Новите Съседи 6 Епизод 13 (2015)
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TVTranscript
00:00:00Amador! Amador! Amador! Amador! Wake up! There's no current!
00:00:24We've run out of current!
00:00:27What the hell? Why won't you stop paying?
00:00:30What are we going to do now? How are we going to get to the laundry? How are we going to meet?
00:00:33Wait, I'll call the company.
00:00:35Of course. See, the bank took our apartment and we live illegally.
00:00:38Can you give us some current until they tell us we're in trouble?
00:00:41Great idea, I'll try. I don't have any impulses.
00:00:44Mom, the TV isn't turning on.
00:00:46What a nightmare.
00:00:48Milo, we have to be positive. Let's push it.
00:00:51I don't want you to push me! I want current!
00:00:53Let me go!
00:00:54We're going to use the common current to get to the laundry.
00:00:57Can we?
00:01:08How are you going to do it? You don't understand anything.
00:01:11Be careful not to let the doorman in.
00:01:13What a shame. How did we get here?
00:01:16Should I have told you from the start?
00:01:18No, leave it.
00:01:20The devil is behind this.
00:01:22Maybe Koki has the keys in his shoe.
00:01:24It's ready.
00:01:26His mother.
00:01:31What a mess.
00:01:32Two cables are simply connected.
00:01:34All I need is for Koki to hit you and stay in the closet and...
00:01:37Shut up. This is our electrician.
00:01:40There are four kids.
00:01:41This is one block.
00:01:42Now we grab it, cut it.
00:01:46This cable...
00:01:48The devil is...
00:01:50What kind of physiognomy is that?
00:01:52A fool.
00:01:53How much do you love me?
00:01:55What are you doing?
00:01:56Nothing. We're just hanging out here. It's exotic.
00:01:59And these are the instruments?
00:02:01And what? Milo loves toys.
00:02:03You're getting high.
00:02:04Quiet!
00:02:05The case is urgent.
00:02:06Koki stopped us because we're illegal and we can't do anything.
00:02:10This is very bad. We're going to die.
00:02:12This is a crime.
00:02:14How can you be so healthy?
00:02:16And you turned on the caravan, didn't you?
00:02:18It doesn't matter. I only have one microwave.
00:02:21Fix the key, it's broken.
00:02:24What happened here?
00:02:25I don't know. We locked him up.
00:02:27What kind of people...
00:02:29Okay, like this.
00:02:32Mom!
00:02:33Leave me alone. Stop the current on the block.
00:02:36For Koki's sake.
00:02:38But I wasn't here.
00:02:39No, no.
00:02:44Warn me.
00:02:45What's going on? You didn't bring me Raluca?
00:02:48No.
00:02:50Ta-da!
00:02:53Is this for me?
00:02:54Did you buy him a motorbike?
00:02:56For your business, my dear.
00:02:58I was inspired by the picture a little bit.
00:03:02Mother of God.
00:03:03I have a motorboat. I look like James Bond.
00:03:06Do you have the same style?
00:03:08What is this irony?
00:03:09Kavi, don't get carried away.
00:03:10Why did you buy him a motorbike?
00:03:12I'm so jealous.
00:03:15Kavi, this is for you.
00:03:17Bitch.
00:03:18Who is it?
00:03:19Your mother.
00:03:20Don't pick it up.
00:03:21Bye.
00:03:22I'm Stella Reynolds.
00:03:23My seed has withered.
00:03:25Do you want me to tell you what has withered?
00:03:27You're so rude.
00:03:28I don't know what I saw in you.
00:03:30Nothing. She was drunk.
00:03:31What do you want?
00:03:32What do you mean?
00:03:33You didn't bring me the baby carrier.
00:03:35You're so stupid.
00:03:37Don't call my princess like that.
00:03:39The baby is happy with her drawings.
00:03:41Let me send her a kiss.
00:03:43She doesn't want to talk to you.
00:03:45She's watching TV.
00:03:47You'll see.
00:03:48The baby is...
00:03:51Don't tell her you're here.
00:03:53We're getting out of my skin.
00:03:55I feel something inside.
00:03:59What?
00:04:00Don't close the oven in the middle.
00:04:02No one can close it on me.
00:04:04It wasn't me.
00:04:05I'll close it now.
00:04:06Goodbye, mother.
00:04:08Did you hear?
00:04:09I hit my foot.
00:04:11What are these coffees?
00:04:13Forget about mom and think about the motorbike.
00:04:16Let's go for a ride.
00:04:18Don't you understand that you're at risk of pregnancy?
00:04:21We'll just make a circle around the neighborhood with the baby.
00:04:24It could be some Dani Pedrosa.
00:04:26No.
00:04:27I said no.
00:04:28No.
00:04:29I'm coming.
00:04:30The motorbike is flying away.
00:04:32This is a historic moment.
00:04:34Mother, I'm excited.
00:04:40I can't stand this.
00:04:43Dad.
00:04:46We're people.
00:04:48Wake up.
00:04:49You're so hot.
00:04:53So delicious.
00:04:59What are you doing?
00:05:00I brought you a snack.
00:05:02I like to wake up with the aroma of the churros that grandma made.
00:05:05Did you put the churro in your nose?
00:05:07What are you talking about?
00:05:09The juice.
00:05:10Eric, this is not a snack, it's a calorie bomb.
00:05:13You're very weak.
00:05:14You need to eat.
00:05:15Get it out of my eyes or I'll eat it.
00:05:17Look, Lola.
00:05:18Pregnancy is risky because it's very weak.
00:05:20You need to rest.
00:05:21These are fairy tales.
00:05:22The cat doesn't do anything.
00:05:23How naive are you men?
00:05:24You don't know us at all.
00:05:25Eat and get dressed.
00:05:26Let's go to the doctor to get an echography.
00:05:29What?
00:05:30No, no, no.
00:05:31I don't want any doctors.
00:05:33What do you mean?
00:05:34I don't want.
00:05:37I prefer to give birth to him at home, like my grandmother.
00:05:40It's nicer.
00:05:41And what will we use for the forceps?
00:05:43The pin for the scar?
00:05:44I don't want a caesarean section,
00:05:46no nipples, no stitches in the vagina.
00:05:48That's good for 20-year-olds, but at your age...
00:05:51What do you mean at my age?
00:05:53Well, you're not a young girl biologically.
00:05:55God, God, God.
00:05:56This is the top.
00:05:57Well, if you're the first skin on 33 noses,
00:05:59someone is at risk.
00:06:00If I'm old, then you're old.
00:06:04I'm sorry.
00:06:05This is from the hormones.
00:06:06That's the reason.
00:06:09If you want to talk to Ricky, hurry up,
00:06:11because I'm going to kill him.
00:06:12No, I'm coming to you.
00:06:14I don't accept without...
00:06:16an advance notice.
00:06:23Why me?
00:06:24Why?
00:06:25Because I'm a man.
00:06:27I'm a man.
00:06:28I'm a man.
00:06:29I'm a man.
00:06:30I'm a man.
00:06:31I'm a man.
00:06:32Why?
00:06:33Why?
00:06:34What does it say?
00:06:35I didn't understand it this time.
00:06:36They're going to shoot me tomorrow.
00:06:3810, 9, 8, 7, 6...
00:06:41I'm going to shoot you in space.
00:06:43Hey, what a nuisance.
00:06:45Accept it.
00:06:46You can't do anything.
00:06:48That's it.
00:06:49Nothing is legal.
00:06:50Quiet.
00:06:51The brain has a plan.
00:06:52As always.
00:06:53We live in a corrupt system.
00:06:55You can still bribe the court
00:06:57so we don't throw you out.
00:06:59Of course, I'll bribe the court.
00:07:01Where do you get the money?
00:07:02I don't know.
00:07:03I don't know.
00:07:05Hey, hey, hey.
00:07:08Hey, Antonio.
00:07:10Antonio.
00:07:11Are you talking to me?
00:07:12You can't post ads.
00:07:14The company is responsible for the ads.
00:07:16Banda Marzalivsi, I'll give you 20 euros
00:07:18if you post these ads.
00:07:20For everyone?
00:07:21Of course.
00:07:22For everyone.
00:07:23You're such good businessmen in this crisis.
00:07:26What's that?
00:07:27I'm a stolen child.
00:07:28I'm looking for my mother.
00:07:29The mafia robbed me and sold me for 100,000 pesetas.
00:07:33Look, more than 600.
00:07:35Antonio, you're wasting your money.
00:07:37For 10,000 euros, we'll find your mother
00:07:39and bring her to your feet.
00:07:41And you'll give her coffee with cognac in the morning.
00:07:43You're so pathetic.
00:07:44What kind of life is this?
00:07:45It's true.
00:07:46We're detectives.
00:07:47What?
00:07:48We have an agency.
00:07:49We solve cases.
00:07:50Which ones?
00:07:51We found out that Judith doesn't trust Enrique.
00:07:53The red-haired scoundrel is cheating on her?
00:07:55Leo, our clients' cases are convincing.
00:07:58It's a secret.
00:07:59What about whom?
00:08:00What kind of blow did Enrique take?
00:08:02He won't get away with it.
00:08:03And what?
00:08:04Don't you have any ideas?
00:08:05I'll try, but...
00:08:07What?
00:08:08What are you doing?
00:08:09For the DNA test.
00:08:11Watch out, my hair is short.
00:08:1310,000 euros.
00:08:14How will you pay?
00:08:15In cash or cash?
00:08:16No, no, I won't pay anything until you find her.
00:08:18We need money for expenses.
00:08:20Okay, let's go.
00:08:22Here.
00:08:23Take 20 euros.
00:08:25This will be enough for you.
00:08:26I want results, or I'll go to another agency.
00:08:30I'll bribe everyone with 10,000 euros.
00:08:32If you find his mother in 24 hours,
00:08:34I'll run to the competition in San Silvestre.
00:08:37He's starting to find scum.
00:08:38But Dorin, we can't find her.
00:08:40And there's no need.
00:08:41We'll go to some old man's house
00:08:43and we'll take some senile old woman without a family.
00:08:46Yes, we'll wake up some crazy old woman.
00:08:48And how will you get away?
00:08:51Vicente is the key.
00:08:54And why me?
00:08:56This management is exploiting me.
00:08:58I can't read, I can't read.
00:09:00My microcosmic orbit is overflowing.
00:09:03My yin is broken.
00:09:04My yang is paralyzed.
00:09:07And how is your temperature?
00:09:10It's bad.
00:09:11My writing is bad.
00:09:12You have a little left.
00:09:14Yes, I need a medical certificate for stress, anxiety,
00:09:18depression, or...
00:09:19And the third is everything.
00:09:21What is it for?
00:09:22To give him a bet and leave him alone.
00:09:25What nonsense!
00:09:26No, you won't leave him alone.
00:09:27You'll get a job like everyone else.
00:09:31Judith, don't be mean.
00:09:33You'll be reborn as a wet-nurse.
00:09:35If you leave Enrique, he'll have to become a housekeeper.
00:09:38I don't want that.
00:09:39He's already...
00:09:43What?
00:09:45What did you say?
00:09:46What for?
00:09:47For Enrique.
00:09:48I have to go.
00:09:49No, no, stay there.
00:09:53Araceli?
00:09:55Enrique can't be a housekeeper behind my back?
00:09:58No, no.
00:09:59I mean, yes.
00:10:00Wait a minute.
00:10:01He's a housekeeper, Sianka, and I'm a wet-nurse.
00:10:05But I do everything.
00:10:07He makes decisions, gets used to meetings,
00:10:09does the laundry, gets drunk,
00:10:11but I do everything else.
00:10:13Are there any batteries for the trimmer?
00:10:17In the second drawer, Mr. Housekeeper.
00:10:21What?
00:10:22You're a liar and a pathetic traitor.
00:10:24You're a coward and a cheap liar.
00:10:27What are you talking about?
00:10:28Now I understand.
00:10:30I have to go.
00:10:31Stay there.
00:10:32Again?
00:10:33Are you a housekeeper?
00:10:35Me?
00:10:36No, no, no.
00:10:37Araceli is.
00:10:38Araceli is a fake housekeeper.
00:10:40He just admitted it.
00:10:43I'm late.
00:10:44You disgusting wet-nurse.
00:10:45You did it because you didn't participate in the Eco-Farm, right?
00:10:48So it's true.
00:10:49You lead a double life.
00:10:51Judith, the Eco-Farm went bankrupt,
00:10:53and Araceli couldn't manage on her own.
00:10:55Why?
00:10:56Because you were so well-behaved.
00:10:58How could you mess with the guests?
