Charlies Angels S02E25
Transcript
00:01Once upon a time, there were three little girls who went to the police academy.
00:06Two in Los Angeles.
00:13The other in San Francisco.
00:16And they were each assigned very hazardous duties.
00:23But I took them away from all that.
00:25And now they work for me.
00:27My name is Charlie.
01:30My name is Charlie.
01:31My name is Charlie.
01:32My name is Charlie.
01:33My name is Charlie.
01:34My name is Charlie.
01:35My name is Charlie.
01:36My name is Charlie.
01:37My name is Charlie.
01:38My name is Charlie.
01:39My name is Charlie.
01:40My name is Charlie.
01:41My name is Charlie.
01:42My name is Charlie.
01:43My name is Charlie.
01:44My name is Charlie.
01:45My name is Charlie.
01:46My name is Charlie.
01:47My name is Charlie.
01:48My name is Charlie.
01:49My name is Charlie.
01:50My name is Charlie.
01:51My name is Charlie.
01:52My name is Charlie.
01:53My name is Charlie.
01:54My name is Charlie.
01:55My name is Charlie.
01:56My name is Charlie.
01:57My name is Charlie.
01:58My name is Charlie.
01:59My name is Charlie.
02:00My name is Charlie.
02:01My name is Charlie.
02:02My name is Charlie.
02:03My name is Charlie.
02:04My name is Charlie.
02:05My name is Charlie.
02:06My name is Charlie.
02:07My name is Charlie.
02:08My name is Charlie.
02:09My name is Charlie.
02:10My name is Charlie.
02:11My name is Charlie.
02:12My name is Charlie.
02:13My name is Charlie.
02:14My name is Charlie.
02:15My name is Charlie.
02:16My name is Charlie.
02:17My name is Charlie.
02:18My name is Charlie.
02:19My name is Charlie.
02:20My name is Charlie.
02:21My name is Charlie.
02:22My name is Charlie.
02:23My name is Charlie.
02:24My name is Charlie.
02:25My name is Charlie.
02:26My name is Charlie.
02:27My name is Charlie.
02:28My name is Charlie.
02:46Are you all right?
02:50What is he doing?
02:51What's he doing?
02:52I can't..
02:58Cops. Now what do we do?
03:28I don't know.
03:58I don't know.
04:28I don't know.
04:44One ding in it, pal. No tip.
04:50That's him. It's the same license.
04:59Hey, you're, uh, Sue Cantrell's husband, aren't you?
05:04Back home it was Susie. Now it is Sue.
05:08Times are sure a-changin'.
05:10What do you have?
05:11Bourbon straight.
05:12You got it.
05:16You got it.
05:19You got it.
05:22You got it.
05:25You got it.
05:28You got it.
05:55Mr Cantrell.
05:57We'd like to talk to you for, uh, for a moment outside, if we could.
06:01Who are you?
06:03Can't we discuss that outside?
06:05Sorry, I gotta hang in here. My wife's about to make her singing debut.
06:09Believe me, it's important.
06:11Well, so is this. She'll have my hide if I walk out of...
06:19Just get up and walk slow, please.
06:27Thank you.
06:58Get in.
07:00Hey, look, I'm not going anywhere unless you guys tell me what this is all about.
07:04I'll tell you in the car.
07:06Well, tell me now!
07:28Now, the last one to see Larry Cantrell was the club parking attendant...
07:32who went to get his dump truck.
07:34Dump truck?
07:36Larry, uh, sells sand and gravel.
07:39He's a good guy.
07:41He's a good guy.
07:43He's a good guy.
07:45He's a good guy.
07:47He's a good guy.
07:49He's a good guy.
07:51He's a good guy.
07:53He's a good guy.
07:55Larry, uh, sells sand and gravel for a living.
07:59Mrs. Cantrell, you have no idea where your husband might have gone?
08:03No.
08:06We have been having some problems lately.
08:09And Larry gets mad a lot, and then he walks out.
08:12But he always cools off in an hour or two, and then he comes right back.
08:16Mrs. Cantrell, have you called friends or relatives?
