Last Looks: Rosalía

  • 4 months ago
Last Looks: Rosalía
Director: Genesis Valverde
Director of Photography: Kristina Jiana
Editor: Daniel Poler
Producer: Gigi Chavarria
Associate Producer: Lea Donenberg
Assistant Camera: Finalis Valdez
Audio: Rebecca O'Neill
Production Assistant: Kayla Zimmerman
Assistant Editors: Ben Harowitz, Justin Symonds
Post Production Coordinator: Ian Bryant
Arts & Graphics Lead: Léa Kichler
Supervising Editors: Erica DeLeo, Eduardo Araujo
Post Production Supervisors: Alexa Deutsch, Andrea Farr
Production Coordinators: Ava Kashar, Bailey Lica
Production Manager: Natasha Soto-Albors
Line Producer: Romeeka Powell
Senior Director, Production Management: Jessica Schier
Entertainment Director: Sergio Kletnoy
Supervising Producer: Felicia Kelley
Director of Content, Production: Rahel Gebreyes
Senior Director, Programming: Linda Gittleson
VP, Digital Video English: Thespena Guatieri
Images: Sophie Carre
Filmed on Location: The Mark Hotel, New York

Category

People
Transcript
00:00Look, look, look, girls. I'm getting something.
00:03Look at all the people here.
00:05My God, we're here in the Mark.
00:07Look at all the people here.
00:09How nice.
00:11They're down there, look.
00:12My God.
00:13Well, now we'll go down in a little while.
00:15We're here in the Mark.
00:29We're getting everything ready.
00:32I'm getting my hair done.
00:34Half of it is done and the other half is not.
00:36So, be patient.
00:37Trust the process.
00:39Trust the process.
00:41And so, here we have a bit of everything.
00:43We have some corsets.
00:46I think I'm going to use this one, the smaller one.
00:49Because it's going to make my waist look like a wasp.
00:53And we also have the shoes here.
00:57We have...
00:58I'm probably going to be using these.
01:00And they're a bit too big for me.
01:02So, we've put something here
01:05to help me and not fall over there.
01:08I'm probably going to take this bag from here
01:11to take my retouches, to take my gum, my whatever.
01:16I'll put it all here.
01:18You know, because one has to be prepared.
01:20Although I don't think I'll take it on the red carpet.
01:22When I saw that they said that the theme was Sleeping Beauty,
01:27I thought, well, the first thing that comes to mind are dreams.
01:31So, when you're about to fall asleep and close your eyes,
01:36the first thing you see is darkness.
01:39It's color black.
01:41So, for me, it's much more about that than...
01:45It's more cliche if I think about dreams and colorful.
01:48Colores, colores. No, it's more about black.
01:51And that...
01:52Eso es el preludio a los sueños.
01:56And that's why we thought the absence of color,
01:59it makes so much sense.
02:01We became really obsessed
02:03with the very specific time period of the late 1940s
02:06and the early 1950s,
02:08the new look, Monsieur Dior,
02:10and the way that he saw women.
02:12Christian Dior, para mí, fue como un reawakening of fashion,
02:17you know?
02:18And so, he's been very inspiring.
02:22And also Maria Grazia is a very inspiring woman.
02:25Seeing her work, it was amazing.
02:26En París la vi trabajar y dije,
02:28oh, my God, como ella comienza.
02:31So, yeah, I'm learning and I'm enjoying this process.
02:36I think Rosalia is a chameleon.
02:39She's a woman who loves fashion.
02:41She loves playing a role.
02:43She loves communicating through her image.
02:46And when we began talking about what would feel fresh,
02:49what she hasn't done before,
02:51what people may not expect,
02:53I think we really landed on something
02:55that felt a little bit more restrained.
02:58Mira, esto lo hizo Stephen Jones.
03:01Y él es un leyenda, es un icono,
03:04que le ha hecho unas piezas que van a la cabeza que son increíbles.
03:08Entonces, él me ha hecho este headpiece
03:11que para mí es como que completa el look absolutely.
03:14Like, makes the look better.
03:16Like, the dress is everything,
03:18but then you use this,
03:20and it makes it even better, you know?
03:23And there's room for it.
03:25Yesterday we were trying it,
