Category
🎥
Short filmTranscript
00:01Once upon a time, there were three little girls who went to the police academy.
00:06Two in Los Angeles.
00:13The other in San Francisco.
00:16And they were each assigned very hazardous duties.
00:23But I took them away from all that.
00:25And now they work for me.
00:27My name is Charlie.
01:30Charlie.
01:32Charlie.
01:59Everything okay, Mary?
02:01You know your money's no good here?
02:04That's very dear of me.
02:06But I insist.
02:08Otherwise, I couldn't come here anymore.
02:10And that would be a shame.
02:12Since your place is so convenient.
02:14And you still make the best fettuccine in town.
02:18Listen, uh...
02:20Mary...
02:22Could we meet later this evening and, uh...
02:24Have a cappuccino?
02:26That's a lovely thought, but...
02:29Freddy, what the devil's wrong with you?
02:31There's nothing wrong with me, man. It was an accident.
02:33It was an accident, pig.
02:35Listen, there are a couple of takeout orders in the kitchen. See to it, will you?
02:37Right away.
02:39Mary, Mary.
02:41Never a dull moment.
02:43Have a nice night, Roman.
02:45Mary.
02:47Come on.
02:57Ah, how was your dinner, Mr. Walker?
02:59It was good.
03:01Thank you very much.
03:17Thank you.
03:48Just a minute.
03:54Is that you, Carol?
03:57Hi.
03:59You want something?
04:01What do you want?
04:03Get your hands off her, please!
04:05No!
04:07Terry Jones is the second girl in a month to have been murdered in my building.
04:11I'm deeply concerned.
04:13And the other three girls, the ones that are still living there?
04:16They're frankly terrified.
04:18Mrs. Smith, are the other three girls prostitutes?
04:21I prefer to call them working girls.
04:24Oh.
04:26But there are other women in your apartments who aren't, uh, working girls, right?
04:30A few, yes.
04:32Mine is an equal opportunity building.
04:34Male and female tenants from all walks of life.
04:37Tell me, do the girls do their, uh, working in their apartments?
04:42Oh, no.
04:44They conduct all their business on the outside.
04:46I insist on it.
04:48My building is their home.
04:50The only home some of these girls have ever really known.
04:54And their lives aren't as glamorous as people may think.
04:58Believe me, I know.
05:00Uh, well, what do the police have to say about all this?
05:03The police, as you can imagine, angels, have conducted a thorough investigation.
05:08But so far, have no clues, no leads.
05:10Well, that's why I hired Charlie.
05:12Not only to continue the investigation, but to provide protection for Bonnie, Carol, and Melanie.
05:18Bonnie, Carol, and Melanie.
05:20These are the three girls who are still with you, Dolly?
05:23Dolly?
05:25Uh, yes, Charlie.
05:27Well, uh, do you two know each other personally?
05:30Well, suffice to say, Mrs. Smith and I go back a long time.
05:35Well, uh, then you know what Charlie looks like, right?
05:38Well, it was many years ago.
05:41And then he was, uh...
05:43I'm afraid there's no time for reminiscences, Dolly.
05:46Now, angels, I've made arrangements for you to take up residence in Mrs. Smith's building...
05:51and go undercover as three of her working girls.
05:54Charlie!
05:56In name only, Sabrina.
05:58Hopefully.
05:59You know, Charlie, this case is starting to interest me.
06:02I hope that I have an equally provocative cover.
06:05I think you'll find it an interesting change of pace, Bosley.
06:08Well, good luck, angels.
06:10Yeah, thank you, Charlie.
06:35You girls still in town?
06:38We have some luggage.
06:40Okay.
06:41Thank you.
06:43Be careful, William.
06:44You, too.
07:06Carol, Bonnie.
07:07This is Chris.
07:08Hi.
07:09Kelly.
07:10Hello.
07:11And Sabrina.
07:12Hello.
07:13New talent?
07:14Yes.
07:15Carol has the apartment next to yours.
07:17Oh, good.
07:18Welcome to Bleak House.
07:21Well, I've got things to do, so I've got to go.
07:23If you need anything, just let me know.
07:26Thank you.
07:27Bye-bye.