08:20You know, sometimes angry husbands take refuge in places like that.
08:24Yes, I have called everyone I could think of.
08:27And no one has seen or heard from Larry.
08:30That's okay. Now, did you check the hospitals and talk to the police?
08:34Yes.
08:36Larry gets a little wild sometimes and hurtful.
08:40But I love him, and I know that he loves me.
08:43Oh, if I don't hear from him soon, I just know I'm gonna go a little bit crazy.
08:48Mrs. Cantrell brought some pictures of her husband.
08:54Thank you, boss.
08:57Your husband's very attractive, Mrs. Cantrell.
09:00Yes. Yes, you are not the first one to notice that.
09:05Larry has a, uh, way with women, if you know what I mean.
09:10Well, try not to worry, Mrs. Cantrell.
09:13Well, try not to worry, Mrs. Cantrell.
09:15When it comes to finding missing persons, we've got a pretty fair batting average.
09:21Charlie, what is that sound?
09:23Oh, that's an East Indian stringed instrument called a sitar.
09:27And since Mrs. Cantrell is a musician, it reminded me.
09:31I've been meaning to broaden my cultural horizons.
09:34Charlie, you're learning how to play the sitar?
09:38I hadn't thought of that.
09:40What a marvelous idea, Chris. Thank you.
09:44Well, good luck, angels.
09:48What?
10:10What?
10:41Grasshopper, right?
10:43Scotch rocks.
10:44You look like the grasshopper type.
10:46No, I rarely drink anything green.
10:48Do me a favor?
10:50I thought you'd never ask.
10:52I'm looking for a man.
10:54I'll join a gym, I'll lose weight, I'll dye my hair, I'll stand on a box.
10:57What else do you want?
10:59Well, I have somebody in particular in mind.
11:02Oh, I see.
11:04Well, if you don't mind me asking,
11:07Well, I have somebody in particular in mind.
11:10What can he do that I can't do?
11:12He disappears.
11:13His name's Cantrell, Larry.
11:15His wife sings here.
11:16Not yet, she hasn't.
11:17She was supposed to start yesterday,
11:19but he walked out on her and she got very upset and split.
11:23Listen, when he walked out, what kind of shape was he in?
11:26He seemed all right.
11:28He left with two guys who came in for him.
11:31These two guys, do you remember what they look like?
11:35One was dark-haired and walked with a limp,
11:38like he tripped over his own nose.
11:40The other guy was red-headed and a big type.
11:45Did Larry know these two guys?
11:47Didn't seem too thrilled to be with him.
11:51Thanks.
11:52I never let a lady pay for her drink on a Tuesday.
11:56But it's Monday.
11:58So I'll see you tomorrow.
12:01You know something?
12:03You don't need a box to stand on at all.
12:07Maybe you're right. I feel tall already.
12:34How's it, agency?
12:36Bosley, why are you shouting?
12:38Was I shouting?
12:40Can't you hear yourself?
12:42Oh, well, yes, I suppose.
12:44Yes, I guess I was.
12:46Good. Already we've accomplished something.
12:49Come in.
12:51Is there any word yet about Larry?
12:53No, sir.
12:54No, sir.
12:55No, sir.
12:56No, sir.
12:57No, sir.
12:58No, sir.
12:59No, sir.
13:00No, sir.
13:01Come in.
13:02Is there any word yet as to Cantrell's whereabouts?
13:05Cantrell? No, nothing yet, Charlie.
13:09It's open! It is open!
13:11You're shouting again, Bosley.
13:14Yes, I know, Charlie. I'm sorry.
13:16It's just that I'm a little agitated.
13:18Why are you agitated?
13:20Because, Charlie, I am stuck here in the office with a lot of paperwork.
13:24And I hate paperwork.
13:26Here's Mrs. Chicken.
13:28What's that?
13:29It's just my lunch, Charlie. What can I help you with?
13:32There's a friend of mine at police headquarters.
13:34He's head of missing persons.
13:36I want you to call him, tell him what we're doing.
