Sto para 5 - S01E20 - Greek subtitles
All rights belong to their rightful owners. This video is for educational purposes only: to help learners of Modern Greek.
Category
📚
LearningTranscript
00:00Spiro!
00:02What happened, Grandma?
00:04What I told you, son, was on the phone.
00:06Someone came here and took Theopoula.
00:08From our house? Are you sure she took her from our house?
00:11Yes, yes, I'm telling you.
00:12I told her to go upstairs and open the door with her keys.
00:15For ten minutes, I was in and out of Spiridoula's room.
00:18As soon as I left her apartment,
00:20I saw someone put Theopoula in a car and leave.
00:25Then I went upstairs and saw this.
00:31And nothing else? Not even a trace?
00:35No.
00:36Do you think it has anything to do with the people who are after you?
00:39What does this have to do with Theopoula?
00:41You didn't see this man at all?
00:44A little.
00:45Anyway, he doesn't look like the two of them at the hospital.
00:49Grandma!
00:51Leave it, I'll pick it up.
00:56Yes?
00:57Good evening, Spiro.
00:59Good evening, who is it?
01:00It doesn't matter what my name is.
01:02What matters is that I'm here with your grandma.
01:08Oh, yeah?
01:10What happened? I'm here with my grandma too.
01:13I'm going to kill her!
01:15Belzeboulis has done it all!
01:18They took me away, Spiro!
01:20It's time to end her!
01:23Save her! Save her!
01:59I'm going to kill her!
02:22What else did he tell you?
02:24Nothing else.
02:25That he wants to talk to us and he told me to come here.
02:27Does he know we're here?
02:29Yes, he told me to meet him at Fotis' house.
02:32Where is your grandma now?
02:34At home.
02:35If Theopoula doesn't come back, I won't touch her.
02:37I told her to go to a friend's house in Stasepoli, but she didn't want to.
02:41Stasepoli?
02:42Yes, there are only a few people there.
02:44We don't call it Stasepoli.
02:46Okay, I didn't say anything.
02:47I know what I'm saying.
02:54What should I do?
02:55Yes, it's me.
03:01Yes?
03:02Good evening.
03:03Mr. Fotis Voulinos?
03:05Yes.
03:06Eleftheropolis Street, 28, 5th floor, in Pankrati?
03:10Yes.
03:11Are you all there?
03:17Yes, we're here.
03:19Put on your seatbelt.
03:26Can you hear me?
03:30Can you hear me?
03:31Yes.
03:32Very good. Good evening.
03:34Hello.
03:36Can you hear me, Zoumboulia?
03:39Do you know who I am?
03:40Of course. Zoumboulia Abadzidi.
03:56Zoumboulia Abadzidi.
04:14Do you know about my daughter?
04:16Do you want her in charge in America?
04:18No.
04:19What?
04:21Are you talking to me?
04:22Yes.
04:23Of course, we've already talked to you about Spiros.
04:25So, how's it going?
04:27He found out about us.
04:29Did Angela talk to you?
04:31Angela, you made it harder for me than anyone else.
04:33You see, you're the only one for whom I haven't gathered enough information.
04:37You can't even imagine how much I care about you.
04:40Akimidis?
04:41Shh!
04:42Thank you, even though I didn't need it.
04:44As you can see, I already know a lot.
04:47I made a small mistake with Spiros' grandmother, but it doesn't matter.
04:51I don't have the wrong woman in my hands, but I have the right information.
04:55What right information?
04:56Your information.
04:58The information that the man who's after you asked me to gather,
05:01and who pays me to get rid of you.
05:03And who is he?
05:05That's what they say on the phone.
05:07And they don't say it for free.
05:09If you want to learn, you have to pay.
05:12But the most important thing is that you have to pay for two more reasons.
05:16First, to get the woman back alive.
05:19And second, to save your life.
05:24To pay, but how?
05:26To pay.
05:28The man who's after me gives me 1 million euros to kill you.
05:33If you give anything more, you'll save your life.
05:37So you're blackmailing us?
05:39Does it look bad to you?
05:41Do you prefer me to kill you?
05:43So, how much more?
05:47Let's say...
05:4920 million euros.
05:55Chromatos!
