Remington Steele S03E07

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Remington Steele S03E07

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00:00I'm sorry, sir, my fault.
00:06I can't find the pictures.
00:08Has he been strip-searched?
00:09Every nook and cranny.
00:10Hold it!
00:11That's him!
00:12Mama, I'm scared.
00:13Are they going to kill me?
00:15We haven't ruled it out.
00:16Oh, dear God!
00:17Stiles is dead.
00:18Well, if that's the case, those photographs are more important than ever.
00:19What the hell do you think you're doing?
00:20You could have been killed!
00:21Well, I almost pulled it off.
00:22Hey, if you really think all I want are those pictures, you're free to go.
00:23Go on, take off.
00:24That kid grows more amazing.
00:25He's done it again.
00:55He's done it again.
01:25He's done it again.
01:31He's done it again.
01:37He's done it again.
01:43He's done it again.
01:49He's done it again.
01:55He's done it again.
02:01He's done it again.
02:07He's done it again.
02:15He's done it again.
02:21He's done it again.
02:27Well, I was in the neighborhood.
02:30How's it going with Altibelli?
02:33He was a little more stubborn than the others,
02:37but I got him to sign just the same.
02:40Yeah, that's nice.
02:42Very nice.
02:43I think this calls for a celebration.
02:45Don't you?
02:46Yeah.
02:48You're a drinking man, aren't you, Kelly?
02:50I've never been known to turn a free drink down.
02:54Got a glass?
02:55Yeah.
03:01To your health.
03:04Oh.
03:46Mr. Schwimmer meets Mr. Stiles and places an order
03:50for some strong arming.
03:53Mr. Stiles gets his blood money.
03:57Mr. Stiles enters and leaves Main Street Electronics.
04:03These will help us prove that Schwimmer's the front man in the loan sharking operation.
04:07Okay, our client awaits us at the bank.
04:09We will confront her feloness, subordinate, confirm his guilt, and then...
04:13Stop pounding the juried pavements of white-collar crime. Come along.
04:33Oh, excuse me, sir. I'm sorry.
05:03I'm sorry, sir. My fault. My fault.
05:05No harm done. No harm done.
05:15We know for a fact, Mr. Schwimmer,
05:17that you used your position in this bank to set up a phantom company,
05:21your company, which also used the same borrowed funds
05:24that bank robbers used to rob the bank.
05:26That's right.
05:29Oh, Miss Holt, Mr. Steele, I'd like you to meet my boss,
05:32Lowell McKenzie, vice president in charge of loans.
05:35Miss Conover tells me we have a serious problem here.
05:38I don't know what these people are talking about.
05:41We're talking about embezzlement, at the very least.
05:44That's why I hired Mr. Steele's agency.
05:46I have not done anything wrong.
05:48Oh, come now, Mr. Schwimmer.
05:50You're effecting me, Mr. Steele.
05:52I'm not effecting you.
05:54I'm not effecting you.
05:56Mr. Schwimmer!
05:58You referred customers to your phantom company for a loan
06:01knowing that Miss Conover here
06:03had already turned them down at this very bank.
06:08That's not exactly exemplary behavior on your part, is it?
06:11And you paid a man by the name of Kelly Stiles
06:14to, shall we say, persuade the owner of Main Street Electronics
06:17to make his usurious payments.
06:19Fortunately for him,
06:21his health insurance covers extended hospital stays.
06:25Well, I assume that you have proof of your accusations.
06:29We captured the entire relationship
06:31with Schwimmer and Mr. Stiles.
06:35Unequivocally, in our minds,
06:38as well as on film.
06:41Um...
06:43Why don't you just turn over the pictures?
06:45I can't find the pictures.
06:47What do you mean you can't find the pictures?
06:49My wallet. The kid.
06:51He picked my pocket.
06:53Is there a problem?
06:55Uh...
06:57As a matter of fact,
06:59there does seem to be a slight delay.
07:01You see, uh...
07:03Seems that, uh,
07:05someone picked Mr. Stiles' pocket.
07:07However, we know the culprit
07:09and exactly where the culprit is.
07:11You do?
07:13We will.
07:23Oh, I beg your pardon, sir.
07:36Arthritis or just nerves?
07:38What?
07:40I saw you try to lift that man's wallet.
07:42I don't know what you're talking about.
07:46You want to pick up a quick two grand?
07:49Who do I have to kill?
07:53It's not just any kind of pickpocket.