07:28Thank you.
07:29See you later.
07:31You girls from L.A.?
07:32No, no, no.
07:33We just got in from Chicago.
07:34Oh.
07:35Well, if you ever need to brock up a sugar,
07:37all you have to do is knock on the wall.
07:39I'm down the hallway from Carol, apartment 3A, okay?
07:43Bonnie, how long have you been in L.A.?
07:45Four months.
07:46This is all kind of new to me.
07:48And when Bonnie says new, she means new.
07:50Fresh out of Omaha for the first time in her life.
07:53Oh, really?
07:54To tell you the truth, I'm a little scared
07:56about all this that's been going on around here.
07:59I wouldn't encourage her.
08:01Otherwise, she'll be on the next bus like all the others.
08:05Say, are any of you free in about an hour?
08:08Uh, well, that depends.
08:10Well, I got these two clients,
08:12and they are dying for a party.
08:14Bonnie's busy, and nobody's available.
08:17Oh, gosh, you know, the plane ride was really wild.
08:20I'm a little tired and a little shook up.
08:22I have a bad back.
08:24I'm supposed to stay off my...
08:26On my feet.
08:27I'm supposed to stay on my feet.
08:29What about you, Kelly?
08:32Oh, um, I-I-I have a cold.
08:35Oh, God bless you.
08:36You should probably have a sweater on or something.
08:38I feel sick.
08:39You know, a little wrap.
08:40Too bad.
08:41These guys look like an awful lot of fun.
08:44Darn, it's a shame we have to miss it.
08:46Darn it.
08:50Hi, Freddy.
08:52I went to your apartment, but you weren't there.
08:54Girls, this is Freddy, my pizza pusher.
08:57He works across the street at Vail's.
08:59This is Chris.
09:01Oh, um, Kelly.
09:03Sabrina.
09:04Hi, Freddy.
09:05How you doing? Hello, hello.
09:07Hey, listen, if there's anything I can do for you girls,
09:09don't be bashful.
09:11Okay.
09:12Your other aunt is getting cold.
09:14Say goodbye, Freddy.
09:17He has just a little bit of a macho problem.
09:21He's basically harmless.
09:23Oh, you like anchovies?
09:25Oh, not for me.
09:26I'm trying to watch my weight.
09:28Uh, I-I-I'd love some.
09:30Oh, great.
09:31Thank you.
09:32Sure.
09:33Oh, that's, uh, that's very good.
09:34That's great.
09:35Um...
09:40Oh, I'm sorry.
09:41I'm sorry.
09:42I'm sorry.
09:43I'm sorry.
09:44I'm sorry.
09:45I'm sorry.
10:02Who is it?
10:03Pizza.
10:09Yeah?
10:10$2.85.
10:12Hang a little.
10:16Hey, uh, you mind parking it outside, friend?
10:18Relax, I ain't gonna bite you.
10:20Yeah, sure, fella, only I'd appreciate it
10:22if you'd wait outside, okay?
10:24Hey, anyone ever tell you you got great eyes?
10:30Hey, don't get nervous.
10:32I just paid you a compliment.
10:33Hey, look, man, just lay the pizza on me
10:36and then split, okay?
10:41Yeah, sure.
10:42I'll lay it on you.
10:46Creep.
10:48You're dumb.
11:16Freddy, make this delivery and come right back.
11:20Where's it go?
11:22Across the street.
11:24I don't like that place.
11:26I'm getting fed up dealing with some of those broads
11:28that live over there.
11:30I thought you liked the ladies.
11:32Not those kind.
11:34They get under my skin.
11:45Thank you.
12:15$2.85.
12:46Oh!
13:00Okay, okay, it's all right.
13:02You stay with her, Chris, you're okay.
13:06Come on.
13:08Okay.
13:15Okay.
13:17Okay.
13:43Haley, what happened?
13:46Where do I report a hit-and-run?
14:04These police reports aren't much help.
14:07Let's keep looking.
14:09Maybe we'll come up with some sort of pattern
14:11that could give us some help.
14:13Any luck?
14:15Nothing yet. How's Bonnie?
14:17Still giving her story to the police.
14:19She's in pretty rough shape.