13:39There's always an outside chance he could help us.
13:41Legs, right?
13:42Breasts.
13:43His name is Paul Erowitz.
13:45Lieutenant Paul Erowitz.
13:47But it says legs here.
13:49Breasts. How do you spell that, Charlie?
13:52Erowitz. E-R-E...
13:55Oh, hold it, Charlie.
13:57Now, what is wrong now?
13:59I broke another pencil.
14:01This is getting to be a very expensive conversation.
14:04Nope. It says legs. You get legs.
14:08I ordered breasts.
14:11B-R-E...
14:13No, Bosley. E-R-E.
14:16Just a minute. Excuse me, Charlie.
14:18I am talking to Mrs. Chicken.
14:21What was that?
14:22There's a young lady standing here in the front of my desk
14:26with a chicken on the top of her head.
14:28Did you say a chicken on her head?
14:30Yes. It's my lunch.
14:32Your lunch.
14:33Look, look, I'll tell you what, Bosley.
14:35I'll call Lieutenant Erowitz.
14:37You get some rest.
14:40Here, please.
14:43Uh-huh. Right here.
14:45John Bosley, Townsend Agency.
14:50Breasts.
14:52Oh, gee, well, uh...
14:55Guess what.
14:57You have no breasts.
14:59I gave them to the cobbler on Pico Boulevard.
15:03So try the legs.
15:25Did you get the ammonia?
15:49Yeah.
15:50How's he doing?
15:52Just tired of coming around.
15:54Then he folded again.
15:56Think we should take him to the hospital.
15:58That's brilliant.
15:59That is really brilliant.
16:01They get him conscious, he screams for a cop,
16:03and we're out five million.
16:08You wake up. Wake up, man.
16:10Come on, Cantrell. Take it easy.
16:12Come on!
16:13Hey, you know what I think?
16:15I think we should get a hold of his wife.
16:19She might know something.
16:25All I know is that I want him back.
16:30Don't ask me why.
16:32Ever since we left North Carolina
16:34and moved to the big city,
16:36he has been ten miles a bad road.
16:39Culture shock.
16:41Ego shock.
16:43You see, back there,
16:45I used to sing hillbilly songs in beer taverns.
16:48I don't know, I never got very much attention.
16:51And now you do?
16:53Yeah.
16:55Yeah.
16:57I don't know, my little career
16:59is just something to help me keep my head straight.
17:02Larry just doesn't see it that way.
17:05Country boy kind of jealous of his city wife, huh?
17:08Yeah.
17:10Yeah, and when this country boy gets green-eyed,
17:12he can get mighty difficult to live with,
17:15full of cute little tricks to embarrass me.
17:18Like driving his dump truck to your opening?
17:21Yeah.
17:23Yeah, oh, when he pulls stunts like that,
17:26I don't know whether to spank him or make love to him.
17:30Yeah.
17:32Oh, uh, listen,
17:35I really am in no shape for visitors.
17:37I tell you what, you just go back in the bedroom,
17:40and I'll, uh, I'll get rid of him, okay?
17:43Thank you.
17:45Hello.
17:47Mrs. Cantrell.
17:49Hello.
17:50Mrs. Cantrell.
17:51Uh, no, I'm sorry, she's not here right now.
17:56I think I'm looking at her right now.
17:59Kelly! Kelly!
18:01Kelly! Kelly!
18:04Check on her.
18:06Okay.
18:08Let's get out of here.
18:20Stay back.
18:25Whoa!
18:26I lost him.
18:28You okay?
18:29Can you die from a hit on a crazy ball?
18:32I don't think so.
18:33Can you go crazy?
18:35You probably could.
18:36What happened?
18:37Well, Mrs. Cantrell just got a couple of visitors.
18:40What do you mean?
18:41Well, evidently, they saw Kelly playing your guitar,
18:44and they thought she was you.
18:46Well, what did they want?
18:49Uh, well, you figure that one,
18:52we could probably find your husband.
19:05I do not see how this is going to work.
19:08Soon, Mrs. Cantrell,
19:10you will be my wife.
