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00:00Believe in yourself.
00:01Episode 68.
00:03Can you repeat that? This gentleman can't hear.
00:07Of course.
00:08You are invited to appear in the administration.
00:11To give evidence regarding the investigation of rape.
00:15Sign...
00:17Here, please.
00:18I won't sign anything.
00:19Give it to me, I'll give it to him later.
00:22You are already informed.
00:23Good evening.
00:26This is Benjamin's work.
00:27He's a jealous bastard.
00:29What do you know?
00:30As far as I know, you are accused of something you have done.
00:35Don't play dumb, what do you know?
00:38I'm going, bye.
00:39No bye, stay here.
00:40I'm going.
00:42I'm calling Rafa to tell him what we did on that couch.
00:46I don't know who accused you.
00:48I won't testify.
00:50I won't tell how cruel you are.
00:53Just because of Rafa.
00:59Please.
01:03I brought the letter I received.
01:09It's official.
01:11The police will take your testimony.
01:15I admit that when I see how this happens, I'm scared.
01:21But I'm sure I'm doing the right thing.
01:26Yes.
01:27This is a good sign that the court has accepted the appeal.
01:31We are getting closer to justice.
01:35Sol already knows, right?
01:37She will testify, right?
01:40Lumière, wake me up when you hear the message.
01:43Call me when Zovka comes.
01:47Come on, kisses.
01:49I need to relax, you too.
01:51I don't want anything.
01:53And if you try to force me to do something, I'll call you.
01:56Yes.
02:02No.
02:03No, Theo, please.
02:05Okay, I'll drink.
02:07What's up, Theo?
02:09I thought you could say hello to your father.
02:12What do you want?
02:13No.
02:14I'm here with a man you think you know very well.
02:18Theo.
02:20I'm Lumière.
02:21Son, I have an emergency.
02:23I'll call you later.
02:24Kisses.
02:26Hide.
02:27What if I don't hide?
02:32What will happen?
02:34Let's go.
02:39I'm coming.
02:51Orfeo Caruso.
02:55It's me.
02:56Celso Macedo.
02:57I work for the police.
02:59I'm here to give you back Zovka.
03:03Please, I'm clean.
03:05Yes, we're investigating Theo Bastos.
03:07You're under arrest as a witness.
03:14The court has launched an investigation into the police.
03:17The victim is Janayina Freita Slima.
03:21The crime happened in 2009.
03:24Do you have any idea what this is?
03:25Do you remember someone named Janayina?
03:27I don't remember what I ate yesterday.
03:28I'll remember Janayina 2009.
03:30I'll ask for a copy of all the documents to come up with a strategy.
03:34When I found out you were guilty, I reached out to you.
03:37I knew you'd be worried.
03:39Of course I'm worried.
03:40How do you want me to be?
03:44I've always fought to be the man my father was proud of.
03:49I inherited his company.
03:50I married the woman he chose.
03:53And now my best friend is filing a complaint against me.
03:57Benjamin, I'm sure of it.
04:00He's Janayina's lawyer.
04:02So he's accusing him of rape.
04:04Right?
04:05How absurd.
04:06He ruined my reputation, which I built for years.
04:09And why?
04:10Because of Saul.
04:11Because of the envy he feels from the fact that I'm Jennifer's father.
04:16Theo.
04:17Theo.
04:18Look at me.
04:20I'll give you the best protection.
04:22I'll give you the best protection.
04:24I'll give you the best protection.
04:26I'll give you the best protection.
04:29You're the man who saved my life.
04:31You're the best thing that's ever happened to me.
04:46What's that noise in the bathroom?
04:47I don't hear any noise.
04:48What do you mean? There's noise.
04:50No, no, no. Wait. It could be bad.
04:52The floors are falling off the building.
04:54There are a lot of floors in the building.
04:55You'd better stay here.
04:57No, no, no. Stay there.
05:01It's probably from the office.
05:04I told the lawyer to warn me. Hello?
05:06Okay, I'll try to kill this attack.
05:09Lumière.
05:11I took your phone from Dora.
05:13I'm going to make a concert in the estate to help my mom's movie.
05:17And I wondered if my ex-sister was willing to make that amazing duet with me again.
