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00:00The other day, Love Letters, the agency's junior, won the King of Contest.
00:09You're late.
00:11The 21st year of his acting career, The Geese.
00:17To be honest, it's painful.
00:18Yes, it's painful.
00:20I want you to help me.
00:21Help me.
00:22I really want you to help me.
00:24At the end of the pain, today, a new place has been opened.
00:28When I was riding a bicycle parked in the middle of the apartment,
00:32Mr. Ozeki was riding it.
00:34It doesn't make sense for a girl to want to ride a bicycle.
00:39Mr. Ozeki.
00:41Do you have a dream?
00:43At the end of the fireworks show,
00:46I had a dream that a 500-yen coin was falling.
00:50Marco Polo supports The Geese.
00:53Marco Polo supports The Geese.
00:56We're Marco Polo.
00:58This week, we're going to talk about him again.
01:00Thank you to all the reporters.
01:03Today, we're going to talk about Mr. Ozeki's special.
01:07We have The Geese with us today.
01:15I don't think I've seen you two in Kansai before.
01:20But don't worry.
01:21I'm fine because I'm with Hirako.
01:25Mr. Hirako.
01:28Mr. Hirako has been on the show 11 times.
01:31If you need anything, just ask Mr. Hirako.
01:34I don't think this is a compliment.
01:36It's not a compliment.
01:37The people next to me are too dirty.
01:42I don't know why, but you're one of the most popular people in Tokyo.
01:47I don't know what to say.
01:50I don't know what to say.
01:54It's like a call-out.
01:58We don't have much in common.
02:00I don't have much in common.
02:02But when I say Para-chan, Hongo-san, and Shampoo-san,
02:06people say Donguri Monguri.
02:10How many times have you said that?
02:14Don't say that.
02:17Don't say Monguri.
02:21I'm definitely Monguri.
02:23I'm not Monguri.
02:25It's a good show.
02:28Don't be so nervous.
02:31Today, I'm going to give you something.
02:33That's right.
02:35Snacks.
02:36Snacks.
02:37I'll give you a rice cracker.
02:39I got a rice cracker.
02:42But it doesn't taste good.
02:47Since they were young, they've been improving their skills together.
02:50And the three power-hungry combinations in Tokyo have come together.
02:55Is there a song like this?
02:56Yes, there is.
02:57Please do your best to find it.
02:58You can't tell me.
02:59It's completely like that.
03:00Thanks to COVID-19, Tik Tok is now a big festival with over 650,000 people.
03:07In many news dramas and movies,
03:09Dabur Girl, who is also playing a big role as an actress.
03:13Along with Alcond Peace, the two teams are shining.
03:19They advanced to the final of the King of Kondo.
03:22But the result is still unknown.
03:26The underground entertainer, The Geese.
03:30The old man entertainer in Tokyo,
03:32Light and Darkness Special.
03:35Please remember my name.
03:39I've been an entertainer for 24 years.
03:43Didn't you appear on TV as a duo?
03:45I think I appeared on TV for the first year as a duo.
03:51You stopped somewhere, didn't you?
03:58You stopped somewhere, didn't you?
04:01After the god of entertainment ended.
04:05What year was that?
04:07I think it was the 10th year.
04:13Did you quit this year?
04:14No, I quit.
04:16The Geese.
04:17This is the 21st year.
04:18It's called Ash and Dee.
04:20It's a team called T-BOYS.
04:24I've heard about Ozeki-san on YouTube.
04:28It's interesting.
04:30What did your parents call you?
04:34They called me Satan.
04:36It's not good.
04:41I was raised very strictly.
04:43You were raised very strictly.
04:46Your parents were very serious.
04:49Especially your father.
04:52Anyway, I could only watch TV.
04:55I couldn't watch Doraemon because it was violent.
04:58That's about it.
05:00That's harsh.
05:07That's a mistake.
05:08That's a mistake.
05:15It was painful.
05:16I'm interested in it.
05:18I want to watch it, but I don't want to go to hell.
05:20That's what I'm saying.
05:23You talked to your parents and opposed it.
05:27But they supported you in the end.
05:28When you got involved with Downtown and your parents,
05:31did you think it was Satan?
05:35That's right.
05:36I tried not to announce it at that time.
05:40Tunnels also said that.
05:43What about Unnan-san?
05:44Unnan-san didn't say that.
05:49I'll make it clear.
05:51Para-chan is more Satan than Downtown and Tunnels.
05:55That's fair.
05:57He's the most Satan.
05:59He's the most Satan.
06:00He's the most Satan.
06:01He's the most Satan.
06:02He's the most Satan.
06:03He's the most Satan.
