Van.der.Valk.S01.E02.Hindi.480p
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01:30Well, in that case, I'm a policewoman who's investigating a double murder case.
01:34Will that help?
01:35Yes, a lot.
01:37Okay.
02:00Ladies and gentlemen, may I have your attention please?
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06:17The victim and his lover who are missing are the volunteers of the Oster campaign.
06:21Then you should take it easy.
06:23D-Cluck will interfere if this investigation has an impact on the campaign.
06:28What about the other victim? Any political connection?
06:31No. I think this is a wrong place at the wrong time.
06:34Did someone hit you on the way? There's a lot of rush driving.
06:37Yes. A lot of rush. Or is it a mistake?
06:42You couldn't have done anything. You know that, right?
06:45Yes.
06:48Hmm?
06:53Who is our killer? Is he a military man or a professional?
06:57Yes. We have three candidates. All of them are NNC members.
07:01New Nationalist Collective.
07:02Collective? This is new.
07:04All of them are extreme right wing. All of them are going to take direct action.
07:06And D-Cluck's fans?
07:08They have just been released from jail for violence.
07:10And have been released from the military for stress.
07:12Military.
07:13Bartel Peters.
07:14Check all of them. I want progress by morning.
07:17This is not possible, right?
07:19Everything is possible from Amsterdam.
07:23Where are you going?
07:24If there's a fancy dress party, I'll go.
07:45The party was really last night.
07:49I just came to see if the lion was at home or not.
08:14Was anyone of them at the party?
08:16They look like thugs.
08:18Yes, they are thugs.
08:20Are you trying to say that I live with such people?
08:23Do you live with them?
08:26I'm sorry. I don't know them.
08:35How long have you known Clary?
08:37For about six months.
08:39We used to hang out in the same cafe.
08:42Have you ever met her mother?
08:43Yes, once or twice.
08:45She does boring things like you.
08:49You think she's boring?
08:51Yes, I don't like it.
08:52All those women are a little passive.
08:55Submissive.
08:58Subordinate.
09:09So what do you like?
09:11Fire.
09:15Passion.
09:38I'm not doing anything wrong.
09:41No.
10:02No. No.
10:04You're not leaving that hospital.
10:06Forget it.
10:07I don't care if the wound is real or not.
10:09You'll stay there.
10:16He's bothering me.
10:18Why were you so lost in this painting?
10:23I mean...
10:24Why not in that one?
10:26And why not in that one?
10:28I get lost in different paintings at different times.
10:31There's a lot to see.
10:35What you see is not about him.
10:38What's not about him?
10:40Everything in it screams absence.
10:43This letter.
10:44This empty chair.
10:45The map of the faraway world.
10:47His lover who's not there.
10:49Or maybe he's not his lover.
10:52Maybe he's the father of the unborn child.
10:58Yesterday when you were sitting here and looking at him.
11:00Were you thinking about your daughter?
11:03Or about his father?
11:07I don't remember what I was thinking.
11:09Do you know anything that you're trying to hide from us?
11:13No. Not at all.
11:18It seems like you haven't slept.
11:20I think you didn't hear anything.
11:22No. I didn't hear anything.
11:28Do you know Auster?
11:30He had a hundred volunteers.
11:32But your son was in his inner circle.
11:37Tell me, who are you trying to save?
11:42I have to go back to work.
11:50If you don't mind...
11:55Job.
11:56Clary Rameca.
11:57I don't believe her dad isn't in her house.
11:59Where's her mom?
12:00It's been 20 years.
12:03Institute of Fine Art, Antwerp.
12:06She's trained there.
12:07And about this footage...
12:08I got this from the gallery opening photos last night.
12:10Bertel Peter.
12:11I've seen two more Bertel Peters.
12:14After leaving the army, he got a job as a security head at D-Club.
12:17Does he work for D-Club?
12:18He used to, but he quit.
12:19Stress.
12:20Find him and get his address.
12:22By the way, what are you eating?
12:25Snacks.
12:26Did you pick this up from my desk?
12:28I didn't think you'd mind.
12:31Actually, this was for the dog.
12:34Excuse me.
12:35Footage.
12:37Okay.
12:38We didn't find anything to the north of this road.
12:40But to the south...