05:57And where are we going to find all those 20 million?
06:00Mrs. Hatzi Alexandrou has them, doesn't she?
06:02Do you know me?
06:04If I didn't know you, we wouldn't be talking on the phone right now.
06:07I would have already taken you out of the middle.
06:09So you're asking us for 20 million for...
06:11I'm asking you for 20 million so I can let you live,
06:14and not reveal to anyone who you are.
06:16If you give it to me, I won't bother you again.
06:20If you don't, you know very well what will happen.
06:23Are we clear?
06:25I'll let you think about it.
06:27Tomorrow, at this time, I'm waiting for your final answer.
06:31If it's negative, the first one will leave the middle immediately.
06:35And who will be the first one?
06:37The sweet, sweet grandma, of course.
06:40And then, you, Foti.
06:44What?
07:02How's it going?
07:03The old lady says she knows what we're looking for.
07:06What?
07:07She's not that ignorant after all.
07:09Didn't you tell me that there are some papers in the house that we need to find?
07:12The old lady says she knows where they are.
07:17What do you mean you know where the papers we're looking for are?
07:20I'm not saying anything.
07:21Just tell the Belzebub that he put you in, that I won't give them back.
07:26You'll give them back and you'll sing a song.
07:28I don't sing songs. I play drums.
07:30I said she knows where they are.
07:32With the exhibition, I closed my eyes.
07:35As for the chemistry, tell her to look for it in a junkyard.
07:39Get out.
07:41The Kondis dynasty will not pass.
07:45I'll uncover her criminal plans and I'll send her to the dungeons.
07:50As for you, don't think you'll get away so easily.
07:54And if you fall in love with me, I won't turn my back on you.
07:58Because that's where you're going to go down.
08:02I've seen 6,500 episodes of Foskola.
08:05I know very well what's going on.
08:07First, you turn us down, the beauties.
08:10Tanya, Virna, Katerina, me.
08:14Then you fall in love with us.
08:16And then we, the stupid ones, because we have a heart, forgive you.
08:21What is she saying?
08:23If I don't unload the Kondis, I'm not going to deal with love or anything.
08:28Do you understand? That's what you should tell her.
08:31And you, it's over.
08:32You saw the first half, it's enough.
08:34Now I'll see what I want.
08:38You didn't make any sense of what she's saying.
08:40Because you did.
08:42After all, isn't your grandma one of the five?
08:45No, a friend of hers.
08:46But from the little I know of her, she'll probably make life difficult for us.
08:48Exactly.
08:49Because you don't need to know someone well to understand what they are.
08:53A simple contact is enough.
09:08How are you?
09:10How can I be?
09:11Anyway, this habit that you have every time we're in danger, you have to cut it.
09:15I don't know what you're going to do.
09:16Oppression, homophobia.
09:17We have to end this case.
09:19Why don't you talk to her?
09:20I'm going to bring her to the head.
09:22I don't think we should give up.
09:24We don't have to give the money.
09:25It would be like accepting our fate.
09:27So what?
09:28Is it bad?
09:29Let's accept it.
09:30It's over.
09:31There's still time.
09:32I don't like it.
09:33You're wrong.
09:34I don't want it.
09:35I don't like it.
09:36You're completely wrong.
09:37Who was it and who are you?
09:39She's going to kill us here.
09:40And if we give it to her, won't she kill us?
09:42Anyway, I don't have a problem if I give the money.
09:44You have 4 million.
09:46Let me look at my pockets and tell you.
09:48Okay, if you don't have a gift, I'll give it to you as soon as you can.
09:51From a week.
09:52Okay.
09:53What okay?
09:54Do you know how much money she asks for?
09:56Dalia, I don't think you've understood exactly what's happened.
09:58Why?
09:59Is it the first time?
10:00You don't talk when you're 50.
10:01And I highly doubt that Karagiozis is a black eye.
10:04Black eye means?
10:05Yes.
10:06Okay.
10:07Then why don't they call Manolis Karagiozis a black eye?
10:11Dalia, listen to me, please.
10:13Things are serious.
10:14Our lives are changing completely.
10:16Especially yours.
10:17If we give the money she asks for...
10:19You, I mean.
