Movie
  • 6 months ago
Transcript
00:01Once upon a time, there were three little girls who went to the police academy.
00:17And they were each assigned very hazardous duties.
00:22But I took them away from all that, and now they work for me.
00:26My name is Charlie.
00:30My name is Charlie.
00:32My name is Charlie.
00:34My name is Charlie.
00:36My name is Charlie.
00:38My name is Charlie.
00:40My name is Charlie.
00:42My name is Charlie.
00:44My name is Charlie.
00:46My name is Charlie.
00:48My name is Charlie.
00:50My name is Charlie.
00:52My name is Charlie.
00:54My name is Charlie.
00:56My name is Charlie.
00:58My name is Charlie.
01:00The End
01:14Music
01:27Angels, this Mexican-registered charter plane went down in United States territory carrying a fortune in heroin.
01:33The pilot was shot by a hijacker who was after the heroin.
01:37He subdued the hijacker and was almost able to manage a safe crash landing.
01:42Is the pilot still alive, Charlie?
01:44Broken leg and hip, but he'll be all right.
01:46His name is Dan Mason, Angels, and he's our client.
01:50Dan is the one on the right, and that is his buddy Jim Taylor.
01:54Remember Jim Taylor's face. You'll be seeing him.
01:57Mmm, I can hardly wait.
01:59Sorry, Jill. Dan's arranged for Taylor to work with us,
02:03but Sabrina will be Taylor's only contact as a stewardess on his flights.
02:07Her knowledge of Spanish is a must for the job.
02:09How hard is it to say, si, senor?
02:13What does Dan Mason want us to do, Charlie?
02:15Crack the smuggling ring that stashed the heroin on his flight.
02:19Dan's sister, Laurie, was the stewardess on the plane.
02:22There were two kilograms of heroin taped to her body,
02:25and 20 kilos stowed in the fuselage.
02:27It was a real shock to Dan to find out that Laurie was a addict.
02:31Any prime suspects, Charlie?
02:32One big one.
02:34The owner of the charter airline Dan and Taylor fly for, Frank Bartone.
02:38Bartone is a highly respected citizen of Mazatlan,
02:41but Mexican authorities think he could be one of the heaviest producers of illicit drugs.
02:46Word is that lately Bartone has been pressed by a new rival,
02:49a man known only as Escobar.
02:52But so far there is no case against Bartone.
02:55And with his influence and wealth,
02:57it's almost impossible for the Mexican police to penetrate his organization.
03:01And that's where we come in, Charlie?
03:03Where policemen fear to tread?
03:05I'm afraid so, angels.
03:08This is Bartone's daughter, Maria.
03:10She's into swimming,
03:12and Bartone will turn to anybody who can help her become a champion.
03:16How's your breaststroke, Jill?
03:18Oh, I thought you'd never ask, Charlie.
03:20Just swim in that water, Jill. Don't drink it.
03:23Bosley has your assignment packet, so,
03:25bueno viaje, angels.
03:27Any chance we might see you down south, Charlie?
03:30I'm afraid I'm snowed in here at Aspen, angels.
03:34But it's not all bad.
03:35My suite offers a magnificent view of the local natural formations.
03:40And it's uncanny how they bring to mind
03:43the majestic slopes of Switzerland.
03:50Good morning.
04:13Jim?
04:18Hi.
04:20Brought Dan pretty.
04:21Dan's always had great taste in women,
04:23but female detective, that's a new twist.
04:25I hope you know your business.
04:27Well, thanks very much for the vote of confidence, Jim.
04:29Sorry.
04:30But I have been thinking about what happened to Dan
04:32and the question you've been asking me before.
04:34And?
04:35My hunch is that the heroin found on Dan's flight was not smuggled.
04:38Frank Bartone?
04:40I think Bartone's been shipping it himself.
04:42Wouldn't that be pretty dangerous on his own airline?
04:44Not really. You see, Bartone has each pilot
04:47have an independent charter agreement before every flight.
04:50So that legally you're renting the plane every time you fly for him?
04:53That's right.
04:54So when Dan went down, Bartone was clean.
04:57Dan was responsible for the aircraft and everything on board.
05:00Wow.
05:01Including his sister.
05:03Yeah.
05:05Poor Laurie.
05:07Dan and I got her the stewardess job on the airline
05:09I guess about eight months ago.
05:11It wasn't too long before she was a steady at Bartone's mansion.
05:14And that's where she got hooked on smack.
05:19How do I qualify as a stewardess?
05:21Oh, that's easy.
05:25You've got all the qualifications that Bartone cares about.
05:29But just to avoid questions, we'll make it like we've got something going together.