12:41Between 10.15 and 10.30, there were about six cars.
12:45This is one of them.
12:47It was being driven by a dog.
12:52Registration?
12:53It's blurred.
12:54But I've sent a technical team for it.
13:02Hi, it's me.
13:03I just left the hospital.
13:04What did you do?
13:05Yes, I left.
13:06No, no, no.
13:07You can't leave.
13:08But I left.
13:09I can't let this happen.
13:11This is a very bad idea.
13:13Not at all.
13:14Go on.
13:16All right.
13:18Okay?
13:19Yes.
13:20Are you okay now?
13:21Yes.
13:23What do I do about this?
13:27I told you I needed to go to the hospital.
13:30And I don't want to go home.
13:32Why not?
13:33Just give me some water.
13:41Look, we have a lot of work to do.
13:43Hendrick has seen my wound.
13:45Maybe we can get some help with this.
13:47And Declare's campaign manager, Brower, has a cut on his chin.
13:50When I asked him about this, he refused to talk.
13:53Okay.
13:54Calm down.
13:56We have the photo.
13:59We have the photo.
14:00We'll look at it.
14:01Give me something to do.
14:02No.
14:03Whoever attacked me has Ramakar.
14:05And whoever was on the phone was his boss.
14:11Relax.
14:13Please.
14:20Hey.
14:21Is your mom here?
14:22Yes, she's inside.
14:24Hi.
14:55You and your husband met at Antwerp.
14:58Is that right?
14:59He lived there until he had a second child.
15:01He worked as a lawyer there, and I was in publishing.
15:04Foucher-Legrand.
15:06That's right.
15:07We mostly made art gallery catalogs.
15:09For a wine art institute?
15:13He was our main client.
15:14Why?
15:15Have you met any of the students there?
15:19There were a few launches, but...
15:21Not many.
15:23Teresa Ramakar.
15:24Have you ever met her?
15:27No.
15:28Who is she?
15:30She's the mother of your husband's campaigner.
15:32And I think you might know her.
15:41Come.
15:43Please come.
15:45I can't pretend that nothing happened.
15:47Please.
15:48Listen.
15:49You have to trust me.
15:51Okay?
15:52Paul.
15:55Paul.
16:05The team got the wine registration.
16:07We're going to see if we can get an ID.
16:11They're crazy, aren't they?
16:13They're actually white people.
16:15There must be a lot of cultures in a gallery like Sub-8-7.
16:19Lucy said that the campaign manager's ID is cut.
16:22And we know that someone's skin was found in Millen Baker's fingernails.
16:25So who is he?
16:30Is he the one?
16:32Kim Broward.
16:42Found it.
16:44Found it.
16:47Good.
16:50Give some breakfast to Brian.
16:53Okay.
16:54What do you want?
16:56Two eggs.
16:57And something to drink.
16:59Find out where Broward is.
17:01I want to talk to him and his boss.
17:03There's a picture of the guy who rented the van.
17:06His name is Dave Smith.
17:08Smith.
17:12Go to the back and try to run.
17:15Hey.
17:18You can handle yourself, right?
17:20Yes.
17:39I didn't think you'd be back so soon.
17:45Actually, I didn't come to see you.
17:58Dave Smith.
18:08Go.
18:13Go.
18:15I said go.
18:22If you keep quiet, they won't do anything.
18:30This garbage is useful.
18:31Yes.
18:32I understand.
18:38Tell me about the van.
18:41It's from the yard gallery.
18:43Where is it now?
18:44I don't know.
18:45Maybe someone took it outside.
18:49You were taking this when we arrested you.
18:52It's somewhere else in the gallery.
18:54Do you like fancy dress parties?
18:57Why? Are you going to have one?
18:59Do you remember Eva's party?
19:01What did you dress up as?
19:02Mickey Mouse.
19:03Are you sure you didn't dress up as a dog?
19:06Absolutely.
19:08When did you leave?
19:11In the middle of the night.
19:12Can anyone confirm that?
19:15No.
19:24Do you know him?
19:26Bartle Peters.
19:29I have another one.
19:32Tim Brower.
19:35I don't know them.
19:38He came to the gallery last night.
19:41Oh, this one?
19:42Yes.
19:45Clary Ramica.
19:46Where is she?