10:20Because we can't find it.
10:21We'll open all the shops.
10:23She'll rape us for the rest of our lives.
10:25If she lets us live.
10:27Because she can take it and then kill us and take it from the one who put it.
10:31Do you understand now?
10:32Even though I don't think she'll kill us.
10:34It doesn't matter.
10:36Now that she found you, she'll never stop asking for money.
11:02Okay.
11:33What are you thinking about?
11:36We lost, Foti.
11:38That was it.
11:39The fairy tale is over.
11:41Nothing is over.
11:43It's over.
11:44We were supposed to discover them first.
11:47Now, who else?
11:48But if Dalia gives us the money?
11:50If she gives it to us, we'll just waste time.
11:53And if she doesn't give it to us, we won't be able to find it.
11:56And if she doesn't give it to us, we won't be able to find it.
11:59And if she doesn't give it to us, we won't be able to find it.
12:01And if she doesn't give it to us, we won't be able to find it.
12:02She'll have us in her hands.
12:04At any moment, she can take one of us and ask for more.
12:07She can keep his word.
12:09You cut him off from those who keep their word?
12:12But that can happen too.
12:14If Dalia was you, would you give her so much money?
12:18If she had it, what would I do?
12:20I would prefer to die.
12:21See?
12:22You said it yourself.
12:24You would give it to her to save yourself.
12:28Would you give it to her or would you try to save yourself?
12:32It's impossible for Dalia to think like that.
12:34I'm not telling you that she'll do it because she doesn't love us.
12:37She'll do it because she's afraid.
12:39She's been isolated for many years.
12:41Isn't it hard for her to choose to be isolated again?
12:44She'll give the money she has to give and she'll disappear.
12:47She can go anywhere to escape.
12:50If you could do it too, wouldn't you?
12:57Maybe.
12:59Exactly.
13:03And I won't force her to take us with her.
13:06I don't know.
13:26Did you ask for me?
13:29Yes, Alexi. I asked for you.
13:31Please, have a seat.
13:37Please, have a seat.
13:40Tell me, Alexi.
13:43How are our businesses doing?
13:48What businesses?
13:50How did the job in Malaysia go? Is it closed?
13:54The job in Malaysia is closed. Are you okay?
13:57If the job in Malaysia is good, then I'm good too.
14:01Solinas, the coach.
14:03Which Solinas?
14:04The coach in Kyrgyzstan. Is it going well?
14:10If it's going well, are you asking me?
14:13I'm asking if it's going well.
14:17It's going well.
14:19So, there's prosperity in the business.
14:22Perfect. I'm glad to hear that.
14:24Yes. Why? I don't understand.
14:27I'll explain, Alexi.
14:29Because I'll need some money for some expenses,
14:33I wanted to make sure that everything was going well.
14:36I didn't want to burden Haji Aleksandrou,
14:40whom my father worked so hard to establish,
14:44in a difficult time.
14:47So, you assure me that everything is going well.
14:50You don't want to burden him.
14:52That's what I'm saying.
14:54I have 15,000 euros in my pocket for the expenses of the day.
14:57I'm afraid not.
14:59And how much do you want?
15:0120 million euros.
15:07Ritsa!
15:08Pick up your sister from the floor, please.
15:10I'm Martha. Ritsa is the one who fell.
15:13Fine. Orthea, pick up the naked one.
15:16You found the time now.
15:20So...
15:21Forget it.
15:22Why?
15:23Because there's not so much money available right now.
15:26I heard you have 20 million euros.
15:28That's a lot of money.
15:29Fine. You have 20 million euros.
15:31Take them. I'll sell them.
15:32Mrs. Dalia, come here.
15:33Alexi, I want you to understand the reason for today's discussion.
15:38Firstly, tomorrow at this time you owe me 20 million euros.
15:45What happened?
15:47She fell again.
15:48Fine. Pick her up and put her on the wall to support her.
15:51I'm not coming. I'm back.
15:53And secondly, we're leaving the house.
15:55In an unknown direction and with extreme secrecy.
15:57What?
15:58What you heard.
15:59Unknown to me, of course.
16:01You'll find her.
16:02My new flat and the money.
16:09So?
