.
24:03Aren't you proud?
24:05I am.
24:07If I don't pass the lesson,
24:09I'll lock you all up.
24:13While Sofia's and Theopoula's
24:15trip to Mykonos,
24:17Spyros' graduation
24:19and Garoufalia's return
24:21to their usual schedule,
24:23something happened
24:25that I didn't expect.
24:31And you'll have a mozzarella.
24:33And it's ready.
24:35Forget it.
24:37Why?
24:39I won't be a painter
24:41because you're too busy
24:43with your signature.
24:45You'll get the contract
24:47and sign it right away.
24:49Is it hard for you?
24:51I'll do it differently.
24:53I'll just make a...
24:55A what?
24:57A tomato.
24:59I won't do it.
25:01Your father would never deny me
25:03this favor.
25:05Your father would never
25:07do it.
25:13Rita!
25:15Go inside, please.
25:19What was that?
25:21What?
25:23It was nothing.
25:25I know what it was.
25:27I know what I did to your father.
25:29It's not your business.
25:31And if it is,
25:33I'll tell you.
25:35It was my father's.
25:37You have no right to know.
25:39Fine.
25:41I quit.
25:43What?
25:45Did you know the word?
25:47Absolutely.
25:49Tell me the truth
25:51or look for someone else.
25:57What was that?
25:59The truth is
26:01that he's interested
26:03and so am I.
26:05The good thing is
26:07that we don't have to worry
26:09about Lia.
26:11What can we do?
26:13We can't hear her voice
26:15That's exactly what I needed.
26:17I've given her the pills.
26:19It's a shame
26:21now that I'm used to it.
26:23I'm afraid of the moment
26:25when she'll start shouting again.
26:27Maritela!
26:29Why did you call me?
26:31Gail, I'm hanging up.
26:35Fine, Mari.
26:37Since when do you go shopping?
26:39It was a dream
26:41and it's gone.
26:43Cheers!
26:45Cheers!
26:47Cheers!
26:49Cheers!
26:51What's new?
26:53Where are the others?
26:55They're coming.
26:57What's new?
26:59We've been waiting for you.
27:01I've been hiding at home.
27:03I've dyed my hair.
27:05I've washed the dishes.
27:07That's it.
27:09You've been doing this for a month.
27:11What are you looking at, Marita?
27:13You've left the old man in the country.
27:15Can't you hear what she's saying?
27:17I haven't become a good woman yet.
27:19What's going on?
27:21When are we going to find Venetopoulos?
27:23We'll go. Wait.
27:25We have other jobs.
27:27We've left them in the middle.
27:29Who?
27:31You and me.
27:37But they're English.
27:39I remember in London...
27:41Shh!
27:43Someone's bothering me.
27:45Can you see them?
27:47Yes, I can.
27:49I have to go and get her.
27:51I have a meeting tomorrow.
27:53It's past Easter.
27:55Is it only on Easter?
27:57When else?
27:59That's good.
28:01That's why she's making faces.
28:03Buddhist faces.
28:05Have you seen them?
28:07I don't know.
28:09Something orange.
28:11Don't worry.
28:13He's ready.
28:15That's why Aaron left the channel.
28:17Why?
28:19Objectively.
28:21They haven't done anything wrong.
28:23They came to see a movie at the cinema.
28:25Today.
28:27In a month, they'll see her at home.
28:29How did this happen to me?
28:31How did this happen to me?
28:33You had other jobs.
28:35They ate me.
28:41She wanted to see me at the cinema.
28:43I'm going to destroy her today.
28:45You too.
28:47Emma Thompson.
28:49Oh!
28:51She's getting angry.
28:53That's it.
28:55I won't leave her alone.
28:57She doesn't know me well.
28:59What are they doing?
29:01I can't see.
29:03What are they doing?
29:05For a long time.
29:07For a very long time.
29:09For as long as possible.
29:11What's going on?
29:27Can you imagine getting married?
29:29And having this baby?
29:31It's not good for you to ask me to do this.
29:33That's a ...
29:35Although one of us ...
29:37I don't think it's going to happen.
29:39I don't think it's going to happen.
29:41I don't think it's going to happen.
29:43You say ...
29:45I don't think we should worry.
29:49Lea!
29:51Foti!
29:53What?
29:55Calm down!
29:57What?
29:59You're gonna get married?
30:01Why shouldn't I rebuild my life?
30:03When you meet a person in your life...
30:05Yes, but a person!
30:06The lady met eight!
30:07From meeting to meeting!
30:09I think this conversation is offending me.
30:11Marilena Foti is right. Don't talk like that.
30:13First of all, what marriage was that?