06:04He's the type of Satan who destroys the earth.
06:06Please enjoy it.
06:11He's twisted.
06:12He's twisted.
06:13He's definitely twisted.
06:14I read an erotic magazine when I was in elementary school.
06:17You're interested in men.
06:19I put it under my bed at home.
06:22That's right.
06:23My parents found it.
06:26There was a gap between the elevator and the vehicle in the apartment.
06:33I threw it there.
06:36I threw it away every time, so it kept piling up.
06:40One day, when I got home,
06:42the elevator was broken.
06:46The elevator was broken, and this much erotic stuff came out of it.
06:50I thought I'd get off, but it was like this.
06:55I jumped.
06:57I drank a lot.
06:59I jumped.
07:01Did your parents find out?
07:02No, they didn't.
07:04So, I said,
07:05I said,
07:07At that time,
07:09At that time,
07:10how did you react?
07:12How did you react?
07:14They found out.
07:17It's the first day I did a skit.
07:22That's a skit.
07:24Stop it.
07:25It's the day I learned how to laugh.
07:27That's right.
07:28Hirako-san, Sakai-san.
07:30These two groups have been together for a long time.
07:33That's right.
07:34To put it in an old-fashioned way,
07:36I think it's more like a surrealist skit.
07:40I think it's more like a surrealist skit.
07:42They're young.
07:44Ever since the live show,
07:45They're crazy.
07:46they've been two people who don't know how to skate.
07:48Tokyo representative, Conto-shi.
07:50When someone asks you to make a skit,
07:52you do this two-piece.
07:53Seriously, seriously.
07:55It's like a mignon.
07:57Like God of Entertainment.
07:58Like God of Entertainment.
07:59The entertainers in Tokyo were in a hurry.
08:01The entertainers in Tokyo were in a hurry.
08:03People who've been doing comedy and manzai until now.
08:04People who've been doing comedy and manzai until now.
08:05I was making a phrase.
08:06I was making a phrase.
08:07I was changing it all at once.
08:08To be on the show.
08:10We didn't change anything on the art style.
08:15The only thing that hasn't changed is the game.
08:21We've changed too.
08:23We were like, this is difficult.
08:27So we made a manzai.
08:29We quit our part-time job to make a manzai.
08:33We got the character of Aizai.
08:36We sold our private parts.
08:39We sold our souls.
08:41We're on the satan's side.
08:45We sold our souls to the devil.
08:47We got a TV and a character.
08:51We got out of this route.
08:55I admire you.
08:58By the way,
08:59Mr. Tobinaga said that
09:01it's hard for a Kansai comedian to come to Tokyo and leave a mark.
09:07Is it hard?
09:09When I'm in Ariyoshi,
09:12when a comedian from Osaka comes to me,
09:15we introduce ourselves.
09:17We make a joke.
09:19Do you know the joke?
09:21I do, but I don't know it.
09:24Tokyo people are like,
09:26don't try so hard.
09:28It's very slippery.
09:30Then you have to do it.
09:34After hearing this comment,
09:36I feel like I'm his enemy.
09:39So I thought it would be better to make a joke.
09:42But I feel like I should make it clear.
09:45Because he doesn't want to go to Tokyo.
09:48This is good, right?
09:49This is good, of course.
09:50But when he goes,
09:52he makes a joke.
09:55I don't like that.
09:59Mr. Ozeki,
10:01I'm worried that Mr. Hongon will hit me.
10:04Why?
10:06You've been hit before, right?
10:08Yes.
10:09Did he hit you?
10:11No.
10:12Did he hit you?
10:14I was on Mr. Otakemakoto's radio show.
10:18The free talk zone was over.
10:21When I went out,
10:23Mr. Otakemakoto came to me.
10:25He said, you guys are not funny.
10:27And he hit me.
10:29It's not funny to be hit.
10:33People are not funny.
10:35The free talk zone was over.
10:37At first, he said it was funny.
10:39It was like I hit him.
10:41But he hit me.
10:44He hit you.
10:46Mr. Hongon hit you, right?
10:48Was it not funny?
10:50It's not funny to be hit.
10:52How was it?
10:53It was not funny.
10:57He was hit by his juniors.
11:00It's painful.
11:03I want you to help me.
11:05It's painful.
11:07It's painful.
11:10The lineup for the Mariko Pro League.
11:12It's been a long time.
11:14Naniwa's rockers will gather next week.
11:18I ate a poisonous plum.
11:21I'm hungry.
11:29I will never lose to you.
11:31I will show you what I can do.
11:33Which is better, harmonica or me?
11:35You are pathetic.
11:37Kogui is not the only one to be attacked today.
11:39To be continued.
