Van.der.Valk.S01.E04.Hindi.480p
Transcript
00:00Beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep,
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01:30beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep
02:00beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep, beep
02:30Yes, he has returned it.
02:34Now even his friends are not supporting him.
02:39When was the last time you saw Otto?
02:42Months ago. He was one of our difficult patients.
02:45Amina's sister, Zafira, was your patient. Why didn't you tell us earlier?
02:49I didn't find it that important.
02:52Let us decide, okay?
02:54Well, I'm sorry, but confidentiality is the most important issue here.
02:58Yes, and lying to the police during a murder investigation.
03:04Okay, now why is this relevant?
03:07Because it seems that Zafira has been killed, not her sister.
03:13I'm sorry to hear that.
03:16She was a very nice girl.
03:19She had some problems, but I thought she was dead.
03:22Because you helped her.
03:23Huh? Yes, where everyone gets treatment.
03:27She also showed progress.
03:29Taking her drugs was a rebellion against her father's disloyalty to the religious faith.
03:33If she had given up, maybe she would have been free.
03:36Zafira was not interested in religion.
03:38She was a fierce atheist.
03:40And what about Amina?
03:42Very traditional.
03:44So how did you meet her?
03:46Zafira had a problem with her family.
03:49Getting well means going back to her sister, at least.
03:53And Amina was so nice that she wanted to help herself.
03:57You should have told me this earlier.
04:01By the way, where were you last night?
04:03I was giving an interview at a live show about the clinic.
04:07We'll check.
04:09Yes, we will.
04:20Thank you.
04:32He said something like this.
04:34Yes, maybe.
04:37Sister, it was nice to see you.
04:39Class.
04:41Do you have a proposal for the convent?
04:43I wanted someone from the bureau to come in.
04:46Take your position.
04:50You?
04:53Me too.
04:55Did you check him?
05:00I haven't got a chance yet.
05:02I'll do it.
05:04That's good.
05:12Sir, would you like a drink?
05:14You're right.
05:16Maestro, how much do you want to raise?
05:19As much as I can.
05:21Excuse me, one drink.
05:23You must be eager for Zinzendorf's diary.
05:25Yes, but I don't think I can go up to 17,000 euros.
05:29But why do you want to sell it?
05:31I got what I wanted.
05:33Inspector.
05:39Do you know this girl?
05:41No.
05:43Should I know?
05:45This girl was murdered in your hotel room.
05:48I've never seen her before in my life.
05:51Why do Zinzendorf and his followers worship the wounds of Christ?
05:57Christ's passion was also seen as symbolic and literal.
06:01In this context, wounds are considered a good means.
06:05So can anyone copy these wounds?
06:08Is there any sensual element in this?
06:11Maybe.
06:13Zinzendorf and his followers are known for their sexual practices.
06:17When that girl died, she had the same wound on her side.
06:21What do you have to say?
06:24I'm an academic.
06:26Well, academics have sex.
06:29I have an academic interest.
06:31That's all.
06:37He's here.
06:44I saw him.
06:47Sir, would you like a drink?
06:50Sir, you?
06:52Let's go sit over there.
06:54Look, isn't it beautiful?
06:56Yes.
06:58Glass Gilbert!
07:04Murderer!
07:07Excuse me, do I know you?
07:09You'll have to pay for what you did to Zafina.
07:11Excuse me, who are you?
07:13Look at him.
07:15A rich, sophisticated and spiritual man.
07:19Do you want to know the truth?
07:21This scoundrel hunts young girls.
07:24Maybe we should go somewhere else.
07:26First you hunted Amina.
07:28And then his sister Zafira.
07:30You like twins.
07:32Is this a Gemini complex?
07:34I think you should stop now.
07:36And me too, Mr. Nellison.
07:38Please.
07:39No.
07:41I just started.
07:43Put the knife down.
07:45Listen to me.
07:47Put the knife down.
07:49I loved her.
07:51I said put the knife down.
07:53I loved her.
07:55Put it down.
07:57Put it down.
08:01Get out of the way.
08:03Get out of the way.
08:05Everybody.
08:10Come on.
08:12I don't have anything to kill.
08:14We need to talk, okay?
08:16I don't have anything to talk about.
08:18You want to know who killed her, right?
