Новите Съседи 6 Епизод 10 (2015)
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00:00:00Antonio, it's 6 o'clock in the afternoon!
00:00:03Get out of here!
00:00:04I have to go to work! Save yourself!
00:00:06Don't do that!
00:00:10Oh, my God! It's broken!
00:00:12Give it to me! It's ringing outside!
00:00:14You're throwing it away!
00:00:15Let me go to bed early!
00:00:16Paralysis! I won't pay him again!
00:00:18I won't!
00:00:19The cucumber! There's a flu!
00:00:21Did he bring a tropical virus from his country?
00:00:24I'm sure he did!
00:00:26There's a flu!
00:00:27Did he bring a tropical virus from his country?
00:00:30I'm sure he did!
00:00:32I'm sure he did!
00:00:33It wasn't the monkeys, it was the homosexuals!
00:00:35Do you know how lonely I felt in this truck?
00:00:38Jesus, he's always with you wherever you go!
00:00:40Yeah, but he's not a dealer, is he?
00:00:42Oh, my God!
00:00:45I've worked all my life, like the drunkards and the prostitutes!
00:00:52Hello, cucumber! Are you at work?
00:00:56Yes.
00:01:07Enrique! Wake up!
00:01:11What are you doing in my house?
00:01:12It's not yours!
00:01:13No, it's not!
00:01:15He's so sexy!
00:01:17What does he have to do with it?
00:01:18You learn from the fools!
00:01:19Get out of here!
00:01:20Your son is a tramp! He brought a prostitute home!
00:01:24Please!
00:01:25He's a terrible tramp!
00:01:29Hello!
00:01:31How are you?
00:01:41Who are you?
00:01:42Adriana Concepção, your son's maid.
00:01:47Nice to meet you.
00:01:49Nice to meet you, too.
00:01:56Mom!
00:01:57Mom!
00:01:58Will you give us your bed? Mine is too small.
00:02:00Where did you get this girl?
00:02:02A dancer from the bar.
00:02:03Isn't it a big step?
00:02:05We've been together for 32 years. We've been dating for a week.
00:02:08So the relationship is serious.
00:02:10Make sure she comes.
00:02:11You make sure you're in my bed!
00:02:13It's already happened.
00:02:14I stopped writing.
00:02:15When did you see me getting up at 6 in the morning?
00:02:18Can't we switch bedrooms? You don't need such a bed anymore.
00:02:22How do you know?
00:02:23I'm sorry, ma'am.
00:02:29Well, good night.
00:02:31Or good morning.
00:02:33Get some rest.
00:02:36Or whatever you're going to do.
00:02:37Shut up.
00:02:39How do you know she's a prostitute?
00:02:41By the way she walks.
00:02:42Their cups are deformed from so much snoring.
00:02:44Francisco Javier?
00:02:45Don't call him!
00:02:46Let's go to the bedroom.
00:02:47Call him before he comes in.
00:02:49Can I know where he was?
00:02:50In the kitchen.
00:02:51No, during these weeks.
00:02:52You can't just disappear.
00:02:53You're the housekeeper.
00:02:54Just the face.
00:02:55I do the dishes.
00:02:56I had a month of fasting and meditation.
00:02:58I lost 3 kilos.
00:03:00But this week I'll gain 5.
00:03:02While you're meditating,
00:03:03your son is spinning in a spiral without any control.
00:03:06He brought a whore home.
00:03:07No, Adriana is a dancer at the disco.
00:03:10A whore?
00:03:11They come out of a week.
00:03:12And they're dancing.
00:03:13And they're dancing.
00:03:14And they're dancing.
00:03:15And they're dancing.
00:03:16And they're dancing.
00:03:17They come out of a week.
00:03:19She's a little too big for him, but...
00:03:22Too big? How big?
00:03:2432.
00:03:25What a tropical woman.
00:03:26She's going to kill him.
00:03:27This relationship is crazy.
00:03:28Araceli, you're going to lose yourself in a perverted world
00:03:31that will prevent him from growing up.
00:03:34And if he's happy?
00:03:35What's the problem?
00:03:37What's the problem?
00:03:38She's older.
00:03:3913 years.
00:03:40And you're 20, Judith.
00:03:41No, it's not the same.
00:03:42Judith and I are two years older.
00:03:44And we've made a decision based on reason.
00:03:46Not between a few kisses and reggaeton.
00:03:49I'll talk to him.
00:03:50No, Eric, no.
00:03:51Not now.
00:03:52They're probably dancing horizontally.
00:03:56See? You're not following his rules.
00:03:58He found someone to tell him.
00:04:00Leave the kid alone.
00:04:01Then you cry that he doesn't listen to you.
00:04:03You're so stubborn.
00:04:04As if you don't want to take care of your son, okay?
00:04:06But I'm not going to allow so many years of effort
00:04:08to raise him to show your incompetence.
00:04:12Okay, okay.
00:04:13I'll talk to him.
00:04:16Okay.
00:04:17I'll give you a chance to prove that you're a good mother.
00:04:20But for the last time.
00:04:22What a pain in the ass.
00:04:23You're taking all my energy.
00:04:26What?
00:04:27Aren't we going in?
00:04:29She's beautiful.
00:04:31You've made up your mind, haven't you?
00:04:33I love sex at all times.
00:04:36Liar.
00:04:37I'm sure it's different.
00:04:38I'll break you.
00:04:39Give me that.
00:04:40This report complicates your approval a lot.
00:04:43After Lola, there's going to be a bunch of men
00:04:46ready to suck my blood.
00:04:48Until they find out there's a present.
00:04:50Yes, it's your time. Use it.
00:04:52This embryo is your last chance to save your marriage.
00:04:55He says he doesn't know if he wants to give birth.
00:04:57I'll have an abortion.
00:04:58That's what I said to Gregoria.
00:05:00Let's go to London and then we'll look at the arsenal.
00:05:02Dad.
00:05:03Don't get upset.
00:05:04Here, take this one.
00:05:05What a nuisance.
00:05:06I'm a man, but she's the one who decides.
00:05:07I'm nobody.
00:05:08It's good that I'm single.
00:05:09How many problems do I have?
00:05:10Half of it is mine.
00:05:11If I want it, what happens?
00:05:12You're in a hurry.
00:05:13Very bad.
00:05:14I want a little maroto.
00:05:15Calm down.
00:05:16It's cold.
00:05:17You just need to wake up your mother's instinct.
00:05:20Lola is not like that.
00:05:21One day I took the kids to the milinka
00:05:23and she went to get drunk so she wouldn't kill them.
00:05:25These kids are...
00:05:26Get her to feel guilty about the abortion.
00:05:29It's a terrible crime in the eyes of God.
00:05:31And Narahoy?
00:05:32He doesn't believe you.
00:05:34What can I tell you?
00:05:35Get a hold of yourself.
00:05:36I don't know.
00:05:37You should have stayed with the Russian.
00:05:39Come on, with the Russian again.
00:05:40And I think it's a sin.
00:05:44How's life?
00:05:53What does it say?
00:05:54That it's very bad.
00:05:55Tomorrow they will announce the auction of the apartment.
00:05:57And what are you going to do?
00:06:03I don't know.
00:06:04I'll go under some bridge.
00:06:06If there's a free one, it's already full there.
00:06:08You've been working all your life
00:06:09and in the end they throw you out on the street like a dog.
00:06:11Hey, let me work.
00:06:13What are you going to do?
00:06:14I don't have anything.
00:06:15What do you mean you don't have anything?
00:06:16You have friends.
00:06:17We're here for you.
00:06:18For whatever you need.
00:06:19Is that so?
00:06:20Give me 16,814 euros.
00:06:22Don't take money from your friends.
00:06:24You're ruining your friendship.
00:06:25Ask me.
00:06:26Oh, you're friends.
00:06:28Wait, wait.
00:06:29How much money do you have?
00:06:3270 cents.
00:06:35And a dose of PPS.
00:06:36Give it to me.
00:06:37Leave the apartment at the lottery.
00:06:39A guy will do it in New York.
00:06:40How can I leave it at the lottery?
00:06:41There's no coffee there.
00:06:42He's well-off.
00:06:43With what he makes, he pays the mortgage and even stays there.
00:06:45Get a hold of yourself.
00:06:46Enough.
00:06:47Amador, it's not that easy.
00:06:48Tell me, tell me.
00:06:49How do you do it?
00:06:51What's the casting for?
00:06:52Everything you said we need money for.
00:06:54He's not going to advertise.
00:06:56Just the main roles in the series.
00:06:59Hello.
00:07:00Don't look any further.
00:07:01Here's the star you've been looking for.
00:07:04She sings, she dances, she does English and French.
00:07:08Can I write?
00:07:09Yes.
00:07:10Fill out the form and sit down while we call her.
00:07:16Did you rehearse the verse I wrote for you?
00:07:18It's awful.
00:07:19It's very sweet.
00:07:20You'll tell the master.
00:07:22Name?
00:07:23All right, Gloria, I'll help you.
00:07:25I think I fit the profile.
00:07:27Not for that, but there are other things.
00:07:29Not yet.
00:07:30Who's next?
00:07:31Me, me.
00:07:34Nice to meet you.
00:07:35I'm Mayte.
00:07:36And this pretty girl is Carlotita.
00:07:39My name is Carlotta.
00:07:40I play golf and I ride a bike.
00:07:42I ride a horse and I can fall like a fool.
00:07:45I can be a sorceress or a humble servant.
00:07:48And I can pretend to be a monkey or eat a lot of ham.
00:07:52Very funny.
00:07:53But at the moment we don't need a girl for...
00:07:56What is she dressed like?
00:07:58We don't need a girl.
00:08:00We don't need a girl for...
00:08:02What is she dressed like?
00:08:03Well, because at the moment they're making a series for a while
00:08:06so you can see how old-fashioned she can look.
00:08:09Have you ever done a commercial?
00:08:11Me?
00:08:12No, no.
00:08:13We're looking for a woman around 40...
00:08:16She's 42.
00:08:17Carlotta!
00:08:18You're wonderful.
00:08:20The commercial is for a skin cream and you fit the profile.
00:08:23Is that so?
00:08:24Do you think that...
00:08:25Well, the last word is for the client.
00:08:27Let's do it this way.
00:08:28Sit there and I'll record you.
00:08:30Oh my God!
00:08:31If the commercial comes out, I'll really die.
00:08:37Mom, mom, get a hold of yourself.
00:08:39Shut up!
00:08:40Aren't you shy?
00:08:41Tell me your name.
00:08:42Hello, I'm Mayte Figueroa.
00:08:45Give me your profiles.
00:08:46It's better if I show them to you.
00:08:48If I give them to you, I'll be left without them.
00:08:52How crazy I am!
00:08:55Here's one.
00:08:58Here's the other one.
00:09:00I don't have another one.
00:09:02A drink?
00:09:04Of course, let's have a drink.
00:09:06Mom, turn around so I can see you from behind.
00:09:09I know.
00:09:10That was a joke,
00:09:11so you can see what a sense of humor I have.
00:09:18Done.
00:09:20If they choose you,
00:09:21you'll still have the photos tomorrow.
00:09:23Photos?
00:09:24Photos!
00:09:25Okay, Dana, I'll talk to you later.
00:09:28Mom, get a hold of yourself.
00:09:30You have to take me to school.
00:09:33Charlotte, I'm not getting out of here.
00:09:35What are you doing here?
00:09:36Get out of here, you leather doll.
00:09:44Come on, let's sell the tickets to the neighbors.
00:09:46You're making sad physiognomies.
00:09:47How much will you pay us?
00:09:48I'm on a commission.
00:09:49No way.
00:09:50Then you'll go to Atalaya del Arcipreste
00:09:52and Fensinar de Archiduque.
00:09:53Come on.
00:09:54And take Cocorcho.
00:09:55Tell him he's not drunk.
00:09:57Attack!
00:10:00Hello.
00:10:01Hello, how are you?
00:10:02Did they take the little one?
00:10:03No, not the little one.
00:10:04Well, yes, because she's dressed like a princess.
00:10:06She was supposed to be modern.
00:10:07But they can take me.
00:10:08You? For what?
00:10:09For an ad.
00:10:11For what?
00:10:12For women's cream.
00:10:13Ah, I was wondering.
00:10:15I'm sorry, for mature skin.
00:10:17And how much will they pay you?
00:10:18I don't know, she didn't say.
00:10:19Well, ask her.
00:10:20I still don't know if they'll take me.
00:10:21You should have convinced them.
00:10:22I tried.
00:10:23I turned my eyes and everything.
00:10:24They should make a circus out of me.
00:10:26Amador!
00:10:27Calm down.
00:10:28I have a solution.
00:10:29They can't take our house.
00:10:30Is that so?
