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00:30I
02:00Have to keep an eyes on this process, huh? Oh, God. Oh, man. I see. How is he has to go now?
02:04You can give it to me. Oh, yeah, you need to be a fantastic over here
02:07There is a boo-yah, man. What's that? I love this color
02:09I think I love a color. Oh, yeah, I don't know. I don't like it. Oh, so he's dispersing
02:13Oh, so he's dispersing
02:15Oh, no, I'm just coming to Paris. I don't care
02:20Oh, so he's dispersing
02:22Oh, so he's dispersing
02:24Oh, so he's dispersing
02:26Oh, so he's dispersing
02:28Oh, so he's
02:58Oh
03:28So
03:58Charlie Charlie
04:23Even polio
04:25I'm a badass, I'm a badass
04:26I'm very nice, I'm unrequited
04:30I have two dolls, I have them in my office
04:33I'm gonna get an award from Nondeon
04:43As soon as we get to Syros, we have to find a way to make Zumbulia wear this.
04:46Why?
04:46So she won't hear from the bigwigs that we are in Tinos.
04:49Oh, you haven't told her yet?
04:50No, and we won't tell her.
04:51We'll let her think we are going to Tinos.
04:53If she knew we were going to Mykonos, she wouldn't have come.
04:56And what songs does she have in there?
04:57Psalms.
04:59Who sings them?
05:00Logically, the Gaitanis.
05:02Well, and she won't understand that she is in Mykonos and not in Tinos.
05:05Let her go down first, and then we'll find a way to make her wear them.
05:08Let her go.
05:09What did we do with the rooms?
05:11We've only found three, damn it.
05:12Alexis told me that there are seven hotel rooms in the island.
05:16I don't think you want to learn that Dalia Hadji Aleksandrou is in Mykonos.
05:20Well, I want to say that she could live with a bag.
05:22Let's go.
05:24Perfect, it's solved.
05:25So, one more problem.
05:36What are they doing here?
05:37Vacation.
05:38It was necessary here.
05:44Dude, how much longer do we need to get to Mykonos?
05:46Three hours.
05:53Tsoupoulia.
05:54Tsoupoulia.
05:55Tsoupoulia.
05:56Tsoupoulia.
05:57Tsoupoulia.
05:58Tsoupoulia.
05:59Tsoupoulia, my dear, we want to tell you something, and don't panic.
06:02Don't make a noise, don't go down.
06:04I want to hear your voices, to make a noise.
06:06And in general, don't make a fuss and gather the ship.
06:09In the ship?
06:11The one where we are?
06:13It's Psyllos, he's chasing us.
06:22No, no.
06:37No, no.
06:38What are you doing?
06:40What am I doing?
06:41That's it, quiet, quiet.
06:43I'm not making a fuss, I'm not bothering anyone, I'm not bothering anyone.
06:46Tsoupoulia, try to focus.
06:47What can I focus on?
06:48From the moment I met you, I haven't been quiet for an hour.
06:51Come to the island, let's have fun.
06:54It will be like a holiday.
06:56I know that people on holidays, sit quietly,
06:59break their crosses, eat their fish.
07:01We will be eaten by fish.
07:03No, Tsoupoulia, we will be saved, we have a plan.
07:05Yes, I thought about it.
07:06Tell him.
07:07No, no, no.
07:09Nothing, nothing, nothing.
07:10My only hope is God,
07:13who knows how much I want to go and worship the Virgin Mary,
07:16who will not let me die before I reach Tyre.
07:19I forgot this.
07:20Take it.
07:21What is this?
07:22Gaitanos.
07:27The point is not to meet when we go down to the island together.
07:30To Tyre?
07:31To Mykonos?
07:32If we go together, we will go down.
07:35Why don't you listen to the guys?
07:37Do we really have to go down to an island beyond this?
07:40And if it's not from above, it will be from behind us.
07:42We will go down where it says to go down.
07:44We don't give up.
07:45Or do we go to Antipodes or not?
07:46Right.
07:47Let's go for the first hit.
07:48We said we would take the keys.
07:49It's going and it's over.
07:50Perfect.
07:51I'm going.
07:52No.
07:53Why?
08:13Why did this happen?
08:14If it happened, we would have hit her.
08:16We need something as effective but less risky.
08:20No.
08:23Sorry, baby.
08:24Look what happened.
08:25Wait.
08:26Wait here.