14:21Wait a minute.
14:23What's wrong, Bree?
14:25Well, you notice anything about these two girls who were killed?
14:27What are you getting at, Bree?
14:29Well, they're both blondes, and so's Bonnie.
14:31Well, half the girls in America are blondes, or trying to be.
14:34Yeah, but three victims, all blonde.
14:36Pretty big coincidence.
14:38Maybe it's some kind of a pattern.
14:40Maybe we should get, like, an expert opinion.
14:42Why don't we call that man, uh, what's his name?
14:44Eggers, Dr. Eggers.
14:46The police consult him all the time.
14:48Right.
14:50You know, while we're there, maybe I can have myself analyzed.
14:52I'm finding it pretty rough adjusting to being a janitor.
14:56It's okay, Pastor.
14:58Poor little thing.
15:04We appreciate you coming down here, Dr. Eggers.
15:06Oh, no problem.
15:08I need to get out more, actually.
15:10Now, we've told you.
15:12Do you think you can form any sort of an opinion?
15:14Um...
15:16Oh, oh, sorry, sorry.
15:18Oh, no problem.
15:20Uh, nice aroma.
15:22Snick.
15:24I beg your pardon?
15:26It's called Snick. That's short for, uh, six nights in Copenhagen.
15:28Well, that, uh, that sounds like fun.
15:32How's that?
15:34Oh, well, uh, you were about to tell us if you'd formed an opinion.
15:38An opinion? Well, yes, yes.
15:40I like it here. Uh, I do.
15:42I like it here very much.
15:44I'm talking about the case we're working on.
15:46Do you see any sort of set pattern?
15:48Yeah. Um, well,
15:50the fact that the, uh,
15:52victims were all blonde prostitutes
15:54indicates that we're possibly
15:56dealing with a Jack the Ripper personality.
15:58I mean, it might suggest a possible case
16:00of displaced aggression.
16:02Displaced aggression?
16:04That's a psychological condition whereby a person,
16:06a man, develops a hatred for a particular woman,
16:08but he's unable to, uh,
16:10carry out this aggression
16:12due to some psychological inhibition,
16:14so he chooses a substitute
16:16and kills that person instead.
16:18Excuse me, doctor.
16:20Once he's killed a substitute,
16:22then why does he go on and kill other people?
16:24Because even though the substitute is killed,
16:26uh, the original object of his hatred
16:28still remains alive.
16:30Hmm. Well, is there any possibility
16:32that this person might eventually get it out of his system
16:34and stop killing?
16:36Unlikely. A psychopath's personality
16:38such as this at the same time
16:40harbors great guilt and a desire
16:42to be punished.
16:44So they just go on committing their attacks
16:46until they're caught.
16:48Hmm.
16:50Well,
16:52you said blondes have more fun, huh?
17:00I don't remember anything.
17:02All I want to do is get out of here
17:04like the rest of my friends.
17:06Bonnie, cool it.
17:08Honey, in a few more minutes,
17:10you're gonna be climbing the walls, huh?
17:12I can't help it.
17:14Bonnie, look, I know it's difficult,
17:16but we really need your help.
17:18You're the only one who's had contact with the killer
17:20and lived to tell about it.
17:22Bonnie, I really think you ought to stay,
17:24for yourself as well as for the others.
17:26I want to help, I do,
17:28but I can't.
17:30I just can't.
17:32Here, honey, have a drink of this.
17:34You'll feel a little better.
17:40Listen, I'm sorry.
17:42It's just that I'm so confused.
17:44I mean, first someone tries to kill me,
17:46and then I find out all you girls
17:48are really detectives.
17:50Well, it was important that we be undercover.
17:52I mean, for everybody's sake.
17:56Is there anything you can tell us
17:58or you can tell the police?
18:00Okay.
18:02Listen, you want my opinion?
18:04You should talk to that creep
18:06who works across the street, that Freddy.
18:08The one who delivers the pizzas?
18:10Yeah.
18:12What about him?
18:14Oh, he's bad news.
18:16He came to my pad yesterday and started giving me heat.
18:18Well, what kind of heat?
18:20Oh, all kinds.