12:09The reason for this is the King of Contest.
12:17The two lovers saw the appearance of the veteran TKO.
12:24Mr. Kinoshita.
12:26Can I use your wig?
12:30They prepared their own wig.
12:35Excuse me.
12:37This is water.
12:3817 minutes until the show.
12:40I understand.
12:44The manager stands next to them and takes care of them.
12:47What do the young entertainers do?
12:53Let's go outside.
12:57Of course, the lover girl also feels uncomfortable.
13:01I think it's a waste to make the people around me nervous.
13:07I don't want to be a mother.
13:11Let's be careful.
13:16The veteran TKO is a young entertainer.
13:19She is a lover girl who has decided to retire from the show business.
13:26The first King of Contest.
13:28Conte's demon, The Geese.
13:34He has been in the show business for 20 years.
13:36He is passionate about the show business.
13:41I will announce the winner.
13:43The winner is...
13:47The Geese.
13:51Don't underestimate the strength of the veteran.
13:58Even if the opponent is a young entertainer, he has no mercy.
14:04I won.
14:06This is also a job.
14:08Don't think I'm immature.
14:12He won the prize money in a young contest.
14:19He went on his way without stopping the voice of the veteran.
14:26On the other hand, the lover girl has a strong feeling of rejection of the veteran.
14:30We are in the same group as a young entertainer.
14:35Moreover, we are in the same group as Tetsutomo.
14:40If we don't change our image, we will be in trouble.
14:45He has decided to take a new image strategy to destroy the veteran spirit.
14:49That is...
14:52Hey, do you want to go to karaoke now?
14:55Hey, do you want to go to karaoke now?
14:57Anyone is fine.
15:00He posted a short story on Tiktok.
15:02It was a big hit.
15:04The number of views exceeded 1 million.
15:06The number of views exceeded 1 million.
15:10With this, the two have developed a new image of young people.
15:18This is a great accomplishment from a high school girl.
15:24In addition, the scope of work has expanded.
15:26Now, the offer for a popular drama as an actor has come out.
15:31It started with Masaki Suda and Yagizaki.
15:33It has developed into a relationship with a popular actor.
15:42On the other hand,
15:43We have to do something interesting.
15:48If I can play the harp, isn't it interesting?
15:53That's a good idea.
16:00In search of a possibility of a new combination,
16:02Takasa practices playing the harp.
16:08Now, Takasa is a professional player.
16:10Will it be a breakthrough to change the future of the two?
16:19This is amazing, isn't it?
16:22Now, the number of views exceeded 650,000.
16:24We didn't know that.
16:26Did the number of views exceed the number of young people?
16:30The number of views exceeded a lot.
16:32Let's take a look.
16:3313 million views.
16:39What?
16:40That's right.
16:41What?
16:42That's absolutely right.
16:44It's our first meeting, isn't it?
16:45Then let's talk.
16:48That's good, isn't it?
16:50You guys are having a good time.
16:55Is there anything else?
16:56Let's take a look at another one.
17:02Is this it?
17:08Is this it?
17:09Rolls-Royce is parked behind Mr. Omizu.
17:14The comments are saying,
17:15Rolls-Royce, Rolls-Royce.
17:18This is a great improvement.
17:22As expected of Mr. Omizu.
17:27I didn't do my best at all.
17:29Rolls-Royce is parked behind Mr. Omizu.
17:34TikTok is like this.
17:36If you mess up the background,
17:38someone will notice something.
17:40I see.
17:41It's not fair.
17:42You got paid for this.
17:45It's not fair.
17:46We were hit by Mr. Omizu.
17:48I don't like that.
17:49It's been like this for a long time.
17:51You have a good talent.
17:53It can't be helped.
17:55Mr. Omizu's radio show was also
17:57done by us as a regular.
18:00After being hit,
18:02the rubber girl was a regular.
18:04She was a regular for a long time.
18:06Was she hit?
18:07She was hit once.
18:08It's not fair.
18:10She was hit.
18:11It's not fair.
18:12It's not fair.
18:13It's not fair.
18:14What do you mean it's not fair?
18:16You guys prepared a funny story.
18:18It's your fault.
18:19Geese was a regular once.
18:21He was fired.
18:22We were a regular.
18:23After that, he was a regular again.
18:25He was fired twice.
18:30You guys have no sense.
18:33Mr. Otake didn't help us.
18:35Somehow...
18:36No, no, no.
18:37He didn't help us.
18:38He didn't help us.
18:39It's because Mr. Otake didn't help us.
18:41There is such a part.
18:44MC?
18:45Yes.
18:46Yes.
18:47Once a year,
18:49I'm the MC of a show.
18:51Wow.
