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00:00No, I'm sure Juana has other things to do tomorrow.
00:03Oh, no, honey, it's just that the photographer I had hired
00:06canceled me at the last minute.
00:08And, of course, I called David to help me,
00:11and we both thought, come on, Juana.
00:13In fact, come, come, Juana.
00:15Come on, come with me.
00:17Come on.
00:18I mean, you already know the house,
00:20but I'm going to show you the places where I want you
00:22to take pictures of my guests and me
00:24and everyone who's going to be there.
00:26Oh, Juana, I know things were very tense between us
00:29and probably the least you want is to help me,
00:32but, look, first of all, I really want to apologize
00:36for going to your house,
00:38for saying so much nonsense.
00:40I mean, sorry, where are you going to put the guests?
00:44Just to get the idea.
00:46Oh, Juana, you're such a nice person
00:48without giving any importance to what I did to you.
00:52Look, blur and new story.
00:54Oh, I'm sorry, I really lost my mind because of jealousy.
00:58Gabriel, Gabriel is everything to me.
01:01As you probably noticed in the toast
01:04that was made yesterday at the brewery.
01:06And, you know, then I heard about your pregnancy
01:08and everything made sense to me.
01:10I already understood why Gabriel approached you.
01:12It's just that he probably wants to protect you,
01:14just as he probably would have wanted to protect me,
01:18but, well, sadly, that miracle didn't happen to us.
01:23In fact, you know that in the morning I saw him
01:25with a friend of his, Irma, she's a gynecologist.
01:27But, excuse me, Mrs. Paula, to interrupt you.
01:29I don't know what you think, for example,
01:31of starting with a group photo here where the sculpture,
01:33I think it could look nice, right?
01:35Yes, yes, yes, I think it's fine.
01:37We can do that.
01:38But I was telling you that I saw Gabriel with his friend, Irma,
01:41who is a gynecologist, and I said,
01:43of course, he probably called her to ask her to help you.
01:46Well, if he didn't do it today, I mean.
01:51Excuse me.
01:52I think, I really think I'm not the right person
01:54to take pictures of your event.
01:56Ah, Juana, but if it's not my event,
01:59it's the event in favor of the orphanage
02:01of the children of Father Jose, of your own neighborhood,
02:03if you know, right?
02:05Can you imagine how much money they could raise?
02:07And above all, how important that event is for them.
02:12But, well, you said, out there, to take the picture, right?
02:16More or less, as you say.
02:17It's just that, look, I want everything to look great.
02:19First, where...
02:20And you're going to tell me how you came up with
02:23that Juana was the photographer of Paula's event?
02:25Let's see, things were not like that.
02:26And how were they?
02:27Paula expressly asked me to be Juana, the photographer.
02:31Look, Gabriel.
02:33Honestly, I don't know what game you and your wife are playing.
02:38But you're getting people involved who have nothing to do with it.
02:41You're getting Juana involved.
02:42I just want to help her.
02:43You want to help her?
02:44Yes.
02:45How?
02:46Taking her from the brewery for the second time?
02:49Look.
02:52You see Juana as a friend.
02:54She's in love with you, and you know it.
02:58The next day, they return to the brewery as if nothing had happened.
03:01And to finish it off, in the toast, you kiss your wife in front of everyone.
03:08You do know who they were turning to see, right?
03:12Juana.
03:14Because for them, Juana is breaking your home.
03:18When I know perfectly well that things are not like that,
03:20it's you and Paula getting her involved in her stupidity.
03:28A marriage ends with the two people who make it up.
03:31And I always thought my dad had his reasons to break up.
03:35Break up?
03:37I can't believe you're saying that, Jenny.
03:42Really, girl.
03:43Shut up.
03:44You're making it worse.
03:45Why?
03:46Why?
03:47What do you mean, why?
03:49Why do you call breaking up a guy who left to buy cigarettes 25 years ago
03:54and left us and never came back?
03:56Exactly.
03:57That man left us, Jenny.
03:59I mean, he didn't get a divorce or break up.
04:01No one thought of this house.
04:03What do you know?
04:04What do you know?
04:05You don't know anything.
04:07And you know perfectly well that our mother is not as easy as we say.
04:11You probably made her life a living hell and that's why she left.
04:16You know what, Jenny?
04:19I'm tired of being the reason for all your misfortunes.
04:26And I should start doing the same, you know?
04:30Because you're the person who's made me suffer the most in my life.
04:33And you know why?
04:35Just because I'm your mother.