16:11How's the cooperation going?
16:15Fine. It's moving on.
16:18Are you sure?
16:20There's no problem.
16:22I've informed him of everything he needs to know.
16:24And I'm still looking for her.
16:29Do you have anything clearer to tell me?
16:33Not for now.
16:35Fine.
16:38I'll be gone for a few days.
16:40Something unexpected happened.
16:42I want them to believe that when I come back,
16:45the matter will have been settled.
16:55I called you yesterday, but you didn't answer.
16:58Yes, I saw it. I couldn't make it on time.
17:01Do you have any idea where we're going?
17:04I'll tell you another time.
17:06You're in a hurry.
17:08Yes. I have to go. I'll pick you up later.
17:25It's me.
17:27He's hiding something. I'm sure.
17:29Don't think about it.
17:31Do what you have to do.
17:33When are you coming to Greece?
17:35Leave me alone and do what we said.
17:37If he's hiding something, it means you don't have much time.
17:45Are you looking for a way to get more money?
17:48Always.
17:50I see.
17:53If you find them and get rid of me,
17:56you'll get triple the money.
17:59Why?
18:01Because he didn't do his job well.
18:04Is that why?
18:06Yes. Do it.
18:08For triple the money?
18:10For triple the money.
18:22I'm sorry.
18:28Be patient, Theopoula. Everything will be fine.
18:31Where's your grandma?
18:33I want to talk to Sophie.
18:35Grandma wants to talk to you.
18:37I can't, my boy. I can't.
18:39Sophie!
18:41She's calling for you.
18:43Theopoula?
18:45Sophie!
18:47Come and get me.
18:49They're tying me to the bed, Sophie.
18:52Come and get me.
19:01Theopoula can't talk to you right now.
19:03I want to talk to her.
19:05Let me talk to her.
19:07Garoufalia doesn't seem like a good idea.
19:10Sophie?
19:12Mother?
19:14Who is it?
19:16It's me, Garoufalia.
19:18You'll come, mother. You'll come.
19:21She wants you to come home.
19:26Yes? Who is it?
19:29Who are you talking to?
19:31It's Spyros.
19:33What's going on with the money?
19:37I don't know. It's not in my hand.
19:39Tell Hadji to hurry up if she doesn't want to be the next one.
19:42Are you crazy? Why did you let them call?
19:44Do you want them to identify us?
19:46What did he say?
19:47That they can't identify us because of the signal.
19:49He was yelling. I couldn't take it.
19:50Idiot!
19:52Tell me that you asked her to take a walk in the house.
19:54Why? What would she do to me?
19:55I'll tell you now.
19:56You're out of calls for today.
19:58Go to her room.
20:16Ugh!
20:46Ugh!
21:16I'm sorry.
21:22She won't be able to take it, my boy.
21:24She won't be able to take it.
21:26She'll be alone for another night.
21:28She won't be able to take it.
21:31Her brain won't be able to take it.
21:42Why didn't they come?
21:45She wanted to stay with her grandmother.
21:48She'll come later.
21:49Not Spyros.
21:50Dalia said she wouldn't come.
21:55I couldn't find her.
21:57What?
21:58Nothing.
21:59You thought of something.
22:00What did you think of?
22:01Forget it.
22:03Forget it.
22:05Do you understand now why we need this money?
22:08I understand.
22:09We have to leave the house.
22:12You know she can blackmail you for the rest of your lives.
22:15That's why I'm leaving.
22:16So she won't blackmail me.
22:17So she won't be able to find me.
22:22What are these?
22:23What do you think they are?
22:25The Eiffel Tower.
22:26Because you had some doubts.
22:28No, no, no.
22:30So, what do we do now?
22:32We wait for a call from time to time.
22:42We have to leave.
22:43Let's go.
22:44We have to act.
22:45Did you talk to him?
22:46Yes.
22:47Did you accept him?
22:48We could have done it differently.
22:49And the woman?
22:50Let her stay inside.
22:51First the money and then the woman.
22:52Come on.
23:11Let's go.
23:41Please.
24:12Ah!
24:13Ah!
24:14Ah!
24:23Mark?
24:24Yes?
24:25We don't have brakes.
24:26The brakes don't work.