30:15She's a Buddhist. You're a Christian.
30:17Where are you getting married?
30:18We're having a political wedding in the city hall.
30:20I'm not coming!
30:21Why? Who invited you?
30:23The lady teacher.
30:24What?
30:25The lady teacher who has the toilet.
30:26And she wants you.
30:27I don't like the lady teacher.
30:28What?
30:29I don't like the lady teacher.
30:30Find someone you like.
30:31Eugenia Ikomotria.
30:32I can't believe it.
30:33All this time I thought...
30:34Stop it, Zouvoulia.
30:36Eugenia Ikomotria, dad.
30:37You're gonna get married.
30:38So what?
30:39Foti, my boy, you're delusional.
30:41And I don't get it.
30:42You don't want me to get married again...
30:44or you don't want me to get married to Marilena.
30:46The second one.
30:47And the second one.
30:48You're not eating.
30:49What did you say?
30:50For goodness sake, come with me today.
30:51I'm not going to get married.
30:52To someone else?
30:53Stop it, Zouvoulia.
30:54You're wasting my time.
30:55Did you ask poor Frida?
30:57What did you do to her?
30:58How are you going to introduce her to a new relationship
31:00like this, out of nowhere?
31:01A show to give to Frida?
31:02She'll say yes.
31:03Are you going to be so low?
31:05Are you going to buy us all out
31:07so we can accept this woman by your side?
31:12So, dad,
31:13I'm not buying you out.
31:22My father took it.
31:23Have a nice trip.
31:24Do you like Zouvoulia?
31:29She's a bit old-fashioned.
31:30Yes.
31:31I fought for a new one, but...
31:33Bravo, bravo.
31:34It's a very nice size.
31:36What are you doing, Marie?
31:37She told me.
31:38She says she's ready.
31:39Get in the car, Christian.
31:40I don't know where she is.
31:42She's making a sign.
31:44So,
31:46we have a new car.
31:47Is Zouvoulia okay?
31:48When do we start?
31:50Tomorrow.
31:51I'll give the last lesson at 8.
31:53I'll finish at 10.
31:55Tomorrow at 10.
31:56It's closed.
31:59I am a very stylish girl.
32:09What time do you want me to wake you up tomorrow?
32:128.
32:13I want to be ready at 10.
32:14Okay.
32:15And whatever you need...
32:16I know, I know. I'm going.
32:21Very good.
32:51I'm sorry.
32:58These are signed.
33:00I know.
33:04Did you sign them?
33:05It looks like a greeting card.
33:12With your father...
33:17We were in love.
33:18For the first time.
33:21Just once.
33:24Before he left for Canada.
33:27I knew he was married.
33:28That we had different ages.
33:30I was afraid of my parents.
33:32I was trying to resist.
33:35I didn't want him to realize that I was in love with him.
33:40From the first moment.
33:43From the first day he looked at me, I fell in love with him.
33:47And him?
33:50The same.
33:55He was going to leave your mother.
33:57We were planning to leave together.
34:01I had gone to pick him up from the airport that day.
34:05I hadn't seen him for a month.
34:08And I never saw him again.
34:14Are you satisfied now?
34:17Yes.
34:20On the same plane was Zoumboulias' husband.
34:23What?
34:24Spiros' parents.
34:26Fotis' sister and mother.
34:27And Angelas' father.
34:30Now you know that too.
34:32Okay.
34:34How?
34:37Do you understand now why I'm so attached to these people?
34:40And I leave home and work and everything.
34:42I understand.
34:43But you can't leave people you're attached to.
34:47Isn't that right?
34:49That's right.
34:55Don't leave.
34:57I won't leave.
35:01Now that you've learned everything about me and your father, what do you have to say?
35:05Do you think I'll say something bad?
35:07Yes.
35:10Now I love you even more.
35:14I love you too.
35:36I didn't mean it like that.
35:39I found him.
35:40What?
35:41I found him. I know where he is.
35:43The address we had was from his first residence.
35:46His residence is in a village near Lamia.
35:48Are you sure?
35:49Yes.
35:50I talked to this guy from Evia.
35:52He told me that until last year, at least, they had some contact.
35:54He lived there.
35:56He's leaving.
35:57Today.
35:59And make sure that his next residence is underground.
36:02He's leaving.
36:21It's not Marilena's fault, Zumbulia.
36:23Marilena listened to her heart and that's what she did.
36:26It's his fault then.
36:27No, it's not his fault.
36:28It's not his fault.
36:29A man who gets involved in a love triangle between two women is an unhappy man.
36:34He wants to be honored and he can't.
36:36He's forced to cut his heart in two.