04:46I'm sorry.
05:16That's it, baby.
05:17Good.
05:18Good, Jenny.
05:19You can do it.
05:20One more.
05:21That's it, baby.
05:22You did a great job.
05:23That's it.
05:24That was good, Felipe.
05:26That's why both of you are going to get a prize pallet.
05:29The size and flavor you want.
05:31Come on, baby.
05:32Come on.
05:33Come on.
05:34That's it.
05:35Felipe, cover the pallet.
05:38Buddy, give the pallet to the kids.
05:41Whatever they want.
05:42I'll pay.
05:43Just that.
05:45And a word of this to your mom.
05:46If Josefina finds out that I'm buying this for you,
05:49she's going to be mad at me.
05:52Got it?
06:07Look, Juana.
06:08The important thing about the event is that the donors
06:10are very happy and they give generous contributions
06:13to Father Jose.
06:15So that he can continue to maintain the orphanage.
06:17And since people love to see each other in the magazines,
06:20on social media, you have to focus on them.
06:22But above all things, you have to take care of my image
06:26and Gabriel's.
06:27Because we are public figures, right?
06:29We have to project what we are.
06:31A united, happy couple.
06:34Of course.
06:35Mrs. Paula, I think I already have enough indications.
06:38And since I already covered an event here,
06:40I think I know quite well what you want.
06:42Juana, please don't sit with the commitment, right?
06:44That we can get another photographer?
06:46Yes, of course, no problem.
06:48No, it's fine.
06:49Thank you very much.
06:50But if it's for Father Jose and his children,
06:52who I also know very well, I'm happy to cover the event.
06:56Thank you.
06:57Excuse me.
06:58Thank you.
06:59See you later.
07:00Excuse me.
07:02No, no, stop talking.
07:04Stop making me feel guilty.
07:07I don't understand why you have to pay all your frustrations
07:09with the boss, really, Jenny.
07:11It's not fair.
07:12It's not fair.
07:13My dad called the house and I didn't know.
07:16I'm his daughter.
07:17And after so long without knowing about him?
07:19What do you know?
07:20If he was sick in jail or he was kidnapped.
07:23Please, Jenny, don't say that.
07:25I knew this was going to happen.
07:28Please, Jenny, don't say that.
07:30I've heard stories where people lose their memory
07:32and then recover it.
07:33Well, if you lose your memory suddenly,
07:35don't even show up here because you're going to lose it again.
07:37Well, this is my house.
07:39And if he shows up, I'm going to receive him.
07:41Hold on, Jenny, hold on.
07:44Don't buy this problem for free, okay?
07:46Because the family is going to get in trouble
07:48and it's going to get serious, okay?
07:50Whoever enters through that door
07:51is because all of us who live here agree, okay?
07:55Well, I'm going to go look for him and I'm going to find him.
07:58It's just that he's here.
07:59Leave him like that. How is he?
08:00It's just that I can't.
08:01Understand him.
08:03I can't.
08:05I need to know how he is.
08:07What happened to him?
08:09Let's see, brother, I respect your decision.
08:12But I understand.
08:14I want to see him.
08:20Hug me.
08:26Oh, my God.
08:36Boss.
08:37I'm glad you're here.
08:39Serve me something.
08:41Of course, boss.
08:43Diaz.
08:45I'm going to throw up. I'll be right back.
08:47Hey, hey, hey, hey, hey.
08:55Do you want me to go with you, Camacho?
08:58I can't.
09:01No, I don't need a chaperone.
09:03I know how to take care of myself, thank you.
09:15Good morning, Rege.
09:17I'm hungry.
09:19If you could see how well-treated I am in there.
09:22Oh, Camacho.
09:27Do you know, for a woman like Camila,
09:29if I'm willing to leave Amparo's bitterness
09:32and put up with Pancho making me my children?
09:39That's not true.
09:41Dad's not going with Camila.
09:43Oh, please.
09:44As if I didn't know your dad.
09:46That's why I'm worried about you.
09:48Me? Why?
09:50Your dad does what he wants with you.
09:52He does what he wants with you.
09:54It hurts.
09:55It hurts because I couldn't protect you.
09:57And you became another of his puppets.
09:59That's not true.
10:00Yes, it is.
10:01Your dad is a selfish man.
10:03He's a selfish man.
10:04He's not going to put your interests
10:05before his, Manuel.
10:07He's never going to.
10:08Never.
10:10I want you to find out everything you can
10:13about this detective
10:14who's been meddling too much in my affairs.
