Category
🎥
Short filmTranscript
00:00:00 Once upon a time, there were three little girls who went to the police academy.
00:00:07 And they were assigned very hazardous duties.
00:00:28 But I took them away from all that. And now they work for me.
00:00:33 My name is Charlie.
00:00:55 It's Charlie, Angel. Time to go to work.
00:01:18 It's Charlie, Angel. Time to go to work.
00:01:25 It's Charlie, Angel. Time to go to work.
00:01:41 It's Charlie, Angel. Time to go to work.
00:01:48 It's Charlie, Angel. Time to go to work.
00:01:55 Good morning. Woodville. They're inside.
00:02:15 Good. Charlie will be calling any minute now.
00:02:17 Will you set up the projection machine, Bosley?
00:02:19 Right. I suppose I'm to be left behind again for the really heavy stuff.
00:02:22 Look after the office, answer the mail, pick up the phone, rings.
00:02:25 Sorry, Bosley. Sabrina, why can't I ever come out ahead
00:02:32 of the bank? I think you have to put in more than you
00:02:38 take out. Is that the trick?
00:02:41 It helps. Are you trying to get me fat?
00:02:48 No, I'm trying to get you healthy. Good morning.
00:02:51 Good morning. Good morning, ladies.
00:02:52 Hi. You're all looking very chipper.
00:02:54 Thank you. Ready for the launching pad?
00:02:56 Any idea what this one's all about, Woodville? Charlie will let you know when he calls.
00:03:00 Why does it always have to be on the phone? Why can't we ever see Charlie?
00:03:04 I believe that was very clearly spelled out when you were hired.
00:03:07 Nobody sees Charlie except me. He's a very private person.
00:03:11 I know that, but to work for a man you've never laid eyes on seems so impersonal.
00:03:17 And you, Miss Monroe, would like to make it personal?
00:03:21 Come on, be a pal. I can't tell you how many hours I've spent
00:03:25 lying in bed trying to put a face and a body on that voice.
00:03:29 Beats watching the late show, I imagine. Make yourselves comfortable.
00:03:35 Don't tell me you're falling for Charlie.
00:03:38 The voice on the telephone. Don't be silly.
00:03:42 Here we go.
00:03:44 All present and accounted for, sir.
00:03:51 Good morning, angels. Good morning, Charlie.
00:03:58 Are we ready, Bosley? Give me just a moment, sir.
00:04:03 This is a tough one, angels.
00:04:06 Doubt if I could do it myself, even if I wanted to.
00:04:09 Needs the feminine touch. All right, Woodville.
00:04:13 All set, sir. First slide.
00:04:15 Now this will be your scene of operations.
00:04:18 The Samara Vineyards in the Valley of the Moon.
00:04:22 15,000 acres of the finest wine country in California.
00:04:26 It was founded by this man, Vincent Le Maire,
00:04:30 who vanished seven years ago and whose whereabouts are unknown to this day.
00:04:35 Any theories, Charlie?
00:04:37 No evidence of foul play, no ransom demand, no farewell note.
00:04:41 Simply disappeared without a trace.
00:04:44 But you think there's more to it?
00:04:46 I'd say our client is convinced that Vincent Le Maire was murdered.
00:04:51 Who's the client, Charlie?
00:04:54 All in good time.
00:04:58 Samara is now the responsibility of Rachel Le Maire, Vincent's second wife.
00:05:03 But she isn't equipped for the job.
00:05:05 Unfortunately, she's become too fond of the stuff they bottle.
00:05:09 How does she manage?
00:05:11 With the help of this man.
00:05:14 Beau Creel. First job at Samara, truck driver.
00:05:18 Then foreman. Now he has the run of the house.
00:05:21 The whole house? Every room.
00:05:24 Well, I hate a man without ambition.
00:05:28 Watch out for Beau Creel, angels.
00:05:30 The people who work for him can tell you what he's like.
00:05:33 The great white shark.
00:05:35 Charlie, you said Le Maire's second wife.
00:05:38 Very good, Jill. Woodville?
00:05:41 The first, Mrs. Le Maire. Originally from Brighton, England.
00:05:45 Little girl is their only child, Janet.
00:05:48 Where are they now?
00:05:50 The mother died a year or two later.
00:05:52 Janet passed from one member of the family to another...
00:05:55 till she was old enough to go out on her own.
00:05:58 She's out there now.
00:06:01 Somewhere in the world.
00:06:03 And Saturday, Vincent Le Maire will be declared legally dead.
00:06:07 If Janet doesn't show up, all of Samara belongs to Rachel Le Maire.
00:06:12 And that's where you come in, angels.
00:06:14 Woodville will brief you. He has every scrap of information you'll need.
00:06:18 Make sure you're letter perfect.
00:06:20 Charlie, I was just wondering if I could--
00:06:23 Not just now, Bosley.
00:06:25 But don't give up hope.
00:06:27 Oh, no.
00:06:29 And where will you be, Charlie?
00:06:32 Where I always am, with my nose to the grindstone.
00:06:35 The waters run deep in this case, angels, and I'm up to my hips right now.
00:06:41 [HORN BLOWING]
00:06:43 Here you are, Charlie.
00:06:52 Bless you, my dear.
00:06:54 [MUSIC PLAYING]
00:06:57 [MUSIC PLAYING]
00:07:01 [MUSIC PLAYING]
00:07:04 [MUSIC PLAYING]
00:07:07 [MUSIC PLAYING]
00:07:10 [MUSIC PLAYING]
00:07:13 [MUSIC PLAYING]
00:07:42 Hey.
00:07:44 Help you, mister?
00:07:49 I'd like to see Mrs. Le Maire. Is she in?
00:07:53 Who'd like to see her?
00:07:56 Tell her Janet Le Maire.
00:07:58 Who'd you say?
00:08:00 Janet Le Maire. I used to live here.
00:08:03 You stay right where you are.
00:08:06 [MUSIC PLAYING]
00:08:10 [DOORBELL RINGING]
00:08:13 Mr. Creel?
00:08:23 Talk to you for a minute?
00:08:25 Oh, I was talking to you. Please.
00:08:28 In a minute, in a minute.
00:08:30 Now, what is it, Wilder?
00:08:35 There's a girl outside.
00:08:37 Says she's Janet Le Maire.
00:08:39 What are we gonna do?
00:08:45 All right, leave her to me.
00:08:49 Bring her in.
00:08:51 Now, you're gonna be all right.
00:08:55 I mean, can you handle it?
00:08:57 All right, well, listen, you just be nice to her,
00:09:02 and I'll take care of the rest, all right?
00:09:05 [DOOR CLOSES]
00:09:07 Morning.
00:09:20 Hi.