18:52You're a regular MC.
18:54It can't be helped.
18:55It was a hit.
18:56That's right.
18:57I have a role.
19:00I just say the line,
19:03and you say,
19:04I'm that person.
19:06It's impossible.
19:07The easiest way to see it.
19:10Basically, the next woman is...
19:12You didn't do anything.
19:14I didn't do anything.
19:16This year's face.
19:17I'm in the face of this year's comedy.
19:20This kind of relationship is amazing.
19:22Yes, it is.
19:23Mr. Yagira...
19:25I invited him to my home party.
19:29You're amazing.
19:31I was chatting with him and he suddenly called me and said he had to go.
19:37I was like, what's wrong?
19:38And he said, Yagira-kun parked his car in the parking lot but he didn't have any cash.
19:43He said, can you go get some cash?
19:45And he asked Yagira-kun to take care of him.
19:48What about Tsuda Masaki-san?
19:49Tsuda-kun is not a family member, but we were in the same drama.
19:55After that, when we went out to drink, the camera of Jounetsu Tairiku was on.
20:01So when I saw Tsuda-kun's Jounetsu Tairiku, I was drinking next to him.
20:06He's a semi-underground comedian. I'm jealous.
20:10I'm jealous.
20:11Tsuda Masaki-san, can't you go get some cash?
20:15Cash?
20:16That's scary.
20:18I can't get it.
20:19What's scary is that I don't like it, so I can't get it.
20:25I don't get it.
20:26He's not a fan but he doesn't have the idea to give him cash.
20:30I don't get it.
20:31I thought it's strange that he's called.
20:34He's called because he has a schedule.
20:37Yes.
20:38I think the reason is not money, but he wants to act with his friends.
20:43He's polite.
20:45Did you really not get anything?
20:47Of course not.
20:48You're lying.
20:50Why are you lying that you got it once, but you didn't get it?
20:54Isn't it strange that you really didn't get it?
20:56Isn't it strange to hear it for the second time?
20:57I understand.
20:58Do you understand?
20:59Yes, I do.
21:01The Geez.
21:02Yes.
21:03Is this the first time you've been disappointed in the King of Conte final?
21:05Yes.
21:06What do you mean?
21:07I was about 30 years old.
21:09That's amazing.
21:10You're an elite.
21:11That's amazing.
21:12No, no, no.
21:13When you're about 30 years old, it's time for you to think about quitting.
21:17Everyone seems to have windfall.
21:20What have we got to do with this?
21:23What have we got to do with this?
21:37Where have we got to do with this?
21:39I've had a runny nose all the time.
21:41No, it's not so.
21:42No, I didn't say that to make you say that.
21:44You're making fun of me, aren't you?
21:46You're Satan, aren't you?
21:48No, I'm not Satan.
21:50You're not Satan.
21:52You're making fun of me, aren't you?
21:54There are a lot of Kanto people who want to quit at the age of 30.
21:57Have you ever thought about quitting at the age of 30?
21:59I don't think so.
22:01Have you ever thought about it?
22:03Well, I was a little worried about it.
22:05There's no theater like Yoshimoto.
22:08It's not good if there's not much business.
22:10Mr. Sakai, have you ever thought about it?
22:12Yes, I have.
22:14I just got married and had a child.
22:16I was just 30 years old.
22:18But I was able to do King of Kanto.
22:20If I can't make it to the finals, I'm going to quit.
22:22I made a decision there.
22:24I finished the semi-finals.
22:26I couldn't say anything about the results.
22:28I thought it was over for the time being.
22:30I'm glad I can quit now.
22:32I thought I didn't have to do such a painful thing.
22:34I thought I didn't have to do such a painful thing.
22:36He called me a geese.
22:38I was very illustrations remains.
22:40I said,
22:42I am so glad to be able to make it to the finals in my first tournament.
22:46He had no reaction.
22:48Hell is waiting for him again.
22:50I'll work at him again.
22:53Let's skate.
23:00The infinite hell continues in the following series.
23:04I came to realize that I had to make it.
23:06I
23:36Don't know
23:40I
23:42Know
23:45What do you mean?
23:47Geese got me tonight. He's so nice. I don't know
23:50I thought I'm got on the cry boo. You know, I got on the cry boo title yet
23:54No, I was a little more. Yeah, you do
23:57That's a little meet our triton way. Do you tend to cry for title to car?
24:00Thank you
24:30I thought I had a good sense at the time.
24:32You said something like a kind opportunity with Dr. Bird.
24:34What did I say?
24:36The title is a kind opportunity with Dr. Bird.
24:38Yes.
24:40And how to have a picnic.
24:42The correct way to have a picnic.