18:22I mean, you know, I put him down as a weirdo
18:24because he's weird, you know what I mean?
18:26I mean, I've never seen his face.
18:28He's strange. Bonnie's seen him.
18:30Look, uh, Bonnie, sit down.
18:32Now, I know this is gonna be difficult,
18:34but I want you to think as hard as you can
18:36and see if you can remember
18:38any of the physical characteristics
18:40of the man who attacked you, okay?
18:42Like, um, uh, how tall was he?
18:46He grabbed me from behind.
18:48I don't remember anything.
18:50Okay, he grabbed you from behind.
18:52Now, did you feel his chest
18:54or his face?
18:58Um, he-he put his arm on my throat.
19:00Yeah?
19:02And I-I felt him, uh,
19:04pushing me down.
19:06That's all?
19:08Well, okay.
19:10Did you notice anything at all
19:12that was unusual?
19:14Um, um, uh,
19:16a sound, um,
19:18a word?
19:20Um, yeah, there was this odor.
19:22An aftershave? Cologne?
19:24Okay, I know this sounds crazy.
19:26It's kind of hard to describe,
19:28but-but the odor was kind of like
19:30cooking or a restaurant or something.
19:32It's Freddy, I'm telling you.
19:34Him and his pizza, they both smell alike.
19:36Hey, listen, we may have something.
19:38Why? Who's that?
19:40A man named Jim Walker,
19:42and he said he was an old friend of Terry Jones.
19:44The murdered girl who had this apartment?
19:46What did he want?
19:48He wanted a date,
19:50and he asked me to bring my bathing suit,
19:52and he specifically asked me
19:54if I was a blonde.
19:58Where does he want to meet you?
20:00Uh, here in the marina, on his yacht.
20:02You're not gonna go alone.
20:04What other choice do I have?
20:06Uh, I'll go with you.
20:08That much company he didn't ask for.
20:10Well, uh, I'll keep a very low profile.
20:12I like that.
20:14I still think it's Freddy the pizza freak.
20:16Okay, we'll give it some thought.
20:20Let's go.
20:50Nice boat.
20:52I think you would call that a yacht.
20:54And if it leaves the dock,
20:56I'll be a stowaway.
20:58Yeah, well, if it leaves the dock,
21:00I'm gonna jump ship.
21:02Uh, yacht.
21:04Do you jump yacht?
21:06No, I don't jump yacht.
21:08I don't jump yacht.
21:10I don't jump yacht.
21:12I don't jump yacht.
21:14I don't jump yacht.
21:16I don't jump yacht.
21:18Do you jump yacht?
21:20I'll be close, okay?
21:22Yeah.
21:28Wish me luck. Good luck.
21:48Good luck.
22:06Mr. Walker?
22:10Miss Monroe?
22:12Yes.
22:14Welcome aboard.
22:16There you go.
22:18Thank you.
22:20You brought swimwear?
22:22Yep, just like you asked.
22:24Oh, you can change down there.
22:26Okay.
22:46Uh, oh.
22:48Sorry.
22:50It's lovely.
22:52Very lovely.
22:54Thank you.
22:56Something to warm you up?
22:58Uh, please.
23:10To a beautiful lady.
23:12To a lovely day.
23:14Yes, I suppose it is for most people.
23:20Uh, I'm sorry.
23:22What did you mean by that?
23:24Well, I'm sure that there might be those
23:26whose circumstances are such
23:28that a beautiful day like this
23:30would have no meaning.
23:32Everything being relative.
23:34Don't you agree?
23:36Uh, yeah.
23:38Uh, sure, I suppose.
23:40Mr. Walker, so, uh,
23:42tell me about yourself.
23:44I'm retired.
23:46Mr. Walker, retired.
23:48I fashioned and manufactured
23:50women's swimwear.
23:52Oh.
23:54Well, that sounds interesting.
23:56It isn't.
23:58You know, I'm really beginning
24:00to dislike her.
24:02Her?
24:04Lawrence.
24:06Lawrence?
24:08Lawrence.
24:10Her? Lawrence?
24:12My wife.
24:14Oh.
24:16Oh, it's common law, of course,
24:18getting to be such a nag.