00:11:00You're lying to me.
00:11:01Me.
00:11:02Your wife.
00:11:03Your friend.
00:11:04Wait a minute.
00:11:05If you lie to me, you don't respect me.
00:11:07And if you don't respect me, you don't love me.
00:11:10That's a very interesting thought,
00:11:12even though I think the lie plays an important role in a plot.
00:11:17It's disgusting to me.
00:11:19It's also true that this is the most common position.
00:11:22It determines one before and one after our relationship.
00:11:25Judith, don't be jealous and think about the baby.
00:11:30I hope I don't lose him from these troubles.
00:11:34When you get the certificate, leave it to me in the mail.
00:11:38Bravo, Araceli.
00:11:40Why did I marry you just now?
00:11:42No, you'll see that it will pass.
00:11:44Or not.
00:11:45But, at least,
00:11:47I'll get out of the closet.
00:11:59What a machine!
00:12:01I'll give it to Grandpa Koleda.
00:12:03Give me a kiss.
00:12:05You're the greatest.
00:12:06The greatest in the world.
00:12:08Let me kiss you.
00:12:11And you too.
00:12:12Enough kissing me.
00:12:14How little love did you get as a child?
00:12:17How do you know?
00:12:18Jealousy among mothers.
00:12:20I don't get it.
00:12:21With the expenses we'll have for the baby...
00:12:23You have to invest money in the business,
00:12:25and then he'll run on his own.
00:12:26Do you know how much I paid for the water wheels?
00:12:29Oh, you know.
00:12:31Tell me how you did it.
00:12:34Very bad.
00:12:35Because two Belgians got lost in a stream.
00:12:39Then they were found in Melia,
00:12:41devoured by the Glarus.
00:12:43Oh, Daddy!
00:12:44But because I was young,
00:12:45I didn't go to jail.
00:12:46I was the stepfather of a two-month-old grandpa,
00:12:48and that was it.
00:12:50Fermin,
00:12:51what beautiful things you tell.
00:12:53The stories of a scourge.
00:12:55I'm going to get out of here,
00:12:57because I'm stressed out by these emotions.
00:12:59Yes.
00:13:03Come on, stop messing with him.
00:13:05As long as you buy him things,
00:13:07he won't leave.
00:13:08Do you want to go?
00:13:09No, I like him very much.
00:13:11You like the baby.
00:13:13Imagine what my mother would be like.
00:13:15She'd get a beating.
00:13:18You'd be a grandma.
00:13:20Oh, what a cheap ride.
00:13:24Oh, my prince.
00:13:30Who was it?
00:13:32Who was it?
00:13:40Roshlyu, shut the door in my nose.
00:13:43What are you doing here?
00:13:45Take it.
00:13:46Where's my Lola?
00:13:53Daughter,
00:13:54aren't you happy to see me?
00:13:56Wish me a happy birthday.
00:13:59It was two months ago.
00:14:01Give it to me.
00:14:03I'm hungry.
00:14:04Have a bite.
00:14:06How are things going?
00:14:08Any news?
00:14:09No, nothing.
00:14:11As before.
00:14:13What memories these cardboard walls bring back to me.
00:14:16Mom,
00:14:17why did you come?
00:14:18What?
00:14:19Can't I come to see my daughter?
00:14:21The person I love the most.
00:14:24The person you love the most is you.
00:14:26Okay, next.
00:14:28The same thing.
00:14:30The other day I accidentally turned on the TV
00:14:33and saw you in the children's...
00:14:35The Vampires.
00:14:36The blood in the boarding school.
00:14:38Oh, come on.
00:14:39I thought to myself,
00:14:40surely my daughter,
00:14:41who will fill my career
00:14:43and my 30-year duty
00:14:45will recommend me as a star.
00:14:48Very well said,
00:14:49the star is Stella.
00:14:51So you're coming to see the show?
00:14:53What a cheap ride.
00:14:55Do you think I need to beg
00:14:57for a roll in an absurd soap opera?
00:15:00Whiskey toast.
00:15:01Here.
00:15:02This is a children's show.
00:15:03You have no place in it.
00:15:04Mom.
00:15:05I can be a history teacher
00:15:07of the art that tonight
00:15:09turns into the wife of Pantera.
00:15:10No,
00:15:11the wife of the cat.
00:15:12I'll show up in a dressing room
00:15:14and smear the audience
00:15:16with my scandalous cheekiness.
00:15:18Give me the screenwriter's phone and...
00:15:19No.
00:15:20Mom,
00:15:21your time is over.
00:15:22You're no longer a TV reporter.
00:15:24I'm sorry,
00:15:25but I'm in the best shape.
00:15:26I made a big change in Marbella.
00:15:28Look at my tits.
00:15:35This grain is a little...
00:15:37It's perfect.
00:15:38You can't dream of a garden like this.
00:15:40It's 20 years old.
00:15:41I put prostheses on my ass.
00:15:43You don't need a headstand in the bathroom anymore.
00:15:47Your husband is still a genius at humor.
00:15:50It will happen.
00:15:52No,
00:15:53you can't go upstairs.
00:15:54The room is dirty
00:15:55and I didn't invite her.
00:15:56She's cleaning up.
00:15:57She has to stay somewhere
00:15:58while I'm recording.
00:15:59Mom,
00:16:00I'm not going to put you in a TV show.
00:16:02You can do an audition
00:16:04to see your talent and...
00:16:06What disrespect to your mother
00:16:07who gave you life.
00:16:09You're my mother
00:16:10when you're interested.
00:16:11What a cheap invitation.
00:16:13Let me remind you
00:16:14that you kicked me out of your house.
00:16:17We're going to lie to my father.
00:16:19Because I died of shame.
00:16:25Come on!
00:16:39Why are you so rude?
00:16:41Fermin,
00:16:42how good is your Flemish?
00:16:46Hello?
00:16:47Motorcycle?
00:16:48Wrong.
00:16:51Yes, yes, yes.
00:16:52I'm Fermin, the manager.
00:16:54I want to make an order.
00:16:56I'll send you an order.
00:17:10Here are the orders,
00:17:11Mrs. Carmen.
00:17:12Okay,
00:17:13I'll arrange the audition
00:17:14and you can go tomorrow.
00:17:16There's no way.
00:17:17They took my villa on the beach.
00:17:20What villa?
00:17:21I got it from an advisor
00:17:22and the fool
00:17:23took it away
00:17:24because he made a deal
00:17:25with some expensive land.
00:17:26They didn't even call me
00:17:27to testify.
00:17:28I could shine
00:17:29like Isabel Pantoja.
00:17:31Who are you dating?
00:17:33I'm so lonely.
00:17:34So lonely!
00:17:36Yes, let's take a picture
00:17:37so you can see
00:17:38how refreshed you'll be.
00:17:39Right away.
00:17:40Wait to get dressed.
00:17:41I traveled 600 kilometers
00:17:42by bus.
00:17:44Do you have shampoo
00:17:45for your face?
00:17:47Javi,
00:17:48I have an order.
00:17:49I'm coming.
00:17:51Tell me,
00:17:52what's your name?
00:17:53Nothing,
00:17:54just a guy.
00:17:56We were so happy
00:17:57the three of us here.
00:17:58Yes,
00:17:59come on,
00:18:00get dressed quickly.
00:18:01I want to get out
00:18:02quickly.
00:18:03Estela can't smell.
00:18:04Mom,
00:18:05there's no time.
00:18:06Get some deodorant.
00:18:07That's what
00:18:08the dead do.
00:18:09Look at your room.
00:18:10It's still
00:18:11like it was left.
00:18:12Does it smell like a man?
00:18:13Yes.
00:18:14Sometimes
00:18:15Vicente feels
00:18:16lonely
00:18:17and stays
00:18:18to sleep here.
00:18:19Did you throw
00:18:20a rocket at me?
00:18:21Come on,
00:18:22let's get out.
00:18:23Wait,
00:18:24you'll hurt yourself.
00:18:25I'm very happy
00:18:26about your business.
00:18:27You're the one
00:18:28who's against it.
00:18:34Come on,
00:18:35take my helmet.
00:18:36Wait,
00:18:37we have to brush
00:18:38our teeth,
00:18:39right?
00:18:40Tough as sushi.
00:18:41These are Chinese
00:18:42bastards,
00:18:43I'm not going to deal with them.
00:18:46Come on,
00:18:47please.
00:18:48You're so excited
00:18:49that you don't
00:18:50know what to do.
00:18:51I'm going in.
00:18:52Call me,
00:18:53sweetie,
00:18:54what are you doing?
00:18:55Are you going
00:18:56to kill me?
00:18:58The broken pillar.
00:19:00How does it smell
00:19:01like sardines?
00:19:02I don't smell anything.
00:19:03Come on.
00:19:04I get deja vu
00:19:05from the nights
00:19:06I spent with you.
00:19:07That's when
00:19:08I ruined my career.
00:19:09Are you going
00:19:10to do it again?
00:19:11Come on.
00:19:12Don't make me
00:19:13nervous anymore.
00:19:14You want me
00:19:15to fail
00:19:16the audition.
00:19:17You're my black hand.
00:19:18I'm the one
00:19:19with the key.
00:19:20The key
00:19:21is in the distance
00:19:22between the sardines
00:19:23and the victim.
00:19:24If you put them
00:19:25too far away,
00:19:26they won't bake.
00:19:27If they're too close,
00:19:28they'll burn
00:19:29and turn black
00:19:30like coal.
00:19:31So,
00:19:32this is perfect.
00:19:33You confused me again.
00:19:34I was born a fly
00:19:35and I'm going to die
00:19:36a fly.
00:19:37Shut up
00:19:38and be quiet.
00:19:39You want me
00:19:40to run the league?
00:19:41Here,
00:19:42serve yourself
00:19:43the league player.
00:19:44What the hell
00:19:45does this smell like?
00:19:46Find a grandma
00:19:47without a family
00:19:48and bring her
00:19:49to me.
00:19:50I've been depressed
00:19:51for two or three hours.
00:19:52Hello.
00:19:53How are you?
00:19:54I'm bringing
00:19:55my dad
00:19:56because he's
00:19:57getting bored
00:19:58and...
00:19:59Great.
00:20:00We're free
00:20:01one seat today.
00:20:02Look.
00:20:08Are you going
00:20:09to change the sheets?
00:20:10Yes,
00:20:11my dad
00:20:12hasn't started yet.
00:20:13Fill in this form.
00:20:14Yes,
00:20:15we love him
00:20:16but not anymore.
00:20:17One month,
00:20:181,500 euros.
00:20:19Damn it.
00:20:20He doesn't eat
00:20:21or wash
00:20:22or eat
00:20:23nothing.
00:20:24He's like a puppet.
00:20:25I'm sorry,
00:20:26these are our rates.
00:20:27Oh,
00:20:28fine.
00:20:29Brother,
00:20:30pay.
00:20:31No,
00:20:32not me.
00:20:33Are you going
00:20:34to leave the horse
00:20:35on the street?
00:20:36Aren't you ashamed?
00:20:37We'll do the calculations
00:20:38later.
00:20:43Tell me, Antonio.
00:20:44Did you find
00:20:45my mom?
00:20:46Not yet,
00:20:47but we have
00:20:48a very good trail.
00:20:49What trail?
00:20:50Tell me.
00:20:51Your mother was
00:20:52a beautiful woman
00:20:53connected with
00:20:54Franco's regime.
00:20:55You were a fruit,
00:20:56a source of love
00:20:57associated
00:20:58with the German
00:20:59government.
00:21:00She was
00:21:01a spy.
00:21:03Bertha,
00:21:04I have German blood.
00:21:05Mom was
00:21:06a matahari.
00:21:07I'll leave it
00:21:08because we're
00:21:09buying one
00:21:10of the embassies
00:21:11at the moment.
00:21:12It's done.
00:21:13What things
00:21:14are you asking
00:21:15for?
00:21:16No,
00:21:17no,
00:21:18wait.
00:21:19You have
00:21:20to talk to the
00:21:21director
00:21:22to assess
00:21:23what is...
00:21:24It's not convenient
00:21:25now.
00:21:26If you're
00:21:27bored,
00:21:28take him
00:21:29to bed.
00:21:30Bye,
00:21:31dad,
00:21:32take the
00:21:33medicine.
00:21:34Dad,
00:21:35I'm going
00:21:36crazy.
00:21:37Goodbye.
00:21:38Okay.
00:21:39Vicente,
00:21:40let's
00:21:41watch you.
00:21:42Do you have
00:21:43a TV?