24:44Yes.
24:46It's not a mistake to say that.
24:50But you're not thinking of quitting now, are you?
24:52I'm having fun now and I'm happy to meet everyone.
24:54You're happy to meet everyone, right?
24:56Yes.
24:58You're not thinking of quitting now, are you?
25:00Please sit down.
25:02Where did you buy your dream home at the age of 46?
25:06I live in Chiba now.
25:10I didn't have time to buy a house.
25:14I was looking for a cheap land near the station.
25:18There was a land that I could buy at that price.
25:24I looked it up.
25:26I only want to sell it to people who love that land.
25:30I was refusing many people's requests.
25:32What's wrong?
25:34I have no choice but to go here.
25:36If I can't sell this land, I won't be able to buy a house.
25:40I look back on my career as an entertainer.
25:46I'm not rude.
25:48I'm polite.
25:50I love the land.
25:52You're a young man.
25:54I want to live in a place where there are many young people.
25:58I wrote a perfect article.
26:00I was moved.
26:02You're a good man.
26:04I'll sell this land to you.
26:08I built a house there.
26:12You've built a dream home at the age of 46.
26:16As soon as you bought it, your income went up.
26:18I will raise my salary.
26:22It's really hard.
26:24It's very hard.
26:26I'm serious.
26:28Help me!
26:30I'm serious.
26:32It's very hard.
26:36It's very hard.
26:38I'm serious.
26:42Didn't you think that your salary would be so high?
26:44It's very hard.
26:48I understand that it's painful.
26:50Painful?
26:51It's painful.
26:53I understand.
26:55I understand.
26:56It's painful.
26:57Honestly, it's painful.
26:58I understand.
26:59I'm saying this.
27:00It's really painful.
27:01I understand.
27:02I don't think it's a lie.
27:03The staff said,
27:04please tell me about the harp as soon as possible.
27:07But I already...
27:08Is it painful?
27:09Yes, it's painful.
27:12It's really painful.
27:13It's a lie.
27:14It's a lie?
27:15It's really painful.
27:16I don't understand.
27:18But it's originally cheap,
27:21so it's not that painful even if it's cut.
27:24But it's more painful than Hong Kong.
27:29I don't know what Hong Kong thinks,
27:34but it's painful.
27:36How old are you?
27:3835 years old.
27:39How old will you continue to pay?
27:41I'm 47 now, so I'll continue to pay until I'm 80.
27:44It's painful.
27:46Imagine when you're 80.
27:50How do you feel?
27:52It's painful.
27:54It's painful.
27:55It's painful.
27:56It's painful.
27:57You know that, right?
27:58You know that, right?
27:59You know that, right?
28:00It's painful.
28:01You know that, right?
28:02It's painful.
28:03It's painful.
28:0480 is scary.
28:05It's scary.
28:06The geese that are really struggling now,
28:08the weapon they got is the harp.
28:11The harp, yes.
28:12What's the trigger?
28:13The trigger is the harp in the solo clip.
28:16It's not funny.
28:19It's a famous scene.
28:25I thought you cut it once.
28:28What's wrong? I made it properly.
28:30What's wrong?
28:31The harp's highway.
28:34It's a six-speed.
28:38I thought it was good.
28:39That's right.
28:41The harp has a live performance and a story.
28:45I thought I'd do it, so I practiced.
28:48How long did you practice?
28:49I practiced for two weeks.
28:51Was it painful?
28:52It was painful.
28:58He's back.
28:59It was painful.
29:05Mariko Polo's future lineup!
29:07It's been a long time.
29:09Naniwa's rocket starts are coming to an end next week!
29:13Did you eat a poisonous bird?
29:16I'm so hungry!
29:18Expanded 95 minutes!
29:21A 90-year-old comedy special!
29:24There's no way I'm going to lose to you guys,
29:26so I'm going to move from where I don't want to.
29:28I don't know if it's harmony or recovery.
29:30You're pathetic.
29:31You're not the only one being attacked today.
29:35I've never heard of this before.
29:36By the way,
29:39There are three legs, but when you pull them,
29:41there are two?
29:42That's right.
29:43You tilt it, put it on your shoulder, and pull it.
29:46Can I ask you the price of this?
29:48If you buy it normally, it's 700,000 yen.
29:51I got it for 50,000 yen from a rich old lady.
29:56That's crazy!
29:58I want it at Misaki's house.
30:00You guys are loved by your grandmother.
30:03I'm loved by my grandmother.
30:05You should go there.
30:06I'll write a letter.
30:07What are you going to play today?
30:09I'm going to play Miki Nakajima's Ito.
30:13Vertical and horizontal?