05:33Should be easy.
05:35That's Wendy Green.
05:37She'll be your co-stewardess on the flight.
05:40Might as well start playing our parts, huh?
05:44Yeah.
05:55Okay, you made your point.
05:57She'll track us like a radar screen.
05:59Good.
06:00She'll spread the word faster than Western Union.
06:03Come on, I'll show you around.
06:15Any more from the man he caught last night?
06:18Just what I reported this morning.
06:20He definitely works for Escobar.
06:22The boys are still working on him.
06:24Good.
06:27Who's that?
06:33I don't know.
06:35He's a good guy.
06:37He's a good guy.
06:39He's a good guy.
06:41He's a good guy.
06:47Exquisite.
06:51Nick, don't forget that phone call.
06:54Yeah, let's go, girls.
06:59Welcome to Mazatlán.
07:01Vacation?
07:03Common tourist type.
07:04A schoolteacher on holiday.
07:06Oh, what kind of teacher?
07:08Barclay School for Girls in Los Angeles.
07:10School for young ladies.
07:11This is very good.
07:12Oh, I'm sorry.
07:13My name is Frank Bartone.
07:15Kelly Garrett.
07:16Nice meeting you.
07:18And I promise to protect you from the evils of Mazatlán.
07:22If I can engage you as my own private teacher.
07:24I've read about you, Mr. Bartone,
07:26and I don't think you need a teacher for anything.
07:29Oh, propaganda, Kelly, just propaganda.
07:32Actually, I'm a very gentle man.
07:34But I insist you join me for lunch.
07:38Yes, come.
07:39Okay.
07:44Speak of the devil.
07:46Here comes one of your fellow countrymen to vouch for me.
07:49Flight control said you wanted to see me
07:51as soon as we touched down, Mr. Bartone.
07:53Maria, just in time to give me a character record.
07:55Whatever you've heard, believe it,
07:57Santa Maria, I'm in trouble.
07:59I'm Jim Taylor. This is Sabrina Duncan.
08:02How do you do?
08:03Hello, how are you?
08:04Fine, thank you.
08:05Kelly Garrett.
08:06Hi.
08:07Hi.
08:08Kelly, would you like to pour Miss Duncan a glass of champagne?
08:12And, ladies, please excuse us.
08:14We'll be right back.
08:15Of course.
08:17Champagne?
08:18Yes.
08:20There you go.
08:22Well, I knew you were fast, kiddo,
08:25but moving in as hostess for the big man on the first day
08:28has got to be a record.
08:29Must be my bikini.
08:30This style is called bottoms up.
08:32More than once, Charlie.
08:33I've given you eight of those by now.
08:35Every time I wear it, I get proposals,
08:37but not a marriage.
08:38What's with Jill?
08:40She made an overnight splash with a local swimming bus.
08:43She should be here.
08:44She's gonna swim a private exhibition race
08:46with a swimmer who's been coaching Bartone's daughter.
08:48Where?
08:49Here.
08:50How'd you do with your fly boy?
08:53I don't know.
08:56There's something not quite right.
08:59The vibes just aren't right.
09:01I like him.
09:03I really don't know.
09:05We are convinced that this man who calls himself Escobar
09:08is responsible for the crash.
09:11And I promise you, he will pay for it.
09:13Fine, but first you've got to find him.
09:15Any new leads?
09:16Yeah, we picked up one of his men last night.
09:19Did he talk?
09:21He admitted Escobar planted the hijacker on my plane.
09:24Did he?
09:27Taylor.
09:29I run a very honest airline.
09:31No dope, no smuggling. I want you to know that.
09:34Sure, Mr. Bartone, whatever you say.
09:36That's right.
09:38Whatever I say.
09:42The new stewardess, where did you find her?
09:45Coast Airlines, San Francisco.
09:48She was fine on the trial trip. I'd like to keep her.
09:50I don't blame you.
09:52Miss Duncan.
09:53The captain wishes you to stay on permanently.
09:56Would you like that?
09:57Very much.
09:58In spite of the terrible accident we had recently?
10:01Well, Mr. Bartone, I'm a fatalist.
10:03I've always believed when it's time to go, it's time to go.
10:07Isn't that funny? I feel exactly the same way.
10:10Well, let's go, then.
10:12Let's go.
10:14Let's go.
10:16Let's go.
10:18Let's go.
10:22Hello, Maria.
10:24How are you? Join us. Sit down.
10:26This is my daughter Maria, Sabrina, Kelly.
10:29Hi.
10:30Loretta and the American swimmer are ready for the race, Mr. Bartone.