00:10:31We'll send her to the altar.
00:10:32Please.
00:10:33We have to sell 10,000 tickets for 20 euros.
00:10:35Come on, friends, help us out.
00:10:37Amador, you're completely out of it.
00:10:39How are we going to sell 10,000 tickets for 24 hours?
00:10:42We have a website.
00:10:44They can still take my house.com.
00:10:46Did you announce it?
00:10:47Huh?
00:10:48Yes.
00:10:49Yes.
00:10:50We'll put a sign on Vicente's car.
00:10:51What do you want from me?
00:10:52You can, Milo.
00:10:53Think about doing something.
00:10:54And you didn't do anything.
00:10:55I didn't do anything.
00:10:56I was humiliated to become an assistant and lost my job because of you.
00:11:00I'm a champion boxer and a detective, and a boss, and...
00:11:03And how much money will you bring home?
00:11:05Well...
00:11:06Stop laughing, Amador.
00:11:07Your life is a constant failure.
00:11:11Hey, wait, failure.
00:11:12Mine too.
00:11:13Milo, now we have to be together.
00:11:15Amador, I'm not here anymore.
00:11:20What did you get out of here?
00:11:21Squeeze it.
00:11:22Get out of here.
00:11:23Skinny doll.
00:11:24Lele, what are you going to get out of here?
00:11:25Extraterrestrial.
00:11:26I feel it pulsating.
00:11:27It's good that they won't take you for the ad.
00:11:29Oh, God, the ad.
00:11:31What am I going to do with this?
00:11:32What am I going to tell him?
00:11:33Leave the doll.
00:11:34We have to sell the tickets.
00:11:35Amador, they'll take our house tomorrow.
00:11:37Figure it out later.
00:11:38I don't mind giving up.
00:11:39Amador Rivas will fight to the end.
00:11:41With all his might.
00:11:43Aren't you tired of being a laughing stock?
00:11:51Up your head, dad.
00:11:53Thank you, son.
00:11:54Buy yourself a ticket.
00:11:5520 euros.
00:11:56Give me 100.
00:12:02What an atmosphere.
00:12:04What does it smell like?
00:12:05Fried banana.
00:12:06No, I'm going to cook, ma'am.
00:12:08Very good.
00:12:09Don't call me ma'am.
00:12:16Fran.
00:12:17Fran.
00:12:18Fran.
00:12:20Fran.
00:12:21Look.
00:12:22Son, we need to talk.
00:12:24I think you're going into a channel that's going in a spiral.
00:12:28Mom, I'm playing with Paolo right now.
00:12:32And who is he?
00:12:33A colleague from work?
00:12:34No, my son.
00:12:38What?
00:12:39Adriana.
00:12:40Paolo Gabriel.
00:12:42Nice to meet you.
00:12:43I'm sorry, ma'am.
00:12:44When I play, I don't hear anything.
00:12:46And these suitcases?
00:12:47She's driving with her flatmate.
00:12:49Actually, she's a transvestite.
00:12:51Really?
00:12:52Like a hormone addict.
00:12:54Oh, wonderful.
00:12:55How modern you are.
00:12:57It's hard to find an apartment when you're illegal.
00:13:00What?
00:13:01You don't have any documents?
00:13:03Right?
00:13:04At the moment, she's driving them, ma'am.
00:13:06Why does she always call me ma'am?
00:13:08Out of respect.
00:13:09Adriana respects traditions.
00:13:10She's a big Catholic.
00:13:11But I believe him.
00:13:13There's a cross on the ass.
00:13:15It's not a cross.
00:13:16What?
00:13:17It's nothing.
00:13:18So we can stay a few days until she finds something.
00:13:22Well, yes.
00:13:23I mean, she needs to be under these circumstances.
00:13:26Yes.
00:13:27Maybe.
00:13:28And...
00:13:29Hey, wait a minute!
00:13:58What are you doing with your husband?
00:14:05Excuse me.
00:14:06How are you?
00:14:07I need to see you.
00:14:09Excuse me?
00:14:10You're a psychologist, right?
00:14:12Oh, yes.
00:14:13Come in.
00:14:14I'm free.
00:14:16You did a great job.
00:14:18Yes.
00:14:19I hate this whole operation.
00:14:21I'm sorry.
00:14:22I'm sorry.
00:14:23I'm sorry.
00:14:24I'm sorry.
00:14:25I'm sorry.
00:14:26I hate this whole operation.
00:14:28All right.
00:14:29Is this where I'm supposed to lie down?
00:14:31Yes, please.
00:14:39It's my first time.
00:14:40Wonderful.
00:14:41I'm your first.
00:14:42I mean...
00:14:43Listen...
00:14:44I have a sentimental problem.
00:14:46It's normal.
00:14:47I'm sorry I'm so honest, but your relationship with Maya doesn't seem to be...
00:14:51Say that again.
00:14:52I have nothing to do with Maya.
00:14:54She makes everything up.
00:14:56She's a different person.
00:14:58I know she's the woman of my life, but it's not easy.
00:15:01Her personal life is complicated.
00:15:03A lot.
00:15:05Yes, but...
00:15:06If you like her a lot, you should ask her.
00:15:09Yes, yes, yes.
00:15:10That's what I'm doing.
00:15:11That's what I'm doing.
00:15:13I don't know.
00:15:14Have you asked her?
00:15:16Yes, I've been with her a few times, but...
00:15:18She's Maya's friend, and I don't want to hurt her.
00:15:21I don't know what to do, because I live with the other one, and I want to live with her.
00:15:24But she lives with her cousin.
00:15:25Are you scared?
00:15:26Quiet, Nalin.
00:15:27He's not coming out of here.
00:15:28You're like a priest.
00:15:29The secret confession.
00:15:30Yes, yes.
00:15:31That stays between us.
00:15:37Okay, pass the mashed potatoes.
00:15:39I'm going to burn the pasture.
00:15:41Come on, Violeta, come on.
00:15:43No, there are bugs.
00:15:44There shouldn't be bugs.
00:15:46Take it.
00:15:47No, I'm a dog.
00:15:49Are you with Sergio, bitch?
00:15:53Shut up, Violeta's in the kitchen.
00:15:55Is Violeta a bitch too?
00:15:57I'm jealous of you.
00:15:58But he doesn't care.
00:15:59It's not true.
00:16:01Shut up and take him seriously so you can get to him.
00:16:03Look at her, she's jealous.
00:16:05But things are serious.
00:16:06It's really serious.
00:16:07You're lying that at first it was just sex.
00:16:10I didn't want a stable relationship.
00:16:11What makes you want to break up your friends' relationships all of a sudden?
00:16:14All Russians are bad.
00:16:16I hate to say it.
00:16:17I didn't break up anything.
00:16:19Maite and Sergio have nothing to do with it.
00:16:21In her opinion, they do.
00:16:22And in Violeta's opinion, too.
00:16:23Everyone here lives in their own planet.
00:16:25Tell Maite right away, because it was hard enough for us to overcome what caused this...
00:16:31I haven't experienced it yet.
00:16:33Oh, the girls' gathering.
00:16:35Violeta, how are you?
00:16:36I made mashed potatoes.
00:16:37Wonderful, what kind?
00:16:38Carrot, pumpkin, cucumber, liquid chocolate.
00:16:41Do you want salami?
00:16:42No, no, no, no, no.
00:16:43No, eat it.
00:16:44Okay, I'll make something else.
00:16:46This is called creative cooking.
00:16:48Rachel, help!
00:16:49I have a giant poop on my beard.
00:16:52Are you going to be without it?
00:16:55And the salad?
00:16:57No, I was just taking the phone to call you.
00:17:00Girls, I really need you.
00:17:03They're going to call me for an ad for a moisturizing cream.
00:17:06For you?
00:17:07Why?
00:17:08What cream?
00:17:09Why does everyone do such physiognomies as I say?
00:17:13Yes, I'll make an ad.
00:17:15Wonderful, we're very happy for you.
00:17:18How much are they going to pay you?
00:17:20I need to get a confirmation and...
00:17:22What's coming out of there?
00:17:24Don't push.
00:17:25I'm getting a poop.
00:17:26Poop?
00:17:27Where?
00:17:28Oh my, what a bummer.
00:17:29Underarm poops are the worst.
00:17:31Oh.
00:17:32And when you see a pimple?
00:17:33One.
00:17:34There's a triple here.
00:17:35What am I supposed to do?
00:17:36They said the pictures are tomorrow.
00:17:37I need to squeeze it out.
00:17:38Violeta, the poops don't go away, they stay white.
00:17:41And the infection spreads.
00:17:43I don't care if it spreads, I want to squeeze it out.
00:17:46No, please.
00:17:47Take, take your nylon.
00:17:51That calms me down a bit.
00:17:53Spend more nylon with the balloon from the moving company.
00:17:57What?
00:17:58I don't know who it is.
00:17:59And why are you happy?
00:18:00Maybe she'll die for the ad.
00:18:02Answer her.
00:18:03Put it on speaker.
00:18:06Yes, who is it?
00:18:07Mom, I'm Alejo.
00:18:08Congratulations, the ad is yours.
00:18:10Seriously?
00:18:11Very.
00:18:12You're the new face of Dermorejoven.
00:18:14Oh, that's a cream for grannies.
00:18:16Tomorrow at 11.20 on Pochistanulice.
00:18:18So I don't get makeup?
00:18:19No, they'll put makeup on you there.
00:18:21They like that you have wonderful skin.
00:18:23Incredible.
00:18:24And how much more will you pay me?
00:18:26The budget is small, 3000 euros.
00:18:29Thank you very much, Alejo.
00:18:31See you tomorrow.
00:18:333000 euros.
00:18:36Finish it.
00:18:37And tell me to make one of your desserts.
00:18:39One mousse.
00:18:41One mousse, come on.
00:18:42One mousse.
00:18:44Mom, the kitchen is horrible.
00:18:46Let's drink.
00:18:47Then you'll start paying your debts.
00:18:49No, this money is for a ticket to Miami.
00:18:51I'm going to move in with Sergio.
00:18:53He's the man of my life.
00:18:56Honey, you can't move in now.
00:18:58They'll take your house.
00:19:00Amador is trying to send him to the lottery.
00:19:02The cucumber.
00:19:03I'm the cucumber.
00:19:04But to charge him alone in the middle of the problems.
00:19:07Why are you so sorry?
00:19:08Buy yourself tickets.
00:19:09There's a website.
00:19:10They'll take my house.com.
00:19:13Honey, what do you think about this connection with Sergio?
00:19:16She's been very quiet.
00:19:17I thought...
00:19:19What do we do with the pumpkin?
00:19:20That's the most important thing.
00:19:22Oh, yes, yes, yes.
00:19:23What do you do with that?
00:19:24I grate it with a garlic peeler.
00:19:26It helps me the most, Aloe.
00:19:28There's no oil in the tea tree.
00:19:29Nonsense.
00:19:30It's best to squeeze it.
00:19:31And there won't be anything tomorrow.
00:19:32No, no, no.
00:19:33Yes, it's best to squeeze it.
00:19:37Are you sure?
00:19:38Of course.
00:19:39Third day.
00:20:07Hello.
00:20:08Look, I don't blame you for being sunken and dragged in to Lola, but...
00:20:18Out of the way.
00:20:21Lola!
00:20:22But I could file a lawsuit and you'd be in big trouble.
00:20:30What do you want?
00:20:32Where are you going?
00:20:34Back to the coupon?
00:20:35Oh!
00:20:36Is it about the coupon again?
00:20:37It's about the TV show.
00:20:39It's about interviews in clubs and scandals.
00:20:40What are you going to do in a club show?
00:20:42I'm going to talk about my job in a club, in a boarding school.
00:20:44Is there a problem?
00:20:45They're going to ask you about your personal life.
00:20:47You're going to get rich, dear.
00:20:50I'm an actress, not some chick selling her misfortune.
00:20:53What are we going to do with our pregnancy?
00:20:54Come on, it's not your job.
00:20:56But if you want to know, at the moment I'm not ready to become a mother.
00:21:01Lola, children are a gift.
00:21:03Motherhood is wonderful.
00:21:05Live your life.
00:21:06Don't brainwash me.
00:21:07This is a trauma that can't be survived.
00:21:09He's like Vietnam for Rambo.
00:21:11Calm down, there are no side effects.
00:21:13It doesn't matter if they pull your tooth out.
00:21:15Or the eye that's left.
00:21:16What a rude Yan.
00:21:17Don't you understand?
00:21:19The same thing happens to me as it happens to my mother.
00:21:21At the same time as my career goes up.
00:21:25But despite that, Stella gave birth.
00:21:27And what did she achieve?
00:21:29Nothing.
00:21:30Failure.
00:21:31And it took me 30 years.
