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Short filmTranscript
00:00Once upon a time, there were three beautiful girls.
00:05Two of them graduated from the police academy.
00:10The other graduated from a top school for models.
00:15And they each reaped the rewards of their exciting careers.
00:20But I took them away from all that, and now they work for me.
00:25My name is Charlie.
01:25Ladies, Mr. Tustin's glass looks empty.
01:47May I pour more cognac, sir?
01:52May I pour more wine, sir?
01:57Thank you.
01:59Now, ladies, you may go enjoy yourselves.
02:04I didn't come here for a social function, Mr. Reardon.
02:09I'm here to...
02:11You came here to hire an assassin.
02:13Speak up. You needn't worry.
02:15They won't remember a thing that you have said.
02:19They won't remember a thing that you have said.
02:26Quiet, please, ladies.
02:30You're disturbing Mr. Tustin's sensibilities.
02:36He gets very uneasy with talk of killing.
02:40So you ladies are not to remember a word of what you hear in this room.
02:44Understood?
02:46Of course, Mr. Reardon.
02:49I understand, sir.
02:51Impressive for a floor show, but I'm not here for hypnotic tricks.
02:56It's hardly a trick, Mr. Tustin. Hypnosis, yes, some,
02:59but what you're witnessing is much more than that.
03:02You're certain they can kill?
03:04Much more efficiently than you can imagine.
03:08Without fear, without passion, and without memory.
03:11Think of that.
03:13Not even the assassin knows who has done the work.
03:17Where's the proof you promised me?
03:20Robert, Mr. Tustin wants some proof.
03:24Francine has just completed her second sensory program.
03:28If she can't convince him, nobody can.
03:31Francine, my dear, would you come here, please?
03:36You look lovely today.
03:39Now watch very carefully what I do.
03:42Yes, Mr. Reardon.
04:05Now watch very carefully what I do.
04:30Our security system is charged with more than 30,000 volts.
04:34Now would you be convinced of Francine's dedication
04:37if she threw herself upon these same bars?
04:39You can't be serious.
04:41Mr. Tustin!
04:43He's deadly serious.
05:05Now you're in a trance.
05:08Deeper and ever deeper.
05:11You feel better now, Francine, don't you?
05:15Much better, sir.
05:17Good.
05:23Now go to the window and remove those bars from me.
05:29Now go to the window and remove those bars from me.
05:34Please.
05:38Reardon, you must stop this.
05:40Now you said you wanted proof.
05:51Please, please stop her.
05:55Francine, you may stop now.
06:00You see, it only requires my voice.
06:10Thank you, Francine.
06:25No!
06:32Now, Mr. Tustin,
06:34are you ready to sit down and discuss business?
06:42Now, you said you want four men killed.
06:45That will be $1 million, please.
06:48There are four names here,
06:51and they must all be eliminated within six weeks.
06:54And all four of them are members of the board of Western Tectronics.
06:58How did you know?
07:00It's quite simple.
07:02See, some of my ladies have been working at Western Tectronics for weeks.
07:05Your company plans a takeover of Western Tectronics,
07:08and these four board members will definitely try to stop you.
07:13Angels, how familiar are you with the name Western Tectronics?
07:19I know the name is Western Tectronics, Charlie,
07:22but aren't there interests worldwide?
07:24You go to the head of the class, Julie.
07:26Let's see, computers, software, satellites,
07:29steel mills, oil, and a billion-dollar geothermal development.
07:33And two of Western Tectronics' prime executives
07:36have been killed recently.
07:38That's right, chairman of the board and a vice president.
07:41They've got other big troubles, too.
07:43Since their breakthrough in geothermal research,
07:46a number of takeover attempts have been tried.
07:48Legitimate?
07:50The legitimate ones have been handled,
07:52but it appears Western Tectronics
07:54have become the target of darker forces.
07:57But, Charlie, weren't those deaths accidental?
08:01Well, that's what we have to find out.
08:03I've arranged for Kelly and Chris
08:05to go to work for Western Tectronics as junior executives.
08:09Executives?
08:11Trainees. It's affirmative action.
08:13Love it.
08:14Thought you would, Kelly.
08:16Now, Julie, I have another assignment in mind for you.
08:19In the accident involving the vice president,
08:22they also found the body of a young woman, Francine Miller.
08:26She was a loan-out from a firm called Rearden & Company.