19:13I do not see how this is going to work.
19:16Sue, you have to have a little confidence in us.
19:18Now, they think Kelly is you.
19:20We want them to keep on thinking that.
19:23Hey, but who are those two?
19:25Well, the bartender at the club said that Larry left there
19:27with a red-haired man and a man with a limp.
19:29Now, that sounds like our two friends that tried to get in here.
19:32Exactly.
19:33Okay, fine, but why did they come here?
19:35I mean, what do they want with me?
19:37That's what we're gonna find out, Mrs. Cantrell.
19:39When and if they make another move for you,
19:41me, we'll be ready.
19:43Meanwhile, we'll put you in a hotel, out of sight and safe.
19:48Bye.
19:52Listen, I love my husband. I just want him back.
19:54Look, you just try not to worry about it,
19:56and we'll let you know as soon as we get anything, okay?
19:58Back on the house.
19:59All right, bye-bye.
20:04What's happening?
20:05Okay, how do we play it?
20:07Well, you're gonna be Sue Cantrell here and at the restaurant.
20:10Now, if they try to grab you, we grab them.
20:12Bosley will be close by to protect you,
20:14and we'll work it out with the restaurant owner.
20:16With my singing, I'm gonna need more than Bosley to protect me.
20:19Hey, wait a minute.
20:20You told me you were lead alto in Glee Club.
20:22Listen, as an alto in Glee Club, I was fair.
20:25But as a torch singer in a supper club, no way!
20:28What is your vocal range?
20:31Poor to awful.
20:34I got it.
20:35What we need here, you see, is the right dress.
20:39There's a direct correlation between a woman's chest and a man's ears.
20:43I have not heard this theory before.
20:45I haven't either.
20:46Well, you see, the lower the neckline, the more tone-deaf they are.
20:50Oh, that is very tacky.
20:53I should not have asked.
20:55Yeah.
20:56Okay, so much for me being a decoy.
20:59What do we do in the meantime?
21:00Well, I think we should trace all of Larry Cantrell's movements
21:03on the morning he disappeared.
21:05Okay, where do we start?
21:06We start at the beginning.
21:07We start where he started.
21:09It'll work.
21:10Let's go.
21:12Okay.
21:37Okay.
21:49Here it is.
21:50Kamikaze Cantrell's delivery sheet.
21:52Kamikaze Cantrell?
21:54Yeah, well, we give each other nicknames here.
21:56My name is John Black.
21:57They call me Black Jack.
21:59John Jack.
22:00John Black.
22:01Because I'm 21 years old.
22:03Ah.
22:0421, Black Jack, get it?
22:06Yeah, we got it.
22:07Ah, yeah, like to gamble, do you?
22:09Doesn't everybody?
22:10Uh, you win at it?
22:11What?
22:12Black Jack.
22:14I play the horses.
22:16Oh, good.
22:17No good.
22:18I lose.
22:20Well, nobody's perfect.
22:22You're about the closest I've seen.
22:24I bet you want to know why we nickname Cantrell Kamikaze.
22:27He's a mind reader.
22:31Because he's killing himself?
22:32Killing himself how?
22:34The best way.
22:36Um, sorry, uh, you lost me.
22:40Well, when Cantrell services some of his customers,
22:43he really gets involved, you follow?
22:46No, not completely.
22:48Look at this.
22:49Mrs. Harriet Cole, nine yards gravel.
22:51Mrs. Jefferson Tate, ten cubic yards of topsoil.
22:53Mrs. Nancy Coleman, ten cubic yards of topsoil.
22:57Are you trying to tell us that Kamikaze
22:59brings more to these relationships than mere earth?
23:02She's getting the picture.
23:04Well, sounds like Mr. Cantrell's quite a fellow.
23:07There's one that's not on the list, Rosie.
23:10Rosie?
23:11The place he eats breakfast every morning.
23:13Rosie's chilling.
23:16But not to him.
23:18Right on.
23:21Black Jack, you're a card.
23:23Anytime.
23:24Good luck.
23:26Well, what do you think?
