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00:00Believe in yourself. Episode 77.
00:04I managed to leave a message.
00:05To whom did you call?
00:07To my mother?
00:08She's on TV.
00:10You should have called the police.
00:20We can solve the problem peacefully.
00:31I forgot the drawing.
00:33Oh, Duda.
00:37Let me go, you thief!
00:39No more tricks.
00:41Or I'll send this angel to heaven.
00:44Let me go!
00:45First the painting.
00:46Come on, tell me where it is.
00:48Where is the painting?
00:50I'm sorry, Duda.
00:51No, no.
00:52Shut up! Speak!
00:54In the laundry room.
00:55Excellent.
00:58Excellent.
01:00But just in case.
01:04Wonderful.
01:08Come on.
01:10Open it.
01:16Come on.
01:17Disappear.
01:18Come on.
01:19Come on.
01:20Move.
01:22Come on.
01:27Give me the painting.
01:29And no tricks this time.
01:31Immediately.
01:47Thank you, dear.
01:52Au revoir.
01:54Farewell.
02:09My God.
02:10Where is Duda?
02:11I don't know. Do you have the key?
02:13Yes.
02:14Do you want me to break it?
02:15No, I have the key.
02:16My God.
02:17Come on.
02:18Maria Eduarda.
02:19Is everything ready?
02:21My God.
02:22Grandma!
02:50Duda, where are you?
02:51In the children's room.
02:54Jenny, I'm coming too.
02:56I'll see if there's anyone here.
03:00My God.
03:01What's going on?
03:03Here are the children.
03:05My God.
03:06Are you all right?
03:09There was no war here.
03:11Up and down.
03:12The actor stole the painting.
03:14I couldn't stop him.
03:16He ran away.
03:17There's no one here.
03:22Dona Vilma.
03:23Give me the phone back.
03:27After I heard Stuart's version.
03:30He has the right to protect.
03:32What are you thinking about?
03:34About the reinstatement of lawyer Benjamin?
03:37Boss, don't get it in your head.
03:39That guy is a villain.
03:41And one of the biggest cheaters.
03:44Vitor.
03:45Aren't you supposed to be digging my grave?
03:49I'm glad to see you, Stuart.
03:52Use it as long as you can.
03:55Vilma, my darling.
03:57How do I look?
03:58Is what Vitya told you true?
04:02Depends on what?
04:03That you are one of the biggest art traffickers.
04:08Is it true, Stuart?
04:14Hello?
04:15Police?
04:18I want to file a complaint.
04:20Oh my God, Vilma.
04:23Shame on me.
04:25Don't speak with that made-up English.
04:33Oh, I'm in trouble.
04:37And you know.
04:41I have nothing to hide.
04:44I really am a thief.
04:47Of art, but of the big ones.
04:51The biggest ones.
04:54I thought your name was Stuart.
04:58Have you heard of the great thief named Aristides Formiga?
05:03And you steal the vices of Milor Fernandez.
05:08And I fell in love with you.
05:11Me too.
05:13You're lying.
05:14Vilma.
05:16Loyalty is not my strong side.
05:19But I make a lot of money with my paintings.
05:26You can't imagine how much the painting costs.
05:29Which I found in Piedade.
05:32Yes.
05:33Get out of my way, Aristides.
05:37Get out.
05:38All right.
05:41But not alone.
05:44You're coming with me.
05:47What an absurd.
05:49Cotton.
05:50Your money.
05:51And your talent.
05:53We'll get what we deserve.
05:57To run away with you?
05:59Yes.
06:01To live the life with the pleasure and adventure we deserve.
06:07And what will you do with the time you have left?
06:12Imagine.
06:13Cote d'Azur.
06:15Paris.
06:16New York.
06:17Tuscany.
06:18Le Cramond.
06:22Just the two of us.
06:24We'll have everything we deserve.
06:27Just the two of us, except for the rules.
06:30Except for the others.
06:33Oh, dear.
06:34Just the two of us.
06:38What do you have to lose?
06:47Ready for adventure?
06:49Life.
06:50Get ready.
06:51We're coming.
06:53Did you take everything?
06:54The paintings?
06:55The jewelry?
06:56The miller?
06:57My trophy.
07:00Here it is.