30:14Vertical and horizontal.
30:15You don't need that, do you?
30:21You're being so firm!
30:27I'm going to play Miki Nakajima's Ito.
30:38Vertical and horizontal.
30:44Horizontal and horizontal.
30:51Vertical and horizontal.
31:07Thank you very much.
31:18I'm surprised.
31:20I'm surprised.
31:22It's only vertical.
31:25I'm going to play now.
31:27I can't believe it.
31:29I'm sorry.
31:30I can't believe it.
31:32I've played this many times.
31:34This is the first time I've been stopped.
31:37Vertical and horizontal.
31:39I feel good.
31:40You're going to get attention from now on.
31:44I thought you'd get attention.
31:46I'm really angry.
31:49I'm not angry.
31:50This is the first time.
31:52This is the first time we've been so far apart.
31:55Please wait.
31:58I was surprised, so it was fun.
32:01I was really surprised.
32:03I was surprised.
32:04I was surprised that you stopped me.
32:06I made a mistake before that.
32:09I'm sorry.
32:11I'm sorry.
32:13I'm sorry.
32:16It's just...
32:19I'm playing with a pin, but I thought it was good for a guitar.
32:23I told Ozeki to do something.
32:26I'm evolving with a guitar and a harp.
32:29Can I play the chorus?
32:32No way!
32:33It's over.
32:34I'm doing it on YouTube.
32:36I'm doing it.
32:37I'll upload it to YouTube.
32:39Please watch it.
32:41Please check it on YouTube.
32:44It's a strategy.
32:45I can't help it.
32:46I can't help it if you stop it.
32:49We're going to do that.
32:54Ozeki, what are you doing?
32:56I'm cutting my hair.
32:59This is the final weapon of Geese.
33:02It's a collaboration between a harp and a haircut.
33:05Can I say the theme?
33:07Don't accept the theme.
33:09I'll cut it myself.
33:14I'm going to open my heart.
33:18I'm going to open my heart.
33:19I've heard of it.
33:21I've just started.
33:23I'm going to open my heart.
33:28It's not just a haircut.
33:30I'm going to cut it at the end.
33:32I'm going to surprise you.
33:34I've never seen a haircut like this.
33:36I'm going to cut my hair a little differently.
33:38I'm going to cut my hair at the end.
33:40I'm going to surprise you.
33:42I'm going to cut my hair at the end.
33:44Please watch it first.
33:46Please watch it first.
33:48Please calm down.
33:49Does it have anything to do with singing?
33:51I see.
33:53It's connected.
33:54Is it connected?
33:55Please watch it first.
33:57I see.
33:58I'll watch everything.
34:00What will you play?
34:01I'll play the theme of the era of Miyuki Nakajima.
34:03The theme of the era of Miyuki Nakajima.
34:06Are you ready?
34:07I'm looking forward to it.
34:08Let's play the theme of the era of Miyuki Nakajima.
34:10It's a collaboration between a harp and a haircut.
34:13It's the theme of the era of Miyuki Nakajima.
34:14Please play it.
34:20It's too slow.
34:24I'm going to lose.
34:25It's completely different from the rhythm of the song.
34:27It's completely different from the rhythm of the song.
34:29I can't play at all.
34:32I'm in a hurry.
34:33I'm in a hurry.
34:34Are you in a hurry?
34:36The song will continue.
34:37The rhythm will continue.
34:56The rhythm will continue.
34:59Why?
35:01Why?
35:08What are you showing me now?
35:10The rhythm will continue.
35:12The rhythm will continue.
35:15The rhythm will continue.
35:17I can't help it.
35:19I can't help it.
35:21The rhythm will continue.
35:23I'm in a hurry.
35:26What can you do?
35:29Please.
35:32What is it?
35:35Please.
35:38What is it?
35:39Please.
35:41I'm IZUMI MOTOYA.
35:42I'm IZUMI MOTOYA.
35:43I'm IZUMI MOTOYA.
35:50Please.
35:51Please.
35:53What is the point of this song?
35:55What is the point of this song?
35:57It's a song like a children's song.
35:59This song is more orthodox.
36:02It's a song that was sung by beautiful women in the past.
36:06Grandparents and children are singing together.
36:11It's a song like a child's song.
36:13That's why you shouldn't sing it.
36:16That's right.
36:17So I think it's a really good song.
36:19Really?
36:20Well, Kakefu-san is from Osaka, after all.
36:24So, Kakefu-san...
36:25He suddenly said,
36:26Yes.
36:27Did you think it was dangerous?
36:29I thought it was dangerous,
36:31and I thought he was going to grab me.
36:35I'm glad I pulled the harp.
36:37I'm glad I pulled the harp.