00:21:33But you're more talented than her.
00:21:35Nonsense.
00:21:37Lola, can we be happy when we look at this baby?
00:21:40Of course.
00:21:41Me to feed him and you to beat the neighbors.
00:21:44I didn't do anything.
00:21:45Don't stress me out.
00:21:47I'm going to be upset on TV.
00:21:50Lola, abortion is forever.
00:21:52Choose life.
00:21:53Your mother made it.
00:21:54We give birth, we decide.
00:21:56And what do you give birth to?
00:21:57Asshole.
00:21:58It's decided.
00:21:59I'm going to file a complaint.
00:22:09Eric!
00:22:10There's news.
00:22:11Did you talk to Fran?
00:22:12Yes and no.
00:22:13I talked, but...
00:22:14About other things.
00:22:15About what?
00:22:16Eric.
00:22:17We are...
00:22:18Grandma and Grandpa.
00:22:19For God's sake, no!
00:22:21He's chasing my money.
00:22:23What money?
00:22:24The baby is only for Adriana.
00:22:26Actually, she made it with someone.
00:22:28That's the only thing missing.
00:22:29The dancer is coming with the baby.
00:22:31What baby?
00:22:32She's 14 years old.
00:22:33What?
00:22:34At least I'm calm that it's not from Fran.
00:22:37But they want to live in a house.
00:22:39No way.
00:22:40He was with his roommate,
00:22:42who was pregnant when he was beating hormones.
00:22:45Dancers, pregnant, hormones.
00:22:47What kind of underground world have you entered, son?
00:22:50How do I know?
00:22:52This connection needs to be cut.
00:22:54I'm going to kick them out right now.
00:22:56Eric, please don't wait.
00:22:58Come on.
00:23:00This is temporary darkness.
00:23:04Adriana is coming with her Brazilian charms
00:23:06and ours is starting to shine.
00:23:09It will pass.
00:23:11Calmly.
00:23:12I was in love with my drawing teacher.
00:23:15He was older.
00:23:16And from my father.
00:23:17But it was a platonic relationship.
00:23:19Yes, platonic.
00:23:21Once in the meantime...
00:23:23Enough.
00:23:24I don't want to know.
00:23:25I think it's best if we accept
00:23:27that we like Adriana.
00:23:29With Paulo Gabriel and everything.
00:23:31Let's be modern.
00:23:33But I don't like her.
00:23:35I'm very stressed.
00:23:37It's easy for you.
00:23:38When you don't come home...
00:23:40No, I want to meet this girl.
00:23:42Well, girl, she's been my wife for years.
00:23:44The more they think...
00:23:45Don't think about it.
00:23:46We're going to have a barbecue tonight.
00:23:49The Brazilians love it.
00:23:51We'll get to know each other.
00:23:53And...
00:23:54Okay.
00:23:55I'll give your theory a chance
00:23:57for the dark side.
00:23:58But if it lasts more than a week,
00:24:00I'll get mad.
00:24:02This man is going to get on my nerves.
00:24:04Not you.
00:24:05Judith.
00:24:06Anyway.
00:24:07The world is over.
00:24:08If you ask me, it's over today.
00:24:13Where's Amador?
00:24:14We need to put up the car sign.
00:24:16Don't use my car for nonsense.
00:24:19I'm not using it.
00:24:21I'm coming, Captain Salam.
00:24:22I'm coming to help.
00:24:23Who wants tickets?
00:24:24Who?
00:24:25Are you going to sell masks?
00:24:27So I attract more attention.
00:24:29Amador needs to be taken seriously.
00:24:31Listen.
00:24:32According to Article 5 of the Royal Decree
00:24:342069-1999
00:24:35for the organization or operation
00:24:37of any idea,
00:24:38a lottery is required
00:24:40permission from the commission
00:24:42three months before the sale
00:24:44of tickets.
00:24:45It won't happen.
00:24:46And you have to confirm in front of the notary
00:24:49the date of the sale.
00:24:50Enough, enough.
00:24:51Don't be annoying.
00:24:52What's going on, comrade?
00:24:53Maxi, what do you want?
00:24:54I think my pulse is going to go up.
00:24:56Are you going to give us
00:24:57the actual hall
00:24:58in the commission for the lottery?
00:25:00I'm sorry.
00:25:01I can't use the public space
00:25:03for personal purposes.
00:25:04No.
00:25:05Enrique and I have been neighbors
00:25:07for a lifetime.
00:25:08Only six years.
00:25:09Come on.
00:25:10A lot of people follow
00:25:12friendship and friendship services.
00:25:14We understand.
00:25:15Yes, I understand.
00:25:16But we understand you too.
00:25:17I understand.
00:25:18But you don't understand me.
00:25:19If you understand me, then...
00:25:24You're right.
00:25:25I don't understand you.
00:25:26If you help him,
00:25:27they'll take his house.
00:25:29The politicians are already
00:25:30helping people.
00:25:31Give me the phone.
00:25:32Who am I talking to now?
00:25:34To me.
00:25:35To me, my friend.
00:25:36Okay.
00:25:37You can use the actual hall.
00:25:38But you have to hold the lottery
00:25:40early in the morning.
00:25:41At 12 o'clock,
00:25:42the red hat
00:25:43from the theater circle will play.
00:25:44Thank you, Enrique.
00:25:45If you ever need Captain Salam,
00:25:46I'll be on the line.
00:25:50Are you in my heart?
00:25:52Come on, let's sell it.
00:25:53Dress up.
00:25:54No, no.
00:25:55I dress up in cabins
00:25:56like Superman.
00:25:57There are no cabins anymore.
00:25:59But I'll dress up at home.
00:26:01So,
00:26:02we're not leaving.
00:26:06Come on.
00:26:07What did he sell you?
00:26:08Seven A's,
00:26:09four
00:26:10Vicente
00:26:11one,
00:26:12Leo
00:26:1343,
00:26:14and Amador
00:26:15neither one.
00:26:16A woman blinded me.
00:26:17Because you're too busy.
00:26:18That's not how you sell.
00:26:19We have 9,945 tickets left.
00:26:22We'll be done in a year and a half.
00:26:24What do you mean a year and a half?
00:26:25They'll take my house tomorrow.
00:26:26The sale is on the internet.
00:26:27How much is it?
00:26:28How much?
00:26:29Open up.
00:26:36Fuck.
00:26:37The whole block
00:26:38steals Enrique's internet,
00:26:40and that's why it's gone.
00:26:41Ah, it's charged.
00:26:42Come on.
00:26:43How much?
00:26:44Eight.
00:26:45Eight thousand?
00:26:46No, only eight.
00:26:49I'm stuck on the street.
00:26:52My kids.
00:26:53Calm down, man.
00:26:55I can't breathe.
00:26:56Listen,
00:26:57the lottery is charged
00:26:58with 15% of the tickets.
00:26:59You have to enter before the sale,
00:27:01that is,
00:27:02you have to pay 30,000 euros.
00:27:04Where will I get 30,000 euros?
00:27:06We didn't sell anything.
00:27:07Nothing.
00:27:08What?
00:27:09If the lottery is held
00:27:10without permission,
00:27:11there are sanctions
00:27:12for criminal smuggling.
00:27:14Smuggling?
00:27:15What do the mafias
00:27:16think they're doing
00:27:17to take our money?
00:27:18That's how it is in this country.
00:27:20They suffocate
00:27:21with the royal decree,
00:27:22and the one who signs it
00:27:23goes hunting for elephants
00:27:24in Botswana.
00:27:25I'm not going to pay
00:27:26for tonight's tickets.
00:27:27Amador doesn't include
00:27:28the things either.
00:27:29Where else?
00:27:30I'm not going to pay.
00:27:31I've run out of blood.
00:27:32He doesn't even see
00:27:33the deficit.
00:27:34I'm going to live
00:27:35in Andorra.
00:27:36And what if he goes crazy?
00:27:37Or not.
00:27:38Tonight's tickets
00:27:39are like a nightmare.
00:27:40If you go to him
00:27:41without waking him up,
00:27:42you'll save yourself
00:27:43from his wild appetite.
00:27:45This Spanish
00:27:46will definitely
00:27:47get his ass kicked.
00:27:50Either tell your mother
00:27:51about it later,
00:27:52or I'll tell her.
00:27:53You have to find
00:27:54the right moment.
00:27:55Find it,
00:27:56because she's packing.
00:27:57She said we're leaving
00:27:58for Miami tomorrow.
00:27:59And you didn't tell Violeta?
00:28:00I have nothing to do with her.
00:28:01She doesn't think so.
00:28:02Make you a puree?
00:28:03Why?
00:28:04How do I know?
00:28:06I cut it.
00:28:07No problem.
00:28:08In my opinion,
00:28:09there's a big problem.
00:28:10This girl
00:28:11is out of her mind.
00:28:12Honey,
00:28:13I'm really pissed
00:28:14off at women.
00:28:15They wanted to kill themselves,
00:28:16they ran away from cars,
00:28:17one of them wanted
00:28:18to cut my penis.
00:28:19It's a good thing it was winter
00:28:20and they didn't find it.
00:28:21Don't go into details.
00:28:23Where is she?
00:28:24In your room.
00:28:25In my room.
00:28:26She's mine.
00:28:28Violeta.
00:28:31Sergio, my love.
00:28:34Let's have a kiss.
00:28:35No, no, no.
00:28:36Come on.
00:28:37We need to talk.
00:28:38About what?
00:28:39The knives.
00:28:40I remembered
00:28:41about our wedding.
00:28:42No,
00:28:43look,
00:28:44Violeta,
00:28:45sometimes we think
00:28:46that there are things
00:28:47that don't exist,
00:28:48right?
00:28:49Hey, not Lotto.
00:28:50Good example.
00:28:51Our relationship
00:28:52is a bit Martian.
00:28:53And my aliens
00:28:54distracted me
00:28:55and made an experiment
00:28:56with me,
00:28:57look.
00:28:58This is a penis.
00:28:59And you?
00:29:00Long and successful life,
00:29:01my friend,
00:29:02long and successful life.
00:29:04In a nutshell,
00:29:05I was crazy,
00:29:06but you win the award.
00:29:08I don't want to have
00:29:09anything to do with you,
00:29:10Raquel.
00:29:11I'm sorry,
00:29:12but this is over.
00:29:13Clear?
00:29:15Violeta?
00:29:18Is it frozen?
00:29:19It's frozen.
00:29:21What's wrong?
00:29:22How do I know?
00:29:23Restart it.
00:29:25Violeta?
00:29:26Violeta!
00:29:27This wouldn't have happened to me.
00:29:36This is a clear case
00:29:37of neglect,
00:29:38and the Chinese are stupid.
00:29:39What neglect?
00:29:40It can come from
00:29:41a stressful situation,
00:29:42emotional distress,
00:29:43or from medicine.
00:29:45Did you eat
00:29:46that candy?
00:29:48Antonio,
00:29:49we didn't do anything.
00:29:50Was she in shock?
00:29:52Traumatic news?
00:29:54No, she was watching
00:29:55Spongebob.
00:29:56You got my sister
00:29:57into cataplexy.
00:29:58Catatonia.
00:29:59How long
00:30:00will it last?
00:30:01I don't know.
00:30:02It could be a matter of hours,
00:30:03days,
00:30:04months.
00:30:06What?
00:30:07How long will I
00:30:08be in the hospital?
00:30:09I don't know,
00:30:10but you're not
00:30:11going to leave her here,
00:30:12are you?
00:30:13You'll do
00:30:14whatever you're told.
00:30:15Look,
00:30:16I didn't find a wheelchair,
00:30:17but I think
00:30:18this will do the job.
00:30:19Come on, help me.
00:30:20Hello, Inez.
00:30:21Where are you taking her?
00:30:22Home.
00:30:23No way.
00:30:24I think she needs
00:30:25to go to the hospital.
00:30:26I don't have any money.
00:30:27Your sister needs
00:30:28professional care.
00:30:29My sister needs love.
00:30:30I need love.
00:30:31I don't have cigarettes.
00:30:38All right,
00:30:39what's up?
00:30:40Lele Male.
00:30:41This one wants to go with her.
00:30:42I'm done with mine.
00:30:43Now you need
00:30:44to tell your mom.
00:30:45Lele,
00:30:46what a scandal.
00:30:47My suitcase is ready.
00:30:48I'm coming to live here.
00:30:49No way.
00:30:50Shut up.
00:30:51Brother,
00:30:52this scoundrel
00:30:53is going to scare us.
00:30:54I'm sorry,
00:30:55but I insist on our relationship.
00:30:56Is it serious or not?
00:30:57Yes,
00:30:58I'll tell my mom tomorrow.
00:30:59Come on,
00:31:00go crazy.
00:31:01You can do it.