07:02I almost forgot it.
07:04Dona Vilma, stop.
07:06Too late.
07:07I've been living here for eight years and you don't know me.
07:11But, ma'am.
07:12Don't run away.
07:14I can't continue living in this house with strangers.
07:18What are you talking about?
07:19I don't know.
07:20I don't understand.
07:21Nora Helmer.
07:22In the puppet house of Ypsen.
07:24A charming character.
07:26Come on, dear.
07:27Hurry up.
07:28Dona Vilma, listen.
07:29Goodbye, Vitinho.
07:31We're going with Stuart.
07:33Where the wind takes us.
07:35Please, Dona Vilma.
07:36Stay.
07:37No, please.
07:38We're going to Paris.
07:40I have a cousin in the village.
07:42Dona Vilma.
07:43Dona Vilma.
07:46Come on.
07:49Naira.
07:50What does this mean?
07:52Dona Vilma.
07:53I had no choice.
07:54They have an order for a search.
07:56Lord, this is absurd.
07:58Lord, this is absurd.
08:01Don't resist, boss.
08:03We're looking for Aristides Formiga.
08:05Oh, my God.
08:06I'm Stuart.
08:07Come on.
08:11Thank you, Lord.
08:14I don't know how to thank you.
08:16This insensitive and aggressive man forces me to join him.
08:21Vilma.
08:22I'm not your hostage anymore.
08:25Help me.
08:27Help me.
08:29Calm down.
08:30Don't rush.
08:32Here I am.
08:35Uh, careful.
08:37This is a paid island.
08:38Millions of dollars.
08:40It would be a wonderful rematch.
08:42The work was stolen from a museum in Iceland.
08:45And it's going back there.
08:47Buy it.
08:50Just...
08:52Just a minute.
08:55Vilma, my dear.
08:57What a shame.
08:58We were a great couple.
09:02Except that...
09:06It was an honor for me.
09:13Let's go.
09:14It was fun.
09:16Right?
09:17I'm hungry.
09:18Good evening, my dears.
09:20I'm sorry to interrupt your flirtation.
09:23Did something happen, Kate?
09:25Yes, and what happened.
09:27Let's assume that you are invited to warm up the show
09:31of the singer Renata Sofia.
09:35No.
09:36Seriously?
09:37Oh, my God.
09:38Are you insinuating?
09:40Because this is my responsibility.
09:43Are you insinuating?
09:45Because this is the smell of success.
09:48What a wonderful news.
09:50Congratulations.
09:51But there is one detail.
09:53They want your biography with commercial pictures
09:56by Monday.
09:57On the day of the hearing.
09:59We need to hurry up to prepare the pictures
10:02because we don't want to miss this opportunity, right?
10:06No, no, of course not.
10:08How will I manage until tomorrow?
10:11I know a great photographer.
10:14Rafa!
10:15If I ask him, he won't accept.
10:18But if his little sister asks him,
10:21Jenny, she will do it.
10:24Jenny!
10:30Remember, this lens cost a fortune.
10:34I'll sell it.
10:35We need the money.
10:37No, no, I won't let you.
10:39You'll need it in the future.
10:41I don't have a future in photography.
10:43Rafa, of course you have a future.
10:46But you're right.
10:47It's not a career in which you instantly become successful.
10:51But like your mother, we support you.
10:54Rafa, are you free tomorrow?
10:56Your mother is looking for a photographer
10:58for the commercial pictures against Honorar.
11:02I'll think about it, Jenny.
11:05Son, you have to accept.
11:07The tourists will pay you.
11:09I would do it for free for Sol.
11:12But Kate can be there.
11:14Sol is beautiful.
11:15And you'll refuse because you don't want to meet Kate?
11:20My feelings for her are still mixed.
11:24Rage, anger, disappointment.
11:28And a little love, right?
11:32Despite everything Theo says,
11:35I believe she was his victim.
11:38So on Monday, I'll testify against him.
11:49Sit down, Vanessa.
11:54Vanessa Motten, right?
11:55Yes, sir.
11:56Age?
11:5725.
12:0035.
12:02Are you from Guadeloupe?
12:04I was born and raised there.
12:07But why do you ask so many questions?
12:09And you'll testify against money?