00:09:22 You say you're Janet Le Maire?
00:09:25 Yes. I hope you don't mind.
00:09:28 I just wanted to see what it was like, the place where I was born.
00:09:31 Of course I don't mind.
00:09:34 The fact is, I've been wondering about you for some time.
00:09:37 I don't suppose you remember me.
00:09:40 Why, yes, you're Beau Creel.
00:09:44 You drive one of my father's trucks.
00:09:47 I used to.
00:09:49 I run the place now for Mrs. Le Maire.
00:09:52 How nice.
00:09:54 How did you happen to come back just now?
00:09:57 Well, I guess you could call it kind of a crazy impulse.
00:10:01 I've been out of touch with everything ever since I left England,
00:10:04 rattling around all over the place on my bike.
00:10:07 And then all of a sudden, it was California,
00:10:10 and I thought, "Oh, it's just over that hill."
00:10:14 So here I am.
00:10:16 Yeah, yeah, well, uh,
00:10:19 I guess you and Mrs. Le Maire will have a lot to talk about in the next few days.
00:10:25 You will stay, won't you?
00:10:28 Thank you. I'll just get my things.
00:10:31 Oh, no, don't bother. I'll have them brought up to you, Mrs. Le Maire.
00:10:35 Uh, why don't you show her upstairs?
00:10:40 Janet.
00:10:42 May I call you Janet? I'd like that.
00:10:45 I'm late. I mean, it must be very hot.
00:10:48 I'm tired. I've got to shower.
00:10:54 Wow.
00:10:56 See those bags?
00:10:58 Look in there and see if you can find a passport.
00:11:06 [zipper unzips]
00:11:08 Okay. Take her bags up.
00:11:33 Get your servants out of the house. Tell them to take a few days off.
00:11:37 [phone rings]
00:11:52 Uh, let me speak to Mr. Bancroft.
00:11:55 Tell him Bo Creole from the Samara Vineyards.
00:11:58 One moment, please.
00:12:00 Yes, Bo? What is it?
00:12:02 Henry, we've got trouble.
00:12:04 Janet Le Maire showed up.
00:12:07 Oh, my God.
00:12:11 You know what that means.
00:12:14 Well, take it easy. We haven't lost a thing yet.
00:12:17 But you better get out of here now.
00:12:20 I, uh, I'm due in court.
00:12:22 Now, Henry. Now!
00:12:25 [door opens]
00:12:27 Woodville? Are you there?
00:12:46 Yes. How's it going?
00:12:49 Everything's fine. I'm all settled in.
00:12:53 If you need anything, just buzz.
00:12:56 Okay.
00:12:58 How do you know she's the real girl?
00:13:03 Her passport.
00:13:05 Well, you can buy a passport on the black market.
00:13:08 For a couple of hundred dollars, you can be whoever you want to be.
00:13:12 Well, that's why you're here.
00:13:15 You knew the kid from the day she was born.
00:13:19 Check her out.
00:13:21 Why would she come back here after all these years?
00:13:25 How do I know?
00:13:32 Maybe she didn't buy the fact that her old man just disappeared.
00:13:37 Maybe she thought if she came back too soon,
00:13:41 the same thing could happen to her.
00:13:44 Now, wait a minute, Bo. I, uh, I don't want to be party to any rough stuff.
00:13:50 What do you think happens if she gets some fancy accountant to go through the books
00:13:55 and they find out we've taken over a quarter of a million off the top?
00:13:59 Now, I've never heard you complain about your cut before.
00:14:03 I had business reverses.
00:14:07 I went along with you on that, but I, I have to draw the line somewhere.
00:14:12 You're across the line, Henry. You're an accessory to murder.
00:14:16 I wasn't here that night.
00:14:19 Now, I can prove that.
00:14:21 But when you found out, you forgot to tell the sheriff, didn't you?
00:14:26 Same thing.
00:14:28 Check her out.
00:14:31 Janet, would you mind coming into the living room for a minute?
00:14:36 Of course not.
00:14:38 Do you have everything you need?
00:14:40 Fine, thank you.
00:14:42 Rachel, the house looks lovely.
00:14:44 Thank you. Are you on your way out?
00:14:46 Yeah, I thought I'd take it. Hello, Janet.
00:14:49 Why, Mr. Bancroft, what a surprise.
00:14:57 How are you?
00:14:59 Just fine.
00:15:03 Good to see you. Welcome home.
00:15:05 Come here. Sit down. Sit down.
00:15:08 Well, well, well.
00:15:10 Do you still have that lovely old office on Warren Street?
00:15:13 Yes.
00:15:14 Number 17.
00:15:16 It's good to know some things never change.
00:15:18 Yes, we go back a long way, don't we?
00:15:21 You know, I remember the day you turned six.
00:15:26 You rode down to the office just to show me your new chestnut pony.
00:15:31 Bunky, I think you called him.
00:15:36 Forgive me, Henry, but it was my seventh birthday.
00:15:39 The pony was a gray, and her name was Cindy.
00:15:42 Don't you remember?
00:15:44 Yes, you're right about that.
00:15:46 I guess I got that all mixed up.
00:15:49 But there is one thing I know I'm right about.
00:15:53 The milk.
00:15:55 You mean the warm milk.
00:15:57 At night.
00:15:58 He's doing better.
00:16:00 I had a glass of warm milk every night of my life before I went to sleep.
00:16:04 Still do.
00:16:05 I'll see to it you get some tonight.
00:16:07 Thank you.
00:16:08 Yes, that would be nice.
00:16:10 And, Rachel, don't forget she likes a little cinnamon sprinkled on the top.
00:16:15 No, Mr. Bancroft. Nutmeg.
00:16:18 You've been testing me, haven't you?
00:16:24 Why?
00:16:26 Yes.
00:16:28 We have, and I'm truly sorry to have to put you through that, Janet.
00:16:32 I... well, we had to make certain that you were in fact Janet LeMaire.
00:16:37 As Rachel's attorney, I had to protect her against the possibility that some...
00:16:42 adventurous might show up just about now.
00:16:45 You mean before Saturday.
00:16:48 You know about Saturday?
00:16:50 About my father's will? Yes.
00:16:52 Well, then why pretend you just dropped in out of the blue?
00:16:56 Well, when I met you, and you were so kind, I didn't have the heart to tell you.
00:17:01 I guess I was hoping I could find the right words, but...
00:17:04 well, now that we're all such good friends, it doesn't have to be that different,
00:17:08 just because Samara's going to belong to me.
00:17:11 Rachel, I do hope you'll come and visit whenever you're in the neighborhood.
00:17:16 Oh, and Bo, I hope you'll stay on.
00:17:20 That is, if you don't mind taking orders from someone you probably still think of as a little girl.
