Charlies Angels S01E19
Transcript
00:00Once upon a time, there were three little girls who went to the police academy.
00:16And they were each assigned very hazardous duties.
00:22But I took them away from all that, and now they work for me.
00:26My name is Charlie.
01:30And I'm Charlie.
01:56Your champagne, sir.
01:58Thank you.
02:04This ought to cover it.
02:05Thank you, sir.
02:06Thank you.
02:25The Iceman, come in.
02:26Champagne.
02:32Voila.
02:56Tony, I can't go through with this.
03:17You can't?
03:18I don't want to.
03:20It doesn't feel right.
03:21I don't feel right.
03:24Relax.
03:26Relax and enjoy.
03:28Tony, what are you doing?
03:32What in the world?
03:34Stop it!
03:36Stop it!
03:38No!
03:39No!
03:40No!
03:41No!
03:42No!
03:43No!
03:44No!
03:45No!
03:46No!
03:47No!
03:48No!
03:49No!
03:50No!
03:51No!
03:52No!
03:53No!
03:54No!
03:55No!
03:56No!
04:04How much did you say these pictures cost you, Mrs. Kluzek?
04:08$10,000.
04:09Cash.
04:10Greedy, weren't they?
04:11Greedy is a very nice way of putting it.
04:14Are you related to Davy?
04:16He was.
04:18Is my husband.
04:20I'm Mrs. Davy Kluzek.
04:23Davy Klusak, the baseball player?
04:25Lifetime batting average, .323.
04:27American League batting champ, six years.
04:30Most valuable player, four times, four World Series.
04:34Obviously, Jill, you're a fan.
04:35Listen, when I was a kid, it took five Ralph Terrys,
04:38six Gil McDougals, and a whole mess of Tony Kubeks
04:41to get one Davy Klusak bubblegum card.
04:46A dramatic lesson in street-level economics.
04:49It's the same phenomenon that governs
04:51the outrageous prices people pay
04:53for pictures like that which we just saw.
04:56Your husband was killed in an accident,
04:58wasn't he, Mrs. Klusak?
05:00Four years ago, he went down
05:01to one of those small private planes
05:03on his way to Oakland, an old-timers' game.
05:06He was elected to the Baseball Hall of Fame posthumously.
05:10That's right, Kelly.
05:12And it was just about that time
05:14that I started seeing a young man named Tony Bourdonnais.
05:19The man in the pictures.
05:22He, uh, I met him at a place
05:25called the Alexander Cruz Dance Academy.
05:28I was...
05:29I was desperate enough to believe that he was sincere.
05:33Instead, you ended up in those pictures.
05:36Ironically, nothing happened between us.
05:38Tony...
05:40I told Tony that I couldn't go through with it, and...
05:43Well, he lost his charm
05:46and started holding me down and tearing my clothes.
05:51The photographer just came in from nowhere.
05:54Why were the pictures worth so much to you?
05:57Right, they're not all that incriminating.
05:59Well, they're incriminating enough.
06:02With the dope that was planted there,
06:04he threatened to send those pictures to Cooperstown.
06:08Cooperstown?
06:09The Baseball Hall of Fame.
06:11Oh.
06:12Well, suppose the pictures had gone public.
06:14Would that really have affected
06:16Davy's chances for the Hall of Fame?
06:18Oh, scandal's bad for the game.
06:20That's exactly what they would have said.
06:23Would these have really affected their votes?
06:26Well, it's hard to know
06:28exactly how those men would have reacted,
06:30but I couldn't take a chance.
06:34I mean, Davy worked for that honor all his life.
06:37And now you're not afraid of the consequences?
06:40Of course I am.
06:41But now they're my consequences.
06:45As of last week,
06:46Davy is in the Baseball Hall of Fame to stay.
06:50But I'm broke.
06:53I don't deserve that,
06:54and I didn't do anything to deserve it.
06:57We'll do what we can, Mrs. Klusak.
07:00In the meantime,
07:02why don't you just try to relax
07:04and try not to worry about it?
07:09Try not to worry about it.
07:12I keep wondering about all those other silly women
07:16that they're going to do this to,
07:18or have done it to.
07:20Not silly. Vulnerable.
07:23Thank you.
07:25Thank you all very much.