05:24My mom told me about the concert.
05:26But I took a very engaging case.
05:29I'm glad you woke up and remembered me.
05:33I always remember you.
05:36This is Jennifer's teacher, right?
05:39The ex-wife of the handsome uncle.
05:42You're obviously in love.
05:45Her name is Lumière.
05:46Don't talk about Lumière.
05:49Imagine if she finds out that you have a young boy and you tried to turn him into salt.
06:01If you tell Rafa, I'll tell her.
06:05I can tell her even now.
06:10Theo.
06:11Stop it.
06:12Is everything okay? Are we going out?
06:14Ready.
06:17Is this bad?
06:18No, he's running away.
06:20I'll talk to the porter to see.
06:22Let's go.
06:24Oh my God.
06:26Hello.
06:27Theo, what did you do this time?
06:30What do you mean?
06:31I just got a call at the bar.
06:36Come here, man.
06:38I don't care if you're with Lumière.
06:40Come with her.
06:42Come right now or...
06:44I'll open your mouth.
06:48Okay.
06:51We have to go somewhere before lunch.
06:54Do you have anything against it?
06:55There was a call for Orfeo, and he's worried.
06:58Orfeo?
07:00Let's get something to relax.
07:02Something from Loire Lorenzo.
07:05Are you kidding?
07:06Yes.
07:09To relax a little.
07:11I know it's serious.
07:13But I know you're innocent.
07:14Everything will be fine.
07:16Okay.
07:17Let's go.
07:26The old scoundrel and Roussoukoska.
07:29Who can guess?
07:32Who would have thought?
07:43How much, madame?
07:46I thought you had a gadget.
07:47I do.
07:48Jairo, I'm watching you.
07:50Can I watch?
07:52Dear, welcome. The bar is already open.
07:55Enjoy your drink.
07:57Just wait for the guard to the stage at the end of the show.
08:01Thank you for supporting the national cinema.
08:05Dear, do you have a ticket?
08:07I'm from the media.
08:09I came to reflect the event.
08:12Will there be an after-party?
08:14I can arrange it for us.
08:18Dora, Fabio.
08:20Dear, I missed you.
08:23I'm glad to see you.
08:25Benjamin.
08:26You look good.
08:28I'm very glad.
08:29I'm good. Sometimes I'm better, sometimes I'm not.
08:32But it's good to see you.
08:35Wonderful.
08:36I didn't expect to see you here.
08:37Are you coming to the concert?
08:39Yes, yes, I'm going.
08:41Yes, yes, I'm just going home to take a shower.
08:44And I'll be back. I heard you're supporting the film.
08:46Yes, Fabio is also participating in the film.
08:49I'm glad to see him shoot something that he left behind.
08:53To be with me.
08:55Dear, you know I'd like to tour again and again.
08:59Is that so?
08:59Of course.
09:00You are my love of yesterday, today and for the rest of my life.
09:05You too, dear.
09:07You are incredible.
09:09And you are the best husband I've ever had.
09:15I must admit, I don't like this Theo, especially now that he's our son-in-law.
09:21It took me a while to figure out who the real Theo is.
09:25And now I want to stay away from him.
09:28Everyone has a bright and dark side.
09:31If it weren't for him, I wouldn't be able to watch Louis's concert today.
09:36And to meet you.
09:38I'm going to take a shower. I'll see you in a bit.
09:42Okay.
09:42Kisses.
09:43See you soon.
09:44See you soon.
09:44Kisses.
09:45I love him.
09:48For accusing the rapist, Theo.
09:51For your father's affair with your almost ex-girlfriend.
09:55My God, it's so hard to believe that it's actually true.
10:01Do you remember her?
10:02My friend.
10:04Tell me, how did you find out?
10:06I have my ways.
10:08The important thing is that this fool is in my hands.
10:11If he decides to tell Rafa something, I'll tell him, of course.
10:18We'll get rid of this fool.
10:22Tell me, will you try to get together with Rafa?
10:26I really miss my cat, but I can't.
10:31Clara, his mother said that if we get together, she'll tell him everything.
10:40I still don't understand why Ben pointed you out for this investigation.