08:27I'll bring something to clean them up.
08:32A key.
08:33A key.
08:46Here you go.
08:50I saw what happened and...
08:52Thank you very much.
08:53You are very kind.
08:57A little water would help.
09:01Right.
09:04I don't need anything else.
09:07Keep them.
09:08Thank you again.
09:15You saw me.
09:16Well done, Spyros.
09:17I still don't understand why we need the keys.
09:20Why?
09:21Because we want him to be somewhere else when we leave.
09:24Where else?
09:29What's going on now?
09:30You forgot the keys, sir.
09:31What are we going to do?
09:32We sent people to look for them.
09:33What else are we going to do?
09:34It's not enough that you send so many people because of you.
09:36You are a martyr.
09:38Anyway, wait for the others to come out first and see.
09:40Let's go.
10:00In the phone book, it said...
10:02Manovi Rogiannakis, ambassador of hotel businesses.
10:05Do you think he has anything to do with us?
10:07Let's go to the hotel and the beach and we'll find him.
10:11Right.
10:12Did you see me when I got the keys?
10:14Where is the Virgin Mary?
10:18This way.
10:30Good evening.
10:31Good evening.
10:32Have you made a reservation?
10:34Because I'm full.
10:35Wait.
10:36Mary?
10:38I stepped on a brick.
10:39Leave the brick and come clean up.
10:41I'm full, she says.
10:43Hi.
10:45Good evening.
10:46What can I do for you?
10:48You can do nothing.
10:49I can.
10:50Should I fire you or promote you?
10:54Dahlia Katsalexandrou.
10:58You have already served three months as prime minister.
11:01And in a little while you will have another tough battle.
11:04The elections.
11:06What are your views on this new election?
11:10First of all, we were never afraid of any battle.
11:16It is true that there were such contemporary circumstances...
11:19that because of the previous parliamentary elections...
11:21the elections were very close.
11:23But again, the Greek democratic struggle...
11:28with the candidates it has chosen...
11:31through absolutely unscrupulous and dignified procedures...
11:35will be victorious.
11:37In the consciousness of the people...
11:39you have passed as a person who always wants to win.
11:42The people...
11:45have the right criteria.
11:49Are we done?
11:50Yes.
11:51If you don't have anything else to add...
11:58Good luck.
11:59Thank you very much, Mr. Prime Minister.
12:15How do you feel, Mr. Prime Minister?
12:17Fine.
12:19Everything is fine.
12:23There is, of course, a problem...
12:25but I don't want to start complaining again.
12:30I have a job for you.
12:33What?
12:35Don't be afraid.
12:37You won't get rid of anyone.
12:41A friend of mine is coming to Greece for five days...
12:43and I want you to take care of him.
12:45He has his own safety, of course...
12:47but I want you to take care of him too.
12:50As you wish.
12:52You will pick him up today from the airport...
12:56and fly to Mykonos with him tomorrow.
13:00He said he didn't want to see the sea...
13:02that's why we changed rooms.
13:04So he took mine and I took hers.
13:06I see.
13:07You will go to my son today.
13:09They won't let you go tomorrow.
13:10Why? Won't you come?
13:11If I don't identify them, they won't let me go.
13:15Yes?
13:17Mrs. Dalia, did you open the drawer?
13:19What are you talking about? Are you crazy?
13:22He only gave me a package and now he's looking for it.
13:25I opened the drawer and what was inside...
13:27I put it in my bag.
13:29I just need to know what I spent on...
13:31so I can tell him if he asks me.
13:33What is that?
13:34It's for the air.
13:35Isn't it practical?
13:36I found it in the drawer.
13:38It's none of my business.
13:39Alexi says that in Mykonos...
13:40the news is spread at lightning speed.
13:42As soon as we land on the island...
13:43everyone knows about it.
13:44Yes.
13:45Yes?
13:51Yes?
13:53Yes?
13:55Dalia!
13:56Dalia! Dalia! Dalia!
13:59Darling!
14:00It's me, Elisabeth.
14:02Elisabeth von Reuben.
14:04Inka Zista.
14:05Do you remember her?
14:07From Schaffhausen.
14:08Oh, Dalia, it's been ages...
14:10and you haven't changed a bit.
14:12She didn't come for good.
14:13The moment I heard you came...
14:15I said, I have to see you.
14:17She's on board.
14:18Hi!
14:19Hi.