07:55Pickpocketing's an art,
07:57and that kid's a pickpocket as Picasso.
07:59Dare I ask, what makes you such a connoisseur?
08:01Well, let's just say there was a time in my life
08:03when a particular appreciation
08:05for that particular kind of craft
08:07put food on my plate.
08:13So you got mugged this morning.
08:15It isn't my fault.
08:17It's not my fault.
08:19It's not my fault.
08:22So you got mugged this morning.
08:24It isn't easy picking a pick.
08:26Ex-pick, Thelma.
08:28We need to get the take back fast.
08:30Who is she?
08:32Uh, old acquaintance.
08:34How?
08:36I was given her name when I first came here,
08:38like, uh, traveler's aide.
08:40Well, Thelma, what do you got?
08:42You got a description?
08:44About 15 or 16?
08:46No, no, no, no, no.
08:48Worked alone.
08:50You have some very interesting friends, Mr. Steele.
08:52Uh, did he give you the bump?
08:54Oh, very subtly.
08:56Smoothest pickers I've ever seen, Thelma.
08:58Jackie Crawford.
09:00You'll find him over at the Gold Hotel.
09:02How could you possibly know that?
09:04Well, every cannon has its own technique, darling.
09:06It's like a fingerprint.
09:08Besides, there ain't many master cannons around these days,
09:10especially one that's 16 years old.
09:12Oh, it's Jackie.
09:14Oh, thank you, Thelma.
09:16I owe you one, love.
09:19Want a smoke?
09:37Do you know anyone that lifted some pictures off a mark today?
09:49Hold it!
09:51That's him!
09:53Come here!
09:55Come here, kid!
09:57Mama! Mama!
09:59You'll need more than your mama!
10:01Out of the way, madam!
10:03That boy is a thief!
10:05Mr. Steele, a little discretion!
10:07I'll give you another 50 cents.
10:09I'll give you another 50 cents!
10:11I'll give you another 50 cents!
10:13I'll give you another 50 cents!
10:15I'll give you another 50 cents!
10:17A little discretion!
10:19Mama, you know I'd never do anything dishonest.
10:21Who are you trying to kid, kid?
10:23Mama, I'm scared. Are they going to kill me?
10:25We haven't ruled it out.
10:27My mama's got a heart condition.
10:29Jackie, I can't breathe.
10:31Hold on, Mama. I'll get your medicine.
10:33Don't even think about it, mate!
10:35Don't even think about it!
10:37There we go.
10:39Yes, rest yourself.
10:42All right, how much is it going to cost
10:44to make the fat lady sing?
10:46Mr. Steele, aren't you being a bit insensitive?
10:48Fifty?
10:50A hundred?
10:52A medicina, breast, a medicina.
10:54A medicina, breast, a medicina.
10:56200 buys an awful lot of pasta, Mama.
10:58200 buys an awful lot of pasta, Mama.
11:00Make it 250, and you've got a deal.
11:02Make it 250, and you've got a deal.
11:08All right, all right.
11:10So I bought the family drama.
11:12But maybe we should rethink.
11:14There are other ways of solving this case.
11:16That slippery little con artist has the photographs,
11:18and I know I can find them.
11:20Besides, we're not going to get anywhere with Schwimmer.
11:22He looks at us, and all he sees is egg in our faces.
11:24There was another man in those photographs.
11:26Kelly Stiles?
11:28Perhaps I can get somewhere with him.
11:30Well...
11:40Okay, thank you very much.
12:00Yeah, meeting tonight at 6.30.
12:02Oh, pardon me, sir. My fault.
12:04It's quite all right.
12:06I'm sorry.
12:09Mm-hmm. Very clever, kid.
12:11Very sweet.
12:13Oh, no, you're not getting away this time.
12:15The only thing standing between you
12:17and that gentleman in blue over there
12:19is a packet of photographs.
12:21You're not bad for an old man.
12:23Flattery won't get you nowhere.
12:25I want those pictures back,
12:27otherwise I'm going to turn you over.
12:29Pick your future.
12:31Sir, lay it on me, just like my pop did.
12:33Please, kid, I hate to cry in a clean shirt.
12:35Come on.
12:37Good afternoon, officer.
12:39I'd like to make a citizen's arrest.
12:41A few moments ago,
12:43I caught this young man lifting that gentleman's wallet.
12:45He's right.
12:47My wallet's gone.
12:49And there it is,
12:51hanging out of his pocket.
