S02E02
- "at 5 (minutes) to (the hour)" is a Greek idiom, equivalent to "at the last minute".
- In Greek, the word "shah" is pronounced "sahis", which sounds like the forename of famous Greek singer Sakis Rouvas.
- Gaitanos is a Greek singer who has recorded many Byzantine works and hymns.
- Mykonos is very popular with gay people.
- The joke with the money on screen is actually an inside joke for the amount of money the TV channel would be fined for showing each gay scene on that episode, and a subtle comment from the gay writer as to how these relationships were getting "punished" by the TV watch dog. Based on a real fine of 100.000 euros that was given to MEGA channel a couple of years earlier, for including a gay kiss in another TV series.
- Zouboulia reads the English word "I" as [ee] (which sounds exactly like the Greek female article) and the letter d as b. So, she reads the phrase "I don't" as [ee Bond], and thinks that that's a female person called Bond.
- The phrase "shit high and watch" is an expression, and it means "things have gone to shit". Zouboulia translates Greek expressions literally.
- "The place" is a dated euphemism to refer to the toilet.
- In Greek, the word "another" [person] is used colloquially when one wants to say that the toilet is occupied. Zouboulia translates Greek expressions literally.
- The Athens Polytechnic uprising occurred in November 1973 as a massive student demonstration of popular rejection of the Greek military junta of 1967–1974. It began on 14 November 1973, escalated to an open anti-junta revolt, and ended in bloodshed in the early morning of 17 November after a series of events starting with a tank crashing through the gates of the Athens Polytechnic.
- In Greek, the main electricity switch is called "the general switch" or, in short, "the general".
All rights belong to their rightful owners. This video is for educational purposes only: to help learners of Modern Greek and also help non-Greek people understand the Greek culture. This is a fan translation, as no official professional translation of the show exists.
- "at 5 (minutes) to (the hour)" is a Greek idiom, equivalent to "at the last minute".
- In Greek, the word "shah" is pronounced "sahis", which sounds like the forename of famous Greek singer Sakis Rouvas.
- Gaitanos is a Greek singer who has recorded many Byzantine works and hymns.
- Mykonos is very popular with gay people.
- The joke with the money on screen is actually an inside joke for the amount of money the TV channel would be fined for showing each gay scene on that episode, and a subtle comment from the gay writer as to how these relationships were getting "punished" by the TV watch dog. Based on a real fine of 100.000 euros that was given to MEGA channel a couple of years earlier, for including a gay kiss in another TV series.
- Zouboulia reads the English word "I" as [ee] (which sounds exactly like the Greek female article) and the letter d as b. So, she reads the phrase "I don't" as [ee Bond], and thinks that that's a female person called Bond.
- The phrase "shit high and watch" is an expression, and it means "things have gone to shit". Zouboulia translates Greek expressions literally.
- "The place" is a dated euphemism to refer to the toilet.
- In Greek, the word "another" [person] is used colloquially when one wants to say that the toilet is occupied. Zouboulia translates Greek expressions literally.
- The Athens Polytechnic uprising occurred in November 1973 as a massive student demonstration of popular rejection of the Greek military junta of 1967–1974. It began on 14 November 1973, escalated to an open anti-junta revolt, and ended in bloodshed in the early morning of 17 November after a series of events starting with a tank crashing through the gates of the Athens Polytechnic.
- In Greek, the main electricity switch is called "the general switch" or, in short, "the general".
All rights belong to their rightful owners. This video is for educational purposes only: to help learners of Modern Greek and also help non-Greek people understand the Greek culture. This is a fan translation, as no official professional translation of the show exists.
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LearningTranscript
00:30I
02:00Have to keep an eyes on this process, huh? Oh, God. Oh, man. I see. How is he has to go now?
02:04You can give it to me. Oh, yeah, you need to be a fantastic over here
02:07There is a boo-yah, man. What's that? I love this color
02:09I think I love a color. Oh, yeah, I don't know. I don't like it. Oh, so he's dispersing
02:13Oh, so he's dispersing
02:15Oh, no, I'm just coming to Paris. I don't care
02:20Oh, so he's dispersing
02:22Oh, so he's dispersing
02:24Oh, so he's dispersing
02:26Oh, so he's dispersing
02:28Oh, so he's
02:58Oh
03:28So
03:58Charlie
04:28I'm Alain Delon, from Koukles 2-2
04:31I have her at the office, I'll get an award
04:35From Nordeon
04:43As soon as we pass Thira, we have to find a way for Zoukoulia to put this on
04:46Why?