08:29Bosley has a picture of both of them.
08:32Rearden & Company, they supply secretarial help, right, Charlie?
08:36Not exactly, Bosley. More like efficiency analysts.
08:39They rent people to firms like Western Tectronics
08:43to help smooth out operations.
08:45How's your typing, Julie?
08:47Well, Charlie, if I had to pass tests,
08:50I don't think I'd be working for you.
08:52Well, I understand Rearden & Company can work miracles.
08:55But don't worry.
08:57If you don't pass their test,
08:59you can always come back to work here.
09:02Well, I hope that goes for all of us.
09:05Really?
09:18We're late. 15 minutes late.
09:20Can you start as an executive by being late?
09:22I think that comes later. Let's hurry.
09:24Wait, wait, wait. How do I look?
09:26Well, I'd say you look just fine.
09:28Oh, thank you.
09:30But your opinion won't be of much help
09:32unless we get to room 308 in a hurry.
09:34Oh, the orientation lecture for junior executive trainees.
09:37Let me guess. You're Chris Monroe, and you're Kelly Garrett.
09:41How did you know that?
09:43I'm Steve Briggs, president of the company.
09:45Charlie sent me your pictures and files.
09:47He did?
09:49Oh, but don't worry. I'm the only one who's seen them,
09:51and I'm the only one who will.
09:53To anyone else here at Western Tektronix,
09:55you'll be trainees and trainees only.
09:57Well, come on. I'll show you the way.
10:04Be assured that Western Tektronix
10:06wants to see their executives
10:08diversify their experience as much as possible
10:11in an effort to create the most pleasant
10:14and enlightening career possible.
10:17Excuse me, Cynthia.
10:19Excuse me.
10:21I have a couple of other candidates here for you
10:23who seem to have lost their way.
10:25This is Kelly Garrett and Chris Monroe.
10:27Hello. I'm Cynthia Weaver.
10:29Well, please come in and make yourselves at home.
10:32There's coffee, tea, and donuts.
10:34Indulge yourself.
10:36We also have a gym available so you can keep in shape.
10:39How nice.
10:41Well, that's one of our facilities
10:43I don't think you'll ever need.
10:45Excuse me, ladies.
10:48I think I'm going to like working here.
11:01Oh.
11:02All finished?
11:04Oh, I haven't seen so many loops and whirls
11:06since I took penmanship.
11:08Well, don't worry.
11:10When I came here, I was afraid to put five words together
11:12in front of anybody.
11:14Mr. Reardon was very patient with me.
11:16That's one of the reasons I put in an application.
11:19My friend Francine Miller said the same thing.
11:22She really loved it here at Reardon and Company.
11:25You knew Francine?
11:27Yeah. We were in the same sorority at State.
11:30She was such a sweet person.
11:33We all miss her very much.
11:36It was such a tragedy.
11:38Well, I'll run these through the computer.
11:41Okay.
11:43Oh, should I stay here?
11:45Yes, it'll just be a few minutes.
11:47Okay.
11:50She's a looker, John.
11:53Oh.
12:14She's a looker, John.
12:23I say we take her.
12:27I would.
12:29If looks were all of it,
12:31we could just pull them in off the streets.
12:35Come in.
12:37Excuse me.
12:39Mr. Reardon,
12:41the test results on Miss Rogers are quite good.
12:48You're right.
12:50She's nearly perfect for our needs.
12:52Miss Rogers was a friend of Francine Miller's.
12:55Francine?
12:57Yes, they were sorority sisters together,
12:59and Francine told her how wonderful it was to work here.
13:02John. John!
13:04Quiet, please.
13:10Now, what is she talking about?
13:12Francine was never in a sorority.
13:14That was just part of the phony bio
13:16she submitted to Western Tectonics.
13:18I know.
13:20I know.
13:22You know? Then Julie Rogers must be a plant.
13:25Yes, but whose?
13:27What difference does it make? I say we get rid of her now.
13:30No. I think we can use her,
13:32and she thinks she can use us.
13:35Yes.
13:37Darlene, go tell Miss Rogers that she did very well,
13:41and that we will have the digital skills test next.
13:44Yes, sir.
13:49She's a perfect candidate.
13:52Bright, quick, and receptive.
13:54I just hope you know what you're doing.
14:12Now, the only test left is the digital aptitude,
14:15a little typing,
14:17and, of course, the light response.