36:46He has no sense or ability,
36:48but for some reason,
36:49he can't see where the brakes are.
36:51He's a control master.
36:52The Geese.
36:56This man is blocking their way.
37:00He analyzes Ozeki's shabby behavior.
37:04Shabby?
37:06Ozeki's shabby behavior was revealed
37:08at the opening of the concert with the Love Letters.
37:12I don't have any money.
37:16Today's concert was a great success.
37:20As he was immersed in the excitement of the concert...
37:24Osaka Love Letters.
37:25Ta-da!
37:27We received 10,000 yen from Otake-san!
37:33That's amazing.
37:35Otake-san is a senior at the agency,
37:38and he's known as Otake Makoto.
37:40He saw the unit concert of his juniors
37:42and paid for the concert.
37:45Today, you can eat as much as you want.
37:53However, when he saw his partner,
37:55who was very excited,
37:56he thought it was strange.
37:59Wait a minute.
38:02Isn't it strange that Otake-san paid 10,000 yen?
38:07That's right!
38:08It's not that shabby!
38:09It's definitely not!
38:12Ozeki-san!
38:13What do you think?
38:14I thought for a moment.
38:16Then...
38:18I'm sorry.
38:19I didn't mean to deceive you.
38:21That's understandable.
38:22Actually...
38:26I received 20,000 yen.
38:28What?
38:30It can't be!
38:31He paid for the concert!
38:33His manager was shocked, too!
38:37That's not true!
38:39Otake-san gave me 30,000 yen.
38:44I saw it.
38:47What?
38:48It's funny that you did this much.
38:50No, it's not!
38:53It's funny that you did this much.
38:55I'm sorry!
38:58He said that the small size of the bowl
39:00was a moment of shock for him.
39:04Ozeki-san!
39:05Yes?
39:06I heard from Otake-san that you had a problem.
39:09Yes.
39:10Did you know who your partner was?
39:11I knew.
39:12Otake-san didn't pay 10,000 yen.
39:14And Ozeki-san was a little confused.
39:17I told him that I paid 20,000 yen.
39:21I told him that on the day of the concert.
39:23Then Otake-san's manager said,
39:24I saw Otake-san giving 30,000 yen to Ozeki-san.
39:28Then Ozeki-san said,
39:30Ozeki-san borrowed 10,000 yen from his manager.
39:34Then Otake-san returned the 10,000 yen to his manager.
39:39That's why I got 20,000 yen.
39:41It was a mysterious Ozeki-san.
39:46I don't understand.
39:47Normally, in this episode,
39:49you say,
39:50That's not true!
39:51You deny it.
39:53You look like a criminal.
39:58I'm not a criminal.
39:59You are a criminal!
40:00No, I'm not.
40:01There is a flow of life.
40:04There is a flow of life.
40:06We're not talking about life.
40:08The happiest flow is that I return the 20,000 yen and eat it with everyone.
40:13Otake-san will be grateful.
40:15I will lose my debt.
40:17It's better to choose what everyone will be happy about.
40:20Is there anything dirty about money?
40:22It's dirty.
40:23Bicycle fee?
40:24Yes.
40:25When my daughter was just born, she said she wanted to ride a bicycle.
40:30She said that.
40:31She said that.
40:32She said she wanted to ride a bicycle.
40:33Before she said that, her parents bought it for her.
40:37It's like a bowl of noodles.
40:39She said she wanted to ride a bicycle, but she didn't buy it until she said that.
40:42What kind of parent is that?
40:44But she didn't have money to buy it.
40:47She put it on the saddle of the bicycle parked in the parking lot of the apartment.
40:54She said, this is what a bicycle is like.
40:57She wanted to make her experience.
40:59She said she wanted to make her experience.
41:01It doesn't make sense.
41:04It doesn't make sense for your daughter to want to ride a bicycle.
41:08She wants to ride a bicycle.
41:10She wants to ride a bicycle.
41:12She wants to ride a bicycle.
41:14What did she say when she sat down?
41:16She said, I see.
41:19She asked the other residents if they were riding a bicycle, because she did that every night.
41:30Her wife said, who is this?
41:32Her wife said, who is this?
41:35Why do you have the elevator?
41:37Why do you have the elevator?
41:38Why do you have the elevator?
41:39It's not changed.
41:40Is it a polluted apartment?
41:43It's just that.
41:44It's just that.
41:45Do you have a CEO?
41:47I'm not sure if I should be talking to A-sensei.
41:50A-sensei said,
41:52I'll buy you a bike.
41:54He's so nice.
41:55He always buys me stuff.
41:57And then we split up again.