04:46So she won't hear from the bigwigs that we're going to Tinos
04:49You haven't told her yet?
04:50No, we won't tell her
04:51We'll let her think that we're going to Tinos
04:53If she knows we're going to Mykonos, she'll come
04:56And what song does she have in there?
04:57Psalms?
04:59Which song?
05:00Logically, it's a Gaitan song
05:02And she won't understand that she's in Mykonos and not in Tinos
05:05She'll go down first and then we'll find a way to put it on
05:08Let her go
05:09What did we do with the rooms?
05:11We've only found three, damn it!
05:13Alexis told me that there are seven hotel rooms on the island
05:16I don't think you want to learn that Dalia Hadji Aleksandrou is in Mykonos
05:20No, I want to say that I could live with a bag
05:22Let's go
05:24Perfect, it's solved, so there's one more problem
05:36What are they doing here?
05:37Vacation, it was necessary
05:44How much longer do we need to get to Mykonos?
05:46Three hours
05:47Three hours, thank you
05:54Zoupoulia
05:56Zoupoulia, Zoupoulia
05:58Zoupoulia, Zoupoulia
05:59My Zoupoulia, we want to tell you something so you don't panic
06:03Don't make noise, don't go down, I want you to make noises
06:07And in general, don't make noise and get on the ship
06:10On the ship?
06:12The one where we are?
06:13Yes
06:14It's Psyllas, he's chasing us
06:24Two hours earlier
06:37No, don't!
06:40What are you doing?
06:41What am I doing? I'm leaving, quietly, I'm not making any noise, I'm not disturbing anyone
06:46Zoupoulia, try to concentrate
06:47To concentrate?
06:48From the moment I met you, I haven't passed an hour quietly
06:52Come on, let's go to the island. We'll have a great time.
06:54We'll have a great vacation.
06:56I know that people on vacation...
06:58Sit down, you bitch.
06:59Break his cross, eat his fish.
07:02We'll be eaten by fish.
07:03No, my dear, we'll be saved. We have a plan.
07:05Yes, I thought about it.
07:06Tell him, you bitch.
07:07No, no, no.
07:09Nothing, nothing, nothing.
07:10My only hope is God,
07:13who knows how much I want to go and worship the Mother of God,
07:17who won't let me die before I get to Tinos.
07:19Oh, I forgot this. Take it.
07:21What is this?
07:22A chicken.
07:27The point is not to meet them. We'll go down to the island together.
07:30To Tinos? To Mykonos?
07:33We'll go down together.
07:35Why don't I hear your voice?
07:37Do we really have to go down to an island beyond this?
07:40If it's not from above, it will be from behind us.
07:42We'll go down where it says to go down.
07:44We won't back down.
07:45Either we go to Antipitas or not.
07:46Right.
07:48Let's go for the first hit.
07:49We said we'd get the keys. It's going and it's over.
07:51Perfect. I'm going.
07:52No.
07:53Why?
08:13Why did it happen?
08:14If it happened, we would have hit it.
08:16We need something as effective, but less dangerous.
08:21No, damn it.
08:23Sorry, baby.
08:24Look what happened.
08:25Wait.
08:27Wait here. I'll bring something to clean them up.
08:33A key.
08:34Come on.
08:46Here you go.
08:50I saw what happened and...
08:52Thank you very much.
08:53You're very kind.
08:55Yes.
08:57A little water would help.
09:01Right.
09:05I don't need anything else.
09:07Keep the keys.
09:08Thank you again.
09:16You saw me.
09:17Well done, Spyros.
09:18I still don't understand why we need the keys.
09:20Why?
09:21Because we want him to be somewhere else when we get out of here.
09:25Where else?
09:29What's going on now?
09:30It's all over, sir.
09:31I can't tell you what's going to happen.
09:33We sent people to look for him.
09:35It's not enough that so many people are going to die because of you.
09:38Anyway, just wait for the others to come out first and we'll see.