14:19I understand the typing, but what's light response?
14:22Oh, that's the easiest part. You'll see.
14:25Now, just type the material
14:27that you hear coming through that headset over there,
14:30and the strobe light will just help you increase your speed.
14:33I don't want to lose any points for nervousness.
14:36Don't worry.
14:38You just type what the voice tells you to.
14:46Now, Julie, the key to any goal is to be able to relax.
14:51The same is true when you type.
14:54One must allow the mind to ease.
15:00Let your hands relax on the keys.
15:03Let your body completely relax.
15:06Let the light guide your rhythm of the keys,
15:10faster and lighter.
15:12Breathe slowly and deeply.
15:15Slowly and deeply.
15:18Hands faster and lighter.
15:33Julie, this is Mr. Riordan.
15:35You may stop now.
15:37You may stop now.
15:41I've stopped, sir.
15:43That's very good. Relax.
15:47You may rest now.
15:49Close your eyes.
16:08You did very well, Julie. You should be happy.
16:11You may open your eyes now.
16:14But you will only listen to my voice.
16:17I'm sorry.
16:19I'm sorry.
16:21I'm sorry.
16:23I'm sorry.
16:25I'm sorry.
16:27I'm sorry.
16:29I'm sorry.
16:31I'm sorry.
16:33I'm sorry.
16:35But you will only listen to my voice.
16:38You will only hear my voice.
16:40Do you understand that?
16:43All right, now open the drawer.
16:46Take out the mirror.
16:48Hand it to me.
16:51Take out the candle,
16:53and put it in front of the mirror.
17:02Now take out the matches,
17:05and light the candle.
17:11Now take out the matches,
17:14and light the candle.
17:21She's resisting you, I know.
17:24Now light the candle.
17:27Now light the candle.
17:49She must have had training in hypnotic resistance.
17:53But it's all right, she's deeper now.
17:57Now, your hands are very cold,
18:00and the flame is like ice.
18:02I want you to take your right hand
18:04and hold it over that flame.
18:06You will not be hurt,
18:08as long as you look at the flame
18:10and do as I say ever deeper now.
18:13You're beyond time,
18:15beyond pain,
18:17beyond memory.
18:20Now, Julie, tell me,
18:22why did you come here?
18:24I work for Charles Townsend and Associates.
18:28I was sent here to find out
18:31about Francine Miller.
18:33Well, that cuts it.
18:35Townsend is the slickest detective agency on the coast.
18:38She's big trouble, John.
18:40Maybe not, Robert.
18:43Julie, obviously you're not working alone on this.
18:46No, sir.
18:49There's Chris and Kelly.
18:53Now, Julie, I want you to write down those names
18:56and a list of everyone else who was involved in this investigation
19:00and everything you know about them.
19:02Yes, sir.
19:04You don't want to keep her around here.
19:06Her loyalties are to Townsend,
19:08and that's why she's valuable.
19:10Townsend thinks that she is still his operative,
19:13but she belongs to me now.
19:15I couldn't have asked for a more beautiful volunteer.
19:23PHONE RINGS
19:29Bosley here.
19:30Hi, Boz, it's me, Julie.
19:32I just called to check in.
19:34Well, if you're not busy,
19:36we could use a little help over here.
19:38Looks like I'm going to be tied up for a while.
19:41I still have to take some tests.
19:43I should be home by about 11 or so.
19:45Anything on Francine Miller?
19:47If you mean between her and her boss?
19:49I doubt it.
19:50They discourage that kind of thing here.
19:52It doesn't make for good working relationships with the client companies.
19:56So everything's all right?
19:58Yeah, fine.
19:59Shouldn't take more than a day or so.
20:01I think Charlie will be able to write off Reardon & Company as a lead.
20:04Oh, wow, you should see me type.
20:06This program's really increased my speed.
20:09Well, all that's increased here is our workload.
20:11It's a real paper chase.
20:13Oh, that's too bad. This program's great.
20:16Well, this young executive is going to take it easy a little bit later.
20:19I wanted to borrow that mind book of yours. Can I come by and get it?
20:22Sure, Chris.
20:23Listen, I gotta go. Company time and all that.
20:26Okay, see you later.
20:28Bye.
20:31Well, at least it is good to hear that she is enjoying her work.
20:42You did very well.
20:50Kelly Garrett, Chris Monroe and John Bosley.