24:27What?
24:28The brakes don't work.
24:29What do I do?
24:30Do something.
24:31Get out of the way.
24:32How?
24:39Watch out!
24:41Watch out!
24:42Watch out!
24:43Watch out!
24:44Watch out!
25:10Sophie?
25:11Sophie?
25:12Sophie?
25:13Sophie?
25:14Sophie?
25:15Sophie?
25:16Sophie?
25:17Sophie?
25:18Sophie?
25:21What's going on?
25:22What could have happened?
25:23We don't have time to pick them up.
25:25No.
25:26Maybe you should pick up Theopoula?
25:28Mira, it's locked.
25:33Please.
25:35Who?
25:36The police.
25:42The police.
25:57Wait, mom.
25:58Let's hurry.
25:59They'll catch up to us.
26:06Sophie?
26:07I have to find Sophie.
26:11Please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please
26:41I don't know what's going on.
26:43I don't know what's going on.
26:45I don't know what's going on.
26:47I don't know what's going on.
26:49I don't know what's going on.
26:51I don't know what's going on.
26:53I don't know what's going on.
26:55I don't know what's going on.
26:57I don't know what's going on.
26:59I don't know what's going on.
27:01I don't know what's going on.
27:03I don't know what's going on.
27:05I don't know what's going on.
27:07I don't know what's going on.
27:09I don't know what's going on.
27:11I don't know what's going on.
27:13I don't know what's going on.
27:15I don't know what's going on.
27:17I don't know what's going on.
27:19I don't know what's going on.
27:21I don't know what's going on.
27:23I don't know what's going on.
27:25I don't know what's going on.
27:27I don't know what's going on.
27:29I don't know what's going on.
27:31I don't know what's going on.
27:33I don't know what's going on.
27:35I don't know what's going on.
27:37I don't know what's going on.
27:39I don't know what's going on.
27:41I don't know what's going on.
27:43I don't know what's going on.
27:45I don't know what's going on.
27:47I don't know what's going on.
27:49I don't know what's going on.
27:51I don't know what's going on.
27:53I don't know what's going on.
27:55I don't know what's going on.
27:57I don't know what's going on.
27:59I don't know what's going on.
28:01I don't know what's going on.
28:03I don't know what's going on.
28:05I don't know what's going on.
28:07I don't know what's going on.
28:09I don't know what's going on.
28:11I don't know what's going on.
28:13I don't know what's going on.
28:15I don't know what's going on.
28:17I don't know what's going on.
28:19I don't know what's going on.
28:21I don't know what's going on.
28:23I don't know what's going on.
28:25I don't know what's going on.
28:27I don't know what's going on.
28:29I don't know what's going on.
28:31I don't know what's going on.
28:33Why are you here?
28:35I brought you here to meet him.
28:37I told you in the room 2.
28:39He's not yours.
28:43That's why I didn't recognize him.
28:45I saw him too.
28:47What do you have to say now?
28:49I told you to come see him.
28:51He told you?
28:53Didn't you tell me you recognized him?
28:55He's lying.
28:57Didn't you tell us you didn't recognize him?
28:59That's why you didn't let us leave.
29:01He's lying.
29:03He's lying.
29:05He's lying.
29:07He's lying.
29:09He's lying.
29:15Now I see.
29:17Is that him?
29:19Are you sure?
29:21What's his name?
29:23Zubulia.
29:25Ask him.
29:27How do you call him?
29:29We're looking for you in the fridge.
29:31Wait a minute.
29:33Isn't he the one with a file with our names and photos in his car?
29:37Yes.
29:39We're talking about him.
29:41Give me the file.
29:43You didn't tell me his name.
29:45I'll tell you what we're going to do.
29:47We're going to call him Pandeli.
29:49Great name.
29:51We're going to call him Pandeli.
29:53Until we find a solution.
29:55Until we find a solution.
29:57Are you crazy?
29:59Come to my place.
30:01I'm calling you for a recognition.
30:03You don't tell me his name or anything.
30:05What kind of recognition is this?
30:07First of all, why did you call us here?
30:09Because the only evidence that was found in the car
30:11is this file with your names and photos.
30:13Is that the reason why you called us?