12:53Trying to pass it off on the kid, huh?
12:55I'm not a pickpocket.
12:57It is my wallet.
12:59I'm a private investigator.
13:01Look, here's my I.D.
13:03Uh...
13:05He also picked my wallet, officer.
13:36Come here, darling.
13:38Ah, Laura, thank God.
13:40Has he been fingerprinted?
13:42Yes, ma'am.
13:44Mugged?
13:46You bet.
13:48Strip-searched?
13:50Every nook and cranny.
13:52You're really enjoying this, aren't you?
13:54It's a rare opportunity,
13:56seeing you behind bars, Mr. Steele.
13:58But all good things must come to an end.
14:00I think you can let him out now.
14:06All right, Smiley, this is where we part company.
14:08There you go. Take a seat.
14:10I've got a lead on Stiles,
14:12the strongarm man.
14:14Well, you pursue.
14:16I'm gonna get those photographs if it's the last thing I do.
14:18Jackie knows you'll be looking for him.
14:20Yes, but he doesn't know where.
14:22Thank you very much.
14:36Oh, miss.
14:38I think you dropped these.
14:50Oh, miss.
14:52I think you dropped these.
15:36Who are you?
15:38Oh.
15:40I'm Laura Stiles, Kelly's cousin.
15:42I've been managing this building
15:44for a long time,
15:46and ain't ever seen no kin of Stiles here before.
15:49Oh, I pop by now and then.
15:51Keeps Aunt Mary happy.
15:57Oh, Miss Stiles.
15:59Oh, Miss Stiles.
16:01Oh, Miss Stiles.
16:03Oh, Miss Stiles.
16:05Stiles?
16:08You alive in there, Stiles?
16:21Oh, dear God!
16:35Oh, Miss Stiles.
17:01Unless I'm mistaken,
17:04it's just hope Jackie doesn't shop elsewhere.
17:06Look, this is gonna be a chase.
17:08I'm only gonna slow you up, boss.
17:10I can leave without me, okay?
17:34Mind telling me what you're doing, lady?
17:36It's okay.
17:38I'm a private investigator.
17:40She told me she was his cousin.
17:42I'm here on a case.
17:44Explain it to the boys from Homicide.
17:46No, no, no, you don't have to go through all that.
17:48Look, lady, if this turns out to be murder,
17:50and I let you go,
17:52it's my butt in the sand.
17:54I don't care.
17:56I don't care.
17:58I don't care.
18:00I don't care.
18:02I'm gonna let you go.
18:04It's my butt in the sling,
18:06so make yourself comfortable and ready to talk.
18:08♪
18:32Well, now, isn't this a coincidence, eh?
18:55Hey, how you doing?
18:58I wish I could stay and chat, but I've got to run.
19:01Hey, come here!
19:03Mama, everybody, positions, fast.
19:30Come on.
19:33Come on.
19:48How many of them are you?
19:51Can we stop running the marathon and get down to business?
19:54Come on.
20:02We can't hold me.
20:03You know it, and I know it, and you know I know it.
20:07You were found in a room alone with the murder victim.
20:10Lieutenant, do you honestly think I had anything to do with his death?
20:15Nope.
20:16Then why am I standing here watching you eat a hamburger?
20:20Because your client might have something to do with it.
20:23Absolutely not.
20:25I'd like to hear that from your client.
20:27Lieutenant, we both know that you cannot force me to divulge my client's identity.
20:36You know, I think that there is still a D.L.T. on weed out there.
20:41You know, you really should eat something.
20:42They don't serve breakfast here until 6.
20:44I'm not hanging around here until 6.
20:48Miss Holt, you're a material witness.
20:53That means I can keep you hanging for 48 hours.
20:57You can sue me for false arrest later.
21:00Lieutenant, at least let me call my client.
21:06You don't know what kind of pressure I'm under, Miss Holt.
21:08You have got to find a way to prove this case.
21:11Miss Conover, I know, but right now I have to ask you something.
21:15Would you be adverse to my giving your name to the police in relation to this case?
21:21My job is hanging by a thread as it is.
21:23I don't need to add to that by having the local press get a hold of this mess
21:26and crucify this bank and every local newspaper.
21:29Goodbye.
21:41No deal.
21:52Make yourself at home. You might be here for a while.
21:56Listen, if I'm going to get the crime-doesn't-pay routine, don't bother.
22:00My old man laid that one on me a long time ago.