20:56You did very well.
20:58Darlene.
21:03Take Miss Rogers for sensory conditioning.
21:07Yes, sir.
21:19If you intend to program her before she has to see her friends,
21:23that's pushing it, John.
21:24Each new suggestion that she accepts reinforces her trance.
21:32Do you hear me now?
21:35Yes, sir. I can hear you very well.
21:38Are you comfortable?
21:41Yes, very comfortable, Mr. Reardon.
21:44You're doing very well, Julie.
21:46I want you to concentrate now.
21:49Picture the candle and picture the flame.
21:52It is right before your eyes.
21:54The flame will help you to relax.
21:58I... I can't... I don't see it.
22:20You will just listen to my voice.
22:23Always only listen to my voice.
22:26It is part of you that must always obey my voice.
22:31Do you hear?
22:33You can relax when you see the flame, Julie.
22:40Yes.
22:42I see it.
22:44I see the fire.
22:46I see the fire.
22:51Julie, the flame is ours together.
22:54It is growing colder now, isn't it?
22:56Yes.
22:58It's getting colder.
23:01It's getting much colder.
23:08Mr. Reardon, will you please let me out?
23:11No, not yet, Julie.
23:13Breathe deeply.
23:14Breathe deeply.
23:16You can only listen to my voice.
23:18The flame is dimming now.
23:20It is growing darker and darker.
23:26Yes, it's gone.
23:28Good.
23:30Just relax now.
23:36It's time to rest.
23:40Completely rest and forget.
23:44Forget everything.
23:46Except what my voice instructs you to do.
24:01Hi.
24:02Hi.
24:03I didn't think you were going to show up, so I let myself in.
24:05I hope you don't mind.
24:06Oh, that's okay. I'm sorry I'm late.
24:08The indoctrination took longer than I thought.
24:10Look at this.
24:12Isn't it beautiful?
24:13It's terrific.
24:14You want to know what Kelly and I got?
24:16Files.
24:17Stacks of files.
24:21I got to run. I'll see you tomorrow.
24:22Okay, I'll call you in the morning.
24:26Oh, your purse.
24:28Thanks.
24:29And thanks for the book.
24:30Okay, sure.
24:31Night.
24:32Night.
24:44He would only hear my voice.
24:48But he would only listen to my voice.
24:51He would only hear my voice.
24:54I light the candle.
25:13I light the candle.
25:24The hands are very cold now.
25:28And the flame is like ice.
25:31You will not be hurt as long as you look at the flame.
25:37You will not be hurt.
25:40And the flame is like ice.
25:44Ice.
26:10If I knew what you were looking for, maybe I could help.
26:13A suspect would help.
26:14Some hard evidence to prove that those two deaths were not just accidents would help.
26:19Two deaths in three weeks is hardly coincidental.
26:23And the motive.
26:25That's very strong.
26:27We know the motive.
26:28A billion dollars. That's the motive.
26:30It means an opportunity we're short on.
26:32We need those to establish murder.
26:34We've been through all the personal files.
26:36All the investigation reports.
26:38We even ran it through the computer again this morning.
26:40Nothing.
26:41Well, you think I'm paranoid?
26:42Even the insurance companies agreed that both deaths were accidental.
26:47Well, I did too.
26:48Until Danvers convinced me it might be more than a coincidence.
26:51Danvers?
26:53He's the only one left on the board on my side.
26:56It was Danvers who made our original breakthrough in Geothermal.
26:59He's been fighting to protect his discoveries just as I've been fighting to protect the company.
27:05Chris, I think we ought to pay Mr. Danvers a visit.
27:08Will you excuse us?
27:12Thank you.
27:22I'll be looking forward to working with you gentlemen on this project.
27:25It's going to be exciting.
27:26And don't forget your budget figures. I'll need them as soon as possible.
27:35Coffee, Mr. Danvers?
27:36Please.
27:43♪
27:46♪
28:14Here you are, sir.
28:15Oh, thank you, Cynthia.
28:46♪
28:54Okay, thank you.
28:56Danvers' secretary says he's in the conference room.
28:58Great. Now all we have to do is find it.
29:01Uh, do you know where the, uh...
29:04Ah, I think we found it.
29:06Ah.
29:08Oh.
29:13It's Mr. Danvers. He's had a heart attack.
29:18He's dead. I know it. He's dead.