10:45Do you know anything?
10:47You can tell me the truth about Lumière. Everything you know.
10:51Ma'am, the only thing we know is that on that day Benjamin was in my bar looking for the cameras.
10:59He wanted to blackmail me and look for evidence where he couldn't find them.
11:03I can guarantee you that I've never seen Theo with the girls in my bar.
11:08That's why I don't believe this story.
11:10So if the police are looking for the cameras in the area, they won't find them.
11:14For sure.
11:17Read what Leesmi sent me.
11:20This Janayna Freitas Lima testified that he was drunk and had sex with her without her consent.
11:26How absurd! When was that?
11:29It was at the end of 2009.
11:32Neither then nor ever. Wait, 2009?
11:36It's been a long time. Can you blame me?
11:39Still yes. The age of the rape is 20 years.
11:44Did you drink with the women?
11:46I was 20 years old, Lumière. Everyone was drinking at that time.
11:50You know, Simas, me, Benjamin, the women.
11:53You know you can't say that in court, right?
11:59A small part of you believes these lies, doesn't it?
12:03Tell me, I can feel it.
12:05It's not like that. I have to look at the case from everywhere.
12:09Absurd! How many years have you known me, Lumière?
12:13You know I've never needed to rape anyone. The exact opposite.
12:18Now I have to show you who I am, right?
12:24Hello, Simas.
12:26Lumière, I'm sorry to call you at this time, but I tried to talk to Benny, but I couldn't.
12:30I got a call.
12:32Don't worry, I'm used to witnesses.
12:36Good. It's terrible that I'm in the middle of this mess between Benny and Theo.
12:42I can imagine. Let me ask you something.
12:46Do you remember meeting a woman in the bars you used to go to?
12:51A woman, right? I'm almost sure I don't.
12:55So you just have to tell the truth.
12:58Okay, but I won't be of much use.
13:05Ladies and gentlemen, fans of Louis,
13:09make some noise for the brilliant, sexapolite and seductive Louis Lorenzo!
13:26Sit down, sit down.
13:28Thank you, thank you.
13:30Fans, I'm sorry to start like this, but today's concert is special.
13:36Very special.
13:38I've been thinking a lot about my career, about my art, about the meaning of my life.
13:47I want to announce that I'm leaving the stage.
13:51I'm leaving the stage. I'm not going to sing anymore.
13:55But I can't refuse my mother's prayer.
14:02Make some noise for Wilma Campos!
14:05It's hard to hold back your emotions, isn't it?
14:09It's all theater.
14:11All tickets for today's concert will be directed to the film Dark Smoke,
14:17in which Wilma Campos will play the leading role.
14:20My mother has given up many dreams to devote herself to my career.
14:26And this concert is a way to give her back a little of everything she's done for me.
14:34So, thank you very much, Mom.
14:38My dear God.
14:40And now, for the last time, Louis Lorenzo!
14:46Come on!
14:50I don't think it's theater.
15:00Am I late?
15:02No, it's still the first song.
15:04Let the lawyer find you.
15:06Enough. Come on, sit down.
15:11I'm so happy to be at Louis's concert for the first time.
15:17It's nice when you do something for the first time.
15:20I'm happy for you, darling.
15:23But we're not going to miss it, are we?
15:25We will miss it.
15:40If I were married
15:42I wouldn't even look around
15:45If I were married
15:47I wouldn't even look around
15:49If I were married
15:51I wouldn't even look around
15:53If I were married
15:56I wouldn't even look around
15:58If I were married
16:00I wouldn't even look around
16:02If I were married
16:04I wouldn't even look around
16:07If I were married
16:09I wouldn't even look around
16:11If I were married
16:14I wouldn't even look around
16:16If I were married
16:18I wouldn't even look around
16:20If I were married
16:22I wouldn't even look around
16:25If I were married
16:27I wouldn't even look around
16:29If I were married
16:31I wouldn't even look around
16:33If I were married
16:36I wouldn't even look around
16:38I'm glad you believe me.
16:40I was afraid I'd lose you.
16:42I was afraid I'd lose you.
16:44You're a coward instead of me.
16:46And I'll take as much as I need.
16:49Then get ready.