00:17:25 Well, uh...
00:17:27 we'll talk about it, Miss LeMaire, after Saturday.
00:17:31 Of course.
00:17:34 Well, I'm off. I think I'll just take a spin around the old place.
00:17:38 Henry, it's been marvelous seeing you. And you.
00:17:42 Hey, Mike. You want to drive or what?
00:17:56 Get over there.
00:17:58 Get in your own corner, pal.
00:18:01 [ Engine Starts ]
00:18:04 You okay?
00:18:23 I think I'm all in one piece.
00:18:25 Back off, Mike.
00:18:27 Guess we ran out of road.
00:18:29 My fault. I'm sightseeing.
00:18:32 Is it all right? I don't know. Let's check it out.
00:18:36 Here. Let me give you a hand.
00:18:38 Yeah, Mike seems okay.
00:18:42 You know, I jockey this Bronco halfway around the world,
00:18:46 and the first time it throws me is when I come home.
00:18:49 You live around here? I did when I was a child, in the house on the hill.
00:18:53 You're Janet LeMaire? Yes.
00:18:58 Well, well, how are you?
00:19:00 Fine. Thank you.
00:19:03 What's the matter?
00:19:09 I thought maybe you'd remember.
00:19:11 Remember?
00:19:13 That you know, when you were supposed to be asleep,
00:19:15 and you'd climb out the window and down the tree and come down the hill to see me.
00:19:19 Well, of course. Then you must be--
00:19:22 Aram Kalygian. Aram. Aram Kalygian.
00:19:25 It's been a long time. It certainly has.
00:19:28 Hey, you remember that night? Halloween.
00:19:31 Halloween? The blood oath.
00:19:34 How could I forget? Halloween, the blood oath.
00:19:38 I never told anybody about that, did you?
00:19:41 Well, of course not. We promised, didn't we?
00:19:44 We did. And no one ever knew?
00:19:47 Not a soul.
00:19:52 Well, I'd better be getting back. They're probably worrying about me.
00:19:56 I hope we run into each other again sometime.
00:19:59 Say, Janet, you remember that time in the barn down by the river?
00:20:07 You fell out of the hayloft. I tried to catch you and broke my collarbone.
00:20:12 I felt so awful about that.
00:20:14 It's all healed now. That's good.
00:20:17 Well, goodbye, Aram.
00:20:21 [ engine starts ]
00:20:23 Come here, Mike. Come here.
00:20:31 Come here, Mike. Come on.
00:20:33 You like her, huh?
00:20:39 Don't let that pretty face fool you. She's a phony.
00:20:43 There never was a barn down by the river.
00:20:46 [ engine starts ]
00:20:48 Oh.
00:21:04 Bo.
00:21:06 Do we have to go through with this?
00:21:11 Rachel, I don't intend on turning this place over to anyone.
00:21:15 Won't she taste it?
00:21:17 Not with a nutmeg on top.
00:21:20 Now go on.
00:21:24 Come in.
00:21:37 I've brought you milk.
00:21:43 I hope it's warm enough.
00:21:45 How kind of you.
00:21:47 Did you think I'd forget?
00:21:50 No, I didn't.
00:21:52 Well, pleasant dreams.
00:21:55 Rachel.
00:21:57 Thank you for everything.
00:22:02 [ door opens ]
00:22:04 [ music ]
00:22:29 You get everything?
00:22:31 Block of cement, canvas tarp, and some nylon rope.
00:22:34 What about her motorcycle?
00:22:36 That's in the garage. I'll pick it up.
00:22:39 Okay.
00:22:42 Wait around back. Won't be long.
00:22:46 [ engine starts ]
00:22:48 [ music ]
00:23:07 [ engine starts ]
00:23:09 A little bitty nightgown like that...
00:23:35 she could catch her death in the swamp.
00:23:38 Just like her daddy did.
00:23:41 [ knocking ]
00:23:45 There it is. Get rid of it.
00:23:48 [ doorbell rings ]
00:23:53 [ music ]
00:24:01 [ music ]
00:24:03 [ knocking ]
00:24:09 Mrs. LeMaire?
00:24:17 Yes.
00:24:19 I have to speak to you. It's urgent.
00:24:21 It's late. You'll have to come back tomorrow.
00:24:23 It will only take a second.
00:24:25 I understand there's a young woman in this house who claims to be Janet LeMaire.
00:24:28 A gasoline attendant in town told me that she refueled her motorcycle this morning...
00:24:31 and asked for directions to Samara Vineyard.
00:24:34 Show the man in.
00:24:36 How you doing? I'm Bo Creel. I run the place for Mrs. LeMaire.
00:24:48 Scott Woodville. I'm an attorney.
00:24:50 About this girl, uh...
00:24:52 you saying she's an imposter?
00:24:54 First order. She's...
00:24:56 well, I'm sorry.
00:24:58 I'm not at liberty to discuss the details of the case.
00:25:00 Where is she?
00:25:02 Oh, she's not here.
00:25:04 Not here? I don't understand.
00:25:06 No, she says she's going into town.
00:25:09 Any idea where?
00:25:11 No.
00:25:13 Just to visit a childhood friend.
00:25:15 Says she wouldn't be back till late.
00:25:18 Well, I suggest that when she does get back, we have the sheriff waiting for her.
00:25:22 Oh, no need for you to stay, Mr. Woodville.
00:25:25 We'll, uh... we'll call Sheriff Hopkins ourselves.
00:25:28 Oh. Very well.
00:25:31 I'm glad it'll be taken care of tonight.
00:25:33 It would be very embarrassing if those two women were to meet.
00:25:36 Two women?
00:25:38 Yes, the imposter and the real Janet LeMaire.
00:25:41 Oh, didn't I mention it?
00:25:43 There's good news.
00:25:45 Mrs. LeMaire will be flying in tomorrow morning at 10.
00:25:47 There's no need for you to make any fuss.
00:25:49 She'll be staying at the hotel.
00:25:50 Hotel?
00:25:52 Why would she... why would she be staying there?
00:25:55 I'm sure Mrs. LeMaire would rather explain that herself.
00:25:59 Good night.
00:26:01 Yeah. Good night.
00:26:04 Looks like we just wasted a glass of warm milk.
00:26:14 What are we going to tell the sheriff?
00:26:17 She didn't come back. She lost her nerve.
00:26:20 Tell Wilde to bring in the tarp and rope.
00:26:23 What about the real Janet LeMaire?
00:26:27 We'll take care of her when the time comes.
00:26:31 [footsteps]
00:26:34 [doorbell rings]
00:26:42 [door creaks]
00:26:45 [suspenseful music]
00:26:50 [door creaks]
00:26:53 [footsteps]
00:26:56 [suspenseful music]
00:26:59 I'll take the bed.