10:18Salvador Castillo.
10:20I have a connection at the DA's office.
10:22I'm on my way.
10:23No?
10:24Excuse me.
10:25Go ahead.
10:32What happened?
10:33I don't know.
10:34I don't know.
10:35I don't know.
10:36I don't know.
10:38What happened, Manuel?
10:40Dad, Mom is not well.
10:42You have to go home tonight.
10:44And tomorrow you have to go with her
10:45to Paula's house event.
10:50Why did you insist on David
10:51for Juana to be the photographer for the event?
10:54Juana is not a brewery employee.
10:56Really?
10:57This is something of yours.
10:58It's personal.
10:59No, but I wasn't even offending her,
11:01offering her a job.
11:03Besides, what I organized
11:04is for the kids in her neighborhood.
11:06And I don't think an extra job would hurt her.
11:09You see?
11:10You're humiliating her.
11:11Gabriel, you gave her the option not to come
11:14and she didn't take it.
11:15You know exactly what I'm talking about, Paula.
11:17No, I don't understand you very well.
11:20What I did realize
11:21is how in love David and Juana are.
11:23Didn't you realize?
11:24It's so obvious.
11:26Do you think he would be able
11:27to get the young woman pregnant?
11:29That would be great.
11:32Honey, I'm sorry.
11:33I have a lot to do.
11:36I'm sorry.
11:44Are you sure you're okay?
11:49Don't worry.
11:51But thank you for rescuing the blondes.
11:54I'm sorry, Juana.
11:56I should have told Paula
11:57that you weren't going to be the photographer.
12:00It's not your fault.
12:01Paula should have asked me directly.
12:04It hasn't been easy for you, has it?
12:07No.
12:08Look, I really don't understand
12:10what you're going through.
12:12You haven't fully opened up to me
12:14and it's okay.
12:15I'm not complaining.
12:17I just wanted to tell you
12:22that I'm your friend.
12:24I want to be your friend.
12:26Well, that's it.
12:29Thank you.
12:30I really appreciate it.
12:32Well, I have to go.
12:34Thank you for bringing me here.
12:37See you tomorrow, I think.
12:41Bye.
12:42Bye.
12:57Especially if Mr. Juan Mayor and his husband
13:00get along and have a close relationship.
13:02No, no, no, no.
13:03Rogelio and Francisco have never gotten along.
13:06I never understood why.
13:07Wait.
13:10Look,
13:12if Rogelio was the Mayor
13:14and Mrs. Camila has a crush on him
13:17or they're flirting,
13:18they're giving each other any kind of affection,
13:20we're going to have a probable cause
13:22and then, yes,
13:23we can treat it as passion crime.
13:26Passion crime?
13:27Totally.
13:29Salvador.
13:30Salvador.
13:31It's an emergency.
13:33Trucha, the river.
13:35What river? What Trucha?
13:36Did you see my fish face or what?
13:38Come on, multiply by zero, Pacheco.
13:39Let's go, let's go.
13:40Is he gone or what?
13:42I don't know.
13:44What? What?
13:45I need you to help me with something.
13:48I need to find my dad.
13:55Damn.
13:59I brought some pancakes
14:01so we can eat later.
14:06You've been out all day.
14:09I've been looking for you.
14:10At least you could talk to them.
14:12Did you see them? Did you go to their house?
14:14Yes, I did.
14:16I went and played for a while.
14:20But no one came out.
14:22Then,
14:24a neighbor passed by.
14:29A neighbor.
14:31And she told me
14:33that they left very early
14:36to go to work.
14:37Did you ask where they worked?
14:39No, but they worked all day long.
14:44We'll have to go to where they work, right?
14:47I mean, the little money we have left is for this.
14:49We can't be waiting for them.
14:53Honey, don't you care if I go to work or not?
14:57Honey, don't you mind if we talk about that later?
15:00I'd like to take a nap.
15:18But, above all things,
15:20you have to take care of my image in life.
15:22Because we are public figures
15:24and we have to project
15:26what we are.
15:27A very happy couple.
15:32What's up, bitch?
15:36You don't know what happened when you weren't here.
15:38What happened? Tell me.
15:41The night you weren't here.
15:43You were at the blonde hacienda.
15:44Uh-huh, yes.
15:46Well,
15:48someone was there,
15:49marking the house.
15:50Your grandmother answered and said he was wrong and hung up.
15:54No, but you had seen her face.
15:57She was very upset.
15:59Not even the sun warmed her up.