30:15If you found Antonas' file in the car,
30:17would you bring it here for a recognition?
30:19It's not too late.
30:21But don't appreciate the fact that we came here.
30:23You have us here and you're torturing us.
30:25Did you hear that?
30:27Bring the file so we can see what's going to happen.
30:29I'm not giving it to you.
30:31No, no, no.
30:33Stop it.
30:35I know this guy.
30:37What?
30:39How did it happen?
30:41Isn't he here for a recognition too?
30:43I think so.
30:45Do you remember a movie with Tonya Kaziani
30:47where she was dancing and she was accused of killing her husband?
30:49He was the judge in the court scene.
30:51A thousand percent.
30:53If you want, I'll call Margarita
30:55and she'll bring us the tape.
30:57See? Bring us the file.
30:59I didn't bring it for him.
31:01That's what you call gratitude.
31:03We're here for a recognition.
31:05What do I care about the judge Tonya Kaziani?
31:07But we care.
31:09Because maybe we didn't know him
31:11except from the movies.
31:13We came here to recognize him
31:15because we're proud citizens.
31:17Exactly. I mean, where is Tonya?
31:19She was dancing with him.
31:21Listen to me.
31:23Listen to me.
31:25Why?
31:27Calm down.
31:29We have to recognize you later.
31:35You scared us.
31:37So, what do you say?
31:39I have nothing to say.
31:41If you don't tell me their names
31:43you're not going anywhere.
31:45Their names?
31:47Their names.
31:49Excuse me.
31:51How many are there?
31:53Two.
31:55There were two in the car?
31:57Yes.
31:59Wait a minute.
32:01Don't tell me we're here
32:03and we don't know our names.
32:05You told us one at the beginning.
32:07Then you told me there were two.
32:09Yes, but people say that
32:11because I said there were two
32:13and it's going to take so long.
32:15Maybe I wasn't here.
32:17So, what do you say?
32:19Of course.
32:21Anyway,
32:23because I'm a better person
32:25I'll do the service for you.
32:27Show us the other one.
32:37I'm sorry to say this,
32:39but he's the one.
32:41Yes, he's the one.
32:43He's your driver.
32:45He's your driver.
32:47Yes.
32:51What's going on?
32:53There's another one in the warehouse
32:55and another one here.
32:57What's going on?
32:59They're all after us.
33:01As long as they are,
33:03it's a reward.
33:05What are we going to do?
33:07Are we going to stay here
33:09and drive them crazy?
33:11He won't let us go.
33:13We can't look like them.
33:15We have to look like them.
33:17We can't be like Richard
33:19and Anaximander.
33:21We can't be like George and John.
33:23It's not that easy.
33:25He's not going to believe us.
33:27The bad thing is that he has
33:29our names in his file.
33:31I don't know what he's talking about.
33:33If he doesn't take me,
33:35we'll be out of here in five minutes.
33:37You're the first one.
33:39What? When?
33:41What's wrong?
33:43I got a call from my brother.
33:45He's under arrest.
33:47Wait here. Don't go.
33:51What a job!
33:53We've been following him for so long.
33:55Come here.
33:57The new guy.
33:59Let's go.
34:03Good evening.
34:05Good evening.
34:07What do we have here?
34:09I'll do it.
34:11Be quiet.
34:13Don't react to anything you see.
34:27We'd like to meet
34:29Mr. Organos.
34:31What?
34:33Come here.
34:35Who is he?
34:37He's a free man.
34:39He's a good man.
34:41Have you paid...
34:43...the bills?
34:45No, I haven't.
34:47George Bennis.
34:51Eleftherios Prokopiou.
34:57Was he your relative?
34:59No.
35:01A friend.
35:03He's sick.
35:05He's sick.
35:07Do you understand?
35:09Yes.
35:11And the ladies with you?
35:13They're my sisters.
35:15Oh, sisters.
35:19What's your name?
35:21Litsa.
35:23Litsa?
35:27Don't cry, Litsa.
35:29I'm sorry.
35:31Let's go.
35:33Life goes on.
35:35Litsa,
35:37go to bed.
35:41What's your name, boss?
35:43Walter.
35:45I'm sure.
35:53Where do I sign?