14:20Is he a friend of yours?
14:21Now I'm the one to blame.
14:23So, you are a good student?
14:24Oh, thank you, sweetheart.
14:26Listen, Dalia, darling.
14:27The reason I came...
14:28is that we are having a party.
14:30It's my mother's birthday tomorrow...
14:32and it would be so nice if you could come.
14:34Inka won't be there...
14:35but we'll send you photos.
14:36Won't we?
14:41I'll leave you my card now...
14:42and tomorrow morning...
14:43I'll leave you the invitation.
14:45Oh, Dalia!
14:46Dalia!
14:47Dalia!
14:51So nice meeting you again.
14:53Bye!
14:54Bye!
14:55Bye!
14:59Who is she?
15:00I don't know.
15:01She passed you for Dalia.
15:02Why?
15:03Maybe she changed her room.
15:04Let me see her card.
15:08Elisabeth von Reuben.
15:11Who?
15:12You know her.
15:13Oh, how did she find me?
15:14I told you, Alexis.
15:15Yes, I know her.
15:16I mean, I've seen her once.
15:17I don't even remember her.
15:18Her sister, though,
15:19the crazy one,
15:20I had her as a student.
15:21At Schaffhausen.
15:22What are these?
15:23So that no one takes them.
15:25Oh!
15:26Luckily, because just now...
15:27I thought it was...
15:28Yes, what you thought.
15:29It's just now.
15:30So...
15:31tell me, what are we doing?
15:32I'm not going anywhere.
15:33Zumbulima messed up with Vandro Ibeneiko.
15:35I won't mess up either.
15:36I'll stay in the room.
15:37Fine.
15:38We're going to find the Apostle.
15:40Where is Zumbulima?
15:46I don't know.
15:53Maybe it's uphill, Fofoka said.
15:57Uphill?
15:58I don't see it.
16:17Again?
16:32What's going on?
16:35Come on, grandma.
16:36Where are you?
16:37Aren't you at home?
16:38I'm in Zespina,
16:39with my aunt,
16:40and Dami.
16:41I'm in Aronida,
16:42with the kids.
16:43Are you kids?
16:45If I tell her I'm in Mykonos,
16:46she'll take the first plane and come.
16:49What did you have for lunch?
16:51Salad.
16:52Bravo!
16:53No cheese?
16:54No, no.
16:55And now I'm going to eat some pancakes,
16:56and in the evening
16:57I'm going to eat a yogurt.
16:58Bravo, grandma!
16:59My dear Spirakos,
17:00I'm staying in Zespina these days.
17:02I miss you too,
17:04so when I have my son,
17:05don't take me home,
17:06take me to the cell phone,
17:07okay?
17:09Grandma!
17:12Video call!
17:14Why are you here, grandma?
17:15Why aren't you in Zespina?
17:16Why aren't you in Aronida?
17:18How are the kids?
17:20How are the kids?
17:21How are the kids now,
17:22and you're answering
17:23what I'm asking you?
17:24And food all around!
17:26Manolis' friends gave us something.
17:28What friends?
17:29Since the last time we came.
17:34What is this?
17:35Mayonnaise.
17:36Mayonnaise.
17:37Here, look, mayonnaise.
17:38Here, look, mayonnaise.
17:39Here, look, mayonnaise
17:40that they want to buy.
17:41Look at the flower.
17:42Are we going to buy the top?
17:43Are we going to buy the top?
17:44Why not the top?
17:45Why are you like this,
17:46aren't you telling me?
17:47Take this.
17:48So,
17:49you go by yourselves.
17:50And you,
17:51let's go.
17:52We have a very serious
17:53business to do.
17:54Ah, we're waiting for Donna.
17:55Who is Donna?
17:56A friend of Theopoula's.
18:04I'm going crazy,
18:05my mother,
18:06I'm going crazy.
18:07Ah, you're still here.
18:08Ah,
18:09excuse me,
18:10ma'am.
18:11Welcome.
18:12Because you bring me
18:13a good person,
18:14Yes?
18:15I want to go to Panagia.
18:16Which Panagia?
18:17Stinou's.
18:18Ah,
18:19Stinou's?
18:20Yes.
18:21How do I go from here?
18:22With what are you?
18:23With what am I?
18:24Can't you see me with my feet?
18:25Ah, with your feet.
18:26Yes.
18:27You'll go straight.
18:28Straight.