09:43PANSEAN
10:00The phone book said,
10:02Manovi Rogiannakis, a hotel business ambassador.
10:05Do you think he has anything to do with Pansean?
10:07We'll bring a list of hotels and Pansean of the island
10:10and we'll find him.
10:11Right.
10:12You saw me when I got the keys.
10:14Where did Panagia see you?
10:18This way.
10:30Good evening.
10:31Good evening.
10:33Have you made a reservation? Because I'm going to pay.
10:36Wait. Marie!
10:38I stepped on a brick.
10:39Leave the brick and come clean up. Or you'll have to pay me.
10:43Oh, hi!
10:45Good evening.
10:46What can I do for you?
10:48You can do nothing. I can.
10:50Should I fire you or promote you?
10:54Dalia Katsalexandrou.
10:58You have already served three months as prime minister.
11:01And in a little while, you're going to have another tough battle.
11:05That of the municipal elections.
11:06What are your views on this new election?
11:10First of all,
11:12we have never been afraid of any battle.
11:17It is true that there were such contemporary circumstances
11:20that, due to the previous parliamentary elections,
11:22the municipal elections were very close, but again,
11:26the Greek democratic struggle,
11:29with the candidates it has chosen,
11:31through absolutely unscrupulous and dignified procedures,
11:36will be victorious.
11:37In the conscience of the people, you have passed as a man
11:40who always wants to win.
11:42The people
11:45have the right criteria.
11:50Are we done?
11:51Yes. If you don't have anything else to add...
11:58Have a good day.
11:59Thank you very much, Mr. Prime Minister.
12:05DALIA KATSALEXANDROU
12:13LEVANTANOS
12:15How you doing there?
12:17Fine.
12:19What is it that is fine you say?
12:23There is a recovery point, of course,
12:25but I do not want to start complaining again.
12:30I owe you a job.
12:33What?
12:35Don't be afraid. You're not going to kill anyone.
12:40A friend of mine is coming to Greece for 5 days and I want you to take care of him.
12:45He has his own safety, but I want you to take care of him too.
12:49As you wish.
12:52You're going to pick him up today from the airport.
12:56And tomorrow you're flying to Mykonos.
13:00He didn't want to see the sea, so we changed rooms.
13:02He got his own room and I got mine.
13:05I see.
13:07You're going to the airport today, not tomorrow.
13:10Why? You're not coming?
13:12If I don't identify them, I'm not moving from here.
13:15Yes?
13:17Mrs. Dalia, did you open the wallet?
13:20What are you talking about? Are you crazy?
13:23She only gave me a package and now she's looking for it.
13:26I opened the wallet and what was in it, I put it in my bag.
13:29I just need to know what I spent to tell him if he asks me.
13:33What's that?
13:35It's for the air. Isn't it practical? I found it in the wallet.
13:38Another thing. Alexi says that in Mykonos the news are spreading fast.
13:42As soon as we arrive on the island, everyone knows.
13:45You're right.
13:51Yes?
13:53Yes?
13:57Dalia!
13:59Dalia!
14:01Darling, it's me, Elisabeth.
14:04Elisabeth von Reuben, in Kazista.
14:07Do you remember her? From Schaffhausen.
14:10Dalia, it's been ages and you haven't changed a bit.
14:13She didn't come for good.
14:15The moment I heard you came, I said, I have to see you.
14:19Hi!
14:21Is he a friend of yours?
14:23So you are a good student?
14:25Thank you, sweetheart.
14:26Listen, Dalia, darling.
14:28The reason I came is that we are having a party.
14:31It's my mother's birthday tomorrow, and it would be so nice if you could come.
14:35Inga won't be there, but we'll send you photos.
14:37Won't we?
14:41I leave you my card now, and tomorrow morning I leave you the invitation.
14:46Oh, Dalia, Dalia!
14:51So nice meeting you again.
14:53Bye! Bye! Bye!
14:57Who is she?
14:59I don't know. She passed you for Dalia.
15:02Why?
15:04Maybe she changed her room. Let me see the card.
15:07Elisabeth von Reuben.
15:10Who?
15:12Do you know her?
15:14Oh, how did you find me?
15:16You chose her well. Yes, I know her.
15:18I mean, I've seen her once, I don't even remember her.
15:20But I had her as a classmate in Schaffhausen.