12:12I'll do whatever I want.
12:15How did you know that Theo Bastos is a judge?
12:19A sweet lawyer was looking for me.
12:21What was his name?
12:23Benjamin.
12:27Did you submit your testimony to Mr. Benjamin Garcia?
12:31Yes.
12:32He refused and I looked for Orfeo.
12:34But Orfeo kicked me out.
12:36Thank you for coming, Vanessa.
12:40Where's my money?
12:41What money?
12:42I didn't come here for nothing.
12:44You came because I called you as a witness in defense of my client.
12:48Nonsense.
12:49If you don't come, the police will look for you and you'll live on the street like a tramp, right?
12:56And what should I say?
12:58I hope it's the truth.
12:59Listen.
13:01I'll tell them you tried to buy my testimony.
13:04I can't wait. Please.
13:27Who could it be?
13:29Come in.
13:30Wait.
13:32Hello, Rafa.
13:33Hello, Lelusol.
13:35Hello.
13:36Hello, Clara. I didn't expect to see you here.
13:39I came to help Rafa move the equipment.
13:42I don't want to interrupt.
13:45It's easy work.
13:47Clara.
13:48Yes?
13:50Why don't you stay?
13:53Rafa said you were a model.
13:56Can you help me?
13:57I don't know which of the two dresses to wear.
13:59Here, look.
14:01I'm not in my best shape, but I can help you.
14:07Okay.
14:09Can I make you look good, Sol?
14:10Seriously?
14:12Oh, Sol.
14:14Thank you so much for Rafa's pictures.
14:18It's so nice to see your son come out of the house excited.
14:23Jennifer showed me his pictures from the exhibition.
14:26He's an extremely talented photographer.
14:29I'm determined to pay him.
14:31It's wonderful to see a young man find his passion.
14:35Especially if he's your own son.
14:38Yes.
14:40Who would have thought, Sol, that I'd be grooming you?
14:44If they had told me months ago, I wouldn't have believed it.
14:50Sol.
14:53I owe you an apology.
14:58I judged you without even knowing you.
15:02Do you forgive me?
15:05The apology comes from God.
15:07We're just intermediaries for her to find her way.
15:12I didn't expect us to be here together, but I like it.
15:17I'm glad we're all together.
15:19You, me, our kids.
15:21Kate gave you the idea that Rafa wasn't in the pictures.
15:26Yes.
15:28And I was quite unfair to her.
15:32I told her so many things, but now I realize
15:38that we're all victims of her.
15:41You, me, her.
15:46You know, Sol, I can't help but wonder
15:50how stupid I was.
15:54How I didn't tell him the lies.
15:56How I put up with him for so long.
16:00The important thing is that we're here today.
16:06Together.
16:12Go on.
16:14Yes, yes.
16:20Did you hook it up?
16:21Yes, I'll do it myself.
16:25It's ready.
16:26Put the table in the middle.
16:30It looks professional.
16:33I'll finish it.
16:34Rafa, I have to go. I'll help you after work.
16:39Wait, Jenny. I need help with the projector.
16:42I got you help.
16:44Jenny?
16:45Come in.
16:46Hi.
16:48I'm glad you came.
16:49I just told my brother you'd help him.
16:52Here.
16:54Call me if you need anything.
16:56Bye.
16:58Nice to meet you, Kate, Christina.
17:01I manage Sol's social media.
17:05Rafa, I'm the photographer for the photoshoot.
17:10Rafa, I really need to help you with the photoshoot.
17:16Let me help you.
17:21Hello. Are you ready?
17:25Yes.
17:26Let me introduce you to Super Solange.
17:30Hi.
17:32Hello.
17:33Are you a fan?
17:36Jennifer, I'm Kate, Christina's assistant.
17:40I'm Rafa's photographer. Nice to meet you.
17:43Great.
17:45Everything's ready. Let's start.
17:47Okay. Should I sit down?
17:49Yes.
17:50What's this for?
17:51It's to light up her face.
17:53Let's start.
17:57Put it on this table.
18:00Come on.
18:06Well done, son.
18:08You're so beautiful, Rafa. Thank you so much.
18:11Sol, you're a wonderful model.
18:13They're really beautiful, Lelo.