00:27:02 [footsteps]
00:27:05 [suspenseful music]
00:27:08 ♪ ♪
00:27:11 [footsteps]
00:27:14 [door creaks]
00:27:17 [suspenseful music]
00:27:20 ♪ ♪
00:27:23 [doorbell rings]
00:27:26 [screams]
00:27:29 [suspenseful music]
00:27:32 ♪ ♪
00:27:35 [footsteps]
00:27:37 What happened?
00:27:40 [sighs]
00:27:43 [suspenseful music]
00:27:46 ♪ ♪
00:27:49 Well...
00:27:52 I'll say this. You got some nerve coming back here.
00:27:55 Did you really think I'd fall for that warm milk bit?
00:27:58 A lawyer named Woodville just dropped by.
00:28:02 Said that the real Janet LeMaire would be coming back here tomorrow.
00:28:06 She got away?
00:28:09 Nice try. You know, I'll say this for you. You sure came prepared.
00:28:13 But...
00:28:15 all I got to do is call the sheriff,
00:28:17 and he's going to put you away for a nice long stretch.
00:28:21 Fine.
00:28:23 That'll give me plenty of time to tell him about the kind of milkshakes you serve around here.
00:28:28 Why did you come back?
00:28:40 Okay, she got away. No one knows what I look like.
00:28:43 It'll still work.
00:28:46 What are you after?
00:28:48 Half of whatever there is.
00:28:50 Half the vineyards?
00:28:52 Grapes.
00:28:54 Who's talking about grapes?
00:28:56 What else is there?
00:28:58 That's what I'm here to find out.
00:29:01 Find out about what?
00:29:03 Oh.
00:29:05 I don't have to be a mind reader to know what you two are thinking.
00:29:08 You get me to tell you what I know, and then you dump me someplace.
00:29:13 Well, I'd advise you not to do that.
00:29:15 Anything happens to me, I've got friends out there.
00:29:20 Wow.
00:29:22 Keep talking.
00:29:26 When we kidnapped Janet Lemire, that's all it was going to be.
00:29:29 I'd sell off everything, and then we'd divvy up the proceeds.
00:29:33 We gave her a shot, a truth drug.
00:29:35 I asked her the questions,
00:29:37 and she filled me in on everything from the time she was a kid.
00:29:40 Then suddenly, she started mumbling about some guys who made her a business proposition.
00:29:44 What guys?
00:29:46 I asked her that. She didn't know.
00:29:48 What she did say is that their vineyards were worth a fortune.
00:29:52 She said they mentioned a figure.
00:29:55 What figure?
00:29:57 20 million.
00:29:59 Here?
00:30:01 Boy. Boy.
00:30:04 Well, don't you understand? You gave her a needle.
00:30:09 She's dreaming.
00:30:11 You give somebody a truth drug, and they tell you the truth.
00:30:14 Now, what could be on this place worth 20 million bucks?
00:30:17 That's what we're going to find out.
00:30:19 How?
00:30:21 First off, no milkshakes.
00:30:23 We keep an eye on her.
00:30:25 She's bright, but she doesn't know we know.
00:30:27 She'll make a slip, just one little slip, and that's all we need.
00:30:31 Then we'll make our move.
00:30:33 Do we have a deal?
00:30:35 [♪♪♪]
00:30:38 [♪♪♪]
00:30:54 [♪♪♪]
00:30:58 [♪♪♪]
00:31:01 [♪♪♪]
00:31:30 That, my boy, is no motorcycle.
00:31:33 Make it look good. You have an audience.
00:31:36 Jill, you look terrible.
00:31:39 Thank you.
00:31:41 See, Bosley never give up. Hope plans do change.
00:31:44 Yes, indeed, they do.
00:31:46 How much did that jacket set you back?
00:31:48 A buck.
00:31:50 How's Kelly?
00:31:52 Last night, they tried to drop her into the swamp, right next to her daddy.
00:31:55 Today, they're thick as thieves.
00:31:57 They brought it, then?
00:31:59 Oh, Sabrina, one thing.
00:32:01 It seems there was someone at Janet LeMare's life when she was a child.
00:32:04 I better fill you in about the young man with the pickup truck and the dog called Mike.
00:32:07 I'll tell you about it in the car.
00:32:10 Bosley, I think perhaps I ought to sign something.
00:32:13 Go.
00:32:15 [♪♪♪]
00:32:18 [♪♪♪]
00:32:27 [♪♪♪]
00:32:30 I want to know who he is and what he's up to.
00:32:41 [♪♪♪]
00:32:49 [♪♪♪]
00:32:52 He just came in.
00:33:12 Yes, sir, the flower's been taken care of.
00:33:16 May I help you?
00:33:18 Yes, I'm Janet LeMare.
00:33:20 Oh, yes, Miss LeMare. We have your reservation.
00:33:23 And may I say, "Welcome home"?
00:33:25 Thank you. It is the fourth floor?
00:33:28 Absolutely. Suite 400.
00:33:31 Oh, I'm afraid there's been some mistake.
00:33:33 Now, my secretary--
00:33:35 Mr. Woodville, when I phoned you from Mexico City,
00:33:37 didn't I tell you that Miss LeMare wanted the fourth floor?
00:33:40 Isn't that what I requested?
00:33:42 I can assure you, Miss LeMare, suite 400 is on the fourth floor.
00:33:47 Yes, well, you don't seem to understand.
00:33:50 I meant the fourth floor.
00:33:53 The entire floor?
00:33:57 Yes.
00:33:59 There are two of us.
00:34:01 But there are people on the fourth floor.
00:34:03 Very well. If you can't arrange it--
00:34:05 Oh, no, no, no.
00:34:07 It'll take just a minute to move them.
00:34:10 You're very kind.
00:34:12 Miss LeMare, don't forget they're expecting you at Samara.
00:34:14 Yes.
00:34:16 They're on their way up.
00:34:21 Our own plane and the whole fourth floor.
00:34:28 All that money and she's back for more.
00:34:31 Money comes to money.
00:34:33 Not if we get there first, Henry.
00:34:39 Not if we get there first.
00:34:41 Shall I put these in the bedroom?
00:34:48 Yes, please.
00:34:50 It's a nice room, isn't it?
00:34:52 It's not bad. It's a little overdone.
00:34:54 It's not bad, actually.
00:34:56 Kind of early American nothing.
00:34:59 Would you like me to have them send up some coffee?
00:35:02 No, I don't think so. Maybe a little bit later.
00:35:08 A salad. You didn't have anything to eat on the plane.
00:35:11 Well, I suppose it's made me nervous coming home again for the first time.