00:21:44I'm sick
00:21:45of this stupid baby.
00:21:46Don't do
00:21:47this,
00:21:48don't do
00:21:49that,
00:21:50hydrate,
00:21:51rest,
00:21:52eat,
00:21:53you're weak.
00:21:54You look
00:21:55the same to me.
00:21:56This morning
00:21:57you brought me
00:21:58churros
00:21:59with chocolate.
00:22:00What a
00:22:01jerk.
00:22:02I can't
00:22:03go on like this.
00:22:04He looks
00:22:05like a math teacher.
00:22:06If you turn away
00:22:07from him,
00:22:08there's no
00:22:09going back.
00:22:10It's time
00:22:11for the fatal
00:22:12incident.
00:22:13You know,
00:22:14life will
00:22:15bring him back.
00:22:16Your karma is so
00:22:17bold.
00:22:18He's lying to me.
00:22:19He's been a homemaker
00:22:20in Sianca for months.
00:22:21Yes,
00:22:22he's just like
00:22:23you.
00:22:24I'm lying
00:22:25because I want
00:22:26a child
00:22:27between us.
00:22:28We were
00:22:29bad after
00:22:30the Russians.
00:22:31And the
00:22:32red haired people?
00:22:33They have
00:22:34their own
00:22:36quirks.
00:22:37Do you know
00:22:38someone
00:22:39who lost
00:22:40her
00:22:41child?
00:22:42I would have chosen the classic, falling down the stairs, like taken by a gust of wind.
00:22:46Okay, she's going to faint, young man.
00:22:48No, she's going to take you to the hospital and find out that there's no baby.
00:22:51I'm going to record it on my phone and then I'm going to show it to him. That's it.
00:22:54How are you going to fall down the stairs? Are you going to break? You can't coordinate.
00:22:59Calm down, we'll call a specialist.
00:23:01We know one crazy girl. She fell from a horse gallop.
00:23:03She's flashing with a car.
00:23:05Are you eavesdropping?
00:23:06This one? What kind of car is it?
00:23:08I knew about the false temporality. Raquel told me.
00:23:11Shut up, you fool.
00:23:12It's nice to have a girlfriend who can keep secrets.
00:23:15That doesn't exist.
00:23:16I understand you. It's nice to have kids.
00:23:18Is it?
00:23:20I mean, that's the nicest thing in the world, but you're not that old.
00:23:24You can love him a lot, but it's a little strange. You're so hot.
00:23:29Not that I like you, but I'm in love with Raquel.
00:23:31If you want, you can shut up when you decide.
00:23:33Yes, it's better to tell you my idea.
00:23:36A tragic incident in a shopping center recorded with a camera in hand.
00:23:40Are you going to film it?
00:23:41Yes, I've always wanted to direct.
00:23:43My interpretation is not enough.
00:23:47You see, Judith?
00:23:48Happily, she's having a wonderful day with her friends.
00:23:51Suddenly, boom!
00:23:53She falls down the escalator.
00:23:55Oh, my God!
00:23:57Oh, my God!
00:24:00Oh, my God!
00:24:01Oh, my God!
00:24:02Oh, my God!
00:24:03Oh, my God!
00:24:04Oh, my God!
00:24:05Oh, my God!
00:24:06Oh, my God!
00:24:07Oh, my God!
00:24:08Oh, my God!
00:24:09Oh, my God!
00:24:10Oh, my God!
00:24:11Oh, my God!
00:24:12Oh, my God!
00:24:13Oh, my God!
00:24:14Oh, my God!
00:24:15Oh, my God!
00:24:16Oh, my God!
00:24:17Oh, my God!
00:24:18Oh, my God!
00:24:19Oh, my God!
00:24:20Oh, my God!
00:24:21Oh, my God!
00:24:22Oh, my God!
00:24:23Oh, my God!
00:24:24Oh, my God!
00:24:25Oh, my God!
00:24:26Oh, my God!
00:24:27Oh, my God!
00:24:28Oh, my God!
00:24:29Oh, my God!
00:24:30Oh, my God!
00:24:31Oh, my God!
00:24:32Oh, my God!
00:24:33Oh, my God!
00:24:34Oh, my God!
00:24:35Oh, my God!
00:24:36Oh, my God!
00:24:37Oh, my God!
00:24:38Oh, my God!
00:24:39Oh, my God!
00:24:40Oh, my God!
00:24:41Oh, my God!
00:24:42Oh, my God!
00:24:43Oh, my God!
00:24:44Oh, my God!
00:24:45Oh, my God!
00:24:46Oh, my God!
00:24:47Oh, my God!
00:24:48Oh, my God!
00:24:49Oh, my God!
00:24:50Oh, my God!
00:24:51Oh, my God!
00:24:52Oh, my God!
00:24:53Oh, my God!
00:24:54Oh, my God!
00:24:55Oh, my God!
00:24:56Oh, my God!
00:24:57Oh, my God!
00:24:58Oh, my God!
00:24:59Oh, my God!
00:25:00Oh, my God!
00:25:01Oh, my God!
00:25:02Oh, my God!
00:25:03Oh, my God!
00:25:04Oh, my God!
00:25:05Oh, my God!
00:25:06Oh, my God!
00:25:07Oh, my God!
00:25:08Oh, my God!
00:25:09Oh, my God!
00:25:10Oh, my God!
00:25:11Oh, my God!
00:25:12Oh, my God!
00:25:13Oh, my God!
00:25:14Oh, my God!
00:25:15Oh, my God!
00:25:16Oh, my God!
00:25:17Oh, my God!
00:25:18Oh, my God!
00:25:19Oh, my God!
00:25:20Oh, my God!
00:25:21Oh, my God!
00:25:22Oh, my God!
00:25:23Oh, my God!
00:25:24Oh, my God!
00:25:25Oh, my God!
00:25:26Oh, my God!
00:25:27Oh, my God!
00:25:28Oh, my God!
00:25:29Oh, my God!
00:25:30Oh, my God!
00:25:31Oh, my God!
00:25:32Oh, my God!
00:25:33Oh, my God!
00:25:34Oh, my God!
00:25:35Oh, my God!
00:25:36Oh, my God!
00:25:37Oh, my God!
00:25:38Oh, my God!
00:25:39Oh, my God!
00:25:40Oh, my God!
00:25:41Oh, my God!
00:25:42Oh, my God!
00:25:43Oh, my God!
00:25:44Oh, my God!
00:25:45Oh, my God!
00:25:46Oh, my God!
00:25:47Oh, my God!
00:25:48Oh, my God!
00:25:49Oh, my God!
00:25:50Oh, my God!
00:25:51Oh, my God!
00:25:52Oh, my God!
00:25:53Oh, my God!
00:25:54Oh, my God!
00:25:55Oh, my God!
00:25:56Oh, my God!
00:25:57Oh, my God!
00:25:58Oh, my God!
00:25:59Oh, my God!
00:26:00Oh, my God!
00:26:01Oh, my God!
00:26:02Oh, my God!
00:26:03Oh, my God!
00:26:04Oh, my God!
00:26:05Oh, my God!
00:26:06Oh, my God!
00:26:07Oh, my God!
00:26:08Oh, my God!
00:26:09Oh, my God!
00:26:10Oh, my God!
00:26:11Oh, my God!
00:26:12Oh, my God!
00:26:13Oh, my God!
00:26:14Oh, my God!
00:26:15Oh, my God!
00:26:16Oh, my God!
00:26:17Oh, my God!
00:26:18Oh, my God!
00:26:19Oh, my God!
00:26:20Oh, my God!
00:26:21Oh, my God!
00:26:22Oh, my God!
00:26:23Oh, my God!
00:26:24Oh, my God!
00:26:25Oh, my God!
00:26:26Oh, my God!
00:26:27Oh, my God!
00:26:28Oh, my God!
00:26:29Oh, my God!
00:26:30Oh, my God!
00:26:31Oh, my God!
00:26:32Oh, my God!
00:26:33Oh, my God!
00:26:34Oh, my God!
00:26:35Oh, my God!
00:26:36Oh, my God!
00:26:37Oh, my God!
00:26:38Oh, my God!
00:26:39Oh, my God!
00:26:40Oh, my God!
00:26:41Oh, my God!
00:26:42Oh, my God!
00:26:43Oh, my God!
00:26:44Oh, my God!
00:26:45Oh, my God!
00:26:46Oh, my God!
00:26:47Oh, my God!
00:26:48Oh, my God!
00:26:49Oh, my God!
00:26:50Oh, my God!
00:26:51Oh, my God!
00:26:52Oh, my God!
00:26:53Oh, my God!
00:26:54Oh, my God!
00:26:55Oh, my God!
00:26:56Oh, my God!
00:26:57Oh, my God!
00:26:58Oh, my God!
00:26:59Oh, my God!
00:27:00Oh, my God!
00:27:01Oh, my God!
00:27:02Oh, my God!
00:27:03Oh, my God!
00:27:04Oh, my God!
00:27:05Oh, my God!
00:27:06Oh, my God!
00:27:07Oh, my God!
00:27:08Oh, my God!
00:27:09Oh, my God!
00:27:10Oh, my God!
00:27:11Oh, my God!
00:27:12Oh, my God!
00:27:13Oh, my God!
00:27:14Oh, my God!
00:27:15Oh, my God!
00:27:16Oh, my God!
00:27:17Oh, my God!
00:27:18Oh, my God!
00:27:19Oh, my God!
00:27:20Oh, my God!
00:27:21Oh, my God!
00:27:22Oh, my God!
00:27:23Oh, my God!
00:27:24Oh, my God!
00:27:25Oh, my God!
00:27:26Oh, my God!
00:27:27Oh, my God!
00:27:28Oh, my God!
00:27:29Oh, my God!
00:27:30Oh, my God!
00:27:31Oh, my God!
00:27:32Oh, my God!
00:27:33Oh, my God!
00:27:34Oh, my God!
00:27:35Oh, my God!
00:27:36Oh, my God!
00:27:37Oh, my God!
00:27:38Oh, my God!
00:27:39Oh, my God!
00:27:40Oh, my God!
00:27:41Oh, my God!
00:27:42Oh, my God!
00:27:43Oh, my God!
00:27:44Oh, my God!
00:27:45Oh, my God!
00:27:46Oh, my God!
00:27:47Oh, my God!
00:27:48Oh, my God!
00:27:49Oh, my God!
00:27:50Oh, my God!
00:27:51Oh, my God!
00:27:52Oh, my God!
00:27:53Oh, my God!
00:27:54Oh, my God!
00:27:55Oh, my God!
00:27:56Oh, my God!
00:27:57Oh, my God!
00:27:58Oh, my God!
00:27:59Oh, my God!
00:28:00Oh, my God!
00:28:01Oh, my God!
00:28:02Oh, my God!
00:28:03Oh, my God!
00:28:04Oh, my God!
00:28:05Oh, my God!
00:28:06Oh, my God!
00:28:07Oh, my God!
00:28:08Oh, my God!
00:28:09Oh, my God!
00:28:10Oh, my God!
00:28:11Oh, my God!
00:28:12Oh, my God!
00:28:13Oh, my God!
00:28:14Oh, my God!
00:28:15Oh, my God!
00:28:16Oh, my God!
00:28:17Oh, my God!
00:28:18Oh, my God!
00:28:19Oh, my God!
00:28:20Oh, my God!
00:28:21Oh, my God!
00:28:22Oh, my God!
00:28:23Oh, my God!
00:28:24Oh, my God!
00:28:25Oh, my God!
00:28:26Oh, my God!
00:28:27Oh, my God!
00:28:28Oh, my God!
00:28:29Oh, my God!
00:28:30Oh, my God!
00:28:31Oh, my God!
00:28:32Oh, my God!
00:28:33Oh, my God!
00:28:34Oh, my God!
00:28:35Oh, my God!
00:28:36Oh, my God!
00:28:37Oh, my God!
00:28:38Oh, my God!
00:28:39Oh, my God!
00:28:40Oh, my God!
00:28:41Oh, my God!
00:28:42Oh, my God!
00:28:43Oh, my God!
00:28:44Oh, my God!
00:28:45Oh, my God!
00:28:46Oh, my God!
00:28:47Oh, my God!
00:28:48Oh, my God!
00:28:49Oh, my God!
00:28:50Oh, my God!
00:28:51Oh, my God!
00:28:52Oh, my God!
00:28:53Oh, my God!
00:28:54Oh, my God!
00:28:55Oh, my God!
00:28:56Oh, my God!
00:28:57Oh, my God!
00:28:58Oh, my God!
00:28:59Oh, my God!