10:32One hundred meters.
10:34I told them you put up a thousand dollar purse. Winner take all.
10:37Good.
10:38Who are they, Mr. Bartone?
10:40One is Maria's coach.
10:42The one with the white cap is an American girl, Jill Monroe.
10:45She was a ranking swimmer in college.
10:47Really?
10:48Loretta says she was known for her finishing kick.
10:51That is what you must learn, Maria, to finish off your opponent.
10:55A real champion must have the killer instinct.
10:58I try, Papa.
10:59Try harder, my love.
11:03Ready, girls?
11:05Get set.
11:18Go!
11:48Go!
12:07Fantastic time.
12:08I think my Maria just got a new coach.
12:11I want to go to congratulate her. Excuse me a second.
12:18Bad news.
12:19Escobar's man?
12:21The boys tried too hard. He's dead.
12:24Stupid! Just stupid.
12:30Dump the body where it's easy to find.
12:32Whomever Escobar is, I want him to get the message right, loud and clear.
12:38Another thing.
12:39Get on the phone to Los Angeles and San Francisco.
12:41Check out Kelly Garrett at Buckley School and Sabrina Duncan at Coast Airlines.
12:46Do it right now.
13:02Townsend Investigations. Bosley speaking.
13:05Mr. Bosley, this is Julia Barclay of Barclay School for Girls.
13:10I've received a telephone inquiry from Mexico
13:13in reference to the employment of a Miss Kelly Garrett.
13:17The caller refused to identify himself. Appalling manners.
13:21But I nonetheless responded to his questions, precisely as Charlie requested.
13:26Thank you, Miss Barclay.
13:27Oh, and by the way, I want you to know that Charlie's annual donation to the library fund is on its way.
13:32Splendid, Mr. Bosley.
13:34I don't know what we'd do without Charlie's continued generosity.
13:38It's from the heart, Miss Barclay.
13:39Charlie feels that all girls should be well-rounded.
13:47Hello, operator.
13:48I'd like to place a personal person call to Mazatlan, Mexico.
13:56Well, goodbye, Mr. Barton. Thanks very much for the job.
13:59Sabrina, if we're going to make that flight, we'd better check into operations.
14:02You've got a very interesting woman here, Jim.
14:05I want to know more about her.
14:07Bring her tomorrow night to the party.
14:09Why, how nice.
14:11Fine.
14:13Come on.
14:14Goodbye.
14:15Goodbye.
14:18You've got your invitation to the mansion. Now, why don't you get a chill and give me a chance?
14:22Because I'm hungry.
14:23Will you get out of here?
14:28Excuse me.
14:29I think I'll go take a hot shower. You know, my goosebumps are so big, I can't tell which ones are the real me.
14:34Ciao, Mr. Barton.
14:35My car will call for you at five, Miss Barclay.
14:37Oh, thank you.
14:41I hope you're not going to desert me too, Kelly.
14:45Looks like you'll have plenty of company with your new houseguest, if you ever get a drive.
14:51I was planning to extend the same invitation to you.
14:54Ah, no, I'm afraid I can't accept.
14:57After all, we've only known each other a few hours.
15:00The eternal cry of the American female.
15:04All right.
15:05If you won't stay at the house, at least let me have your things moved to my private suite here at the hotel.
15:11Sorry, Mr. Barton.
15:13I've kind of gotten used to my own little room.
15:16I'm sure it's very charming.
15:19Perhaps you'll invite me to visit.
15:22Perhaps.
15:23I'm sorry, Kelly, but I have to go.
15:24I want you to promise to come to my party tomorrow night.
15:27Okay, I'll be there.
15:29You and I have some unfinished business.
15:32I hate unfinished business.
15:42I called the airline and the Barclay school.
15:44Both girls are for real.
15:46Kelly, give me a break.
15:48I'm not going to let you get away with this.
15:50Both girls are for real.
15:52Kelly Garrett intrigues me.
15:55But still worries me.
15:56There is something too smooth, too sure.
15:58I don't know.
16:00Boy, that new stewardess is sure a knockout, huh?
16:03Boy, it's going to be a pleasure to fly with Taylor now.
16:06Yeah, Laurie was starting to look like a junkie.
16:09It was fortunate she was killed in the plane crash.
16:12She was mainlining it, beginning to talk too much.
16:15Hey, what about the Kuliakhan lab?
16:16You promised Steiner he could close it down for a month after tonight's shipment.
16:20He wants to visit his wife in the States.
16:22No, not until we replace the 22 kilos we lost in the crash.
16:26If we don't supply our distributors, this Escobar will.
16:29Well, can't our other lab help out?