18:15They both say,
18:17I'm in charge of the show.
18:19I'm a real star.
18:26Come with me. Let's make something to eat.
18:29Do you have a coffee machine?
18:31I make wonderful espresso.
18:33No, no. We drink aromatic Turkish coffee here.
18:36Wonderful.
18:37The light on her face is better here.
18:40The sun is everywhere.
18:42Yes, that's right.
18:44It's really warm.
18:46It fits perfectly into our strategy.
18:51What?
18:52I take the job seriously.
18:54I took a few pictures with the other camera.
18:57Do you want to help me show them?
19:00Renata Sofia's team is looking for a digital file.
19:03The commercial will come.
19:05With pleasure.
19:09It will come, of course.
19:22What was the last one?
19:24Fixer.
19:27Bravo.
19:29The digital pictures are wonderful, Rafa.
19:32But when you shoot in analog mode,
19:35it's so different.
19:37There's magic in everything.
19:39Yes.
19:40The fact that they don't come out immediately
19:43makes it magical.
19:45We don't know what's going to come out.
19:48We barely see the result after hours.
19:53It can happen, it can not.
19:59Yes, it's a shame that we do some things
20:02without knowing that everything can go wrong
20:06and there's no going back.
20:12Oh, Rafa, I wouldn't have seen those pictures.
20:15They're so beautiful.
20:21But you don't like them.
20:23Why are they separated?
20:26I'll leave later.
20:33Oh, I can't leave because I'll light up the pictures.
20:41No, you can't leave
20:46because I love you.
20:49Rafa.
20:50I love you, Kate.
20:52I love you since the day I released Onze Pazac
20:55and I've never stopped loving you.
21:00I love you too.
21:02So much that I mixed up the colors
21:05so I wouldn't lose them.
21:23I'm so happy, Kate.
21:25Can I ask you a favor?
21:27Don't ever call me Kate again.
21:31Okay?
21:33Okay.
21:35Okay.
21:37But I'll think of something else.
21:41Okay?
21:42Okay.
21:52Oh.
21:54Ba-da-da.
21:56Ba-ba-ba-ba-ba-ba-ba.
22:22Good day.
22:23Good day.
22:27I don't like Clara's tone.
22:29She's up to something.
22:32I summon Clara Albuquerque-Bastos as a witness.
22:36I summon Clara Albuquerque-Bastos as a witness.
23:07Is this Vanessa Motov on the list?
23:09No.
23:12Okay, I release the informant.
23:15You may call the witness.
23:19No, I insist on speaking.
23:21I was summoned.
23:22I know who Theo is.
23:24You have to listen to me.
23:30I'm sorry about this sad scene.
23:33Fear is the truth.
23:35We just found out that this lady is planning to blackmail
23:40to get an advantage in the case of divorce and debt.
23:44It's a lie.
23:45I just want to tell the truth.
23:47Either you'll get it,
23:49or I'll be forced to ask the police to take you out.
23:53Benjamin, you won't do anything.
23:55Clara, behave yourself.
24:00Okay, okay.
24:02But sooner or later.
24:04Theo, the truth will come out, and you won't get out.
24:09Why did you let her talk nonsense?
24:12Can you change the witness so suddenly?
24:15It happens, and we did it.
24:17We'll continue to listen to Vanessa Motov.
24:22She's not on the list of witnesses.
24:25The prosecution is not even informed of the change.
24:29I'd like to remind you that the prosecution has come to the same conclusion several times.
24:34The defense does not act voluntarily as a reason for the charge to be prepared.
24:39Gentlemen, this is not a debate.
24:42The demand is accepted.
24:45The case will continue.
24:47We'll listen to the witness, Vanessa Motov.
24:55I left Gneva to speak for me.
24:58How could I be so naive?
25:01But why?
25:02Ricardo insisted that he wouldn't defend Theo and wouldn't let me testify.
25:07If you want to tell her, the press can help you.
25:11Clara, she's not a real journalist either.
25:15But I have to share.
25:17Come on, write.
25:19Theo Bastos is a low-level manipulator,
25:23aggressive, and can be a rapist.
25:27Here are the testimonies of these women.
25:41I don't want it, Lumière. I'm not hungry.
25:44Mom, your favorite spinach soup.