00:35:16 Oh, Miss LeMare, what lovely flowers.
00:35:20 I wonder who could have sent them.
00:35:22 There's a card.
00:35:24 Let's see.
00:35:26 Difficult to open.
00:35:33 Welcome home, Janet, from an old family friend, Henry Bancroft.
00:35:39 Do you remember him?
00:35:41 Yes, of course.
00:35:43 He used to come to the house every Sunday.
00:35:46 Father used to say if there's one person in the world you can trust, it's Henry Bancroft.
00:35:51 Miss LeMare?
00:35:53 I'll let you know when the rest of the floor is ready.
00:35:57 Thank you.
00:35:59 Thank you.
00:36:01 (knocking)
00:36:03 His name's Bosley. He's at that motel on the west end of town.
00:36:11 What's he do?
00:36:13 Says he's a bird watcher.
00:36:15 A bird watcher.
00:36:19 She takes the whole floor and he stays at a motel.
00:36:24 Why?
00:36:27 It's a cover.
00:36:30 (knocking)
00:36:32 Shh. Take that company.
00:36:35 I'll get it.
00:36:37 Oh, come in.
00:36:40 It's Mr. Bosley.
00:36:43 Coming.
00:36:45 Our friend the bird watcher.
00:36:47 Won't you sit down?
00:36:48 Thank you.
00:36:50 Well, Mr. Bosley, right on time as usual.
00:36:54 Right on time for what?
00:36:57 It's about the deal. I can just feel it.
00:36:59 Can I get you a drink?
00:37:01 No, no, thank you. Nothing for me. I've got to keep a clear head today.
00:37:05 Odd thing. I've never been overly impressed with money.
00:37:10 I'm a man of simple habits. My needs are few, but...
00:37:14 suddenly to be within arm's length of a king's ransom, I...
00:37:18 I only hope that nothing goes wrong.
00:37:20 Don't worry, Mr. Bosley.
00:37:22 Nothing will go wrong.
00:37:25 Well, that's very kind of you.
00:37:28 Oh, that'll be Los Angeles. Bosley here?
00:37:32 Charlie here. Can you talk?
00:37:34 No problem, sir.
00:37:36 Well, what do you think? Is it A-OK?
00:37:38 The tests are very promising, sir, as I was just indicating to Miss LeMaire.
00:37:42 You mean she's there, would you, now?
00:37:44 You could say that, sir.
00:37:46 Now, listen, Bosley, I want a yes or a no.
00:37:48 Just that, you understand? Yes or no?
00:37:51 Did she sign?
00:37:53 No.
00:37:54 Bosley, we're talking about millions. Will she?
00:37:57 I'm convinced of it.
00:37:58 Good.
00:37:59 They're really carving her out.
00:38:01 And you'll make your final test. When?
00:38:03 That'll be in the morning, sir.
00:38:05 Oh, one more thing, Bosley. We'll have to move fast.
00:38:08 We're done for if that gang from overseas hears about it. We can't outbid them.
00:38:11 Already here, sir.
00:38:13 We can roll as soon as you get the equipment here.
00:38:16 You don't have to worry about my end, Bosley.
00:38:18 I'm looking at some of the equipment right now.
00:38:20 And believe me, it's ready to move.
00:38:24 Well, then you know where to reach me, Miss Lumiere.
00:38:27 Yes, of course. If you'll just leave the papers with my secretary, I'll sign them tonight.
00:38:32 Here you are.
00:38:33 Thank you.
00:38:34 Well, goodbye.
00:38:36 Get going. Don't let him out of your sight.
00:38:41 Now, you're sure she won't recognize you?
00:38:44 I told you, she was drugged the whole time.
00:38:46 All right. You better get on back to the house.
00:38:49 Have Rachel fill you in on who you're supposed to be.
00:38:52 Okay.
00:38:53 I, uh... I don't trust that one.
00:39:04 What makes you think I'd do it?
00:39:08 [♪♪♪]
00:39:10 Yeah, you were right, pal.
00:39:34 Couldn't wait to get one thing up here and something else down the hill.
00:39:38 [♪♪♪]
00:39:41 [♪♪♪]
00:40:08 [♪♪♪]
00:40:10 I'm so sorry. Are you all right?
00:40:18 It was my fault. No harm done.
00:40:20 Are you okay, Mike?
00:40:22 Thank you.
00:40:27 Yes.
00:40:28 Stay in there, Mike. Good dog.
00:40:31 Aram?
00:40:34 Aren't you Aram?
00:40:37 Aram Khaleejian?
00:40:39 Yeah, that's right.
00:40:41 But you don't remember me?
00:40:44 No?
00:40:46 And you've probably forgotten all about our blood oath.
00:40:52 Janet LeMire.
00:40:57 Yes.
00:40:58 This is getting to be some curve.
00:41:02 [LAUGHS]
00:41:04 You know, you really haven't changed a bit.
00:41:07 You have.
00:41:09 Have I?
00:41:12 Well, little girls do grow up, they say.
00:41:15 Sometimes into beautiful women.
00:41:17 Thank you.
00:41:18 Hey.
00:41:22 How's your collarbone?
00:41:25 Which collarbone is that?
00:41:31 Well, don't you remember?
00:41:33 The day I fell out of the hayloft in the barn?
00:41:36 The barn?
00:41:37 The barn down by the river.
00:41:39 You know, I'm getting pretty tired of meeting Janet LeMires every day.
00:41:42 What the devil are you two up to?
00:41:44 Who?
00:41:46 You. And the one yesterday. The one that filled you in.
00:41:49 [LAUGHS]
00:41:50 Filled me in about what?
00:41:52 You can turn it off, honey.
00:41:54 There never was a barn down by the river.
00:41:56 I made it up.
00:42:00 I see.
00:42:01 You gonna give me away?
00:42:06 Give me a reason I shouldn't.
00:42:08 You didn't say anything about yesterday's Janet LeMire.
00:42:11 No, I didn't.
00:42:12 Why not?
00:42:13 Anything she could do to shake up those two on the hill was okay with me.
00:42:19 You know, it's too bad you weren't for real.
00:42:23 The girl I used to know had a lot of spunk.
00:42:25 She would have changed some things around here.
00:42:29 Ever since old man LeMire disappeared,
00:42:31 it's been tough for the people down the hill to get a fair break.
00:42:33 Things are gonna change around here, Aram.
00:42:36 Trust me.
00:42:38 Please don't give me away.
00:42:41 What's your name?
00:42:44 Sabrina.
00:42:47 Go shake 'em up, Sabrina.
00:42:54 [♪♪♪]
00:42:56 My tree.
00:43:07 I used to climb down it when I was supposed to be asleep and no one ever knew.