18:29You'll see a low house
18:30with a round window.
18:31Round window.
18:32You'll turn left
18:33and you'll go out to the port.
18:34Port.
18:35Do you know how to swim?
18:36So-so.
18:37Then take these
18:38because you'll need them.
18:40You'll go to your births
18:41anyway.
18:42Yes.
18:43I've been trying to book you
18:44for two months now.
18:45I'm meeting Isidoros Van Rooiben.
18:46You have to become a member
18:47of Van Rooiben Enterprises.
18:48I don't want to become a member
18:49of Van Rooiben Enterprises.
18:50I wanted to become a commode
18:51and they didn't let me.
18:52Besides,
18:53they invited Zumboulis,
18:54not me.
18:55Yes,
18:56they think you are.
18:57Well,
18:58maybe they think so then.
18:59It's not possible.
19:00Well,
19:01what's not possible?
19:02I think the other one
19:03is in Tinos.
19:04Yes?
19:05Should I kill you?
19:06He thought so,
19:07but I'll kill you.
19:08I have to go.
19:09Oh,
19:10don't forget to call me.
19:11Bye.
19:12Bye.
19:13Come, Zumboulis.
19:14Kalamari,
19:15don't you have
19:16Tsipas' circle?
19:17I'm in Mykonos.
19:18Oh,
19:19me too.
19:20We can have
19:21a cup of coffee.
19:22How did you know?
19:23I asked a girl
19:24who I thought
19:25was in Tinos.
19:26Niaki?
19:27I don't care
19:28about grammar now.
19:29I want the best for you.
19:30Come and get me
19:31from here
19:32because I'll come
19:33and make a mess.
19:34I'm lost.
19:35I can't find the lines
19:36but I make a circle.
19:37There's a white house
19:38outside with blue pants.
19:39Oh,
19:40okay.
19:41Stay there.
19:42I'll be right back.
19:58My boy,
19:59I have raised
20:00a child and a newborn
20:01and I wish
20:02God would give me
20:03a newborn.
20:04But,
20:05I can't see him.
20:06Why can't I see him?
20:07Because I'm so nervous
20:08he won't pick up.
20:09And now
20:10it's time
20:11to rest
20:12and enjoy
20:13my hard work.
20:14I have no obligations.
20:15Why should I
20:16go on a trip
20:17to meet
20:18new people?
20:19Bye, Leonida.
20:20In any case,
20:21I wish you
20:22to live
20:23in the bright side
20:24of life.
20:25Bye.
20:26Do I owe
20:27anything to anyone?
20:28No.
20:29So,
20:30I go to Mykonos,
20:31and to Ibiza
20:32and everywhere.
20:33What's your goal?
20:34The European
20:35European
20:36European
20:37European
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24:27Hello
24:28I would like to see Mrs. Hadjalexandra
24:29Mrs. Hadjalexandra has left early with her company
24:32I see
24:33Do you know where she was going?
24:35From what I understood, some beach
24:39Beach
24:41Diving
24:55So
24:56Here we can't see
24:58Neither there
24:59In the sea we can see again
25:01I hope that no airplane passes
25:03And the pilot will say
25:05We are flying at 8,000 feet
25:07We can see Pirou on the left and the town of Pirou on the right
25:10Idiot.
25:11This is not how we work. We have to get up.
25:14I don't get up.
25:15Neither do I.
25:18I don't even talk about Gregory.
25:22Did we find him?
25:23Yes, and when we do, we'll cover you up so you can say goodbye.
25:27Don't you dare!
25:29Excuse me.
25:30Do you have a lighter?
25:33What did you say?
25:34A lighter.
25:35Where can we find one in our pockets?
25:37What?
25:39We don't smoke.
25:40Okay, thanks.
25:44It was perfect.
25:45Did you see him? He was looking over there.
25:48Now he's not looking.
25:49Don't be so dramatic.
25:51Why? What happened?
25:52What do you mean, what happened? I've never been so embarrassed in my life.
25:55What else could happen?
25:58Spyros!
26:02Oh, my God!
26:04Oh, my God!
26:05Get up!
26:09What are you doing here, Grandma?
26:11I came to bathe with Theopoula and Dona.
26:14Here?
26:15Why are you here?
26:16Who's Dona?
26:17My friend, the boy.
26:19Yes, that's what I wanted to say.
26:20Because she never put him down when it was hard.