15:23What are these?
15:24This is for you.
15:26Oh, thank God, I thought it was...
15:29It's what you thought.
15:31So, tell me, what are we doing?
15:33I'm not going anywhere.
15:35Zumbulis messed up with Vandroid Benelikos, I won't mess up either.
15:38I'll stay in the room.
15:40We're going to find Apostolos.
15:42Where is Zumbulis?
15:43I don't know.
15:53Maybe it's uphill, Foufouka told me.
15:57Uphill? I don't see it.
16:13Again?
16:17Again?
16:32What's going on?
16:35Come on, grandma, where are you? Aren't you at home?
16:38I'm at Zespina, with Tiotpoula, and Dami.
16:40Where are we going?
16:42I'm at Aronida, with the kids.
16:44Kids?
16:46I told her I'm in Mykonos, she'll take the first plane and come.
16:49What did you have for lunch?
16:51Salad.
16:53No cheese?
16:55No, no. And now I'm eating some pancakes and in the evening I'll have a yogurt.
16:58Well done, grandma.
17:00Spirakos, I'm staying at Zespina these days.
17:03I miss you too.
17:05So, my boy, don't pick me up at home, pick me up on the phone, okay?
17:08Who are you?
17:10Grandma?
17:12It's Klis.
17:14What are you doing here, grandma? Why aren't you at Zespina?
17:17Why aren't you at Aronida?
17:19How are the kids?
17:21How are the kids?
17:23How are the kids now, to answer my questions?
17:25And food and everything.
17:27Manolis' friends invited us.
17:29What friends?
17:31The last time we were here.
17:34What is this?
17:36May.
17:38May, this is the May they want to buy.
17:40What a beautiful flower.
17:42Are we going to take the top?
17:44What, Pythiopoula?
17:46Why are you like this?
17:48Take this.
17:50So, you go by yourselves.
17:52And you, let's go. We have a very serious matter to do.
17:54We are waiting for Dona.
17:56Who is Dona?
17:58She is a friend of Theopoula.
18:04I'm going crazy, my dear. I'm going crazy.
18:06I'm going crazy.
18:08I'm sorry, ma'am.
18:10Welcome.
18:12Because you brought me a good person,
18:14I want to go to Panagia.
18:16Which Panagia?
18:18Stina's.
18:20Ah, Stina's.
18:22How do I get there?
18:24What are you wearing?
18:26What am I wearing? Can't you see me with my feet?
18:28Ah, with your feet.
18:30You will go straight.
18:32You will see a low house with a round window.
18:34You will turn left and go to the port.
18:36Then take these, because you will need them.
18:40You will go to your births anyway.
18:42Yes.
18:44I've been trying to book you for two months.
18:46I have an appointment with Van Rooibin.
18:48You have to become a member of Van Rooibin Enterprises.
18:50I don't want to become a member of Van Rooibin Enterprises.
18:52I wanted to become a commode, but they didn't let me.
18:54After all, they have invited the Zumbulis, not me.
18:56Yes, they think you are.
18:58Let them think so.
19:00It's not possible.
19:02What's not possible?
19:04I think the other one is in Tinos.
19:06Calm down.
19:08I won't go to the party.
19:10Ah, write a note for me.
19:12Bye.
19:14Come, Zumbulis.
19:16Kalamari, don't you have Tsipas?
19:18I'm in Nikos.
19:20Ah, me too.
19:22Let's have a cup of coffee.
19:24How did you know?
19:26I asked a girl.
19:28I thought she was from Tinos.
19:30I don't care about grammar now.
19:32I want the best for you.
19:33I can't find my lines.
19:35Calm down, calm down.
19:37Where are you now?
19:39Outside, in a white house with blue pants.
19:41Ah, ok.
19:43Stay there.
19:45I'll be right back.
19:59My boy, I have raised a child and a newborn.
20:01And I wish God would give me the right to raise a newborn.
20:05But I can't see it.
20:07Because I'm so nervous.
20:09And now it's time for me to rest and enjoy my hard work.
20:14I don't have any obligations.
20:16Why should I go on a trip to meet new people?
20:19Bye, Leonida.
20:21In any case, I wish you to live the bright side of life.
20:24Bye.
20:26Do I owe anything to anyone?