25:47It's awful.
25:48A little more.
25:49It's salty.
25:50Just a spoonful.
25:51I told you I don't want it.
25:53Lumière, I don't want it. It's awful.
25:56I'm not hungry.
25:59You're acting like a capricious child.
26:02You're not dying.
26:08Get rid of this soup.
26:09Okay.
26:10I don't want it.
26:11We'll try later.
26:16Vanessa Motov, were you the princess of the Nene disco?
26:21Yes, sir. With great pride.
26:24Is this where you met my client, Theo Bastos?
26:27Yes.
26:28The next-in-line playboy.
26:31And you offered the prosecution to pay you in exchange
26:36for the fact that my client molested you.
26:38No.
26:39That's not true.
26:41I'd like to add a record to the case.
26:44Let the witness listen to it and clarify some points.
26:50You have permission.
26:53And you'll testify against money?
26:56I'll do whatever I want.
27:00How did you know that Theo Bastos is guilty?
27:03A sweet lawyer asked me.
27:05What was his name?
27:08Benjamin.
27:10That doesn't prove anything.
27:12The defense wants to call the police.
27:15Can I continue?
27:16Of course.
27:17Mrs. Vanessa, do you recognize the voices we heard?
27:21Yes.
27:23The male voice is yours.
27:26And the female is mine.
27:29And why did you offer to testify against money?
27:32I need money.
27:34You should be ashamed to treat the prosecution with such negligence.
27:40Forgive me, Your Honor, but shame is that you have nothing to eat.
27:46Vanessa, did you offer me to pay you to testify?
27:51Are you going to arrest me for this?
27:54Did I come?
27:56No.
27:57And that's why I came here without money.
28:00I have no further questions.
28:03Before I release you, I would like to ask.
28:07You offered a service on both sides in exchange for money,
28:12and neither of them accepted, did they?
28:16Exactly.
28:18I would like to remind you that you are under arrest,
28:21and that any attempt to provide false information can lead to serious consequences.
28:27In the end, Theo Bastos, did you rape?
28:31Or did you not rape?
28:38I was famous.
28:40I went out with a lot of men like Theo.
28:43I got drunk, I woke up drunk, I felt like a drunkard.
28:48That's how I woke up after Theo.
28:51If this is abuse, it means I was raped.
28:54Life was cruel with me, it still is.
28:57To this day.
28:59Is that what you asked?
29:01Is that what you wanted to know?
29:03I have no further questions, and you may leave.
29:10The next witness is Maria Eliza Asuncao, from the Association of Bringers.
29:19Are you feeling better, Dora?
29:22Yes, but I'm very sleepy.
29:26Go to sleep.
29:28I haven't seen my mother so drunk.
29:31The disease causes an unbearable pain.
29:33From there, irritation.
29:35But with this medicine, she will recover in a few hours.
29:38She's never taken so much medicine.
29:41I'll talk to my oncologist colleagues and see what I can do to make her feel more comfortable.
29:47We all suffer when we see her like this.
29:51In palliative care, the family and friends are in the same whirlpool.
29:57That's why palliative care is more effective when it includes everyone, not just the patient.
30:04I'm so confused.
30:08I'm losing my mind.
30:11It's not easy, Lumière.
30:13I'd advise you to consult a psychiatrist.
30:17First, I'll take care of my mother.
30:27I'd like to underline the entrepreneurship and dedication to the business of Theo Bastos.
30:34The commitment to contribute to the economic development of the region is amazing.
30:41Is it normal for businessmen at your level to be accused of swindling?
30:47Such a general question is unnecessary and induces an answer.
30:52In my opinion, the question is appropriate.
30:54I ask the witness to answer.
30:58Unfortunately, it is a common occurrence.
31:01If you're successful, it's a crime in this country.
31:05We went to the disco to have fun.
31:09But I've never seen Theo do anything wrong.
31:14Never.
31:25Hello, Sol.
31:27This is not the best place to talk. Come to the bar some day.
31:31What do you mean?
31:33I told the truth. I have nothing to hide.
31:37The disco is a place to have fun. I've never seen Theo do anything wrong.
31:43I'm sorry if you didn't want to hear that.
31:47Maybe she didn't want to hear that, but I would.