03:27trying to find the right placement in the face
03:29so it wouldn't cover the face.
03:31Instead, it would frame it,
03:33and it feels great.
03:35I think it's so beautiful.
03:37She has this beautiful veil that goes over her face,
03:41and it's all chic, black, sophisticated.
03:44So she has beautiful skin within itself.
03:46She really doesn't need much.
03:48But I wanted, obviously, to elevate her skin,
03:51but keep it natural, sophisticated, timeless,
03:54and not much taking away from her look anywhere else.
03:57But through the veil, I wanted to pop a color,
03:59which she always loves, a red lip,
04:01and she looks beautiful in a red lip.
04:03So we went with that, so it peeks through the veil.
04:06But instead of a classic red lip,
04:08we put more of a modern twist on it
04:10by having a brown outer lip
04:12that ombres into like a padded red lip.
04:15Kind of reminds me, I got inspiration off chocolate-dipped cherries.
04:24I basically prepared myself for the Met
04:26by doing a lot of cardio,
04:28a lot of weights,
04:30a lot of fish and vegetables,
04:34a lot of meditation,
04:38and not much going out to parties.
04:40And don't believe me,
04:42I've lasted like a month, a month and a bit doing it,
04:44consistency,
04:46dedication,
04:49and commitment.
04:51And here we are.
04:54I don't think we've done a bad job.
05:01Come here, come here.
05:03This is Pili.
05:04She's the one who cut up and made collages,
05:06and I learned from her.
05:08I learned from her, and she did...
05:09We taped the folders.
05:11We taped the folders,
05:12the samples that came in bulk,
05:14whether it was a perfume or a cream.
05:16Well, we kept it like it was a cloth.
05:18And I learned a lot from my sister,
05:20from seeing her making collages.
05:22As time goes by, I learn more about who I am,
05:24and as I learn more about who I am,
05:26it's like I can express myself
05:28more through fashion.
05:30So,
05:32it's not that I want people to remember
05:34something specific,
05:36but if they remember something,
05:38I'd like them to remember street looks.
05:40Because street looks are looks
05:42that I do quickly,
05:44and some of them I do,
05:46or I do with my sister,
05:48or my sister does them.
05:50It's all about that.
05:52It's about freedom,
05:54not caring demasiado,
05:56but having so much love.
06:02I would say
06:06something like an idea
06:08becomes reality.
06:10Like, I think there's something magical
06:12about when there's an idea,
06:14when there's something that isn't tangible yet,
06:17and seeing it materialize.
06:19We've done at least four fittings
06:21to get to this point
06:23where we are now,
06:25and it's a big team of
06:27so many people working,
06:29tailors, styling,
06:31glam,
06:33and this and that,
06:35and there's so many people involved,
06:37and all of us, we care about it.
06:42Yeah, I think the hairstyle for today
06:44kind of gives a little bit
06:46of an effortless feeling to it,
06:48which is a little bit ironic
06:50because it does take a lot of work
06:52to get this kind of texture,
06:54so it'll be kind of fun to see,
06:56walk through the steps of achieving this.
06:58But yeah, we love a little
07:00rawness as well.
07:02A little rawness.
07:04Some realness.
07:06We try to stay calm,
07:08even though we're against the clock.
07:10We don't want to arrive
07:12so, so, so late.
07:14Do we have an hour or 45 minutes?
07:16We go, we go, we go!
07:18We go, we go, we go!
07:20Let's see if Anna Wintour
07:22has already locked the door.
07:24Albert.
07:26Albert is my best friend
07:28from high school,
07:30and he controls,
07:32he knows everything.
07:34He controls the time absolutely perfect right now.
07:36Albert, how much time do we have left?
07:3845.
07:40Wow.
07:42I don't know, I think I'm so nervous that I went calm.
07:44Right?
07:46Yeah.
07:48Well, time is running out,
07:50so let's go outside.
07:52We have to focus.
07:54Kisses!
08:10Gorgeous.
08:20Wow, so many things
08:22at the same time.
08:30Okay.
08:32Conclipse.
08:34Wow.
08:36Wow.
08:40Wow.
09:10Wow.

Recommended