Charlies Angels S02E06
Transcript
00:00Once upon a time, there were three little girls who went to the police academy, two in Los Angeles.
00:13The other in San Francisco.
00:17And they were each assigned very hazardous duties.
00:22But I took them away from all that, and now they work for me.
00:26My name is Charlie.
01:00And I'm Charlie.
01:23All gear and flap controls are fully automatic when the automated ILS is engaged.
01:28Gear and flaps will automatically drop when electronically cued from the altimeter.
01:35You believe in this?
01:37I press this at 12,000 feet and we fly hands off until we're 50 feet from the ground.
01:46Wanna fool around?
01:48Gene, let's keep it hands off.
01:52Angela, you know, I think if we really tried, we could put the pieces back together again.
01:58We had some good times, Gene.
02:01Let's leave it at that, okay?
02:05Okay.
02:07Anyway, this fly-by-itself gadget is worth millions alone.
02:13What the devil is...
02:15What the devil is...
02:17Simulated altitude is now 300 feet.
02:20Hey, what's going on?
02:21No.
02:24No, not again.
02:27Simulated altitude is now 100 feet.
02:29Hey, what's going on?
02:31No!
02:32Angela!
02:34Simulated altitude...
02:35Angela!
02:37Automated ILS now disengaged.
02:39Manual control now mandatory.
02:42Manual control now mandatory.
02:47Gentlemen, you have just accomplished a simulated crash.
03:12How many black roses so far, Angela?
03:16Uh, four. There've been four.
03:19And how many phone calls?
03:22I can't even remember now.
03:24Six or seven.
03:26A man's voice?
03:28I think so. It's disguised somehow.
03:31And the caller admits sending the roses?
03:33Admits? He brags about it.
03:36But what do they mean, black roses?
03:39Black roses. What's the significance?
03:42I don't know.
03:44Except that a black rose usually means death.
03:48And I find them in places where I thought nobody had access.
03:53My car, my apartment, my locker at the school where I conduct the stewardess training.
03:59So you think that the caller wants you to know that he has access?
04:03He wants to and he has.
04:05Angela, how would you characterize the calls?
04:07You say there's no demand for money. What exactly does he want?
04:11I asked him that. He said he'd tell me when he's ready.
04:17Angie and I were roommates in college, Charlie.
04:21We helped each other over some pretty rough spots.
04:24So, uh, this is kind of special to me, you know?
04:28If it's personal for you, Sabrina, then it's personal for us, too.
04:32Angels, I'm sure you get the idea.
04:34Cover everything, with emphasis on the training school and the apartment.
04:38What is it you call it?
04:40The stew zoo. Stew zoo? It's very euphonic.
04:45Sounds good, too.
04:47Like the brochure says, a real fun place.
04:51Unless someone's trying to drive you crazy.
05:05Hello.
05:07Thank you.
05:10What's that?
05:12Just Chris and Kelly's uniforms.
05:14Now relax, Angie.
05:16Sorry. Last week I answered a knock and found one of those black roses.
05:20Don't worry, Angela. Chris and I are just across the hall.
05:23Sabrina will stay here with you.
05:25Anybody ask, an old school chum's visiting for a few days.
05:28No problem.
05:30Well, I guess we better get to the coffee tea or me lesson.
05:32Let's see how the uniforms look.
05:34Okay, all right.
05:36Don't worry.
05:38Angie, I have something to show you. Come here.
05:41Now, this will put your mind at ease.
05:43I'll set it up for you, show you how to use it.
05:46Make things a lot easier.
05:56Townsend Associates.
05:58Uh, Bosley? Sabrina.
05:59Hi, you. What's new at the stoozoo?
06:01I'm feeling euphonic.
06:03Bosley, could you just call me back at Angela's, please?
06:08Okay. Bosley will ring the phone.
06:11Now, you push these two buttons before you pick the phone up.
06:16Then you pick it up.
06:19Uh, hi, Bosley. Could you say something that isn't euphonic?
06:23Okay, what do I say?
06:25I'm feeling euphonic.
06:26I'm feeling euphonic.
06:28Okay, what do I say?
06:30Oops, sorry.
06:32Why don't you whisper sweet nothings?
06:34Sweet nothings.
06:36Silver-tongued devil.
06:38Phone rings, push the two buttons, pick it up.