08:20We need the answer to this question too.
08:22If it was Klaus Gilbert, help me.
08:33Somebody help me.
08:35Let's get out of here.
08:37Let's go.
08:39Let's go.
08:44Lock this place.
08:46No one should leave this place.
09:04I found this in a garbage can.
09:06I'll give it to the forensics.
09:08Everyone has been gathered and a statement is being taken.
09:12Ask the security camera people.
09:14Their focus was mostly on the books.
09:16Our people were on the front door.
09:18There were cameras on the back door and exit.
09:20No one went out.
09:23When the bullet was fired, where was Klaus Gilbert?
09:26He was in the lecture hall.
09:29After us, he also came out of the room with the rest of the people.
09:31After us, he also came out of the room with the rest of the people.
09:45That man entered and destroyed the whole event.
09:48After that, I went to my office.
09:50What's wrong with that?
09:52A lot, okay?
09:54After facing you, a man was shot.
09:56And I don't believe it's a coincidence.
09:58Someone abused me in front of the common people.
09:59In my own museum, in the library.
10:01It was important for me to take care of myself.
10:03By the way, where did that Zen Master go now?
10:06I don't want any conflict.
10:08How do you shoot?
10:10I have never used a gun in my life.
10:12You know about Saint Zemenia and Zenzen Tov.
10:14But what about Ayahuasca?
10:16I only know the basics.
10:18And the accusations put on you?
10:20It's hopeless. Completely hopeless.
10:22Someone wants to trap me.
10:24Instead of my inquiry, you should find him.
10:26You said someone was shot.
10:27How many people have been arrested so far, Inspector?
10:29Do you know the Jabara sisters or not?
10:31I don't know.
10:33And I don't even hunt young women.
10:35Someone lied to mislead you.
10:38One of the two sisters must have told you.
10:41Come on.
10:43Help me.
10:45If you're telling the truth, why would anyone target you?
10:47I don't know.
10:49Then think about it.
10:51Because if you didn't shoot,
10:53the one who shot is still in this building.
10:55No one has gone out.
10:57It's not true.
11:15Where does this road go?
11:17Out under the road.
11:19It was a way out of Naziz.
11:21Did anyone else know about it?
11:24Everyone who knows the history of the library,
11:25this is in the public record.
11:35Well, now you see that Amina has come home.
11:39And as it was decided,
11:41she is meeting you first.
11:43Why did you run away from there that day?
11:46I panicked.
11:48Yes, she's here now.
11:50So when was the last time you saw your sister?
11:52We were supposed to meet last night.
11:55We were supposed to meet at Hotel America at 8 o'clock.
11:58But she didn't come.
12:01So when your brother told you that your sister is dead,
12:05why did you face Otto Nelson?
12:08Tell me.
12:10I knew what Zafi meant to him.
12:14And I was sure that Klaus Gilbert was involved in Zafi's death.
12:17That's why you sent Otto to the library to confront him.
12:21No, that didn't happen.
12:22We were talking about him and Otto got angry.
12:26And I tried to calm him down, but he didn't listen.
12:30Did you know he had a knife?
12:32No, not at all.
12:34How can you be so sure that Klaus Gilbert is responsible for your sister's death?
12:42Right, no offense.
12:44But I don't care about anyone's shame.
12:47I want to know about your sex life.
12:48Mr. Jabara, could you please step out for a moment?
12:56Thank you.
13:02Listen, Amina.
13:04We need to know if you were sexually involved with Klaus Gilbert or not.
13:10Yes.
13:12Did you have sex with him?
13:14No, he wanted to, but I didn't.
13:16And he's an expert in these things.
13:19If you didn't have sex with him, then your sister must have.
13:24Did you introduce them to each other?
13:27He was fascinated to know that we were identical twins.
13:31And Zafi was more free than me.
13:34Did she also have an interest in mystery?
13:37No.
13:39When she turned away from God, her belief was gone.
13:41Did you get upset when you saw your sister with Klaus Gilbert?
13:46Maybe I was jealous.
13:48Klaus said, don't be so possessive.
13:51It's just social conditioning, but...
13:53Why did Zafira have your ID and notebook?
13:56We always swapped IDs.
13:59And she was thinking of hiring a car, but her name was banned.
14:03I just wanted to help her.