00:31:02No, no, I'm staying.
00:31:03I told her I'm on a shoot.
00:31:04Do you have pajamas
00:31:05from a man who came?
00:31:06No,
00:31:07okay,
00:31:08I'll fix it.
00:31:09This cheater
00:31:10will make you suffer a lot.
00:31:11Hardly more than you.
00:31:12Can you imagine
00:31:13the two of them together?
00:31:15Okay,
00:31:17I'll tell my mom tomorrow.
00:31:19Oh,
00:31:20the neighbor.
00:31:21The neighbor.
00:31:22Oh,
00:31:23the neighbor.
00:31:29I don't know why
00:31:30you're turning on the TV.
00:31:31I need to stimulate myself.
00:31:32My stomach is paralyzed
00:31:33while watching SpongeBob.
00:31:34I need to calm down.
00:31:35Antonio,
00:31:36she's possessed by evil.
00:31:37And why is that?
00:31:38Did you install
00:31:39the operating system?
00:31:40I don't know,
00:31:41but we can't keep her here.
00:31:42She needs to go to the hospital.
00:31:43No,
00:31:44this happened because of your idea
00:31:45to send her to the tenants.
00:31:46Now you're going to look after her.
00:31:47We're not going to look after
00:31:48a lunatic.
00:31:49Go on,
00:31:50the holy scripture.
00:31:51You'll make her hungry,
00:31:52you'll make her thirsty,
00:31:53and you'll give her
00:31:54a paralyzed back.
00:31:55Jesus didn't say that.
00:31:58What does it smell like?
00:32:03Berta,
00:32:04barbecue.
00:32:05Barbecue?
00:32:06Barbecue?
00:32:08Do you think
00:32:09they'll smell the fart?
00:32:10I'll go
00:32:11and get them.
00:32:12Right away.
00:32:13The barbecue
00:32:14needs to be fixed
00:32:15at the meeting.
00:32:16Yes, yes.
00:32:17Okay, okay, Adriana.
00:32:20Are you going to cover yourself
00:32:21a little
00:32:22so you don't catch a cold?
00:32:24In Brazil,
00:32:25we're hot blood.
00:32:27We're very happy
00:32:28that our son
00:32:29found
00:32:30such a woman.
00:32:32Right?
00:32:33Yes, yes.
00:32:34We're very happy
00:32:35and surprised.
00:32:36We're not that in love.
00:32:38Wait, love,
00:32:39that's nonsense.
00:32:40It can't be
00:32:41in a week.
00:32:42One more beer, love?
00:32:43Yes, darling.
00:32:50You're so sweet.
00:32:52You're making me nervous.
00:32:55Oh,
00:32:56I choked.
00:32:57What were we talking about?
00:32:59Adriana,
00:33:00apart from kissing my son
00:33:01and hanging out at the club,
00:33:03we have another plan
00:33:04for the future.
00:33:05Eric?
00:33:06Because the dancer's career
00:33:07is very short
00:33:08and you're not a kid anymore,
00:33:09but our son.
00:33:11I want to go back
00:33:12to Brazil in the future.
00:33:13My mother has a pizzeria
00:33:14in Praia da Lapintiga.
00:33:16Aha,
00:33:17you have melancholia
00:33:18on your side.
00:33:19No, no,
00:33:20we don't eat melancholia there.
00:33:21We eat nadinichki
00:33:22and sujuci.
00:33:24No, no, no,
00:33:25melancholia,
00:33:26nostalgia.
00:33:27Those are the synonyms
00:33:28for that.
00:33:29Melancholia?
00:33:31Oh, yes.
00:33:32One singer.
00:33:33Please.
00:33:34Melancholia,
00:33:35nostalgia.
00:33:37Ah, wonderful.
00:33:39When you stop
00:33:40turning your back,
00:33:41you can write a text.
00:33:43Eric,
00:33:44your melancholia
00:33:45will burn.
00:33:46Bring the chicken wings,
00:33:47it's ready.
00:33:52Adriana,
00:33:53I'm going to talk openly,
00:33:54without making fun of you.
00:33:55Like a father to a daughter.
00:33:56Your relationship with Eric...
00:33:57Eric, my friend!
00:33:59What are you doing here?
00:34:00Nothing.
00:34:01I went out
00:34:02to get some fresh air.
00:34:04Antonio,
00:34:05I don't remember.
00:34:06I don't remember
00:34:07that I insulted you.
00:34:08Yes,
00:34:09because you forgot.
00:34:10Antonio Resio,
00:34:11a fishmonger,
00:34:12he wears a little scarf
00:34:13on your part,
00:34:14very tasty.
00:34:15Adriana,
00:34:16nice to meet you.
00:34:18I'm going to have
00:34:19another beer with you.
00:34:20One beer
00:34:21and you're leaving.
00:34:22And one blood pudding
00:34:23because I didn't have dinner.
00:34:25Adriana?
00:34:26Yes?
00:34:27How much are you taking?
00:34:2880 euros for the evening.
00:34:29For the whole evening?
00:34:30How cheap!
00:34:31No, I have three days off.
00:34:33Great,
00:34:34I have to rest
00:34:35but I have to go to the hotel
00:34:36because my wife is at home and...
00:34:38What?
00:34:39I'm sorry,
00:34:40I'm just dancing.
00:34:41You're going to do
00:34:42what I tell you,
00:34:43I'm a client.
00:34:44You're an idiot.
00:34:45Hey, what's going on?
00:34:46He's here,
00:34:47he calls me a whore.
00:34:48No,
00:34:49that was a cultural mistake,
00:34:50he doesn't know our language.
00:34:51He wanted to take me to the hotel.
00:34:52Hold this.
00:34:53Is he a whore?
00:34:56Antonio!
00:34:58Francisco Javier,
00:34:59call the nurse
00:35:00and tell her to come here.
00:35:02Antonio,
00:35:03say something.
00:35:04I'll sue you.
00:35:08How big is your finger?
00:35:10Yes, ma'am,
00:35:11very sexy.
00:35:12Doctor?
00:35:13He may have a brain injury,
00:35:15he needs a scanner.
00:35:16I just did it once.
00:35:17Son,
00:35:18you're a criminal,
00:35:19he won't stop
00:35:20until you shut him up.
00:35:21It's very short,
00:35:22I don't know what happened to him.
00:35:23Drugged!
00:35:24How drugged?
00:35:25He calls my gadget a whore.
00:35:26I'm sure she provoked him.
00:35:29Oh!
00:35:32How dare you?
00:35:33Antonio!
00:35:40Francisco Javier,
00:35:41we need to talk.
00:35:42It's good that he can,
00:35:43I overdid it a little.
00:35:44Do you know what kind of shit
00:35:45he's got us mixed up in?
00:35:46God,
00:35:47I hope he's fine.
00:35:48Like tobacco?
00:35:49He threw his head
00:35:50at the barbecue.
00:35:51Go to the hospital
00:35:52and apologize to him.
00:35:53And he got out.
00:35:54Fran,
00:35:55you can sue him.
00:35:56Imagine he calls
00:35:57Judith a whore.
00:35:58What?
00:35:59We're getting married.
00:36:00Already?
00:36:01You don't even know her.
00:36:02Not right away,
00:36:03in April.
00:36:04In April?
00:36:05I'm thinking about your wedding,
00:36:06so it won't cost you much.
00:36:07Oh,
00:36:08so I'll pay.
00:36:09Who?
00:36:10Fran,
00:36:11how much does it hurt you
00:36:12to hear it?
00:36:13My duty
00:36:14as a father
00:36:15is to tell you
00:36:16that this relationship
00:36:17is doomed to failure.
00:36:18And you tell me
00:36:19where your wife
00:36:20can be your daughter?
00:36:21And this one.
00:36:22We, Judith,
00:36:23are adults.
00:36:24You're a naked brother.
00:36:25I'm not interested
00:36:26in your nonsense.
00:36:27You're worried
00:36:28about your future.
00:36:29You're worried
00:36:30about your sadness.
00:36:33Eric,
00:36:34didn't we agree
00:36:35that you're going
00:36:36to be modern?
00:36:37They're getting married
00:36:38in April.
00:36:39I don't have a wedding dress.
00:36:40For God's sake,
00:36:41talk to him.
00:36:42Make him understand.
00:36:43Okay,
00:36:44but tomorrow.
00:36:45Be serious.
00:36:46We have to stop
00:36:47this wedding at all costs.
00:36:48Go home.
00:36:49You look
00:36:50a little stressed.
00:36:51Is everything all right with Judith?
00:36:53Wonderful.
00:36:54We want to be parents.
00:36:55Again?
00:36:56You're a masochist.
00:36:57I'm going to make up
00:36:58for all the mistakes
00:36:59I made with Fran.
00:37:02I'm going to call her
00:37:03a nerd.
00:37:04The boy is already
00:37:05an adult
00:37:06and he can afford
00:37:07a luxury.
00:37:08No, wait.
00:37:09Husserl's suffering
00:37:10is terrible
00:37:11because he's 18,
00:37:12but until recently
00:37:13he was 17.
00:37:15He's already an adult.
00:37:17He's under pressure
00:37:18from the media.
00:37:19But this stress
00:37:20comes from his brother.
00:37:21From his brother.
00:37:22From his nephew.
00:37:23Yes,
00:37:24from his nephew.
00:37:25What?
00:37:26Mom,
00:37:27what's this?
00:37:28I don't want to talk about it.
00:37:29I know,
00:37:30but this looks like...
00:37:31Eat.
00:37:33This can't be eaten.
00:37:34What is it?
00:37:35It's octopus.
00:37:36Octopus,
00:37:37what?
00:37:38Seaweed,
00:37:39antioxidants,
00:37:40diuretics.
00:37:41I want fillet.
00:37:42At least I'm cooking for you.
00:37:43What are you doing?
00:37:44I'm cleaning the house.
00:37:45I'm selling tickets all day
00:37:46like an idiot.
00:37:47And you're giving me
00:37:48fish food.
00:37:49Are you sure
00:37:50this is allowed?
00:37:51I don't know.
00:37:52This is a lottery.
00:37:53Shut up.
00:37:55Lola Reynolds.
00:37:56That's Lola,
00:37:57call her.
00:37:59Hello,
00:38:00hello.
00:38:01Welcome.
00:38:02Welcome, Lola.
00:38:03How are you?
00:38:04Welcome, how are you?
00:38:05Lola,
00:38:06I see
00:38:07your color is much better
00:38:08than in the blood
00:38:09in the hospital.
00:38:10Yes,
00:38:11thank you
00:38:12for inviting me.
00:38:13I'm very glad
00:38:14I'm here.
00:38:15Tell us,
00:38:16how are you dealing
00:38:17with her huge success
00:38:18which is no longer a series?
00:38:19Well,
00:38:20it's hard to do
00:38:21what you love
00:38:22and get paid for it.
00:38:24By the way,
00:38:25can I say something?
00:38:27Yes.
00:38:29I have some friends
00:38:30who are broke
00:38:31and they leave their apartment
00:38:32at the lottery
00:38:33before the bank takes it from them.
00:38:35What are you saying?
00:38:36No, no.
00:38:37Buy one ticket
00:38:38for only 20 euros.
00:38:39She's very stupid.
00:38:40She's trying to help us.
00:38:41This is super nice.
00:38:43But super is a lie.
00:38:44On the website
00:38:45you can take my house
00:38:46dot com.
00:38:47Now,
00:38:48I'm going to wake up the lion.
00:38:49What lion?
00:38:50What are you talking about?
00:38:53Don't do
00:38:54the croquettes
00:38:55like your mother.
00:38:56I'm cold,
00:38:57I'm cold.
00:38:58Oh, Gregory,
00:38:59she was the queen
00:39:00of Beshamel.
00:39:01She's beautiful.
00:39:02Now,
00:39:03is that it?
00:39:04Lola.
00:39:05Oh,
00:39:06yes, yes, yes.
00:39:07But she's a vampire.
00:39:08She's bleeding
00:39:09and cutting the teachers' heads
00:39:10but she has feelings.
00:39:11She's suffering.
00:39:12She wants to create
00:39:13a family.
00:39:15A family.
00:39:16And you?
00:39:18I've heard
00:39:19you're pregnant.
00:39:20No, no.
00:39:21I came to talk
00:39:22about my job.
00:39:23Your colleague
00:39:24lied to us.
00:39:25Very bad.
00:39:26Who told you?
00:39:27So it's true, Lola?
00:39:28Why are you hiding it?
00:39:29I'm not hiding anything.
00:39:30It just happened
00:39:31by chance.
00:39:32No,
00:39:33is it from your husband?
00:39:34Yes, yes, yes.
00:39:35It's from my husband.
00:39:36From whom?