06:40That's all there is to it. You got it?
06:42Got it.
06:44That's easy.
06:46Well, do you have the same thing in flaming red?
06:48With the reading you've got to do by tomorrow morning, your eyes will be flaming red.
06:51Yeah, you girls better hit the books.
06:53I've got some reading of my own to do here.
06:56I wonder what Burt Reynolds is up to.
06:59From what I hear, anything you ask.
07:13Ladies, rule number one.
07:16Every passenger is a king or queen.
07:19Company policy.
07:22Oh.
07:24Oh, I'm sorry.
07:26Watch where you're going.
07:28Rule two, get the drinks in the passengers, not on them, huh?
07:35I'm really sorry, honey.
07:37And don't call me honey. My name's Mei Ling.
07:40Hey, Mei Ling, it's no big thing.
07:42You're not the one they're laughing at.
07:45All right, ladies.
07:47Rule number three, keep your cool.
07:50If I were a passenger, I'd have jumped off the plane.
07:57Glad she's not doing my laundry, huh?
08:00Not funny.
08:02Yeah, well, I'm not appearing here, you know.
08:04Just trying to help Angela teach you dummies a thing or two.
08:08Sort of like the blind leading the blind.
08:27I'll make some coffee.
08:29Great.
08:37Well, let's see.
08:40Burt Reynolds last night, and...
08:44Steve McQueen tonight.
08:47This girl has no shame.
08:49Oh.
08:51And...
08:53Three.
08:54Three.
08:58How'd it go?
09:00Well, is it Murphy's Law that says if anything can go wrong, it will?
09:03Oh, did it?
09:05Nothing major. They're doing just fine.
09:14That wasn't there this morning when we left.
09:18Have you left the apartment?
09:20No. Somebody must have put it there while I was sleeping.
09:24How'd they do that?
09:25How'd they do that?
09:26I don't know.
09:27I don't know.
09:54I didn't know ping pong was a blood sport.
09:58I think Mei-Ling's a candidate for the once over lightly.
10:02Her name's Mei-Ling Johnson.
10:05Mei-Ling Johnson?
10:07Oh, so much for east is east.
10:11As long as we're checking out people, ease around toward the door.
10:22Oh, that's our resident peeping Tom.
10:25Name's Eddie Williams.
10:27He's the assistant manager here.
10:29Well, he could be arrested for what he's thinking.
10:31We better have Bosley check him out.
10:33Sabrina, that's the third heart you've painted on me.
10:36You take it so seriously.
10:38Yeah, but you're winning.
10:40Well, I know. I taught her everything she knows. I always win.
10:51Too bad this ain't a bicycle belt for two.
10:54Well, if it was, you'd take up most of it.
10:58Hi, Mom.
11:00Hi, Gene. What are you doing in no man's land?
11:02Just visiting.
11:04I'd have brought you flowers, but I know how you react to roses.
11:08You could have gone all day without mentioning that.
11:11You're still not going to tell me what that was all about?
11:15Just forget it, okay?
11:19Well, who's the new blood?
11:21Oh, transfers, Chris.
11:24Kelly.
11:25Hi.
11:27And an old friend, Sabrina.
11:30Gene Knox. He'll be instructing you tomorrow.
11:33Oh, Gene, as long as you're here,
11:36would you mind giving me back the key to my apartment?
11:41Well, I did.
11:43A couple of weeks ago at dinner at Devereaux's restaurant.
11:47It was right after you threw your salad in my lap.
11:50I threw your salad in your lap?
11:52Well, I don't like the salad at Devereaux's either.
11:57Anyway, I did give you back your key.
12:00I guess you did at that.
12:03But I'm willing to take it back.
12:05Gene, look, let's just pass on all that, okay?
12:17Hey, big fella.
12:22Why don't you lighten up?
12:24One second though, it's short enough.
12:32Uh, Paula.
12:35Don't worry about him, darling.
12:37He's just suffering from a bruised ego.
12:53Hello?
12:55How are you enjoying your coffee these days, Angela?
13:00Why do you keep calling me?
13:02I told you there'd be something I'd want you to do.
13:05Now I'm going to tell you what it is.
13:07You're crazy.
13:09Do you hear me? You're insane.
13:11I'm not going to do anything for you.
13:13You can't make me do anything.