16:31Better be some production schedule.
16:33You lean on Steiner as hard as you have to.
16:36And be extra careful tonight.
16:38Escobar is more dangerous than the police.
16:40Okay, I should be back here between 2 and 3 a.m. with the stuff.
16:43Oh, and tonight is the last time we use my house.
16:46Why, you think the cops are getting closer?
16:48Colonel Morales is not a stupid man.
16:51But more important, Maria is growing up and getting very inquisitive.
16:55The new shipment will be much safer.
16:57I just bought a small building in the name of a dead man.
17:00If the police ever knock it over, the trail ends on the spot.
17:04Beautiful.
17:06Hey, talking about beauty, don't forget to pick up Maria's new instructor at the hotel at 5.
17:09Yeah, maybe I'll show up early and teach Miss Monroe a few new strokes.
17:40Who is it?
17:42Just a little old Texas goon, Maura.
17:44Come right in.
17:46Hi.
17:47Hi.
17:48I think I'm getting to Bartone by playing goody-two-shoes.
17:52He insists I make the scene at his bash tomorrow night.
17:55Oh, good. He's sending a car for me in about an hour.
17:57I hope he likes nosy house guests.
17:59Don't push your luck, Jill.
18:01Just try and pinpoint places he might possibly hide records of his operation.
18:05Okay. Hey, do you know if Sabrina managed to sign on to me?
18:09Move her tail for Bartone's airline?
18:11She did. But the way he looked her over, I think he's after more than coffee, tea or milk.
18:22Yes?
18:24Nick Doyle. Mr. Bartone sent me.
18:26Um...
18:28I'm not ready yet.
18:30Yeah, I know. I got a message for you from Mr. Bartone.
18:37Just a minute.
18:40I don't know if you noticed, but I'm in my towel.
18:43Not a hostess gown. What do you want?
18:45Hey, relax.
18:47Listen, we got over an hour.
18:49I thought we might get to know each other.
18:51Yeah, I understand what you're saying.
18:53But I'm not selling what you're buying.
18:55Well, you might after you try a sample.
18:57This may boggle your mind, Mr. Doyle,
18:59but I was just getting to know someone else.
19:03He's a very Mexican gentleman.
19:05And old, too.
19:06He's a very Mexican gentleman.
19:08And old-fashioned. You know, duels, that sort of thing.
19:13Yeah, okay. I'll...
19:15I'll catch you later.
19:17Sure you will, Mr. Doyle.
19:23You do lead an exciting life, Jill.
19:26Where would I have been without you?
19:28Up to your peaches, baby.
19:30Oh, I know. He's waiting in the lobby for me now.
19:32I have to go get in the car with him.
19:33I wonder what it's going to be like
19:35getting out of a car going 40 miles an hour.
19:37Count your blessings.
19:39Sabrina's entertaining him tonight at 10,000 feet.
19:41Oh, no. See you later.
20:04Okay, now forget the normal turnaround.
20:06We'll return to Mazatlan as soon as I get back.
20:08And keep your eyes open.
20:10I don't want any of Escobar's boys
20:12along as surprise passengers.
20:15I'll see you later.
20:17I'll see you later.
20:19I'll see you later.
20:22I'll see you later.
20:24I'll see you later.
20:26I'll see you later.
20:28I'll see you later.
20:30I'll see you later.
20:31I'll see you later.
20:34Sounds like Escobar's really got Dora worried.
20:36Yeah, and Bartone, too.
20:38The car's in the parking lot.
20:40Let's go.
20:42I'm going to keep going in my back pocket all the way.
21:02I haven't seen my wife in two months, Doyle.
21:04Yeah, well, if you don't hang in here
21:06and crank out another 25 kilos,
21:08you won't ever see her.
21:10I'm sorry, I'm sorry.
21:12I'm sorry.
21:14I'm sorry.
21:16I'm sorry.
21:18I'm sorry.
21:20I'm sorry.
21:22I'm sorry.
21:24I'm sorry.
21:26I'm sorry.
21:28I'm sorry.
21:29If you don't hang in here
21:31and crank out another 25 kilos,
21:33you won't ever see her.
21:35I don't like to be threatened.
21:37For a guy with a PhD, Steiner,
21:39you're pretty stupid.
21:41Now get the case packed so I can get out of here.
22:00Come on, we'd better get back to the field.
22:02They'll be waiting for us.
22:04Not until I see what's inside this building.
22:06But we can't pick this lock.
22:08It's an inside deadbolt.
22:10Well, here goes nothing.
22:12What are you going to do?
22:14Like the man said, when in doubt, attack.