19:47Why did you take her?
19:55Okay.
19:57If your DNA matches the victim's DNA,
20:01you'll be able to talk.
20:08Okay.
20:31I'm Inspector Vandervalk.
20:33I need to talk to you.
20:35I'm a little busy.
20:38I'm here to investigate a double murder and police attack.
20:42And I'm sure you know that my officer was attacked.
20:47How can I help you?
20:49This looks scary.
20:50How did this happen?
20:52What does this have to do with anything?
20:54I don't know.
20:55It could be.
20:57My girlfriend, Alayda, has set up a sub-87.
21:00I was there two days ago.
21:02Something went wrong outside.
21:03People were fighting.
21:05I got caught in the crossfire.
21:09Why would they attack an art gallery?
21:11Why would they do that?
21:13Do you need a reason?
21:17Inspector Vandervalk.
21:19Oh, the guy who's always on the news.
21:22Is that all?
21:23Yeah.
21:24Bartel Peters.
21:26Remember his name?
21:27Peters?
21:28I don't remember.
21:29He's your head of security.
21:31He sent your political enemy to the hospital.
21:34Did you feel bad?
21:35Yeah.
21:36I broke his face.
21:37I broke his eyes.
21:38I hit him a lot.
21:40Did you meet him here?
21:42No.
21:43But I just remembered that incident.
21:46And that's why I fired him from his job.
21:50The thing is, I think he's still working for you.
21:57But I don't want that at all.
22:00Tim, can you take care of this, please?
22:02Maybe I can help.
22:04Stay in touch.
22:05Okay?
22:06It was nice meeting you.
22:14Okay.
22:16Let's just say that you're not the killer.
22:19But you were driving that night.
22:22And because of that, you're a part of the murder.
22:28Something's wrong.
22:31Daniel Cullen was wrong.
22:34That's why you fired him.
22:37Maybe Milan Baker was wrong, too.
22:39Otherwise, why would you fire him?
22:42Whatever happened, you were afraid of him.
22:44You wanted to get rid of him.
22:51But I don't think you did all this.
22:55Your military friend did.
22:57Bartel Peters.
22:59He has a problem with stress.
23:03Have you seen what happens when a man loses control?
23:07He kills those he shouldn't kill.
23:10And then he uses the rest.
23:13Like you.
23:15He does things he shouldn't do.
23:25My sample didn't work, right?
23:28You didn't find anything against me.
23:33The incident happened here.
23:35The bodies were thrown here and here.
23:38What do you think?
23:39You found Cullen first.
23:40This is like the real incident.
23:42Very good.
23:43And then you took Milan Baker's body there.
23:45Why?
23:46To the other side of the city.
23:47Why in that direction?
23:48You could have gone anywhere, right?
23:49It could have been random.
23:50I don't think so.
23:53And what do we know?
23:54There was a third person in the car.
23:56Kalari Ramekar.
23:58There was a third person in the van.
23:59Kalari Ramekar.
24:00He wasn't thrown.
24:01And we think he's alive.
24:04That means they're taking him somewhere.
24:12So you went in the direction you were supposed to go.
24:15And you threw Milan Baker on the road.
24:18Good.
24:20Good.
24:21From here to here.
24:24And then where?
24:26Is this a place for industrial waste?
24:27It's an old building.
24:28No one's going to see it.
24:29It's a good place to hide someone.
24:32Catch him here.
24:33Leave Smith and follow him.
24:40Your son is missing.
24:42Is there a reason behind this?
24:43Is it an election?
24:45I'm sorry.
24:46I didn't understand.
24:47You met Paul Auster-Hoyse at Antwerp.
24:51He was married then.
24:53Let's do some math.
24:54Kalari is 22 years old.
24:55That means it was 23 years ago.
24:57What are you doing?
24:58I'm trying to figure out why someone would kidnap your daughter.
25:02It doesn't make any sense.
25:04And if kidnapping was necessary,
25:08why did your son get kidnapped?
25:09Someone else could have been the victim.
25:14Did you ask for a ransom?
25:18No.
25:19Don't waste my time.
25:21That's why you were looking at that painting.
25:23You were deep in thought.
25:24Because you don't have a father or a son.
25:28Do you still have a relationship with him?