23:27I think it could be a jealous boyfriend or a husband.
23:30Or both.
23:31Who do you want?
23:32Well, I will take Mrs. Nancy Coleman, okay?
23:34Great, I'll take Rosie's.
23:35I love children.
23:36Means, means.
23:38Means.
24:57Hello.
24:59Hi.
25:00Nice tractor.
25:02What?
25:03I said I like your tractor.
25:05Model A-11.
25:07Special transmission I put in.
25:09Handy.
25:11Um, listen, could we, uh, could we talk a minute?
25:16About the tractor?
25:18No, um, about Larry Cantrell.
25:22Don't know anyone by that name.
25:24Well, that's funny.
25:25He dumped that pile of dirt here yesterday morning.
25:36Who are you and what have you got to do with Larry?
25:40Oh, it's, uh, it's Larry, is it?
25:43Just get to the point.
25:45Well, the point is, he's disappointed in you.
25:49Well, the point is, he's disappeared.
25:53Who says?
25:55Uh, I think I just said it.
25:59Now, where do you fit into this?
26:01Well, Mrs. Cantrell hired me to find her husband,
26:04and, uh, since, uh, you and Larry are more than, uh, just friends...
26:09Lady, you got the wrong information.
26:12I don't think so, Mrs. Coleman.
26:14Uh, it is Mrs. Coleman, isn't it?
26:16Right, Mrs.
26:18Is your husband on the premises?
26:20He's out of town for a few days.
26:22The National Wrist Wrestling Championship.
26:24He's in the finals.
26:26You sure?
26:27Yeah, I'm sure.
26:29He almost broke my arm making me practice with him, big gorilla.
26:32No, no, I mean, uh, you sure he's out of town?
26:35You saying he ain't?
26:37No, no, no, I'm just saying that, um,
26:39that if you and Larry are more than friends
26:43and your husband's a jealous type...
26:45Look, he doesn't know anything about me and Larry.
26:48Unless, of course, you've been blabbing your mouth.
26:51No, no, no, I've, uh, I've never met your husband.
26:54Now, there were a couple of pretty rough guys at Larry's apartment, but...
26:57You keep messing into my business.
26:59You could get me in big trouble.
27:03Your gorilla gets a little mean.
27:05More than mean.
27:08Sounds like you're living dangerously.
27:11So are you.
27:14I gotta get back to work.
27:17Right, uh, thank you.
27:20Uh, nice talking to you.
27:45That was just a warning.
27:48Don't come around here again.
27:50You know what? I take it back!
27:53I don't like you, Tractor, at all!
28:14¶¶
28:45¶¶
28:52Hi.
28:54Hi, I'll have coffee.
28:58Bottom of the pot.
29:00Sure or wake-up?
29:02Ooh, uh, do you have tea?
29:04Only in a bag? I'll adjust.
29:09I'm looking for a mutual friend of ours, Larry Cantrell.
29:12So am I. He didn't show up here this morning.
29:15Well, that's just it. He hasn't shown up anywhere.
29:18Larry a friend of yours?
29:20Well, one of his many, if you know what I mean.
29:23Yeah.
29:25I think you do.
29:26Yeah, that Larry.
29:27He's an original.
29:28Sure is.
29:29You know, I'm a little bit worried about him.
29:31Was he okay when you saw him yesterday?
29:33Oh, he was fine.
29:36Mad as hell, but he was fine.
29:38What was he mad about?
29:40Once he drives in, some dummy in a Toyota runs into a caddy and causes a traffic jam.
29:45So Larry can't get the truck parked.
29:47Then the cops keep him out there answering all sorts of questions, because he's a witness.
29:52I open at 6, and I close every morning from 9.30 to 10.
29:57For Larry.
29:59When he shows up.
30:02Ah, you mean he comes here for more than breakfast?
30:06Well, that's all he had time for yesterday.
30:09Oh, because of the accident.
30:11Boy, was he ticked off.
30:13Roger saw the whole thing from his dress shop across the street.
30:17The whole thing was very odd.
30:20Odd?