14:05And I gave her my notebook for images.
14:08That's it?
14:09You just said that she wasn't interested in spirituality.
14:13She wanted to make another tattoo, and she needed ideas.
14:16What about Sister Joan?
14:18What about her?
14:20She had an affair with your sister-in-law.
14:23You're not as straight as you look.
14:29You were being too harsh on her.
14:31She's a suspect.
14:33You'll need her fingerprints.
14:35You'll find them on that glass.
14:36What do you think about her?
14:38I don't like people like Zafira and Otto Nellison.
14:41She's dead, and so is Nellison.
14:44Our suspects are dying like this.
14:51The interesting thing is that she got her favorite daughter back.
14:55That's good for her.
14:57Hmm.
14:59Oh, and one more thing.
15:01I thought you were giving the Kluvers a chance.
15:03You encouraged me.
15:05I didn't say I would.
15:07Did she say anything to you?
15:09No.
15:11Not yet.
15:13Do you want me to get that glass Gilbert?
15:15No.
15:17We'll wait until the gun forensic report arrives.
15:19What do you think about him?
15:21He's charismatic, no doubt.
15:23But I don't think he's stupid enough to book a gun
15:27and take it back to him.
15:29But I do think that when Nellison was shot,
15:31he wasn't the only one who left the lecture hall.
15:34There were many others, including Lionel Witt.
15:37Why would he shoot Nellison?
15:40Maybe to save Gilbert.
15:42They were both Zinzendorf fans.
15:44Keep an eye on Witt's movements.
15:47Did you find out anything about the draft?
15:49All I know is that he's a stubborn philosopher.
15:52And when he doesn't write about addiction,
15:54he gives lectures on realism, reality, and the lie of belief.
15:58Good work, Job.
15:59I think he's going to become an atheist now.
16:02He calls himself an irreligious fundamentalist.
16:05Very interesting.
16:07No, this is relevant.
16:09If what he said last night is true, then...
16:11Which is?
16:13The television studio said that he came at 7.50.
16:15He was on air from 8.30 to 9.15 and left after 10.
16:19You could have made a hole in it, right?
16:21Right. Bread time.
16:23Job, are you coming with me?
16:25No, I have to go to my mom.
16:27Did you hear that?
16:29He has to take care of his sick mother.
16:31That's what I say when I don't feel like going.
16:45Are you going to stay with me tonight?
16:48No, thanks.
16:50I'll have to go home sometime.
16:52I don't like that.
16:54You never told me.
16:56You didn't like him either.
16:58What? Are you kidding me?
17:01You can live without me, right?
17:03Have you ever slept on a wooden deck?
17:05I think it will be fine.
17:07By the way, you need a cat, not a mouse at home.
17:09I'm famous for mice.
17:11I saw her mouse, well, there on the stairs.
17:15Okay, I'm just saying.
17:17Hey, how long will it take to get a drink?
17:19I'll get it right now. I was thinking of something.
17:21Okay, it can be a mate in three moves.
17:23Rookie, one check.
17:24King to G2.
17:26Queen to C6.
17:28Check again. Block the rook.
17:30Queen to F3.
17:32Checkmate.
17:34Two coffees, please.
17:36I was going to tell you about the metal structures
17:39at the library seller's door.
17:41Yes, I'm listening.
17:43I have to do some tests.
17:45And what am I listening to?
17:47Office gossip.
17:49If I were you, I wouldn't pay much attention.
17:51I don't understand.
17:52Didn't you have a girlfriend?
17:54I'll tell you, I'm the model of discretion here.
17:56Really?
17:58That's why I heard you say that there's something going on
18:01between me and Pete.
18:03The fact is that I talk to the other side.
18:06I never use such words.
18:08Oh, you have.
18:10When you told me that Pete is an old corn dog
18:13that dips in batter.
18:15And my personal favorite about you was that
18:18he was bringing spaghetti noodles to the spaghetti house.
18:20I'm a coward and I know that.
18:22But how can you say that to me?
18:24How dare you?
18:26You shouldn't have listened quietly.
18:28You were telling everyone who was listening to you.
18:30Well, you heard it.
18:32You both heard it, you know.
18:34Is there anything for us?
18:36Good. All right.
18:38Maybe, yes.
18:40That gun.