00:39:37From your colleague
00:39:38Emanuel
00:39:39when he had a relationship
00:39:40in Miami
00:39:41when you filmed
00:39:42Adelita's love stories.
00:39:43Leave her alone,
00:39:44she's my colleague.
00:39:45And in the meantime
00:39:46your husband
00:39:47has a new neighbor
00:39:48someone called Raquel
00:39:49who's your girlfriend.
00:39:50But you have
00:39:51girlfriends.
00:39:52Don't touch
00:39:53this subject
00:39:54because it'll happen
00:39:55and I'll leave.
00:39:56One moment, Lola.
00:39:57They say
00:39:58someone special
00:39:59is waiting for you.
00:40:00My mother.
00:40:01No, don't run.
00:40:02Hello, Javier.
00:40:03Can you hear us?
00:40:04A little respect
00:40:05for my wife.
00:40:06And without that
00:40:07we have problems
00:40:08for this child.
00:40:09But why, Javier?
00:40:10It's great
00:40:11to be a parent.
00:40:12Yes, but we're in a crisis
00:40:13and I need your help
00:40:14to convince her.
00:40:15Lola, don't you dare
00:40:16to have an abortion.
00:40:17We're divorced
00:40:18and I'll have to
00:40:19take care of it myself
00:40:20and I can't do
00:40:21so much work.
00:40:22I told you
00:40:23I'd help you.
00:40:24Javier, shut up.
00:40:25Do you prefer
00:40:26your career
00:40:27over being a parent?
00:40:28Yes.
00:40:29No, I don't know.
00:40:30Aren't there
00:40:31any ads here?
00:40:32What does this channel
00:40:33do for a living?
00:40:34Lola, I love you.
00:40:35I'm leaving.
00:40:36If you leave
00:40:37we won't pay you.
00:40:38As you can see
00:40:39Lola Reynolds
00:40:40is afraid to postpone
00:40:41her unwanted pregnancy.
00:40:42But is there anything
00:40:43more unwanted
00:40:44than the belts
00:40:45we wear in the winter?
00:40:46With this new
00:40:47electrostimulating collar
00:40:48slim machine
00:40:49you'll fit up
00:40:50to four sizes of clothes
00:40:51without moving
00:40:52from the couch.
00:40:53Try it yourself.
00:41:12For God's sake,
00:41:13what's going on?
00:41:14Someone died downstairs
00:41:15and...
00:41:16Who's ringing
00:41:17at this hour?
00:41:18How can it
00:41:19go on like this?
00:41:20It hasn't even started yet
00:41:21and...
00:41:22I was cold and...
00:41:24Oh my God!
00:41:25Great,
00:41:26I'll tell her now.
00:41:27No, no, hide!
00:41:28Not in the bedroom
00:41:29so she can come and sleep here!
00:41:30In the forest, there!
00:41:31There!
00:41:32Do you sleep together?
00:41:33Only when she's upset
00:41:34hide!
00:41:35Should I open it?
00:41:36Should I not open it?
00:41:39I'm opening it.
00:41:40Raquel, help me!
00:41:41What happened?
00:41:43The doll!
00:41:44Your mother is ugly!
00:41:45What's her name?
00:41:46Live your own life!
00:41:48When they see her,
00:41:49they'll fire me!
00:41:50I need the money!
00:41:51Calm down,
00:41:52show me Mia!
00:41:54Turn off the light!
00:41:55Shut up, silly!
00:41:56I've had dolls too!
00:41:57Dolls!
00:41:58Let them see the pictures
00:41:59of the first incident!
00:42:00Let them see, come on!
00:42:03Mother!
00:42:05Holy Virgin!
00:42:12Hey!
00:42:13Yeah?
00:42:16Of course I want to see her!
00:42:18I'm coming!
00:42:19What are you looking at?
00:42:20Girls' stuff.
00:42:26What did you see there?
00:42:28What are we going to do?
00:42:30We have to do something!
00:42:31The first option
00:42:32is to leave her like that
00:42:33on the man with the alcohol
00:42:34to dry.
00:42:35There's no time,
00:42:36the pictures are in 8 hours!
00:42:37The mask absorbs the fat.
00:42:38This is the cure,
00:42:39she won't clean it!
00:42:40And the third?
00:42:41To squeeze it out!
00:42:42No!
00:42:43I agree,
00:42:44she needs surgery!
00:42:45I want to!
00:42:46No,
00:42:47I'm going to tell you
00:42:48I'm a specialist!
00:42:49My technique is above the line!
00:42:50But you're so ugly,
00:42:51how can you like
00:42:52squeezing out dolls?
00:42:53It's great!
00:42:54I have the biggest faith
00:42:55in Raquel!
00:42:56Did you see?
00:42:57Don't believe her!
00:43:00Wait, wait!
00:43:01Get a napkin
00:43:02so I can drink the shit.
00:43:06Hello.
00:43:07Hello.
00:43:09What are you up to?
00:43:10The doll is coming out,
00:43:11we're going to squeeze it!
00:43:12Bullshit!
00:43:13I'm going back to bed!
00:43:14I'm staying with my friends!
00:43:15What friends?
00:43:17It's almost time!
00:43:18But the government
00:43:19is asking you
00:43:20to hold a contest
00:43:21on the stairs
00:43:22at a more logical time!
00:43:24We had to sell tickets!
00:43:26Come on, come on!
00:43:27They're going to squeeze the doll!
00:43:28No!
00:43:29Better leave it!
00:43:30The case is urgent!
00:43:31Isn't it better
00:43:32to break your neck?
00:43:33I'm squeezing it!
00:43:34Come on!
00:43:35One...
00:43:36Two...
00:43:38Three!
00:43:41What happened?
00:43:42It's a very nice doll!
00:43:44Put it on!
00:43:45The red one is nice!
00:43:47Wait, I'll bring it to you!
00:43:48You need to disinfect it!
00:43:50Where's the alcohol?
00:43:51In the bathroom!
00:43:52No, not in the bathroom!
00:43:54Good evening.
00:43:58Close it.
00:44:00Done!
00:44:01When you take it off
00:44:02there won't be a trace
00:44:03of the chameleon!
00:44:04Of what?
00:44:05But the red chameleon
00:44:06is a little strong!
00:44:07It'll dry faster!
00:44:09Drink your tea from the cup
00:44:10with lemon!
00:44:12It smells awful!
00:44:13And the gin and tonic
00:44:14also smell awful!
00:44:15That's why the skin is like that!
00:44:16The alcohol is awful!
00:44:18No, these inhuman dolls
00:44:19come out of their nerves!
00:44:20It's normal!
00:44:21Look what the chameleon is going through!
00:44:23Without money
00:44:24she'll end up on the street!
00:44:25Only trouble!
00:44:26And someone else is waiting for her!
00:44:27She'll get dressed nicely!
00:44:29For dirty work
00:44:30God punishes you with dirt!
00:44:31Hey!
00:44:32I'm here!
00:44:33Mom,
00:44:34try to get some sleep now!
00:44:36Thank you so much, girls!
00:44:37I love you so much!
00:44:43Are you staying here?
00:44:45Mom,
00:44:46if you want to sleep
00:44:47the bathroom is over there!
00:44:49I know!
00:45:00Hello!
00:45:01Hello!
00:45:02Who are you?
00:45:03Zhoao!
00:45:04Zhoao?
00:45:05But...
00:45:06I don't remember!
00:45:07Adriana's husband!
00:45:10You're married?
00:45:11Yes, ma'am!
00:45:13I'm sorry
00:45:14I forgot something!
00:45:31Hello!
00:45:32Fran!
00:45:33Don't come in!
00:45:35Adriana is married!
00:45:36Her husband is here!
00:45:37She came to look for her
00:45:38or to kill you both
00:45:39because she's pretty!
00:45:42Mom,
00:45:43Zhoao is a friend
00:45:44he's a porter in the club!
00:45:45Come on in!
00:45:48He's cute!
00:45:49Yes, he is!
00:45:52That's my mom!
00:45:53Araceli!
00:45:56How are you, ma'am?
00:45:57That again, ma'am!
00:45:59I'm very good!
00:46:01So,
00:46:02are you Paolo's father,
00:46:03Gabriel?
00:46:05He's a different kind of dirty!
00:46:07Don't raise the issue!
00:46:08Don't worry,
00:46:09I'll figure it out!
00:46:10If you don't mind,
00:46:11Zhoao will stay here!
00:46:13Here?
00:46:14Where will we put him?
00:46:15In the house?
00:46:16No!
00:46:17There,
00:46:18the teacher,
00:46:19Pung Koko,
00:46:20got a heat stroke!
00:46:21Zhoao sleeps everywhere!
00:46:22He was in prison!
00:46:24I'm calmer that way!
00:46:26Thank you for the hospitality!
00:46:28You have a beautiful house!
00:46:30Thank you very much!
00:46:32The hall is on two levels,
00:46:34and...
00:46:35I'm sorry, ma'am,
00:46:36I have to talk to my son!
00:46:42I don't want to think badly of Adriana,
00:46:44but to lead this boy here...
00:46:47They were going to divorce,
00:46:48but they fired him from the club.
00:46:50The money from the cash desk disappeared, and...
00:46:51Come on, let's go to the hall!
00:46:53It wasn't him,
00:46:54it was Sipan!
00:46:56I'm sorry,
00:46:57but should we accept the whole clan
00:46:59in the house?
00:47:01He wants to move to Brazil,
00:47:02if we can help him a little.
00:47:04How can we help him?
00:47:05He told me he'd get it done with 5,000 euros.
00:47:07Sweetie,
00:47:08I'll get it done, too!
00:47:10If we help him,
00:47:11he'll sign the papers and move out,
00:47:12so Adriana and I will be calmer.
00:47:14I have to talk to your father!
00:47:16If I had 5,000 euros,
00:47:17I wouldn't be here!
00:47:19Thank you, Mom,
00:47:20you really understand me.
00:47:21Yes, son, yes!
00:47:23So, has everyone figured out
00:47:24about the lottery because of Chihuahua?
00:47:26She's my wife!
00:47:27Your wife is hot!
00:47:28I'll beat you up!
00:47:29I'll beat you up!
00:47:30Enough, enough!
00:47:32Enough!
00:47:34Only whores watch this show!
00:47:35Me, too!
00:47:36Because they don't have time
00:47:37to watch TV at night,
00:47:38and they're busy chasing
00:47:39artists and tennis players!
00:47:42Yeah,
00:47:43they're not going to catch
00:47:44a guy like me
00:47:45chasing Florentino Perez
00:47:46under the devils!
00:47:48Good day,
00:47:49I'm looking for Amador Rivas.
00:47:50No.
00:47:52He's not here.
00:47:53The doorman told me he was here.
00:47:54He's not here anymore.
00:47:56What do you want?
00:47:57The charity agency
00:47:58has notified me.
00:47:59But you can't give it to him.
00:48:01Amador will get worse.
00:48:02Shut up!
00:48:05You have to pay 15%
00:48:06of the cost of the tickets
00:48:07for your lottery.
00:48:09Have you seen it?
00:48:10Sign it.
00:48:12No.
00:48:13Amador, sign it.
00:48:14I won't sign it.
00:48:15You'll have to pay again.
00:48:16Mr. Rivas,
00:48:17you have 24 hours
00:48:18to make the contribution.
00:48:19Have a nice day.
00:48:21How quickly the scumbags arrived!
00:48:23When you announce him on TV...
00:48:24Amador, wake up!
00:48:26Amador Rivas?
00:48:27We don't have another day.
00:48:29I'm from the state commission
00:48:30on gambling
00:48:31to inform you
00:48:32that a criminal case
00:48:33for organizing a lottery
00:48:34without permission
00:48:35has been opened.
00:48:36Sign it.
00:48:37Let me breathe, people.
00:48:38I have four children.
00:48:39You are the heart.
00:48:41You can appeal
00:48:42this decision
00:48:43in the administrative court
00:48:44within one month.
00:48:45Have a nice day.
00:48:49Don't wake up, lion!
00:48:50Wake up the whole jungle!
00:48:52Why does everything
00:48:53fail me?
00:48:54Amador?
00:48:55I don't have to pay.
00:48:56No,
00:48:57they sold us 2,200 tickets.
00:48:58That's enough!
00:48:59When will he appear
00:49:00on TV?
00:49:0144,000 euros.
00:49:02For a convertible?
00:49:03How much is it?
00:49:12Will you say yes or no?
00:49:13Yes.
00:49:14Then stay.
00:49:15No.
00:49:16This is between friends.
00:49:18Good luck, dear.
00:49:19I love you.
00:49:20Go away!
00:49:26Mom?
00:49:28Mom?
00:49:29Oh, the commercial!
00:49:30How do I look?
00:49:31You have to take off
00:49:32the mask.