22:03Oh, really? Sit down.
22:07Your old man live around here?
22:09I doubt it.
22:11He dumped me in a pit called Hoboken when I was a kid.
22:13I haven't seen him since.
22:16And your mother?
22:17She died just before my dad left me in New York.
22:22That's funny.
22:24I was under the impression Hoboken was in New Jersey.
22:28What do I know? I was nine.
22:31Drop the little orphananny routine. It wears a little thin.
22:35You don't have to lie to make me feel sorry for you. I pity the truth.
22:39Oh, that's heavy.
22:40Yes, well, mediocre talents and little quips won't get you by forever.
22:43Someday you're not going to be cute any longer, and then where will you be?
22:45Still taking care of number one.
22:46Oh, really? And end up like those burned-out middle-aged cunn-artists you run with great plan?
22:50Yeah, and what makes you the prof?
22:52Because I know you, Jackie. I've known you for 15 years.
22:55The setting was different, but the kid was the same.
22:57A little bit of talent and a lot of talk and some cock-eyed notion that he'd got the whole thing made.
23:05You?
23:06Yeah, one big difference. I got lucky.
23:09Someone convinced me I wasn't the success story of the century.
23:12That I could make other choices.
23:14Well, what do you care about me anyway?
23:16Once you get your hands on those pictures, I'll be just another bad memory.
23:19Listen, kid, Miss Holt and I will solve this case with or without the pictures.
23:23If that's all I wanted when I picked you up on the street,
23:25all I had to do was twist your arm until you cuffed them up.
23:28Come on, don't con me, Pop.
23:30Me? Con you? The little master?
23:34If you really think all I want are those photographs, you're free to go.
23:36Go on, take off.
23:37There's the door. I'm not going to follow you. Go on.
23:45You know, I don't get you.
23:50I don't know what you are.
23:52Yes, well, you don't have to.
23:54But you better start figuring out what you are.
23:59Say, I do get you those pictures.
24:02How do I know you're not going to try and bust me again?
24:06You don't.
24:08But you have to trust somebody someday.
24:15Hey, I'll get the pictures.
24:19Hey, I trust you. You trust me.
24:22Okay, I'll wait.
24:45Jackie Crawford?
24:47Who wants to know?
24:57You sold me out!
24:59You fake! You lie! Fake!
25:01You sold me out!
25:02Please, wait, wait, wait! Please, it's a mistake!
25:04Jackie, please, it's a mistake! It's all a mistake!
25:06I trusted you!
25:08Jackie!
25:11What the hell do you think you were doing?
25:13I finally got him to trust me.
25:15Our first loyalty is to our client,
25:17and that cop was going to squeeze me until I gave him her name.
25:20Oh, so you gave him Jackie instead.
25:22I didn't know he was going to turn over the pictures.
25:24I figured they'd get somewhere with him.
25:26Oh, splendid, Laura.
25:28You may have just barred in the way of the case.
25:30I was not about to rot in jail while a murderer was on the prowl.
25:33Murderer?
25:35Stiles is dead.
25:36Well, who would have killed Stiles?
25:37Schwimmer had a motive.
25:39Killing Stiles may have eliminated
25:41the only link between him and the loan sharking.
25:43Well, if that's the case,
25:44those photographs are more important than ever.
26:06Jackie!
26:07Jackie!
26:10Jackie!
26:19I had him, Laura.
26:21I had him believing there was at least one person
26:23who wasn't trying to scam him.
26:25This morning, that kid was nothing more
26:27than an annoying inconvenience.
26:29Yeah, well, perhaps I know him better than I care to.
26:31One hell of a trade, Hope.
26:33That kid didn't have any pictures.
26:35Oh, convinced you of that, did he?
26:38You owe me one.
26:40And you're gonna make good, one way or another.
26:46Well, we're certainly making a lot of new friends today, aren't we?
27:05Where are you going?
27:06I still need the photographs.
27:08You can't follow Jackie.
27:10Why not?
27:11You're the Benedict Arnold of the piece.
27:13One more whiff of you,
27:14and he won't go anywhere near those photographs.
27:16Besides, you may have lost a little objectivity.
27:19I'm not saving souls, Laura.
27:21Not even at cheap little pickpockets?
27:23Come on, he's more than that, damn it.
27:26I found these at Stiles' place.
27:28Four electronics stores,
27:30including the one in our photographs.
27:32I wouldn't be surprised if you found out
27:34that all of them fell prey to Schwimmer's operation.