16:00So much so that she didn't care about the guests.
16:02She apologized and went into her room,
16:04because she felt bad.
16:05But how? Is Grandma sick?
16:06Sick of anger,
16:08of courage, bitch.
16:09Oh, uncle, tell me what's going on.
16:11I'm getting scared.
16:13But it turns out that it was your grandfather who spoke.
16:17Let's see, uncle.
16:18Wait, what was my grandfather like?
16:20What did he say? What does he want?
16:21What does he want, bitch?
16:23He kept screwing us.
16:24As if it hadn't been enough for everything he screwed us.
16:27But really, don't even look at me here,
16:29because I really don't answer.
16:30Let's see, uncle.
16:31I know your instinct is to protect us,
16:33but maybe he did call and...
16:34No, no, let's see, let's see, Chaparro.
16:35It's just that I don't hear, maybe.
16:37I mean, come on.
16:38That man abandoned us.
16:40I mean, you know what that means.
16:42He screwed your grandmother's life.
16:43I know, I know.
16:44And if it wasn't because the lady is an iron temple
16:46that took us all ahead,
16:47we would have stayed on the street like beggars.
16:50Yes, well, yes.
16:52And, let's see, does my mom know about this?
16:55Of course she knows.
16:56She's with Chavo investigating the number where he called.
16:59Well, uncle, obviously that's going to be his dad.
17:01I mean, do you think he doesn't want to know what happened to him?
17:03Let's see, Chaparro.
17:05You are an intelligent woman.
17:07Do you know that matters?
17:09Let's see, I didn't know my dad.
17:10You know that, right?
17:12If he called this house,
17:14I of course I wanted to meet him.
17:16No, no, no, you can't be telling me that, Chaparro.
17:18Please.
17:19Let's see, uncle, you know how much my mom loved her dad.
17:22You know that all the problems she has with men
17:25obviously come from her abandonment.
17:26Exactly.
17:27Exactly, you're giving me the right.
17:29No, because what I'm going for
17:30is that it's normal that my mom wants to see her dad.
17:32It's normal, it's healthy.
17:34And you know what?
17:35Well, I would also like to know.
17:38Uncle, it's the only way we're going to be able to heal our wounds.
17:46But you said you could locate the phone where they were calling.
17:49Yes, because I thought it was a stranger.
17:51What do you mean a stranger? Salvador is my dad.
17:54I need a complaint.
17:55Complaint, complaint of what?
17:57A complaint that he is being abused, harassed.
18:01No, no, no, wait, wait.
18:03My dad is not a harasser or abused anyone.
18:05I mean, what's wrong with you?
18:06Let's see, I think I'm not explaining myself.
18:08What I want to tell you is that in order to investigate a number,
18:12I need a probable cause that there is a crime being committed.
18:15No, no, no, but let's see.
18:16My dad didn't commit any crime, Salvador.
18:18You are a manipulator, a liar, a gossip.
18:21I don't know why I came to ask you for favors.
18:23Forget it.
18:24I didn't say that.
18:25Oh, I didn't say that.
18:26Why do you always get angry like a little kid?
18:28I get angry?
18:29At the first exchange.
18:30I'm giving you the opportunity to mess with me and you get away with this?
18:33I'm explaining to you what I need to be able to...
18:36No, you don't explain anything to me.
18:37I understood perfectly.
18:38You know what?
18:39I don't need anything from you.
18:40I'll solve it as always.
18:41As always.
18:42I solve everything.
18:43Thank you very much.
18:44Goodbye.
18:45See you later.
19:16Aren't you going to come back to your house at some point?
19:22This is my house.
19:24Yes.
19:25Well, I mean with your family.
19:27With your wife, your son Manuel.
19:30With them?
19:31Uh-huh.
19:32They bore me.
19:34I see.
19:35Let's see, Rogelio.
19:38This can't be a relationship that everyone knows about, you know?
19:42What's going to happen if Francisco shows up?
19:45How am I going to stay?
19:47Besides, well, let's be clear, right?
19:49You forced this relationship.
19:56I'm not going to accept that you talk to me like that.
20:01So lower your eyes.
20:04Okay?
20:05Okay.
20:35I love you.
20:36Me too.
21:05I love you.
21:35I love you.
21:36I love you.
21:37I love you.
21:38I love you.
21:39I love you.
21:40I love you.
21:41I love you.
21:42I love you.
21:43I love you.
21:44I love you.
21:45I love you.
21:46I love you.