13:16Angela, you're making a big mistake.
13:19Angela?
13:20Angela?
13:23Angela, do you hear me?
13:30Yes?
13:32This isn't Angela.
13:39Why didn't you put the recorder on?
13:43I'm sorry.
13:45I was so frightened I forgot.
13:48Okay, it's okay.
13:51What did he say?
13:53Uh, he said there's something I have to do for him.
13:56Something you have to do for him, what?
14:00I didn't give him a chance to tell me.
14:03Bree, what does this mean?
14:05Bree, what is it?
14:07Come on, it's all right, look.
14:09Why is this happening to me?
14:11I don't know, Angie, look.
14:13There's not much on the tape, but I'll take it to the police lab first thing in the morning.
14:15They'll see what they can find out.
14:17Come on, come on, don't be scared.
14:18It'll be all right.
14:41Angela?
14:42Angela?
14:48Can I get a ride with you?
14:50Oh, sure, come on.
14:52Oh, thanks.
14:55Eddie?
14:57Eddie, would you do me a big favor?
14:59All you gotta do is ask.
15:01Would you call the garage and see that my car gets fixed?
15:03I'd really appreciate it.
15:05My pleasure.
15:07Thanks.
15:09Listen, you can just keep the keys under the front seat.
15:10You know, maybe we could, maybe we could meet somewhere
15:12and I could bring it to you in person.
15:16Under the front seat will be fine.
15:41No, I don't want to overload you girls
15:43with technical information,
15:45but I would point out
15:47that on your first orientation flight,
15:49we'll be conducting weight and balance tests
15:51as they relate to some special equipment
15:53this airline has developed.
15:55Inside the cockpit, on the automatic pilot panel,
15:57there's a red light.
15:59It's a red light.
16:01It's a red light.
16:03It's a red light.
16:05It's a red light.
16:07It's a red light.
16:08Inside the cockpit panel,
16:10there's a red light
16:12with an activator switch.
16:14Now, there's not a girl in this room
16:16who couldn't flip the switch
16:18and put the plane into landing approach
16:20at the nearest airfield.
16:22When the red light is on,
16:24the plane flies itself
16:26until you're 50 feet from the ground.
16:28Well, what do we do when we get to 50 feet?
16:30Probably nothing,
16:32since in addition to Gene and myself,
16:34there's a flight engineer who can also fly.
16:36Gene?
16:38It's exclusively by our company.
16:40We're in our final checkout phase.
16:42Now, in addition to what Captain Glover
16:44has told you about,
16:46there's also an emergency radio transmitter
16:48and receiver in the galley,
16:50just in case one of you girls
16:52might have to talk to the tower someday.
16:54Our company frequency is 135.75.
16:56Memorize that?
16:58Is this new equipment
17:00available now to all the planes?
17:02All the planes on this airline
17:04will eventually be equipped with it
17:06everywhere in the world,
17:08as long as we live here.
17:10Well, I, uh...
17:12I didn't mean to...
17:14I think it's time for a break.
17:16Any takers?
17:31Oh!
17:33What happened?
17:35Oh, I...
17:36That always happens.
17:38I bump my head on something,
17:40everybody else walks under.
17:42Paula, you're going to wind up
17:44with a broken back if you go around
17:46hunching over all the time.
17:48Let me ask you a question.
17:50How did you pass the physical?
17:52I lied.
17:54And I cried.
17:56Blurted with the doctor.
17:58Well, what would you do
18:00if standing on the ground,
18:02your head was already up
18:04in the wild blue yonder?
18:07Hey, I think I'm going to go see
18:09what's shaking with Mayling.
18:11What are you going to say?
18:13I don't know.
18:15I'll think of something.
18:21Mayling, can I talk to you for a minute?
18:23What's the point?
18:25Come on, now.
18:27You're not going to hold a grudge, are you?
18:29Do you care, huh?
18:31Yes, I do care.
18:32Look, why can't we be friends?
18:34Look, I've got a lot of things on my mind.
18:37Precious, you know?
18:39Friends, I haven't got time for, okay?
18:48Listen, I got the report back
18:50on the tape from the police lab.
18:52We didn't record enough of the voice
18:54for them to get in a usable voice pattern
18:56and they couldn't even get a stress analysis.
18:58You know what?