26:23That's why he's a boy.
26:24That's why, for the other, for everything, anyway.
26:27Why are you here? Tell me.
26:29We're looking for someone who has a job.
26:31Yes, yes.
26:33Oh, look!
26:34What?
26:35The kids have a boat.
26:36Let's take it for a ride.
26:38No.
26:41Sofi, get Grandpa Sotiriou to change my socks.
26:45I'm talking to the boat!
26:47Zubulia, will you get out of there so we can talk?
26:50I'm not getting out.
26:51I'm going to pull your coat.
26:54And who is he? Have you found him?
26:56No.
26:57What's his name?
26:58Manoviro Giannakis Apostolos.
27:00And is he here for sure?
27:02For sure.
27:04Manoviro Giannakis Apostolos!
27:16That's how people do it!
27:22I was three years old when my father left the house.
27:25So young?
27:26Yes.
27:27Since then, I've only seen him a couple of times.
27:30Since then, I've only seen him a couple of times.
27:33What I know from my mother is that his life has become very difficult
27:37since he was fired from the newspaper.
27:39He couldn't find a job.
27:40We were constantly fighting with him.
27:42But I never blamed him for anything.
27:45On the contrary, whenever I talked about him,
27:47he always described him as a man who fought for what he believed in.
27:52He just lost.
27:55I hope this doesn't happen to us, too.
27:58Why did they fire him and pursue him for so long?
28:01No, never.
28:02And they broke up in 1976?
28:04Yes.
28:06That's the right timeline.
28:07That's him.
28:08The Pavlos we're looking for is him.
28:10And the reason they fired him is the one we suspect.
28:13Your father tried to find the truth in a very strange story.
28:16That's why some people tried to shut him up.
28:18And right now, he's the only person who can help us.
28:21When was the last time you saw him?
28:23Four years ago, when my mother died.
28:26Do you know where he lives?
28:27Where he's always lived since he left.
28:29I don't think he moved.
28:30Athens?
28:32Yes.
28:33That's great.
28:34Because now I'm going on trips and you're taking me on trips.
28:40You were worried.
28:41One day, he found us.
28:42He gave us his father's address and the story was over.
28:44Now that we're dead, we can go.
28:45I don't think so.
28:46Ah!
28:48Alexi!
28:49Where are you going?
28:50What are you doing here?
28:51I'm going to a party.
28:52What party?
28:53Are you crazy?
28:54We're going to a party.
28:55Get out of here!
28:56Ah!
28:57I told you, Alexander.
28:58She's ready.
28:59Take her and go.
29:00Hmm.
29:02That's what happens.
29:03Do you speak English?
29:07You know what?
29:08Paul is our last hope.
29:10If we lose him, we won't have anywhere to go.
29:13Why should we lose him?
29:14Because whoever talks to us,
29:16in the middle of it,
29:17he dies.
29:18Stavrianidis.
29:19Kastelis.
29:20Venetopoulos.
29:22We've scared a lot of people, haven't we?
29:24Us?
29:26I don't know, I'm starting to worry.
29:28Excuse me, may I ask you something else?
29:30Alexis now has the buzzing in her head
29:32and she's learning English.
29:33Ha, ha, ha.
29:34I just learned a new word.
29:36Ha, ha, ha.
29:37I...
29:38Bond...
29:39Isn't that what it was, Anneta?
29:41Yes.
29:42Yes.
29:44And who's Bond?
29:45Panagiotis Bond.
29:46James Bond's brother.
29:47Ah.
29:48I, I!
29:49No, I!
29:51As we say, I...
29:52Vasil.
29:53I would say I, but that's also right.
29:55What's not right here for two hours,
29:57is this here.
29:58We've said it a hundred times.
30:00When the stick is on the left,
30:03then it's B.
30:04B.
30:05When the stick is on the right,
30:07then it's D.
30:08D.
30:09D.
30:11Let's go again.
30:12From where?
30:13From the beginning.
30:15Everyone knows.
30:16That they were saved that day by the train,
30:18that they called me.
30:20When did you tell him?
30:21A few days later.
30:22And he didn't say anything?
30:23Now he has other fears.
30:24Now he's prime minister.
30:25And I don't think he's afraid of anything and anyone anymore.
30:28You?
30:29Are you afraid?
30:30Of them?
30:31Yes.
30:32I don't think they've stopped.
30:33They're carrying a lot of money, these two.