21:47I love you.
21:48I love you.
21:49I love you.
21:50I love you.
21:51I love you.
21:52I love you.
21:53I love you.
21:54I love you.
21:55I love you.
21:56I love you.
21:57I love you.
21:58I love you.
21:59I love you.
22:00I love you.
22:01I love you.
22:02I love you.
22:03I love you.
22:04I love you.
22:06I love you.
22:07I love you.
22:08You
22:15It's a ropa que le deje padres para la fiesta de manana para NicolĂĄs muchĂsimas gracias, Paola no quieres arcela personalmente
22:22I'm encantarĂa pero lo que pasa es que ando muy justa de tiempo y tengo muchĂsimos pendientes que hacer todavĂa
22:27Y bueno, ya sabe el trĂĄfico y tengo que ir ahorita hasta Santa Fe entonces entiendo no te preocupes
22:33Bueno por cierto NicolĂĄs que invitar a unas personas del barrio que conoce y bueno naturalmente a sus amiguitos del orfanato
22:39Y yo le dije que no tenĂa ningĂşn problema
22:42ya que tu casa es grande y tu corazĂłn generoso verdad hija
22:47SĂ, claro, por supuesto digo es fiesta de NicolĂĄs entonces ĂŠl puede invitar a quien ĂŠl quiera
22:52Bueno padre ya me tengo que ir nos vemos maĂąana
23:02I
23:32Ha
23:39En toda mi vida creo que esta es la segunda vez que te veo en cama durante el dĂa
23:47La primera yo estaba muy chiquita pero
23:50TĂş estabas ardiendo en fiebre y yo estaba necia con que querĂa leer de mis cuentos de acuerdo
23:56SĂ
23:58Sabes abu estoy intentando imaginar por lo que debes estar pasando
24:04Escuchar la voz del hombre que te abandonĂł que te dejĂł con dos hijos que tanto amabas
24:11Debe haber sido muy difĂcil
24:14Seguramente no dejaste que nadie te viera llorar y seguiste adelante
24:19Como la guerrera que eres y aparte seguro tienes un montĂłn de pretendientes
24:24Con lo guapa joven que eras deshija pero no estaba uno para tarugadas
24:30Yo tenĂa que sacar a mis hijos adelante que no nos faltara el techo es que esa eres tĂş
24:36Siempre pones a los demĂĄs por encima
24:40IncluyĂŠndome
24:42Ah
24:44Por eso yo sĂŠ que el otro dĂa que fuiste a la cervecerĂa hablar con gabriel
24:49yo sĂŠ que lo hiciste como la leona que eres para
24:52para protegerme
24:55De lo que de lo que yo sĂŠ que tĂş consideras un peligro es que ese hombre es un peligro
25:01Mira, yo sĂŠ que mi relaciĂłn con gabriel no es
25:04Ideal y ni siquiera yo le entiendo pero vamos tienes que dejar que reciba los golpes
25:11Y que aprenda a levantarme solita
25:13porque yo quiero llegar a ser tan fuerte como tĂş pero si no me dejas caer y
25:19hija hay golpes
25:21De los cuales uno no se levanta pero tĂş me enseĂąaste que para eso estamos tĂş me enseĂąaste para que si uno de nosotros se cae
25:30El resto lo va a levantar
25:33Y yo estoy aquĂ para ti
25:36para levantarte
25:38Mira mi amor yo no me quiero quedar con cosas adentro te lo voy a decir
25:44Ese tal gabriel
25:47No quiere nada bueno contigo
25:51Algo algo quiere de ti no sĂŠ quĂŠ es pero no es honesto contigo
26:09Y
26:10Yo que estĂĄn avanzando con los preparativos de la fiesta en el jardĂn que te digo
26:14Paula sigue con la locura de querer hacer esa fiesta pesar de que ya le dije que me quiero divorciar de ella
26:20porque no sabes quiĂŠn va a ser la fotĂłgrafa
26:23Bueno como conoce a los niĂąos del orfanato pues no se negĂł
26:29El favor hola debe de pensar que parte de tu decisiĂłn de divorciarte es
26:33de juana
26:35No quiero ni pensar que va a pasar cuando se entere de que ademĂĄs de esa muchacha va a darte un hijo
26:42Te mandas a la abogada el convenio de divorcio que le pediste
26:51Pues querĂa que yo le metiera una demanda a mi papĂĄ por abusador y acosador por supuesto que no le voy a hacer eso a mi