00:43:14 What can I say?
00:43:21 [scoffs]
00:43:22 It's home.
00:43:24 That, uh, lawyer fellow, Woodville?
00:43:30 I guess he told you about the imposter?
00:43:33 Yes.
00:43:34 She was working with the two men who drugged me.
00:43:38 Must have been an awful experience.
00:43:41 Well, fortunately, all I remember about it is her voice.
00:43:46 That dreadful girl leaning over me, asking question after question after...
00:43:50 Wow, it does hurt.
00:43:54 And, uh, you're Rachel's cousin, Georgette?
00:44:00 From Houston.
00:44:01 Yes.
00:44:03 Well, you're very pretty.
00:44:06 Thank you.
00:44:08 Must be nice to be home safe and sound.
00:44:12 Yes, it is.
00:44:14 And on Saturday, Samara is all yours.
00:44:17 Well, not really, Henry.
00:44:20 What do you mean by that?
00:44:23 Well, on Saturday, Samara may be mine by law, but not by right.
00:44:31 After all the love and the care that you've given to Samara all these years, Rachel,
00:44:36 I couldn't dream of taking it away from you.
00:44:39 You mean you're letting me keep it?
00:44:42 Quite simply, yes.
00:44:45 That's the most generous thing I've ever heard.
00:44:50 Well, it's very easy to be generous when you're the only niece of a number of rich relatives,
00:44:54 all of whom died childless.
00:44:56 I've been very lucky.
00:44:58 You can work out the details with Mr. Woodville, can't you, Henry?
00:45:02 Yes, yes, yes, of course.
00:45:05 I don't know what to say.
00:45:07 Well, there's just one small thing.
00:45:11 What's that?
00:45:13 I've been traveling quite a lot.
00:45:19 And when I was in Tibet, I met an old man in the Lama Sri who taught me
00:45:24 that the true power of money is in giving
00:45:27 and leaving something to show that your life had been useful.
00:45:31 Well, wherever I've gone, I've tried to remember what he taught me.
00:45:35 I helped to build a church in a tiny Indian pueblo
00:45:39 and a home for unwed mothers in Boston.
00:45:42 Here at Samara, I would like to leave something in its own beautiful setting
00:45:48 that would last forever.
00:45:50 A bird sanctuary.
00:45:53 A bird sanctuary?
00:45:59 Yes.
00:46:01 I was thinking of the 40 acres down by the South End.
00:46:05 The swamp?
00:46:06 Well, it's of no use to you, Rachel, and the birds would love it.
00:46:10 Would you mind terribly?
00:46:13 No, of course not.
00:46:15 Well, I really must be going.
00:46:20 It was so nice to see you again, Henry.
00:46:23 And you.
00:46:24 I'll show you to the door.
00:46:25 Thank you, Rachel.
00:46:26 It was lovely to see you all.
00:46:28 Goodbye.
00:46:29 Goodbye.
00:46:31 I'm so happy you agreed with my plan, Rachel.
00:46:34 It was such a small thing to ask.
00:46:36 Yes, well, we'll call it the Vincent Le Maire Sanctuary,
00:46:41 after my father.
00:46:43 Wherever he may be.
00:46:45 You know, it's all just exactly as I remember it.
00:46:55 Except...
00:46:58 Somehow I thought it was larger.
00:47:01 The swamp.
00:47:11 It's got to be it.
00:47:13 It's got to be it.
00:47:15 Been at it for a couple of hours now.
00:47:39 Doesn't look like he's after birds.
00:47:41 [♪♪♪]
00:47:44 Not unless they fly underwater.
00:47:54 [♪♪♪]
00:47:58 Where's he going?
00:48:10 Looks like he's heading for the landing.
00:48:12 Come on.
00:48:14 [♪♪♪]
00:48:18 [♪♪♪]
00:48:46 Morning.
00:48:48 Oh, good morning.
00:48:50 Nice day, huh?
00:48:52 Oh, yes.
00:48:54 This is, uh, private property.
00:48:57 What were you doing out there?
00:48:59 Oh, I'm terribly sorry.
00:49:01 I was, uh, bird-watching.
00:49:04 Marvelous hobby, our feathered friends.
00:49:06 I made a few remarkable discoveries this morning.
00:49:09 I saw a speckled robin.
00:49:11 Now, that's the first one I've seen this far north in years.
00:49:15 By any chance, did you see a lion swallow?
00:49:20 I don't believe I know the species.
00:49:23 I'm looking at one.
00:49:25 I don't understand.
00:49:27 You're no more bird-watcher than I am.
00:49:30 I am a life member of the Audubon Society.
00:49:33 Look, Mr. Bosley,
00:49:35 I know all about the phone call from Charlie,
00:49:38 the tests, the equipment,
00:49:40 and I didn't hear anything about no speckled robin.
00:49:44 Please.
00:49:46 If Charlie finds out I've blown my cover,
00:49:49 I'll lose my job.
00:49:51 What is your job?
00:49:53 I beg of you, don't ask me.
00:49:56 You don't know the people you're dealing with.
00:49:59 They can topple governments.
00:50:01 And you don't know the people you're dealing with.
00:50:09 If you don't talk, the only bird around here
00:50:12 is gonna be a dead duck.
00:50:15 You got five seconds, Bosley.
00:50:18 Now, what is it out there that's worth millions?
00:50:22 Oil.
00:50:24 Enough to make Texas look like a country gas station.
00:50:27 Are you sure? Maybe we ought to check it out.
00:50:30 We did. We...
00:50:32 We persuaded the bird-watcher
00:50:36 to give us that, uh, L.A. number.
00:50:39 You know who Charlie is?
00:50:43 X.O. Oil.
00:50:45 And that bunch from overseas?
00:50:48 From Iran.
00:50:50 No wonder Miss Iron-Mighty could afford to be so generous.
00:50:54 The problem is, how are we gonna get the swamp away from her?
00:50:58 We don't have to.
00:51:00 The land isn't hers.
00:51:02 We sold it off to a man named Hawkins.
00:51:05 The land was worthless, and Bo wanted a new car.
00:51:09 Can you get it back?
00:51:11 No problem.
00:51:13 Hawkins is what you might call a... anxious seller.
00:51:18 (Texas)
00:51:21 (Texas)
00:51:24 (Texas)
00:51:26 Hold it!
00:51:51 Now, hold it!
00:51:53 I know we've had our run-ins, but I'm here to straighten all that out.
00:51:57 How about it, Hawkins?
00:51:59 Hawkins?
00:52:03 He ain't here.
00:52:05 When's he coming back?
00:52:07 Ain't.
00:52:09 Well, can we talk?
00:52:14 Stay where you are.