25:29Are you still with him?
25:32Because of Kalari's politics,
25:33his father is in the opposition party.
25:38Kalari doesn't know.
25:41No one knows.
25:42Someone must know.
25:43Who knows this?
25:46I don't know.
25:49Can you be arrested for interfering in the law?
25:51I don't care.
25:53My son is missing.
25:55That's all I care about.
25:56Yes, I understand.
25:58But two people have been murdered.
25:59And I'm trying to find out who killed them.
26:02And what are their demands?
26:05I can't tell you.
26:06You can't?
26:08Then I'll go to the Austro-Huys
26:09and ask him and his arrogant wife.
26:16What are their demands?
26:17Tell me.
26:19They want Paul to back out of the election.
26:21Otherwise,
26:22they'll ruin his life and career.
26:24And he's not doing that because...
26:26He's not afraid of this blackmail.
26:28This election is his life.
26:29He believes everything he says.
26:31Really?
26:33Or does he want his wife and kids
26:35to know about you and your son?
26:37If you're talking about family value,
26:39then you should do something too.
26:43He's playing with your son's life.
26:45I don't have a choice.
26:47If I say no,
26:48they'll kill him.
26:49I'm just trying to keep my son alive.
26:52Me too.
26:53And you have a choice.
26:55You're looking at him.
26:57And he left you a note.
27:01Where is that note?
27:07One of my son's fingers
27:10is in my freezer.
27:18I'm sorry.
27:26Be careful.
27:47I love you.
28:17I love you.
28:26He's going to the bathroom.
28:32Bartel Peters.
28:34He's meeting him.
28:38Did you tell the police?
28:39Nothing.
28:42Is he following you?
28:43No.
28:47Let's go.
28:53Go to the next lane.
28:54I'll meet you at the canal.
29:04He's going to run away.
29:06Come on.
29:15Rufus!
29:17He's here.
29:18Follow him.
29:37Come on.
29:45So,
29:46where's the other boat?
29:48I hope
29:49it's still with Clary Remica.
29:51And you're asking me to prove
29:53that it's broken?
29:54Please.
29:55And yes,
29:56do you know any magic?
29:58I suspect
29:59that he had a friend
30:00who he blackmailed
30:01and he killed him.
30:04Nice friend.
30:06Lovely friend.
30:17Inspector,
30:19I can trust your judgment.
30:21I wouldn't have believed you
30:22if I were you.
30:24Ms. Remica told me
30:25you were talking to someone
30:26about your son's kidnapping.
30:27Who was it?
30:28Yes, I contacted AVID.
30:30But why a secret service?
30:31Because it's a political kidnapping.
30:33I can't be sure.
30:35But still,
30:36it's in their hands.
30:37I don't think
30:38they want to give anything
30:39to the kidnapper.
30:40So, it's no longer
30:41a matter of the police.
30:43So, your investigation is over.
30:45Your law doesn't apply to me.
30:47No, not to me.
30:49But it might apply
30:50to Chief Inspector Dalman.
30:51And we've already talked about it.
31:05He didn't say anything to me.
31:09Do you accept this?
31:12I just want my son back.
31:20Yes, I've somehow
31:21downloaded the computer
31:22of the Ostard House
31:23and given it to Lucine.
31:24She's going to look at the photos,
31:25the files, the mail
31:26and tell us everything.
31:27Okay.
31:28This is an industrial junkyard.
31:29Did you find anything in it?
31:30Not much,
31:31but we've seen three vans
31:32in which there was a man
31:33on the night of the murder
31:34who came in from here
31:35and went out.
31:36It's like
31:37pulling a needle
31:38out of a garbage can.
31:39It's very difficult.
31:40What is it for me?
31:41Forensic?
31:42The DNA of the finger
31:43proves that
31:44it was touched by Dave Smith.
31:47Anything else?
31:48Yes, maybe.
31:49The wound on the finger
31:50shows metal stresses.
31:51Titanium alloy.
31:52And a wire cutter,
31:53a metal cutter
31:54which is used in gardens.
31:56What about the art gallery
31:57and the painted painting?
31:58I don't know about that.
31:59But there's no art gallery there.
32:01No.
32:02There's a storage facility
32:03and a warehouse
32:04in which the gallery
32:05keeps its belongings.