22:16Sabrina!
22:18Oh, what does he want now?
22:20I don't know.
22:22I don't know.
22:24I don't know.
22:26I don't know.
22:27Sabrina!
22:29Oh, what does he want now?
22:31You can't go in there and get down!
22:34You crazy!
22:36What did you forget?
22:48I don't speak Spanish.
22:50Oh, neither do I.
22:52At least not very well.
22:54Listen, I hate to bother you,
22:55but I was on my way to the airport
22:57and we had a fight and he dropped me off
22:59and I wondered if I could use your phone
23:01to call a cab, please?
23:03Of course.
23:05Please come in.
23:07The phone is over there.
23:12Where did you say the phone is?
23:14Over here.
23:19Oh.
23:26Now, what's your name?
23:29Uh, Phibbersmith.
23:31Angela Phibbersmith.
23:33And you're a stewardess, huh?
23:35Yeah, that's right.
23:37And you're flying tonight?
23:39Yeah, and I'm going to be late if I don't get going.
23:41All right.
23:43I'll drive you to the airport.
23:45I'm sure Mr. Doyle would like to talk to you.
23:47Oh, that's okay with me,
23:49but listen, if this is your idea of Mexican hospitality,
23:51you're going to lose a lot of tourists.
23:52If you please, my car is outside.
23:54You're making a big mistake.
23:56I just want to get to the airport.
23:58That's exactly where you're going.
24:10This way.
24:13Hold it.
24:23What's going on?
24:25A heroin lab,
24:27but I don't think this is the time to talk about it.
24:29He's going to call Bartone the minute he comes to.
24:31No way.
24:33They'd never give him a telephone contact.
24:35Okay, we're late.
24:37What are we going to tell Doyle?
24:39We'll tell him we stopped at a motel.
24:41He'll understand that.
24:43Hey.
24:45How was I?
24:47Terrific! Terrific!
24:52Terrific!
25:23Oh, Maria, don't be afraid.
25:25It's Jill.
25:27I thought it was my father.
25:29I heard a noise outside my bedroom,
25:31and then I saw you coming downstairs.
25:33I thought you might be sick.
25:35Are you all right?
25:37I'm just worried about my father.
25:39People are saying such terrible things about him,
25:41and there are secrets in this house,
25:43things I want to know.
25:45I don't know what to do.
25:47I don't know what to do.
25:49I don't know what to do.
25:50There are secrets in this house,
25:52things I want to know.
25:54Shh.
26:21He took the key to the wine cellar.
26:23That's what I came here to get.
26:25Jill, I'm afraid there's more down there than wine.
26:28Otherwise, why would he keep the key locked away?
26:30I don't know,
26:32but the wine cellar can wait till tomorrow.
26:34Come on, let's call it a night.
26:36Jill, I'm so afraid.
26:38Will you be my friend?
26:40Oh, Maria, I am your friend.
26:42Come on, it's okay.
26:44Watch your step.
26:46I'm sorry.
26:471957 was a very good year.
26:51Yeah, one million dollars a bottle.
26:54Diverting the shipment to Chicago
26:56to replace what we've lost in the crash
26:58will take some of the heat off,
27:00but not for long.
27:03The Los Angeles outlets
27:05are already pushing for early delivery
27:07of their orders,
27:09and we haven't got it.
27:11Yeah, that could open the door for Escobar in L.A.
27:13We can't produce enough wine.
27:14We've been forced to harvest the pop as early as it is.
27:16The new fields have just been planted.
27:19We must get Escobar.
27:21He can ruin everything.
27:23Everything!
27:45Wow.
27:47Uh, Marie,
27:49you want to talk about last night?
27:51I don't know where to start.
27:53I love my father.
27:55He gives me everything.
27:57But he's also a very hard man.
27:59He divorced my mom when I was about five.
28:02She gave up her rights to me
28:04just so that I could have the things
28:06that he could offer.
28:08I only get to see her maybe
28:10two or three times a year.
28:12You miss her?
28:14You know, finding out the truth
28:16could hurt you both, a lot.
28:18I can't help it.
28:20I have to know.
28:22Well, I better get it in gear.
28:24I'll never make the party tonight.
28:26Jill, thanks for everything.
28:28You're an angel.
28:30Yeah, that's what they tell me.
28:45Colonel Morales commands
28:47the narcotics division of the state police.
28:49His helicopter teams
28:51have already destroyed
28:53hundreds of popular marijuana fields.
28:55Unfortunately, it's an endless task
28:57and seemingly hopeless.
28:59Allow me to buy you a drink, ladies,
29:01if you will permit me.