26:55PapĂĄ si salvador es policĂa iba a pedir que le metieron un nĂşmero pues tiene que tener una razĂłn no
27:01Yo no voy a dar el nombre de mi papĂĄ para que al rato estĂŠ como delincuente
27:06Pues yo creo que un hombre que deja asĂ a la suerte de dios a su familia y abandona sus hijos cuando son las criaturas
27:12es un delincuente flaca
27:17Felipe ya su parado ya estĂĄ juana lo entendiĂł y quiere conocer a su abuelo
27:23pues juana lo entiende porque no estaba
27:26bien habĂa nacido no manches
27:29pero juana no sabe lo que es tener un papĂĄ
27:32Verlo todos los dĂas aquĂ que un dĂa ya no estĂŠ que nos haya abandonado
27:40Es que no sabes cĂłmo se portaba conmigo
27:44Yo lo extraĂąo mucho lo querĂa mucho
27:47y mi mamĂĄ sabes que es difĂcil
27:50es capaz de que se fue porque ya no la aguantaba
27:55Ya veo que siguen con lo mismo
27:58Voy a la cocina por un vaso con agua y me regreso a mi cuarto
28:08Familia familia familia doĂąa fina
28:11aquĂ bien que la veo porque le tengo una sorpresota
28:13bueno pues ya dila porque te me vas a ahogar maĂąana es el cumpleaĂąos de nicolĂĄs y nos invitĂł a todos
28:19ustedes por ser la familia de juana y a mĂ pues porque soy su carnal
28:24que les parece si vamos todos juntos
28:27Pues es en la mansiĂłn rubio
28:29bueno yo voy a ser como que no sĂŠ leer y como que estoy sorda yo no voy vayan ustedes pero
28:34sucia y los dulces
28:36pues me da mucha pena pepito pero si hago dulces hoy me van a quedar igual de triste es que ayer
28:41voy a mi cuarto con permiso
28:43aguanta jafa yo te acompaĂąo
28:47Pues yo si voy
28:49esa es la actitud mi Jenny
28:51pero primero tienes que ayudarme a hacer mis dulces
28:53es que yo no sĂŠ hacer dulces
28:55no me sale igual
28:57ay andale Jenny con lo que me costĂł conseguir tantos changaros para poner los dulces a doĂąa fina
29:02si no los ponemos un dĂa mĂĄs la competencia nos va a ganar
29:05bueno ya ya ya yo te ayudo
29:07con usted que no me va a salir igual pero lo intentamos
29:09lo intentamos
29:11a ver y esas a quien se las vamos a dar
29:13jefa me da mucho gusto que te hayas parado y salido de tu cuarto pero
29:17te quiero besito cabizbaja y preocupada
29:19es que me estas pidiendo demasiado
29:21me estas pidiendo demasiado
29:23yo no sĂŠ si voy a poder soportar
29:25tener a tu padre frente a mi otra vez
29:27yo quiero poder
29:29pero
29:31pero nada jefa ya
29:33tranquila
29:35yo te prometo que ese seĂąor que no es mi papĂĄ
29:37nos va a acercar
29:41gracias hijo
29:45me voy a acostar
29:51aqui esta el numero donde llamo el que llamo
29:53a la hora que me dijiste desde Puebla
29:55te debo unas chelotas
29:57por eso muchas gracias
29:59como lo conseguiste
30:01una encargada de cibernetica es muy amiga de confianza
30:03es fanatica de la comida
30:05y por mi receta de frijol con puerco harĂa lo que sea
30:07te veo papĂĄ gracias
30:09bye
30:21music
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34:35Claro.
34:36Bye.
34:37Bye.
34:40ÂżQuieres que pida que nos preparen algo de cena?
34:42No, gracias.
34:43Esto es para ti.
34:47Son los...
34:48SĂ, yo sĂŠ quĂŠ es.
34:51Y no te lo voy a recibir ahora.
34:53Guarda esa apuĂąalada para maĂąana despuĂŠs de la fiesta.
35:06Tania.
35:07SĂ, seĂąora.
35:08Ven.
35:09Un segundo.
35:10Ven para acĂĄ.
35:11AllĂ hacen falta los regalos.
35:12Por favor, ya hay que ponerlos.
35:13Y en esta parte que va a haber DJ, vamos a poner DJ.
35:16ÂżCĂłmo van los mariscos?
35:17TodavĂa no han llegado, pero van a llegar.
35:19No se preocupe, Tania.
35:20Necesitamos que se apuren porque no vaya a ser que lleguen los envĂos.