27:38You're not suggesting I do?
27:40Legwork, Mr. Steele.
27:41It'll do you good.
27:43It can walk off some of that emotion you're carrying around.
27:46You're not suggesting I do?
27:48Legwork, Mr. Steele.
27:50It'll do you good.
27:52It can walk off some of that emotion you're carrying around.
27:55Okay.
28:14I checked on four of the electronics stores.
28:16Has Miss Holt called in yet?
28:18Uh-uh.
28:19Sorry, Mildred, carry on, go on.
28:20Each of the four owners
28:22vanished or in one case, dead.
28:24Oh, splendid.
28:26I also called the bank and I checked with Miss Conover
28:28and she told me that...
28:30Turn down each one of those four loan requests
28:32during the last nine months.
28:34Ah, Miss Conover, Miss McKenzie.
28:36Do you mean to tell me
28:38that you still don't know any more than that?
28:40Uh, well, actually, um,
28:42obviously not.
28:44To the contrary.
28:46Mr. Steele's learned a great deal, haven't you, sir?
28:49Oh, yes, of course I have.
28:51But, uh, Miss Krebs is much better at the specifics, sir.
28:53Miss Krebs?
28:55Well, um, one of the things Mr. Steele's uncovered
28:57is that the loan sharking
28:59was used as a means to corner a portion
29:01of the electronics market.
29:03Hmm, interesting, eh?
29:05I never heard of racketeers being so selective before.
29:09Well, it doesn't have the aroma of racketeers.
29:12It smells more like Schwimmer's on his own.
29:14A one-man loan sharking operation?
29:17You're sure of that?
29:19Well, Mr. Steele's as sure as he can be at this point.
29:23Frankly, Steele, I came here
29:25because word is leaking out
29:27that our bank funded loan sharking.
29:30So I'm in desperate need of either a villain
29:33or a scapegoat.
29:35I'll give you, uh, well,
29:37to the end of the day
29:39to bring me a villain
29:41before I make you the scapegoat.
29:43Fair enough?
29:45More than generous, yes.
29:50Come on, kid.
29:52We're practically brothers.
29:55If we wasn't,
29:57you think I'd offer to split the 500 with you?
30:00What good are the pictures to you anyway?
30:03Take what you can get out of him.
30:05That's the way I look at it.
30:07Well, how come I can't hand him over, collect the dough?
30:10The guy's kind of edgy.
30:12He only wants to deal with me.
30:14How come he came to you, Larry?
30:17I mean, how come he expected you to come up with those pictures?
30:21What do you care?
30:23For once in my life, I got lucky,
30:25and we're both looking at a nice piece of change.
30:28So that's, uh, all this guy, whoever he is,
30:31can come up with, huh? Five bills?
30:34You think I'm holding out on you?
30:39Nah.
30:41If you can't trust your friends.
30:48You made yourself a hell of a deal, Jackie.
30:51I'm beginning to think so.
31:17I'm beginning to think so.
31:47Rats travel in pairs.
31:49All right. So you caught me.
31:52What do I have to do to get rid of you people?
31:55You could start by giving me the photographs.
31:57It always comes back to that, doesn't it?
32:00Look, I know you feel you've been had,
32:02but Mr. Steele didn't set you up.
32:05I'm the one who got you busted.
32:08So what do you want me to do about it?
32:11Break into tears? Maybe send him a rose?
32:14I wish it had never happened.
32:16I wish I could erase it.
32:18But I can't.
32:20So we both have to live with it.
32:22Well, I'm sure you'll recover fast.
32:24Who are you to tell me what I'll feel?
32:27Who are you to come in here looking like some debutante
32:30telling me that we've got a problem?
32:32Can you handle a secret lady?
32:34I don't need you.
32:36I don't need you. I don't need your friend.
32:39It's very safe, isn't it?
32:41Not needing anybody, nobody needing you.
32:45If you can figure out a way to go through life like that,
32:48I'll buy your book.
32:50But for now, a man I care about cares about you.
32:55Don't throw that away.
32:57If this is about those pictures...
33:00And it is, isn't it?
33:02I just sold them to Larry,
33:04and he's on his way to sell them to the guy you're trying to bust.
33:07Where? Beats me.
33:09So why don't you pack up your Bible...
33:13...take a hike?
33:17Good luck, Jackie.
33:19I have a feeling you're going to need a lot of it.
33:32Mm-hmm.