29:03As long as you don't disappear forever.
29:05With such beauty awaiting my return,
29:07how could I?
29:09Excuse us.
29:11Sure.
29:13We've got to talk.
29:15Bosley Bowl,
29:17there's a balcony off the ballroom.
29:19Let's go back there.
29:21Okay.
29:28We've got to go to work.
29:30Can you cover for me?
29:32Sure.
29:34Baton serves a lot of San Leoni wine.
29:36Don't forget,
29:38you're looking specifically for Burgundy,
29:40vintage 1957.
29:42Thank you.
29:52Right on schedule, stewardess Duncan.
29:54Only way to fly.
29:56Tacky, Sabrina, very tacky.
29:58Thank you.
30:00What did Bosley say?
30:02Charlie's been trying to get a line
30:04on the mysterious Senor Escobar,
30:06but so far nothing.
30:08He has a theory, though.
30:10He thinks Escobar is a little operator
30:12to keep the Bartones high and dry
30:14and to move in on them with Bartone's own heroin.
30:16So the ultimate bust of Bartone
30:18would be across the border in the United States
30:20with heroin in his possession.
30:22Well, Bosley thinks there's as much a chance
30:24of luring Bartone across the border
30:26as there is of Charlie joining the game then.
30:28I don't buy that.
30:30I think Bartone can be had
30:32if we come up with the right bait.
30:34Well, in the meantime, we have zilch evidence.
30:36Okay, so what we have to come up with
30:38is 12 bottles of wine that Doyle
30:40delivered here last night.
30:42San Leoni Vineyards, Burgundy, vintage 1957.
30:44But I don't even like wine.
30:46You'll like these bottles.
30:48They're filled with heroin crystals.
30:50Where do we start looking?
30:52Oh, in the wine cellar.
30:54I mean, isn't that where you keep wine?
30:56It may be locked, but I know where the key is.
30:58You do get around, Jill.
31:00Okay, I'll go with Jill.
31:02I know what we're looking for.
31:04Now, you keep Bartone off our backs, okay?
31:06It's not your backs he's after.
31:08Here.
31:12Okay.
31:43Well, now we know where to come
31:45in case of an air raid.
31:47I'll drink to that.
31:49Oh, Kelly's right.
31:51You are tacky tonight.
31:53Sorry.
31:55Well, now we know where to come
31:57in case of an air raid.
31:59I'll drink to that.
32:01Oh, Kelly's right.
32:03You are tacky tonight.
32:05Sorry.
32:25Excuse me, please.
32:27Senor Bartone,
32:29necesitamos más champaña fría.
32:31Sorry, but I have to go to the wine cellar.
32:33I was hoping you'd consider attending
32:35to something more pressing
32:37like you and I on the dance floor.
32:39It is very difficult to refuse
32:41an invitation like that,
32:43but I must for the moment.
32:45However, I shall be back in a minute.
32:47Colonel Morales,
32:49would you be so kind to dance
32:51with this lovely lady?
32:52Sure.
33:09Jill.
33:11All right.
33:13Good. Jackpot.
33:15Right.
33:17Let's see if all 12 are here.
33:19Hang on to that.
33:21Oh, the key.
33:23What are we going to do?
33:25Well, we're going to clean it up.
33:33Find Doyle.
33:35Send him to the wine cellar.
33:37Ahora, enseguida.
33:39Si, senor.
33:42Oh, boy.
33:44I'll try to find something to put it in.
33:51Looking for the swimming pool,
33:53Miss Monroe?
33:56You have exactly one minute
33:58before Mr. Doyle puts a bullet
34:00into that pretty head of yours.
34:02I don't care.
34:04I don't care.
34:06I don't care.
34:08I don't care.
34:10I don't care.
34:12I don't care.
34:14I don't care.
34:16I don't care.
34:18I don't care.
34:20She must be a cop.
34:26I work for Escobar.
34:28Oh, you almost ran into him yesterday
34:30when you forced yourself into my hotel room.
34:32How interesting.
34:34Come.
34:38And where would I find your employer, Miss Monroe?
34:42You see, it's a matter of life or death.
34:46Yours.
34:50He'll be in Los Angeles tomorrow afternoon
34:52for a meeting with your heaviest connections.
34:54That's a lie.
34:56Only an idiot would cross the border.
34:58Did he tell you their names?
35:00No, just that he was meeting them
35:02because they said you couldn't supply them anymore.
35:04And they'll believe him.
35:06Since the crash, everyone believes.
35:09Where's the meeting?
35:11I told you, Los Angeles.
35:13Where in Los Angeles?
35:15Oh, gee.