41:59When Otake-san was on the radio,
42:01we talked about what happened.
42:02It was an episode talk.
42:03We talked about it.
42:04We didn't talk about him buying me a bike.
42:06What?
42:07What?
42:08It was a disaster.
42:10Disaster.
42:13Otake-san said,
42:14I feel sorry for you.
42:16He said,
42:17I'll buy you a bike for 30,000 yen.
42:19There's a time when you say that.
42:21But to make him say that,
42:23is the worst thing you can do as a junior.
42:26No, no, no.
42:27It's not like that.
42:28Of course it is.
42:29It's a good thing to get beaten up.
42:31No, no, no.
42:32It's not like that.
42:34He's a relaxed person.
42:35What did you say?
42:36I said,
42:40I said,
42:41I have a bike,
42:42so I'll buy you something else.
42:44And he gave me a puzzle from Anpanman.
42:46How much?
42:482,000 yen.
42:502,000 yen.
42:5210,000 yen.
42:55Otake-san.
42:56Yes.
42:57Do you have a dream?
42:58A dream?
42:59Yes.
43:00What kind of dream do you have in the summer?
43:02When the fireworks festival is over,
43:05I have a dream where a 500-yen coin is falling.
43:09That's a lot of money.
43:11Don't you all see it?
43:13No way.
43:14Absolutely not.
43:15It's a common dream.
43:16It's not common.
43:17It's a dream that you see from summer to autumn,
43:20around the beginning of September.
43:22Dotei.
43:23The day after the fireworks festival.
43:25Yes.
43:26If you were walking on Dotei.
43:27If I was walking,
43:28I still can't forget the experience
43:30that a lot of money was falling.
43:32That dream.
43:33Yes, that dream.
43:34When I come to the dressing room for a live show,
43:36I have a bigger backpack than anyone else.
43:38I probably bring a lot of catering.
43:40When I was invited to Shizuru's live show,
43:43I was asked to bring a box of cabbages
43:47as much as I wanted.
43:50But it was only one bag.
43:52Yes.
43:53When I looked at it,
43:54the bag was full.
43:56I asked how many cabbages I put in.
43:58He said,
43:59four.
44:00I said,
44:01four is too much.
44:02I thought it was strange.
44:04It can't be full with four.
44:06What kind of dream is it?
44:07When I asked him how many cabbages he had,
44:09he said,
44:10seven.
44:11So he brought nine out of his bag.
44:13You're lying.
44:14You're lying.
44:15What are you doing?
44:17You're lying.
44:19It can't be helped.
44:20It can't be helped.
44:21It can't be helped.
44:22You're lying.
44:23Why?
44:24If there are leftover cabbages,
44:25I feel sorry.
44:27The most evil thing is that there are leftovers.
44:29You have to make the cabbages feel lonely.
44:32Yes, that's right.
44:33If there are no cabbages,
44:34the person who gave them will feel sad.
44:36So I have to bring all the cabbages?
44:38Yes.
44:39Nine cabbages.
44:40Yes.
44:41I said seven cabbages.
44:42Yes.
44:43Everyone thinks it's embarrassing.
44:44So,
44:45you have to bring a lot of cabbages.
44:46Then,
44:47why did you say four cabbages at first?
44:48Well,
44:49I was embarrassed.
44:50He was embarrassed.
44:51He was embarrassed.
44:52He was embarrassed.
44:53He was embarrassed.
44:54He was embarrassed.
44:55It's embarrassing.
44:56No, no, no.
44:57I can admit it.
44:58You put in nine cabbages,
44:59but you said four.
45:00What did you say?
45:02I was embarrassed.
45:03He was embarrassed.
45:05Next time,
45:06I'll pay the loan of my house
45:07for many years.
45:09That's enough.
45:10I can't do it anymore.
45:11It's painful.
45:12That's enough.
45:13I got it.
45:14And,
45:15I feel embarrassed.
45:16Please watch the next episode.
45:17It's embarrassing.
45:18Please watch the next episode.
45:19The end.
45:22She is from Hiroshima.
45:23She is from Hiroshima.
45:24She is from Hiroshima.
45:25She is from Hiroshima.
45:26She is from Hiroshima.
45:27She is from Hiroshima.
45:28We shot a documentary
45:30called MUNAMARU.
45:31I want to see Ozeki's life.
45:33I want to go home.
45:35I want to go home.
45:37I want to see the girl sitting on a bicycle in the middle of the night.
45:41I want to see that.
45:43That's great.
45:45And the place where you go to the dotei.
45:47I'm dreaming.
45:51Long time no see.
45:55I'm Amai Anoriko.
45:57I want to go home.
46:01I want to go home.
46:03I want to go home.