31:52Let me ask you something. Has Theo always been sexy?
31:56Oh, my God.
31:58What I was going to say, I said it inside. I'm sorry.
32:02Thank you very much.
32:05Dona Neide, do you have any idea about the character of Theo Bastos?
32:10Yes, sir.
32:12He has always proven himself to be an extremely good man.
32:16I saw him trying to get close to his daughter.
32:20Can you give us some examples?
32:22He tried to visit her, give her a car.
32:27He tried to help our church and got ungrateful for it.
32:33Dona Neide, what can you tell us about Solange Carvalho's character?
32:38She's a pervert in sheep's clothing.
32:41She's in the church during the day, and she's a whore at night.
32:45Since when do you think so?
32:47She's been a whore since she was a little girl.
32:50That's the truth.
32:52Until recently, Solange didn't even know who her father was.
32:56Isn't that a prejudice?
32:59At first she said it was Carvalho.
33:02Dona Neide, let me...
33:04Then you, and now Mr. Theo.
33:12No one deserves to come here because of your food.
33:16No one.
33:17It's not my fault.
33:20For God's sake, Dona Neide.
33:22For God's sake.
33:24Are you done, Mom?
33:26Let's go.
33:27Miss, did you share the food with the press?
33:29Miss? Miss?
33:31I'll be quick.
33:33Your Holiness, I have never mistreated a woman in my entire life.
33:40I didn't have to.
33:43So you're saying that in some cases this is necessary?
33:49No, I'm sorry. I mispronounced.
33:52I wanted to say that the affair I had with Janine Freitas de Lima and Solange de Silva Carvalho
34:00was mutual agreement.
34:03And from the act with Sol, I had a beautiful daughter.
34:07Cynic!
34:09Please, calm down.
34:12Mr. Benjamin, your trainee needs to leave.
34:15I'm sorry.
34:17The parties may ask additional questions of the accused.
34:21Mr. Roberto, Mr. Benjamin, please order.
34:32Brother, you were separated with Sol.
34:35I'm not talking about Sol. She was raped.
34:37Were you there to see that she liked him?
34:39Son of a bitch! I'll kill you! I'll kill you!
34:43During the act, were Janine Freitas de Lima and Solange Carvalho sober and conscious?
34:53Would you answer the question?
34:56I didn't notice my partners were drunk. Neither Janine nor Solange.
35:03But you drank together and promised to take them home.
35:06Is this a crime?
35:08Did you drink or not?
35:10Yes.
35:12Neither of them left the house.
35:15Again, the assistant prosecutor induces the answer to the question.
35:18Where did you take the victims?
35:21I don't remember.
35:23It happened years ago. You shouldn't remember every affair.
35:27I have no more questions.
35:31Mom, are you sure you're better?
35:34Yes, much better. At least I don't feel the pain.
35:38I'm not a masochist.
35:40We were worried about you, Donna Dora.
35:43I've never seen you like this. I didn't know what to do.
35:47People, I'm sorry, I'm sorry, I'm sorry.
35:53You don't have to apologize.
35:56I'm sorry.
35:58You don't have to apologize.
36:01This disease taught me that there are different days.
36:04That we have to experience the good and the bad.
36:08And even if we are well looked after, well cared for,
36:12sometimes to accept the inevitable and to smile is extremely difficult.
36:19But hellishly difficult.
36:21I'm sorry.
36:23Come with us.
36:27If there was mutual consent, why are you being accused?
36:32It all makes me think that they're looking for revenge
36:36on my friend Benjamin, who was a salt dealer.
36:40He's not happy that he was disappointed
36:43and is using the rape story as an excuse.
36:48This Benjamin here, who is an assistant prosecutor, is that right?
36:55Yes, that's right.
36:58Does this have any consequences on your life?
37:04My marriage is over.
37:07Most of my clients refused to sign a contract with my company,
37:12and that puts my children's well-being at risk.
37:16I'm softening your testimony.
37:25Let's move on to the final statements.
37:29You will have the opportunity to present your arguments.
37:34We will end this case today.
37:46End of the second act.
37:49Without the man, the story of the family in the other dimension
37:53loses its meaning.
37:55Lucas, leave the drama for the actors.