35:17Isn't that funny?
35:18Don't get cute.
35:20I'm not playing games, Miss Monroe.
35:23Neither am I, Mr. Bartone.
35:25All I want is a little running money.
35:27Like 50,000?
35:29Let's waste her.
35:31Send her back to Escobar like we did the last one.
35:33And lose your chance to find Escobar?
35:35Oh, I think Mr. Bartone is much too smart for that.
35:41All right.
35:43I'll give you the 50,000.
35:45Now, where's the rendezvous?
35:46In the L.A. marina, on a boat.
35:48I take you there, you pay me off, I split.
35:51I'll tell you where the boat is after I get my money.
35:54How do we know her whole story isn't a fairy tale?
35:57I can prove it.
35:59You can keep me covered the whole way,
36:01but you have to let me turn some heroin over to my partner
36:03at six in the morning at the hotel swimming pool.
36:05I mean, that was the plan.
36:07And if it isn't delivered?
36:09Well, then Escobar will know something went wrong.
36:11He'll cancel the whole show.
36:13I don't like it.
36:14No, no, no, no, no.
36:16It's a good test.
36:18We either find out her story's true or we kill her.
36:23Right, Miss Monroe?
36:26Right, Mr. Bartone.
36:28If it is true, we'll fly to Los Angeles.
36:31We'll take two bottles with us.
36:33I want to show them proof that we can supply.
36:36Why don't you let me handle it?
36:38It's too dangerous for you to cross the border.
36:40No, I want them all to know that I'm still the man.
36:42And I want to see Escobar's face.
36:44For the first and last time.
36:46Your friend doesn't show at six on the button,
36:49and I use your head for target practice.
36:51I said six sharp.
36:53I'm going back to the party.
36:55Get some heroin and put it in a bottle for her.
36:58And stay with her until you take her back to the hotel.
37:04Better settle down.
37:06We got a nice long way.
37:08Oh, that depends on how we spend it.
37:10I mean, it's not the plaza,
37:12but here they have a terrific wine list.
37:27Now that's more like it.
37:40We found the heroin, but Jill got caught.
37:42Doyle's got her downstairs in the wine cellar.
37:44What?
37:46She did some fast talking,
37:48but if we don't move fast, she's dead.
37:50Excuse me, Colonel.
37:52Senorita.
37:54Yes, isn't this my dance?
37:56Oh, yes.
37:58Taylor, I think you better call it a night.
38:00I beg your pardon?
38:02I want you to understand,
38:04I don't want you to get hurt.
38:06I don't want you to get hurt.
38:07I beg your pardon?
38:09I want you to handle a very special flight tomorrow early.
38:11Sure.
38:13Where to?
38:15Los Angeles.
38:17A normal passenger flight with one exception, me.
38:19What did you do in the wine cellar?
38:21Crush the grapes?
38:23Kelly, where's Sabrina?
38:25We have to cut.
38:27Colonel Morales has her in custody on the dance floor.
38:29Now keep smiling, Colonel, all right?
38:31I'm a private investigator from Los Angeles
38:33and I'd like to make you a proposition.
38:35Oh?
38:37Pass that right for you, senor.
38:39A gift for me? Bring it in.
38:47Beautiful box.
38:49A big one, huh?
38:51Yeah.
38:53Open it, open it.
38:59Colonel Morales.
39:01A knife for a knife.
39:03Sign Escobar.
39:05Call the local police.
39:07Si, Colonel.
39:09Dutch, nothing.
39:11I will have to ask you many questions, senor.
39:13Delighted, Colonel, as soon as my guests have gone.
39:15Damas y caballeros, amigos,
39:17I suggest we call it a night.
39:19Muy buenas noches.
39:21Kelly.
39:31That's our friend from the heroin lab.
39:33All the way from Culiacan.
39:35We don't have to worry about finding Escobar.
39:37He's finding us.
40:00Good night.
40:31Miss Monroe?
40:33Yes.
40:35You have something for me?
40:37Oh, you bet your burrito.
40:40Escobar.
40:42I am to tell you...
40:44What?
40:46I am to say...
40:48Oh, shoot, I forgot.
40:50Oh, no.
40:54A boat.
40:56She on boat...
40:58Sweet.
41:00Oh, I love you.
41:02Thank you very much.
41:05Thank you.
41:20Ah, thank you.
41:22You were great.
41:24I don't understand.
41:26I say...
41:28I get wine, you pay me for wine?
41:31Bonita las dos.
41:33Lástima que estén locas.
42:01Thank you.
42:15This is it, Jim.
42:17It's a one-way trip for Bartow.
42:19What do you mean?