24:20Really?
24:22I think it's because I'm spending
24:24more time at home.
24:26Ah, because you're retired.
24:28Right, and she's beginning
24:30to really drive me crazy.
24:32It's pick, pick, pick, pick all the time.
24:34She doesn't like the way my hair is cut.
24:36I sleep too late in the mornings.
24:38I tell you, it's getting me down.
24:40Why didn't you go back to work?
24:42I told you,
24:44I didn't like working.
24:46Yes, I understand that, but
24:48if you want to, you know,
24:50keep things happy with Lawrence,
24:52it might be a good idea.
24:54You know,
24:56you're smarter than her.
24:58Lawrence?
25:00No, Terry.
25:02Oh, um,
25:04you mean the dead girl?
25:06Mm-hmm.
25:08I told her my problems several times.
25:10She couldn't come up with an answer.
25:12Um...
25:14Where are you going?
25:16I don't think we have anything else
25:18to say to each other, Mr. Walker.
25:26$100? What's this for?
25:28You gave me an answer to my problem.
25:30I'm very relieved.
25:32Well,
25:34I'm very relieved myself.
25:36Please, take your money.
25:38It was too bad
25:40we didn't meet years ago.
25:42Things might have been different for me.
25:44Well,
25:46you know what they say,
25:48timing's everything.
25:50Say hello to Lawrence for me, will you?
26:02Everything okay?
26:04Yeah.
26:06Real weird guy.
26:32Oh!
26:44Aah!
26:46Aah!
26:48Aah!
27:02Aah!
27:32♪
27:56No witnesses?
27:58Nothing.
28:00What happened near the laundry room
28:02and no one heard a thing?
28:04Well, Mr. Walker has an alibi.
28:06She must have put up a struggle.
28:08There were skin fragments under the fingernails.
28:10Well, that means whoever did it
28:12is probably carrying around some scratch marks.
28:14Well, there was one other thing.
28:16The killer left this behind.
28:18Shark's teeth?
28:20Yeah. Remember what it looks like,
28:22because I'll have to give it to the police as evidence.
28:24Yeah.
28:26That's odd.
28:28The killer left this behind.
28:30Yeah.
28:32Careless or deliberate.
28:34What do you mean?
28:36I could understand if there was a struggle
28:38and she tore it off him,
28:40but the glass wasn't broken.
28:46I got to get out of here.
28:48I'm sorry, but I'm scared.
28:50Bonnie, look, there's no reason to be sorry,
28:52and it's perfectly natural to be scared,
28:54but we may be making some progress.
28:56Well, we found something near Carol's body.
28:58It was a shark's tooth pendant.
29:00A pendant?
29:02Yeah. Bonnie, have you ever seen anyone
29:04wearing anything that looks like that?
29:06Yeah.
29:08I have seen something like that.
29:10On who?
29:12Freddy.
29:14Freddy?
29:16Are you sure?
29:18No, I'm not.
29:20I think so, but I couldn't swear to it.
29:26Wow.
29:28Oh, yeah.
29:54Who's the guy?
29:56Dump them. Let's jump on a plane and go to Las Vegas.
30:00Would it help if I told you this is a business lunch I'm having?
30:06You might.
30:07Okay. It's a business lunch.
30:13Doesn't help.
30:21Hi. Table for two?
30:22Yes. This way, please.
30:26Thank you. You're welcome.
30:28My name is Roman Vail. This is my place.
30:31Your first time here? Right. I'm Kelly, and this is Chris.
30:35How do you do? Hi. You have a terrific location here, Mr. Vail.
30:38Yes, I'm very fortunate.
30:40You know, I don't think a minute goes by
30:43that I don't see your delivery boy, uh, Freddy,
30:45coming in and out of our building with those pizzas.
30:48Yes, I keep him pretty busy.
30:50I notice he's not around. You didn't fire him by any chance?
30:53Fire him? Of course not. Why do you ask?
30:56One of our girls, Melanie, I think, said she got in an argument with him.
31:01Oh, well, Freddy gets a little crazy at times.
31:04I did have a talk with him. I'm sure he'll be on his best behavior.
31:09You're staring.