18:42It has the fingerprints of Claes Gilbert on it.
18:50Okay.
19:13Miss me?
19:15Yes.
19:17Are you okay?
19:18Yes. Do you want me to bring Gilbert?
19:21I'm almost at the door.
19:23Okay. Sure.
19:25I mean, are you okay?
19:28Of course.
19:30Well, I'm worried about Ameena Jabara.
19:32Her dad said that she was dating someone.
19:35Sister June also said that.
19:37And whoever it was, he was very influential.
19:40Kraft says that he doesn't know her well.
19:42Does that mean it was Gilbert?
19:44So, you don't have an answer.
19:46Are you really okay?
19:48Let's go.
19:50Of course, my fingerprints are on the gun.
19:52Because it's mine.
19:54Everyone knows that it's on my desk.
19:56Someone must have taken it.
19:58Why do you need a gun?
20:00You run a museum dedicated to spirituality.
20:02Just for precaution.
20:04I thought I might ever need it.
20:06But believe me, I've never used it.
20:08We talked to Ameena Jabara.
20:10And the auto analysis has confirmed the allegations against you.
20:13So, she's lying.
20:15You mean, you have no relationship with any sister?
20:16Never.
20:18You never meet anyone who comes to your library.
20:21You want to frame them.
20:24I have no idea.
20:26But you won't believe me without evidence.
20:29Not at all.
20:31You told me that you only have basic knowledge about Ayahuasca.
20:34Ameena Jabara said that you're a magician.
20:36Who's lying?
20:38She's lying.
20:42I was awake at night.
20:43After reading for a while, I found this.
20:47The mysterious Dutch master of Amazon says that
20:51you're one of those Westerners who support Brazilian magicians.
21:02I'd like to keep this a secret.
21:04This article has never been sanctioned.
21:07You're lying.
21:08I lied.
21:10The Brazilian Swadeshi community doesn't appreciate Westerners as
21:14Ayahuasca guides or magicians.
21:18I don't...
21:20You lied.
21:22Yes, I lied.
21:24What else did you lie about?
21:26Nothing.
21:28What are Ayahuasca visions?
21:30Powerful.
21:32Life-changing.
21:35Are they dangerous?
21:37If they are,
21:39then you know the visions of your belief system.
21:43The visions of ancient souls,
21:46wild demons,
21:48and bad dreams.
21:50And you guide through them.
21:53That's the idea.
21:56If your guide manipulates you,
22:00if he bites you during the trip,
22:04how does that make you?
22:09Unbelievably scary.
22:34You don't think he did it, do you?
22:37When I told Ameena Jawara about Sister John, she was surprised.
22:41Maybe she didn't think we knew about their relationship.
22:44No, she seemed surprised.
22:47Can we check her timeline in the library footage?
22:49Sure. What do I have to see?
22:51The librarian said she was distracted and left the manuscript.
22:55Why?
22:57Okay. And what are you going to do?
23:00I'll go meet some nuns.
23:25Thank you for meeting me.
23:27Is this how your Mother Superior usually looks?
23:30Oh, yes.
23:36To be honest, she just heard my concussion.
23:40I think she'll be fine.
23:42I don't think she'll understand.
23:45I might need a new rosary.
23:47How can I help?
23:49This footage was taken two nights ago.
23:51Ameena Jawara is not at her usual place.
23:54No, she was somewhere else.
23:55Why?
23:57I have no idea.
23:59She just left the manuscript.
24:01She doesn't usually do that.
24:03Yes, I thought it was strange too.
24:06She was very careful about it.
24:09She knew how much it would cost her.
24:12Then she said goodbye to me and left.
24:15It was the first time she did that.
24:18I want you to go to the bus station.
24:21Why?
24:22What for?
24:24To identify her.
24:26We want to get rid of some of the suspects.
24:29If you can identify someone, it'll help us.
24:36She's right here.
24:38Right?
24:41Morning.
24:43Morning.
24:45You look different.
24:47Go get Ameena.
24:49I want you to stand in line.
24:50Ameena will walk up to you.
24:52Don't do anything.
24:54Or don't say anything to Ameena.
24:56It's important, okay?
24:58Okay.
25:02What did you find out about the doctor?
25:04I...
25:06Go and find out right now.
25:08What's the point of doing this?