32:06There's one more thing.
32:07The same knife
32:08used to kill Smith
32:09was also used
32:10on Lucian.
32:11I'd say
32:12it was the same knife.
32:16So if Bartle Peters
32:17killed Lucian,
32:18then it must be
32:19on the door.
32:24Are these the only photos
32:25we have left?
32:26Except for Lucian.
32:33No.
32:40Who is he?
32:41Who is he?
32:42Who is he?
32:43Who is he?
32:47We're missing someone.
32:50Lucian?
32:52No.
32:56The photographer.
32:59It's said
33:00that the Sub-87
33:01was taken by
33:02Alida Johnson
33:03three months ago.
33:04Bravo's girlfriend.
33:05To specialize
33:06in formative functionalism.
33:07Futurist expression
33:08of ideology in motion.
33:10What does this mean?
33:15This means
33:16right-wing art.
33:19We like visionary.
33:21The protesters
33:22will protest.
33:24Your photographer
33:25who was here last night.
33:27Bartle Peters, right?
33:29Yes, we're here.
33:30We need his address.
33:31Yes, sir.
33:32I don't have it.
33:33He came a few months ago.
33:35Did he talk properly?
33:36Did he say everything right?
33:39He was the chief officer.
33:40He wants to meet you right now.
33:42And he told me
33:44that if you don't agree,
33:45I can arrest you.
33:46Yes.
33:47Good luck with that.
33:50Where did you get
33:51the photos from last night?
33:52As soon as he clicked,
33:53I did a digital transfer.
33:54Did you see him leave?
33:57When did he leave?
34:00He hit my friend
34:01and ran away.
34:03Did he leave anything?
34:11What are you going to do?
34:12I'm going to look at his photos
34:14and find a clue
34:15to his location.
34:25No.
34:31It's not in our hands anymore.
34:32And I've circulated that message.
34:34As much as I can.
34:36Pete.
34:40Mr. Osa House,
34:41I can say with confidence
34:42that we're working with the A.I.D.E.
34:45Trojan.
34:46Please believe me.
34:49Come on, come on, come on.
34:50Of course.
34:51I can control my officers.
34:55Pete!
34:56Dalman is going to scold you.
34:58That's impossible.
35:00Are we going to call backup again?
35:02Why not?
35:03Let's have some fun.
35:05Okay, Trojan.
35:06Come on.
35:07Come here.
35:08Here.
35:09Smell this.
35:10Very good.
35:11Freeze 3575 for backup.
35:28No.
35:29No.
35:30No.
35:54Mosaic.
35:58Mosaic.
36:28Mosaic.
36:29Mosaic.
36:30Mosaic.
36:31Mosaic.
36:50Don't even think about it.
36:53Why not?
36:58Why not?
37:12Don't you think a lot of people have died?
37:14Stop right there.
37:15Your friend,
37:16David Smith.
37:18Milan Becker.
37:20The man on the road.
37:23You don't even know his name.
37:25Daniel Koolen.
37:26For a good cause.
37:27Really?
37:30What's that?
37:31Political?
37:32Revenge?
37:34Or whatever it is.
37:35Your plan isn't working.
37:37Your plan has failed.
37:40Who's your boss?
37:43Put the gun down.
37:47Don't do this.
37:52Don't do this.
37:56Don't do this.
38:27Don't do this.
38:29Don't do this.
38:31Don't do this.
38:38We have a hostage.
38:39He's alive.
38:40We need a paramedic.
38:43I'm going to announce that I've been removed from the election.
38:47Because of family pressure, I've been removed from the election.
38:52and now in front of the Declar, there is no protest.
38:57Why is he backing off?
38:59This is all because of him.
39:01His affair, his illegitimate son, everything is in the news.
39:04So this means that the chances of Declar winning have increased.
39:08And I would like to congratulate Declar.
39:10Trojan.
39:14Trojan.
39:16I spoke to Teresa Ramekar.
39:18She thanked me for saving her son's life.
39:21And I got my doggy.
39:27If you do this again, I will transfer you before you say anything.
39:31Do you understand?
39:32Yes, I understand.
39:35You didn't find Peter's boss. This is a shame.
39:37No.
39:38Not yet.
39:50Hey.