18:59They're not even certain
19:01whether it was a male voice.
19:03We keep coming up empty.
19:05Chris, you were talking to Mayling Johnson.
19:08Anything there?
19:10Mm-mm, just a very uptight lady.
19:12I'd love to know why.
19:14Yeah.
19:26Hi, Eddie, you got anything there for me?
19:28No, but if, uh,
19:30you know, if anything should come in,
19:32you know, maybe I could come by
19:34and bring it in to you.
19:36Ah, that's...
19:37Purse?
19:39That's okay, Eddie, you don't have to do that.
19:41Thank you, though.
19:43You know, I'm not as dumb as I look.
19:45You know, all these other stews,
19:47you know, they think I'm some kind of a...
19:49Well, I don't care what they think.
19:51You shouldn't.
19:53You should not care what they think.
19:55You shouldn't care.
19:57Everything you say, Sabrina.
20:28Oh, go ahead.
20:30I just want to safely fix my car
20:32and get my keys.
20:34See you later.
20:36Oh, go ahead.
20:38I just want to safely fix my car
20:40and get my keys.
20:42See you later.
21:06Angela, you stay here.
21:08You stay right here.
21:35No!
21:57No!
21:59Oh, no!
22:06I had to go to the police homicide team.
22:08Well, I made a deal with Lieutenant Carruthers.
22:10He said he'd help us out here
22:12if we told him everything we know.
22:14That's easy.
22:16How long does it take to say nothing?
22:18Right, Charlie.
22:19Okay, right, thank you.
22:21Well, Charlie checked out
22:23the apartment manager, Eddie Williams.
22:25It seems he was released from the army
22:27with a dishonorable discharge.
22:29Morals.
22:30I don't know.
22:32I don't know.
22:33He was released from the army
22:35with a dishonorable discharge.
22:37Morals charge.
22:39And what about Mei Ling?
22:41Mei Ling has an outstanding
22:43missing persons report.
22:45I guess I'll have to find out
22:47the details on that later,
22:49but she is a black belt in karate.
22:51And Marilyn Bassett was killed
22:53with a karate chop to the throat.
23:04Angela, we'd better talk.
23:09How'd you know I was here?
23:11I do everything you do, Angela.
23:17I'm not going to listen to you.
23:19I think you are.
23:21Unless you want to lose
23:23another one of your friends.
23:25Marilyn?
23:29It was a black belt.
23:31It was a black rose by her body.
23:35You did that.
23:38You killed her.
23:40It's entirely up to you, Angela.
23:43If you'll do as I say,
23:45if you tell no one what's happening,
23:47then there'll be no problem.
23:49No one will be hurt.
23:52If I can?
23:54You can.
23:56Open the door to the second dryer.
23:58There's a tape machine in there
24:00and a package.
24:02Listen to the tape.
24:04Follow the instructions.
24:29On the student orientation flight,
24:31you will, three minutes after takeoff,
24:34go to the cable car.
24:36There's a man in the cab.
24:38He's a cop.
24:40He's a cop.
24:42He's a cop.
24:44He's a cop.
24:46He's a cop.
24:48He's a cop.
24:50He's a cop.
24:52He's a cop.
24:54He's a cop.
24:56He's a cop.
24:58You will then go to the kitchen
25:00and put the capsule in the copilot's coffee.
25:03It's merely a knockout pill.
25:05You will then move directly into the cockpit.
25:09Okay. What have we got?
25:11We have got one Peeping Tom.
25:13We have got one hostile karate expert
25:16who is also a missing person.
25:18Hi, Angie.
25:20Hi.
25:22What's the matter?
25:24Nothing.
25:26I'm fine.
25:28Angie, come on. Would you tell us what's the matter?
25:32Nothing is the matter, okay?
25:58Hiya.
26:14Private party?
26:16Right.
26:18You always were a gate-crasher.
26:20Hey, I was always your friend, too, remember?
26:23Want some more, please?
26:25No, I don't want anything. Thanks.
26:29Do me a favor.
26:31Sure.
26:32Leave me alone.
26:35Just forget I brought you into this, uh, case.
26:41Look, Angie, I'll be glad to leave you alone if you don't want any help.
26:46But I think you do.
26:48As I recall, in college, you majored in political science, not mind reading.
26:54Well, you don't have to be a mind reader to know that something's the matter.