16:51Because tonight
16:53there will be a heavier target.
16:55And this time
16:57I'll stand in front of you.
17:08I'm handing out the script.
17:10Don't worry.
17:12It's recycled paper.
17:14I'm buying it from Vassal Rush.
17:16My first line!
17:19My God, what a heavy suitcase!
17:21Where are you going, Louis?
17:23I'm going back to Lumière-Mabon.
17:25I came just for the concert.
17:27Zora, are you coming?
17:30No, I want to stay and hear the reading of the script.
17:32Can I?
17:34Of course.
17:36I want to see Fabio in some scene.
17:38I've never seen him.
17:41Stay, dear.
17:43You'll see the birth of a movie.
17:45This is a special moment.
17:47Louis, maybe there's a part for you, too.
17:49Don't be silly, Vittinio.
17:52Unfortunately, Louis didn't inherit my talent.
17:54It's very difficult, isn't it?
17:56On the contrary.
17:58It's very difficult.
18:00I'm sorry to interrupt your family drama.
18:03But isn't there food for the team?
18:05This is Solange's work. Where is it?
18:07I'll get it in a minute.
18:10Okay, we don't have food, but we have a script.
18:13Why don't we go to the rehearsal room?
18:15Because we're hungry.
18:17Oh, don't start, Eric. Let's go.
18:19With pleasure.
18:25Eric, will you do something for me?
18:27Go to the kitchen and bring the biscuits.
18:29Sol will be late.
18:31What's going on?
18:33Something's happened.
18:36Louis, Sol won't calm down for a minute.
18:38The inspector summoned her today to testify on this case.
18:40Eric, is there a problem?
18:42Why is Sol at the police station, Vittinio?
18:44Tell me.
18:47Just tell me.
18:49Mila, aren't you an actress?
18:51Not a cook.
18:53Go to work, kiss, and see you later.
18:55Come on.
18:57I'll give you a job as a lawyer.
19:00You'll be the first Jeanine.
19:02Good morning, Lumière.
19:04I thought you'd be the first here.
19:06We know our way of working.
19:08Sol.
19:11Congratulations on the concert.
19:13I saw it on the Internet.
19:15You have a lot of chemistry with her.
19:17Jeanine, right?
19:19I'm Lumière Lorenzo, your father's lawyer.
19:22I'm a lawyer.
19:24I'm a lawyer.
19:26I'm Lumière Lorenzo, your father's lawyer.
19:28It's unethical to provoke my client.
19:30You're right.
19:33I'm sorry.
19:35A hypocrite.
19:37Jeanine Freitas Lima.
19:39Please come.
19:41Let's go.
19:44I'm the victim's lawyer.
19:46I'd like to testify.
19:48If the victim agrees, you can come in.
19:52Mr. Ismael, how are you?
19:55As the lawyer of Theo Camargo Bastos,
19:57may I come in?
19:59I'm glad to see you, Lumière.
20:02But I'll tell you both.
20:04The presence of a lawyer from the opposite side
20:06can threaten the victim.
20:08If it's not a lie,
20:10you're husband and wife.
20:13Does your office protect you
20:15on both sides?
20:17We're already separated.
20:19As are our offices.
20:21We're already separated.
20:24It's logical
20:26that you're on both sides.
20:34The name is Dan.
20:36Call me. I'll be right back.
20:39OK.
20:41The name is Dan.
20:43Is the password out, while...
20:45Excuse me, Lucas.
20:47Let me ask.
20:50Is this rain necessary?
20:52Vitinio,
20:55I like to imagine the rain dropping
20:57under the thin glass
20:59that protects this family.
21:01Sure, the picture is beautiful,
21:03but hiring a truck with water
21:06is terribly expensive
21:08and will cost the film budget.
21:10We can work
21:12on a lighter rain, right?
21:14We'll let the rain out.
21:17OK, I'll figure it out later.
21:19Great.
21:21Olga is waiting for her husband,
21:23Tarsizio, to come out
21:26to buy some food.
21:28Her eyebrows show
21:30the tension she's trying to hide.
21:32What do you mean, eyebrows?
21:34Vitinio, we don't even have
21:37a budget for rain.