39:51Hey.
40:20How is Kalari?
40:22His blood has flowed a lot.
40:25His finger is cut.
40:26And yes.
40:28The worst thing is that his lover is dead.
40:40We spent a night together.
40:43That fire, that passion.
40:46There was a lot of anger there.
40:50I didn't hear you complaining.
40:53No.
41:08That guest list that you gave.
41:12Why didn't you include David Smith in it?
41:15I don't know. Maybe I forgot.
41:18I am worried about how David Smith and Bartle Peters were waiting for Kalari.
41:27Do you know Kalari called someone that day?
41:32She called you, right?
41:41So?
41:47What?
41:57We found this.
42:00You were the niece and nanny of the ouster's wife.
42:03As far as I know.
42:04Chen.
42:05Chen Wave. Short form.
42:09So the ouster wasn't just about Teresa Remeca.
42:17He used to sleep with you too.
42:22You found out that he wasn't going to leave his wife.
42:27And that's why you made a plan of revenge.
42:31You befriended Kalari.
42:33And you caught Peters because you knew that Auster Hiss hated him.
42:37And you used him.
42:41And David Smith just misled him.
42:44It's true, right?
42:47Boss.
42:48Auster Hiss backed out of the election.
42:50He told his wife everything.
42:52You won.
42:53You must be happy.
42:55No, it's not like that.
42:57There's nothing to gain from him.
42:59Forgive me. I don't feel bad for you.
43:02You should understand. He misled me.
43:08What kind of revenge did he do?
43:11I should be with him.
43:14You tortured Kalari.
43:18Peters and Smith were in the gallery when you took her finger to her mother.
43:24You took her, didn't you?
43:26Why did you do that?
43:30Because she became the second best.
43:32Actually, you didn't like her. That's why you did that.
43:36I asked him to stay with me.
43:38He said he couldn't live because of her.
43:41I hate her more than he has sacrificed for her.
43:48I followed her. I kept an eye on her.
43:50It didn't take much effort to catch Kalari.
43:53And whoever died, they are innocent people.
43:56And they died for no reason.
43:58I didn't want this to happen, but...
44:04It's not my problem.
44:10No.
44:14But it's mine.
44:17And it will always be.
44:22I'm sorry.
44:23I'm sorry.
44:26I'm sorry for everything.
44:53I'm sorry.
45:08Did you sleep with Eva Meisner?
45:12What kind of question is that?
45:14I want to know if you slept with a suspect.
45:18Can I do that?
45:24You were pushing me.
45:26Your woman's taste is very bad.
45:32And yours?
45:34Mine is fine.
45:39I pray that you will always be fine.
45:53I'm sorry.
45:54I'm sorry.
45:55I'm sorry.
45:56I'm sorry.
45:57I'm sorry.
45:58I'm sorry.
45:59I'm sorry.
46:00I'm sorry.
46:01I'm sorry.
46:02I'm sorry.
46:03I'm sorry.
46:04I'm sorry.
46:05I'm sorry.
46:06I'm sorry.
46:07I'm sorry.
46:08I'm sorry.
46:09I'm sorry.
46:10I'm sorry.
46:11I'm sorry.
46:12I'm sorry.
46:13I'm sorry.
46:14I'm sorry.
46:15I'm sorry.
46:16I'm sorry.
46:17I'm sorry.
46:18I'm sorry.
46:19I'm sorry.
46:20I'm sorry.
46:21I'm sorry.
46:22I'm sorry.
46:23I'm sorry.
46:24I'm sorry.
46:25I'm sorry.
46:26I'm sorry.
46:27I'm sorry.
46:28I'm sorry.
46:29I'm sorry.
46:30I'm sorry.
46:31I'm sorry.
46:32I'm sorry.
46:33I'm sorry.
46:34I'm sorry.
46:35I'm sorry.
46:36I'm sorry.
46:37I'm sorry.
46:38I'm sorry.
46:39I'm sorry.
46:40I'm sorry.
46:41I'm sorry.
46:42I'm sorry.
46:43I'm sorry.
46:44I'm sorry.
46:45I'm sorry.
46:46I'm sorry.
46:47I'm sorry.
46:48I'm sorry.
46:49I'm sorry.
46:50I'm sorry.