00:52:17 (doorbell rings)
00:52:19 Hi. I'm Bo Creel.
00:52:26 I know who you are.
00:52:28 Mr. Hawkins warned us about you when we bought this place.
00:52:31 You bought it?
00:52:33 Yeah, my grandpa and me.
00:52:35 Gave Mr. Hawkins what he paid for it, $20,000.
00:52:38 Him and his family went back to Arizona.
00:52:40 Who is it, Jelly Lou?
00:52:42 Calls himself Bo Creel.
00:52:45 What's he want?
00:52:47 Don't know yet.
00:52:49 Well, you see, I...
00:52:51 I come here with this very generous business proposition.
00:52:54 I don't trust a man whose teeth don't show when he smiles.
00:52:58 When Hawkins sold you this place, I guess he forgot to mention it was worthless.
00:53:04 Didn't have to. Any fool could see that.
00:53:06 It's mostly swamp.
00:53:08 Then why buy it?
00:53:11 Oh, you wouldn't understand.
00:53:13 Grandpa had always wanted to find the right piece of swamp land
00:53:16 where he could live out the rest of his days.
00:53:18 Born in a swamp he was, just like me and my ma,
00:53:21 in a bayou down by the mouth of the big muddy.
00:53:24 As far as your eyes could see, it was swamp land
00:53:27 with tree stumps rotten in the slime.
00:53:30 But it weren't ours.
00:53:32 What if you had enough money to buy a bigger and better place?
00:53:37 How much money you talking about?
00:53:40 That's 25,000 sound.
00:53:43 What's he after, Jenny Lou?
00:53:45 Trying to steal the place away from us from the sound of it.
00:53:49 Oh, you won't let him do that, will you?
00:53:52 Don't worry, Grandpa.
00:53:54 Shoot him if you have to. He's trespassing.
00:53:57 I can handle him.
00:53:59 Same thing goes for that Arab when he comes back.
00:54:02 Arab?
00:54:03 From Iran.
00:54:05 What he want?
00:54:07 Same as you, Grandpa's swamp.
00:54:10 Had a fella with him with a whole big bag of money.
00:54:14 How much did he offer?
00:54:17 100,000. Said he'd go higher.
00:54:20 Well, uh...
00:54:22 How much higher?
00:54:26 Why do you want it so bad?
00:54:28 Well, you see, uh, we're gonna build this spirit sanctuary.
00:54:33 How does 150,000 sound?
00:54:36 I don't know. I told you, Grandpa's swamp folk.
00:54:40 200.
00:54:41 Get rid of him, Jenny Lou!
00:54:44 He's going, Grandpa.
00:54:46 Just leave him to me.
00:54:54 You know, Grandpa's getting old, and he really ain't dealing with the full deck up there.
00:54:58 So, uh, I think I could get him to sell.
00:55:01 For how much?
00:55:05 A quarter of a million.
00:55:07 230,000.
00:55:12 240.
00:55:17 $250,000.
00:55:22 Won't my Grandpa be happy to see all his money?
00:55:28 He's waiting for me outside the sheriff's office.
00:55:31 Indeed.
00:55:34 I guess I just got no head for business.
00:55:38 Thank you.
00:55:40 Two million.
00:55:44 Well...
00:55:46 Mr. Creel, you got yourself a bird sanctuary.
00:55:51 Bye. Bye.
00:55:54 Bye. Bye.
00:56:01 Well, there goes every penny we had in the world.
00:56:05 Think of a hundred times that much, Henry.
00:56:10 Signed, sealed and delivered. We're in business.
00:56:21 Looks like it.
00:56:22 It's gonna take a lot of equipment. That costs money.
00:56:25 Well, we'll get the biggest outfit in the pen handle.
00:56:31 They're coming in with us.
00:56:33 They're sending men out tomorrow to check it out.
00:56:37 They'll give us manpower, dredging equipment, oil rigs, whatever we need.
00:56:42 Maybe we all ought to get some sleep. We have a big day ahead.
00:56:46 Yeah. Well, uh...
00:56:50 You go ahead. We, uh, have some business to take care of.
00:56:54 Good night.
00:56:57 Good night.
00:57:00 Good night.
00:57:02 Do you have to go out there tonight?
00:57:10 You want 'em to dredge the swamp and find the old man?
00:57:13 What are we gonna do about her?
00:57:17 One thing at a time, Henry.
00:57:22 One thing at a time.
00:57:25 [♪♪♪]
00:57:28 Woodrow?
00:57:44 Yes, here.
00:57:45 It's tonight.
00:57:46 Good. Meet us at the south end of the swamp.
00:57:49 Right.
00:57:51 [♪♪♪]
00:57:55 [♪♪♪]
00:57:58 Find a nice place on the back of the ridge.
00:58:08 Dig him a new grave.
00:58:11 [♪♪♪]
00:58:15 [♪♪♪]
00:58:18 You all right?
00:58:35 Good.
00:58:36 Kelly, over here.
00:58:40 [♪♪♪]
00:58:43 Where's Bosley?
00:58:47 He's on his way back to Los Angeles with the money.
00:58:49 We'll each take a section. The minute they show, I'll call the sheriff.
00:58:52 They'll have plenty of time to get here before they bring up the evidence.
00:58:55 All right. Let's go.
00:58:56 Okay.
00:58:57 [♪♪♪]
00:59:01 [♪♪♪]
00:59:04 [♪♪♪]
00:59:07 [♪♪♪]
00:59:13 [♪♪♪]
00:59:19 [♪♪♪]
00:59:28 [♪♪♪]
00:59:31 [♪♪♪]
00:59:56 Woodwell, I think I've got something.
00:59:59 What is it?
01:00:01 Three of them in an outboard.
01:00:03 I'll call the sheriff. Stay where you are. Don't take any chances.
01:00:08 Okay.
01:00:09 [♪♪♪]
01:00:13 [♪♪♪]
01:00:24 [♪♪♪]
01:00:27 You've been disconnected.
01:00:32 [♪♪♪]
01:00:35 [♪♪♪]
01:00:49 [♪♪♪]
01:00:52 Okay.
01:00:54 He's tied to an old plow.
01:00:57 Bring him up.
01:00:59 [♪♪♪]
01:01:03 [♪♪♪]
01:01:13 [♪♪♪]
01:01:16 [♪♪♪]
01:01:41 [♪♪♪]
01:01:44 They're pulling something up.
01:01:48 [♪♪♪]
01:01:53 [♪♪♪]
01:01:59 They've got it. Woodwell wears a sheriff.
01:02:06 [♪♪♪]
01:02:09 Woodwell, can you hear me?
01:02:11 Woodwell?
01:02:14 Woodwell?
01:02:17 Sabrina, Jill, something's gone wrong. We better get out of here.