21:39No, we don't.
21:41This film has to be reliable.
21:43I don't even think the crew
21:45is going to get wet while filming.
21:48Please!
21:50Can we use the same clothes?
21:52Great idea.
21:54We'll save it from the wardrobe.
21:56How long will it take?
21:58We'll see.
22:01Scarlett is getting close
22:03to her mother.
22:05Dad is probably nearby.
22:07I'll look for him, Mom.
22:09I can't lose you, son.
22:12Look,
22:14your father is coming.
22:16He's found the food.
22:19There he is.
22:21Tarsizio is carrying
22:23canned food in his hands.
22:25Wait a minute.
22:27What do you mean, canned food?
22:30Why?
22:32Yes, and broken.
22:34I think you have the wrong
22:36view of the film.
22:38Dora, with all due respect,
22:41one lettuce and tomato salad
22:43won't last long.
22:45But the food will.
22:47Dora, you're making a mess.
22:49Shut up!
22:52I'll solve this
22:54in a different way.
22:56This smoke has to cover the family
22:58while they start filming.
23:00I'll solve it.
23:03Let's continue.
23:05Excuse me, this girl said
23:07she's your friend.
23:09Rogeria, dear, come here.
23:11Of course.
23:14This is Rogeria Coutinho,
23:16a friend from the university.
23:18She'll prepare the actors.
23:20Hello.
23:22Hello, Rogeria.
23:24Lucas, we don't have money
23:27for such a person.
23:29No, no, I won't work
23:31against my salary.
23:33Really? That's wonderful.
23:35My talent is to tell the truth
23:38about the actors.
23:40Love, pain,
23:42the method doesn't matter.
23:45Theo,
23:47he was very insistent on drinking.
23:49There was even a moment
23:51when I was completely inadequate.
23:54Why didn't you leave?
23:56Why?
23:58Because...
24:00I wasn't able to...
24:02I remember
24:05waking up without clothes
24:07in an unknown place.
24:09Before you left,
24:11you told me
24:14you were drinking.
24:16Were you with your wife?
24:18Did anyone know about it?
24:20To do that to my client,
24:22Theo took her to a faraway place.
24:25Please, Benjamin,
24:27the client is giving you evidence,
24:29not you.
24:31If you move,
24:33you'll wait outside.
24:39I don't understand.
24:41Why are you protecting
24:43a rapist?
24:46I've seen you lying many times, Sol.
24:48I even helped you once,
24:50and I regret it.
24:52You can imagine
24:54I lied to get Benjamin back.
24:57But what did Janaina gain
24:59from all this humiliation?
25:01I don't know what her motives are.
25:03Unfortunately,
25:05the inspector won't let me see the evidence.
25:08Mom,
25:11did he give you the evidence?
25:13Let me go to class so you can come.
25:15You don't have to go to class.
25:17It's more important for me
25:19to support you than the classes.
25:22The most important thing for a mother
25:24is her daughter's future,
25:26not this criminal from the past.
25:28I suppose the criminal,
25:30according to member 5,
25:33is not considered guilty
25:35until a final sentence is given.
25:37That's not entirely true.
25:39I know well
25:41that Theo is a criminal
25:43and you should know that
25:46a lawyer should always stick to the facts.
25:48My student uses this argument
25:50in the debate club.
25:52Take my mother and the man
25:54who saved my life.
25:57He saved my mother's life.
25:59I've known him for 20 years.
26:01Leave it, Dad.
26:03The truth always wins.
26:06It's your mother's turn.
26:08Are you ready?
26:11Jennifer, go back to class, please.
26:13Okay.
26:15Your mother is right.
26:17You can't go in. I'm here.
26:19Everything will be fine. God bless you.
26:22I love you.
26:24Go to class.
26:26Let's go.
26:28That's the right decision.
26:30Good morning, inspector.
26:33I'm Lumière Lorenzo,
26:35and I can't come in
26:37to hear the testimony,
26:39but I have the right to a copy.
26:46I'm glad you're going to university.
26:48There's a group photo today.
26:51I'm going to the police.
26:53I was wondering
26:55if I should tell you
26:57or not,
26:59but I decided
27:02that your sister can tell you
27:04so that she can appear
27:06in some newspaper.