20:28No.
20:29I'm going to Iconos, Ibiza and everywhere.
20:32What's your destination?
20:34The Europeans, the nobles.
20:36They go around the island with their horses and their men next to them.
20:39What else do they have from me?
20:41Except for retirement.
20:43With their men, you said it right.
20:45Nice. I don't have a man.
20:47But I have horses.
20:49Do you want to find a man? I can find one.
20:51No.
20:53Yes, because I think I'll ask you.
20:55Do you have any other business?
20:57And what's your destination, I said.
20:59Vitamins.
21:03Grandma, don't you understand that all this is completely unnatural?
21:07What's unnatural?
21:09That we came to the island once, we met some friends and we wanted to see them again.
21:12Let's not talk about friends.
21:15Are you talking about Donna?
21:17What does he say about Donna?
21:19What do you have in common, Theopoula, with this Donna?
21:23And you've become friends. Can you tell me?
21:29That short bitch stole my boyfriend.
21:41Did you see them? Did you see how they were walking?
21:44And what did they want to do, fly?
21:46Zoupoulia, you have to focus on the life of the island.
21:49Look at me. We harmonize with the environment and we become targets.
21:53Our goal is to pass unnoticed and do our job.
21:56I want us to leave.
21:57We have to leave.
21:59As soon as we find this little Yanaki and see what he has to say, we have to leave.
22:02Yes, we found him.
22:04Here he is.
22:06Are you sure it's him?
22:08What can I tell you? I don't know if you gave this name to Aaron.
22:10How many years have you been in business?
22:12Seven, eight. I've been working here for the last five years.
22:14So you're friends.
22:16Yes, as friendly as you can be with your boss.
22:18Do you want him?
22:20We can't tell you. It's for good anyway.
22:22Is it a conspiracy?
22:24No, it's not a conspiracy.
22:25As you said, do any of your relatives come here?
22:28His mother used to come before he died. I've never seen his father.
22:31I see. You don't even know what he does for a living.
22:34He never talks about his father.
22:36Never? And where is your boss now?
22:38He's gone to work in Syros today. He'll be back tomorrow.
22:41And he'll come here?
22:43Just to see how things are going and then to the beach.
22:45That's what he always does.
22:47I see. So we have to come back tomorrow.
22:50If he succeeds. Otherwise, we'll go to the beach.
22:53Ok, come on.
22:55Isn't she the...
23:00Get down!
23:03When are you coming?
23:05Tomorrow.
23:07For you? I'm coming to work.
23:10I'm meeting someone who's been bothering me.
23:13Ok.
23:15Put him to bed early.
23:17And we'll burn him tonight.
23:19What's going on?
23:21How can I explain it to you now?
23:22Why are we here?
23:24Because we're not coming back here.
23:26And you'll go to the beach?
23:28Better, better.
23:30Are you doing gymnastics?
23:32What do you mean?
23:37They're all naked.
23:39The bad thing is not that they're naked. The bad thing is that it's us.
23:42After all this time, guys, it's a steep beach.
23:45Are we going to sit?
23:47How?
23:48I'm going to sit down and he's going to sit down.
23:51Where is he now?
23:53Where is he? Behind you, as always.
23:55That's how it is, I mean.
23:57How is it?
23:59Guys, we have to sit down. We can't stand in line.
24:01We've already drawn everyone's attention.
24:03It's their fault.
24:05We found him!
24:07Are you going to get out of there or are you going to sit down?
24:09I'm going to sit down.
24:12He didn't even give us a description.
24:14But again, what's the point of him letting us go?
24:16He's an old man.
24:18He's an old man.
24:27Good morning. I would like to see Mrs. Hatzalexandros, please.
24:30Mrs. Hatzalexandros has left early with her company.
24:33Do you know where she was going?
24:35From what I understood, to a beach.
24:38Beach.
24:49One, two, three, four, five, six, seven, eight.
24:54One, two, three, four, five, six, seven, eight.
24:56So, we can't be seen from there.
24:58Not from there either.
25:00We can be seen through the sea again.
25:02Just don't let any plane pass.
25:04Yes, yes. And the pilot will say,
25:06we're flying at 8,000 feet,
25:08on the left you can see Pinos and on the right the city of Spiros.