31:11Oh, I'm sorry. I was just noticing your tie clip.
31:15It's beautiful. Is it gold?
31:17Thank you. Yes, it is.
31:19The two of you certainly have some nice teeth.
31:22The two of you certainly have some nice jewelry.
31:24The two of us? I mean you and Freddy.
31:26He has that beautiful gold bracelet and that pendant he wears around his neck.
31:31The shark's tooth? Yeah.
31:34Uh, do you know where he got it?
31:36My brother's birthday's coming up, and I'd like to get him one just like it.
31:39No. No, I don't know where he bought that one,
31:41but, uh, I know he'll probably be getting another.
31:44Oh, why? Well, it seems he lost the one he was wearing.
31:47That's what he said.
31:50Uh, tell me, do you know where he is right now?
31:52Uh, my brother's birthday's the day after tomorrow, and I'd like to get him one.
31:56Well, he's out making a delivery right now.
31:58In our building? As a matter of fact, he is, yes,
32:01to that same girl he had the argument with, uh, Melanie, wasn't it?
32:05Oh.
32:08I think we should go talk to him. Let's go see if we can find him.
32:11I'm sorry. Aren't you having lunch?
32:13We'll take a rain check. Yeah, we'll be back.
32:15We'll be back. See you later.
32:19See you later.
32:50What's the matter? You don't trust yourself?
32:52Look, funny person, just leave the pizza on the floor and then split, okay?
32:57Hey, why can't you be nice to me?
32:59Hey, hey, look, uh, I only have so much to spare every day,
33:03and I don't want to spend it on some delivery boy, hmm?
33:06You think you're too good for me, huh?
33:08Hey, look, you said it, oddball, and not me.
33:11Now leave the pizza on the floor and get out of my life, okay?
33:14Oh, you want the pizza? Yeah.
33:15Here!
33:18Don't play!
33:20Aah!
33:30Aah! Aah!
33:33Aah!
33:35Melanie! Melanie, open the door, Sabrina!
33:37Come on, open it! What's the matter?
33:40It was Freddy. He came after me.
33:42All right, calm down. What happened?
33:44He tried to break the door in. I'll tell you, he's crazy!
33:48I think it went that way. Get back inside and lock it.
33:50I'm telling you, he's crazy!
33:55Freddy!
33:56Hold it! Hold it!
34:17Hold it!
34:34We lost him.
34:36Yeah. I got a feeling they're gonna stop running, either.
34:47Anyway, lieutenant, after we lost him, we called you.
34:50Oh, incidentally, that shark's-tooth pendant
34:52that we found near Carol's body,
34:54well, we think it belongs to Freddy, but we're not sure.
34:57So you say you chased him down into the garage?
35:00Yeah, we chased him down into the garage,
35:03and, um, then-then we lost him.
35:06And the other girl, Melanie,
35:08she claimed that Freddy tried to kill her.
35:10She's easily agitated,
35:12but I don't think she's the kind of person
35:14She's easily agitated,
35:16but that's what she claims.
35:18She was pretty upset.
35:20Okay, uh, I'll put out an APB on Freddy.
35:23Do you three have any ideas?
35:25Freddy's boss, he has a pizza place across the street.
35:28He might be able to give us a handle on this.
35:31Why not? I like pizza.
35:33Uh, look, if it's okay with you,
35:35I think I'll stay here
35:37and see if I can find out anything else from Melanie.
35:40All right. Okay.
35:42We'll see you later.
35:57Table for three?
35:59No, just a business visit.
36:01Do you know these ladies?
36:03Sure. They live in the building across the street.
36:05I can vouch for them.
36:07I'm sure you can.
36:09You're not in any kind of trouble, are you?
36:11Oh, no. We're just here to help the stars as witnesses.
36:14Uh, is Freddy on the premises?
36:16Uh, no. He went out earlier.
36:18He hasn't come back yet.
36:20Is there anything wrong?
36:22Well, he's wanted for questioning.
36:24It seems that he tried to attack one of the ladies about an hour ago.
36:27Freddy?
36:29You know the girl we were telling you about
36:31that Freddy had an argument with?
36:33Yes, vaguely.
36:35Well, it's the same girl, Melanie Robbins.