07:28I feel better already.
07:29All right, Mrs. Klusak, we'll proceed.
07:32Very carefully.
07:34These guys have a reputation for playing very, very rough.
07:39Alexander Cruz loves to audition dancers, Jill.
07:42Do you think you could dance your way into his heart?
08:19Well, what do you think?
08:21I, uh, I like your energy.
08:24Oh, well, that was my disco medley.
08:26A little hustle, a little bump, a little freelance.
08:29Nice. Very nice.
08:31You know, you really should include disco in your curriculum.
08:34You have no idea the impact it's having.
08:36I'm aware of the disco mania.
08:38I don't really like it myself.
08:40But I think young girls look well,
08:43and I think it's a good thing.
08:45But I think young girls look well doing it.
08:49Well, you're looking at a fully qualified disco expert.
08:52I mean, I've danced everywhere.
08:54Regines, Moniques, Dirty Jacks.
08:56Very impressive.
08:58Well, am I hired, Mr. Cruz?
09:01Alexandre, Jill. Alexandre.
09:04Our next move, Bosley.
09:06Get rid of Schaefer Goodyear,
09:08Cruz's sleazy private eye photographer.
09:10Let me get this straight. Charlie Townsend is hiring me?
09:13The Charlie Townsend?
09:15Charlie explicitly asked for you.
09:17Well, that's a compliment coming from old Charlie Townsend.
09:20He thinks the worst of you.
09:22Yeah?
09:24$200 a day in expenses.
09:26Is that acceptable?
09:28Well, that's smart fare.
09:30Good. I have your plane ticket to Washington, D.C.
09:34Washington, D.C.?
09:36I'll explain more on the way to the airport.
09:38One other thing.
09:40No one must know that you've left town. Is that clear?
09:43Oh, top-priority stuff, huh?
09:46Correction. Not top-priority stuff.
09:49A top-priority mission.
09:53I was wondering.
09:55This being Washington, D.C. and all,
09:57does this have any political undertones?
09:59That's very quick of you, Mr. Goodhue.
10:02I can't say more at this time.
10:04I understand.
10:11Anything like Watergate?
10:13Watergate was just the tip.
10:16The tip?
10:18The tip of an iceberg.
10:20You're late.
10:24Side together and back.
10:26Side together. Forward.
10:28Side together. Back.
10:30Side together. One quarter turn forward.
10:32Side together and back.
10:34That's fine. Let's not try to get to the top.
10:36Tony. Excuse me.
10:38Class, I want you all to meet Jill.
10:41Jill is going to teach a special class in disco dancing.
10:47Excuse me.
10:49Pleased to meet you, Jill. My name is Murphy Murphy,
10:51but my friends call me Murphy.
10:54Do you hustle?
10:56Not as well as you do.
10:58You want it?
11:00Yes.
11:09Oh.
11:16Hmm. This guy keeps files like most people keep mice.
11:19Mm-hmm.
11:21Ah.
11:23Got the clue set file.
11:33Schaefer Goodhue's office. Kelly Garrett speaking.
11:36Oh, yes, Mr. Cruise.
11:38I was just going to call you.
11:40Schaefer's out of town on urgent business.
11:42However, he's gone over all your files
11:44and explained all your business.
11:46Are you aware of the full nature of our business dealings?
11:49Oh, completely.
11:51In his absence, I can perform the same function.
11:53I hope you'll have the opportunity to try me.
11:55Let's try a small step at first.
11:57Oh, I just need a chance to prove myself.
12:00Very good. I need someone checked out immediately.
12:03Her name is Jill Monroe.
12:05New customer?
12:07A new employee.
12:09Okay. Tell me what you've got on her,
12:11and leave the rest to me.
12:13Mm-hmm.
12:15Right. Okay.
12:17I'll get a rundown on this Monroe girl.
12:19Tell you what, I'll get the information,
12:21come by later, we can get acquainted.
12:23Okay. Bye.
12:28Kelly,
12:30do you think my social life would improve
12:32if I took dancing lessons?
12:34Immeasurably.
12:36You could build a stairway to paradise
12:38with a new step every day.
13:01You know, Jill, you're an excellent dancer.
13:03Thank you.
13:05You dance relaxed, and that's important.
13:07Most of the women around here are, uh...