25:10If he can't hack, he shouldn't even have a job.
25:13How was the library footage?
25:15Interesting.
25:21Alright.
25:23You go inside.
25:50Go.
26:16She's staring at him.
26:18She can't even look at him once.
26:20Then she's blank.
26:22Maybe she doesn't recognize John.
26:25I'm sorry.
26:39You asked me how old the tattoo is.
26:42Can you tell?
26:45After healing,
26:47it's hard to tell.
26:50And even in this case,
26:52it's the same problem.
26:54But what do you want to know?
26:56Zafira Jabara got this tattoo done at least three years ago.
27:02Look,
27:04it looks like a very ordinary tattoo.
27:07But when I look under the microscope,
27:10I see something else.
27:12When I look with the naked eye,
27:14I see that the wound has healed,
27:16but there are still inflammatory cells present.
27:18What does that mean exactly?
27:21The upper skin layer has healed for a long time,
27:24but there are no tissues inside.
27:26This tattoo is at most three or four weeks old.
27:32This is Amina.
27:36So that means Zafira killed Amina.
27:39Zafira is also involved in this.
27:41That means that tattoo wasn't for us.
27:44It was for her dad.
27:45So both the ID and the notebook are part of the plan.
27:48Yes, absolutely.
27:50Dad will go to identify her,
27:52and he wants Amina,
27:54but she won't be the one,
27:56but someone else.
27:58Think about it.
28:00Do you understand anything?
28:02Library footage?
28:04I mean, if she's not Amina,
28:06then why did Zafira go there?
28:08I need to talk to your sister.
28:17Zafira Jabara,
28:19you are under arrest for the murder of your sister Amina Jabara.
28:24What are you saying?
28:26What nonsense is this?
28:28The body you identified was Amina's.
28:31That tattoo was new.
28:33I'm sorry.
28:34Do you really think I don't recognize my daughter?
28:37Actually, this is a very good question.
28:39Do you have the same tattoo or not?
28:43Okay, this is the one.
28:46So what?
28:48I just got it done.
28:50You got it done three years ago.
28:52No.
28:54Zafi and I came into contact again,
28:56that's why I got it done.
28:58As a solidarity, dad.
29:00What does this A mean?
29:01What does it matter?
29:03It means we're back together again.
29:05Atheism.
29:08Like he said,
29:10he did it because he was close to his sister.
29:13Why are you quiet?
29:15What do you think?
29:17I think my whole family has gone crazy.
29:19Dad, come on.
29:21You can see what I'm seeing.
29:23Or do you think
29:25it's better to ignore this for you?
29:27And you,
29:28you only wanted Ameena,
29:30that's why you did all this.
29:32Zaheem, what are you saying?
29:34This is me.
29:36No, no, no.
29:38You're not her.
29:40You're not her, okay?
29:42The way she used to work,
29:44the way she used to talk,
29:46the way she used to cook.
29:48Seriously?
29:50I don't think she should answer any questions.
29:52Leave all that.
29:54It will take time.
29:56Come on.
29:59I ate there.
30:01You can ask the waiter.
30:03No, wait.
30:05I checked in first,
30:07then I ate,
30:09and then I went out.
30:11Okay.
30:13Did you see Ameena Jabbara by any chance?
30:15The girl in the photo,
30:17I told your boss
30:19that I've never seen her before.
30:21Think, think, think.
30:23Yes.
30:25You checked in,
30:26and then you're sitting here.
30:28You could see the door clearly.
30:30What was the time?
30:32I don't know, maybe 6 or 7.
30:346 or 7, what was it?
30:36I'm sorry, I'm sorry, Mr. Ved.
30:38But this is very important.
30:40Did you see anyone coming and going?
30:42Well, okay, okay.
30:44Well, I'm almost certain
30:46that it was around 7,
30:48because
30:51I saw someone there, actually.
30:53So we know what you did.
30:54We just don't know why.
30:56I told you, you're doing it wrong.
30:59I think you should talk to Class Gilbert.
31:04This is you,
31:06two nights ago in the library, right?
31:08You're pretending to be Ameena, right?
31:13Well, you were in the wrong place.
31:15You didn't return the manuscript,
31:17and you said goodbye
31:19like Ameena never did before.
31:21I'm not a robot.
31:22People's routines change sometimes, you know?