27:08What happened?
27:10Your father was charged
27:12with rape.
27:15It happened in 2009.
27:17We were already married,
27:19and you were little.
27:21But I don't believe
27:23Theo did it.
27:26He's disappointed you so many times.
27:28Why do you believe him?
27:30Because
27:33there's a big difference
27:35between a bad husband
27:37and a criminal.
27:39Believe me.
27:41I believe you,
27:44but I don't believe Theo.
27:46Do you think he's not capable
27:48of raping anyone?
27:50Then he suggested
27:52to make a mistake
27:55and take me
27:57to a quieter place
27:59while I was
28:01sober.
28:03Did anyone see you?
28:05No, I told you
28:08I was drunk.
28:10I don't remember
28:12anyone I knew
28:14up close.
28:16Wait a minute.
28:19I remember.
28:21You had a friend of his,
28:23Orfeo.
28:25He was still drinking.
28:27We'll talk to him in a bit.
28:30But...
28:32drinking is not a crime.
28:34Then I don't know
28:36where he took me.
28:39I woke up alone
28:41in an unknown place,
28:43but I know
28:45what he did to me
28:47and Jeannine.
28:50You weren't there
28:52with Jeannine's victim, were you?
28:54I didn't want to say that.
28:56Calm down.
28:58I'm sorry.
29:00Even if you say that,
29:03it's my fault.
29:05I'm just trying to make it clear.
29:22I'm sorry
29:24I didn't hear my testimony
29:26and I don't know
29:28what kind of person you're protecting.
29:30No problem.
29:33I'll read it.
29:35I'll send it to you.
29:37Let's go.
29:44I got a call
29:46to testify
29:49in the case of Theo Bastos.
29:51Clara,
29:53you came to testify for Theo?
29:55You can say you have nothing to testify for.
29:57You don't know Jeannine.
29:59As Theo's wife, you don't even have to speak.
30:02This is your advice
30:04as a lawyer or as a lover?
30:06Maybe the inspector would like to know
30:08how you feel about me.
30:10You want to get rid of me?
30:13Come on.
30:15I can't do anything.
30:17You know better than me
30:19what the consequences will be for your family.
30:21Clara Aboukerke Bastos.
30:23I'm sorry.
30:36Was it Clara?
30:38I saw her coming in,
30:40but she deceived me.
30:42Don't you recognize her
30:44or don't you greet her?
30:47I don't know.
30:49Clara is unpredictable.
30:51Vinnie told me
30:53that she won't give me anything back
30:55from what we missed together.
30:57Maybe if I didn't have so much fun
31:00accepting what I feel.
31:02Everyone has their own time
31:04and we have to respect that.
31:06Vinnie also told you
31:08not to do anything because of him.
31:11Yes.
31:13Hello.
31:15Jeannie, can we talk for a minute?
31:17Of course.
31:19I'll see you in the yard later.
31:22I want you to remember something.
31:24It seems that the body
31:26is accused of rape.
31:28Did you know about this?
31:33My mother is a witness
31:36in this case.
31:38Why? Does she know the accused?
31:42My mother was a victim
31:44but she is out of date.
31:47I am the daughter
31:49of this rape.
31:58My father told me
32:00that day
32:02how much he looked like me
32:05at my age,
32:07how lonely he felt
32:09that this bastard
32:11turned into a fool and did it.
32:13Rafa, look at me.
32:16You are not like that, brother.
32:21You are not.
32:28So many times I thought
32:31what can I have with the body?
32:34Is it because I think
32:37that I am always right
32:39and I didn't follow
32:41a little bit of arrogance?
32:43Rafa, Lord,
32:45with all your goodness
32:48you made us free
32:50to be whatever we want.
32:52We are not to blame
32:54for the life our father chose.
32:56We choose to be different.
32:59What happened?
33:01My God...
33:05Lunch's ready!
33:07Lunch...
33:09Lunch break.
33:11No-no, nobody can come in!
33:14Get in!
33:16Back in the kitchen!
33:18The workers have the right
33:20to stay out until dinner!
33:22Toage time!
33:25¿¿¿oo explanations?