13:09how shall I put it?
13:11Clutzes.
13:13The perfect word.
13:19Are you coming or are you going?
13:22I...
13:24We're trying to get some work done here.
13:26May I help you?
13:28I'd like to learn to dance.
13:30The receptionist is just down the hall to the left.
13:46Shall we get to work?
13:48You know, if she wants to learn how to dance,
13:50why doesn't she just hire Fred Astaire?
13:52Why do you say that?
13:54Because her daddy is so rich.
13:56You know her?
13:58Sabrina Walker. Her father's Stuart Walker.
14:01He has a city in Alaska named after him,
14:03a line of luncheon meats,
14:05and then there's always Walker broadcasting.
14:07Well, how do you know so much about him?
14:09Oh, because Stuart Walker is divorced
14:11and considered a very big catch.
14:13I keep a list.
14:15Oh. Hey, why don't we take a break?
14:18We can go with the dancers later on.
14:20I think perhaps I was rude to Miss Walker.
14:22Oh, you're the boss, Tony.
14:24Well, it seems Miss Drill Monroe checks out.
14:27Quick work and very thorough.
14:30You certainly don't look like a private detective, Karen.
14:33That's what a lot of people say.
14:35I'll take it as a compliment.
14:37Please do.
14:39Schaefer Goodyou can stay out of town.
14:42I like your style, Mr. Cruise.
14:44Alexander, Karen. Alexander.
14:47Okay, Alexander.
14:49Remember, anything good you can do...
14:51You can do better.
14:53Precisely.
14:55I hope so, Kelly.
14:57Employees who please me are very well rewarded.
15:00Those who disappoint me...
15:02never disappoint me a second time.
15:05I'll bear that in mind.
15:24Schaefer Goodyou's office. Kelly speaking.
15:27Hi, Mr. Cruise.
15:29Alexander, I mean.
15:31Oh, sure. Let me get a pencil.
15:36Could you hold one moment?
15:40We're not hiring today.
15:42Oh, is that the man?
15:44Yes, calling for the unexpurgated biography of one Sabrina Walker.
15:48Listen, I got to get out of these clothes.
15:50I feel like the inspiration for the Glamour Don't Call Him in Glamour magazine.
15:53Did you bring a change of clothes for me?
15:55Maybe a whole new pride in the closet.
15:57Do you think I should keep these on?
15:59No, no.
16:01Um, sorry, Alexander.
16:03Now, uh, what were you saying?
16:05Uh, the name is Walker.
16:07Sabrina's father is Stuart Walker, right?
16:11Oh.
16:14Well, there's a lot of money in the Walker family.
16:18It checks out.
16:20Read the whole report.
16:22I mean, Sabrina's a little spaced.
16:24You disapprove.
16:26You want my real opinion, Mr. Cruise?
16:28Not especially.
16:30If I didn't value your opinion, Kelly, I wouldn't ask for it.
16:34My gut instinct says forget Sabrina Walker.
16:37You've got to be kidding.
16:40Look, she's an emotional cripple, a self-destructo.
16:43Two years at Meninger's Clinic trying to get her head back.
16:46That was after two nervous breakdowns, a botched suicide.
16:49It's been all downhill.
16:51She's erratic, unstable.
16:53I like them unstable.
16:55I do wonders for unstable women.
16:57Either you have a very droll sense of humor or I'm more stable than I ever realized.
17:02It doesn't sound like Kelly is overly impressed with your charm, Tony.
17:06I'll try to keep the rejection in correct perspective.
17:09In all fairness to Tony, he does have a way with the ladies.
17:13Hey, good luck.
17:15Look, I'm not trying to tell you how to run your business.
17:18Just remember, I told you so.
17:24I can't stand aggressive women.
17:36All right.
17:52All your friends here.
17:55Sabrina.
17:59You remember Jill from the other day?
18:01Hello.
18:03Jill and I are going to demonstrate the hustle.
18:05You watch once and then we'll try it together.
18:07She's your girlfriend, isn't she?
18:09Don't be silly. Jill is an employee here.
18:11Make her go away. I don't like her.
18:14Oh, well, I'll see you all later.
18:16Bye, Jill.
18:17Goodbye.
18:21I don't like her one bit.
18:23I don't like people who try to humor me.