31:25Oh, really?
31:27Your sister died,
31:29and you pretended to be Ameena
31:31and videocalled your ex, right?
31:33Why didn't you go see him?
31:35You were afraid he might get too close.
31:38Have you ever heard yourself?
31:40You pretended to be Ameena.
31:42You convinced Otto that
31:44Class Gilbert killed you.
31:46You knew he was a volatile,
31:48and you sent him to accuse Gilbert
31:50to control him publicly.
31:52I just spoke to Lionel Weed.
31:54He was right, but...
31:56I'm interested in the graph.
31:58He never mentioned Zafira,
32:00and he knew Otto and his sister very well.
32:03He reached the television studio at 7.50,
32:05and was there till 10.
32:07That's why he ruled us out,
32:09because we saw Ameena in the library at 8.
32:11Yeah, but she wasn't Ameena Jabara.
32:13No, she was Zafira,
32:15pretending to be Ameena.
32:17I think Ameena was already killed in the hotel.
32:19Henwick told us the time of death
32:20in the middle of the night.
32:24That's why it's relevant
32:26that this graph was seen leaving the hotel before 7.
32:30That's what I wanted to say.
32:32Lionel Weed recognized him
32:34when he had a fight with Class Gilbert
32:37in public during his press conference.
32:39About what?
32:41Belief. Hypocrisy.
32:43And a magician of such truth
32:45makes money by selling drugs
32:47and keeps a gun in his drawer.
32:48He grew up in a rich family.
32:50He went to seminars to get abused.
32:52And now he thinks belief is useless
32:54and faith is a curse
32:56that can be cured.
32:58Class Gilbert accused him of denying it.
33:00The graph wasn't happy.
33:02He failed to sue him.
33:04Class Gilbert is a symbol
33:06that the graph hates.
33:08And that's why he wanted to frame him.
33:13Oh, come on, Pete.
33:15At least thank him.
33:19You complained to Delvin about me.
33:22What?
33:24No.
33:26No, I didn't.
33:28Good.
33:30Don't do it.
33:37Um...
33:39We need to talk to the graph.
33:41Not now.
33:43I need to solve Zafira Jabara's riddle first.
33:45And how will you do that?
33:46I'll give her what she wants.
33:53Mr. Jabara.
34:17How are you?
34:19I'm fine, Dad.
34:21I just want to go home.
34:23I know.
34:26Listen to me carefully.
34:28Tell me what you've done.
34:31I've done your job.
34:33If you have time,
34:35we can talk about metal trusses.
34:37Look, I don't want to talk about metal trusses.
34:39I don't want to talk about metal trusses.
34:41I don't want to talk about metal trusses.
34:43I don't want to talk about metal trusses.
34:44I don't want to talk about metal trusses.
34:46Look, I know
34:48I'm not a good father.
34:50And after your mother's death,
34:52things got worse.
34:56You've always been challenging and independent.
34:59Everything was easy when Amina was here.
35:02Dad, what are you saying?
35:04I...
35:06Everyone has different fingerprints.
35:08Even if they're twins.
35:09The manuscript of the library
35:11has Amina's fingerprints, not yours.
35:15Tell me the truth, Zefi.
35:17You're my daughter. You're my blood.
35:19I don't care what you did.
35:21I can forgive you no matter what.
35:23I've lost you once.
35:25I don't want to lose you again.
35:28Did you kill Amina?
35:33Or did someone else kill her?
35:35Or did someone else kill her?
35:39You and Amina were both involved.
35:43Tell him, Zefi.
35:46Actually, Klaus Gilbert is obsessed with twins.
35:51It's not for him.
35:55Actually, it's for a graph.
36:05Will you forgive me?
36:09Yes, I will. It was all my fault.
36:13Please forgive me, Dad.
36:17I just wanted to come home.
36:21Isaac.
36:23He said he'd help me.
36:25That's okay.
36:27Tell me, what did you do?
36:31I...
36:32I...
36:36You made a deal.
36:40The graph will kill Amina.
36:43And it'll show that you're dead.
36:48You'll take Amina's place and go home.
36:53The graph will frame Gilbert for his sister's murder.
36:58It means he had the whole idea.
37:02But why did Otto kill Alison?
37:09You...
37:11You know I made him fight Gilbert.