35:23AquĂ van a estar los regalos.
35:24No se preocupe, por favor.
35:25Todos carien, ÂżOK?
35:26OK.
35:27Perfecto.
35:28Supervisa, por favor, a los meseros.
35:29Porque van a llegar los envĂos.
35:30SĂ.
35:31SĂ.
35:32SĂ.
35:33SĂ.
35:34Supervisa, por favor, a los meseros.
35:35AcĂĄ va a estar el bar.
35:36AllĂ vamos a tener tambiĂŠn otro bar.
35:37Paola.
35:38Con permiso.
35:39ÂżEs en serio?
35:40Por Dios, esto no parece una fiesta para niĂąos.
35:41ÂżY quĂŠ pediste?
35:42ÂżMariscos?
35:43ÂżPor quĂŠ no pediste hamburguesas, palomitas, crepas, esas cosas?
35:44Agradezco mucho tu opiniĂłn.
35:45Oigan, amigo.
35:46Ven.
35:47Vamos a arreglar.
35:48Buenas, buenas.
35:49Ni tan buenas.
35:50ÂżAhora quĂŠ pasa?
35:51ÂżQuĂŠ pasa?
35:52ÂżQuĂŠ pasa?
35:53ÂżQuĂŠ pasa?
35:54ÂżQuĂŠ pasa?
35:55ÂżQuĂŠ pasa?
35:56ÂżQuĂŠ pasa?
35:57ÂżQuĂŠ pasa?
35:58ÂżQuĂŠ pasa?
35:59ÂżQuĂŠ pasa?
36:00ÂżQuĂŠ pasa?
36:01ÂżQuĂŠ pasa?
36:05A prueba?
36:07ÂżEh?
36:08ÂżQuĂŠ tal?
36:11Tristes.
36:12No saben en nada.
36:13ÂĄAy ya, Pepito!
36:14ÂżEs en serio?
36:16ÂżY ahora?
36:17Esto no puede ser posible.
36:19Esto es una tragedia.
36:21TĂş cocinas tristes.
36:24DoĂąa Fina tambiĂŠn.
36:26Esto nos va a llevar a la quiebra.
36:27Me rindo.
36:29Me rindo.
36:30Me la pasĂŠ toda la noche haciendo esto.
36:32Yo ya no puedo mĂĄs.
36:33Yora, I'm going to have to take them with me anyway.
36:37Oh, no.
36:39Remember that I sell happiness, not sadness.
36:44No.
36:45What are they going to say about me?
36:46What's going to happen to my savings?
36:48My family's economy?
36:51Oh, this can't be possible.
36:57Uncle.
36:58Hi, Gabriel.
37:00I'm on my way.
37:01But first, I wanted to know how it went with Paula
37:03and the divorce papers.
37:05Bad.
37:06In fact, she didn't want to accept them.
37:09I'm going to wait until this party is over
37:11and I'm going to try to talk to her.
37:13What's up, Mom? I'm leaving.
37:15How come you're leaving so early?
37:16Aren't you going to sweep?
37:17I know, but I have to get ready and all that.
37:20All for Father Jose's orphans.
37:22All for Father Jose's orphans.
37:25Your grandmother is leaving.
37:26She's getting ready.
37:27I'm going to shower and I'm leaving too.
37:29Oh, that's great.
37:30The truth is, it gives me a lot of security that you're there.
37:31It's taking me a while too.
37:33That way I don't feel so alone.
37:34Don't say that.
37:36You know perfectly well that we'll always be together.
37:38The whole family apart.
37:40In the good times and the bad times.
37:41That's it.
37:44Well, I'll see you now. I love you.
37:45I love you too.
37:46Be careful, my love.
37:47Yes, but...
37:50And don't say that later, okay?
37:51We're going to go.
37:52And now I'm going to accompany you.
37:53Oh, but...
37:54Yes, honey, but...
37:56Today is Sunday.
37:57Well, that's why I don't want you to work too much.
37:59You have to rest today.
38:00And because of how you are,
38:02I don't believe a word you said to them yesterday.
38:03That's why I'm going to accompany you.
38:05Now we're going to catch the bull by the horns,
38:07as you say. Let's go.
38:08The bull by the horns.
38:10Let's go.
38:11I just want to let you know that I can still
38:12brush my shoes alone.
38:13Well, that's it. Go on, get out.
38:15Oh, and don't forget the keys.
38:22Oh, Josefina, look who's here.
38:26How pretty, boss.