18:26Don't worry about Jill.
18:28I like you, though.
18:30And I like you, Sabrina.
18:32Very much.
18:34Do you?
18:36What is the first thing we do when we begin to dance?
18:39We relax.
18:41Relax and enjoy.
18:43Yes.
18:48Hi.
18:50Oh, gee.
18:52Guess what, gang? The most dreamy boy just asked me out.
18:55Well, I'm not a bit surprised after your triumphal performance.
18:58Sorry about that, yeah?
19:00Okay.
19:01Hey, Bosley, I need a mansion.
19:03I anticipated your wish.
19:05A mansion. Why don't I ever get a cover like that?
19:34The Walker residence.
19:36Calling for Miss Walker?
19:38Who is calling for Miss Walker?
19:42Tony Bourdenais.
19:44One moment, please.
19:50Tony Bourdenais.
19:52Tony Bourdenais.
19:54Tony Bourdenais.
19:56Tony Bourdenais.
19:58Tony Bourdenais.
20:00Tony Bourdenais.
20:10Hi.
20:11Sabrina, you...
20:13You look great.
20:14Thank you.
20:19Where are we going?
20:20Out for an early evening.
20:22Did you bring your dancing shoes?
20:27Oh, yeah.
20:30Come on.
20:46Ow.
20:48No more. No more.
20:50No, no. No, I can't stand it.
20:52People usually admire my massage technique.
20:57Here are the Epsom salts, Bree.
20:58Thank you.
20:59What exactly did he do to you?
21:01Listen, I learned a great lesson tonight.
21:03When you go out with a dance instructor,
21:05that is what you do. You dance.
21:08Do you remember when Julie Andrews sang that song,
21:10I Could Have Danced All Night?
21:12She wouldn't have lasted three minutes with Bourdenais.
21:14Three minutes, not three minutes.
21:16I swear to you, not three minutes.
21:18How do we all feel this afternoon?
21:20Great.
21:22And why are we all here this afternoon?
21:24Because it's Wednesday.
21:26And what is the Bourdenais rule?
21:28Well, perhaps Mr. Murphy would like to take a crack at that one.
21:31Relax.
21:32Relax and?
21:34Relax and enjoy.
21:36Very good.
21:37That means you win the grand prize today, which is?
21:39A poke in the eye with a sharp stick.
21:42The original long-playing recording
21:44of Whipped Cream by the Tijuana Brass.
21:46Same thing.
21:48You try my patience, Murphy.
21:50Murphy, Murphy to you.
21:52I want a prize, so give me a prize I want.
21:54A slow dance with Jill
21:57so I can hold her.
22:00We got a lot of ground to cover today, so let's...
22:02Oh, what do you say, Jill?
22:05One, one fox trot, that's all I want.
22:11Okay, Mr. Murphy, let's show him how it's done.
22:14Murphy to you, darling.
22:16How could I forget?
22:27How could I forget?
22:49Tony wanted to be in show business, you know.
22:52Fortunately for all of us, it's a wish that died stillborn.
22:56You're a little hard on Borden.
22:58Oh, he's okay at what he does, but he lacks, I don't know,
23:01depth, imagination.
23:03He's not like you.
23:05Me?
23:07You're a self-starter, Kelly, and you're ruthless as hell.
23:10I like that in a woman.
23:12Thanks for the tribute, I think.
23:14You could say I'm an equal-opportunity employer.
23:17I'm not afraid of women with brains.
23:19In fact, I think it's mostly coming for a woman
23:21to have lots of stairs.
23:23Now, as we develop a closer relationship,
23:25it's better than to let you in on more
23:27and see to it that you enjoy a larger slice of pie.
23:32Mr. Cruise, I'm a down-home girl,
23:35and I do love pie.
23:55H-U-T-Z-P-A-H.
24:02Chutzpah?
24:04Uh-huh.
24:05You can't use that.
24:07You can if you got it.
24:09All right, I'll use my Z.
24:11I got a triple-word score.
24:13That about puts the game on ice, Buzz.
24:17Yeah.
24:19Hello?
24:20Bosley?
24:21Tell Sabrina Bourdain will make his move tonight.
24:24While I was talking to Cruise,
24:25the Dune Crest Inn called to reconfirm a room
24:27for Mr. and Mrs. Bourdain.