35:55Here.
35:59Thank you.
36:05Thank you.
36:09Well done, guys.
36:11You rocked it.
36:13Maris,
36:15what did you do to the boy?
36:17And where did you learn it?
36:19I don't know.
36:21When I was a teenager, I did it.
36:23You don't go to the parties.
36:25One more kiss for five bucks,
36:27and that's it.
36:29We need to call Spyros.
36:31Let's see how he's doing.
36:33He'll take care of it.
36:35What about his sister?
36:37What are we going to do about it?
36:39What can we do?
36:41God knows where they've kept her.
36:43I remember Theopoula.
36:45When she first came
36:47to our neighborhood.
36:49She used to come to the park
36:51where we used to go.
36:53With Georgia and Panagiotou
36:55and me.
36:57We didn't get along,
36:59at least that's what it seemed.
37:01One day,
37:03I was in a village.
37:07I told them about your mother.
37:09How I lost her.
37:11Theopoula heard about it
37:13for the first time.
37:15She didn't say anything.
37:17Only tears.
37:21After a while,
37:23she started losing them.
37:25We had gone to see her
37:27a couple of times.
37:29She didn't remember us.
37:31Then we stopped going.
37:35She didn't come out either.
37:37Her son didn't let her go.
37:39He was afraid of her.
37:41Then,
37:43she started coming out on her own.
37:45Do you remember?
37:47Yes, they looked for her every night.
37:49Sometimes,
37:51she used to come to the bench
37:53where we used to sit.
37:55She used to watch us from afar.
37:57I used to wait for her to call her
37:59to come and sit with us.
38:01And you?
38:03We pretended
38:05we didn't see her.
38:07How could we get her?
38:11One night,
38:13we saw her walking
38:15in the middle of the street,
38:17as if she was lost.
38:19Sophie?
38:21Should we get her?
38:23Or should we call someone else?
38:29I turned to her and said,
38:31it's a lost case.
38:35It's better to torture her
38:37and her son
38:39than to leave her in a car.
38:41Grandma, don't think about that now.
38:43No, no, I want to tell you.
38:45It was a summer afternoon.
38:47Panagiota told us
38:49that her son,
38:51Theopoulos, had recovered this morning.
38:53She said that
38:55Theopoulos was in her city.
38:57That night,
38:59she saw her
39:01walking in the street
39:03with a coat and gloves.
39:05Like crazy people.
39:07We started laughing.
39:09She didn't hear us.
39:13After a while,
39:15she came to us.
39:19I felt her gaze on me.
39:21She came and held my hand.
39:25I was afraid
39:27that she would hurt me.
39:29She turned to me
39:31and said,
39:33Sophie,
39:35I'm very sorry
39:37about your daughter.
39:39You should know that.
39:41I'm very sorry.
39:45I was afraid.
39:47I didn't know what to say.
39:49I was ashamed.
39:51I've never been more ashamed in my life.
39:53I thought that this woman
39:55who had no logic,
39:57who had forgotten everything,
39:59names, faces, situations.
40:01She remembered that.
40:05She remembered my sadness.
40:07And me,
40:09who had no logic.
40:11I had my memory.
40:13I never thought
40:15that I would hold her hand
40:17and say something nice
40:19to help her.
40:21From that day on,
40:25I never left her side.
40:27I know, Grandma.
40:29You helped her to get better.
40:35I raised a child
40:37and a grandson.
40:39But if you ask me
40:41I'll tell you this.
40:43We took her to the hospital.
40:45We abandoned her.
40:47But at the last moment
40:49I held her.
40:51I held her tight in my arms.
40:53I know.
40:55I want you to promise me
40:57that you will do
40:59everything you can to save her.
41:01Everything.
41:03Okay.
41:05And if something happens to me...
41:07Grandma, don't talk like that, please.
41:09If something happens to her,
41:11I want you to promise me
41:13that you will take care of her.
41:15Do you hear me?
41:19Promise me.
41:23I promise.
41:27Go to sleep now.
41:29Go.
41:31I'll go too.
41:39Okay.
42:09Hi.
42:11♪♪
42:21♪♪
42:31♪♪
42:41♪♪
42:51♪♪