25:10Idiots.
25:12That's not how we work either. We have to get up.
25:14I don't get up.
25:16Neither do I.
25:18I don't talk to Gregory.
25:20I never talk to him either.
25:22Did we find him?
25:24Don't worry, when we find him,
25:26we'll uncover you so you can say goodbye.
25:28Don't you dare!
25:30Excuse me.
25:32Do you have a lighter?
25:34What did you say?
25:36A lighter.
25:38Where can we find it?
25:40What?
25:42We don't smoke.
25:45Did you see him? He was looking over there.
25:47Look where he's looking now.
25:49Tell her to shut up.
25:51Why? What happened?
25:53What do you mean what happened?
25:55I've never been so embarrassed in my life.
25:57Spiros!
26:03Oh my God!
26:05Get up!
26:09What are you doing here?
26:11We came for a swim with Theopoula and Dona.
26:13Here?
26:15Yes, here.
26:17Who is Dona?
26:19She's my friend.
26:21She's a young lady.
26:23That's what I was going to say.
26:25She's never put herself down.
26:27That's why she's a young lady.
26:29That's why she's a young lady.
26:31Why are you here?
26:33We're looking for someone who's involved.
26:35Look!
26:37What?
26:39The kids have a boat.
26:41Let's take it for a swim.
26:43No.
26:45I'm talking to the boat.
26:47Are you going to get out of there so we can talk?
26:50I'm not getting out.
26:52I'm going to get out and I'm going to pull your cap.
26:54And who is he? Did you find him?
26:56No.
26:58What's his name?
27:00Manoviro Giannakis Apostolos.
27:02Are you sure he's here?
27:04I'm sure.
27:06Manoviro Giannakis Apostolos!
27:16That's how people do it!
27:22I was three years old when my father left the house.
27:25So young?
27:27Yes.
27:29Since then, I've only seen him a couple of times.
27:32From what I know from my mother,
27:34it's true that his life has become very difficult
27:36since they kicked him out of the newspaper.
27:38He couldn't find a job.
27:40We kept fighting with him.
27:42But I never blamed him for anything.
27:43On the contrary,
27:45whenever I talked about him,
27:47he always described him
27:49as someone who fought for what he believed in.
27:52He just lost.
27:54I hope he doesn't see us either.
27:57Why did they kick him out?
28:00Did he tell you?
28:02No, never.
28:04And he left in 1976?
28:06Yes.
28:08That's him.
28:10He's the one we're looking for.
28:11His father tried to find the truth
28:13in a very strange story.
28:15That's why some people tried to shut him up.
28:17And right now,
28:19he's the only person who can help us.
28:21When was the last time you saw him?
28:23Four years ago,
28:25when my mother died.
28:27Do you know where he lives?
28:29Where he's always lived since he left.
28:31I don't think he moved.
28:33Athens?
28:35Yes.
28:37Again?
28:39You were worried all day.
28:41He found us,
28:43gave us his father's address
28:45and ended the story.
28:47I don't think so.
28:49Alexi!
28:51What are you doing here?
28:53I came to go to the party.
28:55What party?
28:57We're going to the party.
28:59Go!
29:01Dahlia, Alexander,
29:03the car is ready.
29:05Let's go.
29:06Do you know something?
29:08Paul is our last hope.
29:10If we lose him,
29:12we won't have a place to go.
29:14Why should we lose him?
29:16Because whoever talks to us
29:18will die.
29:20Stavrianidis, Kastelis, Venetopoulos.
29:22We've turned a lot of people against us.
29:25Us?
29:27I'm starting to worry too.
29:29I'm sorry to ask you something else,
29:31but Alexi can speak English now.
29:33Yes.
29:35I just learned a new word.
29:37Ai, bond.
29:40Isn't that what you said, Anita?
29:42Yes.
29:44And who is Bond?
29:46Panagiotak Bond, James Bond's brother.
29:48Ai! Ai!
29:50Not Ai!
29:52As we say, Ai...
29:54Vasil.
29:56I would say Ai to the devil,
29:58but that's right too.
30:00What's not right here,
30:01is left,
30:03then it's B.
30:05When the stick is right,
30:07then it's D.
30:10Let's go again.
30:12From where?
30:14From the beginning.
30:16He knows everything.