30:22Well, this man in that caddy threw something.
30:26Threw something? What?
30:28Well, it was a brown, square-shaped sort of a package.
30:32I was putting this dynamite in a pantsuit in the window, and I really wasn't paying that much attention.
30:38How many people were in this caddy?
30:40Well, I couldn't really tell. I just got a glimpse of the red-headed man who did the throwing.
30:45This red-haired man, where exactly did he throw this package?
30:49Um, it was toward the back of the truck, but I'm not sure.
30:53I was concentrating on that new outfit.
30:56You know, you would look smashing in it.
30:59It's gray corduroy, and it has this plunging neckline.
31:02Excuse me. Did Larry see this man throw this package?
31:07Well, as I recall, it went right over Larry's head, but most things do, if you know what I mean.
31:13Uh, Roger, okay, one more question.
31:16Do you think this package could have gone into Larry's truck?
31:19Well, I guess it could have.
31:22Roger, you're a prince. Thanks.
31:25Listen, what about the pantsuit?
31:28Oh, you'd look terrific in it.
31:37Thanks.
31:55While Larry Cantrell was dealing with the accident,
31:57a red-haired man in the caddy threw a brown package of some sort into the truck.
32:01On purpose?
32:03I think so.
32:04What for?
32:05A redhead, maybe.
32:06From whom?
32:07The police who were at the accident.
32:09That's possible.
32:10Now, the man with the limp who left here with Larry tried to grab Sue Cantrell.
32:15The man with him was a redhead.
32:17Okay, thanks, Charlie.
32:23Well, Charlie checked the accident report on the caddy and Toyota.
32:26The caddy was a redder.
32:28Under assumed names, they found it about two hours ago.
32:31Huh. I wonder why I'm not surprised to hear that.
32:33Me either.
32:34Dare I suggest that we're making progress?
32:36Hmm. Suggest it over a drink.
32:38I've got to go get ready for my debut.
32:40Are you nervous?
32:41Oh, yes.
33:00That broad was Cantrell's wife.
33:01She's the same one who was with her in the apartment.
33:03She sees you, she's gonna start screaming.
33:06You two don't have to handle it without me.
33:08You better move now before the musicians get here.
33:11Hey, you remember Tuesday?
33:13I do.
33:14Scotch rocks.
33:15Love a man that doesn't forget.
33:18Well, uh, I'll see you later.
33:20Bye.
33:21Bye.
33:22Bye.
33:23Bye.
33:24Bye.
33:25Bye.
33:26Bye.
33:27Bye.
33:28Bye.
33:29Bye.
33:30Bye.
33:31Bye.
33:32Bye.
33:33Bye.
33:34Bye.
33:35Bye.
33:36Bye.
33:37Bye.
33:38Bye.
33:39Well, uh, I guess I'll go get ready now.
33:42Listen, be sure to lock your dressing room door.
33:44I'll be back in a minute.
33:45Yeah, okay.
33:46Don't be nervous.
33:47Press up on her.
33:48Uh, good idea.
33:50See? Sometime I could be right.
33:52You're a giant among men.
33:54I was straight bourbon.
33:57Okay.
33:58What do we have?
34:00We got Cantrell leaving Rosie's with a load of soil
34:04and a package you might not know he has.
34:06Mm-hmm.
34:07He goes to Nancy Coleman's ranch.
34:09He dumps the soil and the package.
34:11And then I mention Larry Cantrell to Mrs. Coleman
34:14and she tries to drive a tractor up my back
34:16and dump a shovel on my head.
34:18The question is why.
34:20I mean, is she scared that her husband's gonna find out
34:22she's playing around with Kamikaze Cantrell?
34:24Or does this have something to do with the package?
34:27Maybe you ought to go back to Mrs. Coleman's farm
34:29and take a look at that pile of dirt.
34:31Me? No way.
34:32I will not go back there until we know what's going on.
34:34I have a search warrant.
34:35The lady will shoot me for trespass.
34:37Happy times.
34:38Oh, yes.