00:29:00Oh, my God!
00:29:01Oh, my God!
00:29:02Oh, my God!
00:29:03Oh, my God!
00:29:04Oh, my God!
00:29:05Oh, my God!
00:29:06Oh, my God!
00:29:07Oh, my God!
00:29:08Oh, my God!
00:29:09Oh, my God!
00:29:10Oh, my God!
00:29:11Oh, my God!
00:29:12Oh, my God!
00:29:13Oh, my God!
00:29:14Oh, my God!
00:29:15Oh, my God!
00:29:16Oh, my God!
00:29:17Oh, my God!
00:29:18Oh, my God!
00:29:19Oh, my God!
00:29:20Oh, my God!
00:29:21Oh, my God!
00:29:22Oh, my God!
00:29:23Oh, my God!
00:29:24Oh, my God!
00:29:25Oh, my God!
00:29:26Oh, my God!
00:29:27Oh, my God!
00:29:28Oh, my God!
00:29:29Oh, my God!
00:29:30Oh, my God!
00:29:31Oh, my God!
00:29:32Oh, my God!
00:29:33Oh, my God!
00:29:34Oh, my God!
00:29:35Oh, my God!
00:29:36Oh, my God!
00:29:37Oh, my God!
00:29:38Oh, my God!
00:29:39Oh, my God!
00:29:40Oh, my God!
00:29:41Oh, my God!
00:29:42Oh, my God!
00:29:43Oh, my God!
00:29:44Oh, my God!
00:29:45Oh, my God!
00:29:46Oh, my God!
00:29:47Oh, my God!
00:29:48Oh, my God!
00:29:49Oh, my God!
00:29:50Oh, my God!
00:29:51Oh, my God!
00:29:52Oh, my God!
00:29:53Oh, my God!
00:29:54Oh, my God!
00:29:55Oh, my God!
00:29:56Oh, my God!
00:29:57Oh, my God!
00:29:58Oh, my God!
00:29:59Oh, my God!
00:30:00Oh, my God!
00:30:01Oh, my God!
00:30:02Oh, my God!
00:30:03Oh, my God!
00:30:04Oh, my God!
00:30:05Oh, my God!
00:30:06Oh, my God!
00:30:07Oh, my God!
00:30:08Oh, my God!
00:30:09Oh, my God!
00:30:10Oh, my God!
00:30:11Oh, my God!
00:30:12Oh, my God!
00:30:13Oh, my God!
00:30:14Oh, my God!
00:30:15Oh, my God!
00:30:16Oh, my God!
00:30:17Oh, my God!
00:30:18Oh, my God!
00:30:19Oh, my God!
00:30:20Oh, my God!
00:30:21Oh, my God!
00:30:22Oh, my God!
00:30:23Oh, my God!
00:30:24Oh, my God!
00:30:25Oh, my God!
00:30:26Oh, my God!
00:30:27Oh, my God!
00:30:28Oh, my God!
00:30:29Oh, my God!
00:30:30Oh, my God!
00:30:31Oh, my God!
00:30:32Oh, my God!
00:30:33Oh, my God!
00:30:34Oh, my God!
00:30:35Oh, my God!
00:30:36Oh, my God!
00:30:37Oh, my God!
00:30:38Oh, my God!
00:30:39Oh, my God!
00:30:40Oh, my God!
00:30:41Oh, my God!
00:30:42Oh, my God!
00:30:43Oh, my God!
00:30:44Oh, my God!
00:30:45Oh, my God!
00:30:46Oh, my God!
00:30:47Oh, my God!
00:30:48Oh, my God!
00:30:49Oh, my God!
00:30:50Oh, my God!
00:30:51Oh, my God!
00:30:52Oh, my God!
00:30:53Oh, my God!
00:30:54Oh, my God!
00:30:55Oh, my God!
00:30:56Oh, my God!
00:30:57Oh, my God!
00:30:58Oh, my God!
00:30:59Oh, my God!
00:31:00Oh, my God!
00:31:01Oh, my God!
00:31:02Oh, my God!
00:31:03Oh, my God!
00:31:04Oh, my God!
00:31:05Oh, my God!
00:31:06Oh, my God!
00:31:07Oh, my God!
00:31:08Oh, my God!
00:31:09Oh, my God!
00:31:10Oh, my God!
00:31:11Oh, my God!
00:31:12Oh, my God!
00:31:13Oh, my God!
00:31:14Oh, my God!
00:31:15Oh, my God!
00:31:16Oh, my God!
00:31:17Oh, my God!
00:31:18Oh, my God!
00:31:19Oh, my God!
00:31:20Oh, my God!
00:31:21Oh, my God!
00:31:22Oh, my God!
00:31:23Oh, my God!
00:31:24Oh, my God!
00:31:25Oh, my God!
00:31:26Oh, my God!
00:31:54Come on, let's take a picture!
00:32:14The papyrus!
00:32:18I'm paying and I'm going up with two diagrams.
00:32:20The lady is playing Bayer Leverkusen with Borussia Mönchengladbach.
00:32:24I want to see Jorge Javier and that's it!
00:32:26Where is the bathroom?
00:32:40Where is the bathroom?
00:32:42Son, you came back from the barracks.
00:32:46Go home, your father is waiting for you to kill the boys.
00:32:50Yes, mother, I'm going now.
00:32:54Where is Paco?
00:32:56Shut up, shut up!
00:32:58This crap doesn't happen.
00:33:00Why are you grabbing these keys?
00:33:02Because of this.
00:33:04It's terrible.
00:33:06Does anyone visit this one?
00:33:08Marcelina, but she's more of a dad than here.
00:33:11I have a candidate.
00:33:13Do you want to do it?
00:33:16No, no, I'm gay.
00:33:18Why?
00:33:20I have an aphrodisiac in the barn.
00:33:22Mother, where did you get me?
00:33:31Don't let me in the boxes, we're not buying anything.
00:33:34I'm sorry, but I'm not advertising.
00:33:36You look like a tired student.
00:33:38Martin Gutierrez from Bank BSNH.
00:33:41Antonio Rezio, trader of unclean fish.
00:33:43Homeowner?
00:33:44We look alike, but they don't vote for me.
00:33:46Aren't you?
00:33:47No, but tell me, it's a matter of time.
00:33:49As you know, we made two confiscations in this building.
00:33:52The bank already owns two apartments.
00:33:55I have two.
00:33:57But unfortunately, the previous owners live illegally in one of them.
00:34:01The dear ones, yes.
00:34:03The Montepinards.
00:34:04But the confiscation is tomorrow.
00:34:05Get out of here!
00:34:06That's what I wanted to talk about.
00:34:08I have a proposal from the bank that might interest you.
00:34:13How much? Don't waste my time.
00:34:15The bank is interested in the image,
00:34:17and a robbery with cameras and angry people
00:34:19and the drama of a family on the street
00:34:22is not good advertising, you must agree.
00:34:24Better advertising with Fernando Alonso.
00:34:26And the robberies often cause serious damage
00:34:29in public places,
00:34:31the entrance, the garden, the windows.
00:34:34Antonio, they're going to destroy our building.
00:34:37What? Destroy Montepinard?
00:34:40And you and I prefer the Rivas family
00:34:42to leave the property before the confiscation,
00:34:45at their own will and without violence.
00:34:48You're so handsome, Martin.
00:34:50Do you want to kiss?
00:34:51Violeta, I'm sorry.
00:34:53It doesn't matter, go play.
00:35:00I like it a lot.
00:35:03What was I talking about?
00:35:05About expelling the poor without violence.
00:35:07Oh, yes.
00:35:08If the neighbors manage to do it,
00:35:11the bank will pay them for the reduced contributions
00:35:14for this and the previous years,
00:35:16for Parter A and for Parter C.
00:35:19And the debt collector, too, right?
00:35:21We're talking about about 8,000 euros.
00:35:24And the set of suitcases you gave away,
00:35:26will it be possible?
00:35:28This promotion is over.
00:35:30Now we have a shop, if you're interested.
00:35:32And that will be good for me.
00:35:34I want an iPad.
00:35:35It's happening, but hurry up.
00:35:37The expelling is tomorrow.
00:35:38One more thing.
00:35:39We're going to have elections in cooperation,
00:35:41which, of course, I'm going to be there,
00:35:43and I thought that with your votes from the bank,
00:35:45you could...
00:35:47Yes, count on them.
00:35:49Bertha, a box of cards for Martin.
00:35:51Done.
00:35:52And if he pays me?
00:35:54Don't worry, take it.
00:35:55This is my number.
00:35:57Keep me posted, please.
00:35:59Martin, we're going to manage with iron hand.
00:36:06What a great offer.
00:36:08A very cool man.
00:36:10Antonio, how are you going to make them leave on their own?
00:36:13There's always a way.
00:36:15Pancakes!
00:36:19How sweet!
00:36:29I'm a liar who doesn't pay in cooperation.
00:36:32Paralis, what are you doing?
00:36:34I'm sorry, Donna, but I'm following orders.
00:36:36Paralis, please, I'm coming here to relax a little.
00:36:39You have money for the whim, not for cooperation.
00:36:42I don't have any money, you see.
00:36:46Stealing!
00:36:48Yes.
00:36:49Stealing.
00:36:50Stealing.
00:36:51Stealing.
00:36:52Stealing.
00:36:53Stealing.
00:36:54Stealing.
00:36:55Stealing.
00:36:56Stealing.
00:36:57modulation.
00:36:59Oh yes, and they're watching the whole warehouse.
00:37:02Excuse me, you have to leave with this now.
00:37:05Yes, I'm leaving already.
00:37:07I'm not feeling like it.
00:37:08Wants me to give you your bag?
00:37:10Just this little one?
00:37:12With your permission?
00:37:25You'll pay for this.
00:37:26Are you going out tonight to go to the cinema with Marie Carmen?
00:37:29I'll tell you later.
00:37:33Don't follow me!
00:37:49Antonio, what are you doing?
00:37:51To the neighbor's garden. The patience of the owners who pay is running out.
00:37:55I would go to your place early in the morning.
00:37:58Go to hell! You won't leave your house!
00:38:01We'll see.
00:38:22And this is just the beginning.
00:38:24I want a fish!
00:38:44I'm falling! My baby! My baby!
00:38:50How difficult it is!
00:38:55Judith!
00:38:57Yes?
00:38:58We need to talk.
00:39:00Honey, I...
00:39:01You're right in this life. There's nothing worse than lies.
00:39:04She's the cancer of love.
00:39:06Yes?
00:39:07I'm sorry I betrayed you.
00:39:09Don't hurt me, but...
00:39:11I bought you a bag.
00:39:12I forgive you.
00:39:17It's kangaroo leather. Handcrafted by the military.
00:39:21Thank you very much.
00:39:23Where's the tag?
00:39:25It's inside.
00:39:26You didn't have to hide it.
00:39:28Why...
00:39:29Why didn't you tell me you wanted to be a housekeeper?
00:39:32I did, but I was afraid that if I took the post, you'd ask for a divorce.
00:39:36Did I tell you that?
00:39:37Literally.
00:39:39I exaggerated.
00:39:41That's why you don't deal with women.
00:39:43You can't read between the lines.
00:39:45It doesn't matter.
00:39:46I won't be a housekeeper anymore.
00:39:48My main priority will be to take care of you and the baby.
00:39:51No, no.
00:39:52This cooperation needs you.
00:39:54Take the post.
00:39:56You need me more than I need you.
00:39:57No.
00:39:58Yes.
00:39:59No way.
00:40:00I really want to be the first lady and see my husband command.
00:40:06Here.
00:40:07The certificate that Araceli is crazy.
00:40:10You can leave it now.
00:40:11Are you serious?
00:40:13Do you allow me to be a housekeeper?
00:40:15You don't need my permission.
00:40:17I'm not your mother, but I give it to you.
00:40:19Thank you, Smehoranke.
00:40:21To be the housekeeper and father of your child.
00:40:25Is it possible to be happier?
00:40:28No, no.
00:40:29This is the top.
00:40:30Koke!
00:40:31Successful meeting!
00:40:35Where are we going, Josefina?
00:40:37Dad doesn't want to go out with me yet.
00:40:40We're going for a walk.
00:40:41Don't make any noise.
00:40:42My vest gets cold in the evening.
00:40:45Here's the laundry.
00:40:47This one?
00:40:48Yes.
00:40:49How are you, ma'am?
00:40:50Son, you've lost so much weight.
00:40:52No, it's not me.
00:40:53I'll take you to him now.
00:40:55What a crybaby.
00:40:56Mom, how bad is it?