26:59And listen, that stuff isn't gonna help, and I just...
27:02I just wish you'd let me know what's going on.
27:06I can't.
27:08Look, Angie, uh, you were leveling with us before Marilyn was killed.
27:15Now, why are you freezing up on us now?
27:21Wait a minute.
27:23Marilyn was killed, and there was a black rose found next to her body.
27:30Now, I'm right, aren't I?
27:32The phone caller.
27:34He killed someone.
27:36And he told you.
27:38Told me!
27:39Bree, stop it.
27:42Stop it.
27:47Okay, Angie.
27:52By tomorrow, it'll all be over.
27:57Nobody will be hurt.
27:59I won't be responsible.
28:01Um, responsible?
28:05For what?
28:07I... I can't tell you.
28:12Believe me, by tomorrow at this time, it'll all be over.
28:18But what will all be over?
28:20She wouldn't tell me.
28:21Then we've got nothing.
28:22Well, we have one thing.
28:23We have a time schedule.
28:24Whatever it is gonna happen, it's gonna happen tomorrow afternoon.
28:27That's not much help.
28:29Wait a minute.
28:30The student orientation flight is tomorrow.
28:33I thought that was in two days.
28:34No, they got done with the preparations early, so they're doing the flight tomorrow.
28:38Well, that's it, then.
28:39It's got something to do with that flight.
28:41Okay, let's say it has.
28:43What's the angle?
28:44What's at stake?
28:45I don't know.
28:46What's the purpose of the flight?
28:47What's special about it?
28:48Nothing.
28:50It's standard procedure for all new stews.
28:53Except we're doing something called weight and balance tests.
28:56What's that?
28:58They put weighted bags in the seats in various sections of the plane.
29:01I don't know the technical reasons.
29:03Weighted bags?
29:06Could there be something in the bag?
29:09You mean some sort of smuggling scam?
29:11Possible.
29:12I don't know.
29:14I just know that Kelly and Chris will be on that plane tomorrow,
29:17and I will, too, in a manner of speaking.
29:20You lost me.
29:21Well, I'm gonna monitor the flight from the radar facilities.
29:25How are you gonna arrange that?
29:27Charlie used to do quite a bit of flying.
29:29He's got some connections with the FAA.
29:30He ought to be able to set it up.
29:32But, Bree, if the authorities find out what we're doing,
29:35they could cancel the flight.
29:37What for?
29:38How are they gonna do that?
29:39I mean, it's not a regular flight.
29:40It's an airline testing its equipment.
29:46I'm afraid it's the only way we're gonna get an answer.
29:51Okay, Chris and I are in the plane.
29:53Sabrina's monitoring from the ground.
29:55I guess it's the only way to go.
29:57There's one other thing.
29:59What do you mean?
30:00Well, suppose while Sabrina is in the radar facility,
30:05the other is in there at the same time,
30:07monitoring the plane.
30:35There's a pressurization problem in the rear compartment.
30:59Maybe you could take a look.
31:00It's not exactly a flight engineer's job,
31:02but I won't tell my union if you won't.
31:04Check the seam in the floor over there.
31:34Okay.
32:04Put the capsule in the co-pilot's coffee.
32:16It's merely a knockout film.
32:18You will then move directly into the cockpit
32:20and lock the door.
32:22Get in the coffee.
32:24Wait for the drug to take effect.
32:26Then order Captain Glover to fly a heading of 190 degrees.
32:32Tell him to get a clearance to Lima, Peru,
32:35or you'll kill him.
32:37Once you've landed in Peru,
32:39Follow the instructions on the reverse side of this tape.
33:10Thank you, my dove.
33:13Tell me, how are all the little doves outside doing?
33:16Fine.
33:17They're doing just fine.
33:33Say, listen, I don't feel too good.
33:36Take it easy.
33:47Angela.
33:49Angela, I think you better get the flight engineer.
33:54Captain Glover,
33:56I want you to head south.
33:59One, nine, zero degrees.
34:03Angela.
34:04What the devil are you doing?
34:06Please, just do as you're told.
34:09I don't want to hurt you.
34:21You didn't lock the door, Angela.
34:30You were instructed to lock the door.
34:42Angela.
34:44Angela.
34:45Open the door.
34:48Angela.