36:38Do you know what kind of guilt he has for this?
36:40First of all...
36:42You can't smoke in here.
36:43Why?
36:44Coffee, cigarettes, sandwiches are not allowed in the car.
36:49That's enough. You're done.
36:51This loser is definitely to blame.
36:53Angela, look at the map if you can calculate the distance to the village we're going to.
36:58What do you think about love triangles?
37:01It's very difficult.
37:02You want to be completely devoted to a woman
37:04and you can't because you're forced to share your love in two.
37:07See?
37:08And that's true for women.
37:09A woman, two men, a man without a man.
37:13Do you understand the drama that this verse hides?
37:18What can I say? You know.
37:20What do you think, Marti?
37:23When a woman gets involved in a love triangle
37:25her main goal is to eat the other woman's boyfriend and marry him.
37:28When a man gets involved in a love triangle
37:30his main goal is not to eat the other woman's boyfriend
37:33so he doesn't have to marry her.
37:36This is the main difference between the two sexes.
37:40Anyway, in both cases you have an excellent sex.
37:43How can you be so insensitive?
37:45Easily.
37:49Yes?
37:50Come on, Foti.
37:51Come on, where are you?
37:52Outside the school.
37:53Are you done? Are you coming?
37:55I haven't started yet.
37:57But it's ten o'clock.
37:58I know, it's a mess and the schedule has changed
38:01and instead of eight o'clock it's eleven o'clock.
38:03And what do we do now?
38:04I don't know, but I can't leave.
38:05It's the last lesson before the exam.
38:08Was that necessary?
38:09Let me tell you.
38:10You start and as soon as I'm done I go home,
38:13I get the car and I come to find you.
38:15I have a map.
38:16Okay, okay.
38:17Good luck.
38:23What happened?
38:24Let's go.
38:25What about Spyros?
38:27He changed the whole lesson.
38:28He'll find us there.
38:36Let's go.
38:54I'm coming.
38:55How did you write it?
38:56I don't know.
38:57I think I rewrote it.
38:58I wasn't focused.
38:59The time changed twice.
39:00We went at eight, then they told us eleven
39:02and in the end we wrote it at ten.
39:04I had my mind set on the others.
39:07What's that suitcase?
39:08Mykonos!
39:09Are you going?
39:10Yes!
39:11And straight away.
39:12Aha!
39:13I'm going.
39:14I'm going.
39:15I'm going.
39:16I'm going.
39:17I'm going.
39:18I'm going.
39:19I'm going.
39:20I'm going.
39:21I'm going.
39:22I'm going.
39:24What happened to Garofalia and Vasilis?
39:27Spyros, thank you very much.
39:29Because, you see, you helped us find Garofalia.
39:33I didn't do anything.
39:34Why didn't you?
39:35I didn't because I was all over Greece with work
39:38and I didn't have time to think straight.
39:40I hope we don't get in trouble again.
39:42But even if we do...
39:44Spyro will have us and he'll make us friends.
39:47Thank you very much.
39:48Take care, Vasilis.
39:49I'll stay in Athens for three or four days.
39:51Let's meet for lunch sometime.
39:53Okay, but not today. I'm in a hurry.
39:56Mrs. Sofia told me something. Are you going on a date?
39:59Almost. I'm leaving anyway.
40:02And Mrs. Sofia and her mother are going on a date, Vasilis. Did you know that?
40:06I'd better not talk about it.
40:08Are you happy?
40:10Yes.
40:11What?
40:12When you see them together now, it's not a shame for a young boy to be with her.
40:20This time, nothing seemed to be able to prevent the fateful meeting.
40:25Dalia said nothing, although she saw her prophetic dream come true.
40:30Maybe because she wanted to hope that everything would go well in the end.
40:34It was indeed four and not five.
40:36And it would really be a judgmental moment when they would meet the fifth.
40:41Because with him, they would also meet his persecutors.
40:44Even if everything sometimes seems predetermined, there is always a small window.
40:55Yes?
40:58Amalia?
41:14Amalia!
41:15Amalia!
41:16Amalia!
41:17Amalia!
41:18Amalia!
41:19Amalia!
41:20Amalia!
41:21Amalia!
41:22Amalia!
41:23Amalia!
41:24Amalia!
41:25Amalia!
41:26Amalia!
41:27Amalia!
41:28Amalia!
41:29Amalia!
41:30Amalia!
41:31Amalia!
41:32Amalia!
41:33Amalia!
41:34Amalia!
41:35Amalia!
41:36Amalia!
41:37Amalia!
41:38Amalia!
41:39Amalia!
41:40Amalia!
41:41Amalia!
41:42Amalia!