00:40:58How are we going to get out of here?
00:40:59Through the window?
00:41:00Dad, no.
00:41:01That cross will break.
00:41:03It's better through the door.
00:41:04There's no one there now.
00:41:05There's a guard.
00:41:07I want to get out of here.
00:41:09To come with you.
00:41:10And where are you going?
00:41:12I'll pay you.
00:41:13I have a lot of money.
00:41:14How much?
00:41:15Amador.
00:41:16I'll make two for one.
00:41:17I have 300,000 pesetas in the philatelic forum.
00:41:22You're on fire, my friend.
00:41:24The philatelic forum doesn't exist anymore.
00:41:27It was a pyramid.
00:41:28What?
00:41:29You've been tricked, Felipe.
00:41:30You're easier than me.
00:41:31You can buy me brands.
00:41:33My money.
00:41:34Where's my money?
00:41:36Don't shout.
00:41:37My money.
00:41:38Shut him up.
00:41:39Where's my money?
00:41:42Careful, careful, Vicente.
00:41:43Careful, you'll suffocate him.
00:41:45We got him.
00:41:46How did he survive?
00:41:47Come on, Felipe.
00:41:48You're coming with us.
00:41:49Come on.
00:41:50How are we all going to get out of here?
00:41:52This is an escape from prison.
00:41:54Is there a morgue?
00:41:55Hey, hey.
00:42:10I can't see.
00:42:11Marcelino, don't tell me we're baking you ultraviolet rays
00:42:14for the ball.
00:42:15For the ball?
00:42:16Is the package coming?
00:42:18Yes, yes.
00:42:19Everyone's coming.
00:42:20I can't breathe.
00:42:21Are you going to puke already?
00:42:24Good evening.
00:42:25I'm going to get rid of some dead people.
00:42:27When do you think the elders will die?
00:42:29There was an epidemic in Huntington, Munchausen.
00:42:32What?
00:42:33A disease created by the government to get rid of pensions.
00:42:35When did you get in?
00:42:37A long time ago.
00:42:38The agonies were very low.
00:42:40When did you start the shift?
00:42:41In eight.
00:42:42We didn't make it in five.
00:42:43Goodbye.
00:42:44Wait.
00:42:45You need to sign the register.
00:42:48The names of the deceased.
00:42:52You need to take care of the cough.
00:42:54We're going to the train station.
00:42:56But these people are alive.
00:42:57Miracle!
00:42:58Miracle!
00:42:59A quick success.
00:43:00It was a catalepsy.
00:43:01It's obvious.
00:43:02These people will surely puke.
00:43:04These are their last breaths.
00:43:12Police.
00:43:13Oh, no.
00:43:14I'm sorry.
00:43:15How did you get locked up in the elevator?
00:43:17We've been here for eight hours.
00:43:19The corporation didn't pay for the support.
00:43:21Koki can't find the key.
00:43:22The firefighters are very busy.
00:43:24You're going to stay up all night?
00:43:26My mother won't go to bed until tomorrow.
00:43:29What?
00:43:30I'm hungry.
00:43:31Don't worry.
00:43:32We have skewers.
00:43:33Are we going to rehearse or do I have to work on my character?
00:43:38What's wrong with you?
00:43:39I'm going to get rid of you.
00:43:40I ruined everything.
00:43:41I gave my mother's role.
00:43:43That's enough.
00:43:44Yes, yes.
00:43:49How hard it is to be happy.
00:43:51Your relationship with this is impossible.
00:43:54This is too much.
00:43:56Lucrezia.
00:43:57I'm Leonora.
00:43:58I'm warning you.
00:43:59This child has to die.
00:44:01Get back, bitch.
00:44:03This is my child.
00:44:05And half of it is outside.
00:44:07I'm going to fuck you.
00:44:08And I'm going to fuck you.
00:44:10Don't improvise.
00:44:11Keep going.
00:44:12Son, don't you understand that this star will rule the world?
00:44:16Vampiriki.
00:44:17Vampirokiki.
00:44:19Vampirokikiki.
00:44:21Vampirokoliko.
00:44:23Okay, kid.
00:44:24This bastard has to die.
00:44:25Vampirolac, mom.
00:44:26You can't change the script.
00:44:27But this is absurd.
00:44:28You're in love with Van Helsing and you're changing from top to bottom.
00:44:31Eternal love triangle.
00:44:33Who wrote this script?
00:44:35You're an actress and you're going to say what it says here, period.
00:44:38Who's going to believe that I'm his grandmother at my age?
00:44:41This is incredible.
00:44:42Not really.
00:44:43This episode is full of shit.
00:44:44I'm going to change it.
00:44:46Record it tomorrow.
00:44:47The director won't let you.
00:44:49Kid, he's eating out of my hand.
00:44:51Because you're feeding him other jobs.
00:44:54What envy.
00:44:55Your thirst is already spreading in front of my artistic whirlwind.
00:44:59Make me a coffee.
00:45:00Coffee?
00:45:01In the evening?
00:45:02You make it.
00:45:04I'm not bored because I'm going to kill you at birth.
00:45:07I can't stand you.
00:45:09Tomorrow you're taking the suitcase and you're leaving.
00:45:11Shut up.
00:45:15Muzi.
00:45:17Come to me.
00:45:24I need a car.
00:45:27Wake up, old lady.
00:45:29Gorka, what time is it?
00:45:30Marcelino.
00:45:31Marce.
00:45:33Antonio.
00:45:34Introduce yourself to your mother.
00:45:36Is this Mata Hari?
00:45:37She looks like us from the ad for Bob.
00:45:39My contact in the German embassy brought us to her.
00:45:42She was rotting in an old man's house.
00:45:45Marcelino, look.
00:45:47This is your son.
00:45:49My Juan de Dios.
00:45:51What Juan de Dios?
00:45:52That's how he's going to call you before they rob you.
00:45:55I look very old to be my mother.
00:45:58He worked a lot in the field.
00:45:59Wasn't he a spy?
00:46:01Yes, but he used this trick to sneak into enemy lines.
00:46:08Look, we compared your DNA.
00:46:10Already?
00:46:12My niece works in the lab.
00:46:14Look, the result is positive.
00:46:15Signature.
00:46:16Laboratory.
00:46:17GeneXpress.
00:46:18They did us a great favor.
00:46:25Mom!
00:46:27Violeta, you're like a cat.
00:46:29Stop eating.
00:46:30I'm not biting.
00:46:31I'm nervous.
00:46:32Give it to me.
00:46:33No.
00:46:34I'm not giving you chocolate biscuits.
00:46:35No, it's mine.
00:46:36Give it to me.
00:46:37Give it to me.
00:46:38Watch the couch.
00:46:39Eat whatever you want and wake up.
00:46:41I don't care.
00:46:43If you save me and go back to Jupiter,
00:46:45we'll distract you and we'll do experiments with you on our ship.
00:46:48It'll hurt you a lot.
00:46:50Lord, what a curse.
00:46:52Bertha.
00:46:53Bertha.
00:46:54My mother found the sheep.
00:46:56What?
00:46:57Her name is Marcelina.
00:46:58She looks after the vegetables all day and becomes a butcher at night.
00:47:00She's not a pensioner anymore.
00:47:02How is this woman going to be your mother?
00:47:03Look.
00:47:04Package.
00:47:07You've grown up.
00:47:08What are you talking about?
00:47:09The girl has dementia.
00:47:11What do you mean dementia?
00:47:13It won't get any better.
00:47:15Antonio.
00:47:16Another burden.
00:47:17Mom is not a burden.
00:47:18I want to fix the lost time with her.
00:47:20What if you don't hurry?
00:47:22Antonio, I don't want to be so polite at this emotional moment,
00:47:26but you have to pay us.
00:47:28Yes, yes, yes.
00:47:29But don't look.
00:47:30Turn around.
00:47:31Come here.
00:47:32Don't give him ice cream.
00:47:33He'll lose his appetite.
00:47:39Look.
00:47:40There's money in the couch.
00:47:41Shut up.
00:47:42Now I have to find another hiding place.
00:47:43How much will you give them?
00:47:441,500 euros.
00:47:45What do you mean 1,500?
00:47:46I found it right away.
00:47:47She's crazy.
00:47:48I'm not going to give you more.
00:47:49Or at least 10,000.
00:47:51Ira said she'd get the money, but she didn't.
00:47:53You can't trust her anymore.
00:47:55Then we'll take the money.
00:47:56Let me go, or I'll break your jaw.
00:47:58Hey, hey.
00:47:59That's mine.
00:48:00Stupid fish.
00:48:01Get out of here.
00:48:02Go pack your bags, or they'll throw you out tomorrow.
00:48:04Out!
00:48:07I had to give them 500.
00:48:09This braveness will ruin me.
00:48:11Mom.
00:48:12There's so much to talk about.
00:48:14Mom?
00:48:15Mom.
00:48:16What a stupid mother.
00:48:18See?
00:48:19You don't have to rake up the past.
00:48:22Kiseljaka is such a scoundrel.
00:48:24He tricked me.
00:48:25I took him to his mother, and he gave me 1,500 euros.
00:48:27Did you find it?
00:48:28No.
00:48:29We kidnapped a woman from the old man's house.
00:48:31What does it smell like?
00:48:32Fish.
00:48:33Kiseljaka is teasing us to get rid of us.
00:48:35What?
00:48:38What's that?
00:48:39Who's knocking at 2 o'clock?
00:48:40His mother.
00:48:41His mother.
00:48:43Echo.
00:48:45Echo.
00:48:46What echo?
00:48:47Paralysis.
00:48:48You were going to blow my brains out.
00:48:49Boss Antonio told me to repair the shop.
00:48:512 o'clock in the morning.
00:48:52What's with this mess?
00:48:53Are you going to break the wall?
00:48:55I'm leaving a calendar.
00:48:56How heavy is it?
00:48:57Put it on a Chinese screw.
00:48:59No.
00:49:00Boss Antonio told me to use this.
00:49:02To hell with the paralysis.
00:49:03Stop, or I'll kill you.
00:49:04Hey!
00:49:05Stop right now!
00:49:06Let's get out of here.
00:49:07I can't live like this.
00:49:09This is our home, and we're not going to get sick here.
00:49:11Like Chiquitete's boat.
00:49:12Chankete.
00:49:14Chankete.
00:49:15Can't Chiquitete have a boat?
00:49:16Amador, you're the worst.
00:49:17If we stay here, they'll make our lives hell.
00:49:20And why are they always harassing us?
00:49:22There's something wrong.
00:49:23Because we're debtors and miserable.
00:49:28Memilo, now we have to be together more than ever.
00:49:31Let's have a drink.
00:49:33You're so annoying.
00:49:36Paralysis.
00:49:38I'm going to kill him.
00:49:39It's not worth it.
00:49:40It's not worth it.
00:49:44You enter the scene of this troubled and cheerful scene
00:49:46because you've found some terrible shoes for the faint-hearted.
00:49:49It's not fair from the very beginning.
00:49:51You go around telling yourself that everything is very natural,
00:49:53that you feel happiness, like in commercials for transplants.
00:49:57Do you understand?
00:49:58With wings or without wings?
00:49:59It's not going to work, Eric.
00:50:01He's not stupid.
00:50:02I get here,
00:50:04and…
00:50:05and?
00:50:06I feel sick.
00:50:07And I'm panting.
00:50:08But don't say…
00:50:11You start moving,
00:50:12going down the orbit,
00:50:13and we stop.
00:50:14The fall will be done by Hussien Hale.
00:50:16What Hussien Hale?
00:50:17Hello, how are you?
00:50:18Is that a man?
00:50:19The specialist is shooting another movie.
00:50:21Hussien Hale is very good.
00:50:22The rule is a lot of…
00:50:23stunts.
00:50:24Sergio's got two heads above him.
00:50:26Yeah, it doesn't look like much,
00:50:28but until he falls, it won't show.
00:50:30He looks like IT when they masked him for Halloween.
00:50:33He's not going to look like the devils.
00:50:35Are you ready?
00:50:36Let's start.
00:50:37Sergio!
00:50:38Authenticity.
00:50:39I want authenticity.
00:50:40Mrs. Zolciupkata,
00:50:41we're going to shoot a dangerous scene.
00:50:42Excuse me,
00:50:43who is this movie?
00:50:44Pretty Woman 2.
00:50:46Get out of here!
00:50:47Camera!
00:50:49Girls,
00:50:50what a terrible day for a baby.
00:50:51Everything is without money.
00:50:53I just bought myself a wedding dress
00:50:55for 59 euros.
00:50:57It's super expensive.