30:36But can I tell you something?
30:38Even if he doesn't want to find them anymore,
30:40I want to.
30:41I've put it on my brother's chest.
30:43Okay.
30:44Forget about them now.
30:45Tell me what we're going to do tonight.
30:48Tell me what we're going to do tonight.
30:50I don't know, man.
30:51I have this hairdresser.
30:53He wants to go to a party.
30:55To a club.
30:56They'll be fine.
30:57One of those foreign love parties.
30:59There's a foreign girl, her birthday,
31:01and I'll lose all my night there.
31:18ANTIGRE
31:19ANTIGRE
31:22THE LICENTIARY
31:23The less you talk, the better.
31:25What are you saying, man?
31:26What I've been through, I'm going to say it.
31:28How did I do?
31:29Not better.
31:30I'll tell you something, but don't tell anyone.
31:32I like it here.
31:34I've always wanted to see how rich people live.
31:37Not us.
31:38We're here to see how the poor live.
31:40There's no sense in getting rich.
31:41That's a different category.
31:43A category of loneliness.
31:44But they, the rich, the poor, the right ones,
31:47Yes, that's the one. I'd like to talk to him.
31:50Dahlia!
31:52Darling!
31:53You're here!
31:56Where have you been?
32:18Yes?
32:19What's going on?
32:20I'm bored.
32:21Get out of here!
32:23What's going on?
32:24The other guy has a crush on me.
32:26He wants to get rid of me.
32:28Get him out of there, it's getting late.
32:30What are you talking about?
32:31We haven't even finished the cake.
32:33How did this happen to me?
32:34I didn't bring my crosses with me.
32:36Can you tell me?
32:37Did you talk to anyone?
32:38Only Elisabeth.
32:39The others?
32:40I had them out of the door.
32:42I'm hanging up.
32:43Bye.
32:44Bye.
32:46Come, come, I'm hanging up.
32:56We haven't done this before.
33:03Oh, Dracula!
33:04Dracula!
33:06What?
33:07How do I explain this to you?
33:09You're high and you're laughing.
33:15Go, go, Elisabeth.
33:46Oh, this is the mess.
33:47This is the real mess.
33:48I'm going to make a mess in my room.
33:49I have the papers and the receipts.
33:52What's going on?
33:53And you're here.
33:54And you?
33:55And us.
33:57I mean, I didn't want this.
33:59All this overbearing and mathematical nonsense
34:02about my wealth causes me destruction.
34:05Thoman, remind me when we return to Athens
34:08to say a few things about your communist outbursts
34:11because they can be disastrous.
34:13About our marriage?
34:14About Saloni.
34:15My son had her as a fiancée
34:17and she hanged up my jacket over my jacket.
34:19I can't get over such a mess.
34:21We're here for work.
34:23All the people here believe that Zubulia
34:27is the Italian Alexandra.
34:32Where did you get them from?
34:34I don't understand, Thoman.
34:36I can't be an aristocrat.
34:38Only your wife can.
34:40I didn't say that.
34:41Then what did you say?
34:42What does Ilias mean when he says
34:44that everyone thinks you're the Alexandra?
34:46I mean, in order to sign a big economic agreement
34:49with the Van Rooiben,
34:51Mrs. Alexandra should have come here.
34:53But she didn't.
34:55So my Maya came.
34:57The Alexandra.
34:58Exactly.
34:59And what economic agreement will Ilias sign?
35:02For a tractor?
35:08What economic agreement will I really sign?
35:12Why don't we go outside and clean up?
35:15Let's see how everyone behaves
35:17so that we're all happy
35:19and then we can go to sleep.
35:25Wait.
35:43It hurts.
35:52Are you sure you know what you're doing?
35:54Yes.
35:55I told you I wanted to be a hairdresser.
35:57Yes, but you didn't.
35:59Let's see now.
36:02Ah, Zubi.
36:03Her name is Komosis Dalia.
36:07What?
36:08It's the guy in black who's after us.
36:11What do you mean he's there?
36:13At the party?
36:14Yes.
36:15And what is he doing?
36:16I don't know.
36:17I'll call him.
36:18He's the Elizabeth.
36:19Damned Elizabeth.
36:20Where are you now?
36:21At the place.
36:22What place is that?
36:23I'm at the place, Marisele.
36:24Where else am I?
36:25In the living room.
36:26But in another place?