42:21He's walking right into a set-up.
42:26Come on, I don't want to miss the finale.
42:30Come on.
43:01Well, where's the boat?
43:03Well, before we go any further, I want my money.
43:07Where is the boat, Miss Monroe?
43:09Unless you want to die right here.
43:12Well, it's Sweet Soup, Slip 22.
43:15It's kind of catchy, huh?
43:18Let's go.
43:30Let's go.
44:01I hope we didn't keep you waiting too long, Senor Escobar.
44:06My name is Bosley, Mr. Bartow.
44:09And I suggest that you put your weapons down.
44:12This entire area is surrounded by drug enforcement agents
44:15that have waited years for this moment.
44:17So put them down.
44:19Right now.
44:21All right, hold it.
44:30Hold it!
44:36Jack!
44:38Jack!
44:40Jack!
44:42Jack!
44:44Jack!
44:46Jack!
44:48Jack!
44:50Jack!
44:52Come on, let's get him.
44:57Come on, let's get him.
44:58Come on!
45:08Hold it right there.
45:09Come on.
45:20Well, at least it was a beautiful boat.
45:23Yeah, it's great.
45:24But next time you borrow it, Boss,
45:25why don't you make it a cocktail cruise?
45:27What I want to know is, where's Sabrina?
45:40Everybody all right?
45:41Everything is under control, Sabrina.
45:43A piece of executive organization that Charlie would be proud of.
45:46Which reminds me, I've got a call.
45:49You mean you three are a team?
45:51Just like the Supremes.
45:54You really fooled me.
45:55Me too.
45:57What?
45:59What?
46:01What?
46:03What?
46:05What?
46:07What?
46:09Well, I guess everybody got fooled on this one, didn't they?
46:14Including Escobar.
46:16Where does he come into this?
46:18Right here, I think.
46:20Doesn't he, Jim?
46:22What are you talking about?
46:24Come on, Jim, it's over.
46:26You are Escobar, aren't you?
46:28Oh, come on, you don't mean that.
46:30Oh, yes, I do.
46:32I wish I didn't.
46:35You nearly had me fooled.
46:36And then it hit me this morning.
46:38The night of the party, when I was looking for the wine.
46:41You reminded me to look for bottles marked vintage 1957.
46:45But you couldn't have known that.
46:47You didn't go in the lab that night, you never saw the bottles.
46:50And then, when the lab operator's body was delivered to Bartone,
46:54then I understood.
46:56You'd flown back the next morning and killed him,
46:58and that's when you read the wine labels.
47:00I'm really sorry you found out.
47:02So am I.
47:04And I'm sorry for Dan, and for his sister, Laurie.
47:08I'm sure they trusted you, too.
47:11No, no, don't.
47:13Okay, don't get nervous.
47:16Stop it. Into the water.
47:20You give her the bag.
47:22Give it to her!
47:24I'm sorry.
47:26I'm sorry.
47:27You give her the bag.
47:29Give it to her!
47:32Now, I don't want to hurt you,
47:34so don't make any strange moves.
47:40Yeah, just a minute.
47:42Hey, Sabrina!
47:54Kelly, come here!
47:55Come on!
48:08Now that's a surprise catch!
48:11Oh, my God!
48:23Charlie, how did you manage to ski into a tree?
48:26It was a matter of chivalry, Angel.
48:28Any woman who expends the effort
48:30to wriggle into a pair of pants that tight
48:32deserves the full attention
48:34of every red-blooded male on the slopes.
48:36Oh, let us know if anybody writes
48:38anything juicy on your cast, Charlie.
48:41Charlie, what's the prognosis
48:43for Dan Mason's recovery?
48:45Encouraging. If he wants it bad enough,
48:47he may even fly again.
48:49Have formal charges been filed against Frank Bartone?
48:51In spades, Bosley.
48:53The word is,
48:55Bartone couldn't even win a leniency appeal
48:57from a lady judge in an all-woman jury.
48:59Don't count on it.
49:01Oh, is there any news on Maria, Charlie?
49:03I spoke with Colonel Morales yesterday, Jill.
49:05He's personally arranged for Maria
49:07to be reunited with a mother.
49:08She's very happy.
49:10Oh, that's terrific.
49:12How much longer will you be in traction?
49:14Another ten days at the outside, Angel.
49:16But I have a private room
49:18boasting the most exotic equipment
49:20in physical therapy techniques.
49:22And I make it a point to tackle it
49:24whenever I can rise to the occasion.
49:28As a matter of fact,
49:30I'm getting the urge right now.
49:33Oh, Charlie.
49:38Charlie.
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