24:29The same place you took Mrs. Cluzak?
24:32Right, got a split.
24:33Cruise wants me to get my brownie camera ready.
24:35Tell Sabrina to say cheese.
24:37Check you later, boss.
24:41Well, Ms. Walker,
24:43time for you to go to work.
24:45You mean...
24:46Yes, the Midnight Marauder finally makes his move.
24:49I thought he'd never ask.
24:51Now I am.
24:53Be careful, huh?
24:55Buzzly, I didn't know you cared.
25:15Hold on.
25:16Hold on.
25:17Look out.
25:21Oh, dear.
25:22You know what?
25:24What's that?
25:25I think I'd better go to the women's room.
25:27Okay, can you make it?
25:29Oh, sure.
25:30All righty.
25:31I can make it.
25:37I'm sorry.
25:38It's all right.
25:39It's all right.
25:40It's all right.
25:41It's all right.
25:42It's all right.
25:43It's all right.
26:11Jill.
26:12Jill, come in, please.
26:14Reading you loud and clear.
26:16Buzzly, do you have any idea
26:18how your voice rumbles in the bathroom?
26:20Would you put Jill on?
26:22Bree, it's me.
26:23Okay, look, I think I can handle this guy,
26:25but if I need help, I'm gonna yell, okay?
26:28Who better yet?
26:43Oh, goodness.
26:45Oh, goodness.
26:48Oh, Tony.
26:50I think I'm drunk.
26:53Am I drunk, Tony?
26:55I told you not to mix drinks.
26:57Tony, I really...
27:13What's happening?
27:14She's wiped out.
27:15Come on, work fast and get out of here
27:17before she wakes up.
27:23Come on.
27:24Okay.
27:25Come on.
27:34Give me that ice cream.
27:36Ow.
27:37Okay.
27:42Come on.
28:01Okay, come on.
28:02Okay, great.
28:13What are you doing?
28:15Taking her clothes off.
28:16Look, maybe we've got enough.
28:17The drugs will do it.
28:18You gotta show flesh, Kelly.
28:19That's what they pay for.
28:21Who is it?
28:23Room service.
28:25I didn't order any room service.
28:27Is this 46?
28:29Yes.
28:30You didn't order the poached salmon?
28:33No, take it back.
28:34But it says 46, poached salmon.
28:37I didn't order any room service.
28:39I've got enough.
28:40We better get out of here.
28:42I said take it back.
28:45I've got enough.
28:46We better get out of here.
29:10Hello.
29:11Are we too late for the party?
29:13I hope Kelly got my best side.
29:15Every side is your best side.
29:16Bosley, you do care.
29:22Bosley, that's a Walker line.
29:24That is probably your call, ma'am.
29:29Hello.
29:31Yes, this is Stuart Walker.
29:34Pictures of my daughter?
29:35No, I don't...
29:38Oh.
29:39Those kinds of pictures.
29:42No, you're certainly not coming here.
29:44I'll meet you.
29:46Yes.
29:48Yes, I know where that is.
29:54Cruz or Bordenet?
29:55Cruz.
29:56I'm meeting him in an hour.
30:09Mr. Walker?
30:10Yes.
30:11I'm delighted to meet you.
30:12My name is...
30:13I don't care what your name is.
30:14Do you have the pictures on you?
30:15Yes, but I prefer to conduct our business inside.
30:31Cruz.
30:33Cruz.
30:35Cruz.
30:36Cruz.
30:37Cruz.
30:39Quaint.
30:40Yes.
30:41It's an investment of mine.
30:43I intend to convert this into a palace of Terpsichorean splendor.
30:47The pictures, may I see them?
30:49Oh, certainly.
31:09Well, what do you think about that?
31:11I think that just about ends our conversation.
31:15Hardly.
31:16Any five-year-old could tell you that negatives are locked in a safe.
31:21And they will run you $10,000.
31:24What makes you think that I would pay one penny for those pictures?
31:28Much less the outrageous sum of $10,000.
31:32The expression on your face when you looked at the snapshots of your daughter.
31:35My daughter.
31:39My daughter has made a career of offending, embarrassing, insulting, and disappointing me.
31:46Children will do that.
31:48I've grown used to it.