37:16Otto was a loose cannon.
37:20Isaac didn't like him.
37:29So he stole Gilbert's gun and killed him.
37:33So he'd be accused of double murder.
37:39The graph enjoyed corrupting Amina.
37:47He wanted a new challenge.
37:51So he set his eyes on Amina.
37:54He liked that he could go with her.
37:57Amina...
37:59was very, very nice.
38:04You loved her so much.
38:07A girl who wouldn't do anything wrong.
38:11I couldn't compete.
38:15No.
38:17You could never compete.
38:21You could never compete.
38:27Dad...
38:30Tell me what you did.
38:32I...
38:34You threw me out of the house.
38:37Do you have any idea how he was?
38:42You always took his side.
38:45You always took his side.
38:47You never gave me any credit.
38:49What did you do to my daughter?
38:51I'm your daughter's...
38:53You're not.
38:55Yes, you were.
38:57But now you're dead.
38:59Dead forever.
39:01No, Dad. Don't do this.
39:03Please, Dad. Stop.
39:05Dad!
39:19What can I do?
39:21You're mine.
39:23No.
39:24No.
39:48I was reading your thoughts on Aastha.
39:51It's nothing special.
39:52Like I always tell my patients,
39:54you have to deal with reality.
39:57Very good.
39:59Or this.
40:02You're the leading skeptic here,
40:05and Klaus Gilbert is the leading believer.
40:07You're a team, right?
40:09We have our moments.
40:11I read about that too.
40:13He shut down your clinic
40:15because you were destroying people's hopes.
40:17He said you're denying your faith
40:19and you're denying Aastha,
40:22who almost went to court.
40:25I'm telling the truth, right?
40:29Klaus is a dreamer,
40:31a cheater,
40:33a gunman, a fraud,
40:35who trusts anyone.
40:37And people believe him. Why?
40:40You like certainty, right?
40:43You're black and white.
40:46Can I relate to that?
40:47I liked it.
40:52Was there a thrill in it?
40:54Corrupting someone like Ameena?
40:57Knowing her beliefs
40:59and taking it against them.
41:01When you also believed in all this.
41:06Why did you do that?
41:09Why?
41:11I saw the light.
41:14Now,
41:15is there a reason
41:17you came here?
41:19He removed your alibi.
41:22The gloves you wore
41:24when you shot Otto Nelson.
41:26I think you use the same gloves here too.
41:31I'm sorry.
41:33I didn't get you.
41:35He had tiny metal traces, right?
41:38They're known as tinfoil.
41:41They're used to make doses for addicts.
41:43Oh.
41:45And Zafira has confessed.
41:48So, yes.
41:51That was the reason she met you.
42:13What?
42:43What?
43:14Wow.
43:19Are you really going to jump?
43:22I won't stop you anyway.
43:24Because there's nothing on the other side.
43:28Just darkness.
43:31I'm not going to stop you.
43:33I'm not going to stop you.
43:35I'm not going to stop you.
43:37I'm not going to stop you.
43:39I'm not going to stop you.
43:40Just darkness.
43:44Or maybe there will be something.
43:46What do you say?
43:51You must be tense.
43:54But the fear of losing.
43:57To lose the Catholic and all that.
44:03Do you want to face the fear?
44:06Or jump from here?
44:10Jump.
44:23Life is better than jumping.
44:27Even if you end up in jail.
44:41Oh.
44:51Shall we watch?
45:10Oh.
45:41Really? Because you know I'm right?
45:44No.
45:46Because I know you weren't thinking right.
45:51By the way.
45:53What else is there?
45:55What is there?
45:57More than this in life.
46:01But till then.
46:10I love you.
46:40I love you.
47:10I love you.
47:11I love you.
47:12I love you.
47:13I love you.
47:14I love you.
47:15I love you.
47:16I love you.
47:17I love you.
47:18I love you.
47:19I love you.
47:20I love you.
47:21I love you.
47:22I love you.
47:23I love you.
47:24I love you.
47:25I love you.
47:26I love you.
47:27I love you.
47:28I love you.
47:29I love you.
47:30I love you.
47:31I love you.
47:32I love you.
47:33I love you.
47:34I love you.
47:35I love you.
47:36I love you.
47:37I love you.
47:38I love you.