00:50:59I want something tasty.
00:51:01What do you say about a strawberry shake?
00:51:03Yes!
00:51:04But we have to go downstairs.
00:51:07Look, there's Stilby.
00:51:13Come on!
00:51:17Oh my God!
00:51:18He's going to hit me!
00:51:20Oh my God!
00:51:21You did it!
00:51:27Stop!
00:51:28It worked.
00:51:31Look at them.
00:51:32Still there.
00:51:33Paralysis.
00:51:34Nothing happens.
00:51:35Another month without pay.
00:51:36Antonio!
00:51:37Juan de Dios,
00:51:38don't be mad at your brother.
00:51:39Again.
00:51:40Antonio!
00:51:41Mom!
00:51:42Come on,
00:51:43get her out of here.
00:51:44You get her out of here.
00:51:45She's your mother.
00:51:46I have to get them out of here.
00:51:47The confiscation is at 5 o'clock.
00:51:48The contract will go to the devil.
00:51:50Order.
00:51:51The mouth is blocked
00:51:52between the ground and the first floor.
00:51:53Enrique,
00:51:54what are you doing?
00:51:55I got involved
00:51:56in the elevator company.
00:51:57I had to pay them
00:51:58from my own pocket
00:51:59to save the prisoners.
00:52:00And what kind of a smuggler are you?
00:52:02You're stealing points
00:52:03to be elected as a housekeeper.
00:52:04There's no need,
00:52:05Aracelina Pusna.
00:52:06Because of stress.
00:52:07Officially,
00:52:08I'm the housekeeper
00:52:09of Mirador de Montepinar.
00:52:10Get lost.
00:52:11I'm going to give you
00:52:12such distrust
00:52:13that you're going to curl up.
00:52:14You're going to take her
00:52:15out of this hotel even less.
00:52:16I'm sorry,
00:52:17but I have work.
00:52:18The post is being delayed
00:52:19without a word.
00:52:20Get out.
00:52:21Where are you going?
00:52:22Don't leave me alone
00:52:23with your mother.
00:52:24Oh, Paquita.
00:52:26How old are we?
00:52:29Oh my God.
00:52:32Ready.
00:52:33Caviar, caviar.
00:52:35Oh my God.
00:52:36Hey, kid.
00:52:38We're free.
00:52:41Oh my God.
00:52:42My back.
00:52:43I thought I was going to die.
00:52:45My whole life
00:52:46passed before my eyes.
00:52:47It was like a bad movie.
00:52:48It didn't make any sense.
00:52:50None at all.
00:52:53Wait,
00:52:54we're going to get on the elevator.
00:52:55What are you talking about?
00:52:56I'm not going to get
00:52:57into this bucket with buttons anymore.
00:52:59There's no reason.
00:53:01What does it smell like?
00:53:02Are there pickles inside?
00:53:03No.
00:53:04There's leftovers from the sardines.
00:53:05Excuse me,
00:53:06how is it possible
00:53:07to block the elevator
00:53:08all day
00:53:09from a simple
00:53:10current stop?
00:53:11This is a security system.
00:53:12To avoid
00:53:13the network's overloading?
00:53:14No,
00:53:15to make you pay
00:53:16regularly.
00:53:17It's a way
00:53:18to get your money.
00:53:19So if the current
00:53:20stops again,
00:53:21it's going to block
00:53:22until you come back,
00:53:23right?
00:53:24No.
00:53:25I'm not going to get up
00:53:26in the morning.
00:53:27I have an appointment.
00:53:28Another colleague
00:53:29Then you have nothing
00:53:30against leaving us
00:53:31the key.
00:53:34No,
00:53:35it's all mine.
00:53:37A gift from the company.
00:53:38Goodbye.
00:53:39Don't lose this one.
00:53:41I have a brilliant plan.
00:53:44For what?
00:53:45I'll tell you exactly.
00:53:46I'm in position now.
00:53:55Damn it.
00:53:57It's him again.
00:53:58What is he doing here?
00:53:59Again?
00:54:00Lola!
00:54:02Wake up!
00:54:04Drunkard.
00:54:05Sardino,
00:54:06what are you doing here?
00:54:08I came to visit
00:54:09and see the little girl.
00:54:10Did you see
00:54:11what the doctors did?
00:54:13They put a chip
00:54:14in her head
00:54:15and she doesn't
00:54:16look good at all.
00:54:18Mom,
00:54:19he's been living here
00:54:20for a week.
00:54:21We know everything.
00:54:22You're a bad kid.
00:54:23You've been
00:54:24ruining my money
00:54:25for 30 years.
00:54:26Yeah,
00:54:27you should buy yourself
00:54:28a baby.
00:54:29I'm sorry,
00:54:30but we're paying for it.
00:54:31I don't tolerate
00:54:32so much hostility.
00:54:33You're all against me.
00:54:36Get out of here.
00:54:37We're a happy family now.
00:54:40Happy?
00:54:41Scourge is nasty.
00:54:43Estella Reynolds
00:54:44will leave whenever she wants.
00:54:46No,
00:54:47because Fermin Trujillo
00:54:48will kick someone's ass
00:54:49and walk through a window.
00:54:51Domestic violence.
00:54:52You're witnesses.
00:54:53Now,
00:54:54I'll call the lawyer
00:54:55Lydia Bosch.
00:54:56Go down to the bar
00:54:57and have a cup of coffee
00:54:58and say whatever you want.
00:54:59I'm in my right mind.
00:55:00I need peace.
00:55:01Yeah!
00:55:05What mind?
00:55:07If you stay,
00:55:08old lady.
00:55:15Hey,
00:55:16she's playing hard to get.
00:55:19Archived.
00:55:22Archived.
00:55:23Archived.
00:55:25Archived.
00:55:29Who are you?
00:55:30Amador Rivas.
00:55:31Don't you know him?
00:55:32The poor guy
00:55:33who was chased out
00:55:34of his house today.
00:55:35He was with his wife
00:55:36and four children.
00:55:37Like all of them here.
00:55:38How did you get in?
00:55:39Through the door.
00:55:40Everyone's shooting in the street.
00:55:41Get out of here.
00:55:42I'm busy.
00:55:43Do you hear me?
00:55:45Don't interrupt me!
00:55:47This man
00:55:48is in a desperate situation.
00:55:49If you can temporarily
00:55:50cancel the confession
00:55:51for deportation,
00:55:52please.
00:55:53Or you can archive it
00:55:54and lose it somewhere.
00:55:55I understand
00:55:56that your situation
00:55:57is very complicated,
00:55:58but my job
00:55:59is to enforce the law.
00:56:01Or not.
00:56:02What is this?
00:56:031500 euros.
00:56:04To satisfy
00:56:05every whim.
00:56:06You can buy a wig
00:56:07like Mozart's.
00:56:08Amador,
00:56:09they don't wear wigs.
00:56:10Shut up!
00:56:11I saw them on TV.
00:56:12Do you know
00:56:13it's a crime
00:56:14to push me
00:56:15to bribery?
00:56:16No, no.
00:56:17You lose your confession
00:56:18and I give you the money.
00:56:19Amador, this is bribery.
00:56:20Are you a lawyer?
00:56:21Can we talk to the police?
00:56:22Okay, okay.
00:56:23We'll forget about the money.
00:56:24Are you happy
00:56:25with your wig?
00:56:26Don't you want a tip?
00:56:27How dare you?
00:56:28Pedro, please
00:56:29come to my office
00:56:30right now
00:56:31because three idiots
00:56:32are in there.
00:56:33No, no.
00:56:34Please, please.
00:56:35Your honor.
00:56:36I'll do it under the bridge.
00:56:37Please.
00:56:38Your honor.
00:56:39Please.
00:56:41Are you coming
00:56:42or not?
00:56:43They'll kick us out.
00:56:44We have 24 more expulsions
00:56:45and you live
00:56:46on your property,
00:56:47so...
00:56:48I'll be there soon.
00:56:49You take 27
00:56:50to the morgue.
00:56:51Then you take 14
00:56:52and on the 6th round...
00:56:53Then...
00:56:54Wait a minute.
00:56:55They'll kick us out.
00:56:56Are you crazy?
00:56:57The police!
00:56:58They've surrounded us.
00:56:59Are you still coming?
00:57:00I'll kill you.
00:57:02What did he say?
00:57:03We're screwed.
00:57:04The courts are chasing us.
00:57:05All four of them
00:57:06and they can't do it.
00:57:07Mamol,
00:57:08we're coming to you
00:57:09to see Dusek.
00:57:11I have good news
00:57:12that they're kicking us out.
00:57:13We'll kill you.
00:57:14You bastard.
00:57:15We'll kick your ass.
00:57:16Wait, wait.
00:57:17I'm sorry
00:57:18for the misunderstanding
00:57:19that's been created
00:57:20between us.
00:57:21Misunderstanding?
00:57:23I was jealous
00:57:24that you weren't paying.
00:57:25But the neighbors
00:57:26got together
00:57:27and we decided
00:57:28to save you
00:57:29from this ruin.
00:57:30We'll help you.
00:57:31How are you going to save us?
00:57:32You'll pay us
00:57:33for the apartment.
00:57:34No, no, no.
00:57:35We'll nullify
00:57:36the cooperation
00:57:37and we'll create a group
00:57:38to prevent them
00:57:39from kicking you out.
00:57:40Really?
00:57:41Mr. Resilo
00:57:42is a very good man
00:57:43but he's a big antiracist.
00:57:44You're racist.
00:57:45I don't know what to say, Antonio.
00:57:46I didn't understand
00:57:47what he said
00:57:48and I got nervous.
00:57:49Let's get back to the roof.
00:57:50Everyone's up there.
00:57:51We organized a barbecue
00:57:52to discuss
00:57:53the rescue.
00:57:54What barbecue?
00:57:55Are there any vegetables
00:57:56on the roof?
00:57:58There's everything.
00:57:59Make sure
00:58:00everyone's there.
00:58:01I'll tell the other one
00:58:02that she doesn't know
00:58:03everything.
00:58:04She doesn't understand everything.
00:58:05Milo, our neighbors
00:58:06are terrible.
00:58:07They'll save us.
00:58:08What an original
00:58:09barbecue on the roof.
00:58:10Mr. Resilo,
00:58:11you're very good.
00:58:12You have a golden heart.
00:58:13They're so angry.
00:58:14What?
00:58:16Where are you going?
00:58:19What's going on?
00:58:22Oh, my God!
00:58:23They're fighting again.
00:58:26I was the Pope.
00:58:27You're trapped.
00:58:28Your house will be
00:58:29at the mercy
00:58:30of the keepers.
00:58:31Coward.
00:58:32That's cunning.
00:58:35Don't be like that.
00:58:36They'll kick you out
00:58:37of the house today.
00:58:38That's why it's a house.
00:58:39You can't mess up
00:58:40the house.
00:58:41You can't mess up
00:58:42the house.
00:58:43You can't mess up
00:58:44the house.
00:58:45You can't mess up
00:58:46the house.
00:58:47You can't mess up
00:58:48the house.
00:58:49You can't mess up
00:58:50the house.
00:58:51You can't mess up
00:58:52a trader.
00:58:53Give me the key
00:58:54and you'll take it
00:58:55and have fun.
00:58:56Rimario,
00:58:57I'll kill you
00:58:58like a will-o'-the-wisp.
00:58:59Realize your power
00:59:00selling naidles
00:59:01to the charity.
00:59:02This man
00:59:03is an idiot.
00:59:04I'll distract him.
00:59:05He'll show his face.
00:59:06Milo, don't be ridiculous.
00:59:07Come on.
00:59:08Get here.
00:59:09We'll come up.
00:59:10As if it's impossible.
00:59:11No,
00:59:12I'll get out.
00:59:13I'll get out.
00:59:14Lift me up.
00:59:15But, Dorn,
00:59:16I'll don't cross.
00:59:17Judith, you have a luxation with partial contraction of the outer vertebra of the heel.
00:59:24You broke your foot!
00:59:26How long does it take me to be here?
00:59:27Have patience. You hit yourself hard.
00:59:29After that, it will pass again.
00:59:31Thank you, doctor.
00:59:42Quick, quick!
00:59:45Is this the game, doctor?
00:59:47Well, if they didn't let him dance earlier...
00:59:49Do you remember what the other one said?
00:59:51Luxation with partial contraction of the outer vertebra of the heel.
00:59:55Are you okay, Snachorantia?
00:59:57Eric, Eric, something terrible happened.
00:59:59What?
01:00:01Explain it to him, doctor.