00:49:33I have to tell you...
00:49:34Yes, water.
00:49:35I think the doll
00:49:36won't be seen
00:49:37because I feel
00:49:38she's very drunk.
00:49:39Yes, yes,
00:49:40we hear you.
00:49:41In life,
00:49:42sometimes...
00:49:43Oh, I'm so nervous!
00:49:44I'm going to be a model!
00:49:45Quiet!
00:49:46Don't say Nina's asleep.
00:49:47She'll wake up
00:49:48in a bad mood.
00:49:50Oh, devils!
00:49:51Is this one still here?
00:49:53What do I care?
00:49:54What did you do to me?
00:49:56His mom
00:49:57wanted her to be in Fukushima.
00:49:59I'm sure
00:50:00you burned your skin.
00:50:02A little.
00:50:03A little?
00:50:04What am I going to do?
00:50:05I'm going to put
00:50:06some argan oil on you.
00:50:07It hydrates well.
00:50:08Zectin hydrates more.
00:50:10Nina, enough!
00:50:11Quick!
00:50:12Give me an idea!
00:50:13You'll see.
00:50:16Oh, yes!
00:50:17Now,
00:50:18these toys look good.
00:50:19When you press them,
00:50:20they light up.
00:50:21Leave them alone.
00:50:22I'll find another one.
00:50:23No, Mom, forget it.
00:50:24You need the money.
00:50:25Have you ever seen a model
00:50:26with this kind of skin?
00:50:28Almost everyone.
00:50:30Really?
00:50:31Who?
00:50:32Well,
00:50:33they do it with Photoshop
00:50:34and we can't understand it.
00:50:37Of course!
00:50:38They can remove
00:50:39my butt with Photoshop.
00:50:40What about the goose skin?
00:50:41The same.
00:50:45Ricky,
00:50:46I have news.
00:50:47Did you talk to Fran?
00:50:48Yes.
00:50:50They need
00:50:515,000 euros.
00:50:52Come on!
00:50:53I won't finance this wedding.
00:50:54No.
00:50:55They want Joao
00:50:56to come back to Brazil.
00:50:57Who's Joao?
00:50:58Does she still have kids?
00:50:59No.
00:51:00This is Jati,
00:51:01who's not Paolo's father.
00:51:02Gabriel.
00:51:03He's her friend.
00:51:04He's the bartender
00:51:05at the club
00:51:06and he's staying at home.
00:51:07What do you mean,
00:51:08he's staying at home?
00:51:09He has no money
00:51:10and he's going to the barracks.
00:51:11No, no, no.
00:51:12Wait a minute.
00:51:13Didn't I tell you
00:51:14to be serious with Fran?
00:51:15Yes, I did.
00:51:16I wasn't laughing
00:51:17for a moment.
00:51:18This is pure nonsense.
00:51:19These Brazilians
00:51:20want to take our money.
00:51:21Otherwise,
00:51:22I won't sign the divorce.
00:51:23Don't be naive.
00:51:24Fran fell into the hands
00:51:25of the Carioca Traitors gang.
00:51:27Adriana is with her mother.
00:51:28Erique,
00:51:29if they were professionals,
00:51:30they would have told you
00:51:31that you're a nobody
00:51:33and you don't have
00:51:34any money.
00:51:35That's true.
00:51:36But maybe I'm a fraud.
00:51:38In the end,
00:51:39they threw me in the trash.
00:51:40What if someone caught you?
00:51:43Medical.
00:51:44Brain injury
00:51:45and burning of the ear.
00:51:46What's waiting for your son?
00:51:47What?
00:51:48Antonio, not now.
00:51:49I have a lot of problems.
00:51:50That's normal.
00:51:51That's the life of losers.
00:51:52Fran doesn't want to marry Adriana.
00:51:54You sound stupid.
00:51:55Okay, I'll go.
00:51:58Think.
00:51:59About the money.
00:52:00I don't want a tattoo artist
00:52:01to come to my house.
00:52:03He can see me naked.
00:52:04No.
00:52:05Tell this Joao
00:52:06to leave
00:52:07if he doesn't want
00:52:08to talk to me.
00:52:09Who's Joao?
00:52:10Why do you care?
00:52:12The Brazilian guy.
00:52:13He's staying at home.
00:52:15That's distrust.
00:52:16The housekeeper
00:52:17fills the building
00:52:18with immigrants.
00:52:20Enrique,
00:52:21you found another friend.
00:52:23He's not my friend.
00:52:24Then I'll blame your son.
00:52:25Only our friendship
00:52:26stopped me.
00:52:27No, no, wait.
00:52:28Yes, we're friends.
00:52:29And friends
00:52:30are not blamed.
00:52:32Your son humiliated me in public
00:52:34for breaking his neck
00:52:35in the barbecue.
00:52:37It was a moment of explosion.
00:52:39He was blinded
00:52:40by love.
00:52:41Do you remember
00:52:42when you fell
00:52:43into the hands of Manolita?
00:52:44Manolita is so disgusting.
00:52:46What games do you have?
00:52:47We all had
00:52:48some kind of
00:52:49stupid love in our lives.
00:52:51And what did I do
00:52:52with my thirst for thought?
00:52:53Analyze her.
00:52:54She's different.
00:52:55Calm her down.
00:52:56The idiot
00:52:57doesn't satisfy me.
00:52:58Don't think
00:52:59I'm having fun.
00:53:00My son
00:53:01messed up
00:53:02some street
00:53:03and my house
00:53:04is full of immigrants.
00:53:05Call the police
00:53:06and send them back to Brazil.
00:53:07There are no documents.
00:53:08There aren't.
00:53:09That would be
00:53:10my genius
00:53:11excuse
00:53:12to make a bonbon
00:53:13with liqueur.
00:53:14No,
00:53:15Fran is very in love.
00:53:16No,
00:53:17she's suffering from love.
00:53:18She'll learn
00:53:19that a trader
00:53:20doesn't kill himself.
00:53:21Come on,
00:53:22wake up.
00:53:23No,
00:53:24I won't wake up.
00:53:25If Fran finds out,
00:53:26she won't talk to me anymore.
00:53:27He doesn't talk to you
00:53:28much now.
00:53:29I think
00:53:30it's immoral
00:53:31to say that
00:53:32about your son.
00:53:33But if you wake up...
00:53:34Yeah,
00:53:35he'll hit me again.
00:53:36You're his father.
00:53:37Wake up.
00:53:38I won't tell Adriana.
00:53:39Then I'll tell
00:53:40the red-haired
00:53:41ugly woman
00:53:42to make her
00:53:43a dress.
00:53:44The blackmail
00:53:45has started again.
00:53:46I'll see
00:53:47if I can make her
00:53:48look beautiful.
00:54:02You won't break up
00:54:03with her then.
00:54:04Stop it.
00:54:05What did you propose?
00:54:06What is said
00:54:07is said.
00:54:08It's not because
00:54:09you're in a relationship
00:54:10that you're telling me
00:54:11to go talk
00:54:12to her,
00:54:13or you don't.
00:54:14Or you want
00:54:15I don't want to abort you.
00:54:17They took him out of my mouth. They're very cunning.
00:54:19Lola, are they making you a step back for this slim machine?
00:54:22What is he talking about?
00:54:23Get your pants off while I'm watching TV.
00:54:25Dad, on the couch.
00:54:26Javi, I'm a public figure. Do you know what my problem is?
00:54:30Do celebrities abort?
00:54:31Yes, but they don't announce it on TV.
00:54:34Spain is a modern country, isn't it?
00:54:36Maria Dolores, children are a gift from God.
00:54:39Abortion is a holocaust.
00:54:41And almost all of Spain.
00:54:43You kill and you don't understand.
00:54:44Berta, I'm sorry, this is a personal matter.
00:54:46No, you take the life of an innocent creature.
00:54:49What if he becomes a psychopath when he grows up?
00:54:51Or the next messiah.
00:54:52I don't believe it.
00:54:53This one is not much of a girl.
00:54:54Dad, on the couch.
00:54:55Look, I brought the baby's choreography for 20 days
00:54:58to wake up your conscience.
00:55:03Where is it?
00:55:04Do you see anything?
00:55:05Yes, here it is. Look.
00:55:06This dot here.
00:55:08Soul plus body is equal to personality.
00:55:10This is a brush.
00:55:12Thank you for the information.
00:55:13I have to go to work.
00:55:15Abortion kills a baby every 24 seconds.
00:55:19There are too many children in the world.
00:55:21How can you say that?
00:55:23You can't say there are too many flowers.
00:55:26How nice is that?
00:55:27Berta, now it's not appropriate to become a mother
00:55:30and to kill a child to live as you want.
00:55:34Hey, hey.
00:55:35Forget about the club.
00:55:38A country that kills its children is a country without hope.
00:55:42Who will speak instead of the children?
00:55:44You.
00:55:45Because you don't milk.
00:55:46Be careful, there is a lady outside
00:55:48who looks like a math teacher and she's shouting.
00:55:51My friends from the association are here.
00:55:54What association?
00:55:57Thank you for coming.
00:55:59Get out.
00:56:00Look at her.
00:56:01Oh, God.
00:56:02Hey, let us pass.
00:56:04This life is not yours.
00:56:06Amen.
00:56:07Jesus.
00:56:08I was also an embryo.
00:56:10And you are still an embryo.
00:56:12Do you still want to have an abortion?
00:56:14I don't know.
00:56:15Do you know that some advertisers will steal the ads from your TV show?
00:56:19What a mess.
00:56:20I'm sorry.
00:56:21The damn sofa crash.
00:56:23It was very nice.
00:56:24It was disgusting.
00:56:27My faith.
00:56:28Bravo, girls.
00:56:29We are the voice of the unborn.
00:56:31One question.
00:56:32Can you wait until my wife comes back?
00:56:35We have to be public on the economic channel.
00:56:37They give me sandwiches without alcohol.
00:56:39And I'll get you a sandwich with smoked ham.
00:56:41We'll stay there with gas and drop.
00:56:43God bless you.
00:56:50Is it free of heavy duty?
00:56:52What?
00:56:53There are heavy duty.
00:56:54Three floors are upstairs.
00:56:55Financial heavy duty, Amador.
00:56:56Oh, no, no.
00:56:57Everything is paid.
00:56:58Then why do they play it?
00:56:59Come on.
00:57:00You saw the apartment.
00:57:01Everyone out.
00:57:02This is the cultural hall.
00:57:04Success to everyone.
00:57:05Thank you for participating.
00:57:07How is the sale going?
00:57:09In total, those from the Internet, 3,500 tickets.
00:57:1270,000 euros.
00:57:13Oh, no.
00:57:14Cruel.
00:57:15It's not cruel.
00:57:16It doesn't cover the mortgage.
00:57:17You didn't sell half the tickets.
00:57:19But I'll pay 16,814 euros to the bank and buy a convertible.
00:57:23And the apartment?
00:57:24The apartment is for me.
00:57:25You have to give it to the one who falls.
00:57:27You are left without a home and you still pay the mortgage, the mortgage, the mortgage.
00:57:30Damn it.
00:57:31Cancel the mortgage.
00:57:32You have to do it, or it's a trap.
00:57:34And they'll lynch him.
00:57:35They already know where he lives.
00:57:36I can't breathe.
00:57:38Calm down.
00:57:39Let's think.
00:57:40We have to play the mortgage.
00:57:42We have 6,500 tickets.
00:57:43It's going to be a big mess.
00:57:44We don't want it to fall.
00:57:45It's a mess.
00:57:46It's going to fall on someone else, for sure.
00:57:47You're asking me again.
00:57:48What was the idea for the mortgage?
00:57:49His.
00:57:50So, I'll take your wife.
00:57:52My wife is there.
00:57:53And your wife will take you.
00:57:54No, no, no.
00:57:55No, no.
00:57:56Then no.
00:57:57Calm down.
00:57:58We'll fix the mortgage.
00:57:59What?
00:58:01We have four areas.
00:58:03Each with 10 balls with numbers from 0 to 9.
00:58:06We need to change the balls to get the number we want.
00:58:10We're going to have a contestant in the audience who's going to win.
00:58:14How are we going to fix it?
00:58:15We need a notary.
00:58:17Filiberto Carillo, a very talented notary from the elite college in Malaga.
00:58:22Oh, yeah.
00:58:23The brain is a notary.
00:58:24There.
00:58:25You hide the ball in your sleeve and replace it with the one that falls.
00:58:28Why are you telling me this?
00:58:29You're going to be the innocent hand.
00:58:31The number is in the bag.
00:58:32I was Tamariz's partner.
00:58:34We split up because he was jealous.
00:58:36I had more balls.
00:58:38You do it.
00:58:39We're all in this.
00:58:40We're all in this.