38:28No, man.
38:29You look great with that smile.
38:30What a difference.
38:31Oh, son, I think Juana is going to need us all.
38:35Yes.
38:36I'm ready.
38:37I'm ready.
38:38That's it.
38:39How pretty.
38:40What a life.
38:41I'll bring the new jacket in case you're cold.
38:43Go ahead.
38:44Oh, the guy is here.
38:46Your boyfriend is here.
38:47He's here.
38:48He's here.
38:49Your uncle is here.
38:50What's up?
38:51Are we leaving or what?
38:52I brought Nico a gift.
38:54Give it to him.
38:55I'm waiting.
38:56It's so nice to see you again.
38:58Likewise, son, likewise.
38:59Come on in.
39:00How elegant, Josefina.
39:02You call yourself elegant, Pepito?
39:04You look so pretty, Josefina.
39:06Yes, sir.
39:07Oh, sir, I'm going to believe you.
39:09Oh, my mother.
39:10Sweetie, can I go to the bathroom?
39:11Hurry.
39:12No, no, sweetie, go ahead.
39:13Excuse me.
39:14Take care of the ball, sir.
39:16I think this party is going to be memorable.
39:19Oh, well, I hope there's good food.
39:22Because my gut is already itching.
39:24And at that party, I'm going to have an itch.
39:26Oh, Pepito.
39:29Come on, Mr. Pau.
39:30Let me open them.
39:31Just one.
39:32No, Nico, no.
39:33Why don't we wait for all your guests to arrive
39:35and you open them with them?
39:37All right, but when are they coming?
39:39I can't wait to see them.
39:41Well, I don't think they'll be long.
39:43They're probably on their way.
39:45I don't know what time we're going to call your friends.
39:46Excuse me, ma'am.
39:47Miss Juana is here.
39:49Hello, Juana.
39:50Juana, how nice to see you.
39:53And a little...
39:54Of course, of course, how could I miss your birthday?
39:57Hello, Juana.
39:58Hello.
40:00Kid.
40:02Well, why don't we take advantage of your presence, Juana,
40:04and take a family picture?
40:06Come, honey.
40:07Come, please.
40:09Come, family hug.
40:13Smile.
40:18Very pretty.
40:20Nico, come, I have a surprise for you.
40:22Let's see.
40:23Can I talk to you for a moment, please?
40:30Guess what.
40:31I know you already told me that our marriage has no future,
40:34that there's no love, whatever you want,
40:36but I think we can help this charity together
40:39and also make this child happy.
40:41It's not that complicated, is it?
40:43You can smile.
40:45Please.
40:49How did the party go?
40:51What?
40:52I thought you were taking Nicolas.
40:54No, I'm not taking Nicolas, but Pepito helped me, right?
40:57He convinced him to invite me.
40:59Do you think I'm going to miss that party?
41:01But Pepito is nice.
41:03Nicolas told me he had invited all the guys from the neighborhood.
41:08And Yadir is one of the guys.
41:10Of course, and a future partner.
41:12Where is Mrs. Josefina?
41:14Mrs. Josefina!
41:16You have to do business, you have to serve.
41:18Mrs. Josefina, is she there?
41:20What's up, honey?
41:22I brought you some biscuits.
41:24I brought more sweets.
41:26I'm going to put them in the beauty salon.
41:28But make them when you're not happy.
41:31Pepito told me the sweets are making you sad.
41:33Eat.
41:34And Yenny too.
41:36Oh, Pepito.
41:37Pepito.
41:39Biscuits?
41:40Okay, go ahead.
41:41Let's go get the cheese.
41:42I'll go with Felipe. Come on.
41:45Oh, I forgot my gift.
41:47Give it to me.
41:48Mrs. Josefina, excuse me, but your perfume smells like glory.
41:54Thank you very much, Mr. Memo.
41:56I bought that catalog from Zoraida.
41:58It smells nice, doesn't it?
42:00Yes, yes.
42:01Okay, let's go.
42:05Okay.
42:06Smile.
42:09Juana, take another picture of Nico.
42:12Sure.
42:12Leave it there.
42:14Let's see.
42:15Smile.
42:18Let's take another one.
42:28Don't you think we're a wonderful family?
42:30Yes, we are a family.
42:32A very happy family.
42:37Smile, Ana.
42:39Smile.
42:47Let's take another one.
42:49Let's take another picture, Juana.
42:51Yes, Juana.
42:52Come on.
42:53It feels so nice to have a family.