01:00:03Mr. Pastor, your wife...
01:00:05She broke her foot.
01:00:08I see something else.
01:00:11Doctor, the baby...
01:00:13Oh, yes.
01:00:15She also has a trauma of the anus.
01:00:17I'm very sorry, but she lost the child she was expecting.
01:00:21What do you mean? What happened?
01:00:23I have everything written down.
01:00:25Laxate and be careful.
01:00:28There's a pole over there. Let's go.
01:00:36It's laxating me.
01:00:39How can you put shoes in your condition?
01:00:41The time is running out.
01:00:43It's written in all the books.
01:00:45Don't bother me anymore.
01:00:47Eric, it's no one's fault.
01:00:49These are the whims of fate.
01:00:51I wanted to give birth to you so much.
01:00:53Calm down, Snachorantia. We'll try again.
01:00:55As much as necessary.
01:00:57When can you forget me again, doctor?
01:01:00No, no, I can't think about that now.
01:01:02I've been through a terrible trauma.
01:01:04Leave me alone, please.
01:01:06I'm sorry, but at the moment,
01:01:08Mrs. Baker cannot receive visitors.
01:01:11I'll take care of that.
01:01:13Come on, guys. He's old.
01:01:15The gentleman is very jealous.
01:01:17And such a doctor like you,
01:01:19so sexy and attractive,
01:01:21will make him nervous.
01:01:23Aha, yes.
01:01:25I understand. I'll come.
01:01:27After a while.
01:01:29All right.
01:01:34I'm so incomprehensible.
01:01:38What fools are you, guys?
01:01:40You're just an operated blonde
01:01:42and you're losing your weight.
01:01:44Is it the same when you're operating?
01:01:46Get inside.
01:01:48Oh, God.
01:01:50Mom, are you feeling better?
01:01:52Me, grandma, for God's sake.
01:01:54What a disgrace.
01:01:56Rejoice, very soon you will have
01:01:58a discount on city transport.
01:02:00Do you see why I didn't want to
01:02:02introduce you to this idiot?
01:02:04Stella, now that you have a job,
01:02:06you can rent a place in the center and that's it.
01:02:09No, never.
01:02:11My little girl's life is at stake
01:02:13and I want her to live this magical moment.
01:02:15That you fell on your ass
01:02:17out of fear when you heard it.
01:02:19That was from a strong emotion,
01:02:21melanoma with eyes.
01:02:2350 years without surgery.
01:02:25I'm 44 and I'm terrible.
01:02:27Young people can envy me.
01:02:29The grannies will envy you.
01:02:31Stop, stop.
01:02:33Look, enough.
01:02:35I love both of you,
01:02:37but I'm going to get stressed
01:02:39and I'm going to have an abortion
01:02:41or the baby will be harmed.
01:02:43If it's the father, don't be surprised.
01:02:45There's one for you, too.
01:02:47There's only one room for guests
01:02:49and I'm not going to decide who stays.
01:02:51You have to understand each other.
01:02:53Your mother already lives here.
01:02:55I would vote for Fermin.
01:02:57Javier, what did I do to you
01:02:59that you hate me so much?
01:03:01Son, I'm sorry,
01:03:03but you have to decide that.
01:03:05I'm going to take care of you
01:03:07this important moment of your life.
01:03:09Fermin, Fermin.
01:03:11There will be this one
01:03:13who will prove to me
01:03:15that he is more capable.
01:03:17Will you test us?
01:03:19Exactly.
01:03:21Let's see who will be a better grandfather
01:03:23or grandmother of Niko.
01:03:25Niko sounds like a doll.
01:03:27It's time.
01:03:29Do I have to make a book for my grandfather?
01:03:31Yes, dad will have a practical and oral test.
01:03:34I'm not going to do it.
01:03:36What about mine?
01:03:38No, wait.
01:03:40I'll do it for little Nikolas.
01:03:42Okay, what do I have to do?
01:03:44Javier, go and buy two dolls.
01:03:48This is me in the barracks,
01:03:50in the village, for the common Arab.
01:03:52Look, here you clean your first
01:03:54merluzka.
01:03:56This is how fish products start.
01:03:58Mom!
01:04:00Oh, Josefina, what a life!
01:04:02Who is Josefina?
01:04:04How do I know?
01:04:06This woman is not good with her head.
01:04:08Who said that?
01:04:10Antonio, we are a terrible family.
01:04:12Go and buy her some clothes.
01:04:14We can't keep her all day at night.
01:04:16She looks like the old woman from Titanic.
01:04:18You buy it, I'm going to church.
01:04:20Take a step.
01:04:22Let her breathe a little air and take it.
01:04:24Everything will be gone.
01:04:26She must be taking medicine.
01:04:28Here, go to bed again.
01:04:30Where have you been?
01:04:32This is my mother.
01:04:34What's wrong with her?
01:04:36I found her late.
01:04:38She was very drunk.
01:04:40What are we going to do now?
01:04:42You have an iguana.
01:04:44They give the iguana on TV.
01:04:46Donia Marselina Pasos,
01:04:48the old woman who is in the dark.
01:04:50Lydia, what happened?
01:04:52I want to know.
01:04:54This morning they told me that she was kidnapped.
01:04:56Can she escape?
01:04:58No, how can she escape?
01:05:00The woman is motionless.
01:05:02They kidnapped my mother.
01:05:04God, I have another sister.
01:05:06Stop looking at her.
01:05:08How beautiful she is.
01:05:10She understands the German genes.
01:05:12As if there are no terribles in Germany.
01:05:14I don't know, because we come a lot.
01:05:16We come.
01:05:18Yes, once a year, on our name day.
01:05:20If anyone has seen her, please ...
01:05:22Write down the phone.
01:05:24Write down 687-649-313-842.
01:05:27Violeta, stop!
01:05:29I repeat, 687 ...
01:05:319 ...
01:05:32687 ...
01:05:3316 ...
01:05:34Bingo!
01:05:35The old woman has a bingo.
01:05:37First test.
01:05:39Change of skin.
01:05:40You have cream, clothes, powder,
01:05:42Odecolon and skin.
01:05:44Put Odecolon on the child's ass.
01:05:46It will burn him.
01:05:47The doll must be completely finished.
01:05:49Otherwise, direct disqualification.
01:05:51Start.
01:05:53How to remove this?
01:05:55You are crazy.
01:05:57But this is a real doll.
01:05:59Of course, like a child.
01:06:01It's not like a child, it's a doll.
01:06:03You're wasting time.
01:06:05I can't.
01:06:07I can't.
01:06:12I won.
01:06:16It's nothing, the kids are stupid.
01:06:18What did I do?
01:06:20BB1, naked ass.
01:06:22BB2, brain damage.
01:06:24BB3, chemical equilibrium.
01:06:30As if there is no one.
01:06:32I do not trust.
01:06:34What are you doing?
01:06:36Just in case.
01:06:38How much did they measure me with stones?
01:06:40Friends, confiscators.
01:06:42Welcome to Mirador de Montepinar.
01:06:44Cooperation where we do not tolerate any liars.
01:06:46Did you expel the lawful inhabitants?
01:06:48You're hurting me, Martin.
01:06:50These unfortunate people are no longer a problem.
01:06:52Lock them in the elevator.
01:06:54Come on, change the key.
01:06:56And you lead the protocol.
01:06:58They're already opening the door downstairs.
01:07:00Antonio, what did you do now?
01:07:02Neighbors and new good news.
01:07:04I reached an agreement with the bank
01:07:06to bring us the due amounts
01:07:08of the little ones and the debtor
01:07:10in exchange for a peaceful extortion.
01:07:12Peaceful?
01:07:14I'll cut your head off like a scorpion.
01:07:16Lock them up.
01:07:18I hope you have this before the next elections.
01:07:21My husband did the best for the cooperation.
01:07:23Koke, give me the key to get them out.
01:07:25Mr. Resilu took it.
01:07:27Give me the key, Terribar.
01:07:29Back to the headquarters.
01:07:31Or 500,000 voters will pass through your pockets.
01:07:33Take it, take it.
01:07:35It's so nice that I'm not a housekeeper,
01:07:37but just a neighbor.
01:07:39Do not fight.
01:07:41Do not you see that you are wrong?
01:07:43The bad guys in this movie are not the little ones.
01:07:45Not us, the citizens.
01:07:47The bad guys are the politicians and bankers
01:07:49who lie to us to vote for them
01:07:51and do whatever they want.
01:07:53They raise our taxes.
01:07:55They take our social benefits.
01:07:57They cut our health insurance and education.
01:07:59While they mix the right in honey
01:08:01with their diets and cars
01:08:03and animal pensions.
01:08:05They kill their friends and relatives.
01:08:07They destroy us,
01:08:09and we have to pay.
01:08:11I'm sorry,
01:08:13but the bad guys are not the little ones.
01:08:15The bad guys sit in Congress,
01:08:17in parliaments,
01:08:19and in banks.
01:08:21These are the bad guys.
01:08:23What?
01:08:25What did you say?
01:08:27How can you read so badly
01:08:29and speak so well?
01:08:31Don't listen to him at all.
01:08:33He doesn't do anything,
01:08:35he only watches the news
01:08:37and says nonsense and lies.
01:08:39Antonio, I'm telling you very serious truths.
01:08:41They deceived you,
01:08:43they raised your taxes,
01:08:46they stole your truck,
01:08:48they stopped you
01:08:50when they saw you throwing cancer at the Prime Minister.
01:08:52That's right,
01:08:54I'm going to throw cancer at someone,
01:08:56and I'm cold, it hurts more.
01:08:58We are neighbors,
01:09:00we have to unite,
01:09:02not make each other sick.
01:09:04The state is enough for us.
01:09:06That's right,
01:09:08open the gate for me,
01:09:10they'll take my house.
01:09:12I'm going to get drunk.
01:09:14My house,
01:09:16my house,
01:09:18my house,
01:09:20my house.
01:09:22Excuse me,
01:09:24but this is the property
01:09:26of the Bank BCNHC.
01:09:28And another 180,000,
01:09:30and you don't know what to do with it.
01:09:32That's right,
01:09:34but that's our problem.
01:09:36Don Antonio, thank you very much.
01:09:38Soon you'll get the deposit check.
01:09:40You scoundrel, I'll kill you.
01:09:42It's very important
01:09:44that the bank keeps their toothbrushes.
01:09:46That's a little too much.
01:09:48I'm sorry, but we don't invent the laws.
01:09:50Yes, but you take advantage of them well.
01:09:52Have a nice day.
01:09:56Amador, we have nothing.
01:09:58Milo, we have each other.
01:10:00That's what I'm saying.
01:10:02I'm so sorry.
01:10:04How much do you pay?
01:10:06Calm down, all evil is good.
01:10:08To hell with them,
01:10:10what are we going to do now?
01:10:12I'm not going to your mother's.
01:10:14We can arrange to accept them,
01:10:16each for a month.
01:10:18One is to take care of them,
01:10:20and the other to take care of four children at home.
01:10:22If we temporarily take care of
01:10:24Donia and Saskun,
01:10:26I haven't seen her for a long time,
01:10:28I think she's resting.
01:10:30Exactly, let's take care of the old woman,
01:10:32she's not paying either.
01:10:36Dear, clean up,
01:10:39check if the floor is clean.
01:10:41It doesn't matter, they wash here every day.
01:10:43In the mall.
01:10:45What does it matter?
01:10:47Judith, we lost our child
01:10:49due to the risk of negligence.
01:10:51Did you have a sign for a clean floor?
01:10:53I don't remember, Eric.
01:10:55Such a request will make them see.
01:10:57I'll talk to the city council
01:10:59and they'll get a license.
01:11:01What are you doing?
01:11:03I'll watch the video again.
01:11:05Don't bother with Nina's phone.
01:11:07This is definitely a violation of law 1393
01:11:09for the safety of public places.
01:11:11You'll see.
01:11:13Give it to me, Raquel.
01:11:15Lele, hurry up.
01:11:17Go.
01:11:19Stop, get out.
01:11:21What is Sergio doing?
01:11:23The specialist is there.
01:11:25Let him see.
01:11:27It's good that you're not really pregnant.
01:11:29You like to lie, Eric.
01:11:31Life gives it back to you.
01:11:33Don't record anymore.
01:11:35How come you weren't pregnant?
01:11:37I didn't want to have children.
01:11:39But you insisted and...
01:11:41But you were so happy.
01:11:43We tried for three months, every day.
01:11:45I put on a spiral.
01:11:47A spiral?
01:11:49Yes, it's a kind of...
01:11:51I know what a spiral is.