30:18That they were saved from the train that day,
30:20that they called me.
30:22When did you tell him?
30:24A few days later.
30:26And he didn't say anything?
30:28Now he has other fears.
30:29I'm not afraid of anyone.
30:31You? Are you afraid?
30:33Of them?
30:35Yes.
30:37I don't think they have stopped.
30:39They are carrying a big case.
30:41But let me tell you something,
30:43even if he doesn't want to find them anymore,
30:45I want him.
30:47I have put it on my partner.
30:49Well, forget about them now.
30:51Tell me, what are we going to do tonight?
30:53I don't know, man.
30:55I have this hairdresser,
30:57he wants to go to a party.
30:59She has a foreign daughter,
31:01and I will spend the night there.
31:22The less you talk,
31:24the better.
31:26What are you saying?
31:27How much effort did I make?
31:29Better, no.
31:31I will tell you something,
31:33but don't tell anyone.
31:35I like it here.
31:37I was wondering how the rich live.
31:39Not ours.
31:41Ours is to see how UFOs live.
31:43It's not about wealth,
31:45it's another category.
31:47A category of loneliness.
31:49But the rich, the rich,
31:51the right ones,
31:53I want to talk to them a little.
31:55Darling!
31:57Darling!
32:22Yes?
32:24What's up?
32:25It's time for you to leave.
32:27What's going on?
32:29The other guy caught me with a barber,
32:31and he wants to get rid of me.
32:33Get him out of there,
32:35because you will be late.
32:37What are you talking about?
32:39We haven't even finished the cake.
32:41How did I end up like this?
32:43Can you tell me?
32:45Did you talk to anyone?
32:47Only to Elizabeth.
32:49The others, I don't care,
32:51get out of the door.
32:53Come, come, I'm closing.
32:55We haven't even done this.
32:57Leah!
32:59What happened?
33:01The dragon!
33:03The dragon!
33:05What?
33:07Be careful.
33:09Sit high and watch.
33:11Sit high and watch.
33:14Go, go, Elizabeth.
33:19Leah, what are you doing here?
33:21You, my sweet mother-in-law.
33:23My love, what are you doing?
33:25What are you doing?
33:27You're a good girl.
33:29I'm happy, that's enough.
33:31Leah, why aren't you at the wedding?
33:33You said you'd go, that's why I let you go.
33:35Yes, Marlene, I started going to the wedding,
33:37I don't have the paper.
33:39I have the paper with the names,
33:41because, my God, everyone has written here.
33:43I told him, Alex, I didn't write you the truth,
33:45but you're a bad dog, you don't understand.
33:47Oh, this is the mess.
33:49I'm going to clean up in my room,
33:51I have the paper and my invitation.
33:53What's going on?
33:55Us too.
33:57I mean, I didn't want to.
33:59All this overbearing
34:01and mathematical jealousy of my wealth
34:03causes me destruction.
34:05Thoman, you remind me,
34:07when we return to Athens,
34:09to say a couple of things
34:11about these communist outbursts of yours,
34:13because they can be disastrous.
34:15About our wedding?
34:17About Salonis.
34:19My son had her as a bride
34:21and he hanged the jack-o'-lantern above my jacket.
34:23I can't get over such a mess.
34:25They believe that Zouboulia
34:27is the Italian Hatzia Alexandro.
34:31Where did you find them?
34:33Did you drug them?
34:35I don't understand, Thoman.
34:37I can't be an aristocrat,
34:39only your wife can.
34:41I didn't say that.
34:43Then what did you say?
34:45What does Ilias mean
34:47when he says that everyone thinks
34:49that you are Hatzia Alexandro?
34:51I mean that in order to sign
34:53a big financial agreement
34:55with my son,
34:57Hatzia Alexandro.
34:59Exactly.
35:01And what financial agreement
35:03will Ilias sign?
35:05For a tractor?
35:07What financial agreement
35:09will I sign, really?
35:11Why don't we go outside
35:13to clear things up
35:15and see how everyone should behave
35:17so that we can all be happy
35:19and then we can get married.
35:20Let's go.
35:43Good night.
35:45Good night.
35:51Are you sure you know what you're doing?
35:53Yes.
35:55As I told you, Komotri wanted me to tell you.
35:57Yes, but it didn't work out.