33:27But the workers have the right to lunch.
33:30Look at some of the pictures.
33:32I'm not going to look in that drawer.
33:40I suppose you want to know everything I said.
33:44I said that Theo is a bastard.
33:46That he has humiliated me all these years.
33:49Even with his current lawyer.
33:53This part is very appealing to the inspector.
33:55Is it about us?
33:59Wait a minute. You two...
34:01We're investigating a 2009 rape.
34:04It's important what you have to say about this.
34:08I don't think my husband is a criminal.
34:11If you'll excuse me, I'll be on my way.
34:15Clara.
34:22Clara.
34:23Yes?
34:24I understand you split up with Theo.
34:27If you need help...
34:29I'll handle it.
34:31And I'll fight for every cent from the company I have a right to.
34:35And how?
34:37Don't you think I should protect my rights?
34:40Orfeo.
34:41Your turn.
34:42As your lawyer, I'll be present at the hearing.
34:46Excuse me.
34:47Good luck.
34:55Oh, no.
34:57Dora can't hear me.
34:59I missed him so much.
35:02These are Donna Marlene's special amendments.
35:09Vitino said you went to the police.
35:13It's awful to go through this again.
35:16Everyone is doubting me.
35:19The inspector was so rude to me.
35:24It's my fault.
35:28I want to help you.
35:30If I can.
35:33I know, Louis.
35:36Thank you, my friend.
35:39Can I call you that?
35:42I've never had a wife, my friend.
35:45But I can try.
35:47Yes.
35:49Sol, my dear.
35:51Thank your mother for the vegetarian meals.
35:54I love her salad.
35:57After Mom learned how to cook vegetarian food,
36:00she always makes it because people like it.
36:04What's the matter, Dora?
36:06Nothing.
36:07It's just that you two have a lot of...
36:11energy.
36:12It's obvious...
36:14that this day is precious to you.
36:17But when you're together,
36:20you emit positive energy.
36:24I think this is friendship.
36:28Unlike the one in the other room.
36:31The actors' preparation is a total mess.
36:35I think I can't feel Donna Wilma's hands anymore.
36:38Look!
36:40You're just crying, Fabio.
36:44Do you remember, Fabio,
36:46when we left the storm in the theater?
36:50I remember, Wilma.
36:52The two-hour play, the storm,
36:54lasted only two minutes.
36:56Mr. Director, how long are you going to stand here?
36:59I can't take it anymore.
37:01It's impossible for a cast to make a film.
37:04And it's humiliating.
37:06What's going on? What are you doing?
37:09Yes, exactly.
37:11Desperation, hunger, cold.
37:13That's it!
37:14Bravo! Excellent!
37:16What do you mean, excellent?
37:18I can't stand this circus.
37:20It's not even a circus.
37:22It's about respect.
37:24Dora, where are you?
37:26I'm going to catch pneumonia.
37:28Wait, Fabio.
37:29You can't give up now in the middle of the scene.
37:32Donna Wilma.
37:33Donna Wilma.
37:34Take the pot, please.
37:36Here.
37:37Stop it.
37:38I don't want to.
37:40I don't want to.
37:42I can't stand any inconvenience
37:44with a state of deep concentration.
37:48I feel...
37:50I feel that my image will be...
37:53brilliant.
38:03What was it like in the police station?
38:05Calm, very calm.
38:07I said I've known you for over 20 years
38:10and you've always been a good man.
38:12Wonderful.
38:13Hard-working. Husband and father.
38:15You didn't even have to lie.
38:17A hypocrite.
38:21My turn for testimony is soon.
38:26Pour me a little.
38:28Are you sure?
38:29Just to relax.
38:38These are the testimonies of Solange da Silva, De Carvalho.
38:41Does she look insecure?
38:43Nervous?
38:44A little nervous, nothing more.
38:46Thank you, Mauro.
38:47You're welcome.
38:51Hello, Lumière.
38:53What's that voice?
38:55I'm coming.
38:56I'm just leaving the office.
38:58Wonderful.
38:59Good.
39:00Orfeo gave good testimony and I've already found
39:03inconsistency in the testimony of the woman
39:05and now I'll read those of Sol.