01:11:53You lied to me all the time.
01:11:55The fundamentalist truth.
01:11:57You also lied to me.
01:11:59You were a housekeeper.
01:12:01We're all the same.
01:12:04God, God, God.
01:12:06Eric, where are you going?
01:12:08Eric, don't go. We're talking right now.
01:12:10Eric, Eric.
01:12:12Hey.
01:12:14Lie down, lie down.
01:12:16I haven't written you yet.
01:12:18I have to talk to my husband.
01:12:20Then lie down now.
01:12:22We have to remove the spiral right away
01:12:24to avoid infections.
01:12:26What infections?
01:12:28Yes, the embryo.
01:12:30Judith, it's time.
01:12:32How can I be on time, doctor,
01:12:34when I have a spiral?
01:12:36Well, sometimes it moves.
01:12:38How does it move?
01:12:40No, it doesn't move.
01:12:42If it's not placed properly,
01:12:44because it's an alien body,
01:12:46the body tries to throw it out.
01:12:48Life makes way.
01:12:50What's wrong with you, Eric?
01:12:52We talked and she didn't look at us.
01:12:54I'm on time.
01:12:56What?
01:12:58And the spiral?
01:13:00What?
01:13:02Second trial, patience.
01:13:04You have to feed the child
01:13:06without losing 50%
01:13:08of the contents of the jar.
01:13:10This is absurd.
01:13:12This one has a beard.
01:13:14It's impossible to fit into the image.
01:13:16I'll start.
01:13:18No, I'll start.
01:13:20Start.
01:13:22Are you ready?
01:13:24Come on, one spoon for grandma.
01:13:30Come on!
01:13:49Oh my God!
01:13:51It's like I'm in a prison!
01:13:53Oh, don't insult me no more!
01:13:55What's the trial?
01:13:57It says I want to pee.
01:13:59Why are you laughing at this smell of sardines?
01:14:01Because you got off that boat.
01:14:03Yes, my first orgasm.
01:14:05It hurts a lot, I watched the sea.
01:14:07Are you done already?
01:14:09Yes, yes, tell me.
01:14:10None of you showed great qualities,
01:14:12to be a grandmother or a grandfather.
01:14:14Not really.
01:14:16To think with whom you are more connected,
01:14:18I sacrificed my life for you.
01:14:20And this Zargan here,
01:14:22he lived his life and fed the tourists.
01:14:25You didn't let me see her.
01:14:27It was easy for you to look the other way.
01:14:29I worked, I had to make a living,
01:14:31I had no money.
01:14:32Don't justify yourself.
01:14:34Make an experiment to find her.
01:14:36No, but...
01:14:38No...
01:14:40But I waited, once a month.
01:14:42Only one wait a month,
01:14:44that's how much she was interested in you.
01:14:47And now you want to waste wasted time.
01:14:50Sit down.
01:14:58Dad, where are you going?
01:15:00To get my suitcase.
01:15:02Paka is right.
01:15:04I wasn't a good father,
01:15:06I won't be a good grandfather.
01:15:08I'm not good at anything.
01:15:10Wait here.
01:15:12Mom, you're going to go.
01:15:15Me? Why?
01:15:18So, this no-good,
01:15:20gets up like a sardine in a pan,
01:15:22and entertains you?
01:15:24This no-good,
01:15:26hasn't handed me over yet,
01:15:28not like you, where you only do this.
01:15:30Very well.
01:15:32I'm not going to stay where they don't want me.
01:15:35So, you're not going to stay anywhere.
01:15:37Right now, I'm taking the Samsonites,
01:15:39and I'm getting out of here.
01:15:41Estella Reynolds is leaving,
01:15:43and she's not coming back.
01:15:45Did you spit out the shit?
01:15:47Yes, I copied it from Cantudo.
01:15:49Cantudo copied it from me.
01:15:51And I'll tell you something.
01:15:53This baby will ruin your career,
01:15:55just like you ruined mine.
01:15:59I'm so lonely.
01:16:01I'm so lonely.
01:16:07Dad, help me with the suitcase.
01:16:10Yes, I'm going to take it to break something.
01:16:12It's a lot of fat,
01:16:14and it's out of shape.
01:16:16It's mine.
01:16:21It's his mother's.
01:16:23I cried for my parents.
01:16:30I'm so stressed.
01:16:32After all, it's a real family.
01:16:34And what am I?
01:16:36That idiot saved her.
01:16:38You'll never forgive me.
01:16:40Look, they're coming.
01:16:42Nice car, of course.
01:16:45My brothers and sisters.
01:16:47Look how beautiful you are.
01:16:49Lydia, sister.
01:16:51Get out of here.
01:16:53Mom, are you okay?
01:16:55Josefina.
01:16:57No, Mom, I'm Lydia, your daughter.
01:16:59Antonio Rezio, a merchant and a stolen child.
01:17:01I'm your brother.
01:17:03What are you talking about?
01:17:05I think it's awful that they left Mom
01:17:07in the old man's house.
01:17:09They even fried her brain.
01:17:11My wife is a big Christian,
01:17:13so look at us and look at yourself.
01:17:15Maybe Mom was a little bit of a whore
01:17:17and she cried, I don't know where from.
01:17:19And that's rotten.
01:17:21And what's that garden down there?
01:17:23You're mentally ill,
01:17:25and God knows why.
01:17:27And I'm asking you why.
01:17:29I'm your brother, Pope.
01:17:31I've been cut off from the hands of Masolino
01:17:33on May 7, 1966.
01:17:35I was born on May 12, the same year.
01:17:37We must be twins.
01:17:39Five days apart.
01:17:41Antonio, can't you see they're lying?
01:17:43One of Mom's boys took his money.
01:17:45Be grateful that we won't file a complaint
01:17:47with the police.
01:17:49Come on, Mom.
01:17:51Goodbye, Juan de Dios.
01:17:53Why is everyone lying to me?
01:17:55It's like when your hair falls off.
01:17:57People use your stuff
01:17:59and they take your money.
01:18:01How much food did you eat
01:18:03on that plane that smelled awful?
01:18:05My armpits grew.
01:18:07You made your mother look like a whore.
01:18:09Accept that you're gone forever.
01:18:11I don't want to.
01:18:13I'm going to talk to Sister Pepita.
01:18:15Again? Why?
01:18:17Because she knows where my mother is
01:18:19and that's why she gave me
01:18:21the false mark.
01:18:23I was close.
01:18:25Leave the monks alone.
01:18:27Either she'll tell me where my mother is
01:18:29or she'll tear us apart.
01:18:31Antonio, for God's sake.
01:18:33There's no one here.
01:18:35Wait, I have the key.
01:18:37She's the only one I can trust.
01:18:45Look around.
01:18:47At this age, fear is a bad thing.
01:18:51They kicked us out of the house.
01:18:53What did it smell like?
01:18:55Like shit.
01:18:57It's broken.
01:18:59The worms are eating it.
01:19:01Again?
01:19:03It's gone.
01:19:05I know it's gone,
01:19:07but where is it?
01:19:09Maybe it went to Benidorm
01:19:11or to rest.
01:19:13Let's go.
01:19:15Meanwhile, we have a house.
01:19:17Milo!
01:19:19Home, sweet home.
01:19:21Milo!
01:19:23Milo!
01:19:25Home, sweet home.
01:19:27How can we stay here?
01:19:29What if she comes back?
01:19:31If she never comes back,
01:19:33she can hit something
01:19:35and forget where she lives.
01:19:37I don't know, I don't see it.
01:19:39What do you prefer, under the bridge?
01:19:41Life gives us a new chance, Milo,
01:19:43to live it.
01:19:45Look at this house for God's sake.
01:19:47It's a decoration for a psycho.
01:19:49Don't be stubborn.
01:19:51I'm going to get the suitcases.
01:19:53Milo!
01:20:03Milo, do you love me?
01:20:07No.
01:20:09I don't love you either.
01:20:11But we're together.
01:20:13That's what we need.
01:20:15Yes.
01:20:17We've always overcome the difficulties
01:20:19of cruel fate.
01:20:21Yes.
01:20:23But this time we're going to overcome it for real.
01:20:25I swear on our children.
01:20:35What did I want to tell you?
01:20:37Do you want this boy?
01:20:39Did you see?
01:20:41He ruined everything.
01:20:43Sometimes it happens.
01:20:45Antonio, you can't worry the monks.
01:20:47They are God's servants.
01:20:49They don't do anything.
01:20:51They live on teachings and prayers.
01:20:53Darshanis?
01:20:55From my money.
01:20:57I'm not going to give more money to the green ones.
01:20:59No, not to those hippies.
01:21:01What's going on, sister Pepita?
01:21:03What are you doing?
01:21:05Again?
01:21:07Antonio, don't let her talk.
01:21:09I'm sure she's going to mess with me.
01:21:11Sister Pepita?
01:21:13Aha!
01:21:15Here's the fake monk.
01:21:17The truth.
01:21:19Where is my mother?
01:21:21I don't know, son.
01:21:23Will you tell me or you'll get a mystical experience.
01:21:25Let's go.
01:21:27This secret will go with me to the grave.
01:21:29Try to be quick. Hold her.
01:21:31Antonio, look.
01:21:33What?
01:21:35The picture.
01:21:37Look.
01:21:43Who is this?
01:21:45Father Manrique.
01:21:49Your father.
01:21:51Jesus!
01:21:57What is this picture for?
01:22:03Mom!
01:22:05Yes, it's me.
01:22:07What?
01:22:09Dear God!
01:22:11Mom!
01:22:13Enrique!
01:22:15My love!
01:22:17Yes, I'm pregnant.
01:22:19You're going to be a father.
01:22:23Hello?
01:22:27Judith, I'm leaving.
01:22:29Our lies weren't the worst thing.
01:22:31And the fact that we lied,
01:22:33that this will go away.
01:22:35I wish you to be very happy.
01:22:43Enrique!
01:22:45No, please.
01:22:47You can't leave.
01:22:49You're the housekeeper.
01:22:51Sounds familiar to me.
01:22:53I didn't present my resignation.
01:22:55What should I do with the certificate?
01:22:57I don't care.
01:22:59Call the meeting.
01:23:01Wait.
01:23:03What happened?
01:23:05That the women are crazy.
01:23:07Do you see?
01:23:09I told you that this girl will give birth to you.
01:23:11Take it now.
01:23:13My father is still alive.
01:23:15He told you that the tribe took him.
01:23:17Lie! Enrique!
01:23:19Enrique, my mother is a nun,
01:23:21and my father is a missionary.
01:23:23I'm leaving.
01:23:25I'm going to Brazil to see Fran.
01:23:27Leave Fran alone.
01:23:29Goodbye, Mirador de Montepinar.
01:23:31I'm closing a tragic period of my life.
01:23:33Another one.
01:23:35Wait, I'm coming with you.
01:23:37Antonio, what are you talking about?
01:23:39My father is a missionary,
01:23:41and we can go hunting for babies.
01:23:43No, I'm going to Brazil.
01:23:45This Africa is full of candy and liquor.
01:23:47Their tits are swollen,
01:23:49but we'll bring them to the West and operate on them.
01:23:51Antonio, are you going to leave me alone?
01:23:53You're not alone. Go with the idiot.
01:23:55Get out of my taxi.
01:23:57And the redhead?
01:23:59We broke up. I left her with Beleshka.
01:24:01Do you think it's very convenient?
01:24:03You can tell me now.
01:24:05What's her name?
01:24:07Erika!
01:24:09Go away!
01:24:11Erika, dear!
01:24:15Where is he going?
01:24:17I don't know. He didn't tell me.
01:24:19What did he do to him?
01:24:23This girl is a little upset.
01:24:27What's wrong with you?
01:24:29I don't want to be alone.
01:24:31I don't want to be the housekeeper.
01:24:37They're having a lot of fun.
01:24:39Who knows what they're doing?
01:24:45Fermin, I'll take everything from you!
01:24:47Quiet!
01:24:49Dad!
01:24:51I've already given it to you once.
01:24:53What are you doing?
01:24:55The sparks of love were not extinguished, were they?
01:24:57I really like her.
01:24:59She's a big nuisance.
01:25:01Can you be a little lonely?
01:25:03Don't ruin our reconciliation.
01:25:05Can we be a normal family?
01:25:09Javi!
01:25:11He lost, too.
01:25:13Yes, an artistic family.
01:25:15Come here.
01:25:17No, no, I've had enough.
01:25:19Don't you think I'm 15?
01:25:21Then you go down.
01:25:23That's exactly what I thought.
01:25:25See you in the world.