31:50I'll tell you what I am willing to do.
31:53I have about $500 here.
31:57At $20,000, Mr. Walker, the price is right.
32:01I assume that this young lady is a co-conspirator in this lame charade.
32:06You assume correctly.
32:08Well, apparently, you did not hear me.
32:11The sum I am offering is $500.
32:15I heard you.
32:17I also heard rumblings about something new at Walker Enterprises.
32:21The Stuart Walker Bible Institute.
32:23The Stuart Walker Bible Institute.
32:25The Stuart Walker Bible Institute.
32:28The Stuart Walker Bible Institute.
32:30The Stuart Walker University.
32:33Sounds to me like you're getting a little religion in your old age.
32:37Want to leave the solid citizen something to remember you by?
32:41I don't know where you get your information.
32:44But it's accurate, isn't it?
32:46If you don't want to buy the pictures, we'll find a market for them.
32:49I'm sure there's someone out there who would be interested in tarnishing that holy and thou image you're so determined to manufacture.
32:58All right.
33:00I'll give you the $10,000.
33:02$20,000.
33:04$15,000.
33:05$20,000 and that's the bottom line.
33:09But what assurances do I have that some liar and cheat won't be coming back for more?
33:14Yes, I suppose I am a cheat, but a liar?
33:18No.
33:20You have my word.
33:21Blur the negatives.
33:22Shall we follow you to the bank, Mr. Walker?
33:46How did it go, Bosley?
33:48A superb.
33:49How did it go, Bosley?
33:51A superb performance.
33:53Kelly and I worked very well together.
33:55Perhaps you should consider a summer start.
33:57I believe in broadening one's horizons.
34:00Take me to the bank, driver.
34:03Very well, sir.
34:12Tony, I wish you would have been there.
34:14Kelly and I were a splendid team.
34:16It was the smoothest exchange of $20,000 I ever saw.
34:19As I recall, it was Kelly who didn't want to go through with it.
34:22Tony, stop whining.
34:23Your face gets longer, you look like a Modigliani.
34:26Yes?
34:27Sorry to barge in.
34:28What is it?
34:29Well, there's quite a ruckus going on down the hall.
34:31Ruckus?
34:32Yeah, it's the Walker girl.
34:34Sabrina Walker?
34:35Tell her to come in, will you?
34:37Okay.
34:38I'll handle this.
34:39Will you please use the other door?
34:41Okay.
34:47Surprise to see me, Mr. Cruz.
34:50Should I be?
34:55There's $5,000.
34:56Count it and then please give me those pictures.
35:00A real example of too little, too late.
35:03Don't tell me you're going to deny your participation
35:06in that dirty little deal that went down last night with Tony Borden, eh?
35:11I haven't any need to deny it.
35:13I do feel compelled to return this money to you.
35:17I don't understand.
35:19I suggest you check with your father.
35:22My father?
35:23Sit down and have a nice father-to-daughter chat with him.
35:26I'm sure he'll be very understanding.
35:28That's very good advice, Mr. Cruz.
35:30And perhaps when he returns from Alaska, I shall take it.
35:32However, in the meantime...
35:33Alaska?
35:34Yes.
35:35Now, about those pictures.
35:36When did he leave for Alaska?
35:38I don't know.
35:39I don't know.
35:40About those pictures.
35:41When did he leave for Alaska?
35:43Four weeks ago.
35:44He's closing an oil deal.
35:45Now, Mr. Cruz...
35:46That's impossible.
35:47I met with him today.
35:48Not with my father, you didn't.
35:49He doesn't return until this evening.
35:51He has to be your father.
35:53He paid $20,000 for those pictures.
35:56Oh.
35:59Now I'm beginning to understand.
36:02It was that sneak Bosley.
36:05Bosley?
36:06He bought those pictures from you for $20,000...
36:09so that he could sell them to my father.
36:13Are you saying that Ms. Bosley was posing as your father?
36:19You got the picture, pal.
36:23You've been had.
36:36I'm sure you heard everything.
36:37Everything?
36:38Well, get on it.
36:40Find the phony Mr. Walker.
36:41And then?
36:43After we have recovered the pictures...
36:46I will decide whether to...
36:48kill him...
36:49or just...
36:51bruise him severely.