34:41Well, I think I'll go check and see how Kelly's nerves are holding up.
34:44Tell her to break a leg.
34:45Huh?
34:46That's an old showbiz term.
34:48I'll just tell her myself, Buzz.
34:50Oh, okay.
34:51See ya.
34:54Well, good health.
34:55All right.
34:56Two, please.
34:57Oh, great.
34:58Thank you.
35:06Tis I, your most ardent admirer.
35:09Just a minute.
35:12Regular guys can't make it.
35:13We're just sitting in for them.
35:22Ta-da!
35:24Ah, Mrs. Cantrell, you have never lost.
35:27Yeah.
35:29It's okay. She's fainted.
35:30Give her a little air.
35:48Oh, no.
35:49Oh, no.
35:50Oh, no.
35:51Oh, no.
35:52Oh, no.
35:53Oh, no.
35:54Oh, no.
35:55Oh, no.
35:56Oh, no.
35:57Oh, no.
36:07There you get your backstage excitement.
36:11Oh, Osley.
36:12Osley, you okay?
36:14Kelly.
36:18Back way.
36:19Going back way.
36:27Come on, get out of the way.
36:52Get out of the way.
36:56Forget it. Forget it. Forget it. Forget it. Forget it.
37:13Can you describe them?
37:15I never really saw them.
37:18Did you get the license number?
37:20No. The curly-haired man, the one the bartender said had the limp, left here with Larry Cantrell.
37:25And then he tries to get into Mrs. Cantrell's apartment.
37:28With a red-headed man.
37:30And there was a red-headed man in the Cadillac who threw the package into Cantrell's truck.
37:35It all makes sense. But what does it add up to?
37:38Well, we know that they rented the Caddy under a phony name. Then they abandoned it.
37:42Yeah?
37:43Well, maybe something in the package was stolen.
37:46It's a possibility. It's about the only thing we got to go on.
37:50Well, we better come up with some answers fast.
37:52Because when they find out that they've got the wrong Mrs. Cantrell, Kelly is as good as dead.
37:59Yeah. Let's go.
38:01How you doing? Bad? No good, huh?
38:06You're saying your husband never saw the package?
38:11Look, if he did, I don't remember him mentioning it.
38:16Why don't you tell me what was in it, and maybe I can help you figure out where it is.
38:23It was five million dollars.
38:25Five million dollars?
38:27Yeah.
38:28I don't know where it is.
38:30Maybe I can help you figure out where it is.
38:34It was five million in diamonds in it.
38:37Five million?
38:40Hey, wait a minute. The Consolidated Heist.
38:43She reads the papers.
38:47Very smooth operation. You fellows are very good.
38:51It's all in the planning, lady. This one took two years.
38:55I get it.
38:57You got into that freak accident with the Toyota.
39:00The police came to ask questions.
39:03And you had to dump the package in Larry's truck.
39:06Now you better figure out where it is.
39:08Or you and the country boy are gonna pay for it.
39:11Out of your hides.
39:13And from what I can see, you're about four and a half million short.
39:28The Consolidated Heist
39:52You better drink this.
39:55Who are you?
40:02How about where am I?
40:07When did he come around?
40:09Just now.
40:13Okay, country boy, okay.
40:16Let's get to the bottom line quick, huh?
40:18You either tell me where the diamonds are or your pretty little wife here is gonna start picking up some bruises.
40:24What the devil are you talking about?
40:27Honey, listen to me.
40:29When you had the accident outside Rosie's, they threw a package into your truck.
40:33It was full of diamonds.
40:35Who are...
40:36It doesn't matter who they are. I'm your wife and I love you.
40:40And you better listen carefully to what I have to say or we're both in big trouble.
40:44Do you understand what I'm telling you?
40:46Do you understand what I'm telling you?
40:56Yeah, yeah, okay.
40:58Good.
40:59Now, after you left Rosie's, do you remember where you dumped the soil you were carrying?
41:03Yeah, I remember.
41:05Good. Just keep remembering.
41:07And don't tell them, you understand?
41:09If we're gonna get out of this still breathing, don't tell them.