36:37And you say Freddy tried to strangle her?
36:39Uh, no one said anything about strangling, sir.
36:42I just said that he tried to attack her.
36:45Oh, uh, I just assumed...
36:47You assumed what, Mr. Vail?
36:49Well, I assumed that
36:51since the other girl had been strangled that...
36:53Oh, luckily, it didn't get that far.
36:55Well, if you see him or hear from him,
36:57call me at this number, please.
36:59Of course, lieutenant. Thank you.
37:02Coming, Chris?
37:04Uh, no. I'm a little hungry.
37:06I think I'll stay and get a bite to eat.
37:08Okay. See you later.
37:10Yeah.
37:16Thank you.
37:18You're welcome.
37:39Hi, boss. Working hard?
37:41Don't ask.
37:43As soon as I drop these,
37:45I'm supposed to go fix a faucet in 4F.
37:47Well, you better hop to it.
37:49Only problem is, I cannot get into apartment 4F.
37:52Oh, you mean you don't have a key?
37:54Yes, I have a key,
37:56but it's locked from the inside,
37:58and I can't get an answer.
38:00Oh, hey, be careful, boss.
38:02You're gonna blow your tip.
38:04Oh, I'm sorry.
38:06Be careful, boss. You're gonna blow your tip.
38:09Funny.
38:15Hiya. No sign of Freddy?
38:17No. Sergeant Matthews went back to the station,
38:20and Chris is hanging in at the restaurant in case Freddy shows.
38:23Where's Bosley?
38:25Downstairs.
38:27He's supposed to fix a leaky faucet in apartment 4F,
38:29and he can't get in.
38:31He can't get into 4F?
38:33He says it's locked from the inside and no one answers.
38:35Well, no one can answer. That's Peggy Phillips' apartment.
38:38She's been out of town for over a week.
38:40Maybe she came back.
38:42I just spoke to her last night.
38:44She called to tell me she'd be away for a month
38:47and would be late with the rent.
38:49Then how could it be locked from the inside?
38:52You don't suppose...
38:54Freddy?
39:05Freddy?
39:23Hey!
39:25Freddy!
39:35There are handymen,
39:37and then there are handymen.
39:43I didn't do it. I didn't kill nobody.
39:46Then why did you run from us
39:48and why did you run from Melanie's apartment yesterday?
39:50Because you people were chasing me.
39:52I'm funny that way. You chase me with guns, and I run.
39:55Can you tell me the truth?
39:57I'm telling you the truth.
39:59I'm telling you the truth.
40:01I'm telling you the truth.
40:03You chase me with guns, and I run.
40:05Can you explain why you were hiding in that apartment?
40:08I needed to be alone to get my head together.
40:10Is that what you do when you need to be alone?
40:12You break into somebody's apartment?
40:14I notice you're not wearing your shark's tooth.
40:16I lost it.
40:18That's interesting.
40:20Yeah? Why?
40:22Because it was found next to a girl's body
40:24who happened to have been strangled.
40:26Look, I told you, I don't know nothing about those stranglings.
40:29Strangling isn't my bag.
40:31You know, you kill people and then attempt murder.
40:34What's that supposed to mean?
40:36It's supposed to mean that Melanie says
40:38after you delivered her pizza,
40:40you tried to kill her.
40:42Look, I never try to kill no one in my life.
40:45Look.
40:47Knock, knock, knock, knock.
40:57Well, they finally nailed you, huh, you little creep?
41:00You're the creep. Why'd you tell him I tried to hurt you?
41:04I didn't even touch you.
41:06Oh, oh, listen to him lie.
41:08I wouldn't open my door, so he broke it in and he came after me.
41:11I didn't do nothing to him.
41:13Freddy, sit down.
41:15Okay. Okay.
41:17We had a few words, but that's all.
41:19I just don't like people treating me like dirt,
41:21so I lost my temper. So what?
41:23So you tried to strangle me like the others.
41:26You shut up!
41:28Freddy! Sit down!
41:30Sit down and cool off!
41:32He's crazy, I told you!
41:34Bosley, why don't you take Melanie back to her apartment
41:36till the police get here, huh?