29:22He's still alive. Call medical.
29:24Get someone down here immediately.
29:28Alive?
29:30But I...
29:31I don't know the number.
29:34Go...
29:38Yes, get emergency to the conference room. It's Danvers.
29:41It looks like a heart attack. Hurry.
29:47This is terrible.
29:49I don't know what happened.
29:51I'm supposed to be prepared for emergencies within the client companies.
29:59Yes?
30:00It's an emergency. It's Mr. Danvers in the conference room. He...
30:07He's dead.
30:14John, what happened?
30:15Heart attack, maybe. It's hard to tell.
30:16If it wasn't for those two ladies in there, he'd be dead already.
30:21Cynthia.
30:23I'm so sorry.
30:25He was going over the survey maps and...
30:28And in the next minute he was just lying on the floor.
30:31It's all right, Cynthia. It's not your fault.
30:35Nothing.
30:37Maybe it was a heart attack. I can't find anything either.
30:40Well, we can't be too sure. We'd better keep looking.
30:43Steve, did Danvers have a heart condition?
30:45No.
30:46We played handball three times a week. He's as strong as an ox.
30:50You sound so positive.
30:51I'd stake my life on it.
30:53You might have to.
30:55I don't get it.
30:57You're definitely the next target.
31:08Mr. Tustin is here to see you, Mr. Reardon. He seems very impatient.
31:13That's all right. Tell him to come in, Nadine.
31:15Yes, sir.
31:19Is there anything else, sir?
31:20No. You may go now.
31:21Thank you.
31:22Thank you.
31:26I heard about Danvers.
31:29Cynthia did exactly as she was programmed.
31:32No suspicion on anyone.
31:33But Danvers is still alive.
31:35That wasn't our agreement.
31:37But he's out of the picture, and that's what you wanted.
31:39Not good enough, Reardon.
31:44Mr. Tustin,
31:46if you want Western Tektronix by the end of the week,
31:48it's going to cost you a little more.
31:51You're already getting a million dollars, Reardon.
31:54Mr. Tustin, first you wanted it done in six weeks,
31:56now you want a rush job.
31:58I think Steve Briggs is worth more than that.
32:00You're out of your mind.
32:02I've got my life ahead of me.
32:03You're out of your mind.
32:05I've got my life in this.
32:06That's why it's worth more.
32:09Now listen to me.
32:11Our weapon is already in place.
32:13Steve Briggs will go today, if I say so.
32:16Now your choices are limited.
32:19I just want two million dollars for the job.
32:22Okay.
32:24Okay.
32:25You get rid of Briggs in a hurry,
32:27and you've got it.
32:29But I promise you, if things get fouled up...
32:32Things haven't been fouled up, Mr. Tustin.
32:35It just takes a little time to develop confidence between partners.
32:40That's all.
32:59Hi.
33:01Julie?
33:02Yeah, I'm Cynthia.
33:03I knew you would be.
33:04Would you sit down with me?
33:05Sure.
33:08Mr. Reardon told me you'd report today.
33:11It's nice to have you on the team.
33:13Western Tektronix is a wonderful place to work.
33:16I'm sure you'll love it.
33:18You know, I had the nicest boss.
33:24At least I...
33:26I did.
33:28Well, what happened?
33:32He had a heart attack.
33:34Or something this morning.
33:37I feel so awful about it.
33:40Maybe you should go home.
33:43Maybe.
33:46It won't be the same without Mr. Danvers.
33:50I felt so attached to him.
33:53That's strange.
33:54I feel the same way about my new boss, and I haven't even met him yet.
33:58Oh? Who is it?
34:00Stephen Briggs, the president of the client company.
34:03I'm supposed to check in with him at 1.15.
34:06Well, you'd better hurry.
34:08It's not good to be late the first day with a client company.
34:11Yeah, I just wanted to look up some of my friends who work here first.
34:15Would you know them? Kelly Garrett and Chris Monroe?
34:17They're in junior executive training.
34:20Oh, I met them both.
34:21They're working very closely with Mr. Briggs.
34:24In fact, they might be in his office.
34:26Oh, I'll try there first.
34:28You know, you're lucky.
34:30When I started here, I didn't know anyone except Francine.
34:36Francine...
34:38She had that...
34:41horrible accident after she started here.
34:48Sorry.
34:49Sorry.