41:11What are you trying to do to me?
41:12It's called surviving, friend.
41:14You want back your diamonds? Fine, we'll go for them together.
41:17No, I'm not taking you anywhere, lady.
41:19You're gonna tell me where they are and you're gonna tell me now.
41:21So you can put a bullet in us? No deal, friend.
41:24You wanna get back all the pretty rocks?
41:26Then we'll go for them together.
41:28And when we get there, we'll negotiate.
41:35How do you like for me to start taking him apart, piece by piece?
41:40It seems to me you take one more piece of him and he won't be in any shape to tell you anything.
41:51Okay.
41:53Okay, lady.
41:55We'll play it your way.
41:57But if you come up sorry and short, you're dead.
42:03In fact, you're both dead.
42:10Come on.
42:41Come on.
43:07Larry, what are you doing here? Who are all these people?
43:09What we need to do, lady, won't take long if we don't play any head games, all right?
43:13Who's he? What's he talking about?
43:15We just come to get something that belongs to us, that's all.
43:18And I think you better do what he says, Nancy.
43:26Well, hey, what is it? Nancy!
43:31What are they doing?
43:32You've heard of the good guys and the bad guys?
43:35Yeah, I made some of them what they are.
43:37I'll bet you did.
43:40Anyway, these are the bad guys.
43:42They ripped off some diamonds which accidentally got thrown into Larry's truck and then got dumped here.
43:47Diamonds?
43:48Five million dollars worth.
43:50In that pile of dirt?
43:51That's right.
43:53Who is this crazy broad?
43:55Uh...
43:58My wife.
44:01Your wife?
44:03You told me your wife was dumb and fat.
44:05Well, uh, she, uh...
44:06Every time he has a lady customer, he tells them I'm dumb and fat.
44:10How many customers you got, Larry?
44:13Well, Nancy, uh...
44:14Dozens!
44:16I guess he said he was gonna marry you.
44:19How'd you know that?
44:21I know my Larry.
44:23What are you doing?
44:24Look, why don't you people just shut up for a while, huh?
44:30Whose truck is that?
44:32Whose truck is that?
44:34Uh, George Keller, my neighbor.
44:37Get rid of him.
44:55Sam! Warren! Howdy!
44:58Hi!
44:59What are you doing in George's truck?
45:01Oh, well, George sold us the truck.
45:05We bought the farm, too. We're your new neighbors.
45:10Hey, what are you fellas doing?
45:13All right, back off! Back off!
45:16Bring it in!
45:19Go ahead!
45:31We'll go.
45:32Run! Run!
45:39Well, sparkle, sparkle.
45:54Whoa!
45:57Whoo!
46:01Sort of makes you want to hum the wedding march.
46:06Not anymore, it doesn't.
46:22Sabrina, how could you be sure that Kelly and Cantrell would go to Nancy Coleman's farm?
46:27Well, we checked all of Cantrell's other stops first,
46:29and then we figured that Nancy Coleman's farm was the only logical place we could hope to connect.
46:34And we couldn't just drive in there with our faces hanging out,
46:36so we borrowed the neighbor's truck and clothes.
46:39I see. I understand that Sue Cantrell finally opened at the supper club.
46:43It was an instant hit.
46:45That's right, Charlie. She was a smash. Everybody loved her.
46:48And Larry was front row center, leading the applause.
46:52Good. Sounds like their marriage is on the mend.
46:54Well, Larry better keep his home fires burning,
46:56or he's going to be spending all his nights with his dump truck.
47:02Charlie, now that music that I'm hearing, how are your lessons coming on the sitar?
47:08Oh, quite well, Sabrina.
47:10You know, it's an extremely personal experience.
47:13Demands a very careful touch, very delicate fingering.
47:18Charlie, it sounds like you're really grasping it.
47:21I think I am, Chris.
47:22And tomorrow I actually get to pick up the instrument.
47:25If he hasn't picked up the instrument, what has he been doing?
47:32Strike the question.
47:37Oh, no.
47:52© BF-WATCH TV 2021