00:58:41Fuente, Orejuna.
00:58:42Fuente, Orejuna.
00:58:43Cordoba province.
00:58:44Let's do it.
00:58:45How does it happen?
00:58:46Under the devils.
00:58:58Hey.
00:59:01I want to see how it looks.
00:59:16It looks great.
00:59:21The hull looks good.
00:59:22Excuse us but I think my tea is more efficient.
00:59:26You can't clean yourself from the inside.
00:59:28Raquel!
00:59:31Ta-da!
00:59:34What did you do to her?
00:59:36She looks like Niki Lauda.
00:59:38I removed some of the skin from the mask.
00:59:40But why did you put on makeup? That's worse.
00:59:43What kind of physiognomy are you going to make of those who see her?
00:59:46Am I that bad?
00:59:47No.
00:59:48No?
00:59:49No.
00:59:50Are you going to do it with Photoshop?
00:59:51Yes.
00:59:52Come on, we're going to be late.
00:59:53I'm sorry, but your skin is very nice.
00:59:57Why are you not coming?
00:59:58No, no, no, I haven't eaten. Can you give me a ride?
01:00:01Go, silly girl, it's over there. There's probably a catering.
01:00:03Bye, girls. Wish me luck.
01:00:05Luck?
01:00:12Excuse me?
01:00:13Come in, come in.
01:00:14Yes?
01:00:15Will you give me a handkerchief?
01:00:16Yes, take it.
01:00:19When you can, I'd like to talk.
01:00:22Tell me.
01:00:23When you're dressed, but...
01:00:26I'm comfortable without a dress.
01:00:28Me too.
01:00:29Dresses are a social norm to cover up complexes, and...
01:00:35But you don't have to complicate yourself.
01:00:38And you?
01:00:42I did a mystical diet and lost three kilos.
01:00:46But let's not deviate from the subject.
01:00:49You have to go.
01:00:50Yes, you have to go, because you can't.
01:00:52Do you understand what I'm saying?
01:00:54I can't listen to you. I can only look at your lips.
01:00:57What?
01:00:58Your lips.
01:01:02But don't interrupt me.
01:01:04I'm talking.
01:01:05Please.
01:01:06Frank, did I tell you that I'm a lesbian?
01:01:11Araceli!
01:01:14Is the housekeeper here?
01:01:16Who are you?
01:01:17This child is paying the mortgage.
01:01:19So be careful with the money.
01:01:28That's how it starts.
01:01:31Francisco Javier, you know you're not allowed to be lazy in the house.
01:01:35As long as you live.
01:01:36What are you saying?
01:01:38Now, one moment.
01:01:42Araceli!
01:01:43Araceli!
01:01:46Joao!
01:01:47Erique!
01:01:48Erique!
01:01:49Joao!
01:01:50She's going to die of laughter.
01:01:52Adriana, you're going to kill yourself.
01:01:54Joao, can you leave us alone if you love me?
01:01:56Yes, yes.
01:01:59So what?
01:02:00Get in my car or leave me alone.
01:02:02But she was a lesbian.
01:02:04I don't know.
01:02:05I have a lot of men around me.
01:02:07It's a very strange way to kick people out of the house.
01:02:10I'm trying, but they won't leave.
01:02:12There's an apartment with a garden and sex with the landlady.
01:02:15Why don't you tell him he's confusing me?
01:02:17Use him now as an excuse.
01:02:19Not me.
01:02:20I'll tell the police.
01:02:22Consensual to kick the assholes out of there.
01:02:25And Adriana?
01:02:26The boy is in love.
01:02:27Let me take care of myself.
01:02:29This is out of control.
01:02:31Fran is very forgiving.
01:02:33Lie down a little and I'll take you to the old man's house.
01:02:36Is it the police?
01:02:37Antonio Orecio.
01:02:38Merchant, unclean fish.
01:02:40I want to report an illegal immigrant.
01:02:43Long live the king, long live Spain.
01:02:45What a shame.
01:02:47Take this.
01:02:48This will be the fixed number.
01:02:50You'll win a flat in Mirador de Montepinar.
01:02:52I'll be an owner?
01:02:54No, you won't win anything.
01:02:55This is a trick.
01:02:56You want to trick me?
01:02:58No, you're the trickster.
01:03:02I don't understand the plan very well.
01:03:04It doesn't matter.
01:03:05When you hear the number, you get up and say,
01:03:07What a luck I won a flat. I've never won.
01:03:10If our people catch you, you run and don't stop.
01:03:13Like Forrest Gump.
01:03:14I haven't seen him.
01:03:15Haven't you seen Forrest Gump?
01:03:16Come on, come on.
01:03:17Go sit down.
01:03:20Boys, it's me.
01:03:21Did you find the hot guys?
01:03:23Yes, yes, they're getting ready.
01:03:24Mother, Frasca is with the people.
01:03:26And the participants are going home.
01:03:28I sent them on streaming.
01:03:29What for?
01:03:30Come on, people.
01:03:31Are you going to make a ruckus?
01:03:32We have a premiere.
01:03:34Go study, don't forget the text.
01:03:36I can't remember the text, but I know the text.
01:03:39You're wearing a cough syrup in your helmet.
01:03:42Get out, they'll take your house in an hour.
01:03:44Mother.
01:03:47The girl on the stage.
01:03:58Good afternoon.
01:03:59Welcome to my apartment.
01:04:02First of all, I want to thank you for the support you're giving me at this difficult time.
01:04:07Life is full of mishaps.
01:04:09If we don't help each other, we can't do anything.
01:04:11You're in my heart.
01:04:15Okay, let's start the lottery.
01:04:18Come on.
01:04:19Excuse me, isn't the lottery in front of the notary?
01:04:22Yes, yes, don't leave me to talk.
01:04:25Please, a big round of applause for the notary from the elite school for notaries.
01:04:30Don Filiberto.
01:04:32Don Filiberto.
01:04:38I want to assure you that this lottery is fully legalized.
01:04:43Now, please applaud the four beautiful ladies who will draw the winning number.
01:04:50Order the girls.
01:04:59What did you bring me?
01:05:00Whatever you had.
01:05:01These are prostitutes.
01:05:02Shut up.
01:05:05Now, without further ado, let's start the show.
01:05:08That is, the lottery.
01:05:14The number of thousands.
01:05:18The number of thousands.
01:05:29Eight.
01:05:31Eight.
01:05:34I can't see the number.
01:05:36I think you learned to pedal.
01:05:38Yes.
01:05:42Eight.
01:05:44Hundreds.
01:05:47Mothers.
01:05:53Hello.
01:05:54I'm Maite Figueroa, the model for the ad.
01:05:56Lele, churros and donuts.
01:05:58Sit here to get your make-up done and then I'll take you to the wardrobe.
01:06:01Carla.
01:06:04Can I keep the clothes I'm going to wear?
01:06:06No.
01:06:07The other ads gave them to me.
01:06:16My God, my skin is a little dry this morning.
01:06:19Oh, Lele, my butt is sticking out.
01:06:22I'm sorry about that.
01:06:23Where are you going?
01:06:24To get your make-up done, they're bringing you fresh ponies on top of everything and they're paying you.
01:06:28And I'm going to be a model.
01:06:30The clients are coming. Turn off the light.
01:06:32Maite, how are you?
01:06:33Great, Alejo. How are you?
01:06:36Carla told me your skin is a little...
01:06:38Cleansed, but Photoshop can fix everything.
01:06:41Or George Lucas.
01:06:45What happened?
01:06:46I put on a Huma mask and my skin turned white.
01:06:51And what do you have on your chin?
01:06:52Ah, a black dot.
01:06:56Cynthia, don't go.
01:06:57You can do it later, right?
01:06:59You can go, Alejo. I need the money.
01:07:01I'm going to get more donuts. Are they going to kick us out?
01:07:04They're not going to kick me out of here. They're going to pay me half of what I paid for the make-up.
01:07:08Carla, Maite, don't go.
01:07:11Something's wrong with my face.
01:07:15Is everything okay?
01:07:16Great. I just need to remove the make-up.
01:07:18So you're going to do everything with Photoshop?
01:07:21Yes, yes.
01:07:24One, two...
01:07:25One...
01:07:35Five.
01:07:36Five.
01:07:38We already have the winning number.
01:07:40Eight, seven, two, five.
01:07:43Oh, no! What a shame!
01:07:45I won the house. I've never won a house.
01:07:48The winner is here. Applause for him.
01:07:56Let's go.
01:07:58Target, target.
01:07:59Thank you very much for your participation.
01:08:01We'll leave you the red hat. Don't miss it.
01:08:09What a supporting group!
01:08:12What time is it?
01:08:13It's three o'clock. They're going to take your house.
01:08:15Come on, come on.
01:08:16Do you have the money?
01:08:17Yes.
01:08:18Let's go, let's go.
01:08:26Why are you shouting? No one's going to convince anyone.
01:08:32I'll cover you.
01:08:34Murderer! Traitor!
01:08:36That was my actress.
01:08:38God will reward you.
01:08:40Here she is. We can start the meeting.
01:08:42No meetings. I'm broke.
01:08:44You're the reason for the meeting.
01:08:46Interrupting the pregnancy of the owner of Maisonette B.
01:08:51I'm sorry, but it's not your job.
01:08:53My mother is not a public figure.
01:08:55What do you mean? Do you know what happened outside because of you?
01:08:58What do you mean? Do you know what happened outside because of you?
01:09:00You did this.
01:09:01No, I was called out.
01:09:02The life that grows in you is not yours by God.
01:09:06If only she had a pill after sex.
01:09:08This is also an abortion.
01:09:10And masturbation, and murder, and oral sex.
01:09:13And cannibalism, and the use of condoms.
01:09:15Murder through suffocation.
01:09:19Every child deserves a chance to change the world.
01:09:21I'll leave you to discuss.
01:09:23I have an appointment tomorrow at eight.
01:09:25You're telling your intimate stories.
01:09:27You're advertising this demonic show.
01:09:30No, it was Javi, the whore.
01:09:32Why did you take him out of my mouth?
01:09:34He came out naked with a letter.
01:09:37I suggest we kill him for the neighbor Non Grata.
01:09:40I have a lot of worries, please.
01:09:42Who is the owner of Maisonette B to do whatever she wants with her child?
01:09:47This is already funny.
01:09:49Maria Dolores, abortion kills thousands of people.
01:09:52Leave me alone.
01:09:55Berta, this fundamentalism is not enough.
01:09:59Of course.
01:10:00If an ecologist protects the eggs of the lichens, he is a hero.
01:10:03But if I protect a human life, I'm a fanatic.
01:10:07When you die and see that there is nothing,
01:10:09and you are reborn as a worm,
01:10:11then you will eat.
01:10:13Just like you, when you burn in the cauldron of Satan.
01:10:16Are you crazy? We're making fools of ourselves.
01:10:20The coffees are burning. What should I do?
01:10:24Call the police.
01:10:25No, no, we already called.
01:10:32Wait, Lola.
01:10:33Lord, what a nightmare.
01:10:34Let Nico appear in the world.
01:10:37What do you mean, Nico?
01:10:38I came up with his name to make you feel sorry.
01:10:40I don't like it.
01:10:41So you're going to give birth to him?
01:10:42How am I going to look after a child?
01:10:44No need.
01:10:45We'll leave him to my father and grow up with your grandfather like Heidi.
01:10:48Temporarily, my career will be ruined.
01:10:50The director?
01:10:51Here, they'll fire you, and you'll have time.
01:10:53Shut up!
01:10:55Yes?
01:10:56Lola, congratulations!
01:10:59For what?
01:11:00Yesterday's episode was a big success.
01:11:02It got an 8 rating.
01:11:04We passed the football.
01:11:05Seriously?
01:11:06The connection between Lucrecia and the vampire hunter is interesting.
01:11:09Nonsense.
01:11:10That was awful.
01:11:11I'm talking about your scandal.
01:11:13Don't you dare abort.
01:11:14We'll change the script.
01:11:16Lucrecia will forget me from the top of her head.
01:11:18But how will she forget me from the top of her head?
01:11:20I'm not dead.
01:11:22Great!
01:11:23You'll give birth to a zel-hybrid on top of a vampire.
01:11:26Shut up!
01:11:27We'll need your food.
01:11:28There's no money for latex.
01:11:29What month is it?
01:11:31We'll talk tomorrow.
01:11:32I'm exhausted now.
01:11:33I'm closing.
01:11:34Your child is coming for sure.
01:11:36That's a sign.
01:11:38What?
01:11:39I grew up without teeth or a father.
01:11:40I don't want my child to go through the same.
01:11:43But he has a father.
01:11:44I'm here.
01:11:45Yes, but...
01:11:46Lola, whatever happens, he'll always be here.