33:34Very good.
33:36Very good.
33:39They're worth every penny.
33:41Make this cause for celebration, don't you, Larry?
33:44You're a drinking man, aren't you?
33:46Oh, I sure am.
33:54He gave the pictures to Larry.
33:56Larry's on his way to meet Schwimmer.
33:58His car's still here.
34:00That means Schwimmer came to him. Come on.
34:04Which room's Larry in?
34:06I don't know.
34:08You've got one more shot at an answer, mate.
34:10204.
34:20My God, just like Stiles.
34:22All right. The window.
34:24Oh.
34:26All right, come on. He's down here.
34:28Right.
34:33Come on.
34:51Ah, we've lost him.
34:54I think we just found him.
34:56I'd like to see Schwimmer get out of this one.
35:03Ah!
35:15Schwimmer!
35:17But he's our villain.
35:19He's off the hook now. He's dead.
35:22Well, that's no excuse.
35:24Try telling him that.
35:34I'm not exactly sure why we're hiding.
35:38I think it's a good instinct.
35:42At least we know Schwimmer wasn't working alone.
35:45Oh, a definite breakthrough.
35:47Unfortunately, we don't have any other suspects.
35:49Whoever it is killed for the photographs.
35:52The only connection we have left to those photographs is...
35:55Jackie.
36:04Someone obviously wanted something that Jackie has very badly.
36:08Couldn't be the photographs.
36:10He sold them to Larry.
36:12Larry gave them to Schwimmer, who turned them over to the killer.
36:16They're probably ashes by now.
36:18Mm-hmm.
36:20Unless, unless, unless, unless.
36:23Share your thoughts, Mr. Steele.
36:25I, too, would like a reason to smile.
36:27What always comes with a set of photographs?
36:29A set of negatives.
36:31Only there aren't any negatives of these pictures of Jackie.
36:33Now, could it be that he took those negatives...
36:35and put them in the photographs that he gave Larry?
36:37You mean the killer has the right pictures and the wrong negatives?
36:39Well, Larry was merely the middleman.
36:41I mean, if Jackie was getting the thin end of the wedge...
36:43I mean, what better way to bargain with the real buyer?
36:45And with his smiling face plastered all over those negatives...
36:48it was as good as a calling card.
36:50Yes, well, apparently the buyer took a run at locating them...
36:54before he dealt with Jackie.
36:56You think it was successful?
36:57Not if I knew my boy.
36:59You know, you're positively delighted with that treacherous little urchin.
37:02Oh, you must admit, Laura, it's a daring, brilliant, unexpected ploy.
37:06Something I would have done.
37:08No doubt about it. The kid's got a great future.
37:11Provided somebody doesn't kill him first.
37:13Yes, well, we can't let that happen.
37:15That has far too much potential.
37:17Come on, Miss, hold this glove.
37:22Ah, Leroy, remember me?
37:24204.
37:26Yes, Pavlov will be impressed. Put your arms down.
37:28Only this time we're looking for Jackie.
37:30Oh, he's gone.
37:31Where?
37:32Uh, to shoot the moon.
37:34Oh, colorfully put, but could you be a bit more precise?
37:37Said he found a motherlode.
37:39And as soon as he taps it...
37:41he's gonna fly this here coop for good.
37:44Leroy, what we desperately need from you right now...
37:47is the location of that motherlode.
37:59We've been here for two hours, Mr. Steele.
38:03Mm-hmm.
38:05You sure?
38:06Yeah. Him and Santa Claus.
38:12Hope you don't find coal in your stocking this Christmas.
38:16All right, everybody, here we go.
38:18Boys Town, Spencer, Tracy, Mickey, Rooney, MGM, 1938.
38:21Yeah, yeah, I know, I bet you're in it.
38:23Well, here we go, boys.
38:24I'll be the first to open the door.
38:26I hope I'm not the only one.
38:28I'm sure I'll be the first.
38:30I'm sure I'll be the first.
38:31I'm sure I'll be the first.
38:33I'm sure I'll be the first.
38:37I'm sure I'll be the first.
38:39I'm sure I'll be the first.
38:41I'm sure I'll be the first.
38:43Yeah, yeah, I know. A bevy of misfits band together to keep Mickey from getting killed.
38:47Only he can't know that they're protecting him.
38:49A bevy of misfits?
38:51Merely a figure of speech, Mildred. Okay, go, go, go.