35:59Let's see now.
36:01Ah, Zoubi.
36:03Her name is Komosis Dalia.
36:06What?
36:08He's the one with the black hair
36:10who's chasing us.
36:12What do you mean he's there, at the party?
36:14Yes.
36:16And what is he doing?
36:18I don't know.
36:20Where is he?
36:22I'm asking you, where is he?
36:24Where else?
36:26In the living room.
36:28But somewhere else?
36:30Bring me Angela.
36:32Wait a minute.
36:34You and him.
36:36I said Angela.
36:38Party.
36:40But it's not going well, you know.
36:42But what happened?
36:44Get me out of here.
36:46I can't see anything.
36:48Anas!
36:50What are you eating?
36:52Yoghurt. I ate it so you wouldn't get sick.
36:54Spiro!
36:56Wake up.
36:58What happened?
37:20There's a hole in my heart.
37:22A wound has opened.
37:25I said it last night.
37:28I've fallen in love with you.
37:35I've fallen in love with you.
37:39I've fallen in love with you.
37:43Fotis!
37:45What are you doing?
37:47Nothing.
37:48Why don't you hit me?
37:50Zoupoulia!
37:52The guy in black was at the party.
38:00You?
38:02He's never seen you before?
38:04Never.
38:06That's good.
38:08Because we've met again.
38:10I don't know if you remember me.
38:12Sit back. I'll take care of it.
38:14Right.
38:16How did you find me?
38:18Marilana is accompanying Mr. Cranes.
38:21Who?
38:23The guy over there.
38:25They say he's an Australian businessman.
38:27So he happened to be here.
38:31We have to find a way to get Marilana and Zoupoulia out of here.
38:36Tell them to hide in the toilet.
38:44Daya!
38:46Daya, darling!
38:48I'm in there.
38:50She's asking if you're in there.
38:52If I'm in there, she'll see me.
38:54Now she's going to start talking to Elizadeth.
38:56Yes, Elizadeth, I'm in there.
38:58Wait, I have to finish with Elizadeth.
39:00Because we're all outside.
39:02All?
39:04If you're all in there, I'm going to get out of here.
39:07How am I going to tell her?
39:09I'll be there.
39:11I'll be there.
39:13In ten minutes.
39:15Twenty minutes.
39:16Fifteen minutes.
39:18Daya!
39:20Stop talking to her!
39:23By the way, you have to admit that no one cares about you.
39:27Where are you?
39:29They only care about me.
39:31Tell me, what are we going to do?
39:34Foti's dad and Alexis are outside?
39:36Yes.
39:38You have to get out of the toilet.
39:40Come here and show me how.
39:42He's at the entrance.
39:43He's at the entrance.
39:45You have to get him out of the way.
39:47Zouvoulia, send my dad to talk to her.
39:50Tell him the story with Houda.
39:52Was your dad at the art museum?
39:54No, my dad was at a wedding.
39:56My sister was at the countess.
39:58But you describe her very well.
40:00She was inside.
40:02She would have been there if the wedding hadn't happened.
40:04Alexis and your dad have to do something, Foti.
40:06I found it!
40:08Foti, get your dad.
40:10Zouvoulia, listen to me carefully.
40:11Okay.
40:20I'm going.
40:22I'll call you as soon as I'm ready.
40:42What's the matter with you?
40:44What's the matter with you?
40:46What I'm telling you is what's wrong.
40:48As soon as you came, he left.
40:50I was fine until then, my dear.
40:53Can you hear me?
40:55Yes.
40:57Thomas is looking for the general manager.
40:59The manager?
41:01Diakopis.
41:03He'll switch off the lights, he'll hold a meeting and in the dark
41:05we'll find an opportunity to kidnap you.
41:07Bravo, Thomas.
41:09Did you see Thomas?
41:11What about Zouvoulia?
41:13How will she leave?
41:15She'll leave with him.
41:17As soon as they switch off the lights.
41:19Very nice.
41:42If this doesn't work out, what will?
41:44We said we'll think positively.
41:46Positively, positively.
41:50Sometimes I wonder,
41:52will you be interested in a partnership?
41:54I'm fed up with Ritsa.
41:59Yes?
42:01Ready.
42:03Ready.
42:11Ready.