35:01Don't they usually call in during a flight?
35:03No, they don't.
35:04They don't?
35:05No, they don't.
35:06They don't?
35:07No, they don't.
35:08No, they don't.
35:09No, they don't.
35:10No, they don't.
35:11No, they don't.
35:12No, they don't.
35:13No, they don't.
35:14No, they don't.
35:15No, they don't.
35:16No, they don't.
35:17No, they don't.
35:18No, they don't.
35:19No, they don't.
35:20No, they don't.
35:21No, they don't.
35:22No, they don't.
35:23No, they don't.
35:24No, they don't.
35:25No, they don't.
35:26No, they don't.
35:27No, they don't.
35:28Don't they usually call in during a flight?
35:30Well, not necessarily.
35:32Could be a radio malfunction, or they decided to monitor on a different frequency.
35:37Yeah.
35:38Uh, 14 Bravo, this is Los Angeles Central.
35:41Do you read?
35:4314 Bravo, this is Los Angeles Central.
35:46Do you read?
35:48Angela!
35:50Wait a minute.
35:51The intercom.
35:53Okay, girls, let's come on.
35:54Let's sit down.
35:55Everything's fine.
35:56Everything's gonna be fine.
35:57We'll take care of it.
35:58Come on, it's all right.
35:59Sit down.
36:02It's okay.
36:03Just have a seat there.
36:05Angela.
36:07Gene, can you hear me?
36:08What's going on?
36:10A shot was fired.
36:11A shot?
36:12What are you talking about?
36:13There was a shot fired in there, and now the door is locked.
36:21What are you doing?
36:22What's the gun for?
36:23I'm gonna shoot the lock off.
36:25And maybe kill somebody in there?
36:26Maybe the only person that can fly this plane?
36:28Are you crazy?
36:31By the way, what are you doing with a gun?
36:33Never mind that.
36:35You girls just get this door open and quick.
36:36This flight's going the way we planned it.
36:39Who's we?
36:40Just get the door open.
36:43Where's the flight engineer?
36:45Forget him.
36:46He can't help you.
36:47Now get the door open.
36:49Now you just hold on one minute.
36:51We are not doing anything until you tell us what is going on here.
36:56Listen, I'll use this.
36:58Maybe you will and maybe you won't.
37:00We're no good to you dead.
37:17Okay, look.
37:20Glover and I are gonna take the plane and sell the equipment.
37:24What are you talking about?
37:25The new equipment on the plane, we're gonna sell it.
37:28To whom?
37:29What difference does it make?
37:30Just get something to break this door open and do it now.
37:39Angela, Gene, can you hear me?
37:44Somebody answer me.
37:45What's happening in there?
38:03I, L.S., Los Angeles.
38:23The plane's turning.
38:24Somebody must be flying it.
38:25It feels like the autopilot.
38:26We're going down.
38:27It is the autopilot.
38:28Hold on.
38:29Do it.
38:31That's it, my friend.
38:34Gene, can you open the door?
38:36Open the door.
38:37Look.
38:39Gene.
38:52Get something and tie him up.
38:53Maylene, find the flight engineer.
38:54Okay.
39:00Los Angeles Center to test flight 14 Bravo.
39:02Do you read?
39:14Forget the flight engineer.
39:15He's unconscious.
39:18The emergency radio.
39:25This is test flight 14 Bravo.
39:26Anyone read me?
39:30Kelly, Sabrina, can you hear me?
39:31What happened?
39:32We don't know.
39:33There was a shot.
39:34Now the cockpit door's locked.
39:35We can't get in there, and we can't get anyone on the intercom.
39:40How's the plane reacting?
39:41It's not responding.
39:42I can't hear you.
39:43I can't hear you.
39:44I can't hear you.
39:45I can't hear you.
39:46I can't hear you.
39:47I can't hear you.
39:48I can't hear you.
39:49I can't hear you.
39:50I can't hear you.
39:51I can't hear you.
39:52I can't hear you.
39:53How's the plane reacting?
39:54It feels like it's on autopilot.
39:56We're losing altitude and heading back toward Los Angeles.
39:59The automated ILS must be engaged.
40:02Where's the flight engineer?
40:04He can't help us.
40:05He's unconscious.
40:06What happened?
40:07Never mind.
40:08Tell me later.
40:09You've got to force the cockpit door.