01:02:23 Right.
01:02:24 I just heard you talking to your friends, Jill and Sabrina.
01:02:32 Anybody else out there?
01:02:34 Huh?
01:02:37 I'd like to meet them.
01:02:39 Give me that.
01:02:43 Jill and Sabrina?
01:02:50 Whoever else is out there, you better stop and listen.
01:02:53 I got your friend in a clearing over here near your car.
01:02:56 Get over here and join her, or I'll put a bullet through her.
01:03:00 You got that?
01:03:03 [♪♪♪]
01:03:07 [♪♪♪]
01:03:10 You stay right there.
01:03:18 [♪♪♪]
01:03:34 Fine. He's over there.
01:03:36 Don't move any of you.
01:03:38 Mr. Creole?
01:03:47 Can you hear me?
01:03:49 What is it?
01:03:50 Made me a nice little catch right here on shore.
01:03:53 One fisherman and three pretty fish.
01:03:57 Where are you?
01:03:59 South side.
01:04:00 All right, well, stay there.
01:04:03 [♪♪♪]
01:04:06 You got any ideas? Forget it.
01:04:09 [♪♪♪]
01:04:13 [♪♪♪]
01:04:20 [♪♪♪]
01:04:23 All right. You stay here with the boat.
01:04:37 Keep an eye on our friend.
01:04:39 Wilder! Over here.
01:04:43 [♪♪♪]
01:04:46 Who's the other one?
01:05:03 The lawyer. Back by his car out cold.
01:05:06 Go get him.
01:05:10 [♪♪♪]
01:05:13 Any sign of the birdwatcher?
01:05:15 Not a sign.
01:05:17 It was all a con.
01:05:22 One great big con.
01:05:25 I guess you know that there was never really any oil.
01:05:30 Yeah. I guess I know that.
01:05:33 What do we do with him?
01:05:38 Well, we came to dig a grave.
01:05:41 May have to make it a whole cemetery.
01:05:44 Anything happens to us, you're out a quarter of a million dollars.
01:05:48 We'll call Bosley and L.A. and he'll bring it all back.
01:05:52 Yeah, that way nobody will get hurt.
01:05:54 Oh, no.
01:05:55 No, no.
01:05:57 No, if you were after money, you'd have been long gone.
01:06:02 This whole con was set up to make me lead you to what's in that boat.
01:06:08 I mean, with that old man on near his body, you got nothing.
01:06:11 Now you got murder one.
01:06:14 Only...
01:06:17 Who you gonna tell about it?
01:06:20 [♪♪♪]
01:06:23 Let's go.
01:06:35 Come on, move.
01:06:36 What happened to you?
01:06:43 Somebody hit me.
01:06:45 Bo, the boat.
01:06:47 [♪♪♪]
01:06:52 [♪♪♪]
01:06:55 Why don't you stand there? Leave him a bare cross.
01:07:13 Well, go after him. I'll take the drone and swap.
01:07:16 One way or that way.
01:07:20 Here.
01:07:21 Watch him.
01:07:23 [♪♪♪]
01:07:27 [♪♪♪]
01:07:44 [♪♪♪]
01:07:47 [♪♪♪]
01:08:06 [♪♪♪]
01:08:09 Stop where you are!
01:08:34 [♪♪♪]
01:08:37 Okay, back to the boat.
01:08:40 [♪♪♪]
01:08:44 [♪♪♪]
01:09:01 [♪♪♪]
01:09:04 [♪♪♪]
01:09:14 [♪♪♪]
01:09:22 [♪♪♪]
01:09:25 [♪♪♪]
01:09:36 [♪♪♪]
01:09:50 [♪♪♪]
01:09:53 [♪♪♪]
01:10:06 [♪♪♪]
01:10:15 [♪♪♪]
01:10:41 It's Sheriff Hopkins. Come on in.
01:10:44 It's too late, Creel. Come on in.
01:10:55 And remember, you're covered.
01:10:59 [♪♪♪]
01:11:03 [♪♪♪]
01:11:06 Jill, are you all right?
01:11:18 I'm fine.
01:11:20 [♪♪♪]
01:11:26 [♪♪♪]
01:11:29 Not that we aren't grateful, Mr. Collegian,
01:11:40 but what were you and your friends doing out here?
01:11:43 Trying to slow 'em down.
01:11:45 Sent another friend into town for the sheriff.
01:11:47 But how did you all know we'd be here?
01:11:50 That kind of threw me for a second, too.
01:11:53 Got a phone call about an hour ago.
01:11:55 Fellow was really worried. He said if anything went wrong,
01:11:58 somebody might have to bail you out.
01:12:00 Know a guy named Charlie?
01:12:04 [laughing]
01:12:08 Jill!
01:12:11 You'll never guess who ordered the sheriff.
01:12:14 Charlie. Who else?
01:12:16 [♪♪♪]
01:12:18 And this, angels, is our client, the real Janet LeMare.
01:12:21 What about the quarter of a million, Charlie?
01:12:24 Janet wanted it to be our fee.
01:12:26 After all, we proved they killed her father,
01:12:28 and we made sure they didn't kill her.
01:12:30 Nobody believed her story.
01:12:32 I did.
01:12:34 Oh, you'll be glad to hear that Janet and Aram
01:12:37 recognized each other at once.
01:12:39 And the first thing she's going to do
01:12:41 is to build a barn down by the river.
01:12:43 [laughing]
01:12:46 Well done, angels.
01:12:50 Thank you, Charlie.
01:12:51 And you, Woodville.
01:12:53 Thank you, sir.
01:12:55 [♪♪♪]
01:12:57 Oh, and you too, Bosley, of course.
01:13:04 Oh, thank you, Charlie.
01:13:07 Well, that's it until next time.
01:13:11 Now I'd better get back to the job at hand.
01:13:14 [♪♪♪]
01:13:16 What's that, Charlie?
01:13:19 The same thing.
01:13:20 Burning the midnight oil, bearing down on our next case.
01:13:22 And believe me, it's a real scorcher.
01:13:25 [♪♪♪]
01:13:27 Here you are, Charlie.
01:13:33 Bless you, my dear.
01:13:36 [♪♪♪]
01:13:38 [♪♪♪]
01:13:39 [♪♪♪]
01:13:40 [♪♪♪]
01:13:41 [♪♪♪]
01:13:42 [♪♪♪]
01:13:43 [♪♪♪]
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01:13:51 [♪♪♪]
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01:14:01 [♪♪♪]
01:14:03 [♪♪♪]
01:14:05 [♪♪♪]
01:14:07 [♪♪♪]
01:14:11 Call if you need us, huh?
01:14:13 [BLANK_AUDIO]