37:58But how can I explain that Olga and Scarlett are in one dimension,
38:02and he's looking for her in another?
38:04Maybe he got lost?
38:06Or he found someone else.
38:08Everyone knows that men are more persistent.
38:11Logical.
38:12Women are more developed creatures.
38:15I, as Olga, for example,
38:17am more developed than the heroine Erica, of course.
38:22For me, Erica is out.
38:24Did you read what she wrote about the case?
38:27She's not going to lose another hero.
38:29You have a foresight, don't you?
38:31It's unacceptable.
38:32She's an actress who's been discovered by a rapist.
38:35We'll have to remove the actress from the play.
38:38That's it!
38:39This meeting will be postponed,
38:41so I'll take the portions, because I'm hungry.
38:44I'll be back in a bit.
38:46Jairo, say hello to Bruna.
38:48I'm sure you won't kiss her.
38:53Usually, when it comes to crimes of sexual nature,
38:58the only evidence is the victim's words.
39:02The responsibility of the state institutions
39:06is to prevent the victim from being raped again.
39:11It's not hard to guess that the defendant,
39:1420 years ago, believed that he had the right
39:17to abuse these women's bodies.
39:21Maybe he didn't know he was committing a crime,
39:24but that doesn't set him free from responsibility.
39:27In the last decade, the law was changed,
39:31which proves the mature debate
39:34about sexual crimes in society.
39:37Sexual violence without consent is a crime,
39:42when the victim can't accept
39:46and react in a funny way to this violence.
39:50That's exactly what Janaina Freitas Lima claims to have experienced.
39:56Solange Carvalho as well.
39:59Kate Christina shows how Theo is prone to violence.
40:04The defendant is convinced that these women's testimony
40:08proves a whole series of rapes
40:11committed by the defendant over the years
40:14with common characteristics.
40:17Therefore, we ask for the conviction of the defendant
40:21Theo Camargo Pastos, as prescribed by the law.
40:27There is no scientific evidence in this trial.
40:31The testimonies are full of contradictions,
40:34and the indictment itself is compromised.
40:38Here we witnessed a public conspiracy
40:42led by an assistant prosecutor
40:45to cover up a man with exemplary behavior,
40:48because he wants his ex-girlfriend's daughter
40:51to be his.
40:53Can you imagine that?
40:58My client is innocent,
41:00and suffers from this persecution every day.
41:05Now that we've heard the last arguments,
41:08we're going to take a break
41:10to prepare the sentence that will be read.
41:14The sentence will be read out loud?
41:18Yes, Mr. Benjamin.
41:20This process will take too long.
41:35What's the matter, Benjamin?
41:38You're silent, but I recognize you.
41:41Tell me. I can take it.
41:44No, no, I'm just...
41:46The trial will be read out loud.
41:50Are you ready to hear the result?
41:53That's the only thing that worries me.
41:57Do you think Theo won't be tried?
42:01That's impossible.
42:03The charge is too strong.
42:05Theo is a rapist.
42:07Yes, yes, I'm sorry.
42:09I didn't want to worry you.
42:11We'll just have to wait.
42:14I guarantee you'll get the best protection.
42:17Even if you're tried, we'll complain.
42:20You say we've lost every case.
42:22It's not that easy.
42:24Judge Fenerich is calling the parties for the trial.
42:28Judge Fenerich is calling the parties for the trial.
42:33See you later.
42:41The prosecutor and his assistant are asking him
42:45to convict the defendant.
42:48The defense is asking him to acquit the defendant.
42:52These are the facts.
42:54The trial will be read out loud.
42:57The trial will be read out loud.
43:00The trial will be read out loud.
43:03The trial will be read out loud.
43:19No, you can't publish this.
43:21I don't mind you being guilty.
43:24To get Theo out of jail?
43:26Yes, to get him out of jail.
43:28Imagine him tied up, scared,
43:30and as a ransom we'll ask for the money
43:32he owes Rafa's mother.
43:35That's crazy.
43:37Of course it is.
43:39I'm not in this business anymore
43:41and your idea is probably the most confusing I've ever heard.
43:45You're crazy, boy.
43:48Hello.
43:50I'm so happy to see you.
43:53It's all a lie.
43:55A lie.
43:57A lie.
43:59A lie.