41:38Be back in a minute.
41:40They lock you up and throw away the pizza, you little creep!
41:44Oh, wait a minute.
41:46What's wrong?
41:52Well, Melanie obviously doesn't have blonde hair, right?
41:55So? Well, it breaks the pattern.
41:57All of the other girls who were attacked had blonde hair.
42:00I displaced aggression theory.
42:02Yeah.
42:04Freddy, does Vale know that you lost your shark's tooth?
42:07What's that got to do with anything?
42:09Does he know? Just answer me.
42:11I didn't tell him about it, if that's what you mean.
42:13Then how did he know?
42:15He said that you told him you lost your shark's tooth.
42:17Then he lied.
42:21Bree, have we been chasing the wrong one?
42:23Yeah.
42:25Who, as Bonnie put it, smells like a restaurant.
42:28And Chris is still there.
42:30And she's most definitely a blonde.
42:45Good afternoon. Good afternoon. Thank you.
42:47Mary, listen to me.
42:49Roman, let go of my arm.
42:51You're not being reasonable.
42:53Come on.
43:23Come on.
43:48I, uh... I think I'd like my check now.
43:50Mr. Vail, you don't have to do this.
43:51Look, we can help you.
43:54Mr. Vail!
43:55Oh!
43:56Oh!
43:57Oh!
43:58Oh!
43:59Oh!
44:00Oh!
44:01Oh!
44:02Oh!
44:03Oh!
44:04Oh!
44:05Oh!
44:06Oh!
44:07Oh!
44:08Oh!
44:09Oh!
44:10Oh!
44:11Oh!
44:12Oh!
44:13Oh!
44:14Oh!
44:15Oh!
44:16Oh!
44:17Oh!
44:18Oh!
44:20Oh!
44:31You OK?
44:32You all right?
44:33Are you sure?
44:49♪
45:19♪
45:49♪
45:59Ow.
46:04Mary?
46:09Oh, Mary.
46:11I always loved you.
46:14I always have.
46:16We should have stayed married.
46:19You know I always loved you.
46:22And I always will.
46:26Don't you understand?
46:31Can't you see how it is?
46:35Mary?
46:36I understand.
46:37♪
46:56Well, angels, how did it feel being members of the world's oldest profession?
47:01Speaking for myself, Charlie, I'm very happy to end my career.
47:05Yeah, Bree's right, Charlie.
47:07That profession can be more dangerous than this one.
47:10At least the other little ladies of the evening won't have Vale to worry about anymore.
47:14Boy, that psychiatrist, Dr. Eggers, was certainly right about his displaced aggression theory.
47:19I imagine you were surprised to find out Vale was married to Mary Thomas.
47:23He was still in love with her, so every time she rejected him, he took it out on other blondes who looked like her.
47:29Mm-hmm.
47:30You'll be happy to know that I've heard from Mrs. Smith.
47:32She reports her building is back to business as usual.
47:37Another job well done, angels.
47:39Thank you, Charlie.
47:40Oh, Charlie, listen, we were wondering if maybe we could take a couple of days off and maybe do a little skiing.
47:45What do you say?
47:46As a matter of fact, Charlie, I may make a stab at skiing myself.
47:49Not so fast, Bosley.
47:50I'm afraid the angels will have to make the little ski trip alone.
47:53Mrs. Smith has a little job for you.
47:56Mrs. Smith?
47:57Mm-hmm.
47:58Seems there's a plumbing problem in each apartment up and down the line.
48:01Mrs. Smith claims you caused it.
48:04Well, what does she expect me to do about it?
48:06I don't know, but she said to wear your overalls.
48:11Oh, Charlie, are you sure you won't join us on the ski slopes?
48:15Oh, no thanks, Kelly.
48:16I'm into more intellectual pursuits this week.
48:20Well, happy skiing, angels.
48:22Your move, my dear.
48:25Your move, my dear.
48:27What kind of an intellectual sport is that?
48:29You better not think about it, Bosley.
48:31You snooze, you lose.
48:32You better get your overalls on and get on over there, you know what I mean?
48:35Mrs. Smith's waiting, Bosley.
48:37Mom?
48:54Mom?