01:11:50For you.
01:11:51And for Nico.
01:11:52That Nico again!
01:11:55Where are you going?
01:11:58Hey!
01:11:59Lola!
01:12:01I'm going to make a statement.
01:12:03I want to tell my admirers,
01:12:05my opponents,
01:12:07the press,
01:12:08my husband,
01:12:09and everyone else,
01:12:10that yes,
01:12:11I'm going to give birth.
01:12:15When are we going to be parents?
01:12:17I'm afraid they're coming for me.
01:12:19Thank God!
01:12:26But it's my birthday.
01:12:27We're going to get married.
01:12:28I'm sorry.
01:12:29We have to take them.
01:12:30For God's sake, love,
01:12:31write to me on Facebook.
01:12:34Don't worry about me.
01:12:35Who's bothering you?
01:12:36You didn't figure it out yourself.
01:12:37He can't give you such information.
01:12:39You have to keep anonymity.
01:12:40Citizens, right?
01:12:41Police.
01:12:42I can only tell you
01:12:43that the gentleman was a great patriot.
01:12:45He's got something on his mind.
01:12:47Fran, where are you going?
01:12:48Dialogue, Fran!
01:12:50Dialogue!
01:12:53As John Paul II said,
01:12:54the spiral of violence
01:12:55is only solved by the miracle of the powder.
01:12:57Yes, yes, I'll forgive him,
01:12:58but first I'll give him a beating.
01:13:01Bertha!
01:13:02The electric shock!
01:13:03It's going to kill you.
01:13:04Portage is like that.
01:13:05How strong is he?
01:13:06He's been hit with amphetamines.
01:13:07Antonio!
01:13:08There are no batteries!
01:13:09Then the gypsy!
01:13:10What's his name?
01:13:11What's his name?
01:13:12A scoundrel like that.
01:13:13Fran, let him go!
01:13:14I got involved in the police.
01:13:17I'm sorry.
01:13:18I had no choice.
01:13:19My duty as a father
01:13:20is to protect you now.
01:13:21He's already given up
01:13:22and that's for the rest of his life.
01:13:24But a father
01:13:25should give up his son's gadget.
01:13:27The bitter immigrant.
01:13:28What kind of xenophobia is that?
01:13:30You shut up!
01:13:31You'd better shut up
01:13:32because you're to blame for everything.
01:13:39I can't help him.
01:13:41What an ingrate.
01:13:42But I forgive him
01:13:43because he's my friend.
01:13:45Wait, everyone!
01:13:46Get out of my sight!
01:13:48Hello?
01:13:49I'm Amador Rivas,
01:13:50the owner of the house.
01:13:51I'm here to pay the rent.
01:13:52I'm sorry, Mr. Rivas,
01:13:53but the auction is over.
01:13:54Oh, no!
01:13:55Who's buying my house?
01:13:56Who's buying it?
01:13:57Who's buying it?
01:13:58Nobody.
01:13:59There weren't enough tenants.
01:14:00What do you mean?
01:14:01Great!
01:14:02I'll buy it for 16,814 euros.
01:14:04Here.
01:14:05Count them, José Luis.
01:14:06When there aren't enough
01:14:07high-rise tenants,
01:14:08the apartment stays
01:14:09for the bank.
01:14:10No, I pay you.
01:14:11Come on,
01:14:12I'll help you pay
01:14:1320-40.
01:14:14I'm sorry,
01:14:15but I'm late.
01:14:16Shut up, I'm in a hurry.
01:14:17A thousand?
01:14:18We had fun with a tomboy.
01:14:20You can make an exception.
01:14:22He has four children.
01:14:23And one isn't his.
01:14:24I know, but...
01:14:25Mr. Rivas,
01:14:26you will have to
01:14:27voluntarily vacate the apartment
01:14:28or the bank will
01:14:29ask the court
01:14:30to forcibly evict you.
01:14:32What do you mean,
01:14:33forcibly?
01:14:34The police will get you.
01:14:35No.
01:14:36Yes.
01:14:37No, no, José Luis.
01:14:38I have the money,
01:14:39I pay you.
01:14:40José Luis!
01:14:41I'm sorry, Amador,
01:14:42I can't do anything.
01:14:43José Luis!
01:14:44I'm...
01:14:47I'm...
01:14:51I'm on the street.
01:14:54Damned banks.
01:14:55Damned politicians.
01:14:56Damned system.
01:15:00Mother.
01:15:01I was right,
01:15:02we had some fun,
01:15:03I posed,
01:15:04and Alejo said,
01:15:06don't do physiognomy
01:15:07like Esther Cañadas,
01:15:08don't get hurt so much
01:15:09that you look like a street girl.
01:15:11You're lying.
01:15:12Yes.
01:15:13Did they make up at all?
01:15:15Nothing.
01:15:16Even a little concealer?
01:15:17They cover everything up
01:15:18afterwards,
01:15:19don't you understand?
01:15:21I already took the tickets,
01:15:22I'm leaving with Sergio.
01:15:24Oh, dear,
01:15:25take the suitcase,
01:15:26we're leaving.
01:15:27Children!
01:15:29Girls,
01:15:30I'm going to miss you so much.
01:15:33Come see me,
01:15:34my first party.
01:15:35Mother, wait.
01:15:38We need to talk.
01:15:39Milo, Milo,
01:15:40they took our apartment.
01:15:41We're on the street.
01:15:42What are we going to do now?
01:15:43I don't know about you,
01:15:44but I'm leaving with Sergio
01:15:45and the kids to Miami.
01:15:46What?
01:15:47I told you not to come early.
01:15:49Sergio and I are in love.
01:15:51You're breaking my nose.
01:15:53What?
01:15:54Raquel,
01:15:55now is the time.
01:15:56Yes.
01:15:58S-S-Sergio is with me.
01:16:01So we're not leaving?
01:16:02Look,
01:16:03another one is in her pants.
01:16:07Wow.
01:16:08Wow.
01:16:39Three.
01:16:40I can handle it.
01:16:41But don't worry,
01:16:42I'm going to destroy
01:16:43this relationship from the inside.
01:16:44I'm going to be
01:16:45Estella Reynolds
01:16:46from the first floor.
01:16:47I'm sorry,
01:16:48my mother didn't destroy my marriage.
01:16:50How can you leave me
01:16:51because of Raquel?
01:16:52She's younger,
01:16:53taller,
01:16:54taller,
01:16:55smarter,
01:16:56more than anything.
01:16:57But she's not a model.
01:16:58You're going to be
01:16:59the face
01:17:00of the campaign.
01:17:01Yes.
01:17:02When will they
01:17:03air the ad?
01:17:04Look,
01:17:05there she is.
01:17:09They didn't process her.
01:17:11Horrible.
01:17:21How is Fran?
01:17:22I feel awful.
01:17:23It's normal.
01:17:24After what you did,
01:17:25you're locked up in your room.
01:17:27I don't allow you
01:17:28to criticize me, Araceli.
01:17:29It's very hard
01:17:30to be a father.
01:17:31It's not that hard
01:17:32to leave him
01:17:33alone for a while.
01:17:34He's big now.
01:17:35He can handle himself.
01:17:36It's easy to walk
01:17:37like a hippie
01:17:38all your life,
01:17:39right?
01:17:40I don't care.
01:17:41But things aren't like that,
01:17:42Araceli.
01:17:43When we decided
01:17:44to sow the seed
01:17:45and create Fran,
01:17:46we took responsibility
01:17:47for the rest of our lives.
01:17:48What responsibility?
01:17:49We were drunk
01:17:50by accident.
01:17:51Quiet.
01:17:52That's all that's left
01:17:53to know
01:17:54that it was a mistake.
01:17:55Apologize.
01:17:56Humiliate yourself.
01:17:57There's no reason
01:17:58to apologize.
01:17:59I shouldn't have
01:18:00done something
01:18:01morally humiliating.
01:18:02Maybe.
01:18:03But it was necessary.
01:18:04My son hates me
01:18:05but I know
01:18:06that in the future
01:18:07he'll be grateful to me.
01:18:08Or not.
01:18:09That woman
01:18:10would break his heart.
01:18:11The farther,
01:18:12the better.
01:18:13I'm moving to Brazil.
01:18:14What?
01:18:15He's moving to Brazil.
01:18:16Yeah,
01:18:17what do you mean
01:18:18you're moving?
01:18:19Adriana is the woman
01:18:20of my life.
01:18:21I'm leaving.
01:18:22Wait, Fran.
01:18:23That's nonsense.
01:18:24What will you live on?
01:18:25I'm not sending you money.
01:18:26There's no need.
01:18:27Mom has a pizzeria
01:18:28in Praia de Pitinga.
01:18:29Is this the future
01:18:30you want?
01:18:31A pizzeria
01:18:32in a developing country?
01:18:33Better than my future
01:18:34in Brazil.
01:18:35You're making a mistake.
01:18:36Don't go.
01:18:37I'll pay for your wedding.
01:18:38I'll leave you to be lazy.
01:18:39I'll buy you a car.
01:18:40What do you want?
01:18:41Golf?
01:18:42What?
01:18:43Fran, don't go.
01:18:44I'm coming with you.
01:18:45Please.
01:18:46You're right, Eric.
01:18:47I have a responsibility
01:18:48as a mother.
01:18:49I'll go
01:18:50to protect him
01:18:51from danger.
01:18:52You're in love
01:18:53with that woman.
01:18:54That's possible
01:18:55but don't get mad
01:18:56this time.
01:18:57I didn't
01:18:58leave you a note.
01:18:59Water the flowers.
01:19:00Araceli,
01:19:01I'm going
01:19:02to make you
01:19:03a member
01:19:04of the co-operation.
01:19:05It's fake.
01:19:06Like it's made
01:19:07of straw.
01:19:08How can you
01:19:09come back
01:19:10to Lola?
01:19:11What about me?
01:19:12What?
01:19:13You're staying here?
01:19:14You're leaving
01:19:15an old man
01:19:16disabled.
01:19:17This is definitely
01:19:18a crime.
01:19:19Look at him
01:19:20from the bright side.
01:19:21You'll have
01:19:22grandchildren.
01:19:23Ah,
01:19:24what a prospect.
01:19:25I'll go
01:19:26through the window.
01:19:27Bye.
01:19:28Wait.
01:19:29What are we having
01:19:30for dinner?
01:19:31We're having
01:19:32a party.
01:19:33Make me something.
01:19:36Well,
01:19:37hello dear.
01:19:38Where are you going?
01:19:39What do you mean?
01:19:40To you.
01:19:41Didn't we agree?
01:19:42No, no, no.
01:19:43I said I was
01:19:44going to give birth
01:19:45and not come back
01:19:46to you.
01:19:47But one
01:19:48leads to the other.
01:19:49No.
01:19:54Lens, please.
01:20:01Okay.
01:20:31Violeta?
01:20:32Yes.
01:20:33Are you okay?
01:20:34Yes.
01:20:35Thank you,
01:20:36Berta.
01:20:37Do you have
01:20:38any relatives
01:20:39in Granoyers?
01:20:40No.
01:20:41Do you see
01:20:42she's pregnant?
01:20:43From who?
01:20:44From the spirit
01:20:45of Josep Tardés.
01:20:46The day
01:20:47he made him
01:20:48a canca.
01:20:49I'm going
01:20:50to make
01:20:51him a canca.
01:20:52I'm going
01:20:53to make him
01:20:54a canca.
01:20:55I'm going
01:20:56to make him
01:20:57a canca.
01:20:58I'm going
01:20:59to make him
01:21:00a canca.
01:21:01Yes.
01:21:02He spoke
01:21:03Catalan.
01:21:04Milo what
01:21:05you doing?
01:21:06Hello.
01:21:07Why
01:21:08are you
01:21:09always
01:21:11speaking like
01:21:13this?
01:21:14Yeah,
01:21:16because
01:21:18I took
01:21:19Catalonia
01:21:20to speak
01:21:21Catalan.
01:21:22Milo,
01:21:23where were
01:21:24you?
01:21:25Were you
01:21:26bored?
01:21:27No,
01:21:28no,
01:21:29This isn't our house anymore. It's the bank's.
01:21:32I don't care. No one's going to take me away from here.
01:21:47Milo?
01:21:49What?
01:21:51Are you going to kill me?
01:21:55Yes.
01:22:00And I stabbed you when I went to the village.
01:22:08What are we going to do?
01:22:10I don't know. We have nothing.
01:22:13What about the money from the tickets?
01:22:16I had to return them. I was robbed.
01:22:18And if the bank wanted 30,000 from me, they took it from the lottery.
01:22:24That's wonderful.
01:22:30What if we take the kids to Miami?
01:22:39The plane has already left.
01:22:46It's a tragedy.
01:22:48To be continued...