36:27I'll go get Angela.
36:28Wait, kid.
36:29You and him.
36:30I said Angela.
36:32Party.
36:33But she doesn't look good, you know.
36:35But what happened?
36:36Come and get me out of here.
36:38I don't look good at all.
36:41What are you doing?
36:47Spiro!
36:48Spiro!
36:50Spar!
36:51It's hot!
36:52I'm eating yogurt so I don't get a fever.
36:54Spiro!
36:55Spiro!
36:56Wake up!
36:57What happened?
36:58Spiro!
36:59Spiro!
37:00Spiro!
37:01Spiro!
37:02Spiro!
37:03Spiro!
37:04Spiro!
37:05Spiro!
37:06Spiro!
37:07Spiro!
37:08Spiro!
37:09Spiro!
37:10Spiro!
37:11Spiro!
37:12Spiro!
37:13Spiro!
37:14Spiro!
37:15Spiro!
37:16Spiro!
37:17Spiro!
37:18Spiro!
37:19Spiro!
37:20Spiro!
37:21Spiro!
37:22Spiro!
37:23Spiro!
37:24Spiro!
37:25Spiro!
37:26Spiro!
37:27I haven't told you yet
37:29But I've fallen in love with you
37:37Got you crazy
37:40I've fallen in love with you
37:44Poti!
37:46What are you doing?
37:47N... N... Nothing.
37:48Why aren't you hitting?
37:49What's the matter?
37:50The zouboulia!
37:51On the car that he was driving the guy drying his face turned black.
37:57I don't know if you remember, but we've met before.
38:02Sit back, I'll take care of it.
38:05Right.
38:07How did he end up here?
38:09If I'm not mistaken, he accompanies Mr. Cranes.
38:13Who?
38:15The one over there.
38:17He's a Greek-Australian businessman.
38:20He's the one who's been in touch with Mr. Cranes.
38:23I see.
38:24Greek-Australian businessman.
38:27So he happened to be here.
38:32We have to find a way to get Marilana and Zoumbouli out of here.
38:37Tell them to hide in the toilet.
38:45Daya!
38:47Daya, darling!
38:49What's she saying?
38:51She's asking if you're in.
38:52Did you see me coming out?
38:54Now she's going to start talking to Elizadeth.
38:56Yes, Elizadeth, I'm in there.
38:58Wait for me, I have to finish with Elizadeth.
39:01Because we're all outside.
39:03All?
39:05If you all open up, I'll get out of here.
39:08How am I going to tell her that I'll be out in 10 minutes?
39:11I'll be there.
39:13In 10 minutes.
39:1520 minutes. That's a lot.
39:17What if she comes every 3 minutes?
39:1915 minutes.
39:20Stop talking to me!
39:24You have to admit that no one cares about you.
39:28Where are you?
39:30I'm the only one who cares about you.
39:32Tell me, what are we going to do?
39:35Foti's dad and Alexis are outside?
39:37Yes.
39:39You have to get out of the toilet.
39:41Come and show me how.
39:43Since he's at the entrance, you have to get him involved.
39:47Zoumbouli, send my dad to talk to her.
39:50Tell him the story with Houda.
39:52Was your dad at the art museum?
39:54No, my dad was at a wedding.
39:56He was in Greece.
39:58But he describes it very well.
40:00He was in there.
40:02Something has to be done by your dad and Alexis, Foti.
40:05I found it!
40:07Foti, get your dad.
40:09Zoumbouli, listen to me carefully.
40:11Okay.
40:20I'm going.
40:22As soon as I'm ready, I'll let you know.
40:45Because of your vanity.
40:47What?
40:48I'm telling you, it's your vanity.
40:50As soon as you came, he was gone.
40:52Until then, I was fine.
40:56Do you hear me?
40:58Yes.
41:00Thomas is looking for the general manager.
41:02Manager?
41:04Cut.
41:06He'll turn off the lights.
41:08We'll find a way to get you out of there.
41:10Well done, Thomas.
41:12Did you see Thomas?
41:14What about Zoumbouli?
41:16She'll go with him.
41:18Very good.
41:45If it doesn't work, what will?
41:46We said we'll think positively.
41:48Positively, positively.
41:52Sometimes I wonder,
41:54would you be interested in a partnership?
41:56I got bored with Ritsa.
42:01Yes?
42:03Ready.
42:05Ready.
42:16Ready.