37:06I'll be back.
37:25I got here as soon as I could.
37:27Okay?
37:28The man inside that house...
37:29is the fake Stuart Walker.
37:32Fast work.
37:33How did you trace him?
37:34I checked the license number of the limousine yesterday.
37:37I traced the limo to the Charlie Towns...
37:39and Carriage Service of Beverly Hills.
37:41They said they'd rented it to a Mr. Bosley.
37:43Then I made another check...
37:44and found out that this Bosley...
37:46is a former Walker family servant.
37:48Oh.
37:49They're all pieces together.
37:50Former as of two weeks ago.
37:52He bought the pictures from you for $20,000...
37:54so he could sell them to Walker.
37:56Now if they're that valuable to Bosley...
37:59imagine what they're worth to Walker.
38:01Clever man, this Bosley.
38:03An opportunist.
38:04That's Bosley.
38:06There he is.
38:07Let's go.
38:21A word with you, sir?
38:25I made my position very clear yesterday.
38:29And I paid you $20,000.
38:31Now part of that was for the privilege...
38:33of never laying eyes on you again.
38:35That was yesterday when your name was Walker.
38:38Today is today, Mr. Bosley.
38:41And tomorrow is tomorrow is tomorrow.
38:44If we're going to stand around quoting Shakespeare...
38:46it's going to be a very tedious day.
38:49Okay, you posed as Walker to get the pictures...
38:51expecting to sell them at a higher price to Walker.
38:55Oh, you've got something against capitalism?
38:57You will return them to us.
38:59We'll return the $20,000 to you.
39:02And I will have the unparalleled thrill...
39:05of breaking even?
39:07Forget it.
39:09Don't make me use this.
39:11Put that damn thing away or there's no talk at all.
39:15You're being heavy-handed, Carrie.
39:18Okay.
39:20We'll give you $20,000 plus five.
39:22That way you walk away with a profit.
39:25That way I walk away with chump change.
39:28I'm going to make you one more offer, Bosley...
39:30and you're going to take it.
39:32$30,000.
39:33Your offers are as tedious as my Shakespeare.
39:37$40,000.
39:38My final offer.
39:39And you have just five seconds.
39:42Kelly wasn't going to shoot you.
39:44You were right in your judgment.
39:46I will.
39:48It's amazing, isn't it...
39:49how time flies when you're having fun?
39:54The five seconds have slipped away.
39:57All right, you've got a deal.
39:59But that is not necessary.
40:02I owe you a trunch of that.
40:12Tell Mr. Cruz this is Shaper Goodyear...
40:14and I'm back in town.
40:16He isn't there.
40:17Why don't you put him on then?
40:22Hey, Borden A.
40:25Kelly.
40:27Kelly who?
40:30My what?
40:33I don't have an assistant.
40:36Hello, Tony.
40:38What on earth are you doing?
40:40Shut up, Cruz.
40:45You're going to listen for a change.
40:47I just want to introduce Kelly to someone she's never met.
40:51Shaper.
40:55Kelly, meet Mr. Goodyear.
40:58You didn't know you had an assistant, did you, Shaper?
41:03Is this true?
41:06I can explain everything.
41:09I adore good fiction, Kelly.
41:11But make this one short...
41:13and make it good.
41:15Look, the only thing I'm guilty of...
41:17is lying about being his assistant.
41:20Other than that, I've been dealing in good faith.
41:22I helped you with the Walker girl.
41:23I even upped the ante for you.
41:25Maybe. What's your angle?
41:27I'm interested in the possibility...
41:29of getting some really big money out of Stuart Walker.
41:32After that, it's your option.
41:34I can walk away or you can keep me on.
41:36I'm afraid I'm having trouble with your credibility at this point.
41:39Suit yourself.
41:40You can always sell the pictures back to that Bosley fellow.
41:44Tony, I want to keep that appointment with Mr. Walker.
41:48What if it's a set-up?
41:50Mr. Goodyear will have to put you in coming-of-car-a for a while, Kelly.
41:54Sorry about the discomfort.
41:55And if this is just petty suspicion on my part...
41:59I'll make it up to you.
42:01If, on the other hand, you set us up...
42:05I'll make that up to you.
42:07Could you take the lady to the bowling alley?