38:54Remember, Laura, don't be obvious. Try to, um, lurk.
38:58Okay? Go. Go.
39:13♪
39:28Bus 15 from Manhattan Beach, Oceanside, Del Mar, and San Diego,
39:33now boarding at gate number seven.
39:36♪
39:41I'm sorry, boss, but my buns were falling asleep.
39:43Understandable, Mildred.
39:45He's been sitting there for an hour and a half.
39:47I know. Painfully understandable.
39:49♪
40:12He's making his move.
40:14Hold fast, Mildred. He's only a guppy. We want the big fish.
40:44Paging Mr. Fisk. Paging Mr. Rodney Fisk.
40:48♪
41:06We've got him.
41:08All right, Mr. Hooper, it takes a fist.
41:10Those negatives are as good as a confession.
41:12What are you talking about?
41:14Why did you go into that booth and pick those up?
41:16I got ten bucks for it.
41:18From who?
41:19I don't know. Some kid over there.
41:21♪
41:24The kid grows more amazing by the minute.
41:26He's done it again. He's given us the slip.
41:29Not quite.
41:31Oh!
41:32♪
41:36It's going to Fresno!
41:38So are we!
41:39Hold the fort, Mildred!
41:41♪
42:10♪
42:32Next time, make up your mind before you get on the bus.
42:36♪
43:06Pull over!
43:09Pull over!
43:12Pull over!
43:14♪
43:35Hey, what gives?
43:37Where's the kid who was on here?
43:39What kid? I don't memorize every face that rides my bus.
43:43Did you make any stops?
43:45Stops? This bus don't make any stops.
43:47It's an express to Fresno.
43:49That's what I told the little wiseacre.
43:51What little wiseacre?
43:53The one that wanted to get off at Fifth and Broadway.
43:55Did you let him off?
43:57Hey, service is our business.
43:59Fifth and Broadway!
44:02♪
44:22♪
44:38Why are you following me?
44:40I'm not following you. I'm lost.
44:42I was looking for forestry.
44:45Please, don't hurt me.
44:48Take my wallet, anything.
44:50Just please, don't hurt me.
44:54Fourth Street's that way.
44:58I didn't mean any harm. I'm sorry.
45:01Can I please have my cane back?
45:04It's been in my family a long time.
45:08Jackie?
45:10♪
45:16Fifth and Broadway.
45:18♪
45:22He could have gone down any one of these streets.
45:26I should have known you were scamming me
45:28when you offered to pay up front.
45:30Well, I had to be sure I could get the negatives.
45:33But I left him on the bus. I kept my end of the deal.
45:36I'm sure you did, Jackie.
45:38I'm sorry for me and Fresno.
45:40But how can I be sure that you didn't make any copies?
45:43I can't very well have you blackmailing me
45:46for $10,000 every week now, can I?
45:49If it's the money you want, I'll give it back to you.
45:51Uh-uh. Don't bother.
45:53I'll get it myself.
45:56♪
46:10Mackenzie!
46:12Don't dance with him. Hit him!
46:16What the hell do you think you're doing?
46:18You could have been killed!
46:20I almost pulled it off.
46:22You almost didn't.
46:24See?
46:30No wonder Mackenzie wanted those pictures.
46:33Well, they tied him right into Schwimmer
46:35and the loan-sharking operation.
46:37You never told me how you knew which direction
46:39Jackie took when he left the bus.
46:41That was the way to the Gold Hotel.
46:43Home, as it were.
46:45Mr. Steele, I do believe you're getting sentimental
46:47in your own age.
46:49Nothing permanent, I assure you. Hello.
46:51The ticket was $3 cheaper than you thought.
46:53My, my, my.
46:55Well, Jackie, I must say,
46:57I'm delighted you accepted the judge's suggestion.
46:59Sounds more like a school than a juvenile camp.
47:01Besides, how bad can it be
47:03if they let you come by yourself, huh?
47:05If you need anything, you know where to call.
47:13I couldn't say this before.
47:15I don't think I've ever said it before.
47:18Thanks.
47:20I mean that.
47:24Come here.
47:26Take care of yourself.
47:28See ya.
47:30Thanks.
47:32I think you had quite an effect on that young man.
47:35And he on me.
47:43I, uh,
47:45lifted your watch.
47:47I know.
47:49You did?
47:51Well, how come you didn't stop me?
47:53I knew you'd come back eventually.
47:55You did? How?
47:58Because I lifted your bus ticket.
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