34:51I just can't handle it all at once.
34:55You should see Mr. Reardon.
34:57He'll be able to help you.
34:59I know.
35:01I know.
35:12Okay, let's give it one more going over.
35:15I'm afraid it's going to be a complete washout.
35:18I don't think you leave fingerprints when you give somebody a heart attack.
35:37C.W.
35:39Cynthia Weaver.
35:42In all the excitement today, she must have left this behind.
35:48Isn't it beautiful?
35:56Kelly, look at this.
35:59Well, it's not exactly a smoking pistol, Chris.
36:03Julie has one just like this in her apartment.
36:06Well, maybe they weren't smoking.
36:08Maybe they were.
36:10Maybe they were.
36:12Maybe they were.
36:14Maybe they were.
36:15Julie has one just like this in her apartment.
36:17Well, maybe they went to the same swap meet.
36:19No, she said it was a gift from the Reardon company.
36:22I don't see the connection.
36:24It doesn't make any sense.
36:26Danvers nearly dies today.
36:28The woman with him has a candlestick like Julie's,
36:31and she also worked for the Reardon company.
36:33Didn't Bosley say Julie had an appointment with Steve Briggs today?
36:37Let's check with Mr. Briggs.
36:46Come in.
36:51Hi, I'm Julie Rogers.
36:53Hold on.
36:55You're the only angel I haven't met.
36:57I'll just be a minute.
36:59I'll get back to you soon.
37:05It's nice to meet you, Mr. Briggs.
37:07Call me Steve.
37:09I can't tell you how I've been looking forward to meeting you.
37:16Julie!
37:31Julie, what are you doing?
37:33Julie!
37:42Chris, watch her!
37:43Chris, watch her!
37:52Julie!
37:54Why did you attack Mr. Briggs?
37:56I didn't attack anyone!
37:58I came here to see the president of the client company.
38:00The what?
38:02The client company, that's you.
38:05You and Danvers were the targets.
38:08Julie and Cynthia were the...
38:10They were the weapons.
38:13The weapons.
38:27Charlie, I know it sounds crazy,
38:30but Julie actually tried to kill Steve Briggs.
38:34That just doesn't make sense, Bosley.
38:36I agree with you, Charlie.
38:38There's something very strange here.
38:40That's why I had the psychiatrist examine her at our facility.
38:41What kind of examination?
38:43Well, I figured she was drugged or something,
38:45but the doctor said no.
38:47Dr. Langtry's trying hypnosis.
38:49What are you talking about, anyway?
38:51Charlie, Julie has amnesia.
38:53She doesn't remember anything
38:55after she entered Steve's office.
38:57Look, I answered all your questions.
38:59I even let you put me in a trance,
39:01and now you want to drug me?
39:03Forget it! Enough's enough.
39:05Nothing more than a tranquilizer or a hypnotic.
39:07There's a mental block.
39:09Perhaps if we tried to...
39:11Julie, Dr. Langtry's trying to help you.
39:13You have to cooperate.
39:15Why? And cooperate with what?
39:17I want somebody to please tell me
39:19what's going on around here.
39:21About two hours ago,
39:23if Kelly and I hadn't stopped you,
39:25you would have killed Steven Briggs.
39:27Oh, come on, Chris.
39:29I did not, and I would not.
39:31I went to see Steve Briggs to...
39:34to...
39:42to tell him...
39:44Tell him about what, Julie?
39:51Dr. Langtry,
39:53I went to Julie's apartment to get this.
39:56We found a similar one
39:58in Cynthia Weaver's briefcase.
40:00Cynthia's not here,
40:02and she doesn't answer her phone.
40:04Kelly's trying to locate her.
40:06What is it for?
40:08I don't know,
40:09but I remember that
40:11Julie had been given one, too.
40:13By whom?
40:15Mr. Reardon.
40:17It's just a shot in the dark.
40:19Maybe not so dark.
40:21Julie, would you like to see the candle burn?
40:26Close your eyes.
40:29Do you see the flame, Julie?
40:34I don't get it.
40:36Fire and water
40:37are very strong hypnotic symbols.
40:41You're telling me that
40:43she sees a flame with her eyes closed?
40:45Yes.
40:47Open your eyes now, Julie.
40:49We're going to talk.
40:53Good.
40:55You can see the flame.
40:57Now, this time, Julie,
40:59you're going to remember everything.