39:07I'm waiting for you.
39:08Okay, kisses.
39:11How is Theo?
39:12Lumière says he's doing well.
39:15But she's not being investigated.
39:17I'm going.
39:22If you need anything, let me know.
39:24Count on me.
39:26You too.
39:27Hello.
39:30Jenny.
39:33Yes?
39:34I was looking for you.
39:35What happened to Rafa?
39:37Tell me.
39:39I should have told him the truth.
39:41But...
39:42No, no, not that.
39:43For the investigation,
39:45that my mother is a victim and a witness in this case.
39:49Can I sit down?
39:53As you wish.
39:54I'm waiting in line to leave.
39:58Jenny told me about your conversation.
40:04Surely it wasn't easy for you to hear that.
40:09Yes, it wasn't.
40:12But you know,
40:13the children who laugh,
40:16the children who laugh at their parents for being superheroes,
40:20I'm not one of them.
40:22Neither am I.
40:24My father left us when I was little.
40:29He came on my fifth, tenth and fifteenth birthday.
40:33We'll see if he comes on the twentieth.
40:38I don't think it's the same.
40:45I know my father is not conscious.
40:48I know Jennifer's mother.
40:50I believe there's no reason to lie.
40:52But I believe in my mother,
40:54who thinks my father is innocent.
40:56Your mother is the one who's guilty.
40:58Why do you say that about my mother?
41:01I'm sorry, Rafa,
41:02but your mother has been married to Theo for more than twenty years
41:06and she hasn't noticed anything, right?
41:08Enough.
41:09Do you want to set me against my mother,
41:11the one who broke my heart?
41:13No.
41:14I want to show you who your father is.
41:19There's nothing more to say, Katia.
41:22Come on, Fred.
41:35You're very fast.
41:37I didn't have much to say.
41:39Nothing ever happened in my bar.
41:41I never saw anything.
41:43I want to tell you the truth.
41:45You've been calling me for twenty years
41:47when we were friends.
41:48Are you drunk?
41:49You only want one thing.
41:51You called the police and I came.
41:53I'm following your orders.
41:55Your honor, Benjamin Garcia.
41:58Let's have some coffee.
42:00I'm here because of you.
42:02You did what you did.
42:04There's no proof.
42:06Sol is a liar.
42:07It wasn't just Sol.
42:08My fault is here.
42:09I'm unjustly accused.
42:11Your client is drunk.
42:12I'll try to calm him down.
42:14You take care of him.
42:16No, I'm fine.
42:17You called me to talk.
42:18I'll talk.
42:19Talk quietly.
42:20I'll talk.
42:21I'll explain to you
42:22why Benjamin Garcia is unhappy.
42:24He lost his gadget,
42:26his daughter,
42:28and his luminaire.
42:30Get your hands off me.
42:32I'm your friend, man.
42:33Your friend.
42:35You're not at the market.
42:37Stop yelling or I'll arrest you.
42:40I'm here to testify.
42:42My client needs to calm down.
42:44You won't testify.
42:45I'm here to talk.
42:46I'll talk.
42:47Testimony is for those who are afraid of something.
42:49I'm not afraid of anything.
42:51I want to talk now.
43:02Give me the phone.
43:03No, you'll leave me here alone.
43:05Give it to me.
43:06It's my father.
43:07Hello?
43:08Dad?
43:09When are you going to call me?
43:11Okay.
43:12I'm coming.
43:13I'm coming.
43:15I told you not to pick up!
43:20What's wrong, Theo?
43:21I was a victim of violence
43:23that I didn't realize
43:25was a crime.
43:28Mom, what happened?
43:35Theo.
43:36Jennifer's biological father.
43:40He doesn't respect my boundaries.
43:42The boundaries of my body.
43:45And no one does anything to anyone
43:47if the other person feels bad
43:49or doesn't want to do it.
43:52My people are on the line.
43:53You just need to release a container
43:56so I can transport the stock.
43:58Man, I don't want your guys with my stock.
44:01It's risky.
44:02Who's talking about guys, Theo?
44:05The plan is for a few parts for the machine
44:07and a certain amount of ammunition.
44:09That's all.