40:11We're trying.
40:13We can't.
40:14Keep trying.
40:15Now listen, and listen carefully.
40:17You may have to land the plane.
40:20Are you crazy?
40:22I'm dead serious.
40:23If the automated ILS is engaged,
40:26it will just get you down to the last 50 feet.
40:29Then you have to take over.
40:33I don't know what to do.
40:35You have to.
40:37Okay, okay, I have to.
40:40What do I do when and if I get there?
40:43When the red light goes off on the automated ILS,
40:46you'll be 50 feet from the ground.
40:48At that time, pull back on the yoke.
40:51That's the wheel.
40:52Until the airspeed indicator reads 100 knots.
40:56Okay, 100 knots.
40:58If the airspeed indicator drops below 100 knots,
41:01ease forward.
41:02Do you understand?
41:04I think so.
41:06Okay, the rudder pedals.
41:08You use those with the yoke to turn left or right.
41:12You ever race a soapbox when you were a kid?
41:15I got the picture.
41:16I'll tell you the rest when you're in the cockpit.
41:19Call me when you get there.
41:46Okay.
42:062,000 feet.
42:13We got to hurry.
42:16Okay.
42:303...
42:371,200 feet.
42:47Okay.
42:53It's giving.
42:55Ow!
43:15400 feet.
43:17Get in there, Kelly.
43:19Harder!
43:26Girls, let me try, please.
43:29Please, please.
43:39150 feet.
43:42Come on, get in there.
43:55Come on, get in there.
44:26Okay, get everybody strapped in right now.
44:32Okay, okay, we're in the cockpit.
44:34Don't bother to respond.
44:36Just remember, 100 knots.
44:38Keep the wings level.
44:40Lift the nose to slow down.
44:42Lower it to speed up.
44:47You're a little off to the left.
44:49Give it some right rudder.
44:51Just a little more.
44:54Come on, Kelly, you can do it. Come on.
45:04You're about to touch down.
45:06When you do, pull the throttles into reverse thrust position.
45:24Okay.
45:32Reverse thrust now.
45:42Now, feet on top of the rudders.
45:44Those are your brakes.
45:45Use them.
45:46Brake evenly.
45:48Evenly.
45:53Good.
46:12Atta girl, Kelly!
46:15You did it!
46:17All right, you hit it!
46:31You're done.
46:33Kelly, you're a flyer.
46:36I'm a lander.
46:40Thank you.
46:42I can't believe it.
46:55So it's like the old story, Charlie,
46:57the one about the guy who was wheeling the brick out of the factory every day.
47:00He's a good guy.
47:02He's a good guy.
47:04He's a good guy.
47:06The one about the guy who was wheeling the brick out of the factory every day.
47:09The guards finally nailed him for stealing bricks.
47:11He was stealing the wheelbarrows.
47:13See, Glover and Culver were trying to steal the equipment, not the plane.
47:17Why the elaborate scheme?
47:19Why didn't Glover simply take the plane and fly it away?
47:22Well, by playing the part of the helpless pilot,
47:24forced into the theft, Glover would never be suspected.
47:27He could pay off Culver, collect his money, go back home a hero,
47:30and he wouldn't have to be on the run the rest of his life.
47:33And Angela would never know Glover was her mysterious caller.
47:37Clever idea, actually, provided it had worked, of course.
47:41Angela, how did Glover get access to your apartment?
47:44All those roses.
47:46Gene Knox once had a key to my apartment.
47:49Glover lifted it during a layover somewhere and had a duplicate made.
47:52That's how he got in and out so easily.
47:55Mayling Johnson got her citizenship by marrying a G.I.
47:59Apparently, a G.I. for whom she cared very little in that she split.
48:04He placed a missing persons report on her,
48:06which probably explains why she was so upset.
48:08Oh, by the way, Kelly, I've arranged a little surprise for you.
48:12Oh, really? Let me guess.
48:14A week in pango pango.
48:16No, not quite. I'm giving you flying lessons.
48:19What do you think of that?
48:21I think before I answer that, Charlie,
48:23you better give me that week in pango pango.
48:25That way my answer will be much less painful to you.
48:28Ha-ha-ha-ha.
48:30Ha-ha-ha-ha.
48:32Thank you.
48:55© BF-WATCH TV 2021