41:08I don't like you, Julie.
41:10Kelly, Reardon still thinks
41:12he has me wrapped around his little finger,
41:14and I deserve a chance to break it.
41:16Besides, Dr. Landry told me
41:18not to worry about a thing.
41:20Yeah, but I do worry.
41:22Okay, you've got ten minutes.
41:24You go in there, you locate your evidence,
41:26and then you come out here, or we come in.
41:28Okay, ten minutes.
41:30All right.
41:37Okay.
42:08I...
42:10I don't understand, Mr. Reardon.
42:14Since this morning,
42:16I've had these strange feelings,
42:18like...
42:20like I'm responsible
42:22for what happened to Mr. Danvers.
42:24Hmm.
42:26That's quite natural, Cynthia.
42:28Everyone experiences guilt
42:30when they're near someone
42:32who suffers a crisis.
42:34Did you try meditating on the flame?
42:35Flame?
42:37Mm-hmm.
42:39I...
42:41Um...
42:43I couldn't seem to.
42:47I...
42:49I lost it.
42:52Mm-hmm.
42:54That's why I had to come here.
42:56Mm-hmm.
42:58Just close your eyes now.
43:01And rest.
43:03And rest.
43:10What's the matter with her?
43:12Why is she falling apart?
43:14It's guilt.
43:16It's an attack of conscience
43:18without the support of reinforcement.
43:20Put her in the tank.
43:22Are you reprogramming her?
43:24No, it's a pity,
43:26but she has really served her purpose.
43:28When you take the oxygen down,
43:30keep it at hyperventilation level,
43:32and don't let it change.
44:03What are you doing here?
44:05I...
44:07I told Arlene I'd be waiting for you.
44:09Everything went well?
44:11Yes, sir.
44:19Did you meet Steve Briggs?
44:21Yes, sir.
44:25Did you kill him?
44:27No, sir.
44:29No, sir.
44:30Did you kill him?
44:32I...
44:34I tried, but there was a problem.
44:37I'm sure there was.
44:41It's a mistake you shouldn't have answered.
44:45You asked me.
44:47I know I asked you,
44:49but you're not programmed to remember killing
44:52unless I turn the key.
44:55There's no pretending in hypnosis.
45:00There's no pretending in death.
45:13Julie!
45:15Julie, where are you?
45:21Now, who are you girls?
45:23What are you doing down here?
45:31My God, there's someone in there.
45:33She's suffocating.
45:35It's Cynthia!
45:45Cynthia?
45:47Cynthia?
45:48Come on.
46:00Come on.
46:20Julie!
46:22Julie!
46:24Julie!
46:26Is that your friend?
46:28Don't worry.
46:31Oh, my God!
46:45Hi.
46:47This must be the disco room you were telling me about.
46:50Yeah, but I just can't seem to keep a partner.
47:01Angels, I'm very happy to hear
47:04that there was no problem
47:06deprogramming Mr. Reardon's victims.
47:09Not half as happy as I am to hear it, Charlie.
47:12Well, I'm really sorry about that, Julie.
47:15Not nearly as sorry as Mr. Reardon.
47:17He has a new program himself,
47:19Murder One, Special Circumstance.
47:21Not to mention the problems
47:23of his accomplices, Tustin and Garver.
47:25Looks like they're in for some sensory deprivation
47:27of their own.
47:28Save for 20 years.
47:30It was good work, Angels.
47:32And Steve Briggs was very appreciative.
47:35You mean Western Tektronix
47:37isn't going to be put in the market, Charlie?
47:39Not for a while, at least.
47:41An emergency board meeting
47:43elected Steve Briggs chief executive officer.
47:45And thanks to your help,
47:47Western Tektronix is proceeding full speed
47:49to develop their geothermal resources.
47:52You may soon be dining by lamplight
47:55supplied by Western Tektronix.
47:56As long as it's electric,
47:58it's fine with me, Charlie.
48:00Somehow, candlelight
48:02seems to have lost its charm.
48:04No, I don't know.
48:06I've always found it
48:08relaxing.
48:10Oh.
48:12Oh.
48:27Oh.
48:29Oh.
48:31Oh.
48:33Oh.
48:35Oh.
48:37Oh.
48:39Oh.
48:41Oh.
48:43Oh.
48:45Oh.
48:47Oh.
48:49Oh.
48:51Oh.