42:14Come on.
42:26Looks like Kelly was able to ditch the Goldust twins without any problem.
42:31Not a bad operation.
42:33Her client gets her $10,000 back, plus interest...
42:36and a nice vacation for the office.
42:38And no dented fenders, huh, boss?
42:43Interesting pictures, wouldn't you say, Mr. Walker?
42:46It seems to me that the craftsmanship in these photographs...
42:49leaves a great deal to be desired.
42:51Under the circumstances, aren't you being a bit cavalier?
42:53Not at all.
42:55You are Stuart Walker.
42:57Yes, but that girl is not my daughter.
43:02Not your daughter.
43:04Which is a good thing for you.
43:06If that was my daughter, I wouldn't pay to get the pictures.
43:09I'd invest my money into removing you from the face of the earth.
43:12It would be cheaper and more rewarding.
43:16Get out of here.
43:23Get out of here.
43:54So long, suckers.
43:59Yeah?
44:01Sabrina, we may have a huge problem.
44:03What, like clockwork? What's the matter?
44:05Well, I'm back here at the office and Kelly hasn't shown.
44:07Not only that, there was a message on the service for Boz...
44:10and that detective's back in town, Schaefer Goodhue.
44:13Schaefer's back in town and Kelly's suddenly gone.
44:16Oh, boy, I'm afraid that adds up.
44:18Right, Kelly's in trouble.
44:20Terrific, so where do we go to help?
44:21The dance studio?
44:23No, no, that's too obvious and too public.
44:25Okay, then where?
44:27Um, Cruz's hideaway, the bowling alley.
44:29It's on 8th and Grand.
44:31Jill, bowling alley, 8th and Grand.
44:33Okay, I'll meet you there.
44:48When Bourdain and Cruz get back here,
44:49everything will be cleared up.
44:51So why don't you relax and put away the gun?
44:54I am relaxed.
44:56You're the one who's not relaxed,
44:58and I like it that way.
45:00Hey, sit down.
45:02Cool it, Goodhue.
45:04I'm not going anywhere.
45:06I said sit down.
45:08Charlie Townsend, am I glad to see you.
45:20Kelly!
45:22It's hopeless.
45:24There's no way out.
45:30Come on.
45:32Come on.
45:34Stay here.
45:36The lady won't come to us, so I'll go to her.
45:38With pleasure.
45:41It's all right.
45:50Tony?
45:53Tony?
46:19Tony?
46:49Tony?
47:08Hi, Mr. Cruz.
47:10Your dance card, Phil?
47:12Let me have your gun, fingertips, please.
47:14Back inside.
47:29Kelly!
47:37Kelly!
47:44Nice slit.
47:46I should have used a little more wrist.
47:48My back!
47:50I think it's broken.
47:52Oh, I bet that hurts.
47:54Maybe you better roll over on your side
47:56till the police get here.
47:58Hey, look what I found in the parking lot.
48:00Join your friend on the floor, Alexander.
48:02Go ahead.
48:05I won't dance.
48:07Don't ask me.
48:13Don't ask me.
48:34Excuse me.
48:38Hello.
48:40Oh, hello, Shirley.
48:43Good morning, Bosley.
48:45Angels.
48:47Is there something wrong with our connection, Bosley,
48:49or do I detect wheezing?
48:51Oh, no, no, no.
48:53It's just the usual morning rattles.
48:55I'm returning your photos to you, Sabrina.
48:57Thought you might want to start a scrapbook.
48:59The negatives, too, Charlie.
49:01I got my reputation to protect.
49:03Right you are, Sabrina.
49:05Charlie, why don't we send a set
49:07to Cruz, Bourdenais, and Goodhue?
49:09Give them something to think about
49:11while they're doing time.
49:13It's a great operation.
49:15But I did want you to know
49:17that Laura Klusak is very grateful
49:19for getting her money back.
49:21A harbiter, Charlie.
49:23Oh, Charlie.
49:25Yes, Jill?
49:27It would be a shame for all that research to go to waste.
49:29Don't you agree?
49:31Meaning?
49:33Well, I was just thinking.
49:35Do you hustle?
49:37What?
49:39Oh, never mind.
49:41Just a thought.
49:43Never mind